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Title: [Group in porch steps. Father, Mother, Uncle William Canby, Henry Mathews Canby, Marriott C., Bessie & Sam, Avocado, Sea Girt, NJ]
Description: Glass negative showing a group of people seating on the porch steps of the Morris family home Avocado. The group contains Marriott C. Morris' parents Elliston P. Morris and Martha Canby Morris, his siblings Samuel Buckley Morris and Elizabeth Canby Morris, his uncle William Canby, and his cousins William Marriott Canby Jr. and Henry Matthews Canby. Jet, a small black dog, sits in Samuel Morris' lap. The men wear three-piece suits. The boys wear short pants. Elliston Morris has a hat and writes in a book on his lap. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Time: 3:45, Light: Fair. Faint sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: August 1, 1884
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.314]

Title: John Bull and the Nicaragua question John's duplicity and disregard of treaty obligations
Description: Cartoon criticizing Great Britain's support of the Costa Rican opposition to American pro-slavery filibuster and self-installed president of Nicaragua William Walker, as a violation of the Clayton-Bulwer Treaty, which barred American and British development of Central America. Depicts a rotund John Bull, with a patch over one eye and guns strapped to his chest, trampling the "Clayton Bulwer Treaty." He hands a rifle to a Costa Rican man, attired in a straw hat, poncho, and torn and worn pants, who carries a dagger in his right hand and declares, "Death to Los Americanos!" Bull remarks to the Costa Rican that he "agreed not to meddle" and will help settle the "hash" of the filibuster, while under his breath he mutters "after we've settled their hash, I'll settle your hash." In the right is a chained and caged "Russian Bear," and on top of the cage is a "Turkey," symbolizing the nation (allusions to British success in the Crimean War). In the left, Queen Victoria and Prince Albert, their several children playing beside and with them, mock the "fuss" that Emperor Napoleon III of France makes over his young son. Napoleon gushes that the child's "foot shall fit se Neck of France" as his son's white woman nanny, holding a bowl of "PAP" (i.e, political patronage), discusses the King's assistance to Costa Rica and her "diapering" of the "blessed baby." In the background, combat ensues., Title from item., Date supplied by Weitenkampf., Political cartoon "The right man in the right place" lithographed on verso. [LCP political cartoon 1856-4 5760.F.10b (copy)]., Retrospective conversion record: original entry, edited., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Magee, John L.
Date: [1857]
Location: Library Company of Philadelphia | Print Department political cartoons - 1857-1w [5760.F.10a]

Title: Pulling down the statue of George III "By the Sons of Freedom." At the Bowling Green City of New York, July 1776
Description: Print commemorating American independence after the painting by religious and historical artist, Johannes A. Oertelat, at the New York Historical Society. Depicts white men attempting to topple the equestrian statue of King George following the reading of the Declaration of Independence at the foot of Broadway. At the base, men pull on ropes wrapped around the sculpture while men from behind use rods to knock it over. In front of the pedestal, an African American man has fallen over on the ground. An excited crowd of spectators, including well-to-do and working class men, women, and children cheer, point, hold torches and mallets, and trample upon the broken fence once surrounding the statue. In the left is a Native American man attired in a feather headdress and carrying a spear. Several dogs run in the foreground. In the background, ships in New York harbor are visible., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: McRae, John C., engraver
Date: c1859
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.11]

