That intelligent contraband. [graphic].
Title
That intelligent contraband
Description
Reproduction of a racist satiric drawing showing an elderly African American, holding an umbrella, while seated next to a bundle of his belongings. An African American couple with their baby are visible in the background. During the Civil War, the U.S. government declared slaves contraband of war., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Date
[ca. 1863]
Location
Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52k]
Epitaph.
Title
Epitaph
Description
Broadside continues: Mr. Cox, member of Congress from Ohio, concluded his speech of June 6, 1862, with the following: Weary in watching its mad designs of revolution--and its crazy crotchets of Black freedom--and for the self preservation of my native state and the north from the Black immigration with which it is threatened, I shall go to my home and ask the ballot to speak its denunciation ... the people will write the epitaph of this Congress ..., Authorship and imprint statements from text., Includes caustic poem on the XXXVII Congress., Variants printed on pink, yellow, or white paper., Acc. no. 71187.O.1 printed on yellow paper; Acc. no. 71187.O.2 printed on white paper., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Cox, Samuel Sullivan, 1824-1889
Date
[1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Sm # Am 1862 Cox 71187.O .1, Library Company of Philadelphia | Books & Other Texts | Rare Sm # Am 1862 Cox 71187.O .2
The Temptation of St. Anthony
Title
The Temptation of St. Anthony
Description
Sign advertising Paul Jones & Co., which made bourbon. At the bottom left, "The F. Tuchfarber Co., man'f'r's Cin. O. 1901." On the back, "Do Not Hang Near Stove. Wash With Cold Water.", Depicts an African American woman with a slice of watermelon and an African American man holding a jug. On the bottom right is a crate labeled Paul Jones & Co., Gift of Robert Petrilla, 1994.
Creator
Paul Jones & Co., Louisville, KY
Date
1901
Location
OBJ 850
Our relations at home and abroad.
Title
Our relations at home and abroad.
Description
Stephen's album drolleries no. 1., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire,( i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a-l]
Exeter Hall. The Lion weeps: "Is he not a bird and a brother?" [graphic]
Title
Exeter Hall. The Lion weeps: "Is he not a bird and a brother?" [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion who weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55i]
Grand tableau of the future. The little child, Liberty, shall lead them. [graphic]
Title
Grand tableau of the future. The little child, Liberty, shall lead them. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the little child Liberty leading the supplicant British lion and Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a]
For the precise period at which this occurred, consult history. [graphic]
Title
For the precise period at which this occurred, consult history. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the victory of the eagle over the wolf. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55c]
The Eagle vindicates the Monroe Doctrine in Mexico. [graphic]
Title
The Eagle vindicates the Monroe Doctrine in Mexico. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55b]
Introduction of Master Swamp Angel: the Lion pockets his Rams. [graphic]
Title
Introduction of Master Swamp Angel: the Lion pockets his Rams. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion protecting his rams with the introduction of the "Swamp Angel" and Greek fire, ( i.e. the bombing of Charleston) by the American eagle. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55e]
Grand combat between the Eagle and the Wolf. [graphic]
Title
Grand combat between the Eagle and the Wolf. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle and the wolf fighting. The lion hangs out of a window above the fight scene, near the words "police ; murder". Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55d]
Scene of camp life. [graphic].
Title
Scene of camp life. [graphic].
Description
Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., Trimmed., Busy scene showing numerous activities occurring simultaneously at a military camp. At the center, generals make strategic plans under a canopy made from an American flag while soldiers drill on horseback, with cannons, and in lines around the officers near rows of tents. Also shows African American men and a child approaching a Zouave, soldiers rounding up horses, an infantryman leaning on a cannon, and soldiers standing on the grounds.
Date
[ca. 1863]
Location
Library Company of Philadelphia Print Dept. GC - Civil War - Miltary Camps [5779.F.90f]
The arming of the Wolf by his faithful squire. [graphic]
Title
The arming of the Wolf by his faithful squire. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion arming the wolf. The wolf stands with one foot on the lap of the lion, who is fixing his boots. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55g]
Which temporarily astonished even the Gallic Cock. [graphic]
Title
Which temporarily astonished even the Gallic Cock. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring and astonishing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55k]
Who responded with warlike vigor when the Lion caved. [graphic]
Title
Who responded with warlike vigor when the Lion caved. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the Gallic cock overpowering the British lion. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55j]
The Mexican Vulture garroted by the Gallic Cock. [graphic]
Title
The Mexican Vulture garroted by the Gallic Cock. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., The Gallic cock is strangling the Mexican vulture and has his knife raised, about to stab him in this scene (i.e., French intervention in Mexico). Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55f]
On England's muggy shore a surly lion gave a grievous roar! [graphic]
Title
On England's muggy shore a surly lion gave a grievous roar! [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring from the coast of England, with the "Trent" (RMS Trent of the Trent Affair) steamship afloat in the background. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55l]
Which he forgets in the embrace of the belligerent Wolf of the C.S.A. [graphic]
Title
Which he forgets in the embrace of the belligerent Wolf of the C.S.A. [graphic]
Description
Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion and the wolf shaking hands, and stepping on the crow. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date
c1863.
