Search results

Title: [Portrait of an unidentified woman]
Description: Bust-length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle, and looped behind the ears. She is attired in hoop earrings, a white collared chemisette, a dress with polka dots, and a dark-colored shawl. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Dark purple velvet. No design., Mat: Oval., Case: Leather. Surrounded by scrolls, a spray of lillies is in the center. Geometric design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.4]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle, crimped, and looped behind the ears. She is attired in a striped, long-sleeved dress with a wide lace collar, a brooch, black laced fingerless gloves, and a ribbon around her neck attached to a pair of spectacles. She rests her left arm on a table covered with a patterned tablecloth on which a book sits. Her right hand rests at her side below her waist. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Faded golden colored velvet. Geometric design in center surrounded by swirls., Mat: Double elliptical., Case: Leather. Geometric design: striated lines in the center within interlocking circles. Shell-like designs at the four corners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.5]

Title: [Portrait of an unidentified African American woman]
Description: Bust-length, forward facing portrait of a seated, African American woman whose eyes look to the right. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeved, silk dress with a white collar and cravat. A small, decorative button or brooch is pinned in the center of the collar. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with a single swirled feather design., Mat: Oval., Leather. Geometric design with a crosshatched oval surrounded by ovals, each of which has a flower in the center. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.8]

Title: [Portrait of an unidentified African American girl]
Description: Three-quarter length, forward facing portrait of an African American girl seated on a chair with an ornate, wooden back. Sitter has long, dark hair, parted in the middle, crimped, and tied in pig tails. She is attired in a dark-colored, short-sleeved dress with white lace decorating the cuffs. She clasps her hands together slightly and rests them at her waist. Her cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with fleur de lis in center surrounded by scrolls., Mat: Oval., Case: Leather. Geometric design with a six pointed star within a shield flanked by banners. Same design on verso., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on cover and on page 44 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.9]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of an African American woman seated on a chair. Sitter has long, dark hair, parted in the middle, and tied behind her head. She is attired in a dark-colored, diagonally striped, long-sleeved dress with a lace collar, a brooch, and a long necklace. She rests her left arm on a table covered with a patterned tablecloth, and her right hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Cinnamon colored velvet with one large leaf., Mat: Octogonal., Case: Leather. Design is curved octagon within scroll and is Plate 219 in Floyd and Marion Rinhart's American miniature case art (Cranbury, NJ: A. S. Barnes and Co., Inc., 1969). Case made by William Shew who was active in Boston in the 1840s. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021.
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.10]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has dark hair that is parted in the middle and combed close to and tied back behind her head. She is attired in a long-sleeved, button down, plaid dress with ruffles at the cuffs and wears a matching, round, brooch necklace and earrings. She rests her right forearm on a table and her hands, forming slight fists, rest in her lap. Her cheeks and lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet. Fleur de lis in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Geometric design featuring a six-pointed star within a shield flanked by banners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.7]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle with ringlet curls on either side of her face, and tied behind her head. She is attired in a long-sleeved dress with a lace collar, a brooch, and a ring. She rests her right arm on a table covered with a patterned tablecloth, and she clutches a purse in her right hand. Her left hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pad: Faded red silk., Mat: Nonpareil., Case: Leather. Geometric design: A striated circle in the center within a striated oval. Nonpareil border. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.6]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace, fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Dark purple velvet with a scroll design in the center., Mat: Oval., Case: Square thermoplastic. On recto is a leaf design surrounded by scrolls. This design is #3-128 reproduced in Paul K. Berg's nineteenth century photographic cases and wall frames (Huntington Beach, Ca. 92647: Huntington Valley Press, 1995.) The design on the verso is a bunch of grapes, #2-25 in Berg's book., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021., Lib. Company. Annual report, 1993, p. 17-24.
Date: [ca. 1850-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos -Dickerson Family Collection [P.9427.16]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, front facing portrait of a seated African American woman. Sitter has dark hair, parted in the middle, crimped, and looped behind her ears. She is attired in a dark-colored, silk dress with long, bell-shaped sleeves with trim details and ruching below the shoulder. She also wears a lace collar and cuffs. A pin adorns the front of her collar. She rests her left forearm on a book which sits atop a table covered in a patterned cloth in the right of the image. A ribbon adorns her left wrist and she wears a ring on her left forefinger. Her right hand rests in her lap. Her lips and upper cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Tinting on sitter's lips and upper cheeks., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Case design showing small vase of flowers in the center surrounded by ornate decorations is called "Flower Vase Motif" and is Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., Die-engraver's name on case design reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.15]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of an African American woman seated on a chair with an ornate, wooden back. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeve button-down, silk dress with a lace collar and cuffs. A broach adorns her collar. She also rests her right forearm and hand on a book which sits atop a table covered in a patterned cloth in the left of the image. She wears a ring on her right hand and her left hand, in a slight fist, rests in her lap. Her cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Tinting on cheeks., Pad: Dark red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Same design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Reproduced on cover and on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.12]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pink tinting on lips., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Small vase of flowers in the center surrounded by ornate decorations. The"Flower Vase" design is reproduced as Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., The die-engraver's name is below the design in reverse, and properly reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000), Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.11]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of an African American woman seated on a chair. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved dress with a white chemisette with a collar and under sleeves, a brooch, and a ring. She rests her left arm on a table covered with a patterned tablecloth, and her right hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Faded red velvet with small floral spray in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Case design of a bouquet of flowers in an urn within a nonpareil border is called "The Romanesque Urn" and is Plate 141 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.14]

Title: [Portrait of an unidentified man]
Description: Bust-length, forward facing portrait of an African American man. Sitter is attired in a white collared shirt, a black bowtie, and a black jacket. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pad: Red/brown velvet with geometric design in center surrounded by scrolls., Mat: Oval., Case: Leather. Spray of flowers in a nonpareil like border. Scroll work all around. Plain verso. Design called "Lily and Rose" and is Plate 114 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.), Gift of Mary P. Dunn, 1993., Reproduced on cover and on page 42 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.2]

Title: [Portrait of an unidentified man]
Description: Bust-length, portrait of an African American man facing slightly right. Sitter is attired in a white collared shirt and a dark-colored necktie and jacket. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic medium and sitter's attire., Pad: Red velvet with geometric design in center surrounded by scrolls., Mat: Oval., Case: Leather. A small floral spray is within a curlicued border within a modified oval. Scroll work all around. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.1]

