A woman with an elaborate hairstyle carries a parasol. In the other hand, she holds her voluminous skirt. Her petticoat and the tassles on her boots are visible beneath her skirt., Text: If my passion I ever declare, / Your heart I should like to possess; / But alas! You’ve so little to spare, / All being devoted to dress., Cf. Valentines 15.13, 15.14, 15.16., Provenance: Helfand, William H..
A woman carrying a parasol walkes by an enclosed garden. She is holding the front of her skirt up to reveal lacy undergarment beneath it., Text: If my passion I ever declare, / Your heart I should like to possess; / But alas! You’ve so little to spare, / All being devoted to dress., Cf. Valentines 15.13, 15.14, 15.15., Provenance: Helfand, William H..
A man holding a piece of rope stands over a woman with a black eye who is kneeling on the floor. On the wall behind them is a clock with a disapproving face. The sender criticizes the recipient's brutish behavior in beating his wife and suggests that many of the neighbors share his opinion., Text: Ill looking, ill conditioned Brute, / What punishment your crime will suit, / That coward from I’d naked strip, / And put in each neighbour’s hand a whip / To hunt you as they would a beast, / From North to South, From West to East, / Until you knelt at spousy’s feet, / Humbly for pardon to entreat., "199", Provenance: Helfand, William H..
Two cats are on a tiled roof. One has a woman's head. Behind the roof is a man with a face. "To go upon the tiles" means to embark on a drinking or sexual adventure. The valentine accuses the woman of indulging her passions in excess., Text: You love to go upon the Tiles, / To exercise your wanton wiles; / Nowhere will you find your match / In coming up unto the SCRATCH., "No. 141", Provenance: Helfand, Wiliam H..
The angry woman beats her philandering lover with a broom as he lies across her lap. A speech balloon by her head reads " HOW DARE YOU PLAY WITH THE SERVANT?" as he cries, "Oh! Oh!", Text: It’s evident, my angry fair, / Whate’er your wrongs, How much you (bare) bear; / Tho’ I would rather not be sharing / My lot with one who’s so for bareing; / Such wives as thee who ever’s got ‘em, / Will find they’re very bad at BOTTOM! / So I for my part would decline. / Such a very STRIKING Valentine., Cf. Valentines 1.19, 1.20., Provenance: Helfand, William H..
A man in ragged clothing walks with an umbrella tucked underneath his arm. A bust of a nude young woman on a pedestal is visible in the background., Text: Your buttonless shirt, and ragged coat sleeves, / Proclaim you to be an old Bach; / Pray hunt up some young maid, I really believe / If you tried, you would soon make a match., Cf. Comic Valentine 7.49, Provenance: Helfand, William H..
A man with a fish for a head wears a top hat and carries a cane. "Cod-fish aristocracy" was a derogatory term for New Englanders whose family wealth originated in maritime businesses., Text: In vain you try to make a show, / ‘Mongst the proud flesh of cod-fish row, / Your home should be fast to a rod, / Upon the banks of old Cape “Cod.”, Provenance: Helfand, William H..
A man stands behind a counter and measures leaves in a set of scales. He is wearing an apron and pointed shoes. Beneath the counter is a box marked sloe-leaves. The sender implies that the shopkeeper substitutes sloe leaves for tea., Text: Original, should be the word, / Genuine, is quite absurd, / For Ash and Sloe leaves sure must be, / At least a new invented Tea; / So Verdigris, I don’t incline, / To take you for a Valentine., Provenance: Helfand, William H..
A man with a gap-toothed grin weighs leaves in a set of scales. The packet he holds in his hand is labelled "Imitation tea" and several other containers behind the counter are labeled "Dutch pink", "Tea Dust", and "Verdigrease". The valentine suggests the clerk cheats his customers., Text: Original, should be the word, / Genuine, is quite absurd, / For Ash and Sloe leaves sure must be, / At least a new invented Tea; / So Verdegris, I don’t incline, / To take you for a Valentine., Provenance: Helfand, William H..
A girl stands with her hands on her hips. Her face is covered in bandages. The valentine suggests the injuries might be self-inflicted., Text: Pray tell me, miss, how came you by them? / Are they cuts or scratches? / Or are they beauty-spots—good gracious! / All those awful patches?, "392", Provenance: Helfand, William H..
A man wearing ice skates has multiple pairs of legs, which indicate that they are moving quickly. Four men observe him. "Monkey shines" means monkey-like antics., Text: Brisk as a flea, as lightning flashes, / Quickly you make grasshopper dashes-- / Hic, presto, change! Now here, now there; / We cannot find you anywhere-- / But know a fool is in the middle, / And thus I solve your icy riddle. / From those that cut up monkey shines, / We do not choose our Valentines., Cf. Valentine 8.36, Provenance: Helfand, William H..