Title: Life in Philadelphia. A crier extraordinary
Description: Racist caricature of an African American town crier performing his duties in front of a storefront on a busy Philadelphia street. The crier, attired in worn clothing and a yellow straw hat, holds up his bell in his right hand and a sheet of news down with the other. He calls out the upcoming events, including sales of merchandise, a "sarmont on Temperance," and a "Colored Ball at Mrs. Johnsons." His attire includes a blue jacket, striped shirt with patches, a red cravat, white pants with patches, and black shoes. Several spectators listen, including an African American belle, attired in a striped, hooded cape over a dress with floral details; an African American street boy, attired in a worn jacket, vest, and pants and holding a broken mug; a white boy peddler, attired in a smock and boots and with his wares on a tray over his shoulder; and a white shopkeeper holding a cloth work in his hands as his stands in his store's doorway. The peddler boy walks a dog that has torn the crier's copy of the news. Drapery hangs in the store’s display window. African American figures are depicted with oversize and exaggerated features. White figures are depicted with exaggerated features.., Title from item., Date inferred from content and name of publisher., Contains five lines of dialogue in the vernacular below the image: Sale dis nite_Frying Pans_Grid Irons_Book_Oyster Knives and odder kinds of Medicines_Joe Williams will hab some fresh oysters at his stablishment_by tickler design, Mr. Hewlet will gib Imitations ober again_two or tree damaged Discussion Locks, and Rebd. Mr. P.Q. will deliver a sarmont on Temperance, half past 6 o’Clock precise, dats not all! Widout Money or Price _ de great Bull Phillip will be station at Squire S__s & dats not all nudder! dare will be a perlite & Colored Ball at Mr. Johnsons jus arter dis is bin done”_, Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.11]

Title: [Entry of Washington into New York, after the city was evacuated by the British in 1783, Nov. 20th]
Description: Print after the painting displayed at the National Academy of Design in New York by native Philadelphian and prolific 19th-century book illustrator, Felix Octavius Carr Daley. Depicts the historic scene at the close of the American Revolution showing General Washington, his hand on his hip and his face turned to the left, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Exuberant spectators, some running and some held back by uniformed guards, line both sides of the thoroughfare and cheer from balconies, roofs, and windows. Spectators include many parents with children. In the left foreground, an African American man servant or waiter, attired in hoop earrings, a white collared shirt, a bow tie, a jacket, breeches with white stockings, and buckled shoes, carries a serving tray under his arm and stands and peers into the street to watch Washington. Three dogs run in the foreground., Title from: Illustrated by Darley: an exhibition of original drawings..., May 4- June 18, 1978 (Delaware Art Museum. Wilmington: The Museum, 1978). (LCP Print Room Yb A2696.O)., Alternate title from 1863 artist's proof at the Museum of the City of New York., Manuscript signature of engraver in lower right corner., Gift of Dr. Anthony N.B. Garvan, 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced at least three engravings after the works of F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1858
Location: Library Company of Philadelphia | Print Department **GC - American Revolution [P.8646.3]

Title: [Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description: Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]

Title: [Morris family and others after the 225th anniversary of Germantown parade]
Description: Film negative showing seven children and four women sitting and standing in the garden at the Deshler-Morris House at 5442 Germantown Avenue. Marriott C. Morris' wife Jane Rhoads Morris sits in the center next to their son Elliston Perot Morris Jr. Their other son, Marriott Canby Morris Jr., sits in front of the group holding two flags. The other children likely include Morris' first cousins once removed Marjorie Wistar Canby and William Marriott Canby, and his third cousins twice removed Morris Wistar Wood, Anabella Bonnyman Wood, and Horatio Curtis Wood. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Title supplied by cataloger., Manuscript note on original envelope: Wood, Canby, Morris kids after parade, also older folks 5442 G'tn Ave (house not shown)., Gift of David M. Morris., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: October 6, 1908
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2017.38.13]

Title: Group in our garden. Germantown, 5/5 '87. [Group in our Garden. Cos. Lill, Bella, & Edith & Morris Wistar. Cos Lizzie & John & Anchen Morris & Bess]
Description: Photograph showing a group portrait in a garden at the Deshler-Morris House, including Marriott C. Morris' sister Elizabeth Canby Morris, third cousins Elizabeth Morris Wistar, John Stokes Morris, and Anna Stokes Morris, third cousins once removed Anabelle Wistar, Edith Wistar, and Joshua Morris Wistar, and second cousin once removed Elizabeth Stokes Morris, . Two of the women sit in the front row with a girl leaning against the woman on the left and a boy leaning against the woman on the right. The others stand behind them. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Photograph from negative number 1120., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: May 5, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9986.4]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: [Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Description: View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting the Union and emancipation covers the front of the building including a representation of the symbolic Federal Arch adorned with an inscription; a battle scene with African American soldiers; an auction of enslaved people; and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover, 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40h)., Accessioned 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1864]
Location: Library Company of Philadelphia | Print Department photo - unidentified - events [P.2000]

