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- Title
- Brewster, Anne H. N., 1819-1892
- Creator
- Library Company of Philadelphia, creator
- Date
- October 3, 1851
- Title
- Fanny Kemble
- Description
- Photographic reproduction of a portrait painting by Thomas Sully of the abolitionist, actress, dramatist, and author early in her marriage to Philadelphian Pierce Butler in 1834. In her work, "Residence of a Georgian plantation (1863)," Kemble described the degradation and inhumanities of slavery witnessed by her while living at the plantation of her husband from 1838 until 1839. Kemble, wearing her hair up and attired in a high collar, looks slightly right., Title from manuscript note on mount., Date based on photographic medium., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised in 2021., Access points revised in 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Kemble [2(5750.F.67e]
- Title
- Fanny Kemble
- Description
- Bust-length portrait of the abolitionist, author, dramatist, and actress in the character of Julia, written specifically for her by Sheridan Knowles for his play "The Hunch Back." Her memoir, "Residence of a Georgian Plantation (1863)," described the degradation and inhumanities of slavery witnessed by Kemble while living at the plantation of her Philadelphian husband, Pierce Butler, from 1838 until 1839., Title from manuscript note on verso., Date from copyright statement: Entered acccording to act of Congress in the year 1833 by Childs & Inman in the Clerks Office of the District Court of the Eastern Distrcit of Pennsylvania., Original painting by Sully located at the Rosenbach Museum & Library in Philadelphia., Sully, a respected Philadelphia portrait painter and friend of Kemble, painted thirteen portraits of the actress, the majority by recollection., Originally part of a McAllister scrapbook of portraits., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
- Date
- 1833
- Location
- Library Company of Philadelphia | Print Department *portrait prints - K [5657.F.25]
- Title
- Presbyterianism Board of Publication and Sabbath School Work
- Creator
- Library Company of Philadelphia, creator
- Date
- April 5, 1913
- Title
- Hunt, Uriah, 1795-1867
- Creator
- Library Company of Philadelphia, creator
- Date
- January 3, 1834
- Title
- Krauth, Charles P., 1797-1867
- Creator
- Library Company of Philadelphia, creator
- Date
- June 7, 1830
- Title
- Littell, Eliakim, 1797-
- Creator
- Library Company of Philadelphia, creator
- Date
- June 7, 1830
- Title
- Dobson, Thomas, 1751-1823
- Description
- Mr. Dobson was born in 1751 near Edinburgh, Scotland. He was married to Jean Paton in 1777 and they had three daughters. In 1784, he moved his family to Philadelphia, bringing large stocks of books with him. He quickly became a major bookseller but instead of using his profits to acquire more books, he embarked on publishing and established a thriving printing business. He is most famous for having published the earliest American version of Encyclopedia Britannica which he began reprinting in 1789. When it was completed in 1798, it totaled 18 volumes with over 400 engraved plates and was by far the largest book ever published in America. In his American version, the dedication to King George III was eliminated and information about American geography and history was added. He was also the first in the United States to publish a complete Hebrew bible and the first to publish secular music composed by an American (Francis Hopkinson). In 1822, he retired from book-selling due to ill health and he died in 1823.
- Creator
- Library Company of Philadelphia, creator
- Date
- February 20, 1806
- Title
- Ingersoll, Charles J., 1782-1862
- Creator
- Library Company of Philadelphia, creator
- Date
- June 6, 1834
- Title
- Drinker, Catharine Ann, 1841-1922
- Creator
- Library Company of Philadelphia, creator
- Date
- April 2, 1874
- Title
- Rev. Albert Barnes
- Description
- Three-quarter length portrait of the Philadelphia minister of the First Presbyterian Church. Barnes, attired in a white collared shirt, a black waistcoat, jacket, and pants, holds a book in his right hand and sits facing slightly left. Barnes, an author of several antislavery tracts and a former member of the American Colonization Society, was an advocate of the 14th Amendment., Title from manuscript note on verso., Date inferred from photographic medium., Possibly by Philadelphia photographer Broadbent & Co., Accessioned 2001., Description revised 2021., Access points revised 2021.
