Search results

Title: Temperance Hall: Trenton. One night only Saturday evening, Aug. 20th, 1864 Largest troupe in the world: two great companies combined! The original S.S. Sanford from his opera houses, Philadelphia and Harrisburg--together with the inimitable Dick Parker! of Parker's Opera House, Alexandria, Va. This great combination most positively limit their engagement here to but one night. Each and every member of the combination is a brilliant star appearing in a programme, rich, rare and inimitable!! ... Sanford's great burlesque, The exempts! ... After which, Parker's laughable afterpiece, The village belle ... To conclude with How are you, greenbacks! by the entire company, Mark the price of admission: 30 cents to all parts of the house Children, with parents, 15 cents. Doors open at quarter-past 7 o'clock. To commence at 8
Description: The two companies include: J. Carl, John Crosher, Frank Diamond, Hughey Dougherty (a.k.a. Young America), Fulton Myers, Dick Parker, Harry Rainor, H.J. Raynor, S.S. Sanford, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera Troupe
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Sanford (26)5761.F.41a (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The peoples' favorite place of amusement Harry Enochs, sole proprietor P.A. Fitzgerald, stage manager J. Nosher, musical director William Heck, business agent Andrew Enochs, ticket agent William Early, officer ... First appearance of Mad'le Helene the great Parisian danseuse. The beautiful Terpsichorean artiste, Miss Carrie Carson. Mons. O. Phi Clide the Hercules of the age, ... Billy Boyd! ... Tom Vance! ... Grand impalement feat Billy Wright. ... Dave Williams, ... Harry Enochs, ... Johnny Kelchner, ... Sammy Williams, ... Castinet duet, ... Mr P.A. Fitzgerald... Jos. Nosher, ... Ida Williams! ... Our bill of fare will satisfy the veriest epicure in the matter of amusement. Songs and dances--Ethiopian, comic and sentimental. Music--humorous and classic. Negro acts--new and excruciatingly phunny ... Miss Nellie Taylor, Philadelphia's favorite vocalist, will shortly appear; also, the beautiful and fascinating Miss Julia Dawson, the Jenny Lind of the West. Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Prices of admission, Parquet, 10 cents Orchestra chairs, 15 cents Private boxes, $2.00 Seats in private boxes, 50 cents Doors open at 7 o'clock. Performance commence quarter-before 8
Description: Julia Dawson was advertised to appear at the Bijou Music Hall Nov. 30, 1863; Nellie Taylor was advertised to appear Jan. 4, 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., "Card.--The management takes pleasure in informing his patrons, and the public generally, that the Bijou is next door to the Arch St. Theatre, easy of access, and the only place in the city entitled to the name. Gentlemen visiting here will find none of the difficulties pertaining to second floor and basement establishments. Our latch-strings are always out, and no pitfalls around the threshold.", Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1863 (26)5761.F.136b (McAllister)

Title: Stewart's New Apollo Concert Hall Fattie Stewart, proprietor Fred Alexander, stage manager Prof. Knouth, leader of orchestra Read the names. M'lle Mazora Arnoldi, Miss Carrie Leon, Miss Ella Wilson, Miss Sallie Collins, Miss Kate Covington, Miss Henrietta, Miss Lizzie Wells, Miss Emma Sager, Miss Clara Devere, F. Alexander, Dan. W. Collins, J.T. Mason, Santa Anna, Mr Brooks, F. Myers, Master Tommy, Mr Smyth, the Francis Brothers Fattie Stewart! Programme for this evening ... School in an uproar ... The evening's entertainments to conclude with Lucretia boards-here or, Scenes from the opera. On Thursday evening, December 29th, re-appearance of J.T. Mason Prices of admission. Parquet, 15 cts. Orchestra seats, 25 " Private boxes, $5 00 Seat in do. 50 cts Doors open at 7. Commence quarter to 8
Description: Dec. 29 fell on a Thursday in 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Fattie Stewart's New Apollo Concert Hall
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Fattie 1864 (27)5761.F.45a (McAllister)

Title: Stewart's New Apollo Music Hall! 609 Chestnut Street, and 608, 610 and 612 Jayne Street, (entrance on Chestnut Street.) J.C. Stewart, sole proprietor Fred Shaw, stage manager Prof. Knoth, musical director Read the names!! First week of Fred Shaw the American extemporaneous comic vocalist. Miss Carrie Leon, Miss Kate Covington, Miss Cassie, Leonard, Miss Ella Wilson, Miss Sallie Collins, M'lle Henrietta, Miss Ida May, Miss Augusta Francis, the Francis Brothers Mr D.W. Collins, Mr J.T. Mason, Mr Frank Howard, Mr W.F. Mullin, Mr Brooks, Master Tommy, the wonderful Santa Anna, and Fattie Stewart! the prince of Ethiopian comedians and comic delineators. ... Row at the Academy of Music ... The whole to conclude with a scene fron The 3 fast men! ... Prices of admission. Parquet, 15 cts Orchestra seats, 25 " Private boxes, $5 00 Seat in do. 50 cts Doors open at 7. Commence quarter to 8
Description: Parentheses substituted for square brackets in title transcription., Several of these performers appeared at J.C. "Fattie" Stewart's other music halls in 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Fattie Stewart's New Apollo Music Hall
Date: [1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Fattie 1864 (27)5761.F.45b (McAllister)

