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- Title
- The International Exposition 1876 at Philadelphia, PA. U.S.A View from George's Hill
- Description
- Allegorical commemorative print celebrating the internationalism and historic significance of the Centennial Exhibition. Depicts a bird's-eye view of the active exhibition grounds including the Agricultural Building, Horticultural Building, Main Building, and Machinery Hall. In the foreground, figures representing various races, ethnicities, and cultures convene and interact with one another. An African American woman and man sit on a bench. An African American man, attired in a black suit, tips his top hat and greets a white woman sitting on a bench. Groups of people stand in clusters to converse and walk including Native Americans, attired in feather headdresses, and Chinese women and men. Middle Eastern and Russian men ride on horseback. Contains ghost-like imagery visible in the sky depicting significant historic American moments, figures, and buildings, including William Penn's Treaty with the Indians, George Washington, and the White House. Contains the names of the prominent exhibition halls below the image., Copyrighted by George H. Ellsbury & J. Hayward., Philadelphia on Stone, POS 390, Accessioned 1983., Description revised 2021., Access points revised 2021.
- Creator
- Ellsbury, George H., lithographer
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department **BW - Centennial [P.8966]
- Title
- In commemoration of the hundredth anniversary of American independence
- Description
- Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- 1876, 1877
- Location
- Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]
- Title
- Centennial commemoration at Philadelphia [ticket] Three millions of colonists on a strip by the sea. Now forty millions of freemen ruling from ocean to ocean
- Description
- Ticket to the "Grand Mass Demonstration in favor of the Centennial Commemoration of American Independence, February 22, 1873" at the Academy of Music containing scenes contrasting life in Philadelphia in 1776 with life in 1876. Scene of 1776 shows white men colonists, including one attired as a backwoodsman, in front of a log cabin and standing near a barefooted, enslaved African American man, attired in torn and worn clothing, sitting on a pile of sticks. Scene of 1876 shows a white man soldier talking to a white man artisan near an African American man laborer seated next to an anvil and machinery gears. Cityscape is visible in the background. Also includes an eagle holding an American flag crest adorned with a portrait of Washington. Contains text printed on the verso soliciting subscriptions to make the Centennial a success as well as to make Pennsylvania the representative to the world of the "power of the Republic.", Title from item., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1873]
- Location
- Library Company of Philadelphia | Print Department Ph Pr -8 x 10 - Events [5758.F.26c]
- Title
- [View of the Centennial Machinery Hall with people from all nations]
- Description
- Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
- Date
- [ca. 1876]
- Location
- Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]
- Title
- The United States Centennial International Exhibition
- Description
- Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- United States, Bureau of Engraving and Printing
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]
- Title
- Centennial Westward the course of empire takes its way
- Description
- Print commemorating the 100th anniversary of the nation, celebrated at the Centennial Exhibition through an international exhibition of industry, agriculture, and art in Philadelphia. Contains the text of the Declaration of Independence and the Proclamation Emancipation bordered by several historical and allegorical vignettes, scenes, and views that symbolize the social, political, and technological progress of the country. Oval frames surround the texts, which encircle bust-length portraits of George Washington and Abraham Lincoln. The frames are adorned with banners labeled with the names of the original 13 colonies and the 38 states recognized as of 1876. Two bird's eye views showing the development of a cityscape, possibly New York City, from 1776 to 1876 are visible between the framed texts. Other images show the "Battle of Bunker Hill"; "Battle of Gettysburg"; "Surrender of Cornwallis"; "Columbus - 1492"; colonists landing at "Plymouth Rock"; "[Lafayette's] Visit to U.S. in 1824"; "A Home of 1776" with a white woman at a loom; "Franklin's Printing Press"; "Hoe's Ten Cylinder Press"; "A Home of 1876" with a white woman at a sewing machine; the marine battles of the "Constitution and Guerriere" and "Merrimac and Monitor"; Independence Hall, and the U.S. Capitol., Uncaptioned vignettes show an auction of enslaved African American people, African American children in a classroom, farmers harvesting a field by hand, a farmer harvesting a field with a horse-drawn reaper, a man traveling by horseback, a speeding train, a hand-pump fire engine of "1776" and a steam engine of "1876." Other pictorial elements include an American eagle, flags, and a view of the Main Building of the Centennial Exhibition incorporated into the title design in addition to floral vinery interweaved between the vignettes, scenes, and views., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1876, by D.T. Ames in the office of the Librarian of Congress at Washington., Letters of title illustrated with state seals., Title based on quote by Bishop George Berkley., Not in Wainwright., Philadelphia on Stone, POS 96, Gift of David Doret, 2001., RVCDC, Description revised 2021., Access points revised 2021.
- Creator
- Ames, Daniel T., artist
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department ***BW - Centennial [P.9974.2]