- Date
- [between 1855 and 1880]
- Location
- Library Company of Philadelphia | Print Department portrait photographs-Barnes [P.9916]
- Title
- Roberts Vaux
- Description
- Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
- Creator
- Newsam, Albert, 1809-1864, lithographer
- Date
- [ca. 1840]
- Location
- Library Company of Philadelphia | Print Department Portrait prints-V [5657.F.15a]
- Title
- Roberts Vaux
- Description
- Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
- Creator
- Newsam, Albert, 1809-1864, lithographer
- Date
- [ca. 1840]
- Location
- Library Company of Philadelphia | Print Department *Portrait prints-V [1885.F.23]
- Title
- Rev. C.M. Tanner, Philadelphia, Pa., April 17, 1896
- Description
- Bust-length portrait of Carlton Miller Tanner (ca. 1869-1933), the African Methodist Episcopal clergyman, missionary, author, and brother of artist Henry Ossawa Tanner. Depicts Tanner, his head turned slightly right, attired in a white clerical collar; dark-colored, button-down vest; and dark-colored jacket with notched lapels. His hair is cropped short and he wears a mustache. Tanner, born in Philadelphia, was a graduate of the Institute of Colored Youth and Divinity School of the Protestant Episcopal Church in Philadelphia. Holding a Doctor of Divinity from Wilberforce University, Payne Theological Seminary, Tanner began work as a pastor about 1893 and presided over the A.M.E. churches Big Bethel Church (Atlanta, Ga.) in the early 1900s and Metropolitan Church A.M.E. (Washington D.C.) between 1917 and 1922. Tanner also established the South African Christian Recorder in 1902 and wrote a "Manual of the A.M.E. Church." He passed away while a resident of Chicago, IL., Title and date from manuscript note on verso., Photographer's imprint blindstamped on mount., Description reviewed 2022., Access points reviewed 2022.
- Creator
- Kuebler, William J., photographer
- Date
- [April 17, 1896]
- Location
- Library Company of Philadelphia | Print Department Swayne Collection [P.2018.66.4]
- Title
- Mease, James, 1771-1846
- Creator
- Library Company of Philadelphia, creator
- Date
- November 20, 1799
- Title
- Tucker, George, 1775-1861
- Creator
- Library Company of Philadelphia, creator
- Date
- January 9, 1846
- Title
- Lea, Isaac, 1792-1886
- Creator
- Library Company of Philadelphia, creator
- Date
- June 7, 1830
- Title
- Thomas Clarkson
- Description
- Three-quarter length portrait of the British deacon, abolitionist, and author. Clarkson, attired in a white collared shirt, a black waistcoat, jacket, and pants, sits holding a pair of spectacles in his left hand and a quill in his right hand. He leans his right elbow on a table adorned with a "Map of Africa." Clarkson, author of "The History of the rise, progress, and accomplishment of the African slave-trade," was a founder of the British Anti-Slavery Society., Title from printed signature of sitter below image., Manuscript note on mount: The Philanthropist. Wrote in opposition to the slave trade., Gift of David Doret, 2004., Description revised 2021., Access points revised 2021.
- Creator
- Dean, T. A., engraver
- Date
- May 1839
- Location
- Library Company of Philadelphia | Print Department portrait prints - C [P.2004.46.3]
- Title
- Rev. Christopher Rush
- Description
- Half-length portrait of the New York African Methodist Episcopal Reverend, Superintendent of the Zion Connexion of the New York and Philadelphia conferences, and the author of "A Short account of the rise and progress of the African M.E. Church in America,...(1843, republished 1866)." Rush, attired in white shirt, a black waistcoat, and a black jacket, faces the viewer., Title from item., Date inferred from presented age of sitter., Variant of (2)5750.F.26c. Facial expression and features, as well as attire have been altered, including additional buttons added to coat., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - R [P.9975.1]
- Title
- Thomas Wentworth Higginson
- Description
- Bust-length portrait of the abolitionist, Unitarian minister, social reformer, author, and military officer. Higginson, attired in a white collared shirt, a necktie, a black waistcoat and jacket, faces slightly right. Higginson actively disobeyed the Fugitive Slave Law of 1850, was one of the financial supporters of John Brown's insurrection, and commanded the first federally authorized African American regiment, the First South Carolina Volunteers, renamed the 33rd Colored Infantry Regiment., Title from printed signature of sitter below image., Date inferred from presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Hall, son of New York engraver Henry Bryan Hall, worked in a partnership with his brothers and father in the late 19th century, eventually operating the business alone after 1899.