Location
Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55h]
Democratic catechism of Negro equality. : July 4th, 1863.
Title
Democratic catechism of Negro equality July 4th, 1863
Description
Broadside in question and answer form accusing the Democratic Party of favoring suffrage for African Americans., Imprint date from title; imprint place and vendor from advertising at foot., First lines: Who said that all men are created equal? Thomas Jefferson, the Father of Democracy., Torn, affecting text: lacking last 3 letters of first word in title., Formerly part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War., Lib. Company. Annual Report, 2016, p. 48.
Date
[1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Sm # Am 1863 Dem (2)5786 .F.36a
Certificate of marriage [graphic] / Engraved and Published by Croome Meignelle & Co. Phila.
Title
Certificate of marriage
Description
Marriage certificate illustrated with vignettes within an ornamental border. Depicts vignettes representing peace and love including doves near an altar with an eternal flame, and cherubs floating on clouds, reaping grain, and rowing a gondola., Issued to John A. Jones and Mary Anne Dickerson. Signed by Rev. William Douglass, officiant, and by Samuel Van Brackle and George W. Hopewell, witnesses., Copyright secured., Title from item., Date based on date of the event represented., Purchase 1993., Description revised 2021., Access points revised 2021., Croome, Meignelle & Co. was a Philadelphia engraving firm operated by engraver, William Croome, and banknote engraver, James Meignelle in the 1840s.
Creator
Croome, Meignelle & Co., engraver
Date
[ca. 1846]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous
The way a Virginian treated a New Englander [graphic].
Title
The way a Virginian treated a New Englander
Description
According to an accompanying text, the illustration depicts an incident that occurred in New Bedford, Massachusetts, c. 1818-23. The scene is set in a New Bedford "victualling cellar" kept by the black man at the left. In the company of a local constable (right), a visiting Virginian (center), has seized a pair of tongs and is assaulting the man. As the text explains, the Virginian, "who coveted his neighbor's body and soul," ordered the man to be arrested on a fictitious debt charge. The action was dismissed, and the Virginia was ultimately arrested for assaulting the black inn-keeper., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 27., Caption underneath the image reads: "Many of the northern States have refused to grant to their own citizens a trial by jury, lest slaveholders should have too much trouble in stealing men. Massachusetts, and New Jersey are the only exceptions.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1837]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 27, https://digital.librarycompany.org/islandora/object/Islandora%3A2757
"Nuisances" going as "missionaries," "with their own consent" [graphic].
Title
"Nuisances" going as "missionaries," "with their own consent"
Description
Illustration shows a group of free blacks being forcibly deported to Liberia. Standing in line, these Northern blacks wait to board the ship. A man who tries to flee is being chased by the authorities., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 29., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1838]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 29, https://digital.librarycompany.org/islandora/object/Islandora%3A2767
Black and white beaux [graphic] / A. Hervieu del. ; Lith. of Pendleton.
Title
Black and white beaux
Description
Portrays a black couple in New York; it appears within the context of Trollope's discussion of free blacks in the city, particularly their dress, taste, and comportment. "On one occassion," Trollope wrote, "we met in Broadway a young Negress in the extreme of fashion, and accompanied by a black beau, whose toilet was equally studied; eye-glass, guard-chin, nothing was omitted; he walked beside his sable goddess uncovered, and with an air of the most tender devotion. At the window of a handsome house which they were passing stood a very pretty white girl, with two gentlemen beside her; but alas! both of them had their hats on, and one was smoking!" (p. 279), Plate in Frances Trollope's Domestic Manners of the Americans (London: Printed for Whittaker, Treacher, & Co.; New York: Reprinted for the booksellers, 1832), p. 278., Fels Afro-Americana Image Project, Scenes from Daily Life.