Title: Philadelphia fashions, spring & summer 1845, by S. A. & A. F. Ward no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 16 elegantly attired men, women, and boys in a parlor and outdoor setting. Upper panel shows the parlor scene. A couple in bed coats sits on a chaise lounge. The man accompanied by a boy, attired in a military-style suit, talks to another man, wearing a suit with patterned pants. The woman talks with another lady attired in a bonnet, shawl, and full skirt. A third gentleman stands near two columns to the left. He wears a suit with a lavishly patterned vest and striped pants. On the opposite side of the columns, two women in evening dresses sit at a piano. One wears a feather in her hair and the other wears an elaborate up do with ringlettes on the side. Two men in evening suits join them. Furnishings also includes a framed painting and mosaic carpeting. Lower panel shows the outdoor scene. At the banks of a river, possibly the Schuylkill, 5 men, one woman, and a boy are gathered. The woman, at the center of the scene, wears a riding habit and sits side saddle on her horse. Her male companion, in a riding suit, stands next to her, dismounted from his horse. To the left, a man in a hunting outfit and with a dog stands between two men in suits and top hats. To the right, a man attired in an overcoat stands with a boy, attired in a suit. Each wears a top hat. All the men wear pants of various patterns and different styles of neckwear. Most carry a cane and the hunter holds a rifle. Most of the depicted men have some facial hair. Key numbered 1-9 and 10-15 printed above and below the image., Not in Wainwright., Philadelphia on Stone, POSP 179
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.2007.28.28]

Title: Fashions by S.A. & A.F. Ward, spring & summer 1850, no. 62 Walnut St. Philad
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and an outdoor setting. Scenes surrounded by a border designed as tree branches and tools of the design trade, including rulers, scissors and protractors. Upper panel shows the parlor scene. At the center of the panel, two men stand showing their backs as they peer at the countryside from the curtained window. They are flanked by two groups conversing in the parlor. On the left side, a woman attired in a bonnet, long pleated shirtwaist, and white gloves stands in the middle of two men attired in long jackets, vests, and neck ties. The men on the right side wear the same style, while the woman wears a dress with a low cut neckline, gloves, and a small hat. Many of the depicted men have mustaches and or sideburns. Furniture in the parlor includes a high back chair, wing chair and an ottoman. Lower panel shows a beach scene and a hunting scene. Dividing the two are a man and a woman mounted on horses. The woman sits sidesaddle in a long skirt, shirtwaist, and hat. Her male companion, and the men gathered in front of their horses, are attired in vests, jackets, cravats and top hats. A casually-dressed, barefoot man, wearing loose trousers and an unbuttoned white shirt, observes the scene from a distance. On the opposite side of the horses, two men gather their prey from a recent hunting expedition. One man stands with a rifle in his right hand and points at the dead hare and fowl at his feet as another man, more casually dressed, puts the kill in a sack. A dog is curled up, asleep at their feet., Not in Wainwright., Philadelphia on Stone, POSP 69, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3070]
Date: [1850]
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3070]

Title: Fashions by S.A & A.F. Ward spring & summer No. 62 Walnut Philada. 1852
Description: Fashion advertisement containing two panelled scenes of 17 elegantly attired men, women, and children in a parlor and an outdoor, country setting. Scenes surrounded by a border designed as foliage and filigree. Upper panel shows the parlor scene. Three men attired in suits, top hats and canes converse. One man leans against a writing desk, one shows his back, and the other man is seated in a wingback chair . At the center of the panel, a woman wearing a full dress with wide sleeves stands with a boy, a girl, and a puppy. A man wrapped in a lavish robe and fez hat sits on chaise lounge, looking right in the direction of two men who stand and converse. Lower panel shows a country scene. At the center of the scene two women attired in long-sleeve dresses and plumed hats are seated sidesaddle on horses. The men flanking the two women are attired in vests, jackets, cravats and top hats and some hold canes. One of the men rests his right hand on a rifle. A boy dressed in a vest, pants, boots and cap plays with a hoop and watches the horses. Many of the depicted men have mustaches and or sideburns. Key numbered 1-17 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 71, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3067]
Date: 1852
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3067]

Title: Fashions for spring and summer 1853 by S.A. & A.F. Ward, No. 62 Walnut Street Philadelphia, Pa
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and a fair setting. Upper panel shows the parlor scene. Eight of the nine men are attired in jackets, vests, cravats, top hats and canes. Some wear plaid and striped pants. One man, seated with sheet music in his lap and a stringed instrument by his side, is attired in an elaborate silk robe. The remaining men, most standing, converse in groups and study framed images hanging on the wall. The left image is a landscape, and the right depicts a portrait of an older man. Lower panel shows the New York Crystal Palace, an exhibition building designed by Georg Carstensen and German architect Charles Gildemeister and constructed for the Exhibition of the Industry of All Nations in New York City in 1853. View includes foot, carriage, and omnibus traffic. Couples, children and dogs stroll the grounds. In the foreground, flanking the view of the exhibition building, are six figures, including a gentleman standing with his back shown, looking at a woman on a horse and a boy holding a watering can. The man is attired in a jacket, top hat and cane, and the boy wears a ruffled cape-like jacket, knickers and a cap. The woman, sitting sidesaddle, wears a dress, jacket, gloves and a plumed hat. On the right side, two men stand with a boy. All of them wear jackets, vests, cravats, patterned pants, boots and hats. One man holds a rifle in his left hand. Many of the depicted men have mustaches and or sideburns. New York's 1853 exhibition was held on the site now home to Bryant Park. A fire destroyed the exhibition building in 1858., Not in Wainwright., Philadelphia on Stone, POSP 76, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3068]
Date: 1853
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3068]

Title: Fashions, fall & winter, 1850-1, by S.A. & A.F. Ward, No. 62 Walnut St., Philadelphia
Description: Fashion advertisement containing two panelled scenes of 21 elegantly attired men, women, and children in outdoor settings. Scenes surrounded by a border designed as bare tree branches. Upper panel shows five men, three women, and two boys dressed in autumn clothing. All of the men wear jackets, vests, and cravats. Some wear, or hold, top hats, and one man sports a double-breasted coat. One woman is attired in a long-sleeve, high-collared dress, and wears a hat adorned with a feather. She is about to clasp the hand of a boy standing with her, who is dressed similarly to the men in the image, with a long waisted jacket and pants. The woman in the center is attired in pearls, bangles, and an elaborate, shoulder-bearing dress with a flounced skirt. The woman to her right shows only her profile, and is covered in a bonnet and ruffled shawl over her skirt. Another boy, dressed in a cropped jacket, pants, and a cap, stands nearby. Lower panel shows a winter snow scene in the country. Ten men and one boy stand conversing in their layered winter clothing, which includes jackets, capes, coats, vests, cravats, pants, boots and hats. Some wear gloves and hold canes. Many of the depicted men have mustaches and or sideburns. Snow, bare trees, fences, and a country house are visible in the background., Not in Wainwright., Philadelphia on Stone, POSP 71, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3074]
Date: 1850
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3074]

Title: Fashions for fall and winter 1848-9 by S.A. & A.F. Ward, no. 62 Walnut Street, Philadelphia, Pa
Description: Fashion advertisement containing two panelled scenes of 20 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows six men and two women conversing in a parlor decorated with fine furniture and carpet. All of the men wear long jackets, vests, pants, and cravats. Some hold top hats and canes and wear gloves. An older gentleman is seated in a wing back chair with a paper in his left hand. Attired in high collared, long-sleeve dresses, one of the women holds a hankerchief and the other wears a top hat with a veil. Lower panel shows a fall scene of eight men and four boys standing and conversing in a field near a body of water. They are dressed in layers of clothing, including coats, capes, vests, cravats, striped pants, plaid plants, boots, top hats, and gloves. Two men hold canes and another a rifle. Many of the depicted men have mustaches and or sideburns. The boys, similarly dressed in long jackets, pants, boots, and caps, hold canes and a hoop. Buildings, possibly country homes, are visible in the background., Not in Wainwright., Illegible signature in lower right corner., Philadelphia on Stone, POSP 74, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3073]
Date: 1848
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3073]

