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Title: Max Rosenthal Collection of Portraits Scrapbook
Description: Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks.

Title: Amateur Newspapers and Journals Collection
Description: Short runs and single issues of 19th-century self-published newspapers. Mostly 1870s.
Date: 1876-1884

Title: The Author.
Description: The author occupies a small part of the valentine. His hands are on his hips, and his legs are wide apart. His face is pinched, and his nose is large., I am a gay author / Of books not a few; / And I long to be read / And approved of by you., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Literary Woman.
Description: The literary woman sits at a table. She writes with a quill, and with her other hand she cradles her head, her elbow resting on a book. The trashcan is filled with yellow pieces of paper. "Blue stocking" is a term for women intellectuals that was often derogatory. The valentines criticizes women writers for lacking sufficient maternal desires and characterizes them as frightening and unattractive. Cf. Diogenes, hys lantern, v. 2 (1852), p. 128., Text: If there e'er was a woman that frightened me quite, / A Blue-stocking 'twould be, who had talent to write, / Who'd much rather spend her time writing a yarn, / Than teaching her children, their stockings to darn., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [ca. 1850?]

Title: [Collection of portraits]
Description: Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks., Sitters include Daniel Agnew; William Allen; Richard Bache; Phineas Bond; Thomas Cadwalader; Stephen Decatur; William Ellery, Elizabeth Graeme Fergusson; Miers Fisher; Nicholas Gilman; Ann Diggs Graeme; Thomas Graeme; Joseph Hemphill; Thomas Hopkinson; Jare Ingersoll (1722-1801); Jared Ingersoll (1749-1822); Joel Jones; Moses and Samson Levy; Brockholst Livingston; James Mease; Rev. Henry Morton; William Plumstead; Samuel Powell; Charles B.J.F. de Saint-Memin; Edward Shippen; Edward, James, Matthew, and William Tilghman;George Walton, George M. and Thomas I. Wharton; William Whipple; and Jasper Yeates., Title from stamp on spine., Manuscript index of sitters (1-100) date stamped September 11, 1883 pasted in front of volume., Majority of lithographs signed: MR., Some prints include facsimile signature of sitter., Some sitters identified by manuscript notes., Two of the engravings after daguerreotypes by McClees & Germon., Engravers, lithographers, and printers include Max and L. N. Rosenthal, John Sartain, Henry S. Wagner, and Robert Whitechurch., Max Rosenthal was a skilled lithographer, mezzotint engraver, and painter who delineated the majority of the chromolithographs for the firm he operated with his brothers Louis N., Morris (i.e., Maurice), and Simon Rosenthal in Philadelphia from 1851 to circa 1872. Rosenthal continued to work as an artist and lithographer until 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of sitters available at repository.
Date: [ca. 1855-ca. 1885]
Location: Library Company of Philadelphia | Print Department albums [Uz 3 10536.Q]

Title: Amateur newspaper collection, 1876-1884
Description: Collection of 131 amateur newspapers (225 issues) from sixteen states. Holdings range from single issues up to eight issues. Most of the newspapers were purchased, and the collection has increased through donations. The collection is open to new additions., Many newspapers discuss amateur journalism and amateur journalism societies., "The advent of the small, toy press, moreover, ushered in the golden age of amateur publishing during the 1870s. Because subscription lists were large and because exchanging papers was an important element in amateur journalism, the hobby spread from the Northeast across the nation, creating a mass culture for adolescents who shared the experience of reading the same stories and debating the same issues. ... Although many of the papers of the 1840s and 1850s generally imitated their adult counterparts by reprinting selections from other periodicals, the juvenile papers of the 1870s were firmly committed to original work. Bereft of stylistic sophistication--metaphor, symbol, character development, and, sometimes, plot--the amateur papers and miniature novels provided a forum for young people's thinking as they used a toy to mark the longer time between childhood and adulthood. Because they were novice writers, the authors often copied or, more precisely, plagiarized plots and characters created by their favorite adult authors: Captain Mayne Reid, Horatio Alger and, especially, Oliver Optic. Nevertheless, in their so-called adaptations of adult work, the amateur editors made significant alterations in characterization and plotting to suit their own perceptions." From Encyclopedia of Children and Childhood in History and Society: http://www.faqs.org/childhood/In-Ke/Juvenile-Publishing.html viewed March 27, 2012.
Date: 1875
Location: Library Company of Philadelphia | Books & Other Texts | Rare Coll Amateur Newspapers 106457.D - 106564.D, Library Company of Philadelphia | Books & Other Texts | Rare Coll Amateur Newspapers 106566.D - 106587.D (Zinman), Library Company of Philadelphia | Books & Other Texts | Rare Coll Amateur Newspapers 3321.F.1

