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Title: [Proofs from specimen album loose prints collection]
Description: Contains proofs, primarily of advertising vignettes, depicting views of factories and storefronts predominantly in Ohio. Businesses depicted include manufacturers of saddlery hardware, "burial cases," sewing machines, and glass; dealers of liquor, dairy supplies, wallpaper and painter supplies; and engravers, printers, and lithographers. Vignettes often include street and pedestrian traffic. Prints also show portraits of men, women, and children; genre and satiric scenes, including the stereotype character "Uncle Remus" (portrayed in racist caricature) designed for trade cards; pictorial and border details designed for certificates, labels, and billheads; machinery and transportation vehicles; trademarks and seals; and a rocking chair. Series also contains a reward of merit designed as a stock certificate and an uncut sheet of six illustrations titled in German. Illustrations primarily depict historical and religious scenes, including the conversion of Saint Eustace., Title supplied by cataloger., Various printers, including H.J. Toudy & Co. and W.J. Morgan & Co., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860-ca. 1882]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Proofs [P.9349.296, 308, 320, 339, 342, 344-347, 349, 351-353, 360, 365, 416, 419, 427-430, 443, 445]

Title: Colored schools broken up, in the free states
Description: Depicts an attack on a school established by Prudence Crandall in Caterbury, Connecticut that was destroyed by a white mob in September 1834. Image shows a mob of whites raiding, torching, and throwing cobblestones at a building whose sign reads "School for colored girls." At the left, two young girls exit the side door of the school., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 15., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 15, https://digital.librarycompany.org/islandora/object/Islandora%3A2763

Title: Market Street, from Front St. Philadelphia
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named for its central location to the ferries from New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyright statement printed on recto: Entered according to act of Congress in the year 1840 by J.T. Brown in the Clerk's Office of the Dt Ct for the En Dt of Pa., Originally published as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.2. Digital image shows third state of the print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, See Martin Snyder's "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography 87 (January 1953), p. 32-53., Gift of Dr. James Rush., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department W227.2 [Print Room *Am 1838 Wild 3008.Q (Rush)]

Title: A new song suitable to the season, to the tune of good English beer
Description: A cartoon supporting the Old Ticket Party of Pennsylvania which advocated a conversion from a proprietary government to a royal colony. Depicts well-to-do Philadelphians in a tavern drinking and singing "Huzza Old ticket, Old Ticket Forever." An African American server serves the men as he states in patois his support of the Old Ticket. As the devil exits the tavern, he indicates his support for the New Ticket Party which supported the existing proprietary government. Contains an electioneering song of six verses from which the depicted Philadelphians sing verses. The tavern was often used as a place to canvass election support and treat voters., Place and date of publication supplied by Evans., Possibly the work of Henry Dawkins., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1765]
Location: Library Company of Philadelphia | Print Department Political Cartoons -[1765] - New [959.F.87a]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10W [5760.F.115]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., RVCDC, Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10aW [P.8698]

Title: Mr. T.D. Rice As the original Jim Crow
Description: Full-length, caricatured portrait depicting T.D. Rice, known as the "father of American minstrelsy." Depicts Rice as his African American racist shyster character of "Jim Crow." He is portrayed with exaggerated features and mannerisms. He stands, attired in torn and worn clothing, in an exaggerated pose with his right hand on his hip as his left hand tips his hat. His attire includes a jacket, vest, collared shirt, pantaloons, stockings, and slip one shoes. He stands in a fenced in pasture with two cabins in the distant background. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., After the caricature illustration originally created around the 1820s, often reproduced on sheet music covers of the 19th century. See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989), part 2, vol. IV, p. 62-63., Description of Blackface minstrelsy and minstrel characters from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchase 1992., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department portrait prints - Rice [P.9369]

Title: Market Street from Front St. Philadelphia
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named for its central location to the ferries from New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.C. Wild and J.B. Chevalier in 1838., Issued as plate 14 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). A series of Philadelphia views, the first produced by lithography, originally published as five numbers of four prints each in 1838, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 457.1. Digital image shows the third state of the print., Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (2 copies), Athenaeum of Philadelphia: General Prints Collection - PR250, See Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania magazine of history and biography 87 (January 1953), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department W227.1 [P.2098]

Title: Market Street, from Front St
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named after its central location to the ferries of New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.T. Bowen., Issued as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.3, Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (3 copies; 2 hand-colored), Snyder, Martin. "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography (January 1953, Vol. LXXXVII), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: c1840, 1848
Location: Library Company of Philadelphia | Print Department W227.3 [P.2099]

Title: [Folk art portraits of two African American women and two African American men]
Description: Folk art bust-length portraits of two African American men and two African American women, portrayed in racist caricature, shown in a row, alternating woman, then man. In the left, the woman, wearing her hair in two braids tied with blue bows on either side of her head that stick out, with red lips, and attired in an off-the-shoulder blue dress with ruffles, faces forward with her eyes looking left. Beside her the man, with red lips and attired in a white collared shirt, a pink tie, and a black jacket, slightly faces left and his eyes look at the woman. The woman, wearing her hair tied in multiple braids, with pink lips, and attired in a pink, ruffled dress, looks to the left. In the right, the man, with pink lips and attired in a blue bowtie, a white shirt with blue stripes, and a black jacket, faces left and looks at the woman., Title supplied by cataloger., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1909]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - Unidentified - Faces [P.9057.28]

