Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
Date
1899
Location
Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]
Collection of 131 amateur newspapers (225 issues) from sixteen states. Holdings range from single issues up to eight issues. Most of the newspapers were purchased, and the collection has increased through donations. The collection is open to new additions., Many newspapers discuss amateur journalism and amateur journalism societies., "The advent of the small, toy press, moreover, ushered in the golden age of amateur publishing during the 1870s. Because subscription lists were large and because exchanging papers was an important element in amateur journalism, the hobby spread from the Northeast across the nation, creating a mass culture for adolescents who shared the experience of reading the same stories and debating the same issues. ... Although many of the papers of the 1840s and 1850s generally imitated their adult counterparts by reprinting selections from other periodicals, the juvenile papers of the 1870s were firmly committed to original work. Bereft of stylistic sophistication--metaphor, symbol, character development, and, sometimes, plot--the amateur papers and miniature novels provided a forum for young people's thinking as they used a toy to mark the longer time between childhood and adulthood. Because they were novice writers, the authors often copied or, more precisely, plagiarized plots and characters created by their favorite adult authors: Captain Mayne Reid, Horatio Alger and, especially, Oliver Optic. Nevertheless, in their so-called adaptations of adult work, the amateur editors made significant alterations in characterization and plotting to suit their own perceptions." From Encyclopedia of Children and Childhood in History and Society: http://www.faqs.org/childhood/In-Ke/Juvenile-Publishing.html viewed March 27, 2012.
Date
1875
Location
Library Company of Philadelphia | Books & Other Texts | Rare Coll Amateur Newspapers 106457.D - 106564.D, Library Company of Philadelphia | Books & Other Texts | Rare Coll Amateur Newspapers 106566.D - 106587.D (Zinman), Library Company of Philadelphia | Books & Other Texts | Rare Coll Amateur Newspapers 3321.F.1
Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date
[ca. 1870-ca. 1890]
Location
Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]
Two volume set of albums containing predominately cartes-de-visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts, ca. 1870.
The Anne Hampton Brewster papers dates from 1777 to 1892, with the majority of the materials dating from 1845 to 1892. The materials primarily consist of diaries, journals, commonplace books, correspondence, newspaper clippings, notes about her writings and drafts of her writings. The materials document Anne Hampton Brewster's personal life with friends and family, as well as her professional life as a journalist and writer.
Creator
Brewster, Anne M. H., (Anne Maria Hampton), 1819-1892
The author occupies a small part of the valentine. His hands are on his hips, and his legs are wide apart. His face is pinched, and his nose is large., I am a gay author / Of books not a few; / And I long to be read / And approved of by you., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Full-length portrait of the eccentric radical Quaker abolitionist, author, and hermit, his left hand slightly raised. He holds a cane and a book titled, "African Emancipation" in his other hand., Published as frontispiece in Roberts Vaux's Memoirs of the Lives of Benjamin Lay and Ralph Sandiford:...(Philadelphia: Solomon W. Conrad, 1815). (LCP Am 1815 Vaux, Log 1971.D)., Manuscript note below image: the Hermit - Nat: 1677. Ob: 1759. He was one of the first public advocates for the emancipation of the enslaved Africans. [Vide Memoirs of his life by R. Vaux.]. See page 124., Portrait of Rev. Richard Allen on recto. (LCP Yi 2, 1069.F. 276), From John Fanning Watson's Extra-illustrated Autograph Manuscript of "Annals of Philadelphia," p. 277. (LCP Yi 2, 1069).
Creator
Kneass, William, 1780-1840, engraver
Date
[ca. 1815]
Location
Library Company of Philadelphia | Print Department Print Portraits-L [Yi 2, 1069.F.276 (verso)]
Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks., Sitters include Daniel Agnew; William Allen; Richard Bache; Phineas Bond; Thomas Cadwalader; Stephen Decatur; William Ellery, Elizabeth Graeme Fergusson; Miers Fisher; Nicholas Gilman; Ann Diggs Graeme; Thomas Graeme; Joseph Hemphill; Thomas Hopkinson; Jare Ingersoll (1722-1801); Jared Ingersoll (1749-1822); Joel Jones; Moses and Samson Levy; Brockholst Livingston; James Mease; Rev. Henry Morton; William Plumstead; Samuel Powell; Charles B.J.F. de Saint-Memin; Edward Shippen; Edward, James, Matthew, and William Tilghman;George Walton, George M. and Thomas I. Wharton; William Whipple; and Jasper Yeates., Title from stamp on spine., Manuscript index of sitters (1-100) date stamped September 11, 1883 pasted in front of volume., Majority of lithographs signed: MR., Some prints include facsimile signature of sitter., Some sitters identified by manuscript notes., Two of the engravings after daguerreotypes by McClees & Germon., Engravers, lithographers, and printers include Max and L. N. Rosenthal, John Sartain, Henry S. Wagner, and Robert Whitechurch., Max Rosenthal was a skilled lithographer, mezzotint engraver, and painter who delineated the majority of the chromolithographs for the firm he operated with his brothers Louis N., Morris (i.e., Maurice), and Simon Rosenthal in Philadelphia from 1851 to circa 1872. Rosenthal continued to work as an artist and lithographer until 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of sitters available at repository.