Creator
Pendleton, lithographer
Date
[1832]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1832 Tro 8678.O p 278, https://digital.librarycompany.org/islandora/object/Islandora%3A2732
Religious dancing of the Blacks, termed "shouting" [graphic] / Bricher-Conant, sc.
Title
Religious dancing of the Blacks, termed "shouting"
Description
Illustration accompanies Chapter XXXIII, "The Religion of the Blacks, with Anecdotes Illustrating the Same." It is set in a Baptist church, and shows a type of dance called "shouting." According to Stearns, shouting usually took place just before a congregation broke up, when "the spirit [was] upon them." He included a lengthy description of shouting, which reads as follows: "A ring of singers is formed in an open space in the room, and they, without holding on to each others' hands, walk slowly around and around in a circle, the back of the foremost one coming close to the front side of the succeeding brother or sister. They then utter a kind of melodious chant, which gradually increases in strength, and in noise, until it fairly shakes the house, and it can be heard for a long distance. . . . The dancers usually bend their bodies into an angle of about forty-five degrees, and thus bent, march around, accompanying their steps, every second or so, with a quick, jerking motion, or jump, which I can compare to nothing else than the brisk jumping of a frog, . . . The performers also accompany the jerking of their bodies with a corresponding clapping of their hands, and motion of their arms. . . . Occasionally, one of the most zealous of the sisters, throws herself up so as to nearly touch the ceiling over their heads, and then falls down helplessly into the eager arms of some stout brother, who springs forward with alacrity to receive her." (p. 371-72), Plate in Charles Stearns's The Black Man of the South, and the Rebels: or, the Characteristics of the Former, and the Recent Outrages of the Latter (New York: For sale by American News Co., 1872), p. 370., Fels Afro-Americana Image Project, Scenes from Daily Life.
Creator
Bricher & Conant, engraver
Date
[1872]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Stearns 19952.D p 370, https://digital.librarycompany.org/islandora/object/Islandora%3A2820
"The coon" wedding march
Title
"The coon" wedding march
Description
Scene showing a young African American girl in a white dress leading the procession of the young African American couple and their attendents. The bride, holds fake flowers and wears a calico shirt, white skirt, and thick cloth veil. Small picture prints and placards written in black dialect adorn the walls., Inscribed on negative: 16974., Copyright by William H. Rau., Stamped on mount: Philadelphia, St. Louis, and Liverpool, Eng. American and Foreign Views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Rau, William Herman, 1855-1920, photographer
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Rau - Genre [P.9921]
The Musical Negro.
Title
The Musical Negro.
Description
The valentine shows a racist image of an African American man playing a banjo. The valentine praises his music, but mocks his appearance and racial background., Text: Your notes of instrument and voice / Are the sweetest I've e'er heard, / And with your shape would make me judge / In truth, you were a black-bird., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date
[between 1840 and 1880?]
African American dandy
Title
[Satiric stereograph showing an African American dandy receiving a shoe shine from a white shoe shine boy]
Description
Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Genre - African [P.2014.29]
Union ticket! Protection to American industry.
Title
Union ticket! Protection to American industry
Description
Printed in red, blue, and black., The illustration, signed Adrian-Probasco Phila., shows diverse Americans, including one African American, gathered around the U.S. flag, in front of the temple of liberty, with scenes of agriculture, commerce, and industry; surmounting all is the legend: Constitution and the law., Originally part of a McAllister scrapbook; possibly the top hald of a double-sheet poster?, Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare 4# Am 1864 Union (5)5777.F.28 (McAllister) 1 1
The nation's act [graphic].
Title
The nation's act
Description
A free black man who has been kidnapped is auctioned before a crowd of white bidders. A small black child sits on the auction block. In the background, other kidnapped free blacks wait to be sold into slavery. A building marked "JAIL" is visible in the distant background., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 7., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1838]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 7, https://digital.librarycompany.org/islandora/object/Islandora%3A2760
Colored scholars excluded from schools [graphic].
Title
Colored scholars excluded from schools
Description
Standing on the front steps of a school building, a schoolmaster prevents a free black woman and her two children from entering. A line of white children, however, enter the school without incident., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 13., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1838]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 13, https://digital.librarycompany.org/islandora/object/Islandora%3A2762
A Northern freeman enslaved by Northern hands [graphic].
Title
A Northern freeman enslaved by Northern hands
Description
Image depicts an incident that occurred in the North (presumably, New York) in November, 1836. Peter John Lee, a free black man from Westchester, New York, was kidnapped by Tobias Boudinot, E.K. Waddy, John Lyon, and Daniel D. Nash, all of New York City, who gagged and chained him, and then hurried him away from his wife and children into slavery., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 19., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1838]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 19, https://digital.librarycompany.org/islandora/object/Islandora%3A2764
"The auctioneer's young man" [graphic] / King sc.