Title: Fashions. Fall & winter. 1852-3, S.A. & A.F. Ward no. 62 Walnut St. Phila
Description: Fashion advertisement containing two panelled scenes of 21 elegantly attired men, women, and children in two outdoor settings. Scenes surrounded by a border designed as tree branches, filigree and scissors. Cherubic figures sewing and ironing flank the title at the bottom of the print. Upper panel shows 5 men, 1 woman, 4 boys and 2 girls socializing on a dirt pathway overlooking the city. At the center of the panel, the oldest boy sits on a bench telling the younger children a story. Three men converse on the left side, one with his back to the viewer, and on the right side, two men and a woman stand looking in the direction of the others. All of the men wear or hold hats and are attired in suits, including two in striped pants. The woman wears a full brown dress decorated with floral designs and alternating bands of different fabric. The boys are attired in jackets and ties, and two wear hats. The girls wear dresses, tights, boots and hats. Lower panel shows 7 men, a woman and a boy adorned in winter capes and jackets. The men and the boy wear striped or checkered pants, overcoats or capes, and sport top hats or caps. The woman wears a shirt waist and skirt with the ruching of her undershirt tied at her neck and a plumed hat secured by a strap under her chin. Behind her a man tries to reign in a horse. The boy holds a book opened to a sketch or an illustration. Many of the depicted men have mustaches and or sideburns. A steamboat is visible on the body of water in the background, not far from a factory building on the mountainous shoreline., Not in Wainwright., Philadelphia on Stone, POSP 73, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3072]
Date: [1852]
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3072]

Title: Two of the killers
Description: View showing two outlandishly-attired members of the Philadelphia gang known as the "Killers" carousing on the street. One sits on a fire hydrant and the other leans against a lamp pole (posted with a "Sale" notice") at a street tenanted by a "Grocery" and adorned with broadsides. The men wear patterned pants, jackets with tails, oversized neck ties, and top hats. One also wears a pin adorned "K." They each have their hands in their pockets and smoke cigarettes. The grocery displays a barrel of brooms in addition to signs reading "Coffee Sugar Tea" and "Teas Coffee 5." The broadsides adorning the opposite building advertise "Auction this Evening" and "Circus The Old Man of the Mountain..... Dan Rice Clown." The playbill is illustrated with a scene of an equestrian trick. The "Killers," organized circa 1846, were a band of young men who menaced the Moyamensing neighborhood and were associated with the Moyamensing Hose Company and the Democratic Keystone Club., Date from Poulson inscription on recto: 1848., Wainwright suggests date of circa 1855., Philadelphia on Stone, POS 761, Wainwright retrospective conversion project, edited., Reproduced in Edwin Wolf's Philadelphia: Portrait of American city (Published by Camino Books in cooperation the Library Company of Philadelphia, 1990), page 199.
Date: [1848]
Location: Library Company of Philadelphia | Print Department *W408 [P.2219]

Title: Life in Philadelphia. "Behold thou art fair Deborah,..."
Description: Caricature satirizing the manners of Quakers and depicting a white Quaker couple, Deborah and Timothy, courting in front of a fireplace in a sitting room. In the right, Timothy, depicted in left profile sits stiffly in a wooden, straight back chair with his hat in his lap. He is portrayed with full lips, a pronounced nose, and large ears and with his brown hair in a cowlick at the back top of his head. He wears a brown long coat, brown pants, and tied shoes. He compliments Deborah by reciting verses from the biblical love poem Song of Solomon. In the right, Deborah, portrayed facing the viewer, and looking down, sits stiffly in a wooden, straight back chair with her hands in her lap. She is attired in a brown plain, long-sleeved dress, and a white kerchief over her shoulders. She also wears a white cap out of which sprays of her brown hair are visible on her forehead. Dorothy replies she is overcome by him and recites that his hair is like a flock of goats "from Gilead." A small dog with a curled tail sits between their feet. Also shows, in the background, wooden, straight back chairs flanking the mantelpiece of the fireplace on which two candles rest., Title from item., Date inferred from content., Plate 2 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert of New York., Contains five lines of dialogue below the image: Behold thou art fair Deborah, thou hast doves eyes! Behold thou art fair Deborah, yea pleasant! Turn away thine eyes from me, Timothy, for they overcome me; thy hair is a flock of goats that appear from Gilead!, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Accessioned 1999.
Date: [ca. 1830]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (New York Set) [P.9701.6]

Title: Life in Philadelphia. "Is Miss Dinah at home?"
Description: Racist caricature depicting a well-dressed, middle-class African American dandy, his right side toward the viewer, calling upon "Miss Dinah" on the outside of her basement apartment. He wears a black top hat, bright green waistcoat, tan pants, yellow gloves, and black slipper shoes adorned with bows. He holds a walking stick perpendicular to his thigh and a fob hangs away from his coat. An African American woman servant, wearing short-cropped hair and earrings, and attired in a red, short-sleeved dress and blue apron, stands at the open cellar doors and informs the suitor that Miss Dinah "is bery pertickly engaged in washing de dishes." She holds out a silver tray to collect the dandy's calling card. The dandy states that he is sorry that he "cant have the honour to pay [his] devours to her" and slightly crouches to place his card on the tray. The figures are portrayed with oversized and exaggerated features. Scene also shows an adjacent basement cellar with open doors and views of shuttered windows on the first floor to "Dinah's" residence and those adjoining, Title from item., Date inferred from content., Inscribed: No. 5., After the work of Edward W. Clay., Probably printed and published by Anthony Imbert of New York., Contains three lines of dialogue in the vernacular and dialect below the image: "Is Miss Dinah at home?""Yes sir but she bery pertickly engaged in washing de dishes.""Ah! I'm sorry I can't have the honour to pay my devours to her. Give her my card.", Shane White and Graham White's Stylin': African American Expressive Culture (Ithaca: Cornell University Press, 1998), p. 108. (LCP Ii 4, A2880.O)., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., the University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O), Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.2]

Title: Life in Philadelphia. "How you find yourself dis hot weader Miss Chloe?"
Description: Racist caricature mocking the ambitions of free Blacks depicting, "Mr. Cesar," an African American dandy asking an African American belle how she finds herself in "dis hot weader?" "Miss Chloe," responds that she is doing well, but "aspires too much!" In the left, the man stands and faces the woman, in the right, and whose back is to the viewer. The man is attired in a blue waistcoat with a black collar, a white vest, pink cravat, white pants, gloves, and black slipper shoes. He holds a walking stick perpendicular to the ground in his right hand. The woman is attired in a yellow, puff-sleeved, ankle-length dress and with a pink neckerchief, wide-brimmed yellow hat with a long veil and adorned with several pink flowers and blue ribbon, gloves, and white slipper shoes. She also wears a necklace and earrings. She holds a purse and fan in her left hand and a parasol in her right hand. The man and woman stand on a grassy knoll. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content., Inscribed: P. 4., After the work of Edward W. Clay., Probably published by Anthony Imbert., Contains three lines of dialogue in the vernacular and dialect below the image: “How you find yourself dis hot weader Miss Chloe?” “Pretty well I tank you Mr. Cesar only I aspire too much!”, RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.1]

