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Title: Metropolis Varieties! 140 S. Third Street. The cry is--still they come The best free saloon in the city. Look at the stars! engaged at this establishment--the leading stars of the profession. Miss Anna Wert, the queen of song. Miss Ida Lee, the graceful danseuse. Miss Rosa Bowers, jig dancer. Andy Williams, banjoist and tamborinist. Billy Burr, Ethiopian comedian. Andy Schowers, in his great stump speech. J.K. Search, violinist and comic singer. Herr Tatzell, pianist
Description: Three illustrations signed: Boerum., Printed on yellow paper; printed area, including double-rule border, measures 55.4 x 20.0 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Metropolis Varieties (Philadelphia, Pa.)
Date: [1863?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Metro 1863 (27)5761.F.85 (McAllister)

Title: Ho! For Hoffman & Smith's Virginia Troupe of Serenaders! The most competent actors that have ever appeared, will perform at Langstroth's Hall, Germantown, on Wednesday eve'ng, Feb. 1st, 1865 Programme. Part first. Full band, with laughable jokes and comic sayings! Part second. Billy Rose, the great comic Ethiopian delineator. Miss Emma Miller, in her great song and dance. Johnny Clifford the great song and dance man. ... The barber, ... To conclude with The happy walk-around! by the entire company. Price of admission, 25 cents Doors open at half past 6 o'clock. Commence at half-past 7
Description: Other performers include: Harry Phillipps, Jimmy Riley, Johnny Smith, William Ward, and Pete Williams., Illustration signed: Strong., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Hoffman & Smith's Virginia Troupe of Serenaders
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1865 Hoffman (26)5761.F.98a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Monday, January 9th, 1865, Sanford's Troupe in a grand bill of variety! Billy Boyd is engaged, and will appear this evening. Nino Eddie in his matchless dances. Programme. ... Cruelty to Johnny! ... To conclude with The Union Army! by the entire company. Tuesday evening, benefit of J. Orr Finnie. Look out for the Stereoscopian! Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, Billy Boyd, J.P. Heffron, H.J. Raynor (and his learned dog, Lilly Dale), J.P. Reese, Eddie Rivers (a.k.a. Nino Eddie), S.S. Sanford, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1865 (26)5761.F.95a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Excursion! Free, to the city and back Sanford's complimentary benefit, on Saturday evening, Dec. 17th, 1864 Card.--The directors of the Southwark and Frankford Road will, on the above evening, carry passengers to the city and return free on the above occasion, to those who will attend Sanford's benefit! Parties will purchase their tickets of the conductors of the dummy engine cars, who will give them a check to return. Cars will be in waiting at the corner of 5th and Race! The performance terminating at 10 o'clock, thus enabling all parties to get to their homes in respectable time. The entertainment will comprise a great variety of minstrelsy! New acts, new songs, new pieces, new dances, by Sanford's Troupe! The wonder of the world, Nino Eddie will also appear on this occasion. The price of admission remains the same. Parquet and family circle, 25 cents Orchestra seats, 50 " Doors open quarter-past 6. To commence at quarter of 8. Terminating at or near 10. Mark!----By asking the conductor for Sanford's tickets, at any of the above prices, your fare is included both ways---from Frankford to Sixth and Race, from Fifth and Race back to Frankford
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.73b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Thursday, Jan'ry 5th, 1865. Sanford's Opera Troupe! Full & fashionable houses have established this the family resort, and the locality, Race St., betw. 2d & 3d, has become a household word. Programme. ... Paddy's wedding, ... Stage-struck heroes ... To conclude with scenes of the old plantation by the company. Friday evening, Jan 6th, 1865, benefit of J. Wallace Saturday evening, Jan. 7th, benefit of J.P. Reese! Cards of admission, 25 cents Children will be admitted during the holidays, with their parents, at 15 cts. Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: T.R. Deverill, J.P. Heffron, H.J. Raynor (and his learned dog, Lilly Dale), J.P. Reese, Eddie Rivers (a.k.a. Nino Eddie), S.S. Sanford, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1865 (26)5761.F.89b (McAllister)

Title: Sanford's new Opera House Race Street, between Second and Third We challenge the world!!! Gerhart & Collins, proprietors J. Orr Finnie, stage manager Open for the season. Monday evening, Jan'y 23d, 1865, and every evening during the week The great family resort Collins & Gerhart's challenge minstrels & brass band The temple of minstrelsy, in which are given chaste and drawing-room amusements, by Sanford's Opera Troupe, comprising a combination of vocalists, musicians, comedians & artists of the highest order of merit. ... Two companies in one! Sanford's Opera Troupe and Collins & Gerhart's great challenge troupe & brass band ... In conjunction with the above troupe are Eddie Nino, the great child wonder, in his terrific ascensions, and Sig. De Louis the champion horizontal bar performer. 20 brilliant stars appear nightly! ... Good fires are constantly kept in the building Admission: Orchestra seats. 50 cents. Parquet, 25 cents. Family circle, 20 cents Seats in private boxes, 75 cents. Private boxes, $4 and $5 Box office open afrom 9 A.M. to 3 P.M. No extra charge for reserved seats. Doors open quarter of 7 o'clock. Commence quarter of 8 o'clock Buy your clothing at Harvey's fashionable clothing house, 918 Market St
Description: Printed area, including double-rule border, measures 54.7 x 20.1 cm, Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1865 (26)5761.F.97b (McAllister)

Title: Southern tombstones
Description: Photographic reproduction of an anti-Confederate political cartoon showing a dilapidated graveyard of tombstones and a mausoleum inscribed with vitriolic epitaphs for predominately prominent military figures from the Confederate States. The fictionalized deceased include Generals P.G.T. Beauregard, Braxton Bragg, John B. Floyd, Robert E. Lee, Leonidas Polk and Henry A. Wise in addition to Vice-President Alexander Stephens. Within the cemetery, an African American man with a bayonet peers out from behind a tombstone near a debris-strewn path marked "secession, mob rule, and nullification." Plantations burn in the background., Title from item., Date inferred from content., Publisher's imprint printed on verso., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - McAllister & Brother - Caricatures & cartoons [5780.F.52o]

Title: Fun! Fun! Fun! The Soldiers' Ethiopian Troupe! Will be at [blank] on [blank] eve'ng [blank] '64 This troupe is composed entirely of wounded soldiers! Now is the time to serve your country's defenders. Admission, 25 cents Tickets to be had at the door. Doors open at 7 o'clock. To commence at half-past 7
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Soldiers' Ethiopian Troupe
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *PB 1864 Soldiers (28)5761.F.35 (McAllister)

