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Title: Henry Clay, 1777-1852
Description: Statesman, Speaker of the House., American Celebrities Album., Retrospective conversion record: original entry.
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department American Celebrities Album [(I)P.9100.14b]

Title: Henry Clay
Location: OBJ 552

Title: Henry Clay Medallion
Description: Copper medallion set in an oval wood frame. Profile bust of Clay facing left, with a laurel wreath border. Nothing on the reverse., "T.D. Jones, Del., C.C. Wright, fecit."
Creator: Wright, Charles Cushing, 1796-1857
Location: OBJ 847

Title: Palo Alto, [illegible]
Description: Hillside view looking east from lawyer John Bannan's "Cloud Home" in Pottsville, Pa., showing the Henry Clay monument erected near Centre Street in 1855 on land donated by Bannon. Includes the townscapes of Palo Alto and Port Carbon in the distance., Title and photographer's imprint from label pasted on verso., Photographer's imprint printed on mount., Orange mount with square corners., A.M. Allen, born in Deerfield, Mass., relocated to Pottsville, Pa. ca. 1852 and set up his studio at the southwest corner of West Market and North Centre Streets. He retired from the business in 1894., Cataloging of copy no. P.9844.19 funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier.
Creator: Allen, A. M. (Amos Morrel), 1823-1900, photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - Allen - Views [P.9844.19]

Title: Henry Clay sarcophagus in Struthers marble yard
Description: Shows a man standing next to the inscribed Clay sarcophagus, constructed for the vault of the monument at Clay's former estate, Ashland, in the marble yard of John Struthers & Son at 1022 Market Street, Philadelphia. Also shows a section of the shipping crate lid inscribed H.T. Duncan, Esq. President of the Clay Monument Association Lexington Kentucky. Care of Mess. Clarke & Co. Pittsburg PA. Box No. 1. Includes partial views of other marble pieces in the yard., Photographer, title, and date from manuscript note on accompanying label., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Germon, W. L. (Washington Lafayette), 1822-1877, photographer
Date: February 1861
Location: Library Company of Philadelphia | Print Department stereo - Germon - Monuments & statues [(8)1322.F.33g]

Title: Wood & Perot. Wood, Miltenberger & Co. Ornamental iron works. 1136 Ridge Avenue, Philadelphia. 57 Camp Street, New Orleans Manufacturers of iron railings for cemetery enclosures, public squares, churches and private residences, iron verandahs, balconies, bank counters, stairs (in every variety), mausoleums or tombs, chairs, settees, tables, tree boxes, hitching posts, lamp posts, brackets, statuary and all other iron work of a decorative character. Drawings furnished to those who wish to make selections
Description: Advertisement containing two side-by-side views bordered on top by an ornate floral design. Depicts heavy street and pedestrian traffic showing the neighboring "Ridge Avenue" factory and the "Twelfth Street" foundry of the iron works. Ridge Avenue view shows the massive "Wood and Perot Ornamental and Iron Railing Factory Iron Works" at 1136 Ridge Avenue. Signage advertising "Manufacturers of decorative iron work," "verandahs," and "counters" adorns the building. On the roof, a large statue of Henry Clay stands, and an American flag flies from a tower. Workers load horse-drawn wagons stationed in front of the works as pedestrians mill past. Iron railings lean against the building, animal statuary is displayed on the sidewalk, and employees and patrons stand in doorways. In the street, a carriage travels in the direction of a stopped, packed "Ridge Avenue" omnibus receiving and discharging passengers. Across the street, near a tree, ladies in heavy capes and holding parasols promenade past a man pointing out the Clay statue to his male companion., Twelfth Street view shows the new iron foundry completed circa 1858 to the rear of the Ridge Avenue works on the 400 block of Twelfth Street. Two laborers steady a horse-drawn cart near the entry to the factory that is adorned with a tower flying a "Wood & Perot" flag. In the street, an omnibus is followed by a volunteer riding one of a two-horse team drawing a steam fire engine. Three boys follow and direct the engine. Across the street, a man, potentially a constable, prepares to open the call box attached to a telegraph pole as a family of five promenades down the block. Also shows the tops of the spires of the Church of Assumption (1133 Spring Garden Street) in the background. Wood & Perot, a partnership between Robert Wood and Elliston Perot, was active between 1857 and 1865., Published in Edwin T. Freedley's Philadelphia and its manufactures: a handbook exhibiting the development, variety, and statistics of the manufacturing industry in Philadelphia in 1857 (Philadelphia: Edward Young, 333 Walnut Street, 1859 [c1858]), opposite page 450., Philadelphia on Stone, POS 864.2, Historical Society of Pennsylvania: HC 108 .P5 F8 1859.
Date: [1859]
Location: Historical Society of Pennsylvania W469.2 [HSP HC 108 .P5 F8 1859]