Title: It is better to laugh than be sighing First grand concert by the Independence Assembly to be given at Girard Hall, S.W. cor. Sixth St. and Girard Avenue, on Friday ev'ng, March 20, 1863 on which occasion the Philadelphia Minstrels are engaged and will appear. ... Comic act--Post Office Sam! ... Comic act--Surprise party ... The performances will conclude with the laughable Ethiopian sketch, written by Andy Williams, entitled The musician! ... Admission, 25 cents. Doors open at half-past 6. Performance to commence at quarter of 8 Front seats reserved for ladies. Polite ushers will be in attendance
Description: Performers include: Professor Buchner, Johnny Edwards, W. Hallowell, H. Hillman, Joe Hoock, Wm. Jefferson, Harry Lamar, M. Lapierre, Jim Leathem, E. Martin, Old Joe Miller, William Miller, Billy Morton, C. Smith, S. Stinson, G. Tromley, and Andy Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Philadelphia Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Phila Min (25)5761.F.51b (McAllister)

Title: Laugh and be merry Grand concert to be given by the Humane Association, at Washington Hall, south-west corner of Eighth and Spring Garden Streets, on Thursday evening, April 23d, 1863, on which occasion the Philadelphia Minstrels! will appear in their versatile programme. ... 16,000 years ago: or, The long lost brothers ... Lay low for Furgy! ... The performances will conclude with the laughable pantomime, entitled The village tailor ... Admission, 25 cents Doors open at quarter-before 7; to commence at half-past 7 o'clock. Polite ushers will be in attendance. Front seats reserved for ladies
Description: Performers include: J. Boube, W. Fraes, Herr Heinrick, Joe Hoock, Harry Lamar, Jim Leathem, Ed. Martin, Old Joe Miller, D. Montley, John Neace, F. Orland, C. Smith, S. Stanley, G. Tromley, and Andy Williams., Printed area, including ornamental border, measures 48.8 x 16.2 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Philadelphia Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Phila Min (25)5761.F.61a (McAllister)

Title: To make you laugh is our delight! Grand concert to be given at Washington Hall, south-west corner of Eighth and Spring Garden Streets, on Wednesday evening, May 20, 1863, for the benefit of Billy Martin of the Philadelphia Minstrels, on which occasion the Philadelphia Minstrels and a host of volunteers will appear. ... Also, the popular Harmonia Orchestra will play a host of musical selections. Programme. ... Prestidigitation by the great William Miller. ... The performance will conclude with an Ethiopian sketch, by Andy Williams, entitled The black tailors ... Admission, 25 cents Doors open at half-past 7 o'clock. Curtain rises at quarter before 8. Polite ushers will be in attendance. Front seats reserved for ladies
Description: Performers include: James Hyde, Harry Lamar, M. Lapierre, Jim Leathem, D. Marion, Ed. Martin, Joe Miller, William Miller, C. Northem, J. Reilly, Wm. Ross, Geo. W. Schriver, P.Y. Selby, R.F. Simpson, and Andy Williams., Printed area, including ornamental border, measures 55.6 x 20.0 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Philadelphia Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Phila Min (25)5871.F.73a (McAllister)

Title: Grand concert to be given by the Monitor Assembly at Franklin Hall Sixth Street, below Arch. On Wednesday evening, Oct. 7, '63 on which occasion the Philadelphia Minstrels will appear in their versatile programme. ... Manager in trouble. ... Lay low for rebels ... The evening's entertainment will conclude with the laughable Ethiopian sketch, entitled The baffled contraband! ... Ending with a grand holiday jubilee, sustained by the entire company, Admission, 25 cents Children's tickets, 15 cts. Doors open at quarter-past 7 o'clock. Performance to commence at 8. Front seats reserved for ladies. Polite ushers will be in attendance. A police force will be in attendance to preserve order. The Philadelphia Minstrels can be engaged, by applying at Shoemaker's Drug Store, south-west corner of Sixth and Girard Avenue
Description: Performers include: T. Graham, Tony Keefe, Harry Lamar, Jim Leathem, Johnny Manderson, Ed. Martin, Old Joe Miller, F. Ross, C. Smith, and G. Tromley., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Philadelphia Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Phila Min (25)5761.F.102a (McAllister)

Title: Still triumphant! Onward they come Engagement, for a limited period, of Mad'lle Ariel! who will appear every night in her celebrated Grecian statues. ... Also, engagement of Billy Burr, the great original Ethiopian comedian. Also, first appearance of Billy Rose, the popular comic vocalist and Ethiopian comedian--together with the regular star company. Programme for this everning. ... Weaver's Minstrels. ... Black alderman. ... Bosom friends! ... To conclude with, by request, the side-splitting extravaganza, entitled Parker's saloon ... Admission, 15 cents An efficient police is engaged to preserve strict order. Doors open at 7 o'clock. Performance to commence at 8
Description: John Weaver was active as a minstrel performer and manager in at least 1863 and 1864., Other performers include: Master Charlie, Mlle. Ella, C. Howard, Mlle. Viola, J.B. Whitman, and Andy Williams., Odd Fellows' Hall of Wilmington, Del. was at Third and Kings Sts., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Theatre and Music Hall (Wilmington, Del.)
Date: [1863 or 1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Wilm Theatre 1863 (28)5761.F.4a (McAllister)

