Image: A smiling Quaker woman holds a bayonet and takes a hat from a tall man who leans on his cane., Verse 678: Friend Jane - I have bought thee a Staff and Hat, which I hope will prove serviceable in these times., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: A Quaker woman carrying a parasol encounters another Friend, who carries a bayonet to a Friends' Meeting. A group of soldiers are lined up in the background. Mocks the Quaker pacifists who didn't want to contribute to the bloodshed., Verse 679: Friend Susan -- Why, Friend Broadbrim, what is thee doing with a musket and soldier clothes on! Friend Broadbrim -- I am going to the Friends' Meeting. Friend Susan -- Well, if thee does so, I hope the spirit will move thee to do something., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: A soldier drops his sword in surprise when he sees Friend Thomas coming at him with a sword in support of the Union., Verse 680: Friend Thomas -- Oh! ho! so thee was a going to fight, friend Secede, was thee? I hope thee has found out now that the Quakers are sound on the Union., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Photographic reproduction of a caricature showing a crying boy as a visual metaphor for the North, i.e. the United States. Shows the boy attired in a smock adorned with the American shield holding a map showing the United States and Confederate States divided by secession. Also shows a toy castle and a cannon behind the child., One of two companion cartes de visite titled "North" and "South." LCP holds "South." [5780.F.52e], Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[ca. 1863]
Location
Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52r]
A woman wears a tapered, bustled, ruffled skirt that forces her to bend forward in the Grecian Bend. She holds a small parasol and wears a hat. The valentine mocks the recipient for thinking her fashionable dress is attractive to men. The Grecian Bend style of bustle became popular after 1869., Text: A slave to Fashion's tyrant laws, / You court each silly fop's applause; / Did you but know what I can see, / How shocked, I fancy, you would be. / You will, I hope, leave off this style, / Your dress provokes a pitying smile., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman stands with her face turned up. She wears a hat with a hairnet. "Saucy jade" is a derogatory term for spirited women, and the valentine suggests that the recipient is playfully bold to hide her lack of intelligence and education., Text: Oft ignorance hides want of learning and sense, / With a mask and a cloak of bold impudence; / And never more fully has this been essayed, / Than it is in your case, you most saucy jade., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman reads a sign that says " INTELI- / GENCE/ OFFICE." She holds an umbrella and circle of rope. A young man thumbs his nose behind her. The phrase "not to know B from a bull's foot" means to be completely illiterate., Text: Verdant damsel, jolly green! / Never was a simpler seen; / B from Bull's foot scarce you know, / Yet you think to catch a beau., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man stands stitching a large piece of cloth. The valentine uses "tailor" as a derogatory term, suggesting that the recipient fails at making himself more attractive by boasting of his connection with sailing., Text: Soon as the early day is dawning, / There you are stitching some old awing [i.e., awning]-- / 'Tis true, you work for the bold sailor, / But you are every inch a tailor! -- / Expect not ever then to be, / More than you are, just now to me., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The Boarding House Landlady has pointed teeth, a hooked nose, and grimaces. She holds a long bill marked "Board bill" and points to trunk marked "SAM." Behind her is a sign that reads "Boarding." She wears an apron, bonnet, and red shawl., Text: Behold yourself! Mistress of Starvation Hall, / Whose beds are like boards-- as hard as a wall; / You who stint your poor boarders of what's on the table, / And make your bill as long as ever your able., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A large woman in bed holds her arms up and yawns., Text: My pretty maid, to me it seems, / You're always in the land of dreams; / Take my advice and never wed -- / Your mate should be a feather bed., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The bar-keeper reaches for coins on the bar, presumably payment for the beer a customer is holding. In the background, two women carrying plates and beverages look on. A clock on the wall indicates that the time is shortly before seven o'clock. The text suggests that bar-keepers steal from their employers., Text: I know a Bar-Keeper for a long time, / And to his honor I shall write this rhyme. / We all know that he does well understand / To make long fingers and a crooked hand; / And so, they say : this is the way the money goes: / A shilling always for myself and six cents for my Boss!, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A washerwoman stands next to a bucket of "bleeding hearts" and pins hearts onto a clothes-line. Her dress billows up in the back. Behind her is a tub labeled "cold water" and a container labeled "soft soap." The valentine references the water cure movement. