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Title: Arnold mansion postcards
Description: Depicts the front facade from the garden and a detailed view of the pediment over the front doorway. Includes interior views of the right and left sides of the entrance hall, the great chamber, the parlor, and a bedroom., Contains 1 postcard printed in color and 9 printed in black and white., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Purchase 1984. Accessioned 2005., Accession numbers: P.2005.3.26 - 32, P.9048.5, P.9048.217 and P.9048.303., Description revised 2022., Access points revised 2022.
Date: 1905-1926
Location: Library Company of Philadelphia | Print Department LCP postcards - Residences A - M - [various]

Title: [Interior views of the McAllister Residence, 14 North Merrick Street, West Penn Square, Philadelphia]
Description: Interior views of John McAllister Jr.'s residence on West Penn Square showing bedrooms, parlors, the main staircase, and the furniture and artwork decorating the rooms and walls, including a fireplace and mantle, piano, paintings, tables, chairs, mirrors, beds, and wash basins. Several views include John McAllister, Jr., with an unidentified man in one view, sitting in chairs in a parlor., Title supplied by cataloger., Yellow mounts with rounded corners., One item [P.9389.2] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 26., Arcadia caption text: ... This house, built around 1835 on North Merrick Street, was one of a growing number of large double townhouses that lined Penn Square by the end of the 1830s. ... The image below provides a partial view of two of the bedrooms., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Residences [P.9389.1-9]

Title: An accurate sketch from nature, of the exterior and interior of the house no. 39, Nth. Fourth St. Philadelphia, where the atrocious murder of Mrs. Rademacher was committed on the night of the 23d, March 1848, her wounds, and exact position when discovered
Description: Sensational print containing two views of the murder scene of Catherine Rademacher, sister-in-law of lithographer Augustus Kollner. Her husband, Charles L. Rademacher kept a bookstore and medicinal shop on the first floor of the Fourth Street address, and his residence with the Kollner family on the second and third floors. On March 23, 1848, the Rademachers were awakened by an intruder searching their bedroom who beat Rademacher unconscious and slain his wife. A broken knife, resembling a shoemaker's tool, but not the only instrument used in the slaying, was found at the scene. A recently released inmate from Eastern State Penintentiary and German shoemaker, Charles Langfeldt was convicted, and executed on October 20, 1848 for the crime despite his declaration of innocence. Upper view shows the murderer, dressed in black, including a top hat, on the rear shed roof of the red brick residence and store. He approaches an upper floor window with a shutter half open. The lower windows of the building are shuttered and a partial view of a leafless vine climbing an arbor (neighbor's yard) is visible in the left of the image. Lower view shows the bedroom and scene of the crime. The murdered woman, attired in a night dress, lies on the floor, face up, with blood surrounding her upper body. The victim has cut marks on her face, chest, and arm., Her husband lies face down on the bed. His head is positioned near the foot of the mattress. Blood stains his shoulder and the pillows at the head of the bed. Blood splatter is also visible on the wall above and the knob of a door near a dresser in the left corner of the room. Other furniture includes a chair on one side and a night table with wash bowl and pitcher on the other side of the bed. Near another door to the room, the leg of the murderer is visible as he flees through a window adorned with drapery., Manuscript note on recto: Langfelt, pdcc00017, Philadelphia on Stone, POS 9, Free Library of Philadelphia: Castner 19:11
Date: [1848]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Castner 19:11

Title: Wyck, front bedroom
Description: Interior view of bedroom, showing a four poster bed, two clothes chests and chairs lining the wall. Earliest section of the house built circa 1690 by Hans Milan. Center section and alterations were designed and completed by William Strickland in 1824. For nine generations belonged to the Wistar-Haines family., Photographer's imprint printed on mount., Title given in manuscript on mount.
Creator: Bullock, John G., 1854-1939, photographer
Date: ca 1913
Location: Library Company of Philadelphia | Print Department lantern - Bullock [P.9731.57]

Title: Anne M. Wistar's room at Howard Comfort's. Anne at desk
Description: Glass negative showing Marriott Morris' second cousin Anne Morris Wistar seated at a desk in a richly decorated interior in the residence of her brother-in-law Howard Comfort. Photographs decorate the desk, dresser, mirror and walls. Other decorations include fans, hats, scarves and a floral wallpaper. Wistar wears a high-necked dress with a bustle., Time: 5:45, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: February 16, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1257]