Date
[ca. 1855-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [Uz 3 10536.Q]
In De Kroyft, H.A. Place in thy memory (New York, 1850), frontispiece., Facsimile inscription: Instead of their eyes; the blind pick up the gems of thought with their fingers. S.H. De Kroyft., Three-quarter length portrait of blind writer, holding an open book.
Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator
Gillingham, Deborah Passmore, 1820-1877, compiler
Date
[ca. 1810-ca. 1910, bulk 1830-1850]
Location
Library Company of Philadelphia | Print Department albums [P.2019.6]
Commemorative print containing a montage of portraits of eminent African American men centered around a portrait of Frederick Douglass and bordered by vignettes. Portraiture depicts: "Robert Brown Elliott, Ex-member of Congress" from South Carolina; "Blanche K. Bruce, Ex-Senator, U.S." from Mississippi; "Prof. R.T. Greener, Dean, Howard University"; "Wm. Wells Brown, M.D., author of the Rising Son"; "Henry Highland Garnett [sic], Late Minister of Liberia"; "Rt. Rev. Richard Allen, 1st Bishop of the African M.E. Church" in Philadelphia; first African American governor, "P.B.S. Pinchback, Ex-Governor of Louisiana"; "J.H. Rainey, Ex-Member of Congress"; "E.D. Bassett, Ex-Minister to Hayti"; "John Mercer Langston, Minister to Hayti". Vignettes depict a cornstalk, a twig of cotton, and scenes of romanticized images of African American home life by a waterway showing African Americans playing instruments, dancing, transporting watermelon by barge, and relaxing., Title from item., Inscribed lower right corner: Agents Wanted., Lower left corner inexpertly hand painted., Lib. Company. Annual report, 1975, p. 61., Accessioned 1975., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1883
Location
Library Company of Philadelphia | Print Department **GC - African American Heroes [8139.F]
Mr. Dobson was born in 1751 near Edinburgh, Scotland. He was married to Jean Paton in 1777 and they had three daughters. In 1784, he moved his family to Philadelphia, bringing large stocks of books with him. He quickly became a major bookseller but instead of using his profits to acquire more books, he embarked on publishing and established a thriving printing business. He is most famous for having published the earliest American version of Encyclopedia Britannica which he began reprinting in 1789. When it was completed in 1798, it totaled 18 volumes with over 400 engraved plates and was by far the largest book ever published in America. In his American version, the dedication to King George III was eliminated and information about American geography and history was added. He was also the first in the United States to publish a complete Hebrew bible and the first to publish secular music composed by an American (Francis Hopkinson). In 1822, he retired from book-selling due to ill health and he died in 1823.
Half-length portrait of the abolitionist, reformer, Unitarian minister, and author. Hale, wearing a white beard and attired in a white collared shirt, a bowtie, a waistcoat, and a jacket, faces slightly left. Hale authored abolitionist tracts about the admission of western territories as free states., Title supplied by cataloger., Photographer's imprint with insignia stamped on recto and verso., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Gutekunst, Frederick, 1831-1917, photographer
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Hale [P.9363.33]
This collection consists of six volumes of writings by Elizabeth Graeme Fergusson who is considered to be the outstanding female poet of her place and time, and a leader in the literary world of colonial Pennsylvania. These volumes, which date from 1752 to 1799, are arranged alphabetically by title.