Title: Life in Philadelphia. "Shall I hab de honour to dance de next quadrille...?"
Description: Racist caricature ridiculing the etiquette of attendees of an African American dance ball. Depicts, in the right and in profile, "Mr. Cato," an African American man dressed in a blue coat with tails and a black collar, white pantaloons and stockings, ruffled white shirt, yellow gloves, a gold neck fob, and black slipper shoes bowing with his hat in his hand to invite "Miss Minta" to dance. In the left, "Miss Minta," a curvaceous African American woman, forward facing, her head turned to the right, and dressed in a pink, cap-sleeved gown with an apron detail, a large pink headpiece, white opera gloves, and several pieces of jewelry, including a neck fob, bracelets, armlets, and earrings, declines his invitation because she is already "engaged for de nine next set." She also slightly holds up the lower right corner of her apron with her right hand. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Scene also includes background imagery depicting other African American men and women ball attendees., Title from item., Date inferred from content., Inscribed: No. 6., Plate 5 of the original series published in Philadelphia., Probably published by Anthony Imbert of New York., Shane White and Graham White's Stylin': African American Expressive Culture... (Ithaca: Cornell University Press, 1998), p. 98. (LCP Ii4, A2880.O)., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.3]

Title: Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?"
Description: Racist caricature depicting two African American masons in regalia, shaking hands, and discussing the abduction of William Morgan, a white New York mason who threatened to expose the organization's secrets. In the right, the one mason, a short, rotund man is attired in a long, blue waistcoat, black pants, a masonic apron, a red sash, yellow gloves and black slip on shoes. He holds a top hat in his left hand and shakes with his right. In the left, the other mason, a tall, thin man is attired in a long, brown waistcoat, a red cravat, brown stirrup pants over black shoes, and a masonic apron. He holds a top hat in his left hand and shakes with his right. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. The men are shown standing on a patch of ground with greenery delineated by brown and green hand-coloring., Title from item., Date inferred from content., Plate 6 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert., Contains four lines of dialogue in the vernacular and dialect below the image: “Well brudder what ‘fect you tink Morgan’s deduction gwang to hab on our siety of free masons?” “Pon honour I tink he look radder black, fraid we lose de ‘lection in New York!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.4]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a blue waistcoat, white vest, red cravat, tan pants, and black slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched blue pants, a green jacket with an elbow patch, a red vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content., Plate 7 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert of New York., Contains seven lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1968.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.5]

Title: Life in Philadelphia. "Have you any flesh coloured silk stockings...?"
Description: Racist caricature of an African American woman shopping for a pair of "flesh coloured silk stockings" in a hosiery store with a white male sales clerk speaking with a French dialect. Depicts, in the center right, the woman standing at the blue and white counter in front of the clerk who holds up a pair of brown-colored stockings from out of a rectangular box. She is attired in a pink floral patterned dress, as well as tall, wide-brimmed pink hat adorned with several flowers, greenery, and a veil and long yellow ribbon, white gloves, earrings, and tan button-up boots. She rests her white, flower-patterned purse on the counter and holds up a monocle from the end of her neck fob to inspect the stockings that the clerk declares are of "de first qualite!" Her green parasol rests against the counter. Rows of stockings, including in the color of blue and pink, hang on the wall behind the clerk. The clerk is attired in a tan waistcoat with tails, a white vest, purple cravat, and purple pants. In the right, an African American woman attired in a blue polka dot dress and tall, wide brimmed hat adorned with ribbons is seen in the doorway of the shop in which purple and white curtains hang and are pushed to the side. The wheel of a carriage is seen behind the woman. The figures are portrayed with oversized and exaggerated features. The women’s skin tone is depicted with black hand coloring. The man is depicted with dark brown, curled hair., Title from item., Date inferred from content., Plate 11 of the original series published in Philadelphia., After the work of Edward W. Clay., Possibly by New York lithographer Curtis Burr Graham (1814-1890)., Contains five lines of dialogue in the vernacular and dialect above the image: Have you any flesh coloured silk stockings, young man? Oui Madame! here is von pair of de first qualité!, RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [P.9701.10]

Title: Life in Philadelphia. "Have you any flesh coloured silk stockings...?"
Description: Racist caricature of an African American woman shopping for a pair of "flesh coloured silk stockings" in a hosiery store with a white male sales clerk speaking with a French dialect. Depicts, in the center left, the woman standing at the green counter in front of the clerk who holds up a pair of black-colored stockings from out of a rectangular box. She is attired in a pink floral patterned dress, as well as yellow tall, wide-brimmed floral-patterned hat adorned with purple flowers, greenery, and a veil and long yellow floral-patterned ribbon, yellow gloves, earrings, and green and red button-up boots. She rests her white, polka-dot-patterned purse on the counter and holds up a monocle from the end of her neck fob to inspect the stockings that the clerk declares are of "de first qualite!" Her yellow parasol rests against the counter. Rows of brown, white, pink, black, and tan stockings and fashion accessories hang on the wall behind the clerk. The clerk is attired in a green waistcoat with tails, a blue vest, white cravat, and white pants. In the left, an African American woman attired in a blue polka dot dress with pink neckerchief and tall, wide brimmed hat adorned with a veil and yellow ribbons is seen in the doorway of the shop in which multi-color curtains hang and are pushed to the side. A shelf lined with bolts of textiles hangs above the doorway. The wheel of a carriage is seen behind the woman. The figures are portrayed with oversized and exaggerated features. The woman’s skin tone is depicted with black hand coloring. The man is depicted with rosy cheeks and brown, curled hair., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Plate 11 of the original series of Life in Philadelphia., Contains five lines of dialogue in the vernacular and dialect above the image: Have you any flesh coloured silk stockings, young man? Oui Madame! here is von pair of de first qualité!, Inscribed: No. 9., Charles Hunt was a respected London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9710.9]