Title: Different view of Anne M. Wistar's room at Comfort's
Description: Glass negative showing a richly decorated interior room occupied by Marriott Morris' second cousin Anne Morris Wistar in the residence of her brother-in-law Howard Comfort. Photographs line the mantle and hang on the walls. A Chinese scroll hangs from the door and a bookshelf on the left wall. A small table stands in the center of the room filled with books and an easel holding a panting., Photographer remarks: Intens. 4 mo. '88., Time: 6, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: February 16, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1258]

Title: M[arriott] C. M[orris]'s room over little parlor, 5442 [Germantown Avenue, Deshler-Morris House]
Description: Glass negative showing a view of Marriott C. Morris' room in the Deshler-Morris House at 5442 Germantown Avenue. The walls are decorated with floral wallpaper. On the right wall is a large mantle holding various candlesticks and a clock. A framed portrait photograph hangs above the mantle. A chair sits beneath the window to the left and a dresser with a mirror stands against the left wall. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.64.10]

Title: J[ane] R[hoads] M[orris] Room, 6706 Cresheim Rd., [Germantown, PA]
Description: Glass negative showing a view of an interior with a desk, dressing table, and mantle in Marriott C. Morris' home at 6706 Cresheim Road. Drawings and paintings hang on the walls and photographs decorate the furniture., Originally housed in negative box inscribed “Bought 12/27, 1899.”, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: January 1899
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.2013.13.560]

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a blue waistcoat with tails, a white shirt, vest, and cravat, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from image., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.2]

Title: Life in Philadephia [sic]. The valentine
Description: Racist caricature depicting an African American man reading a comic valentine in his bedroom as he prepares for bed. Shows the bearded man, beside a bed with a pink canopy, holding the back of a tilted chair (his waistcoat on it) with his left hand and holding up the valentine illustrated with a picture of the devil in his right hand. The man is portrayed with an angry expression and standing with his feet far apart. He wears a night cap, a blue-striped shirt, a black neck tie, brown pantaloons from which a watch fob hangs, white stockings and one red slipper. A water pitcher and boots lie near his feet. In the left, an African American woman, smiles, and stands behind the ajar bedroom door. She wears a night bonnet, neckerchief, short-sleeved shirt, blue skirt, and black slippers. A stairwell is seen behind her. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item,, Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within the image: Holl’a! What’s all dis about_. “De rose is Red de Violets blue” De Debils Black and so are You. Well dat’s bery Fair indeed., Inscribed: No. 6., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.6]

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a green waistcoat with tails, a white shirt and cravat, yellow vest, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.1]

Title: Tregears black jokes. The Lady Patroness of Alblacks
Description: Racist caricature depicting a middle-class African American woman looking at herself in a full-length mirror in her well- decorated bedroom. Shows the woman, attired in a white, low décolleté underdress with puffed, cap sleeves, slightly lifting up the skirt of her dress in her left hand and her raised right hand holding a comb near her hair that is styled in a top knot. She looks at her reflection. She is portrayed with a wrinkled brow and bags under her eyes. Her reflection does not have these features. In the right, a bed with a canopy on which a wide-brimmed hat rests on a post; a table on which a pin pad, hair comb, pearl necklace, and earrings rest; and a black cat with its back raised are visible. In the left, on either side of the mirror, a pink dress rests on a clothing rack and white ankle-lace shoes lie on the carpeted floor. Scene also includes three framed picture on the wall in the background. Two are partially visible and the one fully visible shows a genre scene outside of a stone dwelling where an African American man is on his knee and holding the hand of an African American woman who stands in front of him. Figure is portrayed with oversized and exaggerated features and her skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Inscribed: No. 2., This caricature is similar in content to the prints from the series, "Life in Philadelphia" (London Set), and has been catalogued as a part of the series., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, delineator
Date: [ca. 1834]
Location: Library Company of Philadelphia PRINT | Print Department Life in Philadelphia (London Set) [P.9719]

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