Title: Town Hall for one night only. Sanford's Opera Troupe This far-famed Philadelphia institution will appear at the above hall, on Tuesday evening, Oct. 25th, 1864, the whole under the immediate direction of Samuel S. Sanford! proprietor and manager, (of Sanford's Opera Houses, Philadelphia and Harrisburg.) The company: as presented on this occasion, is far superior to any ever offered to the public, giving more novelties than heretofore, among which are The exempts--Les miserables--The ghost! and other rare and attractive acts, as only done by Sanford's Troupe. ... Admission to all parts of the hall, 30 cents Children, twenty-five cents. Doors open at 7 o'clock. Commence quarter before 8
Description: The company includes: F. Basquin, Frank Diamond, H.J. Raynor, J.P. Reese, S.S. Sanford, Frank Schaeffer, F.W. Stempel (a.k.a. Master Willie), J.B. Whitman, and J. Williams., "Notice--Change of base.--Mr. Sanford raspectfully [sic] informs the public that he has leased the Olympic Theatre, Race Street, Philadelphia, which is now undergoing complete renovation, and will be open on Monday evening, November 14th, under the title of Sanford's New Opera House. Mark the locality, Race St., bet. 2d & 3d", Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera Troupe
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Sanford (26)5761.F.44a (McAllister)

Title: Here to-night! Sanford's Opera Troupe This far-famed Philadelphia institution will appear this evening, the whole under the immediate direction of Samuel S. Sanford! proprietor and manager, (of Sanford's Opera Houses, Philadelphia and Harrisburg.) The company: as presented on this occasion, is far superior to any ever offered to the public, giving more novelties than heretofore--among which are The exempts--Les miserables--The ghost! and other rare and attractive acts, as only done by Sanford's Troupe. ... Doors open at 7 o'clock. Commence quarter before 8
Description: The company includes: F. Basquin, Frank Diamond, H.J. Raynor, J.P. Reese, S.S. Sanford, Frank Schaeffer, F.W. Stempel (a.k.a. Master Willie), Larry Tooley, J.B. Whitman, and J. Williams., "Notice--Change of base.--Mr. Sanford respectfully informs the public that he has leased the Olympic Theatre, Race Street, Philadelphia, which is now undergoing complete renovation, and will be open on Monday evening, November 14th, under the title of Sanford's New Opera House. Mark the locality, Race St., bet. 2d & 3d"--Sanford's New Opera House opened Nov. 14, 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera Troupe
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Sanford (27)5761.F.118b (McAllister)

Title: Sanford and troupe, one night more with a great change Sanford in his great acts. The troupe in variety The quartet in new solos, glees, duets & choruses Sanford in his great delineation of Uncle Tom ... Sanford's version of Uncle Tom is a true picture of slavery! The press and the profession pronounce Sanford as the head and front of minstrelsy, and the best delineator of Ethiopian character extant! For this occasion a great bill will be given. Inquire of the character of the entertainment: the verdict: all pleased. The report: the best in the world. The evidence: the house was crowded Admission, 25 cents Children, fifteen cents. Doors open at 7 o'clock. the performances to commence at 8
Description: The company includes: Mr. Batchelor, E. Haven, Fulton Myers, J.R. Myers, S.S. Sanford, E.J. Turner, and J. Williams., Illustration signed: Spiegle & Johnson Phila., Printed area, including double-rule border, measures 56.4 x 20.4 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War., Readex Aug. 2017 update: fixed field language code supplied.
Creator: Sanford's Opera Troupe
Date: [1863?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Sanford (27)5761.F.117 (McAllister)

Title: Music, mirth and melody "Our" Head-Quarters! (late "New Idea") Concert Saloon No. 609 Chestnut Street, (above Sixth.) Sole lessee and proprietor, Chas. St. Clair Leader of orchestra, J.K. Search Stage manager, J.M. Mortimer Great increase of attraction New stars & old favorites First appearance of Miss Annie Stattler, the queen of song. Second week of Madaline Virginia, the accomplished French danseuse. Continued success of Miss Sallie Brooks the beautiful, sentimental and comic vocalist. The old favorites are still greeted with unbounded applause, Billy Porter! the original contraband. George Jones, the ham-fat man. Johnny Riley, eccentric comedian. Joe M. Mortimer the wonderful local banjo soloist and stump orator. The above well-known talent appear nightly in the choicest gems of dramatic, operatic, terpsichorean and minstrel arts. ... The whole to conclude with the roaring farce, in 1 act, entitled The prime donuts, or, A manager in a tight place. Admission (including refreshments) 10 cts. Come & see. No boys admitted
Description: Some of the performers listed appeared in other Philadelphia music halls in 1863 and 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Our Head-Quarters Concert Saloon (Philadelphia, Pa.)
Date: [1863 or 1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Our 1863 (27)5761.F.29b (McAllister)

Title: Murphy & McCourt's Art Union Concert Hall Nos. 14 and 16 S. 7th St. between Market and Chestnut. Murphy & McCourt, proprietors Prof. Thiodon, musical director To-night, to-night. Behold the great array of talent: engaged at this popular concert hall. Our motto:--we aim to please This is the oldest, most respectable and best conducted place of amusement in the city, and nightly more frequented than any other concert hall. The best singers! The best Ethiopian comedians and the best danseuse in the profession. Miss Annie Clare, the beautiful danseuse. Miss Ida Sinclair, the charming vocalist. Miss Mattie Clare, the original "Dinah Snow." Frank Woods. Ethiopian delineator and tamborinist, in his great act, "The essence of Ole Virginny," in which he challenges the world for his equal. Sam. Murphy, the Philadelphia favorite, in his ever pleasing ballads. M.B. Leavitt, the popular tamborine and bone soloist, also in his original act, "The happy ole man." Charley West, versatile comedian. Prof. Thiodon, stage manager Prof. Yost, pianist Doors open at 7. To commence at 8 o'clock. Admittance, 10 cents including refreshment ticket
Description: Many of the performers listed appeared in other Philadelphia music halls in 1863 and 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Art Union Concert Hall
Date: [1863 or 1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Art 1863 (27)5761.F.86a (McAllister)

