Search results

Title: ASSU Illustration 3638
Description: Block numbered in two places: 3638., Image of a girl regarding a cat on a counter or window-seat; the cat raises one of its paws, touching the girl’s hand; a kitten chases a small ball of yarn on the floor.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 20

Title: ASSU Illustration 5838
Description: Block numbered in two places: 5838, also 45 in two places faintly, 34 in one place, 4 (defaced) before the number 5838 in two places., Image of three children looking at a cage with a mouse in it; the cage is placed on the seat of a chair, and a cat stands beside the chair., Signed: Van Ingen-Snyder. Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active between 1853 and 1871., “N.J. Wemmer. 5 Pear St. Phila.” – Back of block. Nelson J. Wemmer is listed (as an artist) at this address in Philadelphia city directories from 1848 to 1856., Illustration appears in New book of two hundred pictures, p. 75.
Date: [between 1853 and 1856?]
Location: ASSU Woodblocks -- Box 22

Title: ASSU Illustration 9470
Description: Block numbered in two places: 9470., Image of a man wearing a turban and holding a thin staff; he wears layered clothing, including a tunic reaching to mid-calf, a thick sash around the waist, and a cloak or shirt with loose sleeves; a small cat sits at the man’s side., Signed: EAH., “A Koord and his Angora Cat.” – Inscribed on side of block., “92 [obscured] Hair of [?]” – Inscribed on back of block., Illustration appears in Home and work by the rivers of Eden (Philadelphia, 1888), p. 31.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 17

Title: ASSU Illustration 3770
Description: Block numbered in two places: 3770., Image of cats in an interior setting, one adult reclining cat and three kittens crouched together., Signed on one side: ‘A’ [i.e., Alexander Anderson?]
Date: [s.a.]
Location: ASSU Woodblocks -- Box 3

Title: ASSU Illustration 3650
Description: Block numbered in at least one place: 3650., Image of a cat arching its back., Tape (inscribed “798”) on obverse., Back of block partially obscured by pasted-down paper., Illustration appears in Rhymes for the nursery (Philadelphia, 1865), p. 1601
Date: [s.a.]
Location: ASSU Woodblocks -- Box 5

Title: ASSU Illustration 5242
Description: Block numbered in one place: 5242., Image of a cat in an interior setting. In the background, there is a vase containing flowers on a curtained windowsill., Back of block partially obscured by pasted-down paper., ASSU Illustration 7248 Illustration appears in Child’s world, v. 29 no. 8 (1872), p. 2.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 1

Title: ASSU Illustration 7815
Description: Block numbered in two places: 7815., Image of a cat reclining in a natural setting.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 4

Title: First of April
Description: April's Fools Day interior genre scene showing a man attired in a dressing gown holding the limp body of cat upside down by its tail. His wife, daughter, and a boy in uniform, possibly his son, observe nearby. The boy crouches near wicker baskets from which the man pulled the cat's body., Title from printed label pasted on verso., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, No. 31., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.9022.67]

Title: [Man petting kitten near wooden house]
Description: Photograph showing a man standing next to a stairway on the side of a wooden building petting a kitten. Two other kittens stand on the stairs next to the building. A sign reading, "Great [An]nual Sale..." hangs near the entrance above the stairs., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: [1882?]
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.2109]

Title: [Man with kittens near wooden house]
Description: Photograph showing a man leaning against the side of a wooden house. Two kittens play in the grass next to the house., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: [1882?]
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.2110]