Title: William Lloyd Garrison
Description: Bust-length portrait of the abolitionist, publisher, and author. Garrison, attired in spectacles, a white collared shirt, a black bowtie, waistcoat, and jacket, sits facing forward., Title from manuscript note written on mount., Date based on presented age of the sitter., American Celebrities Album., Purchase 1985., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department American Celebrities Album [(I)P.9100.33a]

Title: Rev. Mr. Cheever
Description: Three-quarter length portrait of the abolitionist preacher and author. Cheever, attired in a white collared shirt, a black tie, waistcoat, jacket, overcoat, and pants, holds a top hat in his gloved hands as he sits facing the viewer. Cheever's book, "The Guilt of Slavery and the Crime of Slaveholding: Demonstrated from the Greek and Hebrew Scriptures," argued that the Bible categorically denounces slavery., Title from manuscript note on mount., Date based on presented age of the sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Cheever [(1)5750.F.82d]

Title: Rev. Dr. Cheever
Description: Three-quarter length portrait of George Barrell Cheever, the radical abolitionist preacher and author. Cheever, attired in a white collared shirt, a black waistcoat, jacket, and pants, stands looking slightly right and holds a walking stick in his right hand. His book, "The Guilt of slavery and crime of slaveholding: demonstrated from the Greek and Hebrew scriptures," argued that the Bible categorically denounced slavery., Title from manuscript note on mount., Dated based on the presented age of the sitter., Photographer's imprint inscribed on negative., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Brady, Mathew B., approximately 1823-1896, photographer
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Cheever [(1)5750.F.82e]

Title: Mrs. H. Beecher Stowe
Description: Bust-length portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in in a bun with curls around her forehead and attired in a headband, a dark-colored dress with a white, ruffled collar around the neck, a brooch, and a necklace, faces slightly right., Title from manuscript note written on recto., Date inferred from presented age of sitter., Mount contains red border., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer rather than technician of the portraits.
Creator: Sarony, Napoleon, 1821-1896, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Stowe [P.9363.12]

Title: [ Edward Evertt Hale]
Description: Half-length portrait of the abolitionist, reformer, Unitarian minister, and author. Hale, wearing a white beard and attired in a white collared shirt, a bowtie, a waistcoat, and a jacket, faces slightly left. Hale authored abolitionist tracts about the admission of western territories as free states., Title supplied by cataloger., Photographer's imprint with insignia stamped on recto and verso., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Hale [P.9363.33]

Title: The Literary Man.
Description: The literary man sits at a table. His nose is dark (from drinking?) and he cradles his head with a hand holding a quill. In one corner of the table is a spike with papers through it (i.e., bills?) and on the other corner is a book titled Webster (i.e., Webster's Dictionary?). His trashcan is full, and the valentine suggests that it is difficult for him to write and what he does write is of low quality., Text: With slipshod feet, and coat with elbows out, / You daily sit, and with your scribbling quill, / Indite strange tales and trashy stuff, with which / Poor idle maids their simple minds may fill., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Fanny Kemble
Description: Photographic reproduction of a portrait painting by Thomas Sully of the abolitionist, actress, dramatist, and author early in her marriage to Philadelphian Pierce Butler in 1834. In her work, "Residence of a Georgian plantation (1863)," Kemble described the degradation and inhumanities of slavery witnessed by her while living at the plantation of her husband from 1838 until 1839. Kemble, wearing her hair up and attired in a high collar, looks slightly right., Title from manuscript note on mount., Date based on photographic medium., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised in 2021., Access points revised in 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Kemble [2(5750.F.67e]