- Creator
- Hall, Charles Bryan, 1840-1913, engraver
- Date
- [between 1870 and 1900]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-H [P.8911.463]
- Title
- Rev. Christopher Rush
- Description
- Half-length portrait of the New York African Methodist Episcopal Reverend, Superintendent of the Zion Connexion of the New York and Philadelphia conferences, and the author of "A Short account of the rise and progress of the African M.E. Church in America,...(1843, republished 1866)." Rush, attired in white shirt, a black waistcoat, and a black jacket, faces the viewer., Title from item., Date inferred from presented age of sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department Portrait prints-R [(2)5750.F.26c]
- Title
- Thomas Clarkson, A.M
- Description
- Bust-length portrait of the white British deacon, abolitionist and author as a younger man, facing right. He is attired in a powdered wig, a shirt with a ruffled collar, and a jacket. Clarkson, a founder of the British Anti-Slavery Society, influential in the passage of the Slave Trade Act of 1807, wrote "The History of the Rise, Progress, and Accomplishment of the African Slave-Trade" (London, 1808) to promote further anti-slavery legislation., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
- Creator
- Maverick, Peter, 1780-1831, engraver
- Date
- [ca. 1820]
- Location
- Library Company of Philadelphia | Print Department Portrait prints - C [(1)5750.F.90b]
- Title
- Improved Authors with Portraits & Autographs Card Game
- Description
- Incomplete card game containing 68 illustrated cards. Cards depict the bust-length portraits of Thomas Bailey Aldrich; William Cullen Bryant; Robert Burns; Samuel L. Clemens, "Mark Twain"; J. Fenimore Cooper; Ralph Waldo Emerson; James T. Fields; F. Bret Harte; Oliver Wendell Holmes; William Dean Howells; Henry W. Longfellow; James Russell Lowell; Samuel Rogers; Bayard Taylor; Alfred Tennyson; Charles Dudley Warner; Richard Grant White; and John G. Whittier. Some portraits are in profile. Versos of cards contain an allegorical image composed of a stack of books, scrolls and leaves of paper, a laurel wreath, and a quill pen. Includes small number of incomplete sets for J. Fenimore Cooper, Henry W. Longfellow; James Russell Lowell, and Richard Grant White. Lowell set includes a cut-out of the portrait from an original card.
- Title
- Improved authors with portraits & autographs
- Description
- Incomplete card game containing 68 illustrated cards. Cards depict the bust-length portraits of Thomas Bailey Aldrich; William Cullen Bryant; Robert Burns; Samuel L. Clemens, "Mark Twain"; J. Fenimore Cooper; Ralph Waldo Emerson; James T. Fields; F. Bret Harte; Oliver Wendell Holmes; William Dean Howells; Henry W. Longfellow; James Russell Lowell; Samuel Rogers; Bayard Taylor; Alfred Tennyson; Charles Dudley Warner; Richard Grant White; and John G. Whittier. Some portraits are in profile. Versos of cards contain an allegorical image composed of a stack of books, scrolls and leaves of paper, a laurel wreath, and a quill pen. Includes small number of incomplete sets for J. Fenimore Cooper, Henry W. Longfellow; James Russell Lowell, and Richard Grant White. Lowell set includes a cut-out of the portrait from an original card., Publication date based on copyright statement on box cover., Includes "Improved Authors Directions for Playing" instruction sheet. Instructions note that the 72 cards containing the "Portrait and Autograph of some distinguished Author, together with the titles of three [of their] different works" are to be "arranged in 18 groups of four cards each" with the goal to get as many complete groups as possible., Box cover printed with gilt lettering and a decorative border., Gift of Clarence Wolf., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
- Creator
- McLoughlin Bros.
