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Title: The results of abolitionism!
Description: Cartoon reflecting the fear among Northern white workers of job competition with free African Americans. Depicts African American men bricklayers, portrayed in racist caricature and speaking in vernacular, on a construction site giving orders to white laborers in a reversal of roles. The laborers work on a large multi-storied brick building fronted by scaffolding and a ladder. The African American supervisors hold trowels and stand at the top of the scaffolding. They hurl orders and abuse at white workers exclaiming: "Bring up the mortar you white rascals" and "You bog-trotters, come along with them bricks." An African American man standing on the ground, attired as a dandy, exclaims, "White man hurry up them bricks." A white man climbs the ladder and two white men work on the ground shoveling and picking up bricks. Another white man stands and says, "Sambo hurry up the white laborers.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1835 - Res [5780.F.1]

Title: An affecting scene in Kentucky
Description: A racist cartoon ridiculing Kentucky congressman Richard M. Johnson, the 1836 Democratic vice-presidential candidate, for his common-law marriage to Julia Chinn, a multiracial woman. Depicts Johnson, with the "New York Courier and Enquirer" falling from his hand, as he grieves over the "scurrilous attacks in the newspapers on the mother of my children." His daughters, Adaline and Imogene, attired in evening dresses, comment on his "affected state" and hold a framed portrait of their mother, attired in a turban. Surrounding Johnson are Democrats pledging support, including a postmaster, a well-dressed African American man, who speaks in the vernacular, and a gaunt white man abolitionist holding the Connecticut newspaper the "Emancipator." Another white man supporter comments on Johnson's agitated state., Title from item., Publication information supplied by Reilly., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1836]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1836-15 [6277.F]

Title: American sympathy and Irish blackguardism
Description: Cartoon depicting conflicting responses to the condemnation of slavery in the U.S. by Daniel O'Connell, an Irish abolitionist and leader of the movement for Irish independence (i.e. Irish Repeal Movement). Depicts O'Connell confronting President John Tyler as his son, Robert, an Irish repeal advocate introduces him. O'Connell, attired as an Irish thug, holds a club labeled "Agitation" and a bag labeled "Repale Rint." He condemns John Tyler for being an enslaver, "Arrah! give up your slaves I'd rather shake hands with a pick-pocket than wid a slaveholder, and if we get our repale we'll set em all free..." President Tyler, who was passively against slavery, greets O'Connell stating his support of repeal. Robert Tyler, dressed effeminately, and with "Ahasuerus" and the "Epitaph on Robert Emmett" (an earlier Irish patriot), the poems he authored in his pocket, confirms his father's support of repeal and proposes that the sale of his work could benefit the Irish cause. William Lloyd Garrison, who is to the right of O'Connell, states his support for O'Connell but not Irish repeal. An African American man, portrayed in racist caricature and speaking in the vernacular, overlooks the scene and says, "By jolly I wish Massa Harry Clay was here -- Dis dam low Irishman not dare talk to him dat way!", Title from item., Entered according to an act of Congress in the year 1843 by H.R.R. Robinson in the Clerk's Office in the District court for the Sc District of N.Y., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1843
Location: Library Company of Philadelphia | Print Department Political cartoons - 1843-2 [6258.F]

Title: The abolition Garrison in danger & the narrow escape of the Scotch Ambassador
Description: Anti-abolition print celebrating the 1835 attack on William Lloyd Garrison in Boston by "gentleman of property and standing" preceding his scheduled speaking engagement before the Boston Female Anti-Slavery Society. Depicts Garrison at the center of an angry mob of white men. He has a noose around his neck and his newspaper "The Liberator" in his pocket and yells, "Help Children of Africer - help brothers." Scottish abolitionist George Thompson, who was rumored to be the Society's speaker, flees the scene attired in a women's clothes. He states with a Scottish burr that he will not be a "Martyr in sie black cause." As the mob screams, "Down with the incendiary abolitionists," and calls for Garrison's lynching and arrest, Garrison is being pulled by the noose by several of the rioters and steps upon editions of the "Evening Post" and "Human Rights," serials sympathetic to the abolitionist cause., Title from item., Date inferred from content., Text on recto: Boston Oct. 21st, 1835., Purchase 1958., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-10W [6259.F]