Title: Rev. Albert Barnes
Description: Three-quarter length portrait of the Philadelphia minister of the First Presbyterian Church. Barnes, attired in a white collared shirt, a black waistcoat, jacket, and pants, holds a book in his right hand and sits facing slightly left. Barnes, an author of several antislavery tracts and a former member of the American Colonization Society, was an advocate of the 14th Amendment., Title from manuscript note on verso., Date inferred from photographic medium., Possibly by Philadelphia photographer Broadbent & Co., Accessioned 2001., Description revised 2021., Access points revised 2021.
Date: [between 1855 and 1880]
Location: Library Company of Philadelphia | Print Department portrait photographs-Barnes [P.9916]

Title: Rev. C.M. Tanner, Philadelphia, Pa., April 17, 1896
Description: Bust-length portrait of Carlton Miller Tanner (ca. 1869-1933), the African Methodist Episcopal clergyman, missionary, author, and brother of artist Henry Ossawa Tanner. Depicts Tanner, his head turned slightly right, attired in a white clerical collar; dark-colored, button-down vest; and dark-colored jacket with notched lapels. His hair is cropped short and he wears a mustache. Tanner, born in Philadelphia, was a graduate of the Institute of Colored Youth and Divinity School of the Protestant Episcopal Church in Philadelphia. Holding a Doctor of Divinity from Wilberforce University, Payne Theological Seminary, Tanner began work as a pastor about 1893 and presided over the A.M.E. churches Big Bethel Church (Atlanta, Ga.) in the early 1900s and Metropolitan Church A.M.E. (Washington D.C.) between 1917 and 1922. Tanner also established the South African Christian Recorder in 1902 and wrote a "Manual of the A.M.E. Church." He passed away while a resident of Chicago, IL., Title and date from manuscript note on verso., Photographer's imprint blindstamped on mount., Description reviewed 2022., Access points reviewed 2022.
Creator: Kuebler, William J., photographer
Date: [April 17, 1896]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2018.66.4]

Title: Improved Authors with Portraits & Autographs Card Game
Description: Incomplete card game containing 68 illustrated cards. Cards depict the bust-length portraits of Thomas Bailey Aldrich; William Cullen Bryant; Robert Burns; Samuel L. Clemens, "Mark Twain"; J. Fenimore Cooper; Ralph Waldo Emerson; James T. Fields; F. Bret Harte; Oliver Wendell Holmes; William Dean Howells; Henry W. Longfellow; James Russell Lowell; Samuel Rogers; Bayard Taylor; Alfred Tennyson; Charles Dudley Warner; Richard Grant White; and John G. Whittier. Some portraits are in profile. Versos of cards contain an allegorical image composed of a stack of books, scrolls and leaves of paper, a laurel wreath, and a quill pen. Includes small number of incomplete sets for J. Fenimore Cooper, Henry W. Longfellow; James Russell Lowell, and Richard Grant White. Lowell set includes a cut-out of the portrait from an original card.

Title: Improved authors with portraits & autographs
Description: Incomplete card game containing 68 illustrated cards. Cards depict the bust-length portraits of Thomas Bailey Aldrich; William Cullen Bryant; Robert Burns; Samuel L. Clemens, "Mark Twain"; J. Fenimore Cooper; Ralph Waldo Emerson; James T. Fields; F. Bret Harte; Oliver Wendell Holmes; William Dean Howells; Henry W. Longfellow; James Russell Lowell; Samuel Rogers; Bayard Taylor; Alfred Tennyson; Charles Dudley Warner; Richard Grant White; and John G. Whittier. Some portraits are in profile. Versos of cards contain an allegorical image composed of a stack of books, scrolls and leaves of paper, a laurel wreath, and a quill pen. Includes small number of incomplete sets for J. Fenimore Cooper, Henry W. Longfellow; James Russell Lowell, and Richard Grant White. Lowell set includes a cut-out of the portrait from an original card., Publication date based on copyright statement on box cover., Includes "Improved Authors Directions for Playing" instruction sheet. Instructions note that the 72 cards containing the "Portrait and Autograph of some distinguished Author, together with the titles of three [of their] different works" are to be "arranged in 18 groups of four cards each" with the goal to get as many complete groups as possible., Box cover printed with gilt lettering and a decorative border., Gift of Clarence Wolf., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Creator: McLoughlin Bros.
Date: 1889
Location: Library Company of Philadelphia | Print Department albums - Improved [P.8453]