Title: Fattie Stewart's Apollo Free Concert Hall Fattie Stewart, proprietor J.E. Gilligan, stage manager Prof. Robinson, leader of orchestra Read the names: Miss Kate Covington, Miss Louisa, Miss Henrietta, J.F. Mullin, John T. Mason, T.S. Matthews, F. Alexander, Mr Morton, Mast. Tommy, Mr Robinson, Mr Smyth, Fattie Stewart! Programme for this evening ... Amateur's rehearsal ... Grand posturing act, ... Tricks upon travelers ... Handy Andy, ... The whole to conclude with a new plantation festival by the knights of the cork Admission, ten cents including refreshment ticket, doors open at 7. Commence quarter to 8 No boys admitted. Best of liquors, cigars and lager beer, constantly on hand at the bar
Description: Many of these performers were active in 1864, some with Fattie Stewart at the Bijou Music Hall in Philadelphia., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Fattie Stewart's Apollo Free Concert Hall
Date: [1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Fattie 1864 (27)5761.F.40b (McAllister)

Title: Chestnut Street Lyceum 620 Chestnut Street. Lessee and proprietor, C.P. Rose Treasurer W.A. Campbell Stage manager Ed. Preble Leader of orchestra W.T. Davis Property man J.P. Edwards Superintendent of gas G.W. York Immense success! Crowded houses nightly! The coolest place of amusement in the city. Grand gala night! ... Programme. ... La bella of Cadiz ... Neapolitan fete! ... The whole to conclude with the plantation walk around, entitled Fight for Uncle Sam N.B.--The volunteers will be announced as they appear. Grand matinee on Saturday, for ladies and children! Look out for the show next week, the only show open, and the best company ever in the city. Come and see. Admission, 10 and 25 cents
Description: The playbill for May 5, 1862 states: Prices of admission reduced to 10 and 15 cts., Performers include: Paul Berger, I.N. Carr, James Flake, Eliza Florence, Estella and Jenny Forrest, Kate Francis, Emma Gardiner, Fannie Gilmore, Kate Harrison, Billy Holmes, Kate and Maggie Marshall, G.W. Morris, Ed. Murray, R.S. Raymond, Jennie Ridgway, G.T. Sheldon, G.W. Smith, Helene Smith, Maria Wells, and J.H. Young., Printed on rose-colored paper; printed area, including double-rule border, measures 55.4 x 19.7 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Chestnut Street Lyceum (Philadelphia, Pa.)
Date: [1862?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Chestnut 1862 (27)5761.F.19 (McAllister)

Title: The song of the "contrabands" "O let my people go" words and music obtained through the Rev. L.C. Lockwood, chaplain of the Contrabands at Fortress Munroe
Description: For voice, 4-part chorus and piano., Possibly the first edition of Go down, Moses. Cf. Fuld, Book of World famous music, p. 247., First line of text (O! Let my people go): The Lord by Moses to Pharoah said., First line of chorus (O! Let my people go): O! go down Moses, Away down to Egypt's land., First line of text (The Lord doth now to this nation speak): The Lord doth now to this nation speak., First line of chorus (The Lord doth now to this nation speak): Haste freemen, 'till the sea you've crossed., Verses 2-11 for "O! Let my people go" on p. 5; verses 3-12 for "The Lord doth now to this nation speak" on p. 7., Publisher's advertisement on last page., Includes "The Lord doth not to this nation speak : parody on 'The songs of the contrabands.'" is on p. 6-7., Engraved by Stackpole., Digitized by Alexander Street Press for Images of the American Civil War.
Date: c1861
Location: Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Song 7594.F.12a-b

Title: Temperance Hall Monday and Tuesday, August 8th and 9th. Positively two nights only! Carncross & Dixey's Minstrels! The great star troupe of the world direct from their opera house in Philadelphia appearing in their grand Ethiopian soirees, laughable burlesques! Plantation scenes, &c. Entire change of programme nightly Monday evening, August 8th, 1864. ... The two Dromios, ... The perfect cure ... The gold hunters ... The pilgrim fathers, ... The big bug ... To conclude with the new plantation scene, entitled U.S.G. by the full company. Admission, 50 cents Doors open at quarter-past 7 o'clock. Commence a 8
Description: The performers include: J.L. Carncross, J.S. Cox, E.F. Dixey, Charles Gibbons, Harry Lehr, Ira Paine, and E.N. Slocum., Printed area, including double-rule border, measures 56.4 x 20.4 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Carncross & Dixey's Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Carncross (26)5761.F.37b (McAllister)

Title: Song of the Negro boatmen at Port Royal, 1861
Description: Lyrics based on poem "Song of the Negro boatmen" by John Greenleaf Whittier., "A. A. Cowdery, printer, no. 154 South Clark Street, Chicago."--p. [1] at end., Publisher's advertisement on p. [1] at end., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Merrill, Hiram T., cmp
Date: c1862
Location: Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Song 9558.F (Beitler)

Title: Scene of camp life
Description: Busy scene showing numerous activities occurring simultaneously at a military camp. In the center, Union Generals look at a map while sitting and standing under a canopy made from an American flag. In the background, soldiers drill on horseback, with cannons, and in lines near rows of tents. In the left, two barefooted African American men and a child approach a Zouave. A white man soldier stands with a rifle and looks on while another white man soldier leans upon a cannon., Title from item., Date inferred from content., Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events. McAllister Collection, gift, 1886., Trimmed., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department GC - Civil War - Military Camps [5779.F.90f]