Title: South-east corner of Twelfth and Locust streets
Description: View of the business and residential Philadelphia street corner with a two-story, wooden building advertising the sale of cigars, tobacco, coal, and oil. Barrels and carts line the sidewalk. Rowhouses are interspersed amongst the businesses including a liquor store, a lager beer hall, and Palace Segar store. Men, women, and children pedestrians, including African Americans, walk on the sidewalk. In the nineteenth century, the neighborhood, known as Washington Square West, contained one of the city's largest populations of African Americans., Title from item., Possibly commissioned by Philadelphia antiquarian Ferdinand Dreer., Lib. Company. Annual report, 1975, p. 6-11., Select link below for a digital image., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: 1883
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.120], http://www.brynmawr.edu/iconog/evans/files/plc120.html

Title: Northwest corner of Eleventh and Pine Streets. Demolished 1889. Present site of the Gladstone
Description: View depicting the commercial Philadelphia street corner with the grey wood shack of Michael Traynor, licensed tavern and oyster house, for sale. Storefronts include a stove and heater manufactory; a store selling birds; Schriber, tin and sheet iron worker; a "segar" store; and a lager beer hall. Street trolleys are partially visible to the far right and left. Several pedestrians, predominately African Americans, walk the sidewalks. Individuals board and depart the trolleys. The Gladstone, erected between 1889 to 1890, was the city's first apartment hotel. In the nineteenth century, the neighborhood, known as Washington Square West, contained one of the city's largest populations of African Americans., Title from item., Commissioned by Philadelphia antiquarian Ferdinand Dreer., Lib. Company. Annual report, 1975, p. 6-11., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: 1883, circa 1890
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.121], http://www.brynmawr.edu/iconog/evans/files/plc121.html

Title: Northwest corner of Eleventh and Pine Streets. Demolished 1889. Present site of the Gladstone
Description: View depicting the commercial Philadelphia street corner with the grey wood shack of Michael Traynor, licensed tavern and oyster house, for sale. Storefronts include a stove and heater manufactory; a store selling birds; Schriber, tin and sheet iron worker; a "segar" store; and a lager beer hall. Street trolleys are partially visible to the far right and left. Several pedestrians, predominately African Americans, walk the sidewalks. Individuals board and depart the trolleys. The Gladstone, erected between 1889 to 1890, was the city's first apartment hotel. In the nineteenth century, the neighborhood, known as Washington Square West, contained one of the city's largest populations of African Americans., Title from item., Commissioned by Philadelphia antiquarian Ferdinand Dreer., Lib. Company. Annual report, 1975, p. 6-11., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: 1883, circa 1890
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.121], http://www.brynmawr.edu/iconog/evans/files/plc121.html

Title: A bran new coon in town
Description: Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1898
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]

Title: Die Einwohner von Boston wersen den englisch-ostindischen Thee ins a Meer am 18 December 1773
Description: Scene depicting the Boston Tea Party in 1773. Protestors board and dump barrels of tea from English ships as spectators watch from the shore. Among the spectators is an African American man sitting on a barrel and a Native American man smoking a pipe., Inscribed upper left corner: S.74., Plate 2 from Matthias Sprengel. Historisch-genalogischer Calendar oder Jahrbuch... (Leipzig: bey Haude und Spener von Berlin, 1783). (LCP Am 1783 Spre, Log 5059.D)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chodowiecki was a prominent German engraver and painter who specialized in prints of historical subjects.
Creator: Chodowiecki, Daniel, 1726-1801, etcher
Date: [1783]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.8935.2]

Title: Die Hessen vom General Washington am 25ten Dec. 1776 zu Trenton uberfallen, werden als Kriegsgefangne in Philadelphia eingebracht
Description: Scene depicting General George Washington and his bodyguard on horseback marching the Hessian prisoners captured on Christmas 1776 over a Philadelphia drawbridge. Spectators line the bridge, including a woman and an African American man., Inscribed upper left corner: S.iii., Plate 6 from Matthias Sprengel. Historisch-genalogischer Calendar oder Jahrbuch... (Leipzig: bey Haude und Spener von Berlin, 1783). (LCP Am 1783 Spre, Log. 5059.D)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chodowiecki was a prominent German engraver and painter who specialized in prints of historical subjects.
Creator: Chodowiecki, Daniel, 1726-1801, etcher
Date: [1783]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.8935.6]

Title: Pennsylvania Colonization Society A view of Bassa Cove in Liberia
Description: Honorary life membership certificate containing a view of Liberia, the African American colony established by the American Colonization Society in 1822. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 to promote Black American emigration to resolve the problem of race inequality and to end slavery., Title from item., Issued to [Tho]mas Sully, Esquire of Philadelphia on October 24, 1848 for his donation of "valuable original portraits." Signed by [Robert B.] Davidson, rec. secretary; Elliot Cresson, corresponding secretary; J.R. Ingersoll, president., Description revised 2021., Access points revised 2021., Gift of Hirschl and Adler Galleries, 1989., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date: [ca. 1837]
Location: Library Company of Philadelphia | Print Department *Philadelphia Certificates [P.9261]