Composite photograph created through the "paste-up" technique of cut-up negatives that are arranged, pasted together, and then rephotographed to present a realistic scene. Depicts a group of eminent Victorian women, including authors, writers, and women's rights, temperance, and abolitionist movements advocates, "posed" in the Montreal residence of railway financier George Stephens. Sitters (left to right), in the background, and standing, include: Mary A. Livermore; Sara Jewett; Grace A. Oliver; Helen Hunt; Nora Perry; Lucy Larcom; and Frances Hodgson Burnett. Sitters (left to right), in the foreground, and seated, include: Elizabeth Stuart Phelps; Louise Chandler Moulton; Louisa M. Alcott; Julia Ward Howe; and Harriet Beecher Stowe. Backdrop interior imagery shows parts of the reception hall, drawing room, stairwell, and conservatory of the Stephens' residence. Vases, a mantel, light fixtures, drapery, and a fountain are included in the backdrop. Pictorial details of foliage and a pond surround the portrait within a circular frame. Canadian photographer William Notman created the original portrait negatives used in the composite created by L'Africain. Notman was known for his innovative photography and his studio specialized in composite photographs by the 1870s. This image was also distributed "compliments" of the Travelers Insurance Company of Hartford, CT., Title from item., Date in negative in lower right corner., Name of photographer and publisher from imprint in negative and printed on mount and verso., Name of artist in negative in right corner., Sitter's names in title depicted with a single dot between first, middle, and last names and with double dots between full names., Copyrighted., Photographer and publisher's illustrated imprint printed on verso: W. Notman. The Notman Photographic Co. Limited. 3 Park Street, Boston, Mass. Also at 48 North Pearl St. Albany, N. Y. Saratoga, N. Y. Newport, R. I. Illustration depicts an objet d'art composed of a crown, foliage, banners, scrolls, coat of arms, and exhibition medals, including from the Centennial Exhibition of 1876. Image also contains text, including: "Honi Soit Qui Mal [Y Pens]e. Photographer to Her Majesty. Montreal." Imprint surrounded by ornately-designed border including lavishly-ornamented cornices., Purchased with the Davida T. Deutsch Women’s History Fund., Lib. Company. Annual report, 2016, p. 64-66., Description reviewed 2022., Access points reviewed 2022.
Creator
Notman Photo Co. (Boston, Mass.)
Date
1884
Location
Library Company of Philadelphia | Print Department cabinet card portraits - photo - Notman [P.2016.73]
Photographic reproduction of a portrait painting by Thomas Sully of the abolitionist, actress, dramatist, and author early in her marriage to Philadelphian Pierce Butler in 1834. In her work, "Residence of a Georgian plantation (1863)," Kemble described the degradation and inhumanities of slavery witnessed by her while living at the plantation of her husband from 1838 until 1839. Kemble, wearing her hair up and attired in a high collar, looks slightly right., Title from manuscript note on mount., Date based on photographic medium., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised in 2021., Access points revised in 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department cdv portraits - sitter - Kemble [2(5750.F.67e]
Bust-length portrait of the abolitionist, author, dramatist, and actress in the character of Julia, written specifically for her by Sheridan Knowles for his play "The Hunch Back." Her memoir, "Residence of a Georgian Plantation (1863)," described the degradation and inhumanities of slavery witnessed by Kemble while living at the plantation of her Philadelphian husband, Pierce Butler, from 1838 until 1839., Title from manuscript note on verso., Date from copyright statement: Entered acccording to act of Congress in the year 1833 by Childs & Inman in the Clerks Office of the District Court of the Eastern Distrcit of Pennsylvania., Original painting by Sully located at the Rosenbach Museum & Library in Philadelphia., Sully, a respected Philadelphia portrait painter and friend of Kemble, painted thirteen portraits of the actress, the majority by recollection., Originally part of a McAllister scrapbook of portraits., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Date
1833
Location
Library Company of Philadelphia | Print Department *portrait prints - K [5657.F.25]
Commemorative print containing portraits of eminent 19th-century African American men above a central cotton plantation scene. In front of the plantation residence by a river, enslaved African American men and women pick and transport baskets of cotton as a well-dressed African American foreman on horseback confers with a man on the dirt road. Flanking the central portrait of "Hon. Frederick Douglass, Champion of Freedom" on a background of tropical flowers, vines, and fruits are: "Hon. Benj. S. Turner of Alabama"; "Rt. Rev. Richard Allen" of Philadelphia, "1st Bishop of the African Methodist Episcopal Church"; "Hon. H.R. Revels of Mississippi"; "Hon. Joseph H. Rainy [sic] of South Carolina"; "Hon. Josiah T. Walls of Florida"; and "Wm. Wells Brown, M.D., Author of the Rising Sun [sic]". Also contains vignettes of romanticized images of African American home life by a river showing African Americans playing instruments and dancing, transporting watermelon by barge, and relaxing outside their home., Title from item., Date from copyright statement: Copyrighted 1883 by Gaylord Watson., Watson was a New York lithographer who specialized in maps., Lib. Company. Annual report, 1974, p. 61., Purchase 1974., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1883
Location
Library Company of Philadelphia | Print Department **GC - African American Heroes [8091.F.275]
Half-length portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in ringlet curls and attired in a long-sleeved dress with a white lace collar, faces slightly right., Title from printed signature of sitter below image., Date inferred from presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Buttre, a prolific New York portrait painter and engraver, published later in his career, a three volume set of celebrity portraiture, "American Portrait Gallery," in 1877, which was reissued from 1880-1881.
