Exterior view looking up at the building with a fence behind and a pile of lumber in the foreground. People stand along balcony and sit on porch in front of building. A stuffed moose stands atop the front porch roof.
Sheet music cover containing an interior view of the crowded concert hall and theater operated by Henry Miller beginning circa 1854. Several men and women sit at, and converse and walk among the many tables of the seating area as a number of waiters serve the patrons. A music ensemble plays on a raised platform with guard rails in the left of the image and several people line a small stage in the center rear of the hall where a small performance appears to be happening. To the right of the performance, the stairwell to the upper balcony, lined with people, is visible. Greenery and vinery decorate the hall that includes a glass ceiling and windows, some open, across and adjacent to the balcony. After several proprietors, the theater was renamed the Lyceum in 1888., Not in Wainwright., pdcc00021, Philadelphia on Stone, Free Library of Philadelphia: Castner 2:19
Creator
Knirsch, Otto, artist
Date
[ca. 1861]
Location
Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 2:19
Advertisement showing Joseph Waterman's stately six-story hotel building and adjacent properties on the north side of the 1500 block of Market Street. Gentlemen mingle on the second-story, arcaded balcony overlooking the street. A large cupola and weathervane surmount the penthouse. Horse-drawn carriages and carts labeled "Exchange Wagon," "Waterman's Hotel," and "Western Exchange," congest the street and transport patrons to and from nearby railroad depots. The hotel was patronized by farmers and used as the western terminus of several omnibus lines. Hotel removed circa 1860., Artist probably Frederick J. Pilliner who worked as a lithographer first in Boston in 1853-54 and in Philadelphia between 1856 and 1860., Philadelphia on Stone, Atwater Kent Museum: 56.25.7, Pilliner worked from the address of the Lithographic Institute, which included lithographers Maurice H. Traubel, Theodore Leonhardt, Edward Schnabel, John F. Finkeldey, and William Demme in 1856 and 1857.
Creator
Pilliner, E, artist
Date
[ca. 1857]
Location
Atwater Kent Museum | Print Department AKM AKM 56.25.7
Certificate showing the interior of the Roman Catholic Church built 1868-1876 in a High Victorian baroque style after the designs of Edwin Forest Durang at 900 S. 20th Street. View looks toward the ornate rectangular chancel, with sculptural details, including angels, and a crucifix icon. Side altars include religious icons and sculptural details. Also shows a crucifix adorning a side wall, low-hanging chandelier in front of the altar, stained glass windows, pews, and balconies. Image contains ornamented cornices, including one containing "IHS.", Not in Wainwright., Philadelphia on Stone, POSP 34, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, St. Charles Borromeo
Date
[ca. 1880]
Location
Philadelphia Archdiocesan Historical Research Center. | Graphics Collection. PAHRC Packard & Butler, Pennsylvania, Philadelphia, St. Charles Borromeo
Racist caricature depicting an African American man-woman couple in the characters of Romeo and Juliet during the balcony scene from Shakespeare's "Romeo and Juliet." In the right, "Romeo" wearing an Elizabethan costume including a plumed white hat, red cape, and white sash, holds his right, gloved hand over his heart and his left, ungloved hand out and holding the edge of his cape. He recites, "How silver sweet sounds Lubbers Tongues by Night, like sorpest Music to attending Ears." In the left, from the balcony, "Juliet" responds with the self-derogatory remark that as her complexion is "de mark of night" it is impossible to see that "a maiden blush bepaint" on her cheek. She is attired in a pink puffed sleeve, décolleté dress, earrings, a necklace, and hair adornment. She holds a glove and fan in her right gloved hand at her side and her left hand rests on the balustrade of the balcony. A rose vine climbs up the balcony and the tops of trees and a balustrade are visible behind “Romeo.” Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Contains two lines of dialogue in the vernacular below image: Romeo: How silber sweet, sounds Lubbers Tongues by Night; like sorptest Music to attending Ears./Juliet: Dou know’st de mask ob night is on my face, else would a maiden blush bepaint my cheek., Signed W.S. for William Summers in lower right corner., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Summers, William, artist
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.4]