Title: Elizabeth Graeme Fergusson papers
Description: This collection consists of six volumes of writings by Elizabeth Graeme Fergusson who is considered to be the outstanding female poet of her place and time, and a leader in the literary world of colonial Pennsylvania. These volumes, which date from 1752 to 1799, are arranged alphabetically by title.
Creator: Fergusson, Elizabeth Graeme, 1737-1801
Date: 1752

Title: Anne Hampton Brewster papers
Description: The Anne Hampton Brewster papers dates from 1777 to 1892, with the majority of the materials dating from 1845 to 1892. The materials primarily consist of diaries, journals, commonplace books, correspondence, newspaper clippings, notes about her writings and drafts of her writings. The materials document Anne Hampton Brewster's personal life with friends and family, as well as her professional life as a journalist and writer.
Creator: Brewster, Anne M. H., (Anne Maria Hampton), 1819-1892

Title: Logan family papers
Description: The Logan family was prominent in Philadelphia from the start of the province, serving the people in many capacities, including political, medical and literary. This is a collection of manuscripts obtained by the Library Company of Philadelphia that relates to the Logan family. The collection includes papers of the Logan family members Albanus Charles, Algernon Sydney, Deborah Norris, William Jr., and James as well as family materials collected by Frances A. Logan and William Logan Fox. The collection dates from 1684 to 1925 and consists of family papers, correspondence, diaries, writings, medical texts, lecture notes, financial records, poetry, visiting cards, and invitations. The collection is divided into seven series and arranged in the following order: “Albanus Charles Logan papers,” “Algernon Sydney Logan papers,” “Deborah Norris Logan papers,” “Frances Armat Logan collection,” “James Logan papers” and “William Logan Fox collection of papers relating to the Library Company of Philadelphia v. William Logan Estate.”
Date: 1684

Title: Samuel George Morton papers
Description: This collection contains the papers of Samuel George Morton of Philadelphia, a physician, ethnologist, and professor of anatomy at Pennsylvania Medical College. The papers date from 1832 to 1851, when Morton devoted his research efforts almost exclusively to ethnology and to the collecting of human skulls for comparative studies. The bulk of the papers consist of incoming correspondence, relating to ethnology and other related interests such as anthropology, craniology, paleontology and Egyptology. His collecting efforts in the field of crania resulted in extensive correspondence on the subject, which is also included here. The collection is particularly valuable in illustrating the publication process of Morton's technical publications, as it includes extensive notes, annotations, sketches, research and reviews of his published work. There is also a small grouping of documents related to Morton's son, James St. Clair Morton. The collection is arranged into six series: “Correspondence,” “Notes,” “Pennsylvania Medical College,” “Writings,” and “James St. Clair Morton.”
Creator: Morton, Samuel George, 1799-1851
Date: 1832

Title: Eminent women Mary A. Livermore. Sara Jewett. Grace A. Oliver. Helen Hunt. Nora Perry. Lucy Larcom. Frances Hodgson Burnett. Elizabeth Stuart Phelps. Louise Chandler Moulton. Louisa M. Alcott. Julia Ward Howe. Harriet Beecher Stowe
Description: Composite photograph created through the "paste-up" technique of cut-up negatives that are arranged, pasted together, and then rephotographed to present a realistic scene. Depicts a group of eminent Victorian women, including authors, writers, and women's rights, temperance, and abolitionist movements advocates, "posed" in the Montreal residence of railway financier George Stephens. Sitters (left to right), in the background, and standing, include: Mary A. Livermore; Sara Jewett; Grace A. Oliver; Helen Hunt; Nora Perry; Lucy Larcom; and Frances Hodgson Burnett. Sitters (left to right), in the foreground, and seated, include: Elizabeth Stuart Phelps; Louise Chandler Moulton; Louisa M. Alcott; Julia Ward Howe; and Harriet Beecher Stowe. Backdrop interior imagery shows parts of the reception hall, drawing room, stairwell, and conservatory of the Stephens' residence. Vases, a mantel, light fixtures, drapery, and a fountain are included in the backdrop. Pictorial details of foliage and a pond surround the portrait within a circular frame. Canadian photographer William Notman created the original portrait negatives used in the composite created by L'Africain. Notman was known for his innovative photography and his studio specialized in composite photographs by the 1870s. This image was also distributed "compliments" of the Travelers Insurance Company of Hartford, CT., Title from item., Date in negative in lower right corner., Name of photographer and publisher from imprint in negative and printed on mount and verso., Name of artist in negative in right corner., Sitter's names in title depicted with a single dot between first, middle, and last names and with double dots between full names., Copyrighted., Photographer and publisher's illustrated imprint printed on verso: W. Notman. The Notman Photographic Co. Limited. 3 Park Street, Boston, Mass. Also at 48 North Pearl St. Albany, N. Y. Saratoga, N. Y. Newport, R. I. Illustration depicts an objet d'art composed of a crown, foliage, banners, scrolls, coat of arms, and exhibition medals, including from the Centennial Exhibition of 1876. Image also contains text, including: "Honi Soit Qui Mal [Y Pens]e. Photographer to Her Majesty. Montreal." Imprint surrounded by ornately-designed border including lavishly-ornamented cornices., Purchased with the Davida T. Deutsch Women’s History Fund., Lib. Company. Annual report, 2016, p. 64-66., Description reviewed 2022., Access points reviewed 2022.
Creator: Notman Photo Co. (Boston, Mass.)
Date: 1884
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photo - Notman [P.2016.73]