Title: The adventures of a conscript as told by himself
Description: Collection of twelve numbered and captioned comic cards using humanized animals to portray domestic and military scenes in the life of a conscripted rabbit. Includes cards showing the rabbit reviewing a "Draft" poster and declaring himself a patriot if drafted; the rabbit receiving the "agonizing fact" of his draft notice; his failed attempt to employ a substitute - a "Quack" of a duck rejected by a donkey of a surgeon (Dr. Donkey); his farewell to his love; his "fearful carnage" of the foe; his retreat to make "a sturdy rebel fly"; his successful "perilous duty" to deliver "despatches" to an owl general, including a confrontation by "a band of Gorillas," portrayed as racist caricatures, and his beheading of the Gorilla Chief; his promotion to Brigadier General; and his release from duty to "crown his glory with love" in wedded bliss., Attributed to James Queen after Henry Louis Stephens., Title from series title., Date from copyright statement by William A. Stephens., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 91., RVCDC, Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [5780.F.56a-l]

Title: [Armand Dalsemer trade cards]
Description: Series of illustrated trade cards for Armand Dalsemer's "fine shoes" and "common sense shoes" at 136 North Eighth Street in Philadelphia. Illustrations depict a grinning African American man, portrayed in racist caricature, standing in an open window holding a newspaper labeled "The American Citizen"; a cherub sitting on a lily pad in a lily pond; and a portrait of a little girl wearing a bonnet., Title supplied by cataloger., Printers and engravers include Sunshine Publishing Company (Philadelphia) and Leon Meyers, 29 S. Liberty St., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Dalsemer [1975.F.15; 1975.F.19; 1975.F.286]

Title: Atmore's mince meat and genuine English plum pudding
Description: Trade card promoting Atmore & Son’s mince meat and depicting a racist scene of an African American boy street peddler. He stands on a sidewalk and holds a disc-shaped pie in his hands in front of the door to a brick building. The rosy-cheeked boy smiles and looks at the viewer. He is barefoot and attired in a white, collared shirt with orange stripes; yellow suspenders; and blue pants with black stripes that are rolled up to below his knees. In the left, on the ground and behind the peddler, is a handled basket full of pies that is partially wrapped in a white cloth. In the right is a tree with green leaves. Atmore & Son, established in 1842, was located at 141 South Front Street, Philadelphia, Pa. They continued producing mince meat as late as 1948., Various printers printed series of trade cards in the 1870s for Atmore & Son before Ketterlinus, including Clay, Cosask & Co. of Buffalo (1870), Clay & Cosock (1876), and Thos. Hunter (1877)., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Atmore's [1975.F.14]

Title: Beauty on the street--front view E. B. Hall, druggist. Established 1852. Wellsville, N.Y
Description: Racist trade card promoting druggist E.B. Hall and depicting an African American woman, portrayed in racist caricature and attired in a brimmed hat with decorative feathers, an elegant, long-sleeved dress with ruffles, gloves, who carries a tiny purse. She walks down the street carrying a parasol in her right hand and her small dog's leash in the other. Edwin B. Hall opened his drug in Wellsville, N.Y. in 1852., Title from item., Date inferred from content., Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Hall [P.9984.3]

Title: L. S. Plaut & Co., 715, 717, 719 Broad St., Newark, N. J
Description: Trade card for L. S. Plaut & Co.'s boys' clothing department depicting African American children, portrayed in racist caricature, sledding. Shows ten African American children, attired in short-sleeved pajamas, in a toboggan sledding down a snow-covered slope. One child plays a horn. The child at the back holds on with their leg outside the toboggan. White spectators watch from the side of the incline, and other toboggans are seen in the distance at the top of the slope. L. S. Plaut & Co., established as "The Bee Hive" in 1870 by Leopold Fox and L. Simon Plaut, was a premier department store in Newark, N.J. The firm tenanted 715-719 Broad Street by the 1880s., Title from item., Date from copyright statement: Copyright 1887 by The Bufford's Sons Lith. Co., Printed lower right corner: 794., Stamped on recto: Harvey Cooley., Advertising text on verso: The Largest in the State. The Bee Hive Boy's Clothing Department. See our values in Short Pant Suits, at $2.48, $3.48 and $4.98. See our values in Short Pants, at 49c., 62c., and 98c. See our values in Overcoats, at $2.23, $3.48, and $4.98. Men's Shoes, Fine-Make Goods, all at Very Low Prices. Text accompanied by illustration showing a white boy attired in a cap, overcoat, pants, and boots., Duplicate image of: trade cards - R [P.2011.42.1], RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1887
Location: Library Company of Philadelphia | Print Department trade card - Plaut [113418.D]

Title: Franks Dining Room, for ladies and gents, open day and night, 216 N. Ninth St., Phila
Description: Racist trade card promoting the restaurant of Frank Tiefenthaler and depicting an African American man, portrayed in caricature with grotesque facial features. Shows the man, portrayed with a blank stare and attired in a striped, long-sleeved shirt, eating from several stacked bowls of "mush." He holds a spoonful of porridge close to his open mouth from within a wooden pantry. Illustration also shows the open door to the pantry. Tiefenthaler began to operate his restaurant from 216 North 9th Street in 1884. Tiefenthaler died in 1934 retired from business, but was listed in city directories as operating a dining room through the early 1920s., Title from item., Date inferred from dates of operation of advertised business., Printed above image: "Mush-Room.", Printed in blue., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - F [P.2015.35.2]

Title: An unpleasantness in Swampoodle
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an altercation in the post-Reconstruction African American and Irish northeast Washington, D.C. working-class neighborhood "Swampoodle." The figures are drawn with racist and caricatured features and mannerisms. In the center, an African American woman holds an ax up to another African American woman who stands with her hands at her hips, and with a look of surprise on her face. A third African American woman to the left of the woman with an ax attempts to reach for the weapon, while a fourth African American woman holds a switch and looks on with a stunned expression. Beside the stunned woman, a small African American boy stands in front of a fifth African American woman leaning over to pick up a rock. In the far left, an African American police officer is being led by an African American boy to the group of women. A shadowy depiction of a crowd of men, women, and children, some holding up brooms and sticks, is visible in the background. Scene also includes wash buckets, switches, and weeds on the ground near the central figure's feet. The central figures wear worn shirts and long skirts or dresses. The woman threatended wears the most worn cloths and rags on her feet. Three of the women wear kerchiefs and two wear aprons. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2015.22 & P.2020.16.6]