Title: Court. Lombard St. W. of 7
Description: Depicts the courtyard between the brick residences of 710 and 714 Lombard Street, Philadelphia. An African American man, attired in a brimmed hat, a white shirt, dark-colored pants, and shoes, stands in the courtyard near 710 facing the viewer. In the right, several children, including African Americans, sit on the stoop of the opposite residence. Chairs are visible in the courtyard., Title from manuscript note on verso., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.88], http://www.lcpimages.org/wilson/wilson88.htm

Title: " Ariosa" Coffee. One gleam of consolation. From "Judge" by permission
Description: Trade card promoting Arbuckle's Ariosa Coffee. Depicts a racist caricature originally published in the satirical periodical “Judge” of an older African American woman and older, African American Deacon in conversation. The figures are portrayed with exaggerated facial features and speaking in the vernacular. They stand across from each other in a home setting. "Mrs. Johnson" is attired in a attired in a yellow apron over a black dress, a red vest, and an orange, head kerchief. She has a pipe in her mouth. "Deacon Smith" is attired in a top hat, blue coat over a white collared shirt with red bow tie, brown pants, black shoes, spectacles, and leans on a cane. Depicts Deacon Smith providing comforting words to Mrs. Johnson after she "loose de bigges' chile." The Deacon consoles "Providence am allus mercies in disguise" to which Mrs. Johnston agrees the child was "allus a mon-st'ous eatah." In the background is a steaming kettle on a small stove with a chimney pipe. On the verso is an illustration showing the exterior of the Arbuckle Ariosa Coffee's Brooklyn factory near a dock. View includes men loading train cars, horse-drawn wagons, and ships with cargo. Brothers John and Charlie Arbuckle, Arbuckle Bros., established their factory and warehouse in Brooklyn in 1881 after they invented a machine that roasted, ground, and packaged coffee into bags. Their first national brand was patented under the name Arbuckle’s Ariosa. The company succeeded into the 20th century. Following John’s death in 1912 the company declined and was broken up by the Arbuckle family in the late 1930s., Title from item., Place of publication deduced from place of operation of advertised business., Text printed on recto: Mrs. Johnson (mournfully)--"Ah deacon! It am very hard to loose de bigges' chile I's got." Deacon Smith (consolingly)-- "Dat am true, Mrs. Johnsing; but dese cha'tisements of Providence am allus mercies in disguise." Mrs. Johnson (meditatively)-- "Y-e-e-s; Jeems was allus a mon-st'ous eatah.", Advertising text printed on verso: "Ariosa" Coffee. No. 96. 839,972 pounds roasted daily. The enormous consumption of the popular brand gives proof that for strength, purity and deliciousness it has no equal., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -Arbuckle [P.2017.95.7]

Title: Arbuckle's ariosa coffee. Arbuckle Bros. Coffee Company, New York
Description: One of a series of "fifty" trade cards, "each one of which shows a correct map (properly bounded) of one State, or Territory" to promote Arbuckle's Ariosa Coffee. Depicts a map of Alabama (left) and a scene with African American men and women picking cotton in a cotton field (right). Scene shows a man in the foreground placing cotton in a basket piled high with it. In the center, right background, a woman stands and holds a large basket piled high with cotton on her head. In the distant background, two men and three women bend over and pick cotton from the plants. A piece of harvesting equipment is visible in the far left background. The men and women wear long sleeve shirts and hats or bonnets. Arbuckle's Coffee was founded by brothers John and Charles Arbuckle following the Civil War. The company was one of the first to sell roasted coffee and to place it in one pound packages. Arbuckle often included trade cards in the packages., Title from item., Image captions: Cotton Picking; Population 1,262,[ ]5; Area in Sq. Miles 52,250., Date inferred from content, dates of activity of lithographer, and reference to Washington which gained statehood in 1889 as a territory., Series number printed on verso: No. 67., Several lines of advertising text printed on verso explicating why Arbuckle's Ariosa Coffee "costs more and is worth more than other brands of coffee," including higher grade green coffee and the "glazing" process. Also includes a "Read This." section describing the series of cards as "interesting, instructive, and artistic," and their purpose as and "object lesson or both young and old." Section ends with the alphabetical list of 50 states and territories depicted. Washington, New Mexico, and Wyoming are listed as territories., RVCDC, Description reviewed 2022., Access points revised 2022., Some degradation to image.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Arbuckle's [P.2017.44]