Title: [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
Description: Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator: Gillingham, Deborah Passmore, 1820-1877, compiler
Date: [ca. 1810-ca. 1910, bulk 1830-1850]
Location: Library Company of Philadelphia | Print Department albums [P.2019.6]

Title: American Celebrities Albums
Description: Two volume set of albums containing predominately cartes-de-visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts, ca. 1870.
Date: 1869

Title: Portraits
Description: Bound volume of portrait plates issued between circa 1804 and 1831 from various publications, including "Mechanics Magazine"; "New British Lady's Magazine"; and the compilation "Boxiana or Sketches of Antient [sic] and Modern Pugilism" (London: George Virtue, 1829). Portraits depict prominent and celebrity European figures, predominantly from Great Britain, including clergymen, legislators, entertainers, scientists and inventors, royalty and pugilists. Plates include full-length, half-length, and bust-length portraiture, with some containing backgrounds, props, or ornate borders. Portraits of religious figures predominantly published by London publishers F. Westley and Westley & Davis and arranged in alphabetical order by sitter's name. Portraits of legislators, celebrity and other prominent figures predominantly published by London publishers Fisher Son & Co. and J. Robins & Co. and arranged in alphabetical order by sitter's name. Portraits of pugilists predominantly published by G. Smeeten and Sherwood, Jones & Co. and most arranged in alphabetical order by sitter's name. Volume also includes a title page and views titled "The John Bull Fighters Splendid Silver Cup" and "A Sparring Match at the Fives Court" from the Pierce Egan's "Boxiana" series originally published in parts in 1813 and later as volumes between 1818 and 1828., Sitters include reverends George Burder (Senior Secretary of the London Missionary Society), William Milne (Late Missionary to the Chinese), David Stuart (Theological Tutor of the Irish Evangelical), and Robert Vaughan; physician Carl Linnaeus; inventor Sir Richard Arkwright; Queen Caroline; statesman John Wilson Croker; authors Madame De Genlis, Madame De Stael, and Hannah More; (Victoria Mary Louisa) Duchess of Kent; George I, II, III, and IV; performers Josephine Girardelli and Anna Maria Tree; architect Peter Nicholson; Whig politician Thomas Spring Rice; and chemist William Hyde Wollaston. Sitters also include pugilists Peter Crawley; Dick Curtis; Josh Hudson; Tom Owen; Ned Painter; Dutch Sam (i.e., Samuel Elias); Ned Turner; and expatriate, African American pugilists Bill Richmond and Tom Molyneux (portraits on the same page)., Portraits of Bill Richmond and Tom Molyneux show the men in bust-length. Richmond looks slight to the right. He has curly hair and is attired in a patterned shirt with a ruffled collar and a jacket. Molyneux is shown in right profile. He has curly hair and is attired in a shirt with a ruffled collar and a jacket., Title from stamp on spine., Inscribed on front free end paper: R. B. bind as arranged., Pages numbered in ink in upper left corner., Inscribed on verso of portrait of ‘His Most Gracious Majesty, George Augustus-Frederick The Fourth” (p. 110): On Celebrated Englishmen, Various artists and engravers, including George Cruikshank; Isaac Robert Cruikshank; Fenner, Sears & Co.; W. T. Fry; W. Hollins; Thomas Lawrence; R. Page; W. T. Page; George Parker; Sherwood, Jones & Co.; J. R. Wildman; and J. W. Wright., Publishers include Knight & Lacey; George Smeeton; F. Westley; Westley & Davis; T. Williams; and Williams & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Accessioned 1882., Description revised 2021., Access points revised 2021.
Date: [ca. 1804-ca. 1831]
Location: Library Company of Philadelphia | Print Department albums [Uz 3 51278.O]