Title: Martyrdom of John Brown
Description: Print depicting the fictitious blessing of an enslaved African American baby by the radical abolitionist on his walk to the gallows in December 1859. Shows Brown in front of his Charles Town, Virginia cell, flanked by guards carrying rifles and swords. An African American woman kneels before him and holds her baby up while Brown lays his hand on the baby’s head. Spectators surround them, including white women and veterans, one with his arm in a sling. In the right, an African American woman nanny wraps her arms around her two well-dressed white boy charges., Title from original painting "John Brown's Blessing" completed in 1867 by Southern historical and genre painter Thomas Satterwhite Noble in the collections of the New York Historical Society., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department **Portrait Prints-B [7777.F]

Title: Emancipation Freedom for all, both black and white!
Description: Print depicting the Emancipation Proclamation for both African Americans and whites including equal opportunity to education. Depicts Lincoln raising his right hand and holding the "Emancipation Proclamation" in his left hand in the center between a poor white family and an enslaved African American family. Both families, attired in torn and worn clothing, stand and kneel as they hold their clasped hands up toward Lincoln, who treads upon broke shackles and a serpent. A "Spelling Book" lies on the ground near them. In the background, Union soldiers stop a white man enslaver from whipping a shackled and enslaved African American woman and children enter "Public School, No. 1." From the roof of the school waves a flag inscribed "Education to all Classes." Contains text from the Proclamation above the image, "and by virtue of the power and for the purpose of the aforesaid, I do order and declare that all persons held as slaves, within designated States and parts of States are, and henceforward shall be free!", Title from item., Date from copyright statement: Entered according to the act of Congress A.D. 1865 by J.L. Magee in the Clerk's Office of the District Court of the Eastern District of Pennsylvania., Magee, a lithographer, painter, and cartoonist, established his own firm in Philadelphia in 1850., LCP exhibition catalogue: Negro History, p. 77., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department GC - Emancipation [P.9702]

Title: Centennial Westward the course of empire takes its way
Description: Print commemorating the 100th anniversary of the nation, celebrated at the Centennial Exhibition through an international exhibition of industry, agriculture, and art in Philadelphia. Contains the text of the Declaration of Independence and the Proclamation Emancipation bordered by several historical and allegorical vignettes, scenes, and views that symbolize the social, political, and technological progress of the country. Oval frames surround the texts, which encircle bust-length portraits of George Washington and Abraham Lincoln. The frames are adorned with banners labeled with the names of the original 13 colonies and the 38 states recognized as of 1876. Two bird's eye views showing the development of a cityscape, possibly New York City, from 1776 to 1876 are visible between the framed texts. Other images show the "Battle of Bunker Hill"; "Battle of Gettysburg"; "Surrender of Cornwallis"; "Columbus - 1492"; colonists landing at "Plymouth Rock"; "[Lafayette's] Visit to U.S. in 1824"; "A Home of 1776" with a white woman at a loom; "Franklin's Printing Press"; "Hoe's Ten Cylinder Press"; "A Home of 1876" with a white woman at a sewing machine; the marine battles of the "Constitution and Guerriere" and "Merrimac and Monitor"; Independence Hall, and the U.S. Capitol., Uncaptioned vignettes show an auction of enslaved African American people, African American children in a classroom, farmers harvesting a field by hand, a farmer harvesting a field with a horse-drawn reaper, a man traveling by horseback, a speeding train, a hand-pump fire engine of "1776" and a steam engine of "1876." Other pictorial elements include an American eagle, flags, and a view of the Main Building of the Centennial Exhibition incorporated into the title design in addition to floral vinery interweaved between the vignettes, scenes, and views., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1876, by D.T. Ames in the office of the Librarian of Congress at Washington., Letters of title illustrated with state seals., Title based on quote by Bishop George Berkley., Not in Wainwright., Philadelphia on Stone, POS 96, Gift of David Doret, 2001., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Ames, Daniel T., artist
Date: 1876
Location: Library Company of Philadelphia | Print Department ***BW - Centennial [P.9974.2]

