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Title: A luxury fleet featuring newest pullman refinements at low travel cost! Pennsylvania Railroad Broadway Limited (All-Room Train). The General New York-Philadelphia-Chicago. "Spirit of St. Louis" New York-Philadelphia-St. Louis. Liberty Limited Washington-Baltimore-Chicago. The Pittsburgher (All-Room Train) New York-Pittsburgh. The Golden Triangle Pittsburgh-Chicago. Many types of Pullman private accommodations, modern section sleepers on all but Broadway Limited and The Pittsburgher-all room trains
Description: Poster showing an interior view of a luxury pullman car to advertise the Pennsylvania Railroad. Shows several white men and woman passengers relaxing in the car. In the left, a Black man server, serves drinks to two women and a man seated at a booth. Across from them, in the right, an older man sits in an arm chair, and smokes a cigar, and holds a paper in his lap. An older woman sits on the arm of his chair. Behind them, two women converse, one standing. In the far background, two men stand at a bar. Image also shows a train window. The server wears a white smock shirt and black pants. The men passengers wear suits. The women passengers wear a dress or suit jacket and skirt and/or hats., Title from item., Date inferred from content., RVCDC
Date: [ca. 1945]
Location: Library Company of Philadelphia | Print Department miscellaneous posters [P.2284.103]

Title: Native American woman standing in wooded area, Philadelphia
Description: Portrait of a Native American woman standing out of doors in an overgrown area near a tree. She wears an ornate headband and a full length fringed dress possibly made of leather, as well as decorated leggings, moccasins, and necklaces. She carries a decorated or woven purse or bag on her left arm., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator: Keith, John Frank, 1883-1947, photographer
Date: ca. 1931
Location: Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.130]

Title: Imperméables, Au Roi du Caoutchouc
Description: Racist trade card promoting Roi du Caoutchouc's trench coats and depicting a bust-length portrait caricature of a fashionable black man. The man is depicted with exaggerated facial features, including a broad smile and long eye lashes. He is attired in a gold, bejeweled crown; gold hoop earrings; a trench coat with the collar raised; and gray turtleneck. Roi du Caoutchouc was a Belgium manufacturer of raincoats and trenchcoats in business originally in the 1920s. Leopold Trepper, a Polish Soviet intelligence agent, acquired the company in 1938 and launched a Brussels operation that expanded into an import-export business called the Foreign Excellent Trenchcoat Company. Trepper used the firm as a front for espionage. In 1940, during World War II, the Germans assumed control of the company., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business., Text printed on recto: Imperméables, Au Roi du Caoutchouc., Advertising text printed on verso: Trouver mieux? Impossible! Les imperméables et gabardines au roi du caoutchouc sont reconnus les meilleurs, les plus élégants, les moins chers. Apercu de quelques prix: Imperméables très solides depuis 45 frs. Trench-coats entièrement doublés et huilés depuis 75 frs. Gabardines entièrement doublées 1/2 soie depuis 95 frs. 55 succursales en Belgique. Bruxelles 103, Boulevard Ad. Max. 161, Chaussée de Waterloo. 141, Rue haute. 51, Rue de Flandre. 15, Chaussée de Louvain. Translation of advertising text: Find better? Impossible! The rubber king's raincoats and garbardines are recognized as the best, the most elegant, the cheapest. Preview of some prices: Very solid waterproofs for 45 frs. Trench-coats fully lined and oiled for 75 frs. Gabardines fully lined 1/2 silk for 95 frs. 55 branches in Belgium. Brussels 103, Boulevard Ad. Max. 161, Waterloo Causeway. 141 High Street. 51 Flanders Street. 15, Leuven Causeway., Gift of David Doret.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Au Roi du Caoutchouc [P.2017.95.9]