Title: Mechanical target and gun. Mutual Novelty Manufacturing Co., 813 Girard Ave., Philadelphia, Pa
Description: Illustrated flier for "comic head" mechanical target issued by the Mutual Novelty Manufacturing Company. Contains image of target (Patented Aug 28 1877), which includes the racist, comic head of an African American clown, portrayed in caricature with a slack jaw and grotesque features, and pictorial details of the "Target Arrow" (Pat. Sep. 5 1876). Flier also contains vignette of "Toy Target Arrow For Boys and Girls." Shows a child's hand pulling the arrow through an egg-shaped barrel. Vignette surrounded by advertising text reading "Throws the Arrow very accurately, and affords hours of amusement for both young and old. Made of hard wood, finely polished, beautifully colored. Price, per gross, $35.00 nett. Sample, by mail, 50 cts." Mutual Novelty Manufacturing Co. operated until at the least the 1920s., Title from item., Date inferred from content., Several lines of advertising text printed below image explicating the size, construction, price, and shipping of toy, and advertising potential of "Target and Envelope." Text also includes the solicitation that "Agents can earn over $30,000 weekly, and Canvassers from house to house more than $3.00 daily, selling our different Novelties. We would like to make you an Agent, and if you send out Sub Agents you can make upwards of $2,000 yearly.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1877]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Advertisements - M [P.2013.36.4]

Title: The results of abolitionism!
Description: Cartoon reflecting the fear among Northern white workers of job competition with free African Americans. Depicts African American men bricklayers, portrayed in racist caricature and speaking in vernacular, on a construction site giving orders to white laborers in a reversal of roles. The laborers work on a large multi-storied brick building fronted by scaffolding and a ladder. The African American supervisors hold trowels and stand at the top of the scaffolding. They hurl orders and abuse at white workers exclaiming: "Bring up the mortar you white rascals" and "You bog-trotters, come along with them bricks." An African American man standing on the ground, attired as a dandy, exclaims, "White man hurry up them bricks." A white man climbs the ladder and two white men work on the ground shoveling and picking up bricks. Another white man stands and says, "Sambo hurry up the white laborers.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1835 - Res [5780.F.1]

Title: I'm not to blame for being white, sir!
Description: Critical satire portraying the humanitarian sympathies of Massachusetts senator and abolitionist Charles Sumner as hypocritical toward whites. Depicts a well-dressed Sumner walking down a city street. He has stopped to hand coins to a barefoot, African American child carrying a basket. A white girl, attired in torn and worn clothes, carries sticks and holds out her hand to him, as well. Behind Sumner, two young white women witness the scene., Title from item., Publication information supplied by Weitenkampf., Probably drawn by Dominique C. Fabronius., Lib. Company. Annual report, 1972, p. 63., Purchase 1972., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1862-11 [8033.F.2]

Title: Much ado about nothing or a militia court-martial!!
Description: Spoof on the decadence and pretensions of the American local militiamen of the Jacksonian era showing a courtmartial of a militiaman. Several white officers sit around a table, many dozing, others commenting on the trial's length, stipend, and eventual outcome. Behind them rest oversize militia hats and a sword inscribed in Latin, "Guided by Patriotism." Two African American men, portrayed in racist caricature and speaking in the vernacular, presume that the officer holding the "List of Witnesses" and who is inquiring about the defendant’s profession "...mus be Col. Pluck or some sich great man." The defendant claims that he is "a self taught gentleman" who "showed considerable genius for this profession." Col. Pluck was an illiterate hostler elected colonel of the 84th Pennsylvania militia in a controversial election in 1824., Title from item., Artist supplied by Reilly., Possible publication date supplied by Weitenkampf., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Johnston, known as the American Cruikshank, was a respected comic illustrator, engraver, and lithographer.
Creator: Johnston, David Claypoole, 1799-1865, artist
Date: [between 1832 and 1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1832-3 [7876.F]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10W [5760.F.115]

Title: Congressional surgery legislative quackery
Description: Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., RVCDC, Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1866?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 - 10aW [P.8698]

Title: Old Nick in Wall Street
Description: Cartoon mocking Nicholas Biddle, president of the controversial Bank of the U.S., as a corrupt emperor of finance served by New York's financial district. Depicts a self-effacing Biddle on the steps of a bank delivering a speech to a large crowd of his obsequious cheering subjects comprised of bankers and brokers. Two men, possibly New York editors accused of accepting bribes in return for publishing pro-Bank articles, Charles King and/or Mordecai Manual Noah and/or James W. Webb, hoist him on their knees. Biddle declares that he will bear the burden of the attacks of the Bank opponents as those before him will acquit him of scandal. In the far left background, a group of men describe Biddle as a monster and allude to his dubious relationship with New York merchant Silas E. Burrows, who was accused of bribing Noah and Webb. Contains a fabricated verse below the image from the popular poem "The Devil's Walk," commonly misattributed to Robert Porson (as in the cartoon) about the faithless servility of Satan's subjects., Retrospective conversion record: original entry, edited.
Date: [1832?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-18W [5760.F.50]

Title: Banks & bribery, v.s. balls & bumbs scene 1st Or the destruction of aristocracy monopoly and oppression
Description: Cartoon concerning President Jackson's destruction of the Bank of the United States, including his veto of the Bank's recharter and the removal of its federal deposits. Depicts Jackson, "Jack Downing," and others attacking the Bank with axes, "veto mortar," and cannon balls. Jackson and "Downing" hollar about "smashing down" "Monopoly & Oppression" as well as the absence of a "nest of varmants" when the house was originally built. Members of Bank investigative "committees" flee the building, while others are crushed under the bank, its "deposit pillar" destroyed. Spectators, including evil sprites, run a press, clamor for tossed money bags labelled with alleged bribery amounts, and scream "This is a fair business transaction." Also includes sheets of paper scattered on the ground inscribed with allusions to the Bank War, including"Deranged Currency" and "Petitions.", Manuscript note on verso: From his Aunt Isabella 1840., Previous owner, probably C.P. Lukens. See Congressional Elephant political cartoons - 1832 - 2 (5760.f.42)., Retrospective conversion record: original entry, editions.
Date: [1834?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1834-4W [5760.F.58]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]

Title: St. Johns Episcopal Church's minstral club - graphic of minstral show April 12 and 13, 1901
Description: Negative blocked with marking tape depicting a bust-length portrait of an African American man, portrayed in racist caricature wearing a beard and attired in a bowler hat. Contains name of minstrel club and performance dates. Along the top are small photographs including several portraits of white women, a large group portrait of white men and women, and a seated white man playing the guitar., Title from negative sleeve., Duplicate: St. John's club minstrels, Friday and Saturday, April 12 and 13 1901 (cartoon). [P.9645.743], Gift of Matthew Schultz, 1998., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Levis, Seth Pancoast, photographer
Date: [1901]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Levis [P.9645.1038]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)