Title: A Niggardly Man.
Description: A man stands next to a cat with a visible ribcage. He holds an egg and a knife in one hand and a pouch in the other., Text: You nasty, stingy, saving cur, / You'd shave an egg to get its fur; / I'll surely have small taste to abide / A man who'd skin a flea to get its hide., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: She Tiger.
Description: A woman stands with her arms bent and mouth open so that her posture resembles that of a roaring tiger. Behind her a house cat adopts a similar stance., Text: Not in India's jungles only / Are the Tigers doing ravage, / I would live forever lonely, / Than wed such a hideous savage., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Butcher.
Description: Above his head, the butcher's words appear: "I'll take the last of your 'sacred nine' Mews!!" He holds a meat cleaver and a cat. He stands in front of a butcher's block; sausages and hams hang behind him. He has a large waistline and wears an apron. The valentine mocks butchers' dishonesty, violence, and gluttony., Text: The butcher is a jolly dog, / Gets saucy as he grows fat, / Makes "choice round" of horse's meat, / And "chain sausage" out of cat. / I'd marry a butcher, that I would, / If I could only be sure, / He wouldn't butcher his Valentine / And sell her as sugar cure., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Hearts! At once I plainly see.
Description: A woman sits at a table with cards. A cat sits on the stool beside her. "Huffle" can mean long-winded talking. The cat's words suggest that the woman is wasting her time by trying to read her future in the cards., Text: “Hearts! At once, I plainly see, / It is hearts-ease meant for me; / Shall I gain my wish at last, / Ere my summer sun is past?” / Thus the dark one then replied, / Hovering by the lady’s side; / “Deal, my good lady, as you will, / You shuffle! And will huffle still.”, "182", Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Making ends meet
Description: Trade card for the Philadelphia branch of the Singer Sewing Manufacturing Company containing a comic view showing a boy sewing the ends of two cat's tails together with a Singer sewing machine. Two other boys hold the horrified looking cats, while a dog sits near the machine. Singer Manufacturing Company relocated to 1202 Chestnut Street in 1882., Advertising text printed on verso: Principal Office of The Singer Manufacturing Company Removed to 1202 Chestnut Street. Genuine Singer Sewing Machines. At Low Prices For Cash., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., For duplicate, see trade card - Singer [1975.F.865]
Date: [1882]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.59]

Title: Jayne's [patent medicine label]
Description: Label for the Philadelphia patent medicine manufacturer David Jayne. Contains a dramatic scene in the wilderness surrounded by an ornate border. Scene depicts a man aiming his gun at a wild cat, in between which a horrified woman kneels over another who lays motionless. Border includes filigree, griffins, and urns., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department albums - Serz [P.9773.49b]

Title: What is home without a husband?
Description: Faded genre scene satirizing the "new woman" and the role reversal of men and women in the home. Shows the woman of the house, shawl draped over her arm, who has just entered the room from outside. Her husband sits on a stool doing housework near the fireplace. Their pet cat sits on the floor near his feet., Copyright 1889 by Littleton View Co., Title printed on mount below image., Publisher's imprint printed on mount., Distributor's imprint printed on mount: Sold only by Underwood & Underwood, Baltimore, Md., Ottawa, Kan., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator: Littleton View Co.
Date: c1889
Location: Library Company of Philadelphia | Print Department stereo - Miscellaneous - Littleton View Co. [P.2003.32.1]

Title: Cat & dog at tree, [Olney, PA]
Description: Glass negative showing a cat sitting among the branches of a small tree at Marriott Morris' uncle Samuel Morris' house. Don, a speckle-coated dog, stands at the base of the tree looking up at the cat., Time: 2:15, Light: Fairly good sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 26, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1272]

Title: [African American woman with a cat]
Description: Scrap depicting a racist caricature of an African American woman with a cat. Shows the bust-length portrait of a young African American woman with a red flower in her hair and attired in gold hoop earrings, a gold ring, and a brown, long-sleeved dress with white cuffs and a white, lace collar. She looks at the viewer with her right hand on her chest. A white cat is perched on her right shoulder. In the foreground and right background are pink flowers and long, green leaves., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 5 [P.2017.95.258]

Title: " How do debble does dey make a bicycle?" = Como diablos se hacen los bicírculos?
Description: Racist, genre scene showing an African American boy, seated on his knees, in a room with a dirt floor and strewn rubbish. His right hand is raised to his head, and he holds a tire pump and broken bicycle tire in his left hand. The boy, attired in a long-sleeved shirt, pants, and suspenders looks down with a look of anguish at the rubber tire pulled off of its hub. Behind the boy is a cot covered with haphazard-placed mounds of bedding. To his left, a cat stands in front of a wooden chair on which an empty glass bottle rests. Scene also includes a wooden storage cabinet in the right., Date from copyright statement: Copyright 1891 by Stohmeyer & Wyman., Curved buff mount with rounded corners., RVCDC, Description revised 2022., Access points revised 2022., Gift of David Long.
Creator: Strohmeyer & Wyman
Date: 1891
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Strohmeyer & Wyman [P.2018.16.5]