Title: Testimonial banquet to Ms. Eugenia M. Neal. Daughter Ruler Keystone Temple, No. 448 I.B.P.O.E.W., Dec. 8, 1930. O. V. Catto Elks Home, Philadelphia
Description: Panoramic group portrait photograph depicting over one hundred African American men and women, of all ages, at a testimonial banquet of the Improved Benevolent Protective Order of Elks of the World for Eugenia Neal (1873-1949). The attendees, attired in evening wear, sit at rows of tables and a few booths in the right of the room. Attendees wear suits, tuxedos, and evening and cocktail dresses. Most of the sitters do not smile and face the camera. Some are turned away or eating. Some of the men wear their I.B.P.O.E.W. fezzes. In the right background, one woman has an arch of flowers over her. The tables are covered in white tablecloths and lined with plates of food, serving platters, and silver pitchers. In the background, at the back of the room, a small band of men musicians is seated next to a woman at a piano. Streamers and a paper bell adorn the ceiling. The O.V. Catto Elks Lodge began in 1903 as a chapter of the Improved Benevolent Protective Order of Elks of the World established in 1897 with a mission to "practice charity by providing and performing charitable services in our communities throughout the world and by promoting harmony, friendship, and unity among our esteemed members." By 1926, the Lodge had over 3000 members, and in 1929, it relocated to a new building that included a boxing ring, basketball court, and rooftop garden, at 16th and Fitzwater. Eugenia Neal, born Eugenia Brisby in Virginia, worked as a typesetter in Philadelphia by 1920. Married to Moses Neal in 1896, the couple resided in Atlantic City before relocating to Philadelphia by 1910. As a Daughter Ruler, Neal lead the Keystone Temple with her male counterpart, Exalted Ruler, and "under their leadership, all Elks shall show[ed] truth in activities and live[d] to help others, while promoting Brotherly and Sisterly Love to all.", Title and date from item.
Date: [1930]
Location: Library Company of Philadelphia | Print Department framed graphics [P.2023.5]

Title: Catha y Tea Garden, 1221-23-25 Chestnut St., Philadelphia
Description: Menu for the Cathay Tea Garden located at 1221-1225 Chestnut Street, Philadelphia. The green and gold menu cover depicts a Chinese woman, attired in a dress and high-heeled shoes, raising her left hand to her chin as she faces the viewer. She stands on a balcony or bridge overlooking a landscape of trees and mountains under a moonlit sky. The menu is in English and organized by number in sections for “Wines and Liquors” (#1-167); “Chinese Menu” (#1-179); and “American Menu” (#181-383). The Chinese menu includes categories for chop suey, chow mein, Chinese omelettes, and a prix fixe “Table d’Hote” with three different options and prices from $1.25 to $2.50. The American menu includes categories for sea food, steaks, salads, and sandwiches. The restaurant advertises music, broadcasting, and dancing from 12 to 2:00 P.M., 6 to 8 P.M., and 10 to 1 A.M. with a note that “our patrons are requested to dance only with their escorts. This rule is for the protection of both you and us.” A one sheet insertion, decorated with a red border of bamboo, promotes three Table D’Hote dinners for Tuesday, August 17th for 85 cents, $1.10, and $1.35. The Cathay Tea Garden, also called the Cathay Restaurant, was a Chinese restaurant that had a large dance floor where musicians and bands played. They also broadcasted a live radio show. The restaurant closed in 1973., Title from item., Date inferred from content and active dates of business., Gift of Linda Kimiko August.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department *ephemera - Menus - C [P.2023.43.7]

Title: Chil dren of all nations. A series of 50
Description: Series of pop out cigarette cards depicting waist-length portraits of children (boys and girls) of different nationalities attired in their "native" costume. Includes Arabia (boy); Australia (boy); Belgian Congo (boy); Belgium (girl); Bulgaria (boy); Burma (girl); Denmark (girl); Egypt (girl); England (boy); Greece (girl); Holland (girl); Hungary (boy); Italy (girl); Ireland (girl); Mexico (boy); Natal (girl); New Zealand (girl); Norway (girl); Palestine (girl); Patagonia (girl); Poland (girl); Portugal (boy); Rumania (girl); Russia (girl); Scotland (boy); Siam (boy); Spain (girl); Sweden (girl); Tahiti (girl); Tibet (girl); Tunis (girl); Turkey (girl); United States (girl); and Wales (girl). The Ogden Branch was originally founded by Thomas Ogden as the Ogdens Tobacco Company in 1860. In 1901, American Tobacco Company bought Ogden's Tobacco Company and it in turn was bought by Imperial Tobacco Co. in 1902. Ogden started to include cigarette cards in its packaging in 1894., Date inferred from pop out format. Series issued in 1924 as pop outs., Printed above images: Ogden's Cigarettes., Title from series title on items., Versos contain explicative statements describing the depicted children's appearance, social life, and customs., Gift of George Allen., RVCDC, Description reviewed 2022., Access points revised 2022.
Date: [ca. 1924]
Location: Library Company of Philadelphia | Print Department ephemera - Cards [P.2016.56.1-34]