Title: Life in Philadelphia. The cut direct. or how to get up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]

Title: Life in New York
Description: Collection of social caricatures lampooning the pretensions of early 19th century middle-class African American New Yorkers. Influenced by an increased fascination with American culture and a growing racism pending the abolition of slavery in England, the black characters are depicted in outlandish dress with exaggerated manners, and speaking in patois and malapropisms in an inept attempt to mimic white high society. The caricatures focus on courtship and the merchant of a steam press laundry., English reprint of the Anthony Imbert series "Life in New York" originally published around 1830. Although the American series consisted of at least eight prints, the number of prints included in the London series is unknown. LCP holds two of the series. The English prints were published in London in the early 1830s by W.H. Isaacs, H. Isaacs, and G.S. Tregear., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 93-97. (LCP Print Room Uz, A423.O)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in New York (London Set)

Title: [Simian circus rider atop a galloping horse]
Description: Racist print, possibly a performance handbill, depicting a simian rider attired in a military uniform and a plumed hat. He holds an American flag as he stands on top of the horse's saddle, which gallops in a circus ring., Title supplied by cataloger., Print pasted on back of ledger page with manuscript notes., Possibly by engraver Samuel Anness who resided in Philadelphia in 1818., Purchase 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department GC - Entertainment [P.9557.2b]

Title: The Rivals embrace
Description: Racist, satiric trade card promoting varnish manufacturer Clarence Brooks and Co. Depicts a genre scene with two African American men suitors courting an African American woman while trying to ice skate on a frozen river. The figures are caricaturized and portrayed with exaggerated features. Two men, their mouths open clutch onto one another, their legs twisted, as they try not to fall on the ice. The man to the left is attired in ice skates; blue pants; a red jacket; white collared shirt; and a top hat that has fallen off. The man to the right is attired in ice skates; yellow suit with red checks; and a top hat. The woman they court watches the scene from the shore. Her mouth is open and her hands are apart in alarm. She is attired in white shoes; red stockings; a blue dress; purple coat; and straw bonnet adorned with a pink feather. In the background are two more ice skaters and a building. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clarence [P.2017.95.26]

Title: Clark's trademark O.N.T. spool cotton
Description: Trade card promoting Clark Thread Company and depicting a racist caricature of an African American boy fishing with Clark thread. The boy is portrayed with exaggerated facial features and expressions. Shows the boy seated and with his legs straddling a giant spool of thread labeled, "Clark's trademark O.N.T. spool cotton" at the edge of a river. The boy holds a fishing rod across his chest and attempts to break the cotton thread, which he is using as fishing line. He looks at the viewer and says in the vernacular "I reckon dis yere's strong 'nuff suah." He is barefoot and attired in blue pants with red patches at the knees; an orange shirt with ragged sleeves; a green vest; and a brown cap. In the right on the ground at his feet is an orange-labeled canister from which worms escape. In the background is tall grass and the multi-colored horizon. In the foreground, the edge of the spool, the canister, and end of the rod are reflected in the water. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Text printed on recto: "I reckon dis yere's strong 'nuff suah.", Advertising text printed on verso: Clark's O.N.T. spool cotton. In white, fast black, and bright colors. Sold everywhere., Distributor's imprint printed on verso: George A. Clark, sole agent., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.30]

Title: Boy's department. Commonwealth Clothing House, 680 & 684 Washington St., (cor. Beach) Geo. W. Warren, Manager
Description: Trade card promoting Commonwealth Clothing House and whimsically depicting an African American girl acrobat. Shows the girl standing on a bubble, looking down, and holding a straw in her hands with large bubbles at either end. She is barefoot and attired in ankle bracelets; a striped dress with shoulder cut-outs; hoop earrings; and a bow atop her head. Another bubble floats near her legs. Charles V. Whitten, Horatio S. Burdett, and Amos S. Young founded the Boston men's and boys' clothing manufactory Whitten, Burdett & Young in 1862. The firm opened the retail store, Commonwealth Clothing House, in December 1888. Store manager George W. Warren left the business in 1895., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Text printed on recto: $9., Series number on recto: 309., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Commonwealth [P.2017.95.35]

Title: Fred C. Davis, land surveyor and insurance agent, Felchville, VT., will insure against all kinds of accidents
Description: Trade card promoting surveyor and insurance agent Fred C. Davis and depicting a racist caricature of an African American man on a horse-drawn plow. Shows the man barely seated, leaning back, and with his legs in the air on the plow. He holds broken reins in his hands to a brown horse running away in the left. The man is depicted with exaggerated features. His mouth is open in alarm. He is attired in brown boots, blue checked pants and shirt, and a brown vest. His hat has flown off his head behind him. The roof of a house is visible in the left background. Fred C. Davis was an insurance agent in Vermont circa 1884 - circa 1921., Title from item., Series number on recto: 468., Text printed on recto: Over., Text printed on verso: Insurance companies represented. Assets January 1, 1888. Phoenix, of Hartford...$4,778,469.00. Phenix, of Brooklyn... 5,054,179.51. North British & Mercantile, of London and Edinburg... 3,301,747.00. New England, of Rutland... 125,414.40. Vermont Mutual...3,530,434.82. Fitchburgh Mutual. Travelers (Life and Accident) of Hartford...9,111,589.68., Gift of David Doret.
Date: 1884
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Davis [P.2017.95.40]

