Original & selected poetry &c. [graphic] / Amy Matilda Cassey.
Title
Original & selected poetry &c
Description
Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the antislavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a rustic, residential scene, possibly in New York. Contributors, including many women from the antebellum African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, scholarly, educational, and cultural community of the antebellum North, including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone;, floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Rebecca Buffum, Susan C. Wright, and sisters Hannah L. Stickney and Mary T. Stickney, and sisters Mary Forten (p.10), Margaretta Forten, and Sarah Forten Purvis, as well as their sister-in-law Mary Virginia Wood Forten (p.22); memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore anti-slavery activist Emily Willson; anti-slavery activists Ann Warren Weston and Elizabeth Le Brun (Stickney) Gunn; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by probably Lydia A. Bustill and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding with blue moiré silk doublures., Lib. Company Annual Report 1998, p. 25-35., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Cassey, an abolitionist, temperance and civil rights activist and founding member of the multiracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.
Creator
Cassey, Amy Matilda, 1808-1856
Date
[ca. 1833-ca. 1856]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764]
Original & selected poetry &c. [graphic] / Martina Dickerson.
Title
Original & selected poetry &c
Description
Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical exercise, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural community of mid-19th century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American educator and anti-slavery activist; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., Lib. Company. Annual Report 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator
Dickerson, Martina, 1829-1905
Date
[ca. 1840-ca. 1846]
Location
Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q]
Album [graphic].
Title
[Album]
Description
Album belonging to Mary Anne Dickerson, a young middle-class African American Philadelphian, possibly created as a pedagogical exercise, with contributions dating from 1833 until 1882. Contains engraved plates depicting scenic views, and original and transcribed poems, prose, essays, and drawings on topics including friendship, motherhood, mortality, youth, death, flowers, female beauty, and refinement. Also contains a one page record of family deaths, marriages, and births with entries up to the birth of Mary Anne's grandson in 1882. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural communities of mid-19th century Philadelphia, New York, and Boston., Contains the following contributions: "The Mother's Joy," a poem by C.F., possibly by abolitionist and second wife of entrepreneur James Forten, Charlotte Vandine Forten; illustration after "The Boroom Slave" and the poem, "To the Album," by artist and activist Robert Douglass; prose, "To Mary Ann", about living a happy life by Philadelphian anti-slavery activist Amy Matilda Cassey; a memorial, "To My Dear Willie," by Mary Anne to her deceased son, William Jones; poem, "The Night of Death," by J.A.J., Mary Anne's husband, John A. Jones; Boston author and civil rights activist William C. Nell's transcription of the poem, "The Rights of Women"; allegorical prose on the meaning of life by New York abolitionist Harriet Forten Purvis; transcription of the poem, "The Pearl Diver," by white Philadelphian anti-slavery activist Arnold Buffum; prose to "Mary Annie" about remembrance by Ada, possibly by anti-slavery activist Sarah Forten Purvis or educator and anti-slavery activist Ada Howell Hinton; floral drawing by A.H.H., probably by Ada Howell Hinton; prose and floral watercolors by educator, abolitionist, and