- Date
- 1889
- Location
- Library Company of Philadelphia | Print Department albums - Improved [P.8453]
- Title
- Hopkinson, Joseph, 1770-
- Creator
- Library Company of Philadelphia, creator
- Date
- October 4, 1813
- Title
- Elizabeth Graeme Fergusson papers
- Description
- This collection consists of six volumes of writings by Elizabeth Graeme Fergusson who is considered to be the outstanding female poet of her place and time, and a leader in the literary world of colonial Pennsylvania. These volumes, which date from 1752 to 1799, are arranged alphabetically by title.
- Creator
- Fergusson, Elizabeth Graeme, 1737-1801
- Date
- 1752
- Title
- Anne Hampton Brewster papers
- Description
- The Anne Hampton Brewster papers dates from 1777 to 1892, with the majority of the materials dating from 1845 to 1892. The materials primarily consist of diaries, journals, commonplace books, correspondence, newspaper clippings, notes about her writings and drafts of her writings. The materials document Anne Hampton Brewster's personal life with friends and family, as well as her professional life as a journalist and writer.
- Creator
- Brewster, Anne M. H., (Anne Maria Hampton), 1819-1892
- Title
- Hopkinson, Francis, 1737-1791
- Creator
- Library Company of Philadelphia, creator
- Date
- January 29, 1762
- Title
- [Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"]
- Description
- Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
- Date
- [ca. 1835]
- Location
- Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]
- Title
- Logan family papers
- Description
- The Logan family was prominent in Philadelphia from the start of the province, serving the people in many capacities, including political, medical and literary. This is a collection of manuscripts obtained by the Library Company of Philadelphia that relates to the Logan family. The collection includes papers of the Logan family members Albanus Charles, Algernon Sydney, Deborah Norris, William Jr., and James as well as family materials collected by Frances A. Logan and William Logan Fox. The collection dates from 1684 to 1925 and consists of family papers, correspondence, diaries, writings, medical texts, lecture notes, financial records, poetry, visiting cards, and invitations. The collection is divided into seven series and arranged in the following order: “Albanus Charles Logan papers,” “Algernon Sydney Logan papers,” “Deborah Norris Logan papers,” “Frances Armat Logan collection,” “James Logan papers” and “William Logan Fox collection of papers relating to the Library Company of Philadelphia v. William Logan Estate.”
- Date
- 1684
- Title
- Samuel George Morton papers
- Description
- This collection contains the papers of Samuel George Morton of Philadelphia, a physician, ethnologist, and professor of anatomy at Pennsylvania Medical College. The papers date from 1832 to 1851, when Morton devoted his research efforts almost exclusively to ethnology and to the collecting of human skulls for comparative studies. The bulk of the papers consist of incoming correspondence, relating to ethnology and other related interests such as anthropology, craniology, paleontology and Egyptology. His collecting efforts in the field of crania resulted in extensive correspondence on the subject, which is also included here. The collection is particularly valuable in illustrating the publication process of Morton's technical publications, as it includes extensive notes, annotations, sketches, research and reviews of his published work. There is also a small grouping of documents related to Morton's son, James St. Clair Morton. The collection is arranged into six series: “Correspondence,” “Notes,” “Pennsylvania Medical College,” “Writings,” and “James St. Clair Morton.”