Title: Theo. Leonhardt & Son, importers of cards, 324 & 326 Chestnut St., Philadelphia
Description: Not in Wainwright., Trade card depicting similarly-featured portraits of a tabby cat and mustached, bushy white- haired man as side by side pages of an open book. Cat wears a blue collar offset by a blue bookmark ribbon extending from the book edge. Advertising text on verso reads "We will furnish you One Thousand French Art Chromo Cards in complete sets, assorted from 10-20 designs which you may select from our price list, for Ten Dollars net. 500 cards assorted as above for $6.00 net. (The retail price of the cards is 12-15 cents per set.)" The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 100, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Cat
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Cat

Title: The Prospect Brewing Co. Eleventh, Oxford & Marvine Sts. Philadelphia, Pa
Description: Advertisement showing angels delivering a crate of "The Prospect Brewing Co.'s Beer" to a well-mannered woman at her doorway. A cat holds a bottle of beer in its paw at her feet and the angels fly above the porch lined by shrubery in front of the house. Also shows a placard above the head of the "lady of the house" that reads "Purity and Perfection Uphold The Fame of Our Beer.", Not in Wainwright., Philadelphia on Stone, POSP 192, Smithsonian Institution: NMAH Archives Center - Warshaw Collection - Beer - Box 3 Folder 22 - Prospect Brewing Co.
Date: [ca. 1890]
Location: Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center - Warshaw Collection - Beer - Box 3 Folder 22 - Prospect Brewing Co.

Title: The Military Man.
Description: The valentine shows a soldier spearing a cat with a bayonet. Another cat stands on the doorframe., Text: Oh! what a brave heroic man!! indeed it is pity / No other foe is near to charge, but a ferocious kitty! / Your patriotism you should curb, don't let your fury loose, / Perchance, before the battle's over, you'll meet a poor old goose. / You're very brave in times of peace, with bayonet and gun, / But should you see the foe in front, good gracious, how you'd run., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: In parlor of Robert [Mickle]'s House. N.E. Harbor, [Mount Desert Island, ME]
Description: Glass negative showing a group of people posed in an interior of Robert Mickle's house on Mount Desert Island. Some of the men and women sit on the floor or chairs while others stand. Many of the women hold flowers in their hands. The men wear three-piece suits while the women wear high-necked dresses. The woman on the left has a cat in her lap. Mount Desert Island, the largest island off the coast of Maine, was popularized in the mid-19th century by Hudson River School painters as a nature retreat. From the late 19th century to around the 1930s the Island was a tourist destination for the social elite., Same group as last., Photographer remarks: Intens. 10/88, Time: 10:35 P.M., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: July 20, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1327]

Title: Han[nah Morris], cat & dog, [Olney, PA]
Description: Glass negative showing Marriott Morris' cousin Hannah Perot Morris standing next to a small tree on the property of her father Samuel Morris. She holds a cat in her arms. Don, a speckle-coard dog stands at her feet looking attentively at the cat. She wears a long dress and a hat., Time: 2:10, Light: Fair sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 26, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1271]

Title: [Sketchbook during New England summer excursion, July-August 1882]
Description: Sketchbook containing predominantly life studies of animals in pencil, often composed as montages. Animals depicted include cows, dogs, chickens, and cats. Images include studies of heads, bodies, hooves, and joints, as well as full-length depictions, primarily cows, while grazing, wading in water, and lying in the grass. Other sketches show human figures, including probably Emily and Charles Moran; landscapes, including a panorama containing a factory; tree and flower studies; and a scene captioned "Destruction of Schenectady by French & Indians. Attack at night. Cold and snow on the ground" bordered by a view of a couple seated on a bench near a lake. Also contains a small number of pasted in scraps containing studies of sheep, cows, and a landscape., Front outside cover inscribed: Moran., Some images include inscriptions, often illegible., Inside front cover inscribed: P. Moran, 1322 Jefferson St., Philadelphia, Penna.; 100 [Drawing?] Label for “A.A. Walker & Co., Importing Artist Colormen, 538 Washington St., Boston., Label pasted on inside front cover: A.A. Walker & Co., Importing Artist Colormen, 538 Washington St., Boston., Contains one dated sketch. Dated "Aug 29/82" and shows a landscape, including a pond., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See David Gilmore Wright, Domestic and wild: Peter Moran's images of America (Baltimore: Creo Press, 2010), vol. 1, 45, 71., Final leaves (pp. [38]-[40]) of volume reassembled to original order in spring 2021. Digital images of album taken before 2021.
Creator: Moran, Peter, 1841-1914, artist
Date: [1882]
Location: Library Company of Philadelphia | Print Department albums - Moran - vol. 2 [P.2011.39b]