A woman in a long dress is standing by an icy pond. She crosses her arms and looks down at the ground. The sender citicizes the recipeint for lacking warmth and being overly concerned with propriety., Text: You’re very nice though somewhat old, / And I should say you’re rather cold, / Your looks a penny ice would freeze, / Or cause an Esquimaux to sneeze., Provenance: Helfand, William H..
A boy wearing a cap and short jacket is smoking. He stands in front of a house. His toes are turned in and his elbows stick out. The valentine criticizes the recipient for smoking and having a ridiculous appearance., Text: Pug-nosed smoking boy, look here, / How quaint your visage, and how queer, / With turned in knees, and turned in toes, / Rach little boy cries “There he goes.” / And so you may, my little man, / Try all you think, do all you can / Mixture of man, and boy, and swine, / Now don’t you think you look divine?, Provenance: Helfand, William H..
An older woman leans on a counter. A dog sits on its hind legs on the other dise of the counter. A sign says "All kinds of fancy goods". The valentine suggests that her ill-temper makes he unfit to serve customers or attract a husband., Text: You ill-tempered maid, old age is creeping o’er you, / And you ill-treat the folks, who come to buy from you / Your restless tongue’s abuse, is sharper than a burr, / And you’re only fit to wait, upon some stupid cur. / Nobody will buy from you, and he who’s your boss, / Should send you off at once, and save a further loss., Provenance: Helfand, William H..
A boy lies on his stomach with his heels in the air underneath a tree. The sun is high in the sky and a hoe is lying on the ground next to the boy, suggesting he is neglecting farming duties., Text: You are the biggest fraud on earth, / A lazy, loafing lout, / A big mistake was at your birth-- / Oh! That your ma was out! / Such shirks as you should be caught up, / And sent around the horn, / Or an inquest held on all of you, / Before you e’er were born-- / Oh! How we hope that some fine day, / You may dry up and blow away., Provenance: Helfand, William H..
A harness maker sits on a bench and works on a harness on his lap. There are saddles hanging on the wall behind him., Text: Sleepy looking harness maker, /What girl would ever let you take her / For a wife, and thus to be / Saddled by such a thing as thee, / Of leather you so stink ‘tis true / That I should like to leather you, / To saddle an ass as if ‘twere my pleasure / Why I would send to take they measure., "150", Provenance: Helfand, William H..
A poulterer stands behind a counter with a fowl in his hand and smiles. The valentine suggests that although he can be ingratiating, he is not trustworthy., Text: Stands the Poulterer pert and sly, / Madam, pray step in and buy; / Ah! Buy indeed, to buy and rue, / Would be to buy a goose like you; / Never, by cock and hen, I swear, / Shall you be mine, unpolished bear., Provenance: Helfand, William H..
A woman with an oversized head leans over a smaller man with her index finger raised in the air. Her mouth is open and her tongue is out. The man has a papers labeled "Tracts" in his pocket and a book labeled "Bible" has fallen on the floor. The valentine criticizes her for exhausting others and monopolizing the preacher's attention., Text: ‘Tis said you loved a Parson, / And he was short of breath; / You cornered him so well one day / You talked him right to death. / Now, when they hear you’re coming, / It makes them wince and frown; / The seek the nearest depot, / And take the train from town. / I pray thee stop, and have some pity, / Or we won’t have a preacher in the city., Provenance: Helfand, William H..
A teamster is seated on his box and holds the reins and a whip. He is smoking a pipe. The valentine accuses him of being overly reckless., Text: As a teamster you’re putting yourself on such a high air, / You are a team in yourself, and a donkey to spare; / Like a show-man’s vain monkey you sit on the seat, / And run smash and bang ‘gainst all things on the street; / A team of blind horses could better go through / And come off more safe from a smash-up than you., Provenance: Helfand, William H..
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man stands behind a counter wearing an apron, with his hands in his pockets. On the other side of the conter another man holds upa set of balances and says "False, Sir.", Text: Tho’ in butter cheese, and such as these / You deal, your CONDUCT’s not the CHEESE / They say the buyer never fail / To find ‘gainst him you turn the scale. / By such tricks you rob the poor, / Untill the jury at your door, / Finds you out and prove too late, / We cannot trust a man of WEIGHT. / Measures not men’s a motto fine, / Then an honest! Thief shall ne’er be mine., Provenance: Helfand, William H..