Title: [Life in Philadelphia miniatures]
Description: Five cartes-de-visite size racist and sexist social caricatures derived from the series "Life in Philadelphia," including figures in brightly colored and ornately patterned fashion. Lines of dialogue are included below the images. Depicts a scene of a white man sexually harassing a white woman, their fashion caricatured (P.9717.1); a thwarted celebration of the election of Andrew Jackson centered on an African American man and boy portrayed in caricature (P.9717.2); a discussion of hot weather between an African American man and woman portrayed in caricature (P.9717.3); a dance ball centered on an African American man and woman portrayed in caricature ((P.9717.4); and the purchase of silk stockings by an African American woman portrayed in caricature (P.9717.5). The prints are captioned respectively: "Good Evening Miss..."; "Why for you hurrah for General Jackson?"; "How you find yourself dis hot weder Miss Chloe?"; "Shall I hab de honor to dance de next quadrille...?"; and "Have you any flesh colored silk stockings...?" The scenes also contain detailed backgrounds that include cityscape, pedestrian traffic, figures at celebration, bucolic scenery, the interior of a ballroom with white attendees, and the interior of a clothing store attended by a white man clerk speaking with a French dialect. The African American figures are portrayed with exaggerated features and stances. The white woman figure is portrayed with an exaggerated silhouette because of her fashion comprised of a bell-shaped overcoat and dress., Title supplied by cataloguer., Date inferred from content., P.9717.1 contains lines of dialogue below the image: Good evening Miss, shall I have the pleasure of walking with you._ Me Sir!! for whom do you take me, Sir?_ Come that’s a good one!-for whom do I take you? Why for myself to be sure., P.9717.2 contains lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson. Why for you hurrah for General Jackson – you black Nigger – I’ll larn you better – I’m a ministration man., P.9717.3 contains lines of dialogue in the vernacular and dialect below the image: How you find yourself dis hot weder Miss Chloe? Pretty well I tank you Mr. Cesar, only I aspire too much., P.9717.4 contains lines of dialogue in the vernacular and dialect below the image: Shall I habe de honour to dance next Quadrille wid you Miss Minta. Tank you Mr. Cato wid much pleasure only I’, engaged for de next nine Set!”, P.9717.5 contains lines of dialogue in the vernacular and dialect below the image: Have you any Flesh color’d Silk Stockings young Man? Oui Madame! Her is von pair of de first quality., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9717.1-.5]

Title: [Life in Philadelphia miniatures]
Description: Five cartes-de-visite size racist and sexist social caricatures derived from the series "Life in Philadelphia," including figures in brightly colored and ornately patterned fashion. Lines of dialogue are included below the images. Depicts a scene of a white man sexually harassing a white woman, their fashion caricatured (P.9717.1); a thwarted celebration of the election of Andrew Jackson centered on an African American man and boy portrayed in caricature (P.9717.2); a discussion of hot weather between an African American man and woman portrayed in caricature (P.9717.3); a dance ball centered on an African American man and woman portrayed in caricature ((P.9717.4); and the purchase of silk stockings by an African American woman portrayed in caricature (P.9717.5). The prints are captioned respectively: "Good Evening Miss..."; "Why for you hurrah for General Jackson?"; "How you find yourself dis hot weder Miss Chloe?"; "Shall I hab de honor to dance de next quadrille...?"; and "Have you any flesh colored silk stockings...?" The scenes also contain detailed backgrounds that include cityscape, pedestrian traffic, figures at celebration, bucolic scenery, the interior of a ballroom with white attendees, and the interior of a clothing store attended by a white man clerk speaking with a French dialect. The African American figures are portrayed with exaggerated features and stances. The white woman figure is portrayed with an exaggerated silhouette because of her fashion comprised of a bell-shaped overcoat and dress., Title supplied by cataloguer., Date inferred from content., P.9717.1 contains lines of dialogue below the image: Good evening Miss, shall I have the pleasure of walking with you._ Me Sir!! for whom do you take me, Sir?_ Come that’s a good one!-for whom do I take you? Why for myself to be sure., P.9717.2 contains lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson. Why for you hurrah for General Jackson – you black Nigger – I’ll larn you better – I’m a ministration man., P.9717.3 contains lines of dialogue in the vernacular and dialect below the image: How you find yourself dis hot weder Miss Chloe? Pretty well I tank you Mr. Cesar, only I aspire too much., P.9717.4 contains lines of dialogue in the vernacular and dialect below the image: Shall I habe de honour to dance next Quadrille wid you Miss Minta. Tank you Mr. Cato wid much pleasure only I’, engaged for de next nine Set!”, P.9717.5 contains lines of dialogue in the vernacular and dialect below the image: Have you any Flesh color’d Silk Stockings young Man? Oui Madame! Her is von pair of de first quality., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9717.1-.5]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)

Title: Life in Philadelphia. The cut direct. or how to get up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]

Title: Life in Philadelphia. "Have you any flesh coloured silk stockings...?"
Description: Racist caricature of an African American woman shopping for a pair of "flesh coloured silk stockings" in a hosiery store with a white male sales clerk speaking with a French dialect. Depicts, in the center left, the woman standing at the blue counter in front of the clerk who holds up a pair of black-colored stockings from out of a rectangular box. She is attired in a yellow floral patterned dress, as well as tall, wide-brimmed floral-patterned hat adorned with yellow flowers, greenery, and a veil and long floral-patterned ribbon, white gloves, earrings, and white button-up boots. She rests her pink, polka-dot-patterned purse on the counter and holds up a monocle from the end of her neck fob to inspect the stockings that the clerk declares are of "de first qualite!" Her brown parasol rests against the counter. Rows of red, blue, brown, black, and yellow stockings and fashion accessories hang on the wall behind the clerk. The clerk is attired in a green waistcoat with tails, a blue vest, white cravat, and white pants. In the left, an African American woman attired in a pink polka dot dress and tall, wide brimmed hat adorned with a veil and green ribbons is seen in the doorway of the shop in which curtains hang and are pushed to the side. A shelf lined with bolts of textiles hangs above the doorway. The wheel of a carriage is seen behind the woman. The figures are portrayed with oversized and exaggerated features. The central woman figure’s skin tone is depicted with black hand coloring and the woman figure in the doorway’s skin tone is depicted with brown hand coloring. The man is depicted with rosy cheeks and brown, curled hair., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Plate 11 of the original series of Life in Philadelphia., Contains five lines of dialogue in the vernacular and dialect above the image: Have you any flesh coloured silk stockings, young man? Oui Madame! here is von pair of de first qualité!, Charles Hunt was a respected London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9707.3]

Title: [Gutekunst and Haldt family cased photograph collection]
Description: Collection of cased photographs of sitters related to cabinet maker Frederick Gutekunst, his son and photographer Frederick Gutekunst, and his son-in-law and photographer Jacob Haldt. Majority of the sitters (men, women, and children) are unidentified. Identified sitters include Frederick L. Gutekunst, and Katherine (Katie) Gutekunst, son and daughter of photographer Gutekunst, photographer Jacob Haldt, and Tomas Hernandes, “the friend who was with Mr. Peale since he came to Pto [ Puerto] Rico until the last moment.” Includes bust, half, three-quarter, and full-length portraits with sitters mostly posed seated. Many of the women sitters wear long-sleeved dresses with collars. Some images also include a scenic backdrop (P.2020.12.13) or depict props, including side tables and a book on which an unidentified girl leans as she sits on a table (P.2020.12.11). Also includes a daguerreotype depicting a woman holding a baby inscribed “Isaac, Mary Jane & Charles Burr” on verso of the plate., Title supplied by cataloger., Date inferred from photographic medium and age and attire of sitters., Photographers include Frederick Gutekunst, Gutekunst & Bro., and Lemuel H. Purnell., Various-shaped mats, including oval, elliptical, double elliptical, square, and quarterfoil., Various colored pads, including red, purple, black, green, and maroon velvet, some with embossing. Embossings include photographer’s imprints and/or imagery. Imagery includes floral and ornament designs and scroll work., Leather and thermoplastic cases. Case designs vary, and include floral, ornament, emblem, geometric, and scroll designs. Designs also include a double-sided bookcase format as well as Seated woman holding child and pets, plate 30 and Berry motif, plate 99 in American miniature case art by Floyd and Marion Rinhart (Cranbury, New Jersey: A.S. Barnes and Co., Inc., 1969)., P.2020.12.2-3 and P.2020.12.6-9 contains daguerrean's imprint on pad., Several of the images contain weeping glass deterioration, tarnished plates, or other damage., Basic inventory of collection available at repository.
Date: [ca. 1850-ca. 1870]
Location: Library Company of Philadelphia | Print Department cased photos - Gutekunst and Haldt Family [P.2020.12.1-22]