Title: Scrapbook
Description: Scrapbook compiled by Philadelphia socialite Minnie Campbell Wilson (neé Harris) containing primarily place, greeting, holiday and calling cards predominantly issued in the United Kingdom and the Northeast United States. Majority of the cards are printed and or chromolithographs, with a small number illustrated with drawings by hand. Many cards also contain ornate border details, embossing, and adornments, including ribbons, fringe, lace, a wishbone, and overlays. Contents also include die-cuts of fans, horse shoes, a spoon, a flamingo, one-quarter moon, a woman’s leg, and a bird as a cover for a H. O. Neill & Co. illustrated hat catalog. Cards often depict sentimental and genre imagery including cupids, butterflies, flowers, vases and baskets; religious, historical and Asian-themed scenes, figures and/or decor; seasonal landscape views; women, children, and costumed figures; animals, including birds, chicks, dogs, and cats; and fruit. Other imagery includes two witches flying on brooms holding a "Merry Christmas and Happy New Year" banner; London printer William Dickes series of women in native costume from Switzerland, Russia, and Norway; a holiday card that opens to a sledding scene of children holding letters spelling "Merry Christmas"; and a Valentine Day card showing a letter slot filled with valentines. Scrapbook also contains watercolors and drawings, trade cards, programs, menus, invitations, ribbons, photographs, etchings, newspaper clippings, including an announcement of the wedding of Adelaide Watson, and a post card from "cousin Will." Trade cards advertise businesses, including J. E. Caldwell & Co., Stephen F. Whitman & Son, P. Fleischner & Co., Sharpless & Sons, F. T. Howell & Co., A. Ripka & Bro., J. H. Way & Bro., and Automatic Signal Telegraph Co. containing four scenes showing a robbery and fire and police and fire department., Scrapbook contains a number of items depicting Asian people or decorative themes, including a greeting card that reads, "A Happy New Year to You," and showing a Japanese woman, attired in a kimono, sitting and watering a potted plant [p. 9]; a card that reads, "Miss Harris," and depicting a Japanese woman, attired in a kimono made of fabric, standing and facing left [p. 18]; a card titled, "Bric a brac," and showing a blue and white porcelain bowl, vase, and pitcher bordered by hand fans and three flying cranes [p. 29]; and Asian men attired in kimonos having their noses pulled or pulling noses [p. 47]., Watercolors and drawings depict a woman attired in early 19th-century garb in a pumpkin patch, marinescapes, and an anthropomorphic frog. Photographs include a half stereograph showing a croquet match in front of a resort hotel and a photograph of Fifth and Walnut streets (Philadelphia) “taken by Chris in "88." Etchings include a portrait of an elderly man and one signed F. A. Stokes showing a man at a table. Other ephemera includes a hand-made tablet with a cover containing a watercolor depicting birds; a cloth padded bird figurine; a metamorphic playbill for the play "French Flats" at Union Square Theatre; a typewritten engagement announcement composed as a poem; a Christmas Hymnal booklet; handwritten word games, including 'Progressive Conversation"; a Pennsylvania Railroad "Old Point Comfort" tour schedule; and a train schedule scrap annotated with a doodle and inscribed text., Black binding, stamped on cover: Scrapbook., Label pasted on verso of cover: Patent Back Scrap Book. Pat. March 28, 1876., Inscribed on front free end paper: Minnie Campbell Harris Philadelphia. January 12, 1887., Provenance and date of majority of contents identified by brief inscriptions. Provenances include Nannie (i.e., Mary Jaudon) Harris, Lucy and Susan Jaudon, Mai Philler, Carrie (i.e., Caroline) Biddle, and Helen Morton., Printers include Philadelphia firms Craig, Finley & Co., Dreka, Rowley & Chew, and Sunshine Pub. Co.; Boston firm L. Prang & Co.; and British and Irish firms William Dickes, Marcus Ward & Co., and Eyre & Spottiswoode., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Elizabeth McLean., Inventory available at repository., Mary Campbell Harris (known as Minnie), daughter of U.S. Naval Commander Thomas Cadwalder Harris (1826-1875) and Mary Louisa Bainbridge Jaudon (1835-1914), was born in New York on December 27, 1862. Descended from Commodore William Bainbridge and Thomas Harris, the first surgeon-general of the United States Navy, Harris and her family resided in Philadelphia by 1866. In 1893, she married John L. Wilson (b. 1850), later treasurer of Coal Land Corporation and the couple resided in the Rittenhouse Square neighborhood. Harris was active in the Sedgely Club and often attended and held card parties, teas, and luncheons noted in the local press. Harris spent her later years residing in Bryn Mawr where she died circa 1948.
Creator: Wilson, Mary Campbell Harris, 1862-approximately 1948
Date: [ca. 1877-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums - Harris [P.9682.1]