Title: Southern ideas of liberty. New method of assorting the mail, as practised by southern slave-holders, or attack on the post office, Charleston, S.C
Description: Print portraying the violent suppression of Southern abolitionism. Depicts a riotous mob around a gallows from which a white man hangs. It is overseen by Judge Lynch, depicted with donkey's ears and holding a whip while stepping on the Constitution. He is seated upon bales of cotton, sugar, and tobacco and sentences a white man abolitionist to be hanged by the neck. The abolitionist is grabbed and drug to the gallows by two white men., Print portraying a raid of anti-abolitionists on the Charleston Post Office in July 1835. Depicts white men removing and then pilfering mail-bags from the ransacked post-office and throwing to the ground abolitionist newspapers including "The Liberator," "Atlas," and "Commercial Gazette" while a riotous mob burns the papers. Posted on the Post Office is a broadside titled "$20,000 Reward for Tappan" referring to the bounty placed by the city of New Orleans upon Arthur Tappan, founder and president of the American Anti-Slavery Society., Title from item., Advertised in 1836 editions of the abolitionist newspapers The Liberator, published in Boston, and Emancipator, published in New York., Text printed on recto: Sentence passed upon one for supporting that clause of our Declaration viz. All men are born free &equal. “Strip him to the skin! give him a coat of Tar & Feathers! Hang him by the neck, between the Heavens and the Earth!!! as a beacon to warn the Northern Fanatics of their danger!!!!”, Purchase 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-2 & 3 [P.8658]

Title: "The irrepressible conflict" or the Republican barge in danger
Description: Cartoon predicting doom for the Republican Party whose moderate antislavery factions intentionally caused radical abolitionist William Seward to lose the presidential nomination at the National Convention in 1860. Depicts the "Republican Barge" with Lincoln at the helm being tossed on rough sea near a rocky shore. Within the boat Horace Greeley, Missouri Congressman Edward Bates, and Globe editor Francis Blair disparage Seward and the "Irrepressible Conflict" (a catchphrase from an 1858 Seward speech referring to the conflict within the Union over slavery) he has caused as they throw him overboard. The hoisted Seward warns that he alone can save the boat. An African American man, portrayed as a racist caricature and attired in a white collared shirt, a bowtie, a striped waistcoat, pants, and a "Discords Patent Life Preserver" wrapped around his chest, says in the vernacular, “if de boat and all hands sink, dis Nigger sure to swim, Yah! Yah!” Additional passengers, including Massachusetts Governor Nathaniel Banks and "Courier" editor James Webb, comment on the breakers ahead and the improbability of being saved. Brother Jonathan (predecessor to Uncle Sam) anxiously stands on the shore admonishing them not to throw out Seward but to “heave that tarnal Nigger out.”, Probably drawn by Louis Maurer., Verso stamped: L.A. De Vries., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860 by Currier & Ives in the Clerk's Office of the District Court for the Southern Distt of N.Y., Purchase 1960., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1860
Location: Library Company of Philadelphia | Print Department political cartoons - 1860 - 28 [6418.F]