Title: Paul Lee & bride
Description: Three-quarter length studio portrait of Paul Lee and his newlywed wife in wedding attire. Shows the couple standing and facing the viewer. In the left, Paul is attired in a white collared shirt, a white bowtie, a black jacket with tails, black pants, and white gloves. In the right, the Chinese woman is attired in a veil with a decorative headband going across her forehead and the tulle rising up behind her head and flowing down her back; a short-sleeved, empire-waisted, tea-length, white wedding dress; a necklace; and white gloves. She cradles a floral bouquet in her arms. In the background is a decorated studio backdrop., Title from manuscript note on verso: Paul Lee & Bride., Date inferred from design of verso of postcard: Divided back; AZO stamp box with triangles in the corner (upward pointing triangles at top, and downward pointing triangles at the bottom)., Gift of Jean Gallagher.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Jean Gallagher Photograph Collection [P.2022.7.33]

Title: [Full-length studio portrait photograph of an unidentified, young African American man, seated]
Description: Shows the man, posed slightly to the left, seated on a wooden chair, and his left leg crossed over his right. He looks toward the photographer. His left hand rests in his lap and his right hand rests on the fore edge of the right arm of the chair. He wears a dark-colored suit, white shirt, neck tie, and laced up boots. Image also includes a backdrop and decorated flooring., Title supplied by cataloger., Photographer's imprint and insignia blindstamped on mount., Paper cover is embossed with floral pictorial details., Gift of J. Murray Atkins Library., Benjamin W. Fowler operated from 238 N. Eighth St., Philadelphia between 1889 and 1917.
Creator: Fowler, Benjamin W., photographer
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department portrait photographs - photographer - Fowler [P.2022.54]

Title: Pennsylvania at the Panama Pacific International Exposition, San Francisco, 1915
Description: Photograph album containing twenty-seven captioned views of Pennsylvania's contributions to the world's fair held in San Francisco, February 20-December 4, 1915. A number of the images include persons and groups of people posed in front of the Liberty Bell, which traveled nation wide on train from Philadelphia to the fair. Photographs include: "Pennsylvania Building"; "Corner of the Pennsylvania Garden"; "Corner of the Pennsylvania Bldg showing Plaque"; "Mural Pennsylvania Bldg. Steel Industry, Edward Trumbull";"Mural Pennsylvania Bldg. Penn's Treaty, Edward Trumbull"; "The Chinese Commission to the Exposition" in front of the Liberty Bell; "Gentlemen's Rest Room" in the Pennsylvania Building; "Education Day, October 11. 1915" showing young girls attired in "stars and stripes" dresses dancing; "Education Day, October 11. 1915" showing a woman attired as "Liberty" surrounded by young girls attired in "stars and stripes" dresses and standing in front of the Liberty Bell; "Great Grand Daughter of Gen. Putnam" by the Liberty Bell; "Ex Gov. John K. Tenor delivering address Dedication Day, March 18, 1915"; "Vice Pres. Fairbanks delivering address Dedication Day; "Judge William Bailey Lamar U.S. Repr. delivering address Dedication Day"; "Mr. Thomas A. Edison" by Liberty Bell; "A group of Chinese girls" by Liberty Bell; "Mr. Henry Ford" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh and Official Party" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh delivering address Pennsylvania Day, September 4, 1915; "Senator E.L. Tustin delivering address Pennsylvania Day, September 4, 1915";, "Judge Win Bailey Lamar U.S. Repr. delivering address Pennsylvania Day"; "Vice Pres Ruben B. Hale of P.P.J.E. delivering address Pennsylvania Day"; "Senator Boies Penrose" at Liberty Bell; "Farwell to the Liberty Bell, November 10, 1915"; "Philadelphia Officers 'Guards to the Liberty Bell"; "Chief Little Bear" at Liberty Bell; "Arrival of the Liberty Bell at the Pennsylvania Bldg"; and "Arrival of the Liberty Bell at the Pennsylvania Bldg.", Photograph titled, "The Chinese Commission to the Exposition," depicts nine Chinese men and one white man posed in front of the Liberty Bell behind a metal barrier. The men are attired in suits, some holding bowler hats in their hands, except one older Chinese man who wears a white mustache and is attired in a changshan and a round hat. The Liberty Bell is decorated with flowers and sits on a platform draped in an American flag. Four flags, including two American flags, are on flagpoles flanking the bell. Partial view of men and women spectators in the background. Photograph titled, "A group of Chinese girls," depicts six Chinese women posed in front of the Liberty Bell. In the center, the Liberty Bell is displayed on a platform that is draped with an American flag. Two women sit on the platform, and four women stand. Five of the women are attired in white tunics with Mandarin collars, dark-colored skirts, and lace-up, heeled boots, and several of the women wear necklaces and brooches. The woman in the right is attired in a long-sleeved white shirt, a quilted, dark-colored tunic with a Mandarin collar and matching quilted pants, a bracelet, and lace-up, heeled boots., Title and date from manuscript note on first page of album., See related: Rau Collection [P.9520.1] and photo - unid. -events [P.9520.2-8].
Date: [1915]
Location: Library Company of Philadelphia | Print Department albums [P.2022.2]