Title: Theatre at Odd Fellows' Hall Manager Mr. S.C. Dubois Look at this bill for Saturday night The most effective play ever presented in Reading: ... Saturday evening, Aug. 15th, 1863 will be presented the beautiful and affecting French play, entitled Madelaine or The foundling of Paris. ... To conclude with, by request, the great Ethiopian farce, Virginia mummy ... On Monday night will be produced, for the first time in this city, the powerful and exciting play, which has had an uninterrupted success in the United States and Europe for three years, entitled Life in Lousiana or The eighth blood ... Prices of admission, 25 cents Reserved seats, 10 cents extra. Doors open at half-past 7 o'clock. To commence at 8 o'clock
Description: The casts include: Mr. Carlton, S.C. Dubois, G. Harris, S.H. Hemple, G.W. Johnson, James Matthews, Mr. Murtrie, A.S. Pennoyer, Eliza Place, Clara Reed, J. Rudolph, Harry Ryner, and Kate Ryner., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Dubois Troupe
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Dubois (25)5761.F.95a (McAllister)

Title: Canterbury Music Hall, N.W. cor. 5th & Chestnut Lessee and proprietor John H. Chilcott ... Programme. ... Canterbury Minstrels. ... Challenge jig, ... Surprise party, ... Schemmerhorn's boy! ... The whole to conclude with the plantation festival, entitled U.S.A. Look out for Thursday evening, when J.H. Jefferson, from Maguire's Opera House, will make his first appearance in this city in a roaring farce. Remember, Monday, Oct. 24th, when the world-renowned Scotch nightingale, will make her 1st appearance, Miss Kate A. Bell. Prices of admission. Private boxes, $2. Single seats, 50e [sic]. Parquet, 20c. First tier, 10c. Doors open at 7 o'clock. Performances commence at quarter-past 8 The bar is stocked with the choicest liquors and cigars. Polite waiters in attendance
Description: Oct. 24 fell on a Monday in 1864., Members of the company include: Fred Alexander, Edward Batchelor, Ida Berger, Tillie Bishop, Fenno Burton, Sam Cowell, Billy Emmett, Bob Harrison, Mons. Knoth, Alexander O'Brien, Ed. Preble, Andy Williams, and Ida Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Canterbury Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Canter 1864 (27)5761.F.12a (McAllister)

Title: The adventures of a conscript as told by himself
Description: Collection of twelve numbered and captioned comic cards using humanized animals to portray domestic and military scenes in the life of a conscripted rabbit. Includes cards showing the rabbit reviewing a "Draft" poster and declaring himself a patriot if drafted; the rabbit receiving the "agonizing fact" of his draft notice; his failed attempt to employ a substitute - a "Quack" of a duck rejected by a donkey of a surgeon (Dr. Donkey); his farewell to his love; his "fearful carnage" of the foe; his retreat to make "a sturdy rebel fly"; his successful "perilous duty" to deliver "despatches" to an owl general, including a confrontation by "a band of Gorillas," portrayed as racist caricatures, and his beheading of the Gorilla Chief; his promotion to Brigadier General; and his release from duty to "crown his glory with love" in wedded bliss., Attributed to James Queen after Henry Louis Stephens., Title from series title., Date from copyright statement by William A. Stephens., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 91., RVCDC, Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [5780.F.56a-l]

Title: He dreamt dat from away off thar de angels sent him news. He 'woke and found it was Dunbarr dat sent dem bully shoes; 60 N. Fourth St. Philadelphia
Description: Racist, satiric trade card depicting an African American man, portrayed in racist caricature and attired in a straw hat, a white collared shirt, pants with patches at the knee, and old shoes, sleeping with his back resting against a haystack in a field. A rifle is propped on the haystack beside him. An African American angel with wings flies toward the sleeping man with a pair of boots in his outstretched right hand. In the background is a scarecrow. Text printed on the recto describing the scene is written in the vernacular. Burns & Zeigler succeeded the firm of Geo. S. Clogg & Son in 1875., Title from item., Date inferred from dates of operation of business., Contains advertising text printed on verso: E. L. Burns. F. T. Zeigler. Burns & Zeigler, dealers in fashionable boots and shoes, No. 1109 Pennsylvania Avenue, betw. Eleventh and Twelfth Sts., Washington, D.C. F. Lisiewski & Co., prs., 639 Arch St., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Creator: Donaldson Brothers (Firm)
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department trade card - Burns & Zeigler [1975.F.33]

Title: Coming home
Description: Plate from children's moral instruction book showing a man, woman, and their three children holding baskets and belongings as they follow an African American porter who carries a trunk for them. Visible in the background is the large steamer the family disembarked at the wharf, probably at the Delaware River., Published as illustration on page 15 in Common Sights in Town & Country Delineated & Described for Young Children (Philadelphia: American Sunday School Union, ca. 1855)., Accompanied by text titled "Coming home" moralizes that those who commit themselves to God will be kept from evil and "will arrive at last at a home of perfect joy and peace," since "Heaven is represented as the Christian's home"., Philadelphia on Stone, POS 148, Historical Society of Pennsylvania: Bd 61 K 8341.15, Free Library of Philadelphia:, Library of Congress: Marian S. Carson Collection
Creator: Kollner, Augustus, b. 1813
Date: ca. 1855
Location: Historical Society of Pennsylvania HSP Bd 61 K 8341.15