Title: Wood & Perot's ornamental iron works. Philadelphia
Description: Advertisement of two views with heavy street and pedestrian traffic showing the neighboring "Ridge Avenue" factory and the "Twelfth Street" foundry of the iron works. Ridge Avenue view shows the massive "Wood and Perot Ornamental and Iron Railing Factory Iron Works" at 1136 Ridge Avenue. Signs adorn the building advertising "Wood & Perot," Manufacturers of Decorative Iron Work" and "Iron Railings, Verandahs, Balconies, Stairs, Counters &c." On the roof, a large statue of Henry Clay stands, and an American flag flies from a tower. Workers load three horse-drawn wagons stationed in front of the works as pedestrians mill past. Iron railings lean against the building, animal statuary is displayed on the sidewalk, and employees and patrons stand in doorways. In the street, a carriage travels in the direction of a stopped, packed "Ridge Avenue" omnibus receiving and discharging passengers. Across the street, near a tree, ladies in heavy capes and holding parasols promenade past a man pointing out the Clay statue to his male companion., Twelfth Street view shows the new iron foundry completed circa 1858 to the rear of the Ridge Avenue works on the 400 block of Twelfth Street. Two laborers steady a horse-drawn cart near the entry to the factory that is adorned with a tower flying a "Wood & Perot" flag. In the street, a "Fairmount via Chestnut St./Twelfth & Green St." omnibus travels followed by a volunteer riding one of a two-horse team drawing a steam fire engine. Three boys follow and direct the engine. Across the street, a man, potentially a constable, prepares to open the call box attached to a telegraph pole as a family of five promenades down the block. Also shows the tops of the spires of the Church of Assumption (1133 Spring Garden Street) in the background. Wood & Perot, a partnership between Robert Wood and Elliston Perot, was active between 1857 and 1865., Lettering in color., LCP copy in two pieces housed separately., Date from Poulson inscription on rectos: Dec. 28, 1848., Philadelphia on Stone, POs 864.1, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc35 W873.
Date: [December 28, 1858]
Location: Library Company of Philadelphia | Print Department *W469.1 [P.2251 and P.2250]

