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Title: Intelligent contraband. 2d ed
Description: Racist photograph showing a seated African American man, attired in a gorilla mask, a coat, striped, patterned pants, socks, and shoes, facing right. Also included in the image is a patterned, tile floor., Title from manuscript note on mount., Date inferred from content., During the Civil War, the U.S government declared African American freedom seekers as "contraband of war.", Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Created postfreeze., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.51j]

Title: Sawnee The wonderful musical contraband known as the "Human Organ."
Description: Full-length portrait of the formerly enslaved African American performer, attired in a Union uniform. He stands facing the viewer, holding his cap in his left hand and with his right hand tucked inside his sack coat. Found homeless in 1862 in Chambersburg, Pa. by promoter Robert Criswell, the "Human Organ" imitated the organ, any sound, and sang plantation songs during exhibitions in the North, including New York City and Philadelphia., Article about Sawnee published in Franklin repository, January 27, 1864 (Chambersburg, Pa.), p. 5., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Sawnee [P.8925.2]

Title: Sawnee The wonderful musical contraband known as the "Human Organ."
Description: Full-length portrait of the formerly enslaved African American performer, attired in a Union uniform. He holds his hat with his left hand and tucks his right hand into his sack coat while leaning against a chair. Found homeless in 1862 in Chambersburg, Pa. by promoter Robert Criswell, the "Human Organ" imitated the organ, any sound, and sang plantation songs during exhibitions in the North, including New York City and Philadelphia., Title from item., Date inferred from content., Unmounted carte-de-visite., Article about Sawnee published in Franklin repository, January 27, 1864 (Chambersburg, Pa.), p. 5., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Sawnee [P.8925.3]

Title: [Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Description: View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting emancipation covers the front of the building including a representation of the symbolic Federal Arch, a battle scene with African American soldiers, an auction of enslaved people, and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's, Nineteenth century photography in Philadelphia. (New York: Dover Publications Inc., 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40b)., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1864]
Location: Library Company of Philadelphia | Print Department photos - unidentified - Events [(6)5777.F.40a]

Title: Robert Small, pilot of the steamer Planter, Charleston, S.C
Description: Bust-length portrait of the formerly enslaved and later South Carolina congressman who commandeered and harbored fifteen enslaved people on the Confederate steamer, "Planter," consequently escaping to freedom across the Charleston Bay in May 1862. Smalls, a "Planter" crew member who impersonated the Confederate Captain, surrendered the vessel to a flotilla of the Union Blockade after navigating passed several Confederate fortifications. The nationally publicized escape sparked a military campaign to recruit African American volunteers in South Carolina. Small, attired in a white shirt and a dark-colored jacket, looks at the viewer., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1862, in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania by McAllister & Brother, 728 Chestnut Street, Philadelphia., See account of escape with illustrations in Harper's Weekly, June 14, 1862, p. 372. (LCP **Per H, 1863)., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department cdv portraits -sitter-Small [(3)5750.F.44b]

Title: [The scourged back]
Description: Three-quarter length portrait showing the severely scarred back of the former enslaved and Union soldier, Gordon, taken in Louisiana and sent to the Surgeon General of Massachusetts., Image reproduced as wood engraving with accompanying article in Harper's weekly, July 4, 1863, p. 429. (LCP **Per H, 1863.) Name of photographer supplied by article., Title and publication information supplied by William Darrah's Cartes-de-visite in nineteenth century photography (Gettysburg: William C. Darrah, 1981), p. 148., Manuscript note attributing original publisher on verso of P.8925.4: "Gordon" by C. Seaver, Jr. Seaver, Jr., a Boston photographer, published the carte-de-visite in support of the abolitionist movement., Originally part of a McAllister scrapbook of Civil War Miscellanies [5786.F.157c]. McAllister Collection, gift, 1886. Accessioned 1982 [P.8925.4]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Pherson and Oliver, photographer
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Gordon [5786.F.157c; P.8925.4]