Title: [Double-sided proof print containing a racist caricature of an African American mother and her children and a comic genre scene with a bookmaker]
Description: Left panel depicts an African American mother, portrayed in racist caricature, with her three children in the doorway of a home in the country. The mother, attired in a red headkerchief with white polka dots, a white shirt with pink polka dots and the sleeves rolled to the elbows, a green skirt, and a white apron with blue stripes, stands smiling with her arms crossed. Sitting in front of her are three young barefooted children attired in pink short-sleeved dresses. The children suck on the tubes of their nursing bottles. A small black dog, a cat with two kittens, and a pig gather and watch children. At the right of the door, a barrel rests under a drain pipe. A food tray lies nearby, and a horseshoe hangs above the door. The right panel shows "Joe McK.. Bookmak[er]" accepting bets, seated at his table, outside a stadium. The older white man bookie, attired in a gray bowler hat, a white collared shirt, a red polka dot vest, blue and white striped pants, and yellow shoes, smokes a cigar and accepts money from a young white man waiting at the head of the line. Also shows the backs of men leaving the bookie and headed toward the "Grand Stand" visible in the background., Title supplied by cataloger., Date from copyright statement: Copyright 1905 by J. Hoover & Son Phila., Printed lower left corner: 2039., Gift of S. Robert Teitelman, 2007., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hall, Bernhard, 1859-1935, artist
Date: 1905
Location: Library Company of Philadelphia | Print Department political cartoons - 1905 Proof [P.2007.23.8]

Title: Concentrated leaven or bread powders
Description: Advertisement for baking powder depicting an African American woman cook, portrayed as a racist caricature, displaying her oversized bread to a white woman. In the right, the African American woman, attired in a yellow kerchief, hoop earrings, a red dress with the sleeves rolled up, a white apron, white stockings with red stripes, and yellow shoes, holds a shovel in her left hand and points to the bread with her right hand. The gargantuan bread in the pan rests on a table covered in a white tablecloth alongside other pans of baked goods. Behind the table, the brown-haired, white woman, attired in a white dress with blue stripes with lace at the neck and sleeves, holds her hands up in shock over the over-proved bread. Underneath the table, the cook’s young daughter, attired in a short-sleeved yellow dress, sits on a rug and makes bubbles with a bowl and stick to play with a cat. Image also includes an oven and a metal basin., Not in Wainwright, Title from item., Date from content., Philadelphia on Stone, POSP 40, Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [(7)1322.F.441b]

Title: Wootten's excelsior stove lustre or pure black lead Prepared by John Wootten, Jr. No. 94 Spruce St. Wholesale Depot, no. 13 North Third Street Phila
Description: Racist advertisement promoting Wootten’s Excelsior Stove Lustre and depicting an African American man, portrayed in caricature, polishing a stove. Shows the African American man servant, barefoot and attired in a plaid, collared shirt and pants, kneeling before a stove with a brush in his left hand. On the floor in front of him is a glass of water, an open can of polish, and a box labeled, Wootten’s Excelsior Stove Lustre or Pure Black Lead. In the right, a white woman stands wearing her brown hair in a bun and attired in an off-the-shoulder dress with a bow at the chest and lace sleeves. She looks toward the man and asks, “Uncle Tom whose blacking is that you are useing [sic].” He replies in the vernacular, “La Missey don’t you know dat -- dat is Wooten's Lustre." To the left of the woman, a black cat stands on a wooden chair with its back raised and looks at the man. Also visible in the image are plates, bowls, and cups on shelves, another wooden chair, and an open window that has a potted plant on the ledge. John Wootten Jr. (1820-1872) is listed in the 1861 Philadelphia city directory as a blacking maker., Title from item., Date from Poulson inscription on recto: Mar. 28 -59; S. 4 (old no.) Spruce Street., Not in Wainwright., Text printed on recto: For polishing and beautifying stoves, this Lustre stands unrivalled. It may with perfect justice be called The Housekeeper’s Choice; it gives a more brilliant appearance, retains it gloss longer, and requires Fifty per cent less labor than any other preparation in existence, when moistened with a little water, and applied vigorously to iron work of any kind, the effect is truly magical; housekeepers and others are well aware what great labor is requisite, and time expended in the attempt to give a fine polish with many of the lustres sold at the present day – here however both these evils are remedied; a beautiful gloss is obtained in a few minutes, and without scarcely any exertion whatever. Another advantage which this article possesses over all others, is, that it tends to preserve the iron from the deleterious effects of damp and rust, which so often render a stove entirely useless in the course of a few seasons. This Lustre is prepared with great care from the very best lead that can be found in the market, and is entirely free from all those foreign substances which so greatly destroy the efficacy of other articles.", Philadelphia on Stone, POSP 279, Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Sinclair, Thomas S., approximately 1805-1881, lithographer
Date: [March 28, 1859]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements [P.8729.21]