Title: Political "Blondins" crossing Salt River
Description: Cartoon lampooning the perilous nature of the platforms of the 1860 presidential candidates caused by the divisive issue of the extension of slavery to the territories. Depicts the candidates' various methods to cross the "Salt River" (i.e., political disaster) between the "North" and "South." Republican Abraham Lincoln, near the "South," wobbles at the end of a too short rail. The rail, balanced on the "Abolition Rock," is unsuccessfully weighed down by the precariously balanced "Tribune" editor, Horace Greeley. Lincoln curses Greeley who is "accustomed" to the "Salt River." Northern Democrat Stephen Douglas attempts to balance on the tightrope "Non Intervention," and yells for "Help" from the excessive weight of "Squatter Sovereignty" on his balancing pole. Southern Democrat Samuel Breckenridge rides the shoulders of the President and "old public functionary" James Buchanan as he crosses the tightrope "Slavery Extension." Constitutional Unionists John Bell and running mate Edward Everett stand on the "Constitutional Bridge" mocking and pitying the other candidates who are not satisfied with the bridge built by the "patriots of 76" which connects the "two shores in an indissoluble bond of union.", Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1860, by Currier & Ives, in the Clerk's office of the District Court, for the Southn Dist of N.Y., Manuscript note on recto: "Blondin celebrated for having walked over Niagara Falls on a tightrope, gave the idea for this caricature." On June 30, 1859, Jean Francois Gravelet Blondin, a professional tight-rope artist trained under P.T. Barnum, was the first man to successfully cross the falls., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1860
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1860-30W [6428.F]

Title: The resurrection of Henry Box Brown at Philadelphia Who escaped from Richmond Va. in a box 3 feet long 2 1/2 ft. deep and 2 ft. wide
Description: Antislavery print celebrating the moment freedom seeker Henry Box Brown emerged from his crate in Philadelphia. Brown, with the assistance of the Vigilance Committee of the Pennsylvania Anti-Slavery Society, escaped slavery by having himself shipped to Philadelphia where he emerged in the presence of abolitionists Professor Charles D. Cleveland, J. Miller M'Kim, William Still, and printer Lewis Thompson. Depicts Brown just emerging from his box with Still holding the crate's lid labeled, "Wm. Johnson, Arch St. Philadelphia, This side up with Care;" Cleveland with a saw in his right hand; M'Kim with a hatchet in one hand and using his other hand to help Still hold the lid; and Thompson pointing to Brown with his right hand as he holds in his free hand a walking stick., Title from item., Date inferred from variant described in Reilly and LCP copy described by Jeffrey Ruggles, The unboxing of Henry Box Brown (Richmond: The Library of Virginia, 2003), 114. Ruggles notes copies of the print had been received and advertised by the "Anti-Slavery Bugle" of Ohio before March 8, 1851., Variant reproduced in William Still, The underground railroad (1872) p.70. [LCP Am 1872 Still, 56405.O]., Lib. Company. Annual Report, 1975, p. 59-60., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Call number in location based on Reilly entry., Kramer was a German born painter and lithographer who worked with the Rosenthals, a prominent Philadelphia family of lithographers, by 1850 and through the early 1850s.
Creator: Kramer, Peter, 1823-1907, artist
Date: [ca. 1850 - ca. 1851]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1850-4R variant [8183.F]

Title: Immediate emancipation illustrated
Description: Critical satire of the American Anti-Slavery Society, which was founded on the principle of immediate abolition by Arthur Tappan and William Lloyd Garrison, who are depicted discussing the society's principles with an unnamed abolitionist, possibly Lewis Tappan. Above their heads is the banner "Anti Slavery Society Founded Anno Domini MDCCCXXXIII." The seated Garrison comments on the origin of the bundle of Italian linen at his feet, which is to be used for his newspaper "the Emancipator." In the right, the figure of a leopard rests upon a pedestal marked "Fanaticism. Brought the Inquisition upon Spain. Beggary upon Italy. And may drench America in blood!!" (an allusion to the idiom a leopard cannot change its spots and to the Spain and the Iberian War, 1807-1814). In the left, a Black man, labeled "Emancipated Slave," is portrayed in racist caricature and is naked except for a leaves wrapped around his waist. He chases an insect calling, "Food," while carrying a knife. In the background, a scene labeled "Insurection (sic) in St. Domingo! Cruelty, Lust, and blood!" depicts Black people using swords and axes to kill white people, including a white woman on the ground. A building burns behind them., Title from item., Date supplied by Weitenkampf., Probably the "A Caricature" cited in the Emancipator (New York, N.Y.), October 19, 1833 and Liberator (Boston, Mass.), November 2, 1833., The "Emancipated Slave" figure is similar to the figure depicted in the lithograph by Alfred Ducôte, "An Emancipated Negro" ([London]: Thomas McLean, 1833). Copies in the collections of National Maritime Museum, Greenwich, London and the Victoria & Albert Museum, London., Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1833 - 27W [P.9140]