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: Ho! all ye lovers pale and wan, / Who of your bleeding hearts complain, / For you my trade I carry on / And from soiled hearts remove each stain. / Come one, come all!-- hearts smoothed and pressed / And safely folded in the Chest., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A simian nurse sits in a chair next to a baby in a craddle. A bottle marked "laudinum" [i.e. laudanum] is on the shelf above her, and she threads a needle. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches.", Hush-a-by, baby! / Your slumbers be light, / With laudanum, maybe, / You're not on a "tight.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The merchant sits on a counter with knees twisted over his arms. A sign behind him reads "LINEN DIAPER." The sender mocks the recipient's misguided assumption that women find him attractive., Text: You pert Counter-jumper, with sick'ning grimace / You smile, smirk, and simper your meaningless face / You think yourself killing-- perhaps it is true, man, / For you'd be the death of a sensible woman. / Oh, yes! you're a Cupid, or think yourself so, / The counter your fortress, the yardstick your bow; / But I'd have you know, my impertinent spark, / You have shot all your arrows quite wide of the mark., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman in a gown smiles. The valentine mocks her brazeness and suggests that she unsuccessfully uses it to hide her lack of intelligence and feeling., Text: Your knowing wink and brazen stare, / Are just the signs that do declare, / (Howe'er you think conceal'd by art,) / An empty head and callous heart., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The rum seller stands at a bar and holds a decanter and a glass. He smiles, and a man smiles in the background. "Tin" is slang for "money.", Text: With a gay smiling face, or, with a sly wink. / Always ready to deal out something to drink; / Smashes, cocktails, and juleps, rum, brandy or gin; / It's no matter what, you want only the tin., Cf. Valentine 9.16, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The dollar worshipper kneels before a woman who has large sacks of money by her feet. The worshipper has a serpentine body with a curved spine and a hooked nose that suggests that he is Jewish. The large mirror and the curtained windows in the room suggest that the woman is wealthy. Because of the proximity of the woman to the money, it is not clear whom or what he worships., Text: Ha, ha, 'tis thus on bended knee, / You press your vows of adoration,/ But virtue's not your honest plea,/ Nor yet a life of pure devotion,/ For naught but the almighty dollar,/ Could make you wear the marriage collar., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman sits in a tree holding a fishing pole. Men swim in the water in front of her., , Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The bar-keeper stands at a bar and pours liquor from one glass into another. Decanters and glasses are on the bar., Text: You dashing, dressy Bar-keerp, for a dandy you would pass, / As with the most exquisite grace you handle well your glass; / But your brains are like your liquors, the more they are display'd / The more they show the frothy stuff of which they are made., Cf. Valentine 11.3., "73", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine depicts a man crying, and the text mocks him for his childishness., Text: Pray do not weep, nor spoil those eyes red, / Don't soil your clothes with those soft drops of brine; / Sure, out of pity, some green girl will you wed, / And nurse you as an infant Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man holds a rifle and looks through the sighting mechanism. He wears a long blue coat and carries a rucksack, which suggest that he is a Union soldier., Text: No doubt, my dear friend, with your good rifled bore, / You could hit on the wing an old-fashioned barn door; / But when you attempt to pierce a girl's heart, / You will find you've attempted a difficult part. / So put down your rifle, you wall-eyed blockhead, you, / I would rather die an old maid than wed to you., "514", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The milliner wears a ball gown and an exaggeratedly large hat., Text: I am a young Milliner, / Setting my cap, / In hopes it may catch me / Some pretty young chap., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The listener holds his ear to a keyhole. A woman on a staircase above him throws a vase of flowers., Text: You are one of those mean, sneaking cusses, / That are always getting people into musses; / Hated by women and despised by man. / You make yourself an ass when'er you can, / You're always trying to get hear some wondrous thing, / That some one's reputation you may sting, / Any girl of sense, with feeling fine, / Would ever scorn to be your Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The china merchant wears a red coat with tails, a cravat, and trousers. He has an exaggerated, long nose and bucked teeth. He sits over a table with numerous pieces of china, including wine glasses, vases, mugs, and jugs., Text: With what an intellectual face, / This crockery dealer here we trace -- / Like his china, how he glistens, / When he finds a soul that listens. / Booby, take your wares and glass / Out of sight -- don't be an ass; / If a Valentine you wish, / View yourself in every dish., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man