Title: [Life in Philadelphia scraps]
Description: Series of trimmed, captioned scraps containing racist African American imagery based on the “Life in Philadelphia” series after the designs of Edward W. Clay first published 1828-1830. The series of primarily racist social caricatures lampooned the etiquette and conventions of early 19th-century, middle-class Philadelphians, particularly the growing community of free African American persons. Caricatures depict scenes of courtship, society balls, fashion, freemasonry, and the election of Andrew Jackson, as well as sexism, sexual harassment, and sexual innuendo. The figures are portrayed with oversized and exaggerated features and often in the fashion of dandies and belles. Scenes include an African American man leaving his card for “Clotilda” at her basement apartment door within the dishcloth of her African American woman house servant before him (P.2021.28.1a); an African American man-woman couple stopped during their walk in a park to watch a man watching them (P.2021.28.1b); an African American ball at which an African American man attendee asks an African American woman attendee for a dance in front of other African American attendees in the background (P.2021.28.2a); an African American man sexually harassing an African American woman on a city street (P.2021.28.2b); an African American woman and man in conversation on a Sunday (“day of our lord”)(P.2021.28.3a);, African American couple “Mr. Lorenzo” and “Miss Chloe,” seated on a couch, by a window, in a parlor in conversation (P.2021.28.3b); an African American ball at which an African American woman attendee asks an African American man attendee if he likes the waltz in front of other African American attendees in the background (P.2021.28.4a); an African American woman in a dry goods store asking a white man sales clerk, who speaks with a French dialect, about stockings (P.2021.28.4b); an African American military volunteer chastising an African American boy drummer at a military encampment (P.2021.28.5a); an African American man-woman musical couple where she plays the guitar and he sings “Coal Black Rose”(P.2021.28.5b); two African American masons in conversation about “Gen’l Jackson” in front of an altar at a masonic hall (P.2021.28.6a); an African American woman, “Dinah,” being asked by an African American man, “Mr. Durang,” about his new checkered “fashion trousers” (P.2021.28.6b). Women figures are attired in wide-brimmed, and/or ornately adorned, wide-brimmed hats or headpieces, puff-sleeved dresses or a hooded cape in ornate patterns, as well as gloves, slipper shoes, jewelry, and monocles. Men figures are attired in top or wide-brimmed hats, waistcoats, vests, large bowties, trousers or pantaloons, military uniform, masonic regalia, gloves, and slipper shoes or boots. Accessories held by the figures include purses, umbrellas, fans, walking sticks., Scenes also include detailed backgrounds and interior and exterior settings including residential facades; dogs; a white man seated on a bench in a park; ballrooms with attendees and a band playing in a balcony; a section of a city street with a guardhouse; parlors; a counter at a dry goods store; a volunteer military encampment; a masonic hall; as well as pieces of furniture, such as chairs, mantles, and side tables., Title supplied by cataloguer., Date inferred from content., P.2021.28.1a contains three lines of dialogue in the vernacular and dialect below the image: Is Miss Clotilda at home? No sir she’s particularly ingaged in washing de dishes – Ah! give her my card!, P.2021.28.1b contains two lines of dialogue in the vernacular and dialect below the image: Vol is you looking at my dear? Vy I’m looking at dat imperent fellow vat’s laughing at us?, P.2021.28.2a contains three lines of dialogue in the vernacular and dialect below the image: Will you hona me wid your hand for de next codrille Miss Manda? Tank you sa’ but I’m ingaged for de nest ten set!, P.2021.28.2b contains two lines of dialogue in the vernacular and dialect below the image: What do you take me for? you black nigger? Why I take you for myself to be sure., P.2021.28.3a contains two lines of dialogue in the vernacular and dialect below the image: Bery hot dis day of our lord Mr. Cesa! Berry hot indeed Miss Juliet – de terometa is 96 degree above joho., P.2021.28.3b contains two lines of dialogue in the vernacular and dialect below the image: Mr. Lorenzo dat’s a nice dog you’ve got” Lord! Miss Chloe., P.2021.28.4a contains two lines of dialogue in the vernacular and dialect below the image: do you walse Mr. Wellington? No, my dear creta_ It’s to common. I go nothin but de Manourkey!, P.2021.28.4b contains two lines of dialogue in the vernacular and French dialect below the image: Have you any flesh coloured silk stockings, Sir? Oui Mamselle here is von pair of de last Parisian touch-, P.2021.28.5a contains two lines of dialogue in the vernacular and dialect below the image: You say I belong to de milishy you black varmont. I’ll let you know I’m a wolunteer., P.2021.28.5b contains two lines of dialogue in the vernacular and dialect below the image: How will your voice harmonize wid de sentiment. Mr. Cato you quite equal to Horn!, P.2021.28.6a contains three lines of dialogue in the vernacular and dialect below the image: Well brudder Jones what you tink of Genl Jackson now? Day say he’s gwang to be Anti Masonic! I don’t know, I tink dat depend on de new cabinet., P.2021.28.6b contains three lines of dialogue in the vernacular and dialect below the image: How you like de new fashion trousers Dinah. Oh quite lubly! You look like Mr. Durang when he play harlequin in de masqarade., Printed in upper left corner of P.2021.28.1a: [E?]dition., Printed in upper right corner of P.2021.28.2a and trimmed: 2nd E?[dition?], RVCDC
Date: [ca. 1838-ca. 1855]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Miscellaneous) [P.2021.28.1a-6b]

Title: Testimonial banquet to Ms. Eugenia M. Neal. Daughter Ruler Keystone Temple, No. 448 I.B.P.O.E.W., Dec. 8, 1930. O. V. Catto Elks Home, Philadelphia
Description: Panoramic group portrait photograph depicting over one hundred African American men and women, of all ages, at a testimonial banquet of the Improved Benevolent Protective Order of Elks of the World for Eugenia Neal (1873-1949). The attendees, attired in evening wear, sit at rows of tables and a few booths in the right of the room. Attendees wear suits, tuxedos, and evening and cocktail dresses. Most of the sitters do not smile and face the camera. Some are turned away or eating. Some of the men wear their I.B.P.O.E.W. fezzes. In the right background, one woman has an arch of flowers over her. The tables are covered in white tablecloths and lined with plates of food, serving platters, and silver pitchers. In the background, at the back of the room, a small band of men musicians is seated next to a woman at a piano. Streamers and a paper bell adorn the ceiling. The O.V. Catto Elks Lodge began in 1903 as a chapter of the Improved Benevolent Protective Order of Elks of the World established in 1897 with a mission to "practice charity by providing and performing charitable services in our communities throughout the world and by promoting harmony, friendship, and unity among our esteemed members." By 1926, the Lodge had over 3000 members, and in 1929, it relocated to a new building that included a boxing ring, basketball court, and rooftop garden, at 16th and Fitzwater. Eugenia Neal, born Eugenia Brisby in Virginia, worked as a typesetter in Philadelphia by 1920. Married to Moses Neal in 1896, the couple resided in Atlantic City before relocating to Philadelphia by 1910. As a Daughter Ruler, Neal lead the Keystone Temple with her male counterpart, Exalted Ruler, and "under their leadership, all Elks shall show[ed] truth in activities and live[d] to help others, while promoting Brotherly and Sisterly Love to all.", Title and date from item.
Date: [1930]
Location: Library Company of Philadelphia | Print Department framed graphics [P.2023.5]