Title: Office of the daily terror. The Davis Sewing Machine Co
Description: Racist circular promoting Davis Sewing Machine Co. and depicting a caricature of an African American boy “spying” into an office after having played a practical joke. In the satiric scene, the boy stands on the front steps of a building that has a sign that reads, "Office of the Daily Terror." He leans towards the door and looks through the keyhole with his right eye and his mouth open in a mischievous smile. In his right hand he carries a box labelled "tacks." In his left hand he holds the leather strap of a container marked "C.H.E." and with the handle of a brush sticking out of it. He is attired in a cap; a collared, long-sleeved shirt; and plaid pants with suspenders. The image inside the circular shows the interior of the newspaper office. A balding white man, attired in dress shoes; pants; a waistcoat; and a collared shirt with a bowtie, jolts into the air out of a wooden chair. A tack sticks into his behind. He clutches a newspaper labeled, "Enterprise," in his hand, while a quill and a pair of scissors labeled, "Warranted Can't Steal" fly into the air. In the left is a wastebasket with crumbled papers, one of which reads, "Poets." In the background is a desk. Rows of sheets of paper and a "Daily Terror" sign are pinned to the wall above it. Brothers John and Joseph Sheldon founded the Davis Sewing Machine Company in Watertown, N.Y. in 1868. The firm manufactured the sewing machines invented by Job Davis. In circa 1892, the company began to manufacture bicycles, and soon thereafter phased out the production of sewing machines. The company ceased in 1924., Title from item., Publication information from copyright statement: Copyrighted 1882., Advertising text printed on verso: Office & Manufactory Watertown, N.Y. Principal Branches. Chicago...46, 48 & 50 Jackson St. Cleveland...82 & 84 Bank St, and 93 St. Clair St. Boston... 194 Tremont St. Philadelphia...1223 Chestnut St. San Francisco, Cal...130 Post St. C. Carranza & Co. Agents for South America...60 Wall St., New York. Zurich, Switzerland...Gessner Allee 15. St Petersburgh, Russia...Krasney Bridge. Sydney, New South Wales... 42 Pitt St. Melbourne,Victoria...79 Bourke St. East. Adelaide... 90 Hinkley St. Brisbane...Queen St. Christs Church N. Zealand...Columbo St. London, E.C...Queen Victoria St., Gift of David Doret.
Date: 1882
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Davis [P.2017.95.41]

Title: Go to Dives, Pomeroy & Stewart's for the lowest prices in dry goods & notions, 442 & 444 Penn Street, Reading, Pa
Description: Racist trade card promoting Dives, Pomeroy & Stewart's dry goods store and depicting a caricature of African American boys with a donkey. Shows a barefooted boy, attired in pants with a hole at the knee, a shirt, and a jacket, sitting atop a donkey that is kicking its hind legs into the air. The boy looks down wide-eyed and with a worried countenance and holds the handle of a large banner with the advertising text in his right hand. In the left, behind the donkey, another boy crouches on his hands and knees on the ground and looks up at the rear of the donkey. He is barefoot and attired in pants and a jacket. Josiah Dives, George Strickland Pomeroy, and John Stewart opened their dry goods store in 1876 in Reading, PA. In 1880, the store moved to 442 & 444 Penn Street. Hahn Department Stores bought the company in 1934., Title from item., Date deduced from history of the advertised business., Series number on recto: 493., Manuscript note annotating title on recto: Reading, Pa., Gift of David Doret.
Date: [1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dives [P.2017.95.43]

Title: Compliments of Bechler's notion and variety store, 44 Irving Street, Rahway, N.J
Description: Trade card promoting the notion and variety store in Rahway, New Jersey of possible George Bechler and depicting a racist caricature of an African American nanny. The woman smiles and is attired in a short-sleeved, orange dress with red stripes, blue and white checked apron, and red head kerchief. She stands with one hand on her hip while the other holds a screaming white baby attired in a white layette to her other hip. In the foreground is a picket fence with a sheet draped in front with words advertising Bechler's store. Green foliage comprises the background., Title from item., Place of publication deduced from place of operation of advertised business., Date inferred from the attire of the figures depicted., Advertising text printed on recto: Compliments of Bechler's notion and variety store, 44 Irving street, Rahway, N.J. Just opened!, Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Bechler [P.2017.95.12]

Title: Gantz, Jones & Co.'s sea foam
Description: Series of trade cards containing captioned scenes in silhouette and profile, including racist imagery, that promote and portray the use of the New York firm's baking powder in cooking. "The First Lesson in Cooking" shows a matron-like figure (in the right) holding out a can of "Sea Foam" baking powder to three young woman standing in a row (in the left). The older woman is attired in a long-sleeved dress with a tiered skirt and bustle, spectacles, and an adornment in her hair. The young women wear long-sleeved dresses with tiered skirts and bustles and hair ornaments that resemble pointed caps. The woman closest to the matron also holds a parasol in her right hand and the woman in the far left also wears a long braid that runs down her back. The women look at and lean toward the baking powder can with interest. "Mine is the Best" shows a woman home cook and a professional male cook facing off. In the right, the man, holds his right hand in a fist, and points behind himself to a table on which a can of "Sea Foam" and a bowl rest. In the left, the woman points at him with her left hand and with her right hand points behind herself at a table on which a bowl and two canisters rest. The man wears a mustache, baker's hat, long smock, and pants. The woman wears a long-sleeved dress with an apron. "Missus, We'll Nebber Use Any Odder!" shows an African American man, portrayed with exaggerated features, and holding an extra-large "Sea Foam" can, walking toward a stove at which a woman is kneeled and placing something in the oven. A pot and tea kettle rest atop of the stove across from the stove pipe. The woman wears her hair down and is attired in a long-sleeved dress with ruffles at the bodice and a skirt with bustle., Gantz, Jones, & Co. was originally established as a chemical business in 1849 by Thomas Andrews. George W. Gantz joined the firm in 1853. About 1869 Andrews retired and in 1877 Walter H. Gantz and F. B. Jones joined the business as partners. In 1884 the firm's New York warehouse was heavily damaged by fire and in 1890 the partnership dissolved. Following the 1856 patent of the first modern baking powder, several later 19th-century chemical firms, including Gantz, Jones & Co. attempted to capitalize on the new, very profitable baking powder industry. Baking powder significantly lessened leaving times for baking and cooking, and multiple companies began to market either cream of tartar or alum based powders that required no combining at home. The "Baking Powder Wars" mired in propaganda about the pure and safe properties of various firms' products ended in the early 20th century with alum baking powder companies Clabber Girl and Calumet dominating the American industry., Title from items., Date inferred from attire of figures portrayed and format of advertisements., Advertising text printed on verso of P.2018.6.3.1, "The First Lesson in Cooking": It is a first-class article, and will do more than it claims to do, and never fails to do its work well. Good health makes labor of all kinds easier and prolongs life. Sea foam is warranted to make better, lighter, healthier, sweeter, more toothsome and more [in italics] digestive [in italics] and nutritious bread, biscuits, cakes, puddings, etc., than can be made in any other way. Those who use it say: "We prefer it over all others." "It is A No. 1." "Gives universal satisfaction.", Advertising text printed on verso of P.2018.6.3.2,"Mine is the Best": SEA FOAM BAKING POWDER IS PERFECTLY PURE. Those who have used it once will never use any other. The BEST in the WHOLE WIDE WORLD. Without an equal. It is the perfection of science in cookery. Your cookery will be always good. You will always have a good cook. It makes every cook a good one. Your bread will never be sour. Light, well-raised bread, biscuits, and cakes digest easily and conduce to good health., Advertising text printed on verso of P.2018.6.3.3, "Missus, We'll Nebber Use any Odder!": Bread is always good. Cannot be beaten. Champion Yeast Powder of America. Every body likes it. Sells like hot cakes. The best customers ask for it. It is A No. 1. The ladies never get tired of telling each other about it. All first-class stores keep it. Gantz's Sea Foam is perfectly pure. Without an equal [in italics]. It is an entirely new invention. Never fails to make light bread. To avoid dyspepsia, use Sea Foam. One can is worth three of any other., Captions printed in all capitals., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Gantz, Jones & Co. [P.2018.6.3.1-3]