Title: Brady's Album Gallery
Description: Incomplete series of the "Brady Album Gallery" of Civil War views first published in 1862 by New York publishers, E. & H.T. Anthony. Contains camp scenes, views of historic residences and military fortifications, and group portraits predominately photographed by unattributed Brady technicians, James F. Gibson and George N. Barnard. Gibson and Barnard hold copyright to twenty-six of the series. Contains series No. 1, 100, 100 (variant), 289, 302 - photographed by Barnard; No. 355, 360-361, 363-372, 377-380, 382-384, 388 - photographed by Gibson; No. 423-424, 427 - copyrighted and probably photographed by Brady., Views include: the incomplete Capitol in Washington, D.C.; General McClellan's 1862 campaign on the Virginia Peninsula including Union artillery batteries near Yorktown and Union headquarters of Generals McClellan, Scott, and Lafayette; and the inflation and ascent of the Union reconnaissance air balloon, "Intrepid." Group portraits depict African American Civil War freedom seekers, Union officers, and Union soldiers., Copyrighted by Barnard & Gibson and Mathew Brady., Stamp of Philadelphia distributor, McAllister and Brother, 728 Chestnut Street, pasted on verso of two of the series., Names of the photographers supplied by "Catalogue of photographic incidents of the war from the gallery of Alexander Gardner (Washington: H. Polkinhorn, 1863)." (Transcription in LCP research file)., Gift of Jesse G. Haydock, 1981., Description revised 2021., Access points revised 2021., Forms part of Small Civil War Photograph Collection., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department small Civil War photo collection - Brady cdv's [P.9877.1-29]

Title: "Nick Biddle" Of Pottsville, Pa., the first man wounded in the Great American Rebellion, "Baltimore, April 18, 1861."
Description: Half-length portrait of the older African American volunteer Union soldier, attired in uniform. Biddle, a freedom seeker, sustained his wound - a gash to the head - as his troop, the Washington Artillerists, en route to defend the Capitol, was violently harassed by secessionists., Title from item., Forms part of: McAllister scrapbook of Civil War Portraits. [(1)5775.F]. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021.
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department portrait prints - McAllister Civil War scrapbook of portraits [(1)5775.F.8]

Title: [Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Description: View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting the Union and emancipation covers the front of the building including a representation of the symbolic Federal Arch adorned with an inscription; a battle scene with African American soldiers; an auction of enslaved people; and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover, 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40h)., Accessioned 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1864]
Location: Library Company of Philadelphia | Print Department photo - unidentified - events [P.2000]

Title: [Portrait of Millie and Christine McCoy]
Description: Full-length portrait of the African American co-joined twins and performers. The women are attired in striped-patterned shirtwaists, a white ankle-length skirt with a black lace overlay, and black high-heeled boots with white stripes. Each wears a white neckerchief, and an adornment in her pulled back hair. Millie (on the left) holds a white fan in her hands. A backdrop and ornate, wooden pedestal with a book resting on it are visible in the background. The end of a drape partially covers the book. In the left, another wooden prop is partially visible. The twins, born enslaved, were exhibited nationally and internationally under various owners and managers. By the end of the 1880s the twins retired to a farm in their home state of North Carolina., Title supplied by cataloger., Photographer's imprint printed on mount., Date inferred from age of sitters and active dates of photographer in New York., Printed on verso: I was born in the State of North Carolina, Columbus Co., Anno Domini, 1851. And pronounced by scientists to be the 8th wonder of the world. / 'Tis not modest of one's self to speak,/ Buts, daily scanned from head to feet,/ I freely talk of everything,/ Sometimes to persons wondering./ Some people say I must be two!/The doctors say it is not true,/Some cry out humbug, till they see,/ And then exclaim, "great mystery."/ Two heads, four arms, four feet,/ All in one perfect body meet./I am most wonderfully made, /All scientific men have said./ None like me since the days of Eve,/ None such perhaps shall ever live./ If marvel to myself am I,/Why not to all pass me by?/ I am happy too, because content;/ For some wise purpose I was sent./ Our maker knows what he has done,/ Whether I'm created two or one./ Respectfully, Millie Christine. The Carolina twin, surnamed the 2-headed Nightingale., Mount trimmed., See History and Medical Description of the Two-Headed Girl:...(Buffalo, N.Y.: Warren, Johnson, & Co., 1869). (LCP Am 1869 Hist, 70318.D)., See LCP AR (Annual Report) 2015, p.42-43., Lib. Company. Annual Report, 2018, p. 61., RVCDC, Description revised 2022., Access points revised 2022., Horace Ollivier operated a New York studio beginning around 1881 at 779 Broadway.
Creator: Ollivier, Horace, photographer
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Millie [P.2018.28]

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