Title: Magnolia ham, winter cured. Don't talk bout henhouses to me
Description: Racist trade card depicting a genre scene of an African American man and boy "stealing" hams through a field at night. In the right, in front of the boy, the man carries a packaged ham under each arm and one on his hand. He is barefoot and attired in a loose-fitting shirt and calf-length, worn, blue pants. The boy stands behind him and struggles to hold one ham to his chest in his arms. He is barefoot and attired in a wide-brimmed hat, a white shirt, and calf-length, red pants. Both figures are portrayed with exaggerated features. Countryside and a crescent moon in the sky are visible in the background. McFerran, Shallcross & Co. began curing hams in 1863 as McFerran & Menefee. The firm was composed of John B. McFerran, S.H. Shallcross, R.J. Menefee, and W.P. Clancy. Largely based in Louisville, Kentucky with large packing facilities, the company also had agencies across the United States., Title from item., Date inferred from dates of operation cited in history of firm published in 1886 volume, "The City of Louisville and A Glimpse of Kentucky," p. 129., Printed in lower right corner: Over., Advertising text on verso: Below you will find figures showing the increase of the Annual Cure of the Magnolia Ham. The history of Ham Curing furnishes no such example. From 7,500 they have already attained a Cure of 375,000 Pieces, and the end is not yet. 1863 - 7,500; 1864 - 15,000; 1866 - 42,000; 1867 - 75,000; 1868 - 92,000; 1869 - 110,000; 1870 - 118,000; 1871 - 125,000; 1872 - 175,000; 1873 - 200,000; 1874 - 225,000; 1875 - 250,000; 1876 - 300,000; 1877 - 341,000; 1878 - 375,000. "The Proof of the Pudding is in the Eating." All Winter Cured and guaranteed unsurpassed in cut, cure, flavor and style. Cured By McFerran, Shallcross & Co. Louisville, KY. Try Them., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Magnolia [P.2017.95.113]

Title: Life in Philadelphia. "How you like de new fashion shirt...?"
Description: Racist caricature ridiculing the 1829 male fashion fad of striped shirts depicting an African American man-woman couple discussing the "new fashion shirt" that he is wearing. In the right, the man stands slightly turned and hands on hips. He is attired in a brown waistcoat with tails, a red vest, a blue-striped shirt, black cravat, tan pants, yellow gloves, black shoes, and a neck fob. He holds a black top hat in his left hand. In the left, "Miss Florinda," stands, forward facing, and holding a fan near the right side of her face. She wears a red and yellow headpiece over her hair that is in a top knot. She is attired in a yellow calf-length, cap sleeved dress with floral details, red and white trim, and décolleté neckline; white opera gloves; ankle-laced slippers; flower-detailed stockings; and jewelry, including earrings, necklace, and bracelets. She holds a handkerchief in her left hand and states that she finds the fashion elegant and how his wearing it within the "Abolition siety" will make him look like "Pluto de God of War!" They stand on a patch of grass. In classical mythology, Pluto is also the god of the underworld and wealth. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring., Title from item., Date inferred from content., After the work of Edward W. Clay., Plate 9 of the original series published in Philadelphia., Contains seven lines of dialogue in the vernacular and dialect above the image: How you like de new fashion shirt, Miss Florinda? I tink dey mighty elegum_ I see you on New year day when you carry de colour in de Abolition ‘siety -You look just like Pluto de God of War!, LCP exhibit catalogue: Made in America p. 29., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist in Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 88-89. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Imbert, Anthony, 1794 or 5-1834
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [P.2004.39.2]

Title: Grand complimentary benefit to Andy Williams and Billy Burr on Wednesday eve'ng, Nov, 2d, '64 on which occasion the Jenks' Comedy Combination will appear in one of their screaming farces. ... Also, the Star Minstrels ... Admission, twenty-five cents Doors open at 7 o'clock. Performances commence at 8. Front seats reserved for ladies. Polite ushers will be in attendance. Programme. ... First time of Andy Williams' act, entitled Pepper-pot Jeemes ... By particular desire, will be repeated, The black statue! ... To conclude with the screaming farce of My neighbor's wife
Description: The two companies include: T.H. Adams, Billy Burr, C.M. Christy, R.W. Finley, J.S. Fox, Isabella Freeman, C.W. Hilfrem, Harry Hilfrem, W.G. Hilfrem, F.W. Hulfish, Frank Jenks, P.M. Lewis, F. Marion, Ed. Martin, Miss M.A. Mortimer, J.W. Morton, Lizzie Smith, and Andy Williams., Illustration signed: Strong., Printed area, including double-rule border, measures 55.0 x 19.8 cm., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Jenks' Comedy Combination
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Jenks (26)5761.F.50a (McAllister)

Title: Fun! Fun! Come one come all--Give us a call First grand complimentary concert for the benefit of the Wildey Assembly to be given at Herman Hall, Coates Street, above Second, on Wednesday evening, June 17th, 1863, on which occasion Jackson & Jones' Ethiopian Minstrels will appear. ... The elegant piano forte, used on this occasion, is from the factory of George Steck, New York, and is furnished by Mr. J.E. Gould, Seventh and Chestnut Streets. Programme. ... Hungarian warblers! ... Fields of olden ... Exempt Quakers ... The surprise party, ... The Crow family ... Gum man of Philadelphia ... The whole to conclude with the walk around, Who's heel's dat a burnin' by the whole company. Prices of admission, 20 cts. Children, under 12 years, 10 cents Front seats reserved for ladies. Doors open at quarter-past 7 o'clock. Performance commences at 8
Description: Performers include: J.E. Harris, A. Henry, G. Jackson, George Jones, Billy Morton, G. Simons, and S. Smith., Illustration signed: Strong., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Jackson & Jones' Ethiopian Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Jackson (25)5761.F.82a (McAllister)