Title: Views of slavery Does the slaveholder admit the slave to be a human being? If so we would ask his interpretation of the following sentiment "Whatsoever ye would that men should do unto you, do you even so to them."
Description: Abolitionist print containing six scenes depicting the inhumanity of slavery. Scenes include enslaved African American children crying while their mothers work and a white man enslaver whips an enslaved man in a sugar plantation field; the punishment of enslaved people by flogging, whipping, and binding by white men overseers in a shack; an auction of enslaved people; a free African American woman with a child watching the destruction of her free papers as she is kidnapped from the street; an anguished enslaved mother being separated from her children by a white man involved in the slave trade; and the shipping of enslaved people to New Orleans from a Baltimore dock. Also contains an excerpt about the rights of human beings from William Ellery Channing's abolitionist text, "On Slavery," below the image., Title from item., Advertised in the New York American Anti-Slavery Society newspaper, Emancipator (March 1836), p.3., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2003, p. 45-46.
Date: [1836]
Location: Library Company of Philadelphia | Print Department political cartoons - 1836 Vie [P.2003.10], http://www.lcpimages.org/afro-americana/F-Views.htm

Title: Whig equestrian exercises - ground and lofty tumbling
Description: Cartoon mocking 1852 Whig Presidential candidate General Winfield Scott, his abolitionist supporters, and the antithetical party platform. Shows the candidate and his supporters as performers at a horse circus. In the right, Scott, in uniform, struggles to straddle the horse "Slavery Compromise" (i.e., the Fugitive Slave Act) and "Tariff Free Soil" (i.e., prohibition of the extension of slavery) as his exclaims, “If the Southern horse don’t moderate his pace, I shall be down presently and break all my bones! Whoa! Whoa!" Nearby, abolitionist and New York Tribune editor Horace Greeley, fearing he will not "strike on his feet this time" flips head-long into a "Tribune Dung Heap of Abuse and 'isms" next to the "Tribune Building" adorned with signs that promote Scott for president and "No journeyman cut throats." In the background, the "Higher Law Vaulters," advocates of New York Senator William Seward's 1850 quote that a higher law than the Constitution should exist in regard to slavery, jump over the horse "Constitution." Vaulters include Whig political boss Thurlow Weed, Seward, abolitionist William Lloyd Garrison, and abolitionist Wendell Phillips. Also shows in the left foreground, New York Times editor and Scott supporter Henry J. Raymond depicted as a harlequin brandishing a billboard announcing the acts., Title from item., Date inferred from content., Purchase 2006., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department political cartoons - [1852] Whi [P.2006.6.2]

Title: All on hobbies, gee up, gee ho!
Description: Cartoon depicting the possible candidates for the presidential election of 1840, riding hobby horses symbolizing their issues. President Van Buren leads the pack cheering on his "old hickory nag," "Sub Treasury," named after his financial program, which allowed independent agencies to administer federal funds. Politicians following Van Buren include: bullionist Senator Thomas Hart Benton on "Specie Currency," his "golden poney" which carries "more weight than any of them"; Senators Henry Clay and Daniel Webster, leading opponents to Van Buren's fiscal policy, bickering over their shared horse named after the defunct "United States Bank"; South Carolina Senator John C. Calhoun riding his "consistent" horse "State Rights and Nullification"; 1836 presidential nominee William Henry Harrison, attired in uniform, on his "Anti-Masonic" horse that keeps a "pretty easy pace" but may "lose his wind" if another scandal like the abduction and murder of mason William Morgan does not occur; and Congressman John Quincy Adams steering away from the group on his "Ebony" horse "Abolition.", Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838, by H.R. Robinson, in the Clerk's Office of the District Court of the United States for the Southern District of New York., Artist's initial lower left corner., Retrospective conversion record: original entry, edited., Described in Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD diss., The University of Michigan, 1980), p. 205., Accessioned 1989., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Clay, Edward Williams, 1799-1857, lithographer
Date: 1838
Location: Library Company of Philadelphia | Print Department political cartoons - 1838-1 [P.9249.8]