Title: [Proofs from specimen album loose prints collection]
Description: Contains proofs, primarily of advertising vignettes, depicting views of factories and storefronts predominantly in Ohio. Businesses depicted include manufacturers of saddlery hardware, "burial cases," sewing machines, and glass; dealers of liquor, dairy supplies, wallpaper and painter supplies; and engravers, printers, and lithographers. Vignettes often include street and pedestrian traffic. Prints also show portraits of men, women, and children; genre and satiric scenes, including the stereotype character "Uncle Remus" (portrayed in racist caricature) designed for trade cards; pictorial and border details designed for certificates, labels, and billheads; machinery and transportation vehicles; trademarks and seals; and a rocking chair. Series also contains a reward of merit designed as a stock certificate and an uncut sheet of six illustrations titled in German. Illustrations primarily depict historical and religious scenes, including the conversion of Saint Eustace., Title supplied by cataloger., Various printers, including H.J. Toudy & Co. and W.J. Morgan & Co., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860-ca. 1882]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Proofs [P.9349.296, 308, 320, 339, 342, 344-347, 349, 351-353, 360, 365, 416, 419, 427-430, 443, 445]

Title: An unpleasantness in Swampoodle
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an altercation in the post-Reconstruction African American and Irish northeast Washington, D.C. working-class neighborhood "Swampoodle." The figures are drawn with racist and caricatured features and mannerisms. In the center, an African American woman holds an ax up to another African American woman who stands with her hands at her hips, and with a look of surprise on her face. A third African American woman to the left of the woman with an ax attempts to reach for the weapon, while a fourth African American woman holds a switch and looks on with a stunned expression. Beside the stunned woman, a small African American boy stands in front of a fifth African American woman leaning over to pick up a rock. In the far left, an African American police officer is being led by an African American boy to the group of women. A shadowy depiction of a crowd of men, women, and children, some holding up brooms and sticks, is visible in the background. Scene also includes wash buckets, switches, and weeds on the ground near the central figure's feet. The central figures wear worn shirts and long skirts or dresses. The woman threatended wears the most worn cloths and rags on her feet. Three of the women wear kerchiefs and two wear aprons. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2015.22 & P.2020.16.6]

Title: [African American woman nursing a baby on a porch in the presence of a man]
Description: Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in a polka-dotted shirt and a checked skirt, cradles an infant on her lap as it suckles on her breast. Seated in the right, the African American man, attired in a hat, a long-sleeved white shirt, a ring, and pants, looks over at the mother and child. On the porch is a wooden chair beside the closed door., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note on verso: Herr Klebenice?, Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2002.8.5]

Title: Colored schools broken up, in the free states
Description: Depicts an attack on a school established by Prudence Crandall in Caterbury, Connecticut that was destroyed by a white mob in September 1834. Image shows a mob of whites raiding, torching, and throwing cobblestones at a building whose sign reads "School for colored girls." At the left, two young girls exit the side door of the school., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 15., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 15, https://digital.librarycompany.org/islandora/object/Islandora%3A2763

Title: Market Street, from Front St. Philadelphia
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named for its central location to the ferries from New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyright statement printed on recto: Entered according to act of Congress in the year 1840 by J.T. Brown in the Clerk's Office of the Dt Ct for the En Dt of Pa., Originally published as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.2. Digital image shows third state of the print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, See Martin Snyder's "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography 87 (January 1953), p. 32-53., Gift of Dr. James Rush., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department W227.2 [Print Room *Am 1838 Wild 3008.Q (Rush)]

Title: Cars loaded with cotton bales on levee near cotton growing district, Texas
Description: Scene showing a group of African American men using hand trucks to move large bales of cotton into or out of freight cars. In the left are stacks of baled cotton with two men standing on top of the bales. In the center, lines of men hold hand trucks of cotton, some turn and look at the viewer. In the right are open freight cars. A bridge and buildings are visible in the background., Title from item., Date inferred from content., Copyrighted by Underwood & Underwood., View is numbered P-V22091, the V indicating it was originally part of stereograph publisher and distributor, Underwood & Underwood's stock. An additional number- P215 indicates what position the stereograph had within a set. Pedagogical text printed on the verso reads "Freight cars loaded with cotton bales on the levee near cotton growing district, Texas...", Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912, the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company, publisher
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department stereo - Keystone - Work [P.9600.12]

Title: A new song suitable to the season, to the tune of good English beer
Description: A cartoon supporting the Old Ticket Party of Pennsylvania which advocated a conversion from a proprietary government to a royal colony. Depicts well-to-do Philadelphians in a tavern drinking and singing "Huzza Old ticket, Old Ticket Forever." An African American server serves the men as he states in patois his support of the Old Ticket. As the devil exits the tavern, he indicates his support for the New Ticket Party which supported the existing proprietary government. Contains an electioneering song of six verses from which the depicted Philadelphians sing verses. The tavern was often used as a place to canvass election support and treat voters., Place and date of publication supplied by Evans., Possibly the work of Henry Dawkins., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1765]
Location: Library Company of Philadelphia | Print Department Political Cartoons -[1765] - New [959.F.87a]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10W [5760.F.115]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., RVCDC, Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10aW [P.8698]

Title: [Second inauguration of President Grover Cleveland, steps of Capitol Building, Washington, D.C., March 4, 1893]
Description: Shows President Cleveland giving his inaugural address surrounded by an immense crowd of guests and spectators lining the stage, steps, and grounds of the Capitol. Also shows patriotic bunting; flag adornments; and a depiction of the American eagle holding the banner "E Pluribus unum." Crowd includes men and women; men attired in military uniforms; and African American spectators., Originally part of a McAllister scrapbook of Centennial and Columbia Exposition views. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [March 4, 1893]
Location: Library Company of Philadelphia | Print Department *photo - unidentified - Political elections [5758.F.65]