- Creator
- Morton, Samuel George, 1799-1851
- Date
- 1832
- Title
- From the plantation to the Senate
- Description
- Commemorative print containing portraits of eminent 19th-century African American men above a central cotton plantation scene. In front of the plantation residence by a river, enslaved African American men and women pick and transport baskets of cotton as a well-dressed African American foreman on horseback confers with a man on the dirt road. Flanking the central portrait of "Hon. Frederick Douglass, Champion of Freedom" on a background of tropical flowers, vines, and fruits are: "Hon. Benj. S. Turner of Alabama"; "Rt. Rev. Richard Allen" of Philadelphia, "1st Bishop of the African Methodist Episcopal Church"; "Hon. H.R. Revels of Mississippi"; "Hon. Joseph H. Rainy [sic] of South Carolina"; "Hon. Josiah T. Walls of Florida"; and "Wm. Wells Brown, M.D., Author of the Rising Sun [sic]". Also contains vignettes of romanticized images of African American home life by a river showing African Americans playing instruments and dancing, transporting watermelon by barge, and relaxing outside their home., Title from item., Date from copyright statement: Copyrighted 1883 by Gaylord Watson., Watson was a New York lithographer who specialized in maps., Lib. Company. Annual report, 1974, p. 61., Purchase 1974., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1883
- Location
- Library Company of Philadelphia | Print Department **GC - African American Heroes [8091.F.275]
- Title
- Eminent women Mary A. Livermore. Sara Jewett. Grace A. Oliver. Helen Hunt. Nora Perry. Lucy Larcom. Frances Hodgson Burnett. Elizabeth Stuart Phelps. Louise Chandler Moulton. Louisa M. Alcott. Julia Ward Howe. Harriet Beecher Stowe
- Description
- Composite photograph created through the "paste-up" technique of cut-up negatives that are arranged, pasted together, and then rephotographed to present a realistic scene. Depicts a group of eminent Victorian women, including authors, writers, and women's rights, temperance, and abolitionist movements advocates, "posed" in the Montreal residence of railway financier George Stephens. Sitters (left to right), in the background, and standing, include: Mary A. Livermore; Sara Jewett; Grace A. Oliver; Helen Hunt; Nora Perry; Lucy Larcom; and Frances Hodgson Burnett. Sitters (left to right), in the foreground, and seated, include: Elizabeth Stuart Phelps; Louise Chandler Moulton; Louisa M. Alcott; Julia Ward Howe; and Harriet Beecher Stowe. Backdrop interior imagery shows parts of the reception hall, drawing room, stairwell, and conservatory of the Stephens' residence. Vases, a mantel, light fixtures, drapery, and a fountain are included in the backdrop. Pictorial details of foliage and a pond surround the portrait within a circular frame. Canadian photographer William Notman created the original portrait negatives used in the composite created by L'Africain. Notman was known for his innovative photography and his studio specialized in composite photographs by the 1870s. This image was also distributed "compliments" of the Travelers Insurance Company of Hartford, CT., Title from item., Date in negative in lower right corner., Name of photographer and publisher from imprint in negative and printed on mount and verso., Name of artist in negative in right corner., Sitter's names in title depicted with a single dot between first, middle, and last names and with double dots between full names., Copyrighted., Photographer and publisher's illustrated imprint printed on verso: W. Notman. The Notman Photographic Co. Limited. 3 Park Street, Boston, Mass. Also at 48 North Pearl St. Albany, N. Y. Saratoga, N. Y. Newport, R. I. Illustration depicts an objet d'art composed of a crown, foliage, banners, scrolls, coat of arms, and exhibition medals, including from the Centennial Exhibition of 1876. Image also contains text, including: "Honi Soit Qui Mal [Y Pens]e. Photographer to Her Majesty. Montreal." Imprint surrounded by ornately-designed border including lavishly-ornamented cornices., Purchased with the Davida T. Deutsch Women’s History Fund., Lib. Company. Annual report, 2016, p. 64-66., Description reviewed 2022., Access points reviewed 2022.
- Creator
- Notman Photo Co. (Boston, Mass.)