Title: " Ariosa" Coffee. One gleam of consolation. From "Judge" by permission
Description: Trade card promoting Arbuckle's Ariosa Coffee. Depicts a racist caricature originally published in the satirical periodical “Judge” of an older African American woman and older, African American Deacon in conversation. The figures are portrayed with exaggerated facial features and speaking in the vernacular. They stand across from each other in a home setting. "Mrs. Johnson" is attired in a attired in a yellow apron over a black dress, a red vest, and an orange, head kerchief. She has a pipe in her mouth. "Deacon Smith" is attired in a top hat, blue coat over a white collared shirt with red bow tie, brown pants, black shoes, spectacles, and leans on a cane. Depicts Deacon Smith providing comforting words to Mrs. Johnson after she "loose de bigges' chile." The Deacon consoles "Providence am allus mercies in disguise" to which Mrs. Johnston agrees the child was "allus a mon-st'ous eatah." In the background is a steaming kettle on a small stove with a chimney pipe. On the verso is an illustration showing the exterior of the Arbuckle Ariosa Coffee's Brooklyn factory near a dock. View includes men loading train cars, horse-drawn wagons, and ships with cargo. Brothers John and Charlie Arbuckle, Arbuckle Bros., established their factory and warehouse in Brooklyn in 1881 after they invented a machine that roasted, ground, and packaged coffee into bags. Their first national brand was patented under the name Arbuckle’s Ariosa. The company succeeded into the 20th century. Following John’s death in 1912 the company declined and was broken up by the Arbuckle family in the late 1930s., Title from item., Place of publication deduced from place of operation of advertised business., Text printed on recto: Mrs. Johnson (mournfully)--"Ah deacon! It am very hard to loose de bigges' chile I's got." Deacon Smith (consolingly)-- "Dat am true, Mrs. Johnsing; but dese cha'tisements of Providence am allus mercies in disguise." Mrs. Johnson (meditatively)-- "Y-e-e-s; Jeems was allus a mon-st'ous eatah.", Advertising text printed on verso: "Ariosa" Coffee. No. 96. 839,972 pounds roasted daily. The enormous consumption of the popular brand gives proof that for strength, purity and deliciousness it has no equal., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -Arbuckle [P.2017.95.7]

Title: Bissell & Underwood, wholesale and retail dealers in staple and fancy groceries, provisions, flour, fruit, canned goods, choice teas, spices, &c., &c., Turner's block, Church Street, Willimantic Conn
Description: Trade card promoting grocers Bissell & Underwood and depicting a racist scene of barefooted, African American men knocked about from a kicking mule in the middle of a cottonfield. In the center, a mule equipped with a saddle and reins, kicks its back feet into the air, above a wooden board lying on the ground. In the right, a man attired in a blue shirt and white, checked pants, tumbles onto his back and with his legs in the air. Near him a man attired in blue and white striped pants and an orange, checked shirt, runs away. In the left, a man attired in blue pants and a white shirt falls to the ground, head first and upside down. In the lower left, the lower leg and bare foot of a person attired in blue and white striped pants and running away is visible. In the background, a man with a hat and checked shirt stands with both arms up in the air in alarm. Two figures gathering cotton are also visible in the distance. Bissell & Underwood's store was closed and sold for auction in 1881., Title from item., Name of publisher from copyright statement: Copyrighted Bufford, Boston., Date deduced from the history of the advertised business., Text printed on the recto: And he got!, Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Bissell [P.2017.95.13]

Title: Vickery's Aunt Sally baking powder
Description: Trade card illustration depicting a snowy scene. Two white boy, a woman, and a dog stand by a sled. They are under a large barren tree and near the steps of a house. Visible in the background are trees, a body of water and mountains. On the verso, there is a racist illustration of an African American woman holding a tray of biscuits. A speech bubble near her head reads, "Dar's no use talking, Missus' Vickery's Aunt Sally am de best fur biscuits and cakes." Vickery & Co. manufactured Aunt Sally's Baking Soda and was likely founded in Scranton, Pennsylvania in 1875. The company's founder, George H. Vickery later moved to Philadelphia after a fire destroyed his business., Title from item., Partially visible advertising text printed on verso: Presented with each box. Vickery's Aunt Sally baking poser, trade mark patented. The secret told. [...] put a laundry gloss on your shirts [...] Buy a bottle of Aunt Sally Harsh Gloss and see how it is done. You [...] with it, it puts that shiny gloss., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Vikery [P.2017.95.183]

Title: Every body uses Scull's champion coffee
Description: Racist trade card promoting William S. Scull & Company’s Champion Coffee and depicting a caricature of an African American man riding a mule while carrying bags of Scull’s coffee. The barefooted man is portrayed with exaggerated features and is attired in a brimmed hat, a polka-dotted, long-sleeved shirt, and plaid pants. He carries large sacks labeled, "Scull’s Champion," underneath each arm as he rides on a mule. In the right perched on a tree, a black crow says to the man, "Every body uses Scull’s Champion Coffee." An owl on another branch of the tree says, "So they do." The man turns his head back towards the birds and remarks in the vernacular, "who said da dont." Joab Scull founded the business which imported, packaged, and distributed tea and coffee in 1831. His son William S. Scull was in charge of the business under the name William S. Scull & Company from 1858 until his death in 1916. They had a large warehouse and mill at Front and Federal Streets, Camden, N.J. William C. Scull succeeded the Company, which changed its name to the Boscul Coffee Company in 1947. R.C. Williams & Co. then acquired the business in 1959., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: Reason’s why you should use Scull’s Champion Coffee. It is roasted by a new and improved process by which the strength is increased and aroma saved. It is packed hot from the cylinders, in one pound air-tight paper sacks, keeping it free from dust and dampness. It is giving universal satisfaction, and where-ever introduced wins for itself a place among the staple articles of trade. It is warranted full weight, uniform in quality, delicious in flavor, always fresh, always reliable. It is not ground, but the finest grade of Coffee cleaned of all impurities, scientifically roasted and packed hot, in the grain, thereby preserving the full flavor of the berry. It has become the leading Coffee in the country, because it is the best and therefore the cheapest. It is sure to please you. Ask you grocer for it. W.S. Scull & Co., Mills and Warehouse, Camden, N.J., Office, 33 South Front Street, Philadelphia., Distributor’s imprint printed on verso: F.G. Stuart & Co., 144 South 4th St., Phila., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - W.S. Scull & Co. [P.2017.95.185]