Title: Halloween party given by the Craftsman Club of the Reading Co
Description: Group portrait of the male and female attendees, ranging in age from child to adult, in front of a stage. Most are attired in Halloween costume, many in masks and hats, and including clowns, a soldier, a pirate, a chef, and possibly a mummer’s headdress. In the right, a boy wearing Black face and attired as a bell hop, stands and smiles. "Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes.", Title from manuscript note on verso., Photographer's blind stamp on recto., Photographer's imprint stamped on verso., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Gift of Joseph Kelly, 1982., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators - 11x14 [P.8882.12]

Title: [African American primary school classroom]
Description: Depicts two African American women teachers overseeing a class of African American grade school children. The younger children play on the floor and at tables with blocks. The older ones sit and read on benches lining the wall. On the floor, a group of girls play with white dolls as others ride on tricycles and push a carriage. In the left, a teacher stands by two blackboards; one board lists the names of good and bad boys, and the other of good and bad girls. Stencils of animals and playing children decorate the walls., Title supplied by cataloger., Date inferred from attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8846.29]

Title: Burholme Park outing. "Ice Cream."
Description: Depicts a smiling African American woman serving ice cream from a barrel to African American children with disabilities in Burholme Park, Philadelphia. The children, most with crutches, surround the barrel eating their ice cream. In the foreground, the young girl sits holding a dish of ice cream while her crutches lie on the grass in front of her. Three boys and one girl stand and hold dishes of ice cream. People stand and sit on benches in the background. Burholme, originally the country seat of railroad magnate Joseph Waln Ryerss and an Underground Railroad station during the Civil War, became a public park at the death bequest of Ryerss' son, Robert, in 1868., Title from duplicate print., Date inferred from attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8817.15a]

Title: Burholme Park outing. "Ice Cream."
Description: Depicts a smiling African American woman serving ice cream from a barrel to African American children with disabilities in Burholme Park, Philadelphia. The children, most with crutches, surround the barrel eating their ice cream. In the foreground, the young girl sits holding a dish of ice cream while her crutches lie on the grass in front of her. Three boys and one girl stand and hold dishes of ice cream. People stand and sit on benches in the background. Burholme, originally the country seat of railroad magnate Joseph Waln Ryerss and an Underground Railroad station during the Civil War, became a public park at the death bequest of Ryerss' son, Robert, in 1868., Title from manuscript note on verso., Date inferred from attire of the people., Photographer's blind stamp on recto., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8817.15]

Title: [Philadelphia children in Blackface]
Description: Group portrait in a house foyer of nine white costumed children in Blackface and holding tin horns. The children, four seated and five standing, are possibly attired to perform a minstrel show for home entertainment. The photographer's daughter, Hazel, is seated on a rocker, in the right, attired in a large ruffled hat with a mask-like cloth veil. "Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes.", Title from Library Company catalog, An African American miscellany, p. 27., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchase 1988., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Rich was a professional Philadelphia landscape photographer who produced several candid portraits of family and friends.
Creator: Rich, James Bartlett, 1866-1942, photographer
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department photo - Rich [P.9266.870]

Title: [Graham House, Edgmont Avenue, Chester, Pennsylvania.]
Description: Exterior view of the Graham House built for John Hoskins in 1688 on the southeast corner of Edgmont Avenue and Graham Street, Chester, Pennsylvania. Shows an oblique view of the two-story brick house with shuttered windows and three dormer windows protruding from the roof. Two sets of stairs lead to the front door, which is covered by a portico. A white picket fence surrounds the property. A sign hangs on the front of the house, "Graham House John Hoskins 1688." An African American man leans on the second-story windowsill with his left hand resting on his face and looks at the viewer. Hoskins operated the house as an Inn., Title supplied by cataloger., Date from manuscript note written on mount: Pennsylvania Bi-centennial Photographs, 1882., Forms part of a series of eleven Pennsylvania Bi-centennial photographs by Bennett., Purchase 1978., Description revised 2021., Access points revised 2021.
Creator: Bennett, Nathaniel M., photographer
Date: 1882
Location: Library Company of Philadelphia | Print Department *Photographs-Bennett [P.8458.4]

Title: [American Legion parade, Broad Street, Philadelphia, August 30, 1949]
Description: Scene from the parade showing a float of the battleship "Post 654, Waterman ILL" passing a large crowd in front of the Ritz-Carlton Hotel, opposite the Bellevue Stratford Hotel, near Walnut Street. Men, women, and children spectators, including African Americans, sit and stand along the street and look on from windows and balconies. A photographer on a ladder records the event in the street. American flag bunting and a sign that reads, "Welcome Delegates" decorate the awning of the Ritz-Carlton Hotel. The American Legion, chartered in 1919, is a patriotic veterans mutual aid society., Title supplied by cataloger., Date from manuscript note written on verso: 1371 American Legion Parade Aug. 30 49 passing Bellevue Stratford Hotel, Philadelphia., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: August 30, 1949
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8807.3]

Title: Mr. T.D. Rice As the original Jim Crow
Description: Full-length, caricatured portrait depicting T.D. Rice, known as the "father of American minstrelsy." Depicts Rice as his African American racist shyster character of "Jim Crow." He is portrayed with exaggerated features and mannerisms. He stands, attired in torn and worn clothing, in an exaggerated pose with his right hand on his hip as his left hand tips his hat. His attire includes a jacket, vest, collared shirt, pantaloons, stockings, and slip one shoes. He stands in a fenced in pasture with two cabins in the distant background. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., After the caricature illustration originally created around the 1820s, often reproduced on sheet music covers of the 19th century. See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989), part 2, vol. IV, p. 62-63., Description of Blackface minstrelsy and minstrel characters from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchase 1992., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department portrait prints - Rice [P.9369]