Quaker Sarah Mapps Douglass, the sister of Robert Douglass; "Lines Addressed to a Wreath of Flowers Designed on a Present for Mary Ann" by E.S. Webb, possibly Elizabeth Susan Webb, sister of novelist Frank J. Webb; and prose by Mary Anne about mortality. Additional entries of prose and poetry by John G. Dutton, E.S. Webb, Lydia A.B., Henrietta, W.F.P, and S.L.C., unattributed entry, "To Esther," and unattributed entry of a floral watercolor. Also contains engraved plates by A.B. Durand, C. Fielding, C.G. Childs, Robert Walter Weir, James Smillie and Thomas Cole entitled respectively, "Falls of the Sawkill"; "Italy, The Bay of Naples"; "Weehawken"; "Delaware Water Gap"; "Catskill Mountains"; "Fort Putnam"; and "Winnipiseogee Lake"., Title supplied by cataloguer., Inclusive range of dates inferred from entries inscribed with dates., Contains engraved illustrated title page: Album. The Mother's Joy., Blank album published in New York in 1833 by J.C. Ricker., Embossed and gilt morocco binding., Release of Dower document dated 1838 giving the Dickerson home to the surviving children, contemporary unidentified newspaper clippings, manuscript poetry transcriptions, contemporary greeting cards, trade card, and other miscellaneous loose items removed and housed separately., Lib. Company. Annual Report, 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator
Dickerson, Mary Anne, 1822-1858
Date
[ca. 1833-ca. 1882]
Location
Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q]
[Stevens-Cogdell/Sanders-Venning family photograph album]
Title
[Stevens-Cogdell/Sanders-Venning family photograph album]
Description
Album compiled by a member of the African American middle-class Stevens-Cogdell and Sanders-Venning family containing portrait photographs of family and friends. Majority of contents are unidentified and include professionally photographed cabinet cards, cartes de visite, and tintypes, as well as snapshots. Several of the professional photographs also show props, including a baby's swing, fur rug, wicker chairs and stools. Other portraits include women dressed in early 20th-century beach attire, a ca. 1920's photo of a woman with a ukulele; and two men posed in front of an entryway draped in an American flag. Album also contains a reproduction of an unidentified painted portrait photograph; ca. 1828 silhouettes of Richard C. Cogdell and his brother Charles S. Cogdell (sons of Richard and Cecilia Cogdell) stamped on verso cut by Master Hankes, i.e., Jarvis F. Hanks; and a clipped periodical illustration depicting Maria Walpole, Countess of Waldegrave., Sitters include Cordelia Chew Hinkson and her daughter Cordelia Hinkson Brown as a baby (inside cover & insert before p. 32); Lillie Dickerson (p. 8); George Venning (insert before p. 10); Florence I. Warwick as a child and adult (insert before p. 10 & 24); Richard DeReef Venning (insert before p. 18 & 36); Louise Sanders Venning (insert before p. 32); and possibly Cordelia Chew (p. 36)., Title supplied by cataloger., Date inferred from content., Some loose photographs contain identity of sitter and date inscribed on verso. Some inscriptions barely legible., Twelve ca. 1920s 2x3 snapshots showing vacation portraiture pasted on inside front cover., Two photographs inserted in slot on p. 8., Date of silhouettes inferred from active dates in Charleston, S.C. of silhouettist Jarvis F. Hanks. See Charleston Courier, March 13, 1828, 2 and "For A Few Days," Charleston Courier, March 31, 1928, 3., Various photographers, including Philadelphia photographers Baumgardner & Hebling; H. D. Garns (& Co.); L. Blaul; Kuebler; Swain & Bridle; M. Herbert Bridle; 1XL Gallery; Larkin Gallery; F. S. Keeler; Bell Studio; and Henrici & Garns., See Lib. Company Annual Report, 1991, p. 26-31., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1860 - ca. 1925]
Location
Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders-Venning Collection [P.2012.37.2]
[Album of Richard DeReef Venning] [graphic].