Title: "No higher law."
Description: Antislavery print denouncing the immorality of the Fugitive Slave Law by exploiting abolitionist Senator William H. Seward's famous quote that "a higher law" than the Constitution should exist regarding slavery. Shows "King Slavery," depicted as a bearded, bare-chested, white man, attired in a crown made of finger bones and armed with pistols in his waistband. The King sits and leans upon the arm of his throne composed of the "Fugitive Slave Bill," the Bible, and human skulls as he defiantly holds a whip of chains above his head. An American flag on a pole billows behind the throne. Below the throne, Seward, depicted as a priest, looks up and raises his left hand toward the King. He stands before a cat-faced altar inscribed "Sacred to Slavery," which rests upon a book of "Law" and pours oil from a container onto the altar fire, generating clouds of smoke. In the right, three enslaved men squat with their heads bowed. Senator Daniel Webster gestures toward them and holds a paper supporting the Fugitive Slave Bill "to the fullest extent." Near them, "Freedom," depicted as a bearded, white man and attired in a robe, displays his sense of defeat by removing his crown and lowering his liberty pole. In the left, an African American man freedom seeker fends off dogs attacking him. An African American woman freedom seeker and two children flee from two white men mercenaries on horseback and run toward a white woman with outstretched arms in front of a house. In the right background, the figure of Liberty falls from her pedestal., Title from item., Place of publication inferred from the residence of the distributor., Weitenkampf suggests date of publication as 1851., Text printed on recto: Price $3 A Hundred And Six Cents Single Copy., William Harned was an abolitionist printer in New York who also published the pamphlet, "The Fugitive Slave Bill:...." in 1850. (LCP Am 1850 Fug 16809.D.1)., A.B. Maurice and F.T. Cooper's The History of the 19th century in caricature (New York: Dodd, Mead, and Company, 1904), p. 156., Lib. Company. Annual Report, 2000, p. 40-2., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1851]
Location: Library Company of Philadelphia | Print Department political cartoons - 1851 - 2W [P.9739]

Title: Political caricature no.3. The abolition catastrophe, or the November smash-up
Description: Title from item., Date from copyright statement: Entered according to act of Congress in the year 1864 by Bromley & Co. New York in the Clerk's office of the District Court of the United States for the Southern District of New York., Text printed on recto: Single Copies sent pr. mail post paid 25 cts; 5 Copies $1.00; 50 express $9.00; 100 $16.00. Express charges paid by purchaser. Address: Bromley & Co., Box 4265 New York City. Write your address: Post Office, County and State plainly., Third in a series of four., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Cartoon criticizing the Republican's self-destructive support of abolitionism during the presidential election of 1864 depicting the "Union" train of Democrats steaming toward the White House passing the wrecked Republican train. Candidate George McClellan engineers the smooth running Democratic train powered by "Democracy" and adorned with the flag "Constitution." Several of the passengers including Horatio Seymour praise McClellan as others mock the Republican Party's demise. The Republican train has crashed into several rocks symbolic of the war including "Abolitionism," "Confiscation," and "Emancipation." The crash ejects Abraham Lincoln. Several African Americans, who are depicted in racist caricature and speak in the vernacular, are crushed and maimed. Tossed and injured prominent Republican passengers include Edwin Stanton; Horace Greeley; Henry Ward Beecher who holds an African American baby; Charles Sumner; William Seward; John McKeon; Benjamin Butler and Thurlow Weed; many of whom pray for help. "John Bull," Emperor Maximilian of Mexico, and France's Napoleon III observe and comment on the crash's effect on the puppet empire of Mexico. Another observer, recently resigned Secretary Salmon P. Chase, expresses relief that he left the Republican train in the "nick of time."
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-39R [5793.F.2]

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