Title: Soldiers memorial. 4th Regiment. Company F. U.S. Col. Troops Mustered into the United States Service at Baltimore, Md., Aug. 4, 1863, by Col. Wm. Birney
Description: Stock commemorative certificate with some variations for the African American 4th Regiment, Company F troop and containing a montage of allegorical and battle scenes, patriotic motifs, and soldier vignettes above the printed names of 4th Regiment Privates, Lieutenants, Sergeants, Corporals, and Field and Staff Officers. The allegorical scene depicts the female figure of Columbia, resting upon an American shield and seated next to an American eagle that looks down on a snake it clutches under its claws. Columbia holds her head with her left hand and the "Constitution of the United States" down between her knees in the other. She is portrayed as a white woman with long dark hair, wearing a gold headpiece and white veil, and attired in a dress with a blue bodice, red skirt, and white sleeves and collar. Surrounding the central scene (counterclockwise) are views of white Union soldiers at battle and firing cannons near a harbor and across from Union forts displaying American flags; a departing white Union solder embracing his wife in front of his family, an older woman holding her grandchild, his crying son, and their dog, outside of their home in the countryside as troops march in the distance; white Union cavalry corps charging during battle; the previously depicted white Union soldier returning home, shown in mid stride and holding his cap in the air as his family heads toward him with their arms out; and white Union soldiers, with a cannon, and at battle near a trench. The scene and views within the montage are bordered and framed by portraits of George Washington, Henry Clay, and Andrew Jackson and pictorial details of American flags, flowers, and filigree., Pictorial details surrounding the names of the soldiers in the lower half of the print include outer columns composed of marble and wood trunks with one unsplit and adorned with the placard "United We Stand" and another split with stakes and adorned with the placard "Divided we fall; inner columns wrapped within the American flag; medallions depicted with red, white, and blue stripes and stars; and images of the American eagle atop an American shield that is adorned with a banner reading "E Pluribus Unum." A. Hoen & Co. printed several slightly variant copies of the Soldiers Memorial in 1866, to commemorate different regiments and with different publishers. In the upper half of the print, the montage imagery remained the same, and in the lower half of the print, the imagery for and near the columns was altered in addition to the printed names of the officers and soldiers and their placement between the columns. The 4th Regiment, United States Colored Infantry was organized in Maryland, July 15-September 1, 1863. The African American unit saw action in Virginia and North Carolina before being mustered out May 4, 1866 after the designation change to 76th U.S. Colored Troops on April 4, 1864. The Regiment lost nearly 300 officers and enlisted men while in service., Title from item., Name of publisher from publication statement: Published at Baltimore by Jos. L. Kessler., Date inferred from copyright statement: Entered according to Act of Congress in the year 1863 by Whitney & Anderson in Dist. C. of Md., Purchased with Louise Marshall Kelly Fund.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Certificates [P.2022.28.2]

Title: A confederacy against the Constitution and the rights of the people with an historical view of the component parts of this diabolical transaction
Description: Cartoon during the Bank War satirizing the Whig Party as greedy, anti-democratic, pro-Bank, pro-business infidels who worship in the Temple of Mammon to the false god of riches. Atop the temple, a white man, holding a flag inscribed "No Veto! The Bank! Down with Democracy!" kneels on a pedestal inscribed "Bank Candidate. War, Pestilence, and Famine." Within the temple sit symbolic and political figures including: the Devil representing the "Hartford Convention" of 1815, which debated Northern secession; the "High Church" as a clergyman pleading for donations to preach; the "High Priest" Henry Clay with his "U.S. Bank Book" sitting on his throne the "Chair of State"; the "High Chancellor," Bank of the United States president, Nicholas Biddle pouring out a bag of money to buy newspaper editors; a Northerner ("High Tarrif") discussing slavery, "You Southern Barons have black slaves will you not allow us to make white slaves of our poor population in our Manufacturing Baronies"; and southern pro-nullification senator John C. Calhoun ("No Tariff"), who bemoans his association with Whigs in his personal campaign against political rival Martin Van Buren. In the foreground, worshipers, including monkeys, pray and are chained near a printing press, pro-Bank newspapers, and flags and banners. The flags and banners denigrate "Jefferson," "democracy," and "equal rights" and support "high tariffs," the "merchant class," the "Bank of the United States," and "white slavery.", Title from item., Artist's initial lower left corner: H., Probably published by labor radical Seth Luther., Retrospective conversion record: original entry, edited., Lib. Company. Annual report, 2001, p. 27, 30., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1833-20 [5760.F.43]

Title: Where's my thunder?
Description: Cartoon comparing the Senate chamber with a courtroom to satirize the Senate's response to Henry Clay's controversial and long-debated Compromise of 1850. Depicts Webster stealing the "Fugitive Slave Act" out of the pocket of Clay, who snoozes at his desk in the Senate (an allusion to the Senate's predominately positive reception of abolitionist Senator Webster's controversial support of the Act). In the background, Senators scowl, nap, and look on in anguish, including Lewis Cass of Michigan and Henry S. Foote of Mississippi. Cass, proponent of popular sovereignty and the extension of slavery, exclaims "Ain't tha man done yet." Foote, who proposed a special committee to revise Clay's omnibus bill, brandishes a club (probably an allusion to his violent confrontation with rival Thomas Hart Benton over his proposal). Contains several lines of text describing the larceny trial of "Defendent" Webster and "Complainant" Clay, including "loud applause" during Webster's departure of the "Court-room" compared to Clay's scarcely noticed exit. Also contains note: "(See Police Report in the Daily Screamer).", Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
Date: [1850?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1850-3W [6691.F.]