Title: The Philadelphia Wagon manufactured by Rech-Marbaker Co. Girard Ave & 8th St. Philadelphia Pa Wagons. Coaches. Autombiles. Ambulances. Nothing to risk when we do your work
Description: Advertisement blotters, reused as mounts, containing calendars and vignette views of wagons designed for specific firms by the manufactory. Wagons include H.H. Battles, flowers; Dexter's Tip-Top Bread (Springfield, Mass.); and Lit Brothers Furniture. Also contains cut-outs of fashionable female figures attired in dresses captioned in type "Most Beautiful"; "Merry Youth"; and "Easy Always" pasted on the versos., Printed below title: Wm. A. Rech, President; W. E. Marbaker, Vice President; and J. Edwin Rech, Secretary and Treasurer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [1913]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.50-52]

Title: [Portrait of Elizabeth Berry in a coat and hat]
Description: Full-length indoor portrait of the photographer's daughter, Elizabeth Berry, standing in front of a drop cloth with her arms clasped behind her back, attired in a coat and hat. She also wears a leg brace on her left leg., Modern reference prints available., Gift of Richard R. Frame.
Creator: Berry, Frank, b. 1863, photographer
Date: ca. 1910
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.5]

Title: Use Dannemiller's Cordova coffee, in 1 pound papers, because it's the best
Description: Racist trade card promoting Dannemiller Coffee Company and depicting a genre scene with an African American boy jockey, white children, and a horse. In the left, the jockey, attired in riding boots; white breeches; a white shirt and red vest; and a red and white jockey cap, stands beside a brown horse onto which he helps a white boy mount. He holds the bridle in his left hand and leans down to help the boy place his foot into the stirrup with his right hand. In the center, the white boy, attired in a Fauntleroy outfit with black boots and hat, grips the saddle to hoist himself up onto the horse. In the right, a smiling white girl with long, brown hair looks at the viewer. She descends a set of stairs holding the railing. She is attired in black shoes, a yellow dress with blue trim, stockings, and a bow in her hair. She carries a doll costumed in a red and white dress with matching red shoes and hat. A greyhound faces the girl at the base of the stairs. Edward Dannemiller (1850-1939) and his son Albert J. Dannemiller (1879-1955) founded Dannemiller Coffee Company in Brooklyn, N.Y., in 1904. The Company operated through the mid-twentieth century., Title from item., Place of publication from place of operation of advertised business., Date deduced from history of advertised business., Advertising text printed on verso: A fair trial is all we ask, and we are sure of the result, if you take quality into consideration. It's merits are unequaled. Don't be deceived judge fore yourself. Lasst euch nicht batriigen urtheilt fiir euch selbst. A beautiful picture with each package., Manuscript note on verso: Stella Leonard., Gift of David Doret.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dannemiller [P.2017.95.39]

Title: Hofmeister Woolen Mills, from loom to wearer. Spring 1908. Summer 1908
Description: Mail order catalog containing illustrations of female models attired in women's summer wear, including suits, jumper dresses, shirtwaists, coats, hats, undergarments, corset covers, underskirts, petticoats, nightgowns, and "Misses' and Children's Jackets." Several of the models are grouped in scenes with thematic backgrounds, including parlors, a park, and street scene. Also contains promotional and instructional text detailing the "supremacy" of the Hofmeister garments, how to place an order, payment terms, and additional fees for "Extra Large Garments;" detailed descriptions of the clothing; style numbers; and prices., Accompanied by original illustrated envelope. Ilustration depicts three well-dressed ladies at a summer resort., Cover illustration depicts two ladies in formal summer wear disembarking from a horse-drawn carriage. The women's attire includes embellished hats, a long cape, and an umbrella., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., Order blank and post cards inserted in catalog.
Date: [1908]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Hofmeister [105358.O & 105358.O.a]