Title
"The auctioneer's young man"
Description
This portrait is included in Chapter X, "A Visit to Houston," where it accompanies the section "Types from Negro-Life." The engraving depicts the auctioneer's "young man," a black man carrying a bell and a flag that reads "AUCTION SALE." Describing him and other Houston "types", King wrote: "The street life is interesting; the negro on his dray, racing good-humoredly with his fellows; the ragged urchin with his saucy face and his bundle of magnolia-blossoms; and the auctioneer's "young man," with his mammoth bell and brazen voice, are all interesting types, which, as the reader will observe, the genial and careful artist has faithfully reproduced." (p. 116), Illustration in Edward King's The great South: a record of journeys in Louisiana, Texas, the Indian territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland (Hartford, CT: American Publishing Company, 1875), p. 116., Fels Afro-Americana Image Project, Scenes from Daily Life.
Creator
King, engraver
Date
[1875]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2827
Freedom, jubilee: liberty..
Title
Freedom, jubilee: liberty
Description
Broadside continues: Come all the world ... demonstration of the celebration of the emangipation [sic] ... on Tuesday evening, November 15th, 1864, for the purpose of giving vent to our feelings ... the gentlemen of south Baltimore ... call their friends together ... There will be music ... Programme ..., Formerly part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Sm # Am 1864 Free Jub (2)5786 .F.143b
O, Susanna! : Das bekannte Lied eines verliebten Negers.
Title
O, Susanna! Das bekannte Lied eines verliebten Negers
Description
Verse in four unnumbered stanzas., Printed area, including ornamental border, measures 22.6 x 7.7 cm., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Foster, Stephen Collins, 1826-1864
Date
[ca. 1865?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm# Am 1865 Foster 13944.Q (Stod- dard)
N.J. State Colored Home, Vineland, N.J., Aug. 27, 1930.
Title
N.J. State Colored Home, Vineland, N.J., Aug. 27, 1930
Description
Aerial view of an institution, probably an African American nursing home and surrounding grounds. In the center are two large buildings. In the right, a water tower is surrounded by a forest of trees. Roads and houses are visible., Title from negative sleeve., 13015 not digitized; similar view to P102; P102 includes entire house in lower portion of negative., Accessioned 1983., Description revised 2022., Access points revised 2022.
Creator
Aero Service Corporation, photographer
Date
[August 27, 1930]
Location
Library Company of Philadelphia | Print Department Aero Service [P.8990.13015; P.8990.P102]
The negro on the brain. [graphic].
Title
The negro on the brain
Description
Photographic reproduction of a racist woodcut caricature showing Abraham Lincoln wearing a naked African American shaped as a stovepipe hat. Contains photographic reproduction of several lines of verse in English and German on verso: A goodly difference does exist; Among the party that did call; There is among them many a [one?]; Conservative and true at heart; But there are others [who insist?]; The white man's freedom would deny; To place them on an equal footing; No matter what the cost may be; Something is for the negro done; The negro on the brain., Title from item., Date inferred from content., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5792.F.1a]
5792.F.1a
Title
The negro on the brain
Description
Photographic reproduction of a racist woodcut caricature showing Abraham Lincoln wearing a naked African American shaped as a stovepipe hat. Contains photographic reproduction of several lines of verse in English and German on verso: A goodly difference does exist; Among the party that did call; There is among them many a [one?]; Conservative and true at heart; But there are others [who insist?]; The white man's freedom would deny; To place them on an equal footing; No matter what the cost may be; Something is for the negro done; The negro on the brain., Title from item., Date inferred from content., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5792.F.1a]
[Unidentified African American man in militia uniform] [graphic] / Cheston's 227 Lombard St., between 2d and 3d, Philadelphia.