Title: Compliments of Malven, Gordon & Co., Port Jervis, N.Y. 1891
Description: Racist trade card promoting the William Rogers Manufacturing Company’s silver plated ware and depicting a caricature of an African American man sitting before an easel painting. Shows the man, attired in a yellow, brimmed hat, a white collared shirt with blue polka dots, a yellow jacket with tails, white pants with a blue stripe, and black shoes, sitting on a wooden stool before an easel. He holds a palette in his left hand and lifts a paint brush up to the canvas with his right hand. He paints blue flourishes as he tilts his head back blowing smoke up into the air. William Rogers founded the William Rogers Manufacturing Company in 1865 in Hartford, Connecticut. The firm became part of the International Silver Company in 1898., Title from item., Place of publication deduced from place of operation of the advertised business., Date inferred from title., Advertising text printed on verso: Buy the celebrated Rogers brand of Silver Plated Ware. Best in the World. Manufactured by the Wm. Rogers MFG. Co., Hartford, Conn., Gift of David Doret.
Date: [1891]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wm. Rogers [P.2017.95.192]

Title: Bissell & Underwood, wholesale and retail dealers in staple and fancy groceries, provisions, flour, fruit, canned goods, choice teas, spices, &c., &c., Turner's block, Church Street, Willimantic Conn
Description: Trade card promoting grocers Bissell & Underwood and depicting a racist scene of barefooted, African American men trying to get a downed mule on its feet in a cotton field. The men are depicted with exaggerated features. In the center, the mule lies on its side on the ground. Its feet are pointed to the viewer. In the right, a man attired in blue and white checked pants rolled up to his knees and an orange checked shirt pulls the mule's head by the reins. To the left, two men, one attired in blue pants and orange shirt, and the other in blue pants and green shirt, push a wooden board as a wedge under the mule. In the left, a fourth man, attired in white pants and blue shirt pulls on the mule's tail. Behind him, in the background, a man attired in blue pants, an orange shirt, and brimmed hat holds a hoe and watches the scene. In the far right distance, laborers with baskets on their back pick cotton. Bissell & Underwood's store was closed and sold for auction in 1881., Title from item., Name of publisher from copyright statement: Copyrighted Bufford, Boston., Date deduced from the history of the advertised business., Text printed on recto: Oh git!, Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Bissell [P.2017.95.14]

Title: James Boyd's fine shoes. Presented by Irving J. Brown
Description: Trade card promoting James Boyd's shoes and depicting a racist caricature of an African American man, possibly a peddler, making a presentation on a stage. The man, portrayed with exaggerated features and manners, stands onstage behind a table leaning forward with his knuckles pressed onto the surface. He is attired in a brown suit jacket with tails; waistcoat; white shirt with a white bow tie; gold cuff links; blue pants; and black boots. In his back pocket are rolled up papers. There is a glass on the table. Beneath it is a top hat. In the foreground, four African American men in the audience listen, interact with each other, and gesture. They are attired in jackets (brown, yellow plaid, or green) and white collared shirts. The far left spectator also wears spectacles. The far right spectator raises his hand as if to ask a question. In the background, some brick is exposed through the painted wall, and a white sign is hung advertising "James Boyd's Fine Shoes." James Boyd started manufacturing shoes as Barrow & Boyd in New York in 1866. Barrow retired in 1877. James Boyd continued the business, and in 1884, he added his sons George and William to the firm becoming James Boyd & Sons. Irving J. Brown began selling shoes in 1877. He had stores at 461 and 944 Congress Street, Portland, Maine until at least 1891., Title from item., Date deduced from the history of the advertised business., Advertising text printed on verso: [I]r[vin]g J. Brown. ([?] of the gold boot.) Dealer [i]n boots and shoes, is the special agent for the sale of my goods in Portland. James Boyd, New York City. Highest medals awarded 1873, 1874, 1876, 1877. (Extract from the judges report.) Forty-second exhibition American Institute. "Case no. 49, made by James Boyd, are perfectly put together. We have seen all the shoes made in New York for the past twenty years, and this is the Best [?] in our judgment. The uppers are beautifully [?], and deserve great credit and reward." Elisha Hanshew, E.W. Eaton, C.J. Murray } Judges. [New Yo]rk, Nov. 1873., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Boyd [P.2017.95.16]

Title: Ole zip coon. Use kitchen and hand, mineral soap
Description: Trade card promoting soap manufacturer Chas. F. Bates & Co. and depicting a racist scene of an African American man stealing a chicken in the countryside. He hangs suspended on a wooden fence, snagged by the seat of his pants. He is attired in blue pants, a blue and white plaid shirt, and black boots. He holds two squawking chickens by the legs in his right hand as another squawking chicken runs away in the left. The man is portrayed with exaggerated features and a look of fear. His mouth is open and the corners turned down. His wide eyes look to the right. In the background in the right, a white man, holding a rifle, runs with a dog towards the fence. A house is visible in the center background. Charles F. Bates (1842-1925) founded the soap manufacturing company Chas. F. Bates & Co., which operated from the 1870s to the 1920s., Title from item., Date deduced from history of the advertised business., Name of the publisher from copyright statement: Copyrighted Bufford, Boston., Advertising text printed on verso: Notice. To Mechanics, laborers, workingmen, clerks, book-keepers, and others, who are engaged in using ink, this soap is of the greatest benefit. [For] removing ink, pitch, cement, varnish, paint, wheel grease, and all impurities and stains, from the hands, it is excellent and unequalled. It is the best that can be used in the counting-house, office, workshop, or kitchen. Try it, and you will be satisfied that it is the "Ne Plus Extra" for washing hands, and no one should be without it. Any quantity of references and recommendations can be given by persons who have used it, but as all will wish to try it, we now offer it to the public on its merits. Every house-keeper should be certain to use it, as it is of great benefit for all kitchen purposes. Beware of imitations which may be offered. For sale by all grocers. Chas. F. Bates & Co. Proprietors and [Ma]nufacturers, 44 Broad Street, Boston, Mass. Factory at Wollaston, Mass., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Chas F. Bates [P.2017.95.24]