Title: Senate chamber U.S.A. Conclusion of Clay's speech in defense of slavery
Description: Cartoon satirizing an 1839 anti-abolition speech by the congressional orator Henry Clay focusing on his conflicting views on the abolition of slavery. Clay, despite deploring the institution of slavery, was an enslaver who was against immediate national abolition. Depicts Clay, in front of the Mason-Dixon line, coming to an agreement with John Calhoun, his chief congressional rival and leading senatorial supporter of slavery, about the issue of slavery. They both stand on past abolitionist resolutions and a prostrate enslaved African American man who quotes a verse from the Bible's book of Micah 7:8 that he will "arise." Clay's remarks "North" of the line reflect his abolitionist rhetoric; those "South" of the line refer to him being an enslaver. Calhoun states his pleasure in Clay's awakening to the societal benefits of slavery., Title from item., Date inferred from content., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1839]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839-24w [P.2275.18]

Title: The Clay compromise - a settler
Description: Racist cartoon satirizing the Clay Compromise of 1850 concerning the extension of slavery to the territories. Depicts a prostrate enslaved African American man, portrayed in racist caricature, who is being pulled by ropes from each end by a Northerner and Southerner. The Northerner states, "We are content with the Compromise," and the Southerner states, "An equal division is fair." Standing over the enslaved man is Henry Clay, who is poised with a sword to cut him in two. William Lloyd Garrison rushes to stop Clay, stating "let the Union go; but spare the man!" A Quaker man confers with a minister about the compromise, saying "Well I'm very glad that Friend Clay has interfered." The minister responds that he hopes the question is settled because his parishioners have been quarreling so long that they almost forgot to pay him. A white man overseer about to whip a group of enslaved men, attired in yellow sarongs, exclaims, "Damn the niggers! Their hides are so used to the whip that they mind it no more than a horse.", Title from item., Date inferred from content., RVCDC, Purchase 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1850]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1850 - Cla [P.9314.3]

Title: Masonic memorial
Description: Commemorative, fictionalized group portrait print depicting “seventy-seven Masonic Brethren, Signers of the Declaration of American Independence and other Distinguished Members of the “Masonic Fraternity” in the Assembly Room of Independence Hall. Shows three rows of Brethren (“Distinguished Dead” and “immortal”) within the paneled wall room of the historic site being used as an exhibit gallery. At the center of the first row stands “Father of his Country” George Washington, his left hand on his hip, and wearing a masonic apron adorned with Masonic symbols. Nearest him to the left, also in masonic, but undecorated, aprons, stand Benjamin Franklin and Thomas Jefferson. Other figures in undecorated aprons in the front row include (left to right) James Buchanan; Marquise de Lafayette; Bishop William White; Andrew Jackson; and Henry Clay. Some of the men hold hats or scrolls, while others hold their hands together, or cross their arms. Other figures in the further rows include Stephen Girard, Stephen A. Douglas, and John C. Breckenridge. In the background, framed artwork, predominately from the Charles Willson Peale portrait collection; Henry Inman's portrait painting of William Penn (left); Thomas Sully's portrait painting of Lafayette (right) line the walls. Background also includes in the far right, the Liberty Bell upon which a stuffed bald eagle sits (installed 1852) and, in the center, a bronze eagle elevated above the partially visible wood statue of George Washington (carved 1815 by William Rush, installed 1824)., Title from from promotional pamphlet held in collections [Am 1860 Pheni 54390.O.13]. Pamphlet also lists the names of many of the sitters in image., Publication information from copyright statement: Entered according to Act of Congress in the year 1860 by Thomas Phenix in the Clerk's Office of the Court of the Eastern District of Pennsylvania., Gift of David Doret, 2011.
Creator: Inger, Christian, artist
Date: 1860
Location: Library Company of Philadelphia | Print Department **group portrait prints - Masons [P.2011.45.10]