Title: Laugh and be merry Grand complimentary benefit to Wm. D. Dunsford late of Co. "F," 196th Regiment, P.V. The Excelsior Minstrels at Washington Hall, S.W. corner of Eighth and Spring Garden Streets, on Wednesday evening, Jan. 4, 1865. Leader, E. Brennan Acting manager, J.W. Everitt Stage manager, L. De Costa ... Programme. ... Ole Bull in a tight place ... City shaver! ... Trespassing on these premises! ... Countryman's visit ... The whole to conclude with The black statue ... Cards of admission, 25 cents Children, 15 cents. Doors open at seven o'clock. Commence quarter before eight
Description: Performers include: Billy Ashford, E. Brennan, Billy Dunsford, Mr. Gordon, T. Hughs, J. Johnson, W. King, H. Leach, William Sutherland, C. Trull, and L. Wood., Illustration signed: Strong., Printed area, including double-rule border, measures 55.3 x 19.8 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Excelsior Minstrels
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1865 Excelsior (26)5761.F.79b (McAllister)

Title: City Hall, Burlington Second & positively last night this Friday evening, Feb. 26, 1864 Entire change of programme. Everything new! Crowded houses nightly! Everybody delighted! Patronized by the first families in the city! Morris' Minstrels brass band and burlesque old folks' concert troupe! To obtain good seats, come early! Tickets can be had at the hall from 10 to 12, A.M. 3 splendid burlesques this evening! Opera, farce, burlesque and comedy this evening. ... The busted note: ... The stupid servant! ... The whole to conclude with the plantation scene, Jack on the green! by the entire company. Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., Printed area, including double-rule border, measures 54.9 x 20.0 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.130 (McAllister)

Title: City Hall, Bordentown For one night only, positively This Saturday evening, Feb. 27, 1864 Having just concluded a season of fifteen nights at the Concert Hall, Philadelphia, (acknowledged by all the most successful engagement ever played in that city) are now en route for the West, and will perform in this city on the above night. The far-famed, world-renowned, original and only Morris' Minstrels! brass band and burlesque old folks' concert troupe! 19 established artists, from their opera house, Tremont Street, Boston. ... Five comedians, four balladists, seven musicians and three dancers. The only complete company organized--organized with great care for this season, 1864. ... Scenes from my boyhood ... Giving the sign, ... The veteran, ... The whole to conclude with the roaring farce, Black assurance: ... Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., "Rules of the hall.--Persons are requested not to beat time with their feet, as it is unpleasant to the audience and interrupts the performance. Front and centre seats reserved for ladies and gentlemen accompanying them. Colored people admitted only to seats assigned them. Gentlemen are requested to take off their hats during the performance hours. Whistling is positively forbidden in the hall. Owing to the extreme length of the programme, no repetition of the pieces can be given. Boys not admitted to the gallery.", Printed area, including double-rule border, measures 54.7 x 20.0 cm., Illustration signed: J.W. Morse N.Y., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.131a (McAllister)