Title: [Shankland's American fashions]
Description: Fashion advertisement containing two panels of 27 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows an outdoor setting near a hitching post with eight men, four boys, and a woman. Most of the men wear long coats, top hats, and bow ties. Two men wear hunting outfits accessorized with hunting caps and rifles and one man wears a riding outfit. The boys, three playing with hoops, wear jackets and pants, caps, and hats. One wears long hair. The woman wears a two-piece riding outfit as well as a brimmed hat. Lower panel shows the parlor scene with eight men, four boys, a woman, and a girl. Most of the men, except one in a bed coat and cap, wear suits, with vests and bow ties. A number of them hold top hats. The boys wear suits, jackets and pants, as well as bow ties. The girl wears a Highlands-style dress and jacket and presents a flower to the woman, seated and attired in an evening dress with lace overlay on the bodice, a low neckline, and short sleeves. She also wears a ribbon through her hair. One of the boys and two of the gentlemen hover near her. Furnishings include framed pictures, carpeting, a large bookcase, and a stand draped with a cloth on which the man in bed attire leans. A few of the boy's and men's pants contain plaid patterns and most are tapered. All of the men wear facial hair, including mustaches, and/or mutton chops. Key numbered 1-13 and 14-27 printed below the panels., Not in Wainwright., Copyrighted by John R. Shankland., Philadelphia on Stone, POSP 211, Library of Congress: PAGA 7, no. 1507e (E size) Fashions 1849
Date: c1849
Location: Library of Congress | Prints and Photographs Division LOC PAGA 7, no. 1507e (E size) Fashions 1849

Title: Fashions for spring and summer 1854 by S. A. & A. F. Ward, no. 100 Chesnut [sic] Street Philadelphia, Pa
Description: Fashion advertisement containing two paneled scenes of 16 elegantly attired men, women, and children in outdoor settings. Upper panel shows six men, two women, and two boys socializing on a verandah. The men and boys wear patterned, light, and dark pants and jackets, bow ties or a cravat, and wear and hold top hats and canes. The women wear plain and ruffled hoop skirts, with one also attired in a bonnet and holding a parasol. Lower panel shows five men and a woman standing near a river lined by a stone gate monument, farmhouse, and mansion house. Includes a woman in a riding habit (part of a couple) standing next to a horse across from a man in a coat and tails. Four of the men wear patterned pants, long coats, and hold or wear hats. One also wears a plaid vest. Many of the depicted men wear mustaches. Key numbered 1-10 and 11-16 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 77, Historical Society of Pennsylvania: Bc 642 W 263c 1854
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263c 1854

Title: Fashions. Fall & winter. 1851-2. By S. A. Ward & A. F. Ward, no. 62 Walnut St. Philadelphia
Description: Fashion advertisement containing two panelled scenes of 21 elegantly attired men, women, and children in a parlor and outdoor setting. Scenes surrounded by a border designed as tree branches rising from tree stumps on which axes lay. Upper panel shows the parlor scene with 7 men, 2 women, a boy and a girl socializing. Most of the men wear suits, including two attired in striped pants, and the host wears an evening suit with white bow tie and tails. Four of the men wear or hold a top hat and a couple, arriving from the door, is attired in a suit and riding habit. The other woman, the hostess, at the center of the scene, flanked by her children, wears an evening dress with plunging neckline. Her two sons are attired in a hat, cape, tunic, and stockings and in a cap, jacket, and striped pants. Furnishings include a large display mirror, sofas, and drapery. Lower panel shows 10 men in front of a militia campsite near the coastline. Most of the men wear striped or checkered pants and overcoats or capes. All of the men wear top hats or caps and four of the men wear militia uniforms. Background includes a cannon, tents, and sailing ships. Many of the depicted men have mustaches and or sideburns. Key numbered 1-11 and 12-21 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 72, Historical Society of Pennsylvania: Bc 642 W 263
Date: [ca. 1851]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263

Title: Fashions for fall and winter 1853-4 by S. A. & A. F. Ward, no. 62 Walnut St. Philadelphia, Pa
Description: Fashion advertisement containing two panelled scenes of 19 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene with 7 men, 1 women, a boy and a girl socializing. To the left, two men attired in suits with striped pants, stand near a piano and cushioned chair. One holds a top hat and cane. In the center, a man wearing a patterned vest, and with a woman and a young girl in riding habits, stands near a cushioned arm chair. To the right, two men in suits with garishly printed pants, accessorized by top hats and canes stand. One talks to a man in an evening jacket with tails and a white tie. The man in evening attire leans again a table with his hand on the shoulder of a young boy attired in a long coat and pants who holds a ball in his hand. Lower panel shows 9 men and a woman in front of a riverbank and temple-style building in the background. Most of the men wear plaid and patterned pants, overcoats, cloaks, caps or top hats. One man holds an umbrella and a cigar. Also includes two men in hunting attire accompanied by a dog. The men carry gun powder pouches and one wears knee-high boots and the other holds a dead bird. The woman, in the center of the image, wears a riding habit and is seated side-saddle on a horse. Many of the depicted men have mustache, sideburns, or a beard. Key numbered 1-9 and 10-19 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 75, Historical Society of Pennsylvania: Bc 642 W 263a
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263a

Title: [Shankland's American fashions]
Description: Fashion advertisement containing two panelled scenes of 27 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the outdoor scene. Eight men, four boys, and a woman socialize. Most of the men wear suits with plain pants, long coats, bow ties or a cravat and wear top hats and hold canes. One man wears a hunting ouffit and holds a rifle. The boys wear pants and jackets, one in a smock-like style. Most also wear or hold caps. The woman wears a riding outfit. Many of the figures are shown from the back. Lower panel shows an indoor scene. Eight men, four boys, one woman and one girl socialize. Most of the men wear suits with plain pants, long coat or a cape, bow ties or a cravat, top hats and hold canes. One man wears a bed robe and the boys wear suits. The woman wears a bonnet, a cape-like coat with trim, and a full skirt. The girl wears a cape and pantaloons. Two of the men are seated on chairs. All the men wear muttonchops and/or mustaches. Key numbered 1-13 and 14-27 printed below the panels., Not in Wainwright., Philadelphia on Stone, POSP 210, Library of Congress: PAGA 7, no. 1498e (E size) Fashions 1849
Date: [c1849]
Location: Library of Congress | Prints and Photographs Division LOC PAGA 7, no. 1498e (E size) Fashions 1849