Title: [Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1869-ca. 1890, bulk 1880-1890]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]

Title: Life in Philadelphia. A crier extraordinary
Description: Racist caricature of an African American town crier performing his duties in front of a storefront on a busy Philadelphia street. The crier, attired in worn clothing and a yellow straw hat, holds up his bell in his right hand and the sheet of news down with the other. He calls out the upcoming events, including sales of merchandise, a "sarmont on Temperance," and a "Colored Ball at Mrs. Johnsons." His attire includes a blue jacket, striped shirt with patches, a red cravat, white pants with patches, and black shoes. Several spectators listen, including an African American belle, attired in a striped, hooded cape over a dress with floral details; an African American street boy, attired in a worn jacket, vest, and pants and holding a broken mug; a white boy peddler, attired in a smock and boots and with his wares on a tray over his shoulder; and a white shopkeeper holding a cloth work in his hands as his stands in his store's doorway. The peddler boy walks a dog that has torn the crier's copy of the news. Drapery hangs in the store’s display window. Black figures are depicted with oversize and exaggerated features. White figures are depicted with exaggerated features., Signed W.S. for William Summers in lower right corner., Title from item., Date inferred from content and name of publisher., Contains five lines of dialogue in the vernacular below the image: Sale dis nite_Frying Pans_Grid Irons_Book_Oyster Knives and odder kinds of Medicines_Joe Williams will hab some fresh oysters at his stablishment_by tickler design, Mr. Hewlet will gib Imitations ober again_two or tree damaged Discussion Locks, and Rebd. Mr. P.Q. will deliver a sarmont on Temperance, half past 6 o’Clock precise, dats not all! Widout Money or Price _ de great Bull Phillip will be station at Squire S__s & dats not all nudder! dare will be a perlite & Colored Ball at Mr. Johnsons jus arter dis is bin done”_, Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022., Purchase 1968.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) - publisher - Isaacs, W.H. [7689.F]