- Date
- 1884
- Location
- Library Company of Philadelphia | Print Department cabinet card portraits - photo - Notman [P.2016.73]
- Title
- Distinguished colored men
- Description
- Commemorative print containing a montage of portraits of eminent African American men centered around a portrait of Frederick Douglass and bordered by vignettes. Portraiture depicts: "Robert Brown Elliott, Ex-member of Congress" from South Carolina; "Blanche K. Bruce, Ex-Senator, U.S." from Mississippi; "Prof. R.T. Greener, Dean, Howard University"; "Wm. Wells Brown, M.D., author of the Rising Son"; "Henry Highland Garnett [sic], Late Minister of Liberia"; "Rt. Rev. Richard Allen, 1st Bishop of the African M.E. Church" in Philadelphia; first African American governor, "P.B.S. Pinchback, Ex-Governor of Louisiana"; "J.H. Rainey, Ex-Member of Congress"; "E.D. Bassett, Ex-Minister to Hayti"; "John Mercer Langston, Minister to Hayti". Vignettes depict a cornstalk, a twig of cotton, and scenes of romanticized images of African American home life by a waterway showing African Americans playing instruments, dancing, transporting watermelon by barge, and relaxing., Title from item., Inscribed lower right corner: Agents Wanted., Lower left corner inexpertly hand painted., Lib. Company. Annual report, 1975, p. 61., Accessioned 1975., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1883
- Location
- Library Company of Philadelphia | Print Department **GC - African American Heroes [8139.F]
- Title
- [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
- Description
- Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
- Creator
- Gillingham, Deborah Passmore, 1820-1877, compiler
- Date
- [ca. 1810-ca. 1910, bulk 1830-1850]
- Location
- Library Company of Philadelphia | Print Department albums [P.2019.6]
- Title
- American Celebrities Albums
- Description
- Two volume set of albums containing predominately cartes-de-visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts, ca. 1870.
- Date
- 1869
- Title
- Portraits
- Description
- Bound volume of portrait plates issued between circa 1804 and 1831 from various publications, including "Mechanics Magazine"; "New British Lady's Magazine"; and the compilation "Boxiana or Sketches of Antient [sic] and Modern Pugilism" (London: George Virtue, 1829). Portraits depict prominent and celebrity European figures, predominantly from Great Britain, including clergymen, legislators, entertainers, scientists and inventors, royalty and pugilists. Plates include full-length, half-length, and bust-length portraiture, with some containing backgrounds, props, or ornate borders. Portraits of religious figures predominantly published by London publishers F. Westley and Westley & Davis and arranged in alphabetical order by sitter's name. Portraits of legislators, celebrity and other prominent figures predominantly published by London publishers Fisher Son & Co. and J. Robins & Co. and arranged in alphabetical order by sitter's name. Portraits of pugilists predominantly published by G. Smeeten and Sherwood, Jones & Co. and most arranged in alphabetical order by sitter's name. Volume also includes a title page and views titled "The John Bull Fighters Splendid Silver Cup" and "A Sparring Match at the Fives Court" from the Pierce Egan's "Boxiana" series originally published in parts in 1813 and later as volumes between 1818 and 1828., Sitters include reverends George Burder (Senior Secretary of the London Missionary Society), William Milne (Late Missionary to the Chinese), David Stuart (Theological Tutor of the Irish Evangelical), and Robert Vaughan; physician Carl Linnaeus; inventor Sir Richard Arkwright; Queen Caroline; statesman John Wilson Croker; authors Madame De Genlis, Madame De Stael, and Hannah More; (Victoria Mary Louisa) Duchess of Kent; George I, II, III, and IV; performers Josephine Girardelli and Anna Maria Tree; architect Peter Nicholson; Whig politician Thomas Spring Rice; and chemist William Hyde Wollaston. Sitters also include pugilists Peter Crawley; Dick Curtis; Josh Hudson; Tom Owen; Ned Painter; Dutch Sam (i.e., Samuel Elias); Ned Turner; and expatriate, African American pugilists Bill Richmond and Tom Molyneux (portraits on the same page)., Portraits of Bill Richmond and Tom Molyneux show the men in bust-length. Richmond looks slight to the right. He has curly hair and is attired in a patterned shirt with a ruffled collar and a jacket. Molyneux is shown in right profile. He has curly hair and is attired in a shirt with a ruffled collar and a jacket., Title from stamp on spine., Inscribed