Title: Shankland's American Fashions for the Spring & Summer of 1853, 100 Chesnut [sic] Street Philadelphia
Description: Fashion advertisement containing two panels of 24 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Three men in suits, two with top hats and one in a wide-brimmed hat converse near a framed painting. In the center, in front of a draped window, two young boys, one attired in a sack-style jacket, converse and stand near three men attired in suits, one with his back turned. Two of the men wear top hats. To the left, a heavy-set man in a top hat and suit converses with two other gentlemen, one leaning on a stand with a potted plant, in top hats and suits. Lower panel shows an outdoor setting at a lakeside with seven men, two boys, and a woman. Most of the men wear suits, including jackets with tails, top hats, and bow ties. One man wears a wide-brimmed hat. Another man wears a hunting outfit accessorized with a wide-brimmed hat, bag and rifle. The boys, wear suits, one also has a cap, and hold apples. The woman wears a two-piece riding outfit of a fitted jacket, full skirt, and wide-brimmed hat. Many of the men's pants contain patterns, with a number adorned with horizontal stripe designs below the knee and most wear facial hair of mustaches, and/or mutton chops. Other furnishings include carpeting. Figures numbered 1-11, upper panel and 12-24, lower panel., Not in Wainwright., Copyrighted by John R. Shankland., Philadelphia on Stone, POSP 215, Library of Congress: PAGA 7, no. 1514e (E size) Fashions Spring Summer 1853, LOC copy uncolored.
Date: c1853
Location: Library of Congress | Prints and Photographs Division LOC PAGA 7, no. 1514e (E size) Fashions Spring Summer 1853

Title: Paris, New York & Philadelphia fashions, for spring & summer 1855. Published and sold by F. Mahan, no. 211 Chestnut Street, Philadelphia
Description: Fashion advertisement containing two paneled scenes of 22 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Eight men, a woman, and two boys socialize in clusters of three and four. The men and boys predominately wear suits, and the woman wears a ruffled layered dress with full skirt and as well as a bonnet. The other male figures wear a bed jacket and cap (man) and a dress with sash over bloomers (boy). A large vanity and two chairs furnish the room decorated with framed paintings, carpet, drapery, and wallpaper. Lower panel shows the outdoor scene set before an oceanside. Eight men, including "His Excellency A. Johnson" and "L. Hyneman Proprietor of Masonic Mirror," two boys, and a woman descend upon and stand on the stone pier. Six of the men wear suits, including overcoats. The two other men wear a riding outfit and a hunting outfit, including a rifle. The boys, one in pantaloons playing with a hoop and the other in pants, also were jackets. The woman wears a riding outfit. Most of the men are clean-shaven and all the men in the outdoor scene wear or hold hats., Philadelphia on Stone, POSP 162, Library of Congress: LOC DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Fashions Spring Summer 1855
Date: c1855
Location: Library of Congress | Prints and Photographs Division LOC DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Fashions Spring Summer 1855

Title: Life in Philadelphia. General order!!! Tention!! de whole city ob Philadelphia!! Philadelphia, Uly 14th 1825, 6 month and little more beside
Description: Racist caricature about free African Americans' summer celebratory processions commemorating the anniversary of the abolition of the slave trade by the United States, an act that took effect in 1808. Shows a Philadelphia street scene with an African American peddler and an African American shoe shiner. In the left, the peddler, attired in a wide-brimmed hat, waist coat with tails, and pantaloons carries a basket and exclaims, "Philadelphia Uly 14, 1825 & little arter." The shoe shiner, attired in a waistcoat and pants, holds a rack of boots and responds "That is de day ob de grand Celebrahsun." The men stand in profile. Also shows, in the background, two African American boys, attired in jackets and pants, facing the viewer, and one with his hands playfully raised in the air. Also contains several lines of text in vernacular and dialect addressed to "Peter Mink, de Chief Marshal ob de day, he Majesty de President” and “Per order Pompey Peterl, President and Snappo Gripes, Secretary" printed below the image. Text explicates the appropriate attire and manners expected during the celebratory procession, including "two sleebes to dare coat"; "trousaloon be all ob light complexion"; and "de Soulger dat know he duty always hold upun head like Lamb Tail an look savage like Meat Ax." Also details the punishment for "neglec to discomply," including "whip to death"; "fine of 40 shillings"; and placement in "de House of Destruction for Ninety nine years." Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Contains two bubbles of dialogue in the vernacular within image: “Philadelphia_ Uly 14 1825_ & little arter”/”That is de day of de grand Celebrashun”, Lib. Company. Annual report, 2003, p. 40-42., See Reilly 1825-1 for variant published in Boston., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.2004.4]

Title: Philadelphia, Paris & New-York fashions, for spring & summer 1854
Description: Fashion advertisement containing two panelled scenes of 20 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Eight men, a woman, and a boy socialize in clusters of three and four. The men and boy wear suits, many with paisley-patterned pants, and the woman wears a patterned dress with full skirt and tassels as well as a bonnet. A large mirror on a stand, several chairs, and chaise lounges furnish the room decorated with carpet, drapery, and wallpaper. Lower panel shows the outdoor scene set before "The New Masonic Temple, Chestnut St., Phila." Six men, including clothing store proprietor Francis Mahan, two girls , a boy, and a woman stand on the street block. Four of the men wear suits, including one with an overcoat. Another man, with a girl in a skirt and bloomers standing at his side, wears a hunting oufit and holds a rifle. The woman comprises part of a couple attired in riding outfits who are flanked by a boy dressed in a suit, a girl wearing a skirt and bloomers, and the man with the overcoat. Most of the men wear mutton chops, including three with mustaches., Philadelphia on Stone, POS 546, LOC copy uncolored., Library of Congress: PGA - Duval--Paris, New York & Philadelphia fashions (D size) [P&P] Fashions Spring Summer 1854
Date: c1854
Location: Library of Congress | Prints and Photographs Division LOC PGA - Duval--Paris, New York & Philadelphia fashions (D size) [P&P] Fashions Spring Summer 1854

Title: [Portrait of Elizabeth Berry in a coat and hat]
Description: Full-length indoor portrait of the photographer's daughter, Elizabeth Berry, standing in front of a drop cloth with her arms clasped behind her back, attired in a coat and hat. She also wears a leg brace on her left leg., Modern reference prints available., Gift of Richard R. Frame.
Creator: Berry, Frank, b. 1863, photographer
Date: ca. 1910
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.5]

Title: [Portrait of a woman standing in front of a room screen]
Description: Full-length portrait of a woman wearing a long-sleeved white shirt, with a high, tight collar and ruffled sleeves. She wears a tall hat with ribbon plumage and stands in front of a room screen decorated with foliage-patterned fabric., Modern reference prints available., Gift of Richard R. Frame.
Creator: Berry, Frank, b. 1863, photographer
Date: ca. 1907
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.77]

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