Title: [Silhouette collection]
Description: Collection of silhouettes depicting men, women, and children, primarily bust-length and cut at a Peale's Museum (Philadelphia, Baltimore or New York) in the early 19th century. Some silhouettes depict African American sitters. Items often contain physiognotrace impressed lines and some contain amateur pencil markings. A small number also include eyelash cutouts, contain ink details to depict hair or collars, or are folded in fours. Many silhouettes also include hair adornments and other fashion details, including ribbons, bows, collars, bonnets, hats, and flowers. Collection also contains one non-portrait cutout composed of a bird, several branches, and a temple-like structure, as well as several numbered leaves of silhouettes removed from an album. Leaves contain 1- 8 silhouettes, some cut and some in ink. The silhouettes also show flowers adorning clothing, hair, and as bouquets; hair ornaments; ribbons; and hats. Some silhouettes depicted as if framed or with pictorial details or overdrawn with scales of dimension. A small number of uncut silhouettes inserted in one of the albums [P.9346] and a scrap completed February 25, 1837 by silhouette sitter Miss Anne Sophia Billmeyer, Germantown containing manuscript notes related to religious values and morals, possibly notes from a sermon, also form the collection [P.2010.29.17]., Sitters identified by inscriptions include Lydia Biddle; Paulus Brzostowski; Isaac Collins, Jr.; William Dilworth; Rebecca Gratz; Rubens Peale; Robert Pearsall, Sr.; Robert Pearsall, Jr.; Benjamin Say, Thomas Shillitoe; John Snyder, Jr.; Benjain West; and Moses Williams. Surnames of other identified sitters include Bartram, Lansadale, Caldwell, Collins, Headley, Logan, and Smith., Title supplied by cataloger., Several blindstamped: Museum or Peale's Museum [with image of eagle]., Some blindstamped: Day's Patent or Todd's Patent., Some sitters identified by inscriptions on recto or verso. Some inscriptions illegible., Some annotated with addresses, or a number, or a series of sequential numbers., One of albums (P.9347) accompanied by list of sitters written in manuscript., Artists include Raphaelle Peale, William James Hubard, T. P. Jones, Moses Williams, Martha Ann Honeywell, J. M'Conachy, Isaac Todd, and Augustus Day., P.9339.22c blindstamped: T. P. Jones, fecit., P.9341.31d blindstamped: J. M'Conachy., P.2012.3 mounted on textile and suggested, but doubtfully by Martha Ann Honeywell., Silhouette of Rebecca Gratz [8146.F] inscribed: Cut with scissors by Master Hubbard without Drawing Machine. Accompanied by manuscript letter signed R. Gratz, secy., Silhouettte of John Snyder, Jr. [P.9343.1] inscribed: Cut by M. Honeywell with the mouth., Silhouette of Mr. Shaw's Blackman [P.9339.59a] attributed to Moses Williams., Silhouette of Moses Williams [(3) 5750.F.153b] possibly by Moses Williams or possibly by Raphaelle Peale., P.9340.80 contains manuscript note: Mr. Gill will call for two pictures in frames paid for [pr J. L. S.?], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., P.9339-P.9343 and P.9346 & P.9347 bequest of James Rush, 1869., P.9686 gift of Elizabeth McLean., Three of collection [P.2012.1.1-3] transferred from Things Found in Books Collection., Index to identified sitters available at repository.
Date: [ca. 1803-ca. 1841]
Location: Library Company of Philadelphia | Print Department Silhouette Collection [5306.F.144 c1; (3)5750.F.39 1/2d(v); (3)5750.F.153b; 8146.F; 8416.F; P.9339; P.9340; P.9341; P.9342; P.9343; P.9346; P.9347; P.9686; P.2010.29.1-17; P.2012.1.1-3; P.2012.3]

Title: From the plantation to the Senate
Description: Commemorative print containing portraits of eminent 19th-century African American men above a central cotton plantation scene. In front of the plantation residence by a river, enslaved African American men and women pick and transport baskets of cotton as a well-dressed African American foreman on horseback confers with a man on the dirt road. Flanking the central portrait of "Hon. Frederick Douglass, Champion of Freedom" on a background of tropical flowers, vines, and fruits are: "Hon. Benj. S. Turner of Alabama"; "Rt. Rev. Richard Allen" of Philadelphia, "1st Bishop of the African Methodist Episcopal Church"; "Hon. H.R. Revels of Mississippi"; "Hon. Joseph H. Rainy [sic] of South Carolina"; "Hon. Josiah T. Walls of Florida"; and "Wm. Wells Brown, M.D., Author of the Rising Sun [sic]". Also contains vignettes of romanticized images of African American home life by a river showing African Americans playing instruments and dancing, transporting watermelon by barge, and relaxing outside their home., Title from item., Date from copyright statement: Copyrighted 1883 by Gaylord Watson., Watson was a New York lithographer who specialized in maps., Lib. Company. Annual report, 1974, p. 61., Purchase 1974., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1883
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [8091.F.275]