Title: Excelsior metal polish, for polishing and cleaning cutlery, brass, copper, tin ware and all bright steel and metal work
Description: Trade card promoting metal polish manufacturer Walpole Emery Mills and depicting a racist caricature of an African American woman domestic polishing cookware. Shows an African American woman portrayed with exaggerated features and attired in a red and yellow striped head kerchief; a blue short-sleeved shirt; a red and yellow shawl; a red skirt; and a white apron with red polka dots, smiling and looking at the viewer. She holds a brush in her right hand and a pot in her left hand. In the left, a brown-haired white woman, attired in a yellow dress with white ruffles at the neck and sleeves and a red bow, bends over a table with a plate in her hands as she looks at the African American woman. In the foreground, two white children look at the reflection of their cat in a polished pan. A boy, attired in a blue Fauntleroy outfit, smiles with his arms apart as he looks down at the pan. A white girl, attired in a white dress decorated with orange bows at the shoulders, sits on the floor and holds the pan up with her right hand. She holds an orange cat with black stripes up to the pan with her left hand. The cat arcs its back with its fur standing up and has its mouth wide open. In the left is an oversized can labeled, "Trademark Excelsior Metal Polish Manufactured by the Walpole Emery Mills 114 Milk Street Boston." On top of the can is another orange cat with black stripes that is arching its back with its mouth open in alarm. In the background is a cupboard with plates and bowls on the shelves. In the right is a table with a large stock pot and lid and a can of metal polish with a skillet hanging from a hook at the front of the table. Walpole Emery Mills, manufacturers of Excelsior metal polish, was founded in 1877 in South Walpole, Massachusetts. The company operated into the 20th century., Title from item., Distributor’s imprint printed on verso: Holway, Wright & Miner, Manufacturers' agents, New York: 167 Chambers Street. Boston: 135 State Street., Advertising text printed on verso: Excelsior metal polish. Acknowledged the cheapest and best article known for cleaning and polishing cutlery, brass, tin ware, and all kitchen utensils, sewing machine plates, nickel plate, bath tubs, copper boilers, bicycles, needles, scissors, carpenter's tools, and all bright metal and steel work. A single trial will prove it to be a household and mechanical necessity. It is neatly put up in tin cans, containing one pound, half-pound and quarter-pound each, with directions for using. Price list. 1/4 lb. cans...10 cents each. 1/2 lb"....15"". 1 lb"...25"". For sale by grocers, druggists, hardware stove and tinware dealers. Illustration of a can of Excelsior metal polish., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Excelsior [P.2017.95.61]