Creator
Buttre, John Chester, 1821-1893, engraver
Date
[between 1850 and 1890]
Location
Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.918]
Bust-length portrait after a daguerreotype of the abolitionist and author of "Uncle Tom's Cabin" Stowe, wearing her hair in ringlet curls and attired in a long-sleeved white dress with a lace collar and a dark-colored shawl, tilts her head down and rests the left side of her cheek and chin on her left hand., Title from printed signature of sitter below image., Date inferred from medium and content., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[between 1870 and 1900]
Location
Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.919]
Bust-length portrait of the abolitionist and author of "Uncle Tom's Cabin" as a young woman. Stowe, attired in a dress with a white neckline, looks at the viewer., Title from printed signature of sitter below image., Dated based on the presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wilcox, an engraver and portrait painter, was active in Boston from 1860 until the early 20th century.
Creator
Wilcox, John Angel James, 1835-, engraver
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department portrait prints - S [P.8911.920]
Three-quarter length, left profile portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in ringlet curls with a headband and attired in a long-sleeved, dark-colored dress with a shawl, holds a pencil in her hands, which rest on an open book in her lap., Title from printed signature of sitter below image., Date from copyright statement: Entered according to act of Congress AD 1872 by Johnson, Fry & Co., in the office of the Librarian of Congress at Washington., Published in Evert Duyckinck's Portrait gallery of eminent men and women in Europe and America:... (New York: Johnson, Wilson, & Co, 1872-1874), vol. 2, p. 434. (LCP Uz 1,4915.Q), Originally part of a McAllister Scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckinck's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subject's faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph.
Date
1872
Location
Library Company of Philadelphia | Print Department Portrait Prints-S [(1)5750.F.235b]
Incomplete card game containing 68 illustrated cards. Cards depict the bust-length portraits of Thomas Bailey Aldrich; William Cullen Bryant; Robert Burns; Samuel L. Clemens, "Mark Twain"; J. Fenimore Cooper; Ralph Waldo Emerson; James T. Fields; F. Bret Harte; Oliver Wendell Holmes; William Dean Howells; Henry W. Longfellow; James Russell Lowell; Samuel Rogers; Bayard Taylor; Alfred Tennyson; Charles Dudley Warner; Richard Grant White; and John G. Whittier. Some portraits are in profile. Versos of cards contain an allegorical image composed of a stack of books, scrolls and leaves of paper, a laurel wreath, and a quill pen. Includes small number of incomplete sets for J. Fenimore Cooper, Henry W. Longfellow; James Russell Lowell, and Richard Grant White. Lowell set includes a cut-out of the portrait from an original card., Publication date based on copyright statement on box cover., Includes "Improved Authors Directions for Playing" instruction sheet. Instructions note that the 72 cards containing the "Portrait and Autograph of some distinguished Author, together with the titles of three [of their] different works" are to be "arranged in 18 groups of four cards each" with the goal to get as many complete groups as possible., Box cover printed with gilt lettering and a decorative border., Gift of Clarence Wolf., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Creator
McLoughlin Bros.
Date
1889
Location
Library Company of Philadelphia | Print Department albums - Improved [P.8453]
Incomplete card game containing 68 illustrated cards. Cards depict the bust-length portraits of Thomas Bailey Aldrich; William Cullen Bryant; Robert Burns; Samuel L. Clemens, "Mark Twain"; J. Fenimore Cooper; Ralph Waldo Emerson; James T. Fields; F. Bret Harte; Oliver Wendell Holmes; William Dean Howells; Henry W. Longfellow; James Russell Lowell; Samuel Rogers; Bayard Taylor; Alfred Tennyson; Charles Dudley Warner; Richard Grant White; and John G. Whittier. Some portraits are in profile. Versos of cards contain an allegorical image composed of a stack of books, scrolls and leaves of paper, a laurel wreath, and a quill pen. Includes small number of incomplete sets for J. Fenimore Cooper, Henry W. Longfellow; James Russell Lowell, and Richard Grant White. Lowell set includes a cut-out of the portrait from an original card.