Title: Véritable extrait de viande Liebig La case de l'oncle
Description: Series of six captioned (in French) trade cards containing scenes from Harriet Beecher Stowe’s "Uncle Tom’s Cabin" to promote Liebig Extract of Meat. Cards depict scenes from chapters 4, 7, 12, 14, 17, and 41. Translated captions include: Aunt Chloe preparing corn cakes; Crossing the Ohio on floating ice, Elisa[sic] escapes from Haley; The fight against slave traders; The slave market; On the verge of drowning, Eva is saved by Tom; and the death of Tom. Scenes show enslaved African American woman “Aunt Chloe” at her brick stove, surrounded by three enslaved African American boys as the white adolescent son of her owner, George Shelby, teaches enslaved African American man and her husband "Uncle Tom" to write; enslaved African American woman Eliza Harris escaping white slave trader Mr. Haley with her son Harry in her arms as she runs across patches of ice on the Ohio River; Eliza Harris’s multi-racial husband George Harris shooting white mercenary Tom Loker in a chasm after departing his and his family’s shelter within a Quaker settlement and for Canada; the market of enslaved people attended by Haley following Eliza’s escape where a young enslaved African American boy stands for sale near a white man mercenary and an enslaved African American woman who reaches out for him; Tom swimming toward the flailing, young white girl Eva St. Clare, i.e. Little Eva, in the water near a dock and a steamboat lined with spectators watching the event; and an adult George Shelby visiting with a dying Tom who rests against a bundle amongst crates and straw within a shed after being beaten at the request of his white enslaver Simon Legree., Most of the African American figures are not caricatured in features or attire. Eliza and George Harris figures are depicted with fair complexions. Also depicts Tom as unbeaten in his "deathbed" scene. Von Liebig, a German-born chemist, who developed a manufacturing process for meat extract in 1840, established the Liebig Extract of Meat Company in 1865. The extract was marketed as an alternative to meat., Series title from items., Cards numbered No. 1 - No. 6., Printed lower right corners: Voir L'Explication au verso., Advertising text and explanation of the depicted scenes and their context printed in French on versos. Includes statement about the cards being distributed gratuitously with the purchase of Liebig extract., Majority of the cards contain a vignette depicting a jar of Liebig extract in the lower right corner. No. 1 contains the vignette in the upper left corner. No. 2 contains the vignette in the lower left corner, Date inferred from circa date of other trade card series issued by Liebig Company., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1904]
Location: Library Company of Philadelphia | Print Department trade cards - Liebig [P.2018.49.4a-f]

Title: Afro-American historical family record
Description: Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
Date: 1899
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

Title: Philadelphia public schools photograph collection
Description: Contains photographs and a newspaper clipping showing interior and exterior views of identified and unidentified Philadelphia public schools and school administration buildings, many from construction funded by the Public Works Administration. Includes photographs depicting sculpted architectural ornaments and pencil sketches of proposed sculptures to be installed at the schools. Interior views show an auto shop; classrooms, gymnasiums, cafeterias, and auditoriums. Also contains five architectural drawings drawn by Philadelphia architect Emil C. Schmidt. Majority of collection lacks photographer's imprint except three views photographed by Philadelphia photographers Samuel H. Oxman and Philip B. Wallace., Views show John Bartram Public High School, 67th Street and Elmwood Avenue; Edward Bok Vocation High School, 8th and Mifflin Streets; Joseph H. Brown Public School, Frankford and Stanwood avenues; Joseph W. Catherine Public School, 66th Street and Chester Avenue; Central High School, Ogontz and Olney Avenues; Dobbins High School, 22nd Street and Lehigh Avenue; Robert Fulton Public School, Haines and Germantown Avenues; Girls' High School, Broad and Olney Streets; Delaplaine McDaniel Public School, 22nd and Moore Streets; Willis and Elizabeth Martin Orthopedic School, 22nd and Brown Streets; Gen. George C. Meade School, 18th and Oxford Streets; Thomas Mifflin School, Conrad and Mifflin Avenue; North East High School, 8th Street and Lehigh Avenue; Philadelphia Board of Education Administration Building, Benjamin Franklin Parkway and 21st Street; William Rowen Public School, 19th and Haines Streets; Southwark Public School, 9th and Mifflin Streets; Stetson Jr. High School, Broad Street and Allegheny Avenue; and Roberts Vaux Public School, 24th and Master Streets. Views of the Willis and Elizabeth Martin Orthopedic School show physically handicapped children, including African Americans, in a music and woodwork class, at recess, and entering a school bus. Dobbins High School views depict decorative works utilized in the school building. Majority of interior views depict interiors at unidentified public schools, including a view of an auto shop class with an African American student. Images of sculpted works include several allegorical figures symbolizing education and industry. Collection also includes a photograph of an architectural drawing of an unexecuted design for the Henry Platt School., Title supplied by cataloger., Thirty-two of images contain negative numbers inscribed in the negative., Twenty-four of images contain dates inscribed in the negative., Majority of images accompanied by manuscript note providing name of school., Schmidt worked for the Philadelphia Board of Public Education and was the chief designer of the Central High School building., Gift of Mrs. Arthur Kushlan, 1980., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1930-1938]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Education [P.8565-P.8603; P.8886]