Title: City Hall, Burlington For two nights only, positively Thursday and Friday evenings, Feb. 25 and 26 Having just concluded a season of fifteen nights at the Concert Hall, Philadelphia, (acknowledged by all the most successful engagement ever played in that city) are now en route for the West, and will perform in this city on the above nights. This company give an entire change of performance every night. The far-famed, world-renowned, original and only Morris' Minstrels! brass band and burlesque old folks' concert troupe! 19 established artists, from their opera house, Tremont Street, Boston. ... Five comedians, four balladists, seven musicians and three dancers. The only complete company organized--organized with great care for this season, 1864. ... Scenes from my boyhood ... Giving the sign ... The veteran, ... The whole to conclude with the roaring farce, Black assurance: ... Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., "Rules of the hall.--Persons are requested not to beat time with their feet, as it is unpleasant to the audience and interrupts the performance. Front and centre seats reserved for ladies and gentlemen accompanying them. Colored people admitted only to seats assigned them. Gentlemen are requested to take off their hats during the performance hours. Whistling is positively forbidden in the hall. Owing to the extreme length of the programme, no repetition of the pieces can be given. Boys not admitted to the gallery.", Printed area, including double-rule border, measures 55.1 x 19.9 cm., Illustration signed: J.W. Morse N.Y., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.129 (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Sanford's complimentary benefit, on Saturday evening, Dec. 17th, 1864 on which occasion a bill of rare attraction will be presented. Sam Long, the great clown will sing his last new songs. Larry Tooley, renowned dancer, will appear--together with Sanford's Troupe! ... Nino Eddie! in his great act of the tight rope. Miss Julia Sanford in her grand dance. Programme. ... Sanford's dramatic effect of "Villikins and his Dinah!" ... Brother Josh and Gus ... To conclude with Sanford's version of Uncle Tom's cabin ... Cinderella for the holidays! Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, Sam Long, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), Julia Sanford, S.S. Sanford, W. Schaffer, Larry Tooley, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.72b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Sanford's Troupe! Tuesday evening, December 20th, '64 Go see the star troupe Nino Eddie one week more! Programme. ... Strange scenes from The stranger ... Our ancestors! ... Sublime & ridiculous ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Two illustrations signed: Boerum., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (27)5761.F.116 (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Sanford's Troupe! Monday evening, December 19th, '64 Go see the star troupe Nino Eddie one week more! Programme. ... Strange scenes from The stranger ... Our ancestors! ... Sublime & ridiculous ... Frightened darkies! ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Two illustrations signed: Boerum., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.74a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Thursday evening, December 15, 1864. Beauty & fashion all come to see the most extraordinary performance in the world, by Nino Eddie together with Sanford's Troupe! who are giving the most chaste and select entertainments in the city. Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Music taught here ... To conclude with the burlesque on Richard III ... Friday evening, benefit of Nino Eddie Sanford's benefit, Saturday evening! Secure your tickets in advance. Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Frank Schaeffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.72a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Wednesday evening, December 14, 1864. Most extraordinary performance in the world by Nino Eddie The audience spell-bound at the most daring feat ever performed by man or boy. This wonderful act is alone worth the price of admission, independent of Sanford's Troupe! who are giving the most chaste and select entertainments in the city. Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Just from the oil regions ... To conclude with the burlesque on Richard III ... Friday evening, benefit of Nino Eddie Sanford's benefit, Saturday evening! Secure your tickets in advance. Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Frank Schaeffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the Americcan Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.71a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Wednesday evening, Dec'r 21st, 1864. Card to the public. Mr. Sanford begs leave to acquaint the unknowing, who are daily asking the question, whether ladies attend his entertainments? at the above place, that he claims to be the first who ever established a place for family resort in this city, viz: at his Twelfth Street Opera House, (which was destroyed by fire, December 21st, 1853;) also at his Eleventh Street Opera House, which, for respectability, commands as many ladies! as any family resort in the world. Now, that he has invested a few thousand dollars in converting the old Olympic (late Varieties) into a respectable place of amusement! he distinctly wishes to impress upon the public that he has a first-class opera house, ... Programme. ... Strange scenes from The stranger ... Our ancestors! ... Handy Andy ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.74b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Friday evening, December 23d, 1864. Card to the public. Mr. Sanford begs leave to acquaint the unknowing, who are daily asking the question, whether ladies attend his entertainments? at the above place, that he claims to be the first who ever established a place for family resort in this city, viz: at his Twelfth Street Opera House, (which was destroyed by fire, December 21st, 1853;) also at his Eleventh Street Opera House, which, for respectability, did command as many ladies! as any family resort in the world. Now, that he has invested a few thousand dollars in converting the old Olympic (late Varieties) into a respectable place of amusement! he distinctly wishes to impress upon the public that he has a first-class opera house, ... Programme. ... Strange scenes from the stranger ... Handy Andy ... Our ancestors! ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.75b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Tuesday evening, December 13th, 1864. Second night of the wonder of the world, Nino Eddie the smartest boy of his age--being only eight years old; pronounced by all a more daring performer than Blondin! will appear every evening during the week. Dan Gardner, the greatest clown, will appear to his acts. Sanford's Troupe! The best minstrels in the world. Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Just from the oil regions ... To conclude with the burlesque on Richard III ... Friday evening, benefit of Nino Eddie Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Frank Schaeffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.70b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third the temple of minstrelsy. Grand gala night! Saturday, Dec. 10th in which are given chaste and drawing-room amusements, by Sanford's Opera Troupe! Programme. ... Der Deitcher's dog, ... After which a burlesque scene on East Lynne. ... To conclude with T.D. Rice's farce of The Virginia mummy ... Monday next, the wonder of the world, Nino Eddie, the infant Blondin. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: Dec. 10 fell on a Saturday in 1864., The company includes: S.J. Anderson, F. Basquin, T.R. Deverill, Dan Gardner, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (27)5761.F.115b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third the temple of minstrelsy in which are given chaste and drawing-room amusements, by Sanford's Opera Troupe! comprising a combination of vocalists, musicians, comedians & artists of the highest order of merit! The convenient locality of this elegant institution, (being accessible by city passenger cars,) recommends itself to every citizen and stranger. Music, song and poetry is the theme for all, and in the manner presented by Sanford, fathers, mothers, sisters and brothers may attend and enjoy a treat free from all that could offend the most fastidious. ... Thursday evening, Dec. 8th, 1864. ... Programme. ... Der Deitcher's dog, ... After which a burlesque scene on East Lynne. ... To conclude with T.D. Rice's farce of The Virginia mummy ... Monday next, the wonder of the world, Nino Eddie, the infant Blondin. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: S.J. Anderson, F. Basquin, Dan Gardner, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.68b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third the temple of minstrelsy in which are given chaste and drawing-room amusements, by Sanford's Opera Troupe! comprising a combination of vocalists, musicians, comedians & artists of the highest order of merit! The convenient locality of this elegant institution, (being accessible by city passenger cars,) recommends itself to every citizen and stranger. Music, song and poetry is the theme for all, and in the manner presented by Sanford, fathers, mothers, sisters and brothers may attend and enjoy a treat free from all that could offend the most fastidious. ... Friday evening, Dec. 9th, 1864. ... Programme. ... Der Deitcher's dog, ... After which a burlesque scene on East Lynne. ... To conclude with T.D. Rice's farce of The Virginia mummy ... Monday next, the wonder of the world, Nino Eddie, the infant Blondin. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: S.J. Anderson, F. Basquin, T.R. Deverill, Dan Gardner, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.69a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Monday evening, December 12th, 1864. First night of the wonder of the world, Nino Eddie the smartest boy of his age--being only eight years old; pronounced by all a more daring performer than Blondin! will appear every evening during the week. Dan Gardner, the greatest clown, will appear to his acts. First night of Mr. F. Myers Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Just from the oil regions ... To conclude with the burlesque on Richard III ... Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.70a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Thursday evening, Decem'r 22, 1864. Card to the public. Mr. Sanford begs leave to acquaint the unknowing, who are daily asking the question, whether ladies attend his entertainments? at the above place, that he claims to be the first who ever established a place for family resort in this city, viz: at his Twelfth Street Opera House, (which was destroyed by fire, December 21st, 1853;) also at his Eleventh Street Opera House, which, for respectability, did command as many ladies! as any family resort in the world. Now, that he has invested a few thousand dollars in converting the old Olympic (late Varieties) into a respectable place of amusement! he distinctly wishes to impress upon the public that he has a first-class opera house, ... Programme. ... Strange scenes from The stranger ... Handy Andy ... Our ancestors! ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War., Readex Sept 2017 update: duplicate records in book; second 510 added.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.75a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Thanksgiving bill! Afternoon & evening Afternoon, doors open quarter to 2. Commence quarter past 2. Evening, doors open half-past 6. Commencing half-past 7. Sanford's Opera Troupe in burlesque pantomome on the Ravels! The four lovers! Programme. ... Strange scenes from the stranger ... Lawyer outdone! ... To conclude with the pantomime of The four lovers ... Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. On Monday, The shoemaker and tailor of Kensington
Description: The company includes: Dan Gardner, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, Larry Tooley, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (27)5761.F.120 (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third The public is respectfully informed that neither Coriolanus, nor that other sensation, East Lynne will be performed this evening, Friday, November 25 but an opportunity will be afforded to witness Sanford's Opera Troupe in burlesque pantomome on the Ravels! The four lovers! Programme. ... Strange scenes from the stranger ... Lawyer outdone! ... To conclude with the pantomime of The four lovers ... Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. On Monday, The shoemaker and tailor of Kensington
Description: The company includes: Dan Gardner, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, Larry Tooley, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (27)5761.F.115a (McAllister)