Title: Colburn's Philadelphia mustard
Description: Trade card promoting A. Colburn & Co.'s mustard and depicting a racist caricature of an young African girl riding an ostrich in a tropical setting. Show the barefooted girl, attired in a short-sleeved, knee-length, red dress with yellow trim, holding on to the ostrich's neck with both hands. The grey ostrich takes a long stride with its legs as it runds on a dirt path. Plants with palm leaves, greenery, and a rock line the path. Arthur T. Colburn (1834-1901) founded the spice business A. Colburn & Co. in 1856 in Philadelphia. The business was one of the largest spice dealers in the city and operate into the 1920s., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Advertising text printed on verso: Colburn's Philadelphia mustard 1/4, 1/2 & 1 lb. Tins, always full weight. Better and cheaper than imported. 14 cents a pound saved in duty alone. Flavor, pungency and quality unequalled. Best for table or medicinal purposes. Press opinions of Colburn's Philadelphia mustard: N.Y. World--"Many persons have found that Colburn's Philadelphia mustard is better than the imported for the table and sick room." N.Y. Sun--"Better goods at lower prices is welcome news to housekeepers. Colburn's Philadelphia mustard, better and cheaper than imported, pleases everybody." N.Y. Telegram-- "One of the best articles of its kind is Colburn's Philadelphia mustard. It is a table luxury and is especially good for medicinal purposes." N.Y. Com. Advertiser --"The celebrity of Colburn's Phila. mustard as a table luxury and medicinal purposes has won for it a deserved place in prominent competition." N.Y. Evening Post--"An advance made by American manufacturers is of benefit to the whole county. Colburn's Philadelphia mustard is taking the place largely of imported mustard." N.Y. Evening Express--"We call special attention to Colburn's Philadelphia mustard. Many who have had an idea that the imported [w]as the best have found that this 'brand' of home manufac[tu]re was better for the table and sick room, besides being at least 14 cents a pound cheaper, on account of saving in duty. Messrs. A. Colburn & Co., of Philadelphia, stand in the front rank of our manufacturers and none need be afraid of goods bearing [?]me or label. We cordially recommend Colburn's Philadelphia mustard." Sold by all grocers and druggists., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Colburn [P.2017.95.34]

Title: Look back gentlemen, into the future
Description: Racist trade card promoting Frederick A. Rex & Company's Peerless Coffee and depicting a caricature of an African American man peddler standing on a stage. The man, attired in a blue plaid suit with gold buttons, a white shirt with an enormous collar around the neck, and black shoes, is portrayed with an oversized head and exaggerated features. He stands behind a small table on a stage, places his left hand on the table, raises his right hand in the air, and winks his left eye. In the right on the stage is top hat turned upside down with an orange cloth coming of out it. In the left leaning against the table is a green umbrella with a black handle. Frederick A. Rex (1850-1916) founded the Frederick A. Rex Company in the 1880s which manufactured coffee and tea. The firm had an office in Philadelphia and a mill in Camden, N.J., Title from item., Place of publication from place of operation of advertised business., Date deduced from history of advertised business., Advertising text printed on verso: The Peerless Coffee, finest coffee sold. Always ask your Grocer for this Popular Brand, and you will be sure to have the best. Roasted and packed by Fred'k A. Rex & Co. 39 North Front St. Philadelphia. Mills, Camden, N.J. Illustration of a square package labeled, "The Peerless Coffee.", Gift of David Doret., Library copy has manuscript inscription on the verso: Emma J. Hottle.
Date: [1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Fredrick [P.2017.95.65]

Title: We have the nicest styles of men, boys & childrens' clothing at the Globe Clothing House no. 25 N. Eutaw St. near Lexington
Description: Racist trade card promoting the Globe Clothing House in Baltimore and depicting a caricature of a fashionably dressed African American man carrying a cane. Shows an African American man attired in black dress shoes, white socks, black pants, a white collared shirt and bowtie, a red waistcoat, and a green jacket with tails. He opens his mouth in a smile as he struts carrying a cane in his right hand. The trade card is shaped like an artist's palette with colorful paints in the left. The Globe Clothing House opened on 25 N. Eutaw Street, Baltimore, MD in 1882. Austin J. Kuhns & Co. acquired the store in September, 1885., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from history of the advertised business., Card is shaped like an artist's palette., Gift of David Doret.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Globe [P.2017.95.71]

Title: The City Store, No. 4 Main Street, Spartanburg, S.C., A. Freisleben, proprietor
Description: Racist trade card promoting A. Freisleben's dry goods store and depicting a caricature of an African American man looking over a fence at a shoe filled with chicks. Shows the young man, attired in a red shirt with white stripes, a blue collared vest, and a wide-brimmed straw hat with two yellow chicks poking out of the top, behind a wooden fence. He grasps the top of the fence with his fingers as he smiles and looks in the left at the black men's dress shoe filled with four yellow chicks. In the background is a house and some trees. Abram Freisleben (1847-1925) emigrated from Germany to America in 1864. He opened a dry good store in Spartanburg, South Carolina ca. 1880. In 1887, he lost the store and his merchandise to creditors. He moved to Georgia in 1889 and continued in the dry goods business., Title from item., Publication information from copyright statement: Copyright 1883 by J.H. Bufford's Sons., Advertising text printed on verso: Why? Why we can offer you better Goods for less money than any other house in the trade. Because we are the only house which sells strictly for CASH: there are no bad debts to collect and the CASH CUSTOMER need not pay for such LOSSES: we can make "One Price To All," which one who does part cash and part credit business cannot do. 2. We have no partners to divide with -- and have entered with our cash customers into such partnership -- a small per cent. suffices us. 3. We carry a large line and receive New Goods continuously in our Special Lines of Dry Goods. Silks, Cashmeres, (Blacks and Colors.) Amer. Dress Goods, White Goods, House-Furnishing Goods and everything else usually found in a First-Class Establishment. Stamping done on short notice. Millinery. An experienced Milliner at all times to sell Trimmed and Untrimmed Hats-- all shapes and styles-- as they appear in season. A full assortment of Straw Goods, Tips, Plumes, Flowers, etc. on sale. Shoes and Slippers. For Ladies'. For Misses'. For Children's. For Infants'. For Men's. For Boys' WEAR. CUSTOM-MADE and WARRANTED. NO SHODDYS DEALT IN! Gents' Furnishing Goods. Laundried and Unlaundried Shirts. Our 50c. Unlaundried Shirt is a "Hummer." Novelties of neckwear and collar as they appear. Before buying, be sure to call., Gift of David Doret.
Date: 1883
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Freisleben [P.2017.95.66]

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