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- Title
- [Sheep grazing near trees]
- Description
- Photographer's monogram lower left corner., Retrospective conversion record: original entry, with corrections., Forms part of the Robert S. Redfield collection., Gift of Alfred G. Redfield, a descendant of Robert S. Redfield.
- Creator
- Walcott, Mary Vaux, 1860-1940, photographer
- Date
- ca. 1900
- Location
- Library Company of Philadelphia | Print Department photo - Vaux [P.8983.48]
- Title
- Ehrgott & Forbriger, practical lithographers. s.w. cor. of 4th & Walnut sts., Cincinnati, O
- Description
- Advertisement calendar for 1859 containing patriotic and allegorical vignettes and pictorial details framing a calendar depicted as an architectural monument. Vignettes and details show the American eagle, shield, and flag; symbols of art and industry, including a paint palette, sculpture, telescope, and smoke stacks and chimneys; allegorical figures representing manufacturing, agriculture, and the seasons; and a central vignette containing a fruit display in front of drapery. Ehrgott & Forbriger, the premier Cincinnati firm established in 1856 by Peter E. Ehrgott and Adolphus F. Fobriger, operated under that firm name until 1860 when changed to Ehrgott, Fobriger & Co., Inscribed lower left corner: 54., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Ehrgott & Forbriger
- Date
- [ca. 1858]
- Location
- Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.37a]
- Title
- Mammoth Grape Vine in Santa Barbara
- Description
- Exterior view showing a mammoth grape vine with a man seated beneath. Also shows surrounding grape vines and shrubs with a partial view of a shed.
- Creator
- Centennial Photographic Co., photographer., creator
- Date
- 1876
- Location
- Centennial album [P.8965.27d]
- Title
- Mammoth Grape Vine in Santa Barbara
- Description
- Exterior view showing a vineyard with a mammoth grape vine at the center, and a woman seated beneath. Also shows surrounding grape vines, shrubs, and a partial view of a porch with an empty chair.
- Creator
- Centennial Photographic Co., photographer., creator
- Date
- 1876
- Location
- Centennial album [P.8965.27f]
- Title
- Shute, Thomas
- Creator
- Library Company of Philadelphia, creator
- Date
- December 30, 1801
- Title
- Centennial Exhibition Philadelphia Album
- Description
- Photographs of the major buildings, the exhibits, and the landscape of the World's Fair in Philadelphia, 1876.
- Title
- J.F. Tyrell & Co.'s Exhibit - Agricultural Hall
- Description
- Interior view of Agricultural Hall. Shows exhibit by Tyrell & Co. Shows a counter display featuring several small barrels, boxes, and crates of oatmeal. Two signs advertise the company and prices of wheat, corn, and oats.
- Creator
- Centennial Photographic Co., photographer., creator
- Date
- 1876
- Location
- Centennial album [P.8965.27a]
- Title
- Peters, Richard, 1743-1828
- Creator
- Library Company of Philadelphia, creator
- Date
- April 17, 1795
- Title
- Mammoth Grape Vine of Santa Barbara - Agricultural Hall.
- Description
- Interior view showing Mammoth Grape Vine exhibit with vine at the center. Also shows stereograph viewers on the counter and a wine display.
- Creator
- Centennial Photographic Co., photographer., creator
- Date
- 1876
- Location
- Centennial album [P.8965.27e]
- Title
- Agricultural Building - Interior, Looking West
- Description
- Interior view of the Agricultural Building looking West. Depicts a room filled with tools and machinery related to the agricultural industry. Also shows a stand with a label reading, "Celery Salt, Mustard, and Spices." In the background is a large fountain.
- Creator
- Centennial Photographic Co., photographer., creator
- Date
- 1876
- Location
- Centennial - album [P.8965.25a]
- Title
- Farmer's Friend Mfg. Co.'s Exhibit - Agricultural Hall.
- Description
- Interior view showing a display of row cultivators on a platform.
- Creator
- Centennial Photographic Co., photographer., creator
- Date
- 1876
- Location
- Centennial album [P.8965.28a]
- Title
- [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
- Description
- Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1860-ca. 1865]
- Location
- Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]
- Title
- [Print specimens depicting African Americans from the Thomas Richardson and American Bank Note Company scrapbook]
- Description
- Includes predominantly banknote specimens showing enslaved, free, and possibly free African American men, women, and children. Images depict an African American man driver hauling a wagon filled with hay (p. 38); an African American man farm hand tending to horse in a farmyard (p. 38); enslaved men harvesting a field of grain (p. 45); an African American man cart driver hauling bundles up an incline (p. 50); enslaved men picking cotton juxtaposed with a townscape vista (p. 54); African American men workers collecting sap from trees under the view of a white foreman on horseback (p. 61); enslaved men, women, and children cutting and loading sugar cane onto a wagon at a “Sugar Plantation” (p. 66); an African American man driver leading “The Mule Team” on a country road (p. 67); African American men workers “Breaking Hemp” (p. 68); and a proof copy of an illustration from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861) depicting a scene by a hearth from “The Spy” with an African American male servant looking over the shoulder of a white woman housekeeper (p. 26). Majority of specimens include roadside scenery or plantation or residential buildings in the background. “Sugar Plantation” view also shows a steamboat on a river in the background., Title supplied by cataloger., Date inferred from the active dates of the partnerships of the printers in the imprints and content., Artists include F. O. C. Darley and Louis Denoce., Printers include American Bank Note Co.; Baldwin, Bald & Cousland; and Bald, Cousland & Co., Some items contain specimen number printed in lower right corner. Includes 131, 144, and 212., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
- Date
- [ca. 1855-ca. 1857]
- Location
- Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]
- Title
- John Weik's (Philadelphia) kochbuecher (cookbooks)
- Description
- Whimsical publisher's advertisement containing four vignettes in a fanciful border of food imagery surrounding a list of cookbook titles in German and English authored by Marianne Struf and the steward of the Union League, William Vollmer. Vignettes depict three quirky scenes representing agricultural work, hunting, fishing, and fine dining. Also contains a scene depicting four women peeling apples, mincing meat, and baking in a kitchen. Vignettes include an African American man waiter and an African American woman cook. Fanciful border contains stone pedestals adorned with seals comprised of cooking implements, as well as a basket of bread, bottles of wine, a crab holding oranges, a tureen of soup, dead game, ears of corn, plates, a pitcher, a coffee grinder, and mischievous monkeys., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1856 by J. Weik in the Eastern District Court of Pa., Printed above image: Life Preserver., Printed under title in German: All five books can be had here., Not in Wainwright., Philadelphia on Stone, POSP 126, LCP exhibition catalogue: The Larder invaded, aft. p. 9., LCP exhibition catalogue: Philadelphia revisions #32., Lib. Company. Annual report, 1973, p. 44., Top corner and center edge mended., Purchase 1973., Description revised 2021., Access points revised 2021.
- Creator
- Nissle, J., artist
- Date
- 1856
- Location
- Library Company of Philadelphia | Print Department **BW - Advertisements [8074.F.1]
- Title
- Engravings by William Humphrys Scrapbook
- Description
- Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."
- Title
- [Thomas Richardson and American Bank Note Company scrapbook]
- Description
- Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
- Creator
- Richardson, Thomas, 1802-approximately 1881
- Date
- [ca. 1854-ca. 1861]
- Location
- Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]