holds a woman's hand and kneels before her. His mouth is open, and he holds his hand to his heart. She turns away and smirks. The valentine suggests that he falls in love with any woman he meets., Text: Poor fellow, I pity you, sad is your case, / And, alas! you are weak in your knees; / Whenever you see the merino and lace, / How you wriggle as if you had fleas., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A stern woman wears boxing gloves. "Ruff" means passion or excitment as a well as a collar. The border features matches, a heart-shaped beet, and cherubs playing tennis and tug o' war. The label on the matchbox reads "Red-headed matches go off easy," and the beet is marked "D.B." [i.e. "dead beat" or "dead beet"]. The valentine suggests that the recipient channel her passion for fighting into romantic passion., Text: Your glove, my enchantress, / I'd rather excuse, / The paw of a panth'ress / 'Twere safer to choose. / There's a fashion in collars, / As well as in Cuffs, / Round your neck, then, why don't you / Put "one of the Ruff's"?, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The bride wears a dress with a red bodice and yellow skirt, a white veil, and a pair of earrings. She holds a sheet of paper that says "Marriage certificate." She smiles, and has crossed eyes. The pictures suggests that she has limited intelligence and mocks her pride in her marriage., Text: Now you are wedded! and happy too, / Then let the world deride, / The dirty scamp who would attempt, / To slander, such a bride., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a man looking through a key hole. The text threatens the recipient with violence if he continues spying on and meddling in his neighbors' matters., Text: Poking in your nose where ere you can, / You are a mischievous meddling stupid man; / Who minds his neighbours business not his own / May one day have a broken head to moan., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wears an enormous skirt with furbelows., Text: Expansive! expensive! extensive! exuberant! / Skirts, more than the city's outskirts, protuberant! / Not only the height of the fashion has come to this, / But the breadth of the fashion is Crinoline bliss., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman holds up her arms and screams at the sight of a bug dangling in front of her. She wears a fashionable gown with a low-cut and very narrow bodice. The text suggests that the woman is not scared of physical intimacy and marriage., Text: You'll rush with fright from a harmless bug, / Which the wind has near you carried; / But yet you don't fear a good, stout hug, / Nor tremble at getting married., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The rum-seller stands at a bar and holds a decanter and a glass. He smiles, and a man smiles in the background. "Tin" is slang for "money.", Text: With a gay smiling face or with a sly wink, / Always ready to deal out something to drink: / Smashes, cocktails, and juleps, rum, brandy or gin, / It's no matter what: you want the Tin., Cf. Valentine 9.17., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The gambler holds a billiard cue and stands in front of a billiard table. Three other male figures are in the background., Text: Oh! vain moustache-lounger, just look here, / You seem a specimen of human kind-- / But now alas! I tell you most sincere, / You lack that greatest quality-- the mind / The billiard cue-- the spectacle, and all, / Denote that you in games are hard to beat; / But in the game of love there is a call, / No long-ear'd vagabound, like you, can meet., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A seated woman has a padlock through her mouth. The valentine suggests that the recipient's quietness will disappear when she marries. The border shows cupids and hearts; one cupid shoots a heart out of a cannon labeled "Love"; another cupid travels with a heart in a hot-air balloon; and another thimble cupid hammers at a cracked heart below a heart on a fishhook labeled "Caught.", Text: A rare and commendable thing / Is well-affected silence, / Among the maids their wiles who bring / Our dulness to beguile hence. / Yet Paddock no control assumes, / (Experience teaches this bird), / When Wedlock or the future looms / And "Yes" has to be whispered., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A crying man holds a handkerchief and a bottle of gin. The valentine mockingly urges the rejected man to drink in order to feel better., Text: Poor lovesick mortal, disappointed! / The gal would not the bargain close; / But you'll gain at the bar appointed / The balm to heal the woes you nose., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wears a shawl around her shoulders and a black hood on her head., Text: Your angry vengeful mien, / Surely bodes some ill; / I hope you have not loved -- / Not wisely-- but, too well., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The woman wears a bonnet and carries a large hat box. "Cap-a-pie" means "head to foot.", Text: So you've come out armed cap-a-pie, / To try and catch a man, / And this to do you'll spare no beau, / But catch one if you can., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a woman wearing a crown, gown, and holding a parasol. A young man holds the train of her coat. The valentine mocks the woman's too-slender stature