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Title: South
Description: Photographic reproduction of a racist caricature showing an African American boy as a visual metaphor for the South, i.e., the Confederate States. Shows a raggedly dress boy holding a banjo and the Emancipation Proclamation, while standing on the Confederate flag. Face of toddler after carte de visite photograph showing a bust-lenth portrait of an African American toddler titled "Young Africa, Or the Bone of Contention" issued by E. Anthony in 1862., One of two companion cartes de visite titled "North" and "South." LCP holds "North." [5780.F.52r], Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., See LCP copy "Bone of Contention" (cdv - Anthony [P.2002.5])., Duplicate listed in Early American Historical Auctions Catalog (April 2014) contains stamp on verso: A.M. Bailey agent for American Photography.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52e]

Title: Midsummer dinner
Description: Racist, genre scene showing an African American boy eating watermelon for his dinner. He smiles, sits cross-legged on a wooden crate and has his right hand plunged into the flesh of one half of a watermelon. He looks slightly toward his right and wears a pork pie hat; long-sleeve, collarless shirt; and ragged pants. Seeds run along the side of his slightly outstretched right foot. The untouched second half of the watermelon rests next to him to his right. The crate contains writing that reads: #888/Stmp/Handle Carefully/Keeb Dry. A backdrop depicting panel molding along the bottom of a wall is visible in the background., Title from list of 70 titles printed on verso by printer E. Perry., Name of photographer printed on mount., Date inferred from style of mount and active dates of photographer/publisher., Printed on mount: Charleston & Vicinity., Yellow mount with rounded corners., Manuscript note written on verso, upper edge: Lukin., Gift of David Long., Frank A. Nowell began work as a photographer in Charleston in 1870. In 1880, he purchased the Charleston negatives and studio of Civil War photographer George N. Barnard. Nowell was active until 1890.
Creator: Nowell, F. A.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Nowell [P.2018.16.10]

Title: [ African American boy playing soldier]
Description: Reproduction of a Thomas Nast drawing showing an African American boy, portrayed as a racist caricature and attired in a striped, collared shirt, torn and worn pants, and boots. He holds a broom like a rifle and marches near a pile of hay., Title supplied by cataloger., Date inferred from Thomas Nast drawing., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.51c]

Title: " How do debble does dey make a bicycle?" = Como diablos se hacen los bicírculos?
Description: Racist, genre scene showing an African American boy, seated on his knees, in a room with a dirt floor and strewn rubbish. His right hand is raised to his head, and he holds a tire pump and broken bicycle tire in his left hand. The boy, attired in a long-sleeved shirt, pants, and suspenders looks down with a look of anguish at the rubber tire pulled off of its hub. Behind the boy is a cot covered with haphazard-placed mounds of bedding. To his left, a cat stands in front of a wooden chair on which an empty glass bottle rests. Scene also includes a wooden storage cabinet in the right., Date from copyright statement: Copyright 1891 by Stohmeyer & Wyman., Curved buff mount with rounded corners., RVCDC, Description revised 2022., Access points revised 2022., Gift of David Long.
Creator: Strohmeyer & Wyman
Date: 1891
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Strohmeyer & Wyman [P.2018.16.5]

Title: Go way white trash, dis chile dance yer blind
Description: Reproduction of a sketch by G. W. Leonard depicting an African American shoeshine boy dancing to the musical accompaniment of a white boy and girl, while a white boy mocks him in the background. The smiling African American boy, portrayed in racist caricature with exaggerated features, is in the center of the image. He is attired in a white, long-sleeved open neck shirt, baggy striped pants with suspenders, and a hat with turned up brims, his hands at his side, and mid step. To his right, stand a white boy playing a concertina and a white girl playing the violin. The boy is attired in a newsboy's cap, a jacket, and pants with patches at the knees. The girl is attired in a short-sleeved, calf-length, light-colored dress, with a sash draped over her right shoulder (the one on which she plays the violin). A shoeshine box marked (with the letter s's backwards), "t. Smith. Boss Shine, 5 cts.," rests near the feet of the trio of children. In the background, a white boy, attired in torn and worn clothes and with mop-like hair, appears in a clomping stance with his arms raised to his shoulders, his back leg bent at the knee, and his other leg kicked out. His hat lays on the ground near him., Date from copyright statement: Copyright 1877, by J. P. Soule., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund and funds for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1877]
Location: Library Company of Philadelphia | Print Department cdv - misc. - caricatures and cartoons - G [P.2015.63]

Title: Effect of the Fifteenth Amendment Indignant mother, "Cum in out of dat mud right straight! Fust ting you'll know you'll be took for Irish chil'en!"
Description: Photographic reproduction of a drawing after a racist cartoon published in Harper's Bazar in 1871 alluding to the social and political tensions between Irish and African American people following passage of the right to vote amendment. Shows an African American woman, a broom in one hand, her other hand on her hip, at her front porch, watching her two sons playing in the dirt. The woman is portrayed in racist caricature and speaks in the vernacular. She has a rotund figure and is attired in a head kerchief, a button-down shirt, an ankle-length skirt, and an apron. Her children make a mud pie beside the porch and in front of a tall wooden fence. Another African American boy, attired in a broad-rimmed hat and slipper-like shoes too large for his feet, sits and balances himself on the fence. View also includes a dust pan, the edge of a bench, and a tall weed near the mother's feet., Title from item., Date inferred from similar cartoon published in Harper's Bazar, March 4, 1871., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1871
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2015.29]

Title: Cartes de visite reproductions of Civil War era sketches by H.C. Bispham
Description: Collection of fifteen cartes de visite of sentimental, satiric, and racist Civil War era scenes, predominately depicting white men soldiers, by Philadelphia artist Henry Collins Bispham. Includes scenes of soldiers flushing out a sharpshooter, engaged in battle, wielding a knife, being thwarted from stealing a chicken and honey, dozing on watch, and confronted on horseback by a growling dog, as well as contrasting views of a Union and Confederate amputee soldier returning home. Racist caricatures show an ape walking with a cane, Lincoln spoon feeding a white man soldier the "Black Draft," and a downtrodden Southern white woman on the defense with an enslaved African American man on crutches and an African American boy. Other images show Abraham Lincoln as a dog confronting opossum Jefferson Davis on a tree and an itinerant white man musician with a monkey and dog. One scene includes a zouave., Two of the images signed by artist., Thirteen of the images attributed to Bispham., Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons - Bispham [5780.F.51 a, d, & h; 52a, l, p & q, u & v; 53 a,c, l&m, o&p]

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