Title: Life in Philadelphia. "What you tink of my new poke bonnet...?"
Description: Racist caricature depicting an African American woman trying on a bonnet in the company of her African American companion, "Frederick Augustus." Depicts the woman in profile, in front of a standing mirror tilted toward her, trying on a yellow Dunstable bonnet so large that the side of her face is obscured. Her hand rests on the side of the hat adorned with a pink ribbon. Her reflection is not visible in the mirror. She wears a yellow calico dress with a white collar that covers her shoulders, black gloves, patterned stockings, and blue slipper shoes. She asks "Frederick Augustus" what he thinks. He stands behind her with his arms crossed and looks toward the mirror. He holds a walking stick under his left upper arm. A dog with a muzzle sits behind him. He responds that he does not like the style. He wears a beard and is attired in a top hat, long green overcoat with collar, red-striped pants, white gloves, and black slipper shoes. A white woman sales clerk, wearing a large top-knot hairstyle, watches the woman from behind a counter on which another Dunstable bonnet is displayed. Pink bunting is visible above the clerk’s head. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date from item., Inscribed: Plate 14., Inscribed: Copy right secured., Contains seven lines of dialogue in the vernacular and dialect above the image: What you tink of my new poke bonnet Frederick Augustus? I don’t like him no how, case dey hide you lubly face, so you can’t tell one she nigger from anoder., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., Described in Pennsylvania Inquirer, 17 June 1830, p. 2 and ‘Life in Philadelphia, No. 14. The Dunstable Bonnet’, Pennsylvania Inquirer, 17 June 1830, p. 3., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1830
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.5]