and excessively large crinoline., Text: A skeleton in figure / You still are bound to shine, / The great among the greatest / In size of Crinoline., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman screams as the Devil embraces and kisses her cheek., Text: Alas! that love, so gentle in his view, / Should be so tyrannous and rough in proof!.. / And gentle maid, when Love shall come to you, / You'll know him by his horns and cloven hoof., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman carries a tiny parasol and wears a gown with a hoop skirt and furbelows., Text: This, truly, is the age of all things new, / For even women grown, and young maids too, / Believe not now in either Heart or Head, / But in the size to which their hoops may spread., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The miserly woman looks over shoulder. Her hands rest on a pile of gold coins, and money bags "3000" and "50,000" sit on the table beside her., Text: Trembling at each wind that's passing, / Fearing danger to your gold / You've spent all your life amassing; / How your petty soul is sold!, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman stands in front of two men sitting at a table with a plate with two small fish on it. The man on the left holds up two fingers. Behind them is a sign that reads "Boarders will settle every week in advance. Mrs. Gutstarve.", Text: You stingy, shrivel'd, wrinkled, close-skin'd skin-flint, / You advertise for boarders in the papers, / But any man who has any sense or wit, / Can't stand your nasty tricks and capers. / One herring for two men, that is our fare, / And what is left of breakfast, for our dinner, / You think you are making money by your snare, / But you will find that you are the winner., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A smirking woman holding a small purse waves a handkerchief over her shoulder. The valentine suggests that a woman who flirts with many men will be a bad wife., Text: You're like a fair young rose bush, / Where each beau plucks a rose, / 'Till nought but thorns are left behind, / To prove the husband's woes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman with crooked teeth wears a gown with furbelows and stands in front of a table with portaits of men. A picture behind her features a hammer hitting a heart., Text: O! gentle Heart-breaker, I fear you; / I'll not trust my head, lest you knock it: / No desire have I to be near you; / You shan't break my heart nor pocket., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man and woman walk arm in arm. He wears yellow pants and tie, and she wears a large-skirted walking dress that reveals her feet., Text: I am sure it makes the neighbors talk / To see you when you take a walk / With such a silly dressed up swain, / As no other girl would care to gain, / Although I know it makes you vain / To suceed a beau to gain. / And you no other man could win, / So must be content with him., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine depicts the head of a woman. She wears eyeglasses, a pink cap, and a blue kerchief. The valentine criticizes older women who look for marriage., Text: In stiffly starched kerchief and cap / Just look at our funny old Grandmother, / Who in her old age strives to catch / A husband in hopes he'll take care of her., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a man with a rabbit's head. He holds a stick., Text: My dear little fellow, / You most make me laugh, / To look for a wife, / You're too timid by half., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a woman (possibly a landlady) holding a large key and looking through a large keyhole. A sign behind her reads: "Lodgings Cheap & nasty." The valentine criticizes those who invade privacy through spying and associates this behavior with proprietors and lodgers at cheap lodgings., Text: The key to many a tale profound / Of strange intrigues and artful dodgings, / Is in the Keyhole to be found -- / As all should know who live in lodgings., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wears a dress with a high neckline; her corsage and handkerchief suggest that she may be at a social function.. She slouches against a wall between and door and a picture frame, and her nearly closed eyes and open mouth suggest that lack of intelligence accompany her manners and money., Text: Politeness and dress, in this gay world of ours, / Are considered the tests of gentility; / But we commonly find a great lack mind, / Where the're found with so much amiability., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
An elaborately dressed man leans back in a chair and smokes a cigar. The word 'empty" is written over his head. His clothes and the position of his hand suggest he is a dandy. The sender mocks the recipient's concentration on outward appearances., Text: The reason why you don't get on in life-- / Is the Sending of the Valentine to you a hollow mockery?, Cf. Valentine 14.41., Provenance: Helfand. William H..
A farmer stands in a field holding a scythe. The sender considers farmwork dirty., Text: You pigheaded, grinning, ugly brute, / Go look after the pigs and the sheep; / For they are the only companions you’ll suit -- / No girl would your company keep. / You smell too much of horse and swine, / For any maiden to be thine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