Title: [Portrait of a woman standing in front of a room screen]
Description: Full-length portrait of a woman wearing a long-sleeved white shirt, with a high, tight collar and ruffled sleeves. She wears a tall hat with ribbon plumage and stands in front of a room screen decorated with foliage-patterned fabric., Modern reference prints available., Gift of Richard R. Frame.
Creator: Berry, Frank, b. 1863, photographer
Date: ca. 1907
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.77]

Title: [Man dressed in a clown costume, Manayunk]
Description: Full length portrait of a man costumed in a multi-color striped clown suit, with a ruffled collar and cone-shaped hat. He stands outside against the stone wall of a house., Modern reference prints available., Gift of Richard R. Frame.
Creator: Berry, Frank, b. 1863, photographer
Date: ca. 1907
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.54]

Title: Ask for Bell Bros. Co.'s sheep-lined coats and ulsters. Manufactured by Bell Bro's Co. Dubuque, Ia
Description: Pictorial envelope containing an image of a bearded man attired in a heavy, sheep lined coat, cap, and gloves. The man also holds a lit pipe. Bell Bros. Company was incorporated in 1888., Title from advertising text., Addressed in manuscript to: Flancy & Co., Argusville, N.D., Contains on recto: ink-stamp postmark: Dubuque, Iowa Jul 1, 1902 7 PM and cancelled two-cent oval stamp printed in red ink and depicting the profile of George Washington., Contains on verso: ink-stamp postmark Argusville, N. Dak, Jul 2, 1902., Date inferred from postmarks., Printed upper left corner: After 10 days, return to Bell Bros. company, Cor. Fourth & Locust Street, DUBUQUE, IOWA., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1902]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Envelopes [P.2011.10.71]

Title: Is yo' sho' lady when I wears dese stockings I won' fin' ma laigs all black
Description: Racist caricature reminiscent of the plate "Have you any flesh coloured silk stockings...?" from E.W. Clay's racist satiric series, Life in Philadelphia, originally published in the late 1820s and early 1830s. Depicts an African American man dressed as a woman attired in a brimmed hat, a long-sleeved dress tied with a bow at the back, a fur shawl, shoes, and with a closed umbrella and a basket at her feet. She sits in front of the counter of a dry goods store and inquires in the vernacular about a pair of dark stockings which she holds. A young white woman sales clerk smiles with her elbows on the counter and displays to the customer a second pair of dark-colored stockings. Bolts of fabric rest on shelves behind the clerk, and socks and hosiery hang above. A white woman customer shops at the other end of the counter, in the right., Title from item., Date from copyright statement: Copyright 1902 by Underwood & Underwood., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Title printed on verso in six different languages, including French, German, and Spanish., Grey mount with rounded corners., See Life in Philadelphia. "Have you any flesh coloured silk stockings...?" [LCP Life in Philadelphia (Philadelphia) P.9701.9], Purchase 2002., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Underwood & Underwood
Date: 1902
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2002.31]

Title: A darktown wedding, the ceremony
Description: Racist depiction of the nuptials of a young African American couple officiated by a white-haired African American man and witnessed by six African American attendants. In the left, the officiant, attired in a suit, holds a paper as he conducts the ceremony. The bride, attired in veil pinned to the back of her hair, a white dress with a large boutonniere of flowers, and white gloves, has her head tilted down and holds the hand of the groom. The groom, attired in a white collared shirt, a waistcoat, a jacket with a large flower boutonniere, pants, and shoes, stands facing left towards the officiant. Two women and three men stand behind the couple and watch the ceremony. One man alters a placard on the wall that reads, “suffer little children to come unto me” by crossing out “me” and writing “us” inverting the “s.” The dilapidated wall with exposed brick is sparsely decorated with another placard, “God bless our home” and a framed picture. A top hat rests on a stool., Title from item., Date from copyright statement: Copyright 1901 by C.H. Graves., Publisher's blindstamp on mount., Distributor's blindstamp on mount: The Universal Photo Art Co. Philadelphia, Napierville, Ill., London, Paris, Hamburg., Stamped on mount: 4574., Purchase 2001., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1901
Location: Library Company of Philadelphia | Print Department stereo - Graves - Genre [P.9922]