Title
[Album of Richard DeReef Venning]
Description
Photograph album of African American government worker Richard DeReef Venning, a member of the African American middle-class Stevens-Cogdell and Sanders-Venning family, and containing predominantly unidentified portraits of African American and white men, women, and children, including family and friends. Contains bust, half and full-length portraits, often studio portraits. Several of the female sitters wear ornate hairstyles and many sitters also wear crosses. Also contains a carte de visite reproduction of a painted portrait of possibly George Cogdell (p.16) and a carte de visite inscribed “Pete” and “Sam” showing two men in checkered patterned jumper costumes, wigs, hats, and full-face masks (p.18). Identified sitters include Samuel Le Count Cook (p.2, photograph dated 7/4/[18]90 and imprint of DC photographer Rice on verso, ), Edward W. Venning (p.13, photograph dated 1869 and imprint of Philadelphia photographer G.W. Cheston on verso), Sarah Venning (p.13 &14, imprint of Philadelphia photographer Larkin on the verso), Richard DeReef Venning (p.13, photograph dated 12/7/[18]74 on recto and imprint of Philadelphia photographer Henrici & Garns on verso), Sarah Ann Sanders, daughter of Sarah Sanders (p.14, lower right, ca. 1865, inscribed on recto: S.A.S.; imprint of Philadelphia photographer B.F. Reimer and "property of ed. y.v." inscribed on verso), Cordelia Chew Hinkson (p.35), and Cordelia Hinkson Brown as a baby (p.35). Other sitters may possibly be William H. Chew (p.1), Addie Howard (p.3) and George Washington Musgrave (group portrait, p.19)., Album also contains a portrait signed "Ellie" (p. 22, photograph dated 11/16/[1875] and imprint of NY photographer G.H. Johnson on verso) and an unidentified portrait that is likely Cordelia Sanders (Chew) and her sons Richard and Charles Chew (p.15, lower left, imprint of Philadelphia photographer Miles & Foster on verso). Another unidentified portrait is likely Jacob C. White, co-founder of the Pythians, Philadelphia's first African American baseball club (p. 27, upper left, imprint of Philadelphia photographer Gutekunst). Also contained are inserted portraits (rehoused on boards and with album), including one of a Black man inscribed "H.S.S." and Jan. 11/82 on the recto and verso of the mount (L.W. Cook, Boston, photographer) and one of a Black woman inscribed "Respects of Marie" on the verso (J.P. Silver, photographer)., Title supplied by cataloger., Date inferred from content., Contains title page: Album. Page illustrated with ornamental border., Contains several loose portraits., Various photographers, including Philadelphia photographers H. D. Garns & Co., G. W. Chesterton, African American photographer Gallo Cheston, Larkin Gallery, O. B. DeMorat, C. Hagemann & Co., Henrici & Garns, B. F. Reimer, H. D. Garns & Co., Miles & Foster, Broadbent & Phillips, M. S. Hagaman, Lothrop’s Ferrotype Gallery, Germon, J. Fenton, J. P. Silver, Parlor Galleries, as well as Washington, D.C. photographers Kets Kemethy and Rice, Norfolk photographer J. A. Faber, Trenton photographer J. Bainbridge, Charleston photographer Jesse E. Bolles, Boston photographer L. W. Cook, Salem photographer Smith & Bousley, and New York photographer G. H. Johnson., Inscription on front free end paper: R.D. Reef Venning, June 12/84, Washington, D.C., Some of the photographs contain inscriptions, including dates, identifications, and valedictions, on the versos., Label pasted on back cover: No. 464 Gately & Haskell, booksellers, Hoen building, Baltimore, MD., Ca. 1900 pastel portrait of possibly Clara, nurse to children and grandchildren of Sarah Sanders and R. W. Cogdell (P.9367.32, Stevens-Cogdell/ Sanders-Venning Collection) after ca. 1875 tintype photographed by J. Fenton (729 South St., Phila) P.2012.37.1.23b originally inserted in album and housed with album., See Lib. Company Annual Report, 1991 p. 26-31., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., Some photographs dated during conservation treatment in July 2021. Conservation notes in collection research file at repository (Graphic Arts Department)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022., Richard DeReef Venning (1846-1929), born in Philadelphia, was son of seamstress Elizabeth and carpenter Edward W. Venning. Venning worked as a grocer in Philadelphia before being appointed as a clerk to the Eastern Division of the Pension Office in 1881. He resided in Washington, D.C. from the early 1880s to early 1900s, and boarded with the African American Presbyterian minister Francis Grimké and his brother, lawyer and diplomat Archibald Grimké for several years. In 1914, Venning returned to Philadelphia and lived with his nephew George E. Venning's family who referred to him as "Dah." The family was active in the Philadelphia African American political, social, educational, and cultural community from the 1850s to the 20th century, including the St. Thomas P.E. Church, Church of the Crucifixion, Central Presbyterian Church, the Colored Institute of Youth, and the Citizens Republican Club.
Creator
Venning, Richard DeReef, 1846-1929
Date
[ca. 1865 - ca. 1922]
Location
Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders-Venning Collection [P.2012.37.1]