Title: Muzzy's sun gloss starch. Elkhart Starch Co
Description: Racist trade card promoting Elkhart Starch Company and depicting a domestic, genre scene of a white family and an African American woman domestic on wash day. The woman is portrayed as a caricaturized figure. Shows in the right, the women domestic, attired in a red and yellow head kerchief; gold earrings; and a blue and white dress with gold buttons and the sleeves rolled up to her elbows, standing behind a wooden table with an iron on it. She holds up a stiffly starched and unwrinkled white collared shirt in front of the well-dressed mother and her three children. The reflection of the mother is seen on the shirt. In front of the mother, her brown-haired older son , attired in a white collared shirt and a yellow jacket, points his finger at the shirt. To his right, his younger, brown-haired sister, attired in a yellow dress with white ruffles at the neck and sleeves, reaches both arms toward the shirt. Beside her, a cat sits up at the table and looks at the shirt. Between her and her brother, the older blond- haired sister, attired in a blue dress with white ruffles at the neck and sleeves, a yellow bowtie, and a red sash tied around her waist, hands a box labeled "sun gloss starch" to her mother. In the left, the young mother with long brown hair and attired in earrings; a necklace with a red pendant; and a red dress with white ruffles down the middle and at the sleeves; reaches her right hand out to the box of starch. She cluthches an ornate fan to her chest in her left hand. In the far left, through a doorway, the young father attired in a black jacket with tails; a white collared shirt; and white pants with blue stripes, holds a top hat, stands in a hallway, and looks into the room. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Advertising text printed on verso: "Elkhart Starch Co. Elkhart, Ind. Manufacture Muzzy's Sun Gloss refined & corn starch. Of superior quality, by a new process. A thorough test makes it a household necessity. Muzzys corn starch is the purest & best made. Capacity ten tons of starch per day." Includes an illustration of a train running past the Elkhart starch works manufactory., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Elkhart [P.2017.95.56]

Title: Sunday laws hanging the cat on Monday for killing the mouse on Sunday
Description: Cartoon mocking Philadelphia's Sunday Laws depicting the moment before "Thomas" the cat will be hanged for his murder of a mouse on the Sabbath. In the center, shows the gallows surrounded by a line of white policemen, attired in uniforms and caps. In the left, three white hangmen, attired in suits, hold onto the rope and pull on the unlooped end of the noose. Two of the men smile sinisterly, while the third man wipes his tears with a handkerchief as he says, “Alas poor Tom!” To the right, an African American man, portrayed in racist caricature with exaggerated features, carries the "Blood Tub." Under the noose, a white man, possibly Philadelphia Mayor Alexander Henry, stands holding an execution order that reads, “Mayor Public Execution Tom” and the cat by the scruff of its neck. Before him stands a minister, resembling John Chambers, a champion of the Sunday Laws. He holds the dead mouse in this right hand and an open book in his left hand as he sentences the cat to death for murder. Behind the minister, an elderly white man, attired in a suit with a white bowtie, stands slightly hunched down holding an ear trumpet to his right ear. He comments, “I can’t hear a word the minister says on account of them cars,” a reference to the contested Sunday Law against the running of streetcars. A black dog runs in the left foreground., Title from item., Date from manuscript note written on recto: Aug. 1859., Place of publication inferred from content., Text printed on recto, below image: In the Dark Ages, long ago, One Horne was flogged on Monday; What for? That’s what I want you to know, He danced a horn-pipe Sunday! That was all! He but danced a horn-pipe Sunday, But he danced to the horsewhip Monday. By the roundheads, too, when Cromwell reigned, We read there was a hung on Monday, A cat who “the Sabbath day (?) profaned” By cat-ching a mouse on Sunday? Understand: She played with him first on Sunday, ‘Twas for that she was hung on Monday! And by America’s Puritan men, Mrs. Hotchkiss was punished on Monday; Cotton Mather forbade her, but once and again, She had kissed her babe on Sunday; A blow for a kiss. For so many kisses on Sunday, She got so many blows on Monday. So, too, in Brooklyn, the other day, Meyerbeer was tried on Monday; The complaint against him thus did say “He has sold lager beer on Sunday” And he had! But the jury said, on Monday! A good drink might be sold Sunday! And in the West’s “Queen city,” too, One Rudolph’s just ‘quitted on Monday; He would drive his ‘bus the whole week through And accommodate people on Sunday: And the Court, Gave the very Pruden-t decision on Monday, That “there’s more than ‘one thing needful’ on Sunday:” And so the “good time” is “coming” boys When a thing that is good on Monday—A drink, or a drive, or a joyful noise—Will be thought not bad on Sunday! Everywhere When wrong will be wrong on Monday, And right will be right on Sunday!, Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1859-Sun [5656.F.24a]