Title: The result of the Fifteenth Amendment, and the rise and progress of the African race in America and its final accomplishment, and celebration on May 19th A.D. 1870
Description: Print commemorating the passage of the Fifteenth Amendment containing a large central scene of the celebratory parade held in Baltimore in May surrounded by several bust portraits and vignettes. Parade is led by several African American Zoaves down Monument Street, which is lined with African American and white men, women, and children spectators. Bust-length portraits of African American civil rights supporters above and to the sides of this scene include Abraham Lincoln; Baltimore jurist Hugh Lennox Bond; abolitionist John Brown; Vice-President Schuyler Colfax; President Grant; Pennsylvania representative Thaddeus Stevens; Maryland representative Henry Davis; Massachusetts senator Charles Sumner; Martin Robinson Delaney; Frederick Douglass; and Mississippi Senator Hiram Revels. Vignettes include a plantation scene depicting enslaved African American men and women working in a cotton field while a white man stands looking on titled, "we are in bondage, deliver us!; a Civil War battle with African American troops; a classroom with an African American man teacher and African American students titled, "Education will be our pride"; an African American congregation; and a parade of African American Masons holding banners., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1870 by Metcalf & Clark, in the office of the Librarian of Congress at Washington., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1870
Location: Library Company of Philadelphia | Print Department *political cartoons - 1870-2 [7764.F]

Title: Distinguished colored men
Description: Commemorative print containing a montage of portraits of eminent African American men centered around a portrait of Frederick Douglass and bordered by vignettes. Portraiture depicts: "Robert Brown Elliott, Ex-member of Congress" from South Carolina; "Blanche K. Bruce, Ex-Senator, U.S." from Mississippi; "Prof. R.T. Greener, Dean, Howard University"; "Wm. Wells Brown, M.D., author of the Rising Son"; "Henry Highland Garnett [sic], Late Minister of Liberia"; "Rt. Rev. Richard Allen, 1st Bishop of the African M.E. Church" in Philadelphia; first African American governor, "P.B.S. Pinchback, Ex-Governor of Louisiana"; "J.H. Rainey, Ex-Member of Congress"; "E.D. Bassett, Ex-Minister to Hayti"; "John Mercer Langston, Minister to Hayti". Vignettes depict a cornstalk, a twig of cotton, and scenes of romanticized images of African American home life by a waterway showing African Americans playing instruments, dancing, transporting watermelon by barge, and relaxing., Title from item., Inscribed lower right corner: Agents Wanted., Lower left corner inexpertly hand painted., Lib. Company. Annual report, 1975, p. 61., Accessioned 1975., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1883
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [8139.F]

Title: Heroes of the colored race
Description: Print commemorating men prominent in and representative of the advancement of African American civil rights. Depicts a central vignette of bust-length portraits of ex-Senator Blanche Kelso Bruce of Mississippi, abolitionist Frederick Douglass, and ex-Senator Hiram Revels of Mississippi surrounded by four scenes of pre- and post-Civil War African American life. Includes two titled scenes, "Receiving the News of the Emancipation" depicting an older African American man, two women, and children celebrating, and "Studying the Lesson" depicting an African American man teacher instructing a classroom of children. Adorning the borders of the central vignette are a portrait of John Brown flanked by a horn of plenty and school books, and an eagle holding American flags embellished with portraits of Abraham Lincoln, James Garfield, and Ulysses S. Grant. Other scenes depict enslaved African American men and women picking cotton and African American Civil War soldiers fighting a battle. Includes corner portraits of African American legislators John R. Lynch of Mississippi, Joseph H. Rainey of South Carolina, Robert Smalls of South Carolina, and Charles E. Nash of Louisiana., Lib. Company. Annual report, 1975, p. 60-61., Gift of Gordon Colket, 1975., Reaccessioned as P.9615., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1881
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [8140.F]

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
Description: Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator: Gillingham, Deborah Passmore, 1820-1877, compiler
Date: [ca. 1810-ca. 1910, bulk 1830-1850]
Location: Library Company of Philadelphia | Print Department albums [P.2019.6]

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