on front free end paper: R. B. bind as arranged., Pages numbered in ink in upper left corner., Inscribed on verso of portrait of ‘His Most Gracious Majesty, George Augustus-Frederick The Fourth” (p. 110): On Celebrated Englishmen, Various artists and engravers, including George Cruikshank; Isaac Robert Cruikshank; Fenner, Sears & Co.; W. T. Fry; W. Hollins; Thomas Lawrence; R. Page; W. T. Page; George Parker; Sherwood, Jones & Co.; J. R. Wildman; and J. W. Wright., Publishers include Knight & Lacey; George Smeeton; F. Westley; Westley & Davis; T. Williams; and Williams & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Accessioned 1882., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1804-ca. 1831]
- Location
- Library Company of Philadelphia | Print Department albums [Uz 3 51278.O]
- Title
- Portraits
- Description
- Bound volume of portrait plates issued between circa 1804 and 1831 from various publications, including "Mechanics Magazine"; "New British Lady's Magazine"; and the compilation "Boxiana or Sketches of Antient [sic] and Modern Pugilism" (London: George Virtue, 1829). Portraits depict prominent and celebrity European figures, predominantly from Great Britain, including clergymen, legislators, entertainers, scientists and inventors, royalty and pugilists. Plates include full-length, half-length, and bust-length portraiture, with some containing backgrounds, props, or ornate borders. Portraits of religious figures predominantly published by London publishers F. Westley and Westley & Davis and arranged in alphabetical order by sitter's name. Portraits of legislators, celebrity and other prominent figures predominantly published by London publishers Fisher Son & Co. and J. Robins & Co. and arranged in alphabetical order by sitter's name. Portraits of pugilists predominantly published by G. Smeeten and Sherwood, Jones & Co. and most arranged in alphabetical order by sitter's name. Volume also includes a title page and views titled "The John Bull Fighters Splendid Silver Cup" and "A Sparring Match at the Fives Court" from the Pierce Egan's "Boxiana" series originally published in parts in 1813 and later as volumes between 1818 and 1828., Sitters include reverends George Burder (Senior Secretary of the London Missionary Society), William Milne (Late Missionary to the Chinese), David Stuart (Theological Tutor of the Irish Evangelical), and Robert Vaughan; physician Carl Linnaeus; inventor Sir Richard Arkwright; Queen Caroline; statesman John Wilson Croker; authors Madame De Genlis, Madame De Stael, and Hannah More; (Victoria Mary Louisa) Duchess of Kent; George I, II, III, and IV; performers Josephine Girardelli and Anna Maria Tree; architect Peter Nicholson; Whig politician Thomas Spring Rice; and chemist William Hyde Wollaston. Sitters also include pugilists Peter Crawley; Dick Curtis; Josh Hudson; Tom Owen; Ned Painter; Dutch Sam (i.e., Samuel Elias); Ned Turner; and expatriate, African American pugilists Bill Richmond and Tom Molyneux (portraits on the same page)., Portraits of Bill Richmond and Tom Molyneux show the men in bust-length. Richmond looks slight to the right. He has curly hair and is attired in a patterned shirt with a ruffled collar and a jacket. Molyneux is shown in right profile. He has curly hair and is attired in a shirt with a ruffled collar and a jacket., Title from stamp on spine., Inscribed on front free end paper: R. B. bind as arranged., Pages numbered in ink in upper left corner., Inscribed on verso of portrait of ‘His Most Gracious Majesty, George Augustus-Frederick The Fourth” (p. 110): On Celebrated Englishmen, Various artists and engravers, including George Cruikshank; Isaac Robert Cruikshank; Fenner, Sears & Co.; W. T. Fry; W. Hollins; Thomas Lawrence; R. Page; W. T. Page; George Parker; Sherwood, Jones & Co.; J. R. Wildman; and J. W. Wright., Publishers include Knight & Lacey; George Smeeton; F. Westley; Westley & Davis; T. Williams; and Williams & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Accessioned 1882., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1804-ca. 1831]
- Location
- Library Company of Philadelphia | Print Department albums [Uz 3 51278.O]
- Title
- American celebrities album
- Description
- Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
- Date
- [ca. 1870-ca. 1890]
- Location
- Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]
- Title
- Afro-American historical family record
- Description
- Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
- Date
- 1899
- Location
- Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]