Title: Life in Philadelphia. A black tea party
Description: Racist caricature satirizing the African American guests and the hosts, "Mr. Ludovico" and "Miss Rosabella," of a tea party. To the far right of the table, "Miss Rosabella," attired in a pink cap sleeve dress, pours steaming hot tea into a cup which tips over and spills onto a startled black cat on the floor. To her right, "Mr. Ludovico," attired in a blue waistcoat, passes a plate of sandwiches to "Miss Araminta,” attired in a pink, puff sleeved dress and who protests his taking the trouble. Next to them, a frowning, woman guest, attired in a pink puff sleeved dress asks “Miss Rosabella” for "anoder cup" of tea after she helps the other guests. An African American man servant (in the right) and the other guests (in the left), a mother holding her baby and resting her feet on an ottoman and her young son seated on a small chair, observe and comment about the spilled tea on the cat and the flirtatious behavior of "Mr. Ludovico." The man servant wears a jacket with epaulets. He holds a cloth. The mother wears a yellow dress with puffed sleeves. The boy wears a blue smock shirt and striped pants. He drinks a cup of tea. The scene is set in a parlor decorated with a carpet with an ornate pattern. Figures are depicted with oversize and exaggerated features. Their skin tone is depicted with black hand coloring. The women figures wear their hair in top knots, except the mother who wears a round, soft brimmed hat adorned with bows., Title from item., Date inferred by content and name of publisher., Inscribed: No. 7., Contains six dialogue bubbles above the image: I bery glad I ain’t the cat./I begin to see which way de cat jumps/When you have helped all de company Miss Rosabella, I’ll tank you for anoder cup/No trouble Miss Araminta none but de brave deserve de Fair/You take too mush trouble Mr. Ludovico./Mass cat tink him tea to hot., Charles Hunt was a respected London engraver who was most well known for his aquatints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, delineator
Date: [ca. 1833]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (London Set) [P.9710.7]

Title: Tregears black jokes. The Lady Patroness of Alblacks
Description: Racist caricature depicting a middle-class African American woman looking at herself in a full-length mirror in her well- decorated bedroom. Shows the woman, attired in a white, low décolleté underdress with puffed, cap sleeves, slightly lifting up the skirt of her dress in her left hand and her raised right hand holding a comb near her hair that is styled in a top knot. She looks at her reflection. She is portrayed with a wrinkled brow and bags under her eyes. Her reflection does not have these features. In the right, a bed with a canopy on which a wide-brimmed hat rests on a post; a table on which a pin pad, hair comb, pearl necklace, and earrings rest; and a black cat with its back raised are visible. In the left, on either side of the mirror, a pink dress rests on a clothing rack and white ankle-lace shoes lie on the carpeted floor. Scene also includes three framed picture on the wall in the background. Two are partially visible and the one fully visible shows a genre scene outside of a stone dwelling where an African American man is on his knee and holding the hand of an African American woman who stands in front of him. Figure is portrayed with oversized and exaggerated features and her skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Inscribed: No. 2., This caricature is similar in content to the prints from the series, "Life in Philadelphia" (London Set), and has been catalogued as a part of the series., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, delineator
Date: [ca. 1834]
Location: Library Company of Philadelphia PRINT | Print Department Life in Philadelphia (London Set) [P.9719]

Title: Life in Philadelphia. A black tea party
Description: Racist caricature satirizing the African American guests and hosts, "Mr. Ludovico" and "Miss Rosabella," of a tea party. To the far right of the table, "Miss Rosabella," attired in a cap sleeve dress, pours steaming hot tea into a cup which tips over and spills onto a startled black cat on the floor. To her right, "Mr. Ludovico," attired in a waistcoat, passes a plate of sandwiches to "Miss Araminta,” attired in a puff sleeved dress and who protests his taking the trouble. Next to them, a frowning, woman guest, attired in a puff sleeved dress asks “Miss Rosabella” for "anoder cup" of tea after she helps the other guests. An African American man servant (in the right) and the other guests (in the left), a mother holding her baby and resting her feet on an ottoman and her young son seated on a small chair, observe and comment about the spilled tea on the cat and the flirtatious behavior of "Mr. Ludovico." The man servant wears a jacket with epaulets. He holds a cloth. The mother wears a dress with puffed sleeves. The boy wears a smock shirt and pants. He drinks a cup of tea. The scene is set in a parlor decorated with a carpet with an ornate pattern. Figures are depicted with oversize and exaggerated features. The women figures wear their hair in top knots, except the mother who wears a round, soft brimmed hat adorned with bows., Title from item., Date inferred by content and name of publisher., Contains six bubbles of dialogue in the vernacular within the image: I bery glad I ain’t the cat./I begin to see which way de cat jumps/When you have helped all de company Miss Rosabella, I’ll tank you for anoder cup/No trouble Miss Araminta none but de brave deserve de Fair/You take too mush trouble Mr. Ludovico./Mass cat tink him tea to hot., Charles Hunt was a respected London engraver who was most well known for his aquatints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022., Purchase 1967.
Creator: Summers, William, delineator
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7647.F]