Title
[Unidentified African American man in militia uniform]
Description
Full-length portrait photograph by African American photographer Gallo W. Cheston depicting an African American man in a light-colored militia uniform. The man stands, turned slightly toward the right. He holds a long rifle in front of himself with his gloved hands. His left foot is slightly in front of his right. His uniform includes a Shako cap; jacket with epaulettes, buttons, and service stripes; shoulder strap marked "4"; belt; and pants with a dark vertical stripe down the leg. The tip of a rifle and holster is seen below his back. Portrait also includes, to the man's left, a pulled-back drape propped up on a pedestal. Following the Civil War and during Reconstruction (1865-1877), several African American militia units formed, particularly in the South., Title supplied by cataloger., Name of photographer from photographer's label pasted on verso: Cheston's 227 Lombard St., between 2d and 3d, Philadelphia. All the various styles of pictures known to the art, made in a manner as near perfection as possible; and all Improvements or additions introduced as soon as made and perfected. Your patronage is solicited. N. B. Old pictures copied to any size, in an artistic manner., Date inferred from tenancy of the photographer at the address listed on his label pasted on verso., Photograph mounted on board, rounded at the corners, and with a printed oval-shaped, frame-like border surrounding the image. Border adorned with ornaments and filigree., Photograph altered with ink and watercolor details highlighting parts of the sitter's uniform, including his cap, epaulettes, service stripes, shoulder strap, belt, and buttons, as well as his eyes, eyebrows, and sideburns. The pull of a drape included in the studio setting is also hand colored., Purchased in part with the Davida T. Deutsch African American History Fund., Description reviewed 2022., Access points revised 2022., Gallo W. Cheston (ca. 1846-1882) served as a private of the Pennsylvania National Guard 1871-1873.
Creator
Cheston, Gallo W., approximately 1846-1882, photographer
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department portrait photographs - photographer - Cheston [P.2018.3]
Clarence Brooks & Co., manufacturers of fine coach varnishes, cor. West & West 12th Sts., New York.
Title
Clarence Brooks & Co., manufacturers of fine coach varnishes, cor. West & West 12th Sts., New York "ceticism my belobed bredren. It am something beautiful frinstance it am light and airy - like de bean."
Description
Trade card employing an African American Oscar Wilde caricature. Wilde toured the United States in 1882. The Wilde figure, wearing long hair and attired in blue knee breeches with red bows, a red jacket with tails, black socks, and gold slippers lectures to an audience of well-attired African American men and women. He stands at a table adorned with a piece of paper, a candle in a bottle, and a water glass containing a sunflower. To his left, an older frowning man sits with an umbrella between his knees on the stage, while in the first row, two women (one wearing a sunflower on her hat) swoon in front of a lanky man, standing, and looking moonfaced. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881 the firm issued a calendar illustrated with African American caricatures in genre scenes., Publication date inferred from image content., Purchased with the Davida T. Deutsch African American History Fund.
Date
[ca. 1882]
Location
Library Company of Philadelphia | Print Department trade card - Brooks [P.2014.35]
[Road to Philadelphy] [graphic].
Title
[Road to Philadelphy] [graphic].
Description
Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
Date
[1830 or 1831]
Location
http://www.lcpgraphics.org/wainwright/W315.htm, Library Company of Philadelphia Print Dept. W315 [P.2179]
[Road to Philadelphy] [graphic].
Title
[Road to Philadelphy] [graphic].
Description
Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
Date
[1830 or 1831]
Location
http://www.lcpgraphics.org/wainwright/W315.htm, Library Company of Philadelphia Print Dept. *W315 [P.9576]
[An emancipated family] [graphic].
Title
[An emancipated family]
Description
Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of Negro's Friend: on the ease, safety, and advantages of liberating the enslaved Negroes; and on compensation to their masters (London: Printed by Bagster and Thoms, 1830?)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1830?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1830 Neg Fri 67066.D front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2731
An emancipated family [graphic].
Title
An emancipated family
Description
Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of the American Anti-Slavery Almanac, for 1836 (Boston: Published by Webster & Southard, c1835)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[c1835]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Am Ant 65753.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2741
Back to back. [graphic] / E.W.C.
Title
Back to back
Description
Racist caricature ridiculing attendees of an African American dance ball. Depicts an African American man woman couple with their backs together as they learn a dance step of which the man has "cocht de figure now!" In the left, the woman looks to the left, holds a fan and handkerchief to her left side, and stands on her toes. She is attired in a headpiece consisting of feathers, ribbons, and pearls, and an off-the-shoulder, ankle-length ball gown with puff sleeves and a pleated skirt, as well as patterned stockings, slipper shoes, and jewelry, including earrings, necklace, and a bracelet. In the right, the man holds his arms to his sides, and his hands open, as he stands on his toes. He wears a mustache and is attired in a coat with a wide collar and tails, a patterned vest and shirt with turned up collar, pantaloons, patterned stockings, and black slipper shoes adorned with buckles. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of artist., Due to the similar content of this caraciature to the prints in the original "Life in Philadelphia" series, Murrell classifies this lithograph as a part of the series., Contains one line of dialogue in the vernacular and dialect above the image: I reckon I’ve cotch de figure now!, Imagery similar to earlier work by artist "African Fancy Ball" in Lessons in dancing, : exemplified by sketches from real life in the city of Philadelphia (Philadelphia: Published by R.H. Hobson, Chesnut Street, 1828). Copy in the holdings of the American Antiquarian Society, Worcester, MA and Rosenbach Library and Museum, Philadelphia, PA., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
[ca. 1829]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7688.F]
Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..." [graphic] / Clay, fecit.