Title: Daniel Webster addressing the United States Senate In the great debate on the compromise measures 1850
Description: Commemorative print depicting Daniel Webster's noted "Seventh of March Speech" delivered in support of Henry Clay's proposed legislation to prevent Southern secession and to address the extension of slavery, known as the Compromise of 1850. The amended compromise, passed in September 1850, included the admittance of California as a free state and the strengthening of the Fugitive Slave Law in favor of the South. Shows the U.S. Senate chamber with Webster, in the right, standing with his right hand raised. Each Senator from 1850 is depicted facing toward Webster and the viewer, including Stephen Douglas (to the right of Webster), John C. Calhoun (seated in the left), Vice President Millard Fillmore (presiding at center), Secretary of the Senate Asbury Dickins (below Fillmore), Henry Clay (to the right of Webster’s upraised hand), and Jefferson Davis. White men and women spectators fill the visitors' galleries above. Fillmore and Dickins sit at raised desks, and behind them is a draped curtain. Above the valance is an American flag crest with arrows and a bald eagle with outstretched wings. A framed portrait of George Washington hangs in the center. Also visible is the coffered, domed ceiling and a chandelier., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860 by James M. Edney in the Clerk’s Office of the District Court of the Southern District of New York., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1860
Location: Library Company of Philadelphia | Print Department **GC - Slavery [P.2002.2.2]

Title: A foot-race
Description: A satire of the 1824 presidential election showing the candidates; John Quincy Adams, William Crawford, Andrew Jackson, and Henry Clay engaged in a foot race to win the presidency. A crowd cheers them on and remarks about the candidates reflecting the regional and partisan views in the country. A Westerner attired in stovepipe hat with a powder horn exclaims, "Hurra for our Jacks-"son."" Former President John Adams cheers, "Hurra for our son "Jack."" An Irish man, portrayed in caricature and attired in torn and worn clothes, says, "Blast my eyes if I dont "venter" a "small" horn of rotgut on that "bald filly" in the middle [Adams]." A French man states, "Ah hah! Mon's Neddy I tink dat kick on de "back of you side" is worse den have no dinner de fourt of july." Two African American men, portrayed in racist caricature, look on and one remarks “Now old Hickory cuts dirt.” In the background is a "Presidential Chair" with a purse "$25,000 per Annum" and the White House., Title from item., Artist and publication date supplied by Reilly., NYPL copy copyrighted October 6, 1824., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Johnston, known as "the American Cruikshank" was a respected comic illustrator, engraver, and lithographer.
Creator: Johnston, David Claypoole, 1799-1865, artist
Date: [1824]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1824-4 [5760.F.28]

Title: Distinguished Americans, at a meeting of the New York Historical Society To whom this plate is by permission respectfully dedicated by Doney & Gollmann
Description: Group portrait of forty nine Americans gathered together at a meeting of the New York Historical Society in the University Chapel. Seen in the foreground, from left to right, are: George W. Bethune, Zadock Pratt, Francis L. Hawks, John E. Wool, Horatio Seymour, John W. Francis, Hamilton Fish, Winfield Scott, Jonathan M Wainwright, Daniel Webster, Samuel Jones, Franklin Pierce, William C. Bryant, Henry Clay, Edward Everett, Fred de Peyster, Luther Bradish, Martin Van Buren, George Bancroft, John Van Buren, William L. Marcy, and Lewis Cass. Another twenty seven men are seen in the background, including: Millard Fillmore, William H. Seward, John C. Calhoun and Valentine Mott. Each man wears a dark suit with a light shirt and tie. The men face in all directions; some look out toward the viewer and others turn to the side with no interaction among each other. Sitters portraits after painted portraits provided to the artist., Entered according to Act of Congress in the Year 1854 by Doney & Gollmann in the Clerk’s Office of the District Court for the Southern District of New York., Gift of David Doret., LCP copy variant from copies at Library of Congress and American Antiquarian Society. Imprint varies and image does not include sitter Archbishop John Hughes., See David McNeely Stauffer, American engravers upon copper and steel, Vol. 1 (New York, 1907), 66., A key and description of the plate is included in the New York Historical Society Quarterly 38, 1954 , 458-459. Copy included with print. Description references Hughes missing from key, but not the image., Thomas Doney came to Canada from France, worked in Illinois and Ohio, and finally established himself in New York in 1845.
Creator: Doney, Thomas, fl. 1844-1852, engraver
Date: 1854
Location: Library Company of Philadelphia | Print Department **Portrait Prints/Photos - Group [P.2011.45.3]