Title: Life in Philadelphia. A black tea party
Description: Racist caricature satirizing the African American guests and hosts, "Mr. Ludovico" and "Miss Rosabella," of a tea party. To the far right of the table, "Miss Rosabella," attired in a blue cap sleeve dress, pours steaming hot tea into a cup which tips over and spills onto a startled black cat on the floor. To her right, "Mr. Ludovico," attired in a blue waistcoat, passes a plate of sandwiches to "Miss Araminta,” attired in a pink, puff sleeved dress and who protests his taking the trouble. Next to them, a frowning, woman guest, attired in an orange puff sleeved dress asks “Miss Rosabella” for "anoder cup" of tea after she helps the other guests. An African American man servant (in the right) and the other guests (in the left), a mother holding her baby and resting her feet on an ottoman and her young son seated on a small chair, observe and comment about the spilled tea on the cat and the flirtatious behavior of "Mr. Ludovico." The man servant wears a jacket with epaulets. He holds a cloth. The mother wears a green dress with puffed sleeves. The boy wears a red smock shirt and striped pants. He drinks a cup of tea. The scene is set in a parlor decorated with a carpet with an ornate pattern. Figures are depicted with oversize and exaggerated features. Their skin tone is depicted with black hand coloring. The women figures wear their hair in top knots, except the mother who wears a round, soft brimmed hat adorned with bows., Title from item., Date inferred by content and name of publisher., Contains six dialogue bubbles above the image: I bery glad I ain’t the cat./I begin to see which way de cat jumps/When you have helped all de company Miss Rosabella, I’ll tank you for anoder cup/No trouble Miss Araminta none but de brave deserve de Fair/You take too mush trouble Mr. Ludovico./Mass cat tink him tea to hot., Charles Hunt was a respected London engraver who was most well known for his aquatints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, delineator
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9709.2]

Title: [Scraps no. 3 for 1832]
Description: Plate one from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and every day life such as corporal punishment, public drunkenness, popular fashion, marital relations, and libraries. Includes "Lock on the Understanding in two Toms bound in boards" depicting two "Toms" locked in a stockade without refreshment discussing their "Dry Goods" & "Stationary" business;" Heavy Wet" depicting a white man homeowner shocked to see a bank of snow fall from his roof unto a passerby's head; 'What a piece of work is a Man...." depicting hogs ashamed to be seen with a white man drunkard unconscious in their slop near a distillery; "Cowed Down" depicting a white wife upset about her cow's well-being as she watches her "mischievous" white husband being gored by it; "The Menagerie" depicting a confused African American man witnessing children mistaking a white man dandy and white woman dandiette for wild creatures at an animal menagerie; "Bullying Up" depicting a white farm boy haranguing a bull in front of his angry mother; "The Cat Doth Play & After Slay" depicting a picture "copied from an innkeeper's sign in Jugtown, N. Jersey" showing a cat playing a fiddle in front of a horse-drawn sleigh; "The Library" depicting the interior of a library where a foppish white woman, a Frenchman, and white men librarians misinterpret and misunderstand comments about popular literature; and "A Soporific" depicting an ailing white man unaffected by "laudanum opium" requesting his Reverend to preach a sermon in order to put him to sleep., Title supplied by cataloger., Printed in upper left corner: Plate 1., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 1., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: [1832]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832 Scr (a) [5656.F.25]

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