Title: Market Street from Front St. Philadelphia
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named for its central location to the ferries from New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.C. Wild and J.B. Chevalier in 1838., Issued as plate 14 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). A series of Philadelphia views, the first produced by lithography, originally published as five numbers of four prints each in 1838, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 457.1. Digital image shows the third state of the print., Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (2 copies), Athenaeum of Philadelphia: General Prints Collection - PR250, See Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania magazine of history and biography 87 (January 1953), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department W227.1 [P.2098]

Title: Market Street, from Front St
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named after its central location to the ferries of New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.T. Bowen., Issued as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.3, Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (3 copies; 2 hand-colored), Snyder, Martin. "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography (January 1953, Vol. LXXXVII), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: c1840, 1848
Location: Library Company of Philadelphia | Print Department W227.3 [P.2099]

Title: Two souls with but a single thought
Description: Lantern slide formerly owned and probably used in art lessons by Philadelphia painter, photographer, and art teacher, Xanthus Smith of a racist depiction of African Americans in caricature by comic artist, Thomas Worth. Depicts a young and dapperly-dressed African American couple eating a piece of watermelon on a porch as the parents of one of the couple watches them from a doorway. Seated on a bench, the woman, wearing her hair tied up with a pink ribbon and attired in a blue shirt with buttons down the center, a white skirt with ruffles at the bottom, red and black checked stockings, and black shoes, sits beside the man, attired in a gray bowler hat, a white shirt with stripes, a gray waistcoat, gray and black striped pants, and black shoes. They hold a large slice of watermelon up together and bite from it while looking at one another. In the left, the mother, attired in a blue and pink plaid head kerchief, a pink and black striped shirt with a white lace collar, and a pink skirt, and the father, attired in a white collared shirt, a black waistcoat, and black pants, looks on at the couple from an open doorway. A banjo hangs from the post of the porch in the right. In the background, trees and the night sky is visible., Title from label on mount on verso., Gift of Edna Andrade, 1994., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Lantern Slides-Smith, Xanthus [P.9471]

Title: [Folk art portraits of two African American women and two African American men]
Description: Folk art bust-length portraits of two African American men and two African American women, portrayed in racist caricature, shown in a row, alternating woman, then man. In the left, the woman, wearing her hair in two braids tied with blue bows on either side of her head that stick out, with red lips, and attired in an off-the-shoulder blue dress with ruffles, faces forward with her eyes looking left. Beside her the man, with red lips and attired in a white collared shirt, a pink tie, and a black jacket, slightly faces left and his eyes look at the woman. The woman, wearing her hair tied in multiple braids, with pink lips, and attired in a pink, ruffled dress, looks to the left. In the right, the man, with pink lips and attired in a blue bowtie, a white shirt with blue stripes, and a black jacket, faces left and looks at the woman., Title supplied by cataloger., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1909]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - Unidentified - Faces [P.9057.28]

Title: South-east corner of Twelfth and Locust streets
Description: View of the business and residential Philadelphia street corner with a two-story, wooden building advertising the sale of cigars, tobacco, coal, and oil. Barrels and carts line the sidewalk. Rowhouses are interspersed amongst the businesses including a liquor store, a lager beer hall, and Palace Segar store. Men, women, and children pedestrians, including African Americans, walk on the sidewalk. In the nineteenth century, the neighborhood, known as Washington Square West, contained one of the city's largest populations of African Americans., Title from item., Possibly commissioned by Philadelphia antiquarian Ferdinand Dreer., Lib. Company. Annual report, 1975, p. 6-11., Select link below for a digital image., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: 1883
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.120], http://www.brynmawr.edu/iconog/evans/files/plc120.html

Title: Northwest corner of Eleventh and Pine Streets. Demolished 1889. Present site of the Gladstone
Description: View depicting the commercial Philadelphia street corner with the grey wood shack of Michael Traynor, licensed tavern and oyster house, for sale. Storefronts include a stove and heater manufactory; a store selling birds; Schriber, tin and sheet iron worker; a "segar" store; and a lager beer hall. Street trolleys are partially visible to the far right and left. Several pedestrians, predominately African Americans, walk the sidewalks. Individuals board and depart the trolleys. The Gladstone, erected between 1889 to 1890, was the city's first apartment hotel. In the nineteenth century, the neighborhood, known as Washington Square West, contained one of the city's largest populations of African Americans., Title from item., Commissioned by Philadelphia antiquarian Ferdinand Dreer., Lib. Company. Annual report, 1975, p. 6-11., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: 1883, circa 1890
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.121], http://www.brynmawr.edu/iconog/evans/files/plc121.html

Title: Northwest corner of Eleventh and Pine Streets. Demolished 1889. Present site of the Gladstone
Description: View depicting the commercial Philadelphia street corner with the grey wood shack of Michael Traynor, licensed tavern and oyster house, for sale. Storefronts include a stove and heater manufactory; a store selling birds; Schriber, tin and sheet iron worker; a "segar" store; and a lager beer hall. Street trolleys are partially visible to the far right and left. Several pedestrians, predominately African Americans, walk the sidewalks. Individuals board and depart the trolleys. The Gladstone, erected between 1889 to 1890, was the city's first apartment hotel. In the nineteenth century, the neighborhood, known as Washington Square West, contained one of the city's largest populations of African Americans., Title from item., Commissioned by Philadelphia antiquarian Ferdinand Dreer., Lib. Company. Annual report, 1975, p. 6-11., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: 1883, circa 1890
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.121], http://www.brynmawr.edu/iconog/evans/files/plc121.html

Main menu

Pages