Title: Portraits
Description: Bound volume of portrait plates issued between circa 1804 and 1831 from various publications, including "Mechanics Magazine"; "New British Lady's Magazine"; and the compilation "Boxiana or Sketches of Antient [sic] and Modern Pugilism" (London: George Virtue, 1829). Portraits depict prominent and celebrity European figures, predominantly from Great Britain, including clergymen, legislators, entertainers, scientists and inventors, royalty and pugilists. Plates include full-length, half-length, and bust-length portraiture, with some containing backgrounds, props, or ornate borders. Portraits of religious figures predominantly published by London publishers F. Westley and Westley & Davis and arranged in alphabetical order by sitter's name. Portraits of legislators, celebrity and other prominent figures predominantly published by London publishers Fisher Son & Co. and J. Robins & Co. and arranged in alphabetical order by sitter's name. Portraits of pugilists predominantly published by G. Smeeten and Sherwood, Jones & Co. and most arranged in alphabetical order by sitter's name. Volume also includes a title page and views titled "The John Bull Fighters Splendid Silver Cup" and "A Sparring Match at the Fives Court" from the Pierce Egan's "Boxiana" series originally published in parts in 1813 and later as volumes between 1818 and 1828., Sitters include reverends George Burder (Senior Secretary of the London Missionary Society), William Milne (Late Missionary to the Chinese), David Stuart (Theological Tutor of the Irish Evangelical), and Robert Vaughan; physician Carl Linnaeus; inventor Sir Richard Arkwright; Queen Caroline; statesman John Wilson Croker; authors Madame De Genlis, Madame De Stael, and Hannah More; (Victoria Mary Louisa) Duchess of Kent; George I, II, III, and IV; performers Josephine Girardelli and Anna Maria Tree; architect Peter Nicholson; Whig politician Thomas Spring Rice; and chemist William Hyde Wollaston. Sitters also include pugilists Peter Crawley; Dick Curtis; Josh Hudson; Tom Owen; Ned Painter; Dutch Sam (i.e., Samuel Elias); Ned Turner; and expatriate, African American pugilists Bill Richmond and Tom Molyneux (portraits on the same page)., Portraits of Bill Richmond and Tom Molyneux show the men in bust-length. Richmond looks slight to the right. He has curly hair and is attired in a patterned shirt with a ruffled collar and a jacket. Molyneux is shown in right profile. He has curly hair and is attired in a shirt with a ruffled collar and a jacket., Title from stamp on spine., Inscribed on front free end paper: R. B. bind as arranged., Pages numbered in ink in upper left corner., Inscribed on verso of portrait of ‘His Most Gracious Majesty, George Augustus-Frederick The Fourth” (p. 110): On Celebrated Englishmen, Various artists and engravers, including George Cruikshank; Isaac Robert Cruikshank; Fenner, Sears & Co.; W. T. Fry; W. Hollins; Thomas Lawrence; R. Page; W. T. Page; George Parker; Sherwood, Jones & Co.; J. R. Wildman; and J. W. Wright., Publishers include Knight & Lacey; George Smeeton; F. Westley; Westley & Davis; T. Williams; and Williams & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Accessioned 1882., Description revised 2021., Access points revised 2021.
Date: [ca. 1804-ca. 1831]
Location: Library Company of Philadelphia | Print Department albums [Uz 3 51278.O]

Title: American celebrities album
Description: Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date: [ca. 1870-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]

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