Title: Life in Philadelphia. "Is Miss Dinah at home?"
Description: Racist caricature depicting a well-dressed, middle-class African American dandy, his right side toward the viewer, calling upon "Miss Dinah" on the outside of her basement apartment. He wears a black top hat, bright green waistcoat, tan pants, yellow gloves, and black slipper shoes adorned with bows. He holds a walking stick perpendicular to his thigh and a fob hangs away from his coat. An African American woman servant, wearing short-cropped hair and earrings, and attired in a red, short-sleeved dress and blue apron, stands at the open cellar doors and informs the suitor that Miss Dinah "is bery pertickly engaged in washing de dishes." She holds out a silver tray to collect the dandy's calling card. The dandy states that he is sorry that he "cant have the honour to pay [his] devours to her" and slightly crouches to place his card on the tray. The figures are portrayed with oversized and exaggerated features. Scene also shows an adjacent basement cellar with open doors and views of shuttered windows on the first floor to "Dinah's" residence and those adjoining, Title from item., Date inferred from content., Inscribed: No. 5., After the work of Edward W. Clay., Probably printed and published by Anthony Imbert of New York., Contains three lines of dialogue in the vernacular and dialect below the image: "Is Miss Dinah at home?""Yes sir but she bery pertickly engaged in washing de dishes.""Ah! I'm sorry I can't have the honour to pay my devours to her. Give her my card.", Shane White and Graham White's Stylin': African American Expressive Culture (Ithaca: Cornell University Press, 1998), p. 108. (LCP Ii 4, A2880.O)., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., the University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O), Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.2]

Title: Life in Philadelphia. "How you find yourself dis hot weader Miss Chloe?"
Description: Racist caricature mocking the ambitions of free Blacks depicting, "Mr. Cesar," an African American dandy asking an African American belle how she finds herself in "dis hot weader?" "Miss Chloe," responds that she is doing well, but "aspires too much!" In the left, the man stands and faces the woman, in the right, and whose back is to the viewer. The man is attired in a blue waistcoat with a black collar, a white vest, pink cravat, white pants, gloves, and black slipper shoes. He holds a walking stick perpendicular to the ground in his right hand. The woman is attired in a yellow, puff-sleeved, ankle-length dress and with a pink neckerchief, wide-brimmed yellow hat with a long veil and adorned with several pink flowers and blue ribbon, gloves, and white slipper shoes. She also wears a necklace and earrings. She holds a purse and fan in her left hand and a parasol in her right hand. The man and woman stand on a grassy knoll. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content., Inscribed: P. 4., After the work of Edward W. Clay., Probably published by Anthony Imbert., Contains three lines of dialogue in the vernacular and dialect below the image: “How you find yourself dis hot weader Miss Chloe?” “Pretty well I tank you Mr. Cesar only I aspire too much!”, RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.1]

Title: Life in Philadelphia. "Shall I hab de honour to dance de next quadrille...?"
Description: Racist caricature ridiculing the etiquette of attendees of an African American dance ball. Depicts, in the right and in profile, "Mr. Cato," an African American man dressed in a blue coat with tails and a black collar, white pantaloons and stockings, ruffled white shirt, yellow gloves, a gold neck fob, and black slipper shoes bowing with his hat in his hand to invite "Miss Minta" to dance. In the left, "Miss Minta," a curvaceous African American woman, forward facing, her head turned to the right, and dressed in a pink, cap-sleeved gown with an apron detail, a large pink headpiece, white opera gloves, and several pieces of jewelry, including a neck fob, bracelets, armlets, and earrings, declines his invitation because she is already "engaged for de nine next set." She also slightly holds up the lower right corner of her apron with her right hand. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Scene also includes background imagery depicting other African American men and women ball attendees., Title from item., Date inferred from content., Inscribed: No. 6., Plate 5 of the original series published in Philadelphia., Probably published by Anthony Imbert of New York., Shane White and Graham White's Stylin': African American Expressive Culture... (Ithaca: Cornell University Press, 1998), p. 98. (LCP Ii4, A2880.O)., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.3]

Title: Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?"
Description: Racist caricature depicting two African American masons in regalia, shaking hands, and discussing the abduction of William Morgan, a white New York mason who threatened to expose the organization's secrets. In the right, the one mason, a short, rotund man is attired in a long, blue waistcoat, black pants, a masonic apron, a red sash, yellow gloves and black slip on shoes. He holds a top hat in his left hand and shakes with his right. In the left, the other mason, a tall, thin man is attired in a long, brown waistcoat, a red cravat, brown stirrup pants over black shoes, and a masonic apron. He holds a top hat in his left hand and shakes with his right. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. The men are shown standing on a patch of ground with greenery delineated by brown and green hand-coloring., Title from item., Date inferred from content., Plate 6 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert., Contains four lines of dialogue in the vernacular and dialect below the image: “Well brudder what ‘fect you tink Morgan’s deduction gwang to hab on our siety of free masons?” “Pon honour I tink he look radder black, fraid we lose de ‘lection in New York!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.4]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a blue waistcoat, white vest, white cravat, tan pants, and tan slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched tan pants, a tan jacket with an elbow patch, a white vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content., Inscribed: Plate 7., The symbol of a key is used in place of the name Clay., Place of publication inferred from location of artist., Contains seven lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.7]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a blue waistcoat, white vest, red cravat, tan pants, and black slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched blue pants, a green jacket with an elbow patch, a red vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content., Plate 7 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert of New York., Contains seven lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1968.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.5]

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