A young woman in a gown holds a bouquet of flowers., Text: Thou languishing young lady bird, / Thou angel quite untainted, / With ruby lips and well formed hips, / Pray tell me – are you painted! / You’re uglier than the Gorgon, / That hightoned folks to stone, / I little thought my darling, / Such a beauty you’d have grown., Provenance: Helfand, William H..
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A bartender wears an apron and rolled-up shirtsleeves. He pours a beer from a tap and appears to be dancing. The sender rejects him because she does not consider him cultivated enough for her., Text: Oh! Mr. Barman, / you never will be, / The cultivated kind of man / to marry me., Provenance: Helfand, William H..
A naked baby sits on pillow. He holds a piece of cloth and his mouth and has large eyes., Text: Pick him up and walk the floor, / Twenty times a night or more ; / If he was mine, I’ll tell you what, / I’d pitch him out into the lot. / He’s got his mamma’s ogling eyes -- / He’s got his papa’s yellow tint -- / He hasn’t got a nose at all -- / And jingo! How the brat does squint. / Swing your leg, and give him a lift, / I wouldn’t have him for a gift., Provenance: Helfand, William H..
A man wearing a top hat, frock coat and gloves carries a cane. The valentine suggests that his attention to dress does not succeed in making him attractive., Text: You’re a gentleman true, but you never will do. / Such a long and lean foundry old poker as you; / By the impudent stare, I can vow and declare, / You look like a Smike, and VAGABOND TOO., Provenance: Helfand, William H..
A woman wearing bloomers rides a bicycle. She has a wide grin and several missing teeth. The valentine mocks her good humor and compares her to monkeys and donkeys and plays on the word "asinine.", Text: Oh, dear, what a sweet little creature! / Who can deny that you shine? / There’s not face in the cage of the monkeys, / At the Zoo, can compare with thine; / And so bright you are! And so witty! / To list’ to your merry “tee-hee,”/ Makes one think of some happy young donkey / Indulging in asinine glee., Provenance: Helfand, William H..
A woman with glasses and a bun is sewing bonnets. The valentine suggests she is unattractive to suitors and will be an old maid, so she should focus on her millinery., Text: Miss bonnet-builder, such a guy I never saw before, / Your bonny hair is a knob behind, your nose a knob before, / That your head’s a bonnet-block that of it maybe said, / Who would ever have a Valentine that is a blockhead, / So drop the thoughts of Valentines and attends to bonnet shapes, / For you are built for an old maid, in future to lead apes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wearing a cloak and bonnet holds at lamppost for support. Her mouth is open and she appears drunk. A sign on the wall behind her says "Gin." The Valentine faults her for her drunkenness., Text: Hic, -- hic, --hic, --drink is your soul's delight, / And your only Valentine, / Go, you drunken wretch, steep your brain in Alcohol, / You never shall be mine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A coachmen wearing a top hat opens the door of a carriage., Text: When I’m stuck behind the Carriage, / With my cockade on my hat, / The servant maids, I hear them / Say, a nice young man is that., Provenance: Helfand, William H..
A man with muttonchops looks in a mirror and sees a donkey., Text: Who foolishly regards himself / A handsome man, / Take yonder mirror off the shelf, / And admire your portrait if you can., Provenance: Helfand, William H..
A man holds a child and a soiled cloth. A woman from behind a curtain asks, "Haven't you changed tha child yet?" The man replies, "Yes my love, and now he wants his chair." The valentine mocks him for being ordered around by his wife and makes use of scatological humor., Text: Why you silly mawkish dandle / Type of henpeck’d Mr. Candle, /Who at spousy’s angry word / Tho’ not dead will be in-terred (turd,) /And like a sailor in a sloop, / Will find a place upon the poop, /Do you think I would incline, / To choose a stinking Valentine., Provenance: Helfand, William H..
A woman wearing a large and elaborate skirt sticks her nose in the air and carries a comically small parasol. The valentine chides her for having an inflated opinion of her own beauty and style., Text: You think, no doubt, you walk with grace, / With bustle of the largest space, / Covered with yards of costly lace. / And every time we chance to meet, / At party, theatre, or street, / You look so very sugar-sweet / But one who wears a dress so / Shall never be a wife of mine, / So seek another Valentine., Provenance: Helfand, William H..
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A policeman in uniform holds a lantern in his hand. The valentine suggests that he takes advantage of the benefits of his position and shies away from the responsibilities., Text: If the right one’s a strong ‘un, / You collar the wrong ‘un, / It’s one of the tricks of the trade. / All the members / Of the force, / Have a watch / and chain, of course. /You’re the biggest fraud in the force, / and with your lantern in your hand, / You frighten all the kids / and rob every costers stand, /You sample the gin at the corners, / till your nose is as red as a beet, / And if they come down with the tanners, / you wink at the rascals who cheat, / You are after all the cookies, / like any love sick chick, / And when there’s a row a brewing / you scamper away mighty quick., Provenance: Helfand, William H..