Title
Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description
Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Clay, Edward Williams, 1799-1857, etcher
Date
1829
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]
A darktown wedding, the ceremony
Title
A darktown wedding, the ceremony
Description
Racist depiction of the nuptials of a young African American couple officiated by a white-haired African American man and witnessed by six African American attendants. In the left, the officiant, attired in a suit, holds a paper as he conducts the ceremony. The bride, attired in veil pinned to the back of her hair, a white dress with a large boutonniere of flowers, and white gloves, has her head tilted down and holds the hand of the groom. The groom, attired in a white collared shirt, a waistcoat, a jacket with a large flower boutonniere, pants, and shoes, stands facing left towards the officiant. Two women and three men stand behind the couple and watch the ceremony. One man alters a placard on the wall that reads, “suffer little children to come unto me” by crossing out “me” and writing “us” inverting the “s.” The dilapidated wall with exposed brick is sparsely decorated with another placard, “God bless our home” and a framed picture. A top hat rests on a stool., Title from item., Date from copyright statement: Copyright 1901 by C.H. Graves., Publisher's blindstamp on mount., Distributor's blindstamp on mount: The Universal Photo Art Co. Philadelphia, Napierville, Ill., London, Paris, Hamburg., Stamped on mount: 4574., Purchase 2001., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
1901
Location
Library Company of Philadelphia | Print Department stereo - Graves - Genre [P.9922]
Life in Philadelphia. The cut direct. or getting up in the world. [graphic] / Printed by C. Ingrey, 310 Strand.
Title
Life in Philadelphia. The cut direct. or getting up in the world
Description
Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date
[ca. 1832]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]
Life in Philadelphia. The cut direct. or getting up in the world. [graphic] / Printed by C. Ingrey, 310 Strand.
Title
Life in Philadelphia. The cut direct. or getting up in the world
Description
Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date
[ca. 1832]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)
Life in Philadelphia. The cut direct. or how to get up in the world. [graphic] / Printed by C. Ingrey, 310 Strand.
Title
Life in Philadelphia. The cut direct. or how to get up in the world
Description
Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date
[ca. 1833]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]
Life in New York
Title
Life in New York
Description
Collection of social caricatures lampooning the pretensions of early 19th century middle-class African American New Yorkers. Influenced by an increased fascination with American culture and a growing racism pending the abolition of slavery in England, the black characters are depicted in outlandish dress with exaggerated manners, and speaking in patois and malapropisms in an inept attempt to mimic white high society. The caricatures focus on courtship and the merchant of a steam press laundry., English reprint of the Anthony Imbert series "Life in New York" originally published around 1830. Although the American series consisted of at least eight prints, the number of prints included in the London series is unknown. LCP holds two of the series. The English prints were published in London in the early 1830s by W.H. Isaacs, H. Isaacs, and G.S. Tregear., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 93-97. (LCP Print Room Uz, A423.O)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1831]
Location
Library Company of Philadelphia | Print Department Life in New York (London Set)
The Rivals embrace [graphic] : Clarence Brooks & Co. Manufacturers of fine coach varnishes, cor. West 12th Sts. New York.
Title
The Rivals embrace
Description
Racist, satiric trade card promoting varnish manufacturer Clarence Brooks and Co. Depicts a genre scene with two African American men suitors courting an African American woman while trying to ice skate on a frozen river. The figures are caricaturized and portrayed with exaggerated features. Two men, their mouths open clutch onto one another, their legs twisted, as they try not to fall on the ice. The man to the left is attired in ice skates; blue pants; a red jacket; white collared shirt; and a top hat that has fallen off. The man to the right is attired in ice skates; yellow suit with red checks; and a top hat. The woman they court watches the scene from the shore. Her mouth is open and her hands are apart in alarm. She is attired in white shoes; red stockings; a blue dress; purple coat; and straw bonnet adorned with a pink feather. In the background are two more ice skaters and a building. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clarence [P.2017.95.26]

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