Title: The great American steeple chase for 1844
Description: Cartoon depicting the presidential election of 1844 as a steeple chase race to the White House. Henry Clay, guided by the American eagle as he laments about the death of Harrison, leads the chase atop his half-horse/half-alligator mount. He is followed by: Massachusetts Senator Daniel Webster, uneager to leave his cooking cauldron of "Chowder"; South Carolina Senator John C. Calhoun, astride his "nullification Coota Turtle," which is stuck in a "Clay Bank"; former President Van Buren, on a fox, taking a "crooked and dirty" shortcut to avoid Calhoun; an "Old Solider," possibly James K. Polk attempting to "turn" his donkey to the "right way"; Richard M. Johnson, who has fallen off of his "old amalgamation nag," an allusion to his controversial multiracial wife; and a fallen man, possibly abolitionist Supreme Court Justice John McLean, wishing that he had a drop of "Democratic blood to let out." In the background, General Winfield Scott, astride a horse, and Commodore Charles Stewart, who sails a boat, discuss their lack of desire to be president. Inside the White House, Richard Tyler, a scroll inscribed "Irish Repeal" in his pocket, shakes and warns his sleeping father of the approaching "Philistines." Tyler responds smugly that he will be re-elected or "veto the whole concern," an allusion to his excessive use of the veto to stop the establishment of another national bank., Title from item., Date from copyright statement: Entered according to an act of Congress in the year 1843 by H. R. Robinson in the clerk's office in the District court for the Sc District of N.Y., Artist's initial lower left corner., Publication information supplied by Reilly., LCP copy trimmed., Described in Nancy Reynolds Davison's E.W. Clay: American political caricaturist in the Jacksonian era (PhD diss., The University of Michigan, 1980), p. 249-50., Purchase 1958., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Clay, Edward Williams, 1799-1857, lithographer
Date: 1843
Location: Library Company of Philadelphia | Print Department political cartoons - 1843-8 [6264.F]

Title: The United States Senate A.D. 1850
Description: Proof of commemorative print depicting Henry Clay introducing his legislation known as the Compromise of 1850 to the Senate. The legislation aimed to prevent Southern secession and to address the extension of slavery into the territories. Depicts Clay, at the center of the Senate floor, standing with his right arm out from his side and addressing his fellow legislators that surround him, including Vice-President Millard Fillmore seated on a platform as President of the Senate; Daniel Webster, seated behind him and resting his head in his hand; and John C. Calhoun standing beside the seated Fillmore. The gallery is filled with white men and women spectators., Title from item., Date from copyright statement on copy in the collections of the Library of Congress: Entered according to Act of Congress, in the year 1855, by John M. Butler and Alfred Long, in the Clerk's Office of the District Court of the United States in and for the Eastern District of Pennsylvania., Text printed on recto: This engraving from the original picture is respectfully dedicated to the people of the United States by the publishers., Key to engraving in collections of the Library of Congress cites other sitters depicted including Thomas H. Benton, Lewis Cass, William H. Seward, William L. Dayton, Stephen A. Douglas, and Salmon P. Chase., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Whitechurch, Robert, 1814-approximately 1880, engraver
Date: [1855]
Location: Library Company of Philadelphia | Print Department ***GC - Slavery [P.2002.26]