Two women gossip over a wall., Text: Think not, Miss Tittle tattle, to impart / One ray of pure affection to my heart, / A wedding ring from me no one shall handle, / Whose sole delight is gossiping and scandal! / You stupid minx, you mischief-making slut, / Your silly head you in a bag may put, / For as a wife you never sure will shine, -- / You’ll ne’er be chosen for a Valentine., Lloyd, signed by Pickering, Provenance: Helfand, William H..
A man walks and smokes a cigar. He carries an umbrella and wears a top hat. The valentine criticizes him for caring too much about following fashions., Text: To be out of fashion is to be out of the world, ‘tis said, / So you adopt the jacket, smoke, and are by fashion led, / In fashion, if you will waste your thread of life, / No Woman of sense, will ever become your Wife., Provenance: Helfand, William H..
A woman with a long nose holds a bonnet. Other millinery articles sit on a table behind her and a piar of scissors hangs from her waist., Text: Ugliest of the fair creation, / With lips that are not red but blue; / And face devoid of animation, / Take me for your lover true., Provenance: Helfand, William H..
Text: What, my chap about town! I certainly thinks, / That the vulgate, ex-homo, a fellow who stinks, / And the heat that we know, of so filthy a spark, / The nuisance is traced, in the twilight—or dark., Published by A. Park, 47, Leonard Street, Finsbury, London, 171, Provenance: Helfand, William H..
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wears a large hoop skirt, a cape, and a feathered hat, and carries a parasol and small bag. The sender suggests that such attention to appearances will not make up for the recipient's personal defects., Text: With a fine hat and painted face, / Leading a life of gay disgrace, / Don’t think that wearing such a hat, / Will aid you to catch a flat, / Your false hair is nicely braided, / Your infamy well paraded., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman in mourning clothings hold a handkerchief to her eyes and smiles. She gestures to a sign on the wall behind her thats reads "A Bargain Second Hand to be Disposed of". Another sign on the wall reads "To Let". The valentine suggests she is looking for a new husband immediately after being widowed., Provenance: Helfand, William H.
An unkempt woman leans against a post and drinks from a bottle of liquor., Text: Begone, you dirty drunken jade, / And feed along with swine, / For none but a pig would have you / To be his Valentine., Provenance: Helfand, William H..
A fashionably dressed man holds a cane and smokes a cigar. His bulging midsection and puffy face underscore the text's suggestion that as a "Bloat" and "Wind-bag" he lacks substance., Text: You swagger round, you Wind-bag, / As if you owned the Earth, / But your would-be lordly bearing / Awakens only mirth. / No man who comes across you / Ever fails at once to note, / That in spite of all your blather, / You are just a great big Bloat., Provenance: Helfand, William H..
A portly woman smiles vacantly and holds a bottle of liquor. The valentine suggests that her consumption of alcohol has permanently rendered her unattractive., Text: O! Whisky is your souls delight / Your only Valentine. / Go steep your brains in alcohol. / You never shall be mine., Provenance: Helfand, William H..
A man in his night clothes carries a musket and a candle. He holds the candle up to shed light on a man who is hiding in the fireplace. In the background, his wife looks out from behind the door. The text suggests that if the lover continues his behavior, another husband will shoot him., Text: You are an ill conditioned sneak, / U[pon] every amourous freak, / For you have spent your wretched life / In seeking some one else's wife; / Behold what perhap may be your fate, / Carrying on at this sad rate; / Some angry husband may discover, / And blow out your brains my general lover., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A baker stands in front of his oven. He is smoking a pipe and his shovel leans on the wall next to him., Text: The bread that you bake is not fit for a dog, / Your pies and your cake would sicken a hog; / Sawdust-flour you use, rancid butter and lard, / For such practice you ought to be feathered and tarred, / Or else to be taken and baked in your oven -- / You dirty old cheat, and rascal, and sloven., Provenance: Helfand, William H.
A baker in a paper hat is putting a pie into an oven. His shoe has split open and his red nose, combined with the word "sodden," imply that he is drunk while on the job., Text: What! Buy of you! Your senseless grin / Would sour all your pies, / And not a loaf, poor, sodden oaf, / But would smatter of your lies. / Heavy as lead, your lightest bread, / Cakes, buns, and buscuits, all; / Smash your paper cap on your grinning head, / And into your oven crawl!, Provenance: Helfand, William H..