Title: All on hobbies, gee up, gee ho!
Description: Cartoon depicting the possible candidates for the presidential election of 1840, riding hobby horses symbolizing their issues. President Van Buren leads the pack cheering on his "old hickory nag," "Sub Treasury," named after his financial program, which allowed independent agencies to administer federal funds. Politicians following Van Buren include: bullionist Senator Thomas Hart Benton on "Specie Currency," his "golden poney" which carries "more weight than any of them"; Senators Henry Clay and Daniel Webster, leading opponents to Van Buren's fiscal policy, bickering over their shared horse named after the defunct "United States Bank"; South Carolina Senator John C. Calhoun riding his "consistent" horse "State Rights and Nullification"; 1836 presidential nominee William Henry Harrison, attired in uniform, on his "Anti-Masonic" horse that keeps a "pretty easy pace" but may "lose his wind" if another scandal like the abduction and murder of mason William Morgan does not occur; and Congressman John Quincy Adams steering away from the group on his "Ebony" horse "Abolition.", Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838, by H.R. Robinson, in the Clerk's Office of the District Court of the United States for the Southern District of New York., Artist's initial lower left corner., Retrospective conversion record: original entry, edited., Described in Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD diss., The University of Michigan, 1980), p. 205., Accessioned 1989., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Clay, Edward Williams, 1799-1857, lithographer
Date: 1838
Location: Library Company of Philadelphia | Print Department political cartoons - 1838-1 [P.9249.8]

Title: Handicap race presidential stakes 1844
Description: Satire of the presidential election of 1844 depicting the potential candidates; Whig Henry Clay, and Democrats Martin Van Buren, Lewis Cass, John Calhoun, Richard M. Johnson, and John Tyler on various mounts racing for the White House. Clay riding a racoon leads the pack claiming that no one can overtake him. Van Buren follows riding a fox and holding a weather vane labeled "N" (North) and "S" (South) with the slogans "Free Trade Texas" and "Abolition Oregon" attached. He acknowledges that Lewis Cass is closing in. Cass on his hound gloats that he has finally overtaken the "old fox." Calhoun, positioned fourth, rides a lion with an enslaved African American man and child, portrayed in racist caricature, on his shoulders and bemoans his extra weight. Johnson, on foot and holding a hook, follows Calhoun stating he will "hook on" to whomever gets in. Last is Tyler, who switched political parties, trying to ride the two mounts of the "Loco Foco" (radical Democrats) donkey and the "Whig" horse., Title from item., Date from copyright statement: Entered according to act of Congress in year 1844 by J. Childs in the Clerk's Office in the District Court of the Southern District of N.Y., Gift of Mrs. Francis P. Garvan, 1977., Lib. Company. Annual report, 1977, p. 51-52., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African Americans of the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1844
Location: Library Company of Philadelphia | Print Department Political cartoons - 1844-55W [8366.F.36]

Title: Ribbons & Textiles Collection. 1832-1880 (inclusive)
Description: Series I, Politics (1840-1880) holds campaign, commemorative, and mourning ribbons for a variety of politicians. Series II, Celebrations, Organizations, and People (1832-1862) is arranged in those three subseries, and holds printed and woven commemorative ribbons printed to be worn in honor of events, societies, and men. Series III, Civil War and Patriotic Themes (1860-1878) has a wider variety of formats and material, and includes dress fabrics printed with patriotic legends and iconography. Series IV, Relics (1861-1862), holds fabric fragments which purport to have historic significance: pieces of the Secession flag torn down by Col. E. E. Ellsworth at the start of the war; a fragment from a banner flown by a ship from Georgia that entered Boston Harbor in April 1861; and a small piece of a flag from the Battle of Fort Donelson, Tennessee. Series V, Great Central Fair (1864) contains a variety of ribbons and textile badges from Philadelphia's Sanitary Fair. They were worn by committee members who participated in planning the fair and staffing its exhibition booths., Some parts of this collection were previously assigned accession numbers 1322.F, 5741.F, 5750.F, 5755.F, 5786.F, 5792.F, 5793.F, 5795.F, P.2003.38 (Doret)., John A. McAllister was an antiquarian collector living in Philadelphia.
Creator: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1832
Location: Library Company of Philadelphia | Books & Other Texts MSS McA 10090.F (McAllister)

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