Title: Compliments of Hershey Baking Co., York, Pa
Description: Illustrated trade card surrounded by a flower border depicting the profiles of two women in Renaissance robes reading a letter in a garden. Hershey Baking Company was founded by Jacob S. Hershey in 1899 as a bread bakery in York, Pennsylvania., Embossed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department *trade card - Hershey [P.9631.4]

Title: [Full-length portrait of an unidentified African American boy in a sailor suit]
Description: Full-length studio portrait of an unidentified African American boy. The boy, attired a collared wool coat with an emblem on the left arm, matching wool shorts, socks, and boots, looks slightly right. He stands on grass and rests his right elbow on a wooden gate. Includes a backdrop decorated as a field of flowers., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint stamped on mount., Gift of David Long, 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sullivan, photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - Sullivan (phot.) [P.9969.1]

Title: A "lily footed" woman of China - this outrage against nature has been in vogue 900 years
Description: Stereograph depicting a full-length portrait of a Chinese woman with her bound feet on display. Shows the woman wearing her hair tied back and attired in a tunic and pants with decorative stripes and lotus shoes. She sits atop what is probably a wooden shelf with her feet resting on a circular wooden stool. She holds flowers in her left hand and looks slightly left. In the right is a tree stump and a flower pot on a wooden shelf. In the background are two chairs covered in cloth, and a patterned rug is on the floor., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: A high caste lady's dainty "lily feet" - as they really are - China
Description: Stereograph depicting a Chinese woman's feet on display. Shows the woman from the waist down attired in a tunic and pants with stripes at the bottom. She holds a closed fan in her hands on her lap. Her bare feet are exhibited on a cloth-covered box. The left foot points to the viewer, while the right foot is shown from the side displaying the heel and the toes bent over the arch. A newspaper in English is draped behind her legs., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: The "new woman."
Description: Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house sitting at a table reading a newspaper as her husband stands in the kitchen dryng dishes. With a confused look, he peers at her from the other room. She is dressed in bicycle garb with her bicycle resting in the doorway nearby., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Printed text in six languages on verso: Die "moderne frau."; La 'donna nuova."; La femme nouvelle."; La Nueva Mufer."; Den "ny kvinde."; and Des "na kvinnan.", Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator: Keystone View Company
Date: c1899
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.9964.2]

Title: [Bust-length portrait of an unidentified young African American woman]
Description: Bust-length portrait of a young African American woman, possibly Ella Townsend, looking slightly right. She wears her hair parted in the center and tied back and is attired in a calico shirt with puff sleeves and a bib-like neckerchief adorned with a pin., Title supplied by cataloger., Date inferred from dates of operation of photographer and attire of the sitter., Photographer's imprint stamped on mount., Manuscript note on verso: Ella Townsend. Grinaye?-Webster-Gleves., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Withers, William C., photographer
Date: [ca. 1898]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Withers [P.9853.5]

Title: [Full-length portrait of an unidentified African American boy attired in a sailor suit]
Description: Full-length portrait of an unidentified African American boy standing and facing the viewer. The boy, attired in a sailor suit with a flap collar with white stripes and an anchor emblem at his chest, knee-length shorts, stockings, and shoes, rests his left hand on an ornate wicker chair in the right. In the left is a side table, covered in a floral tablecloth with tassels, with a vase of flowers on top of it., Title supplied by cataloger., Mount embossed with decorative border., Photographer's imprint stamped on verso., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Munshower, Forest E., photographer
Date: [ca. 1898]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Munshower [P.9930.5]

Title: Views of a wedding ceremony
Description: Series of titled wedding photographs include "Kissing the bride," "The wedding march," and "The blessing". Images depict a bride and groom with a bridal party in a room full of plants and shows the groom leaning in to kiss the bride; the entire group posing for the photographer; and everyone kneeling and praying in a circle., Copyrighted 1897 on negative by William H. Rau., Additional places of publication printed on mount, including Chicago; London; Hamburg, Ger.; and Milan, Italy., Title supplied by cataloger., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Rau, William Herman, 1855-1920
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.9765.1-3]

Title: The girl graduate: her own book
Description: Memory book compiled by Philadelphia High School for Girls student Mildred Davis Zaiser (later Cope) containing snapshot portraits with signatures and addresses of her classmates, including three African American students; prose and essays by her fellow students about their school experiences, teachers and classes; transcriptions of the class yell, motto, and commencement address; and class autographs and lists of class officers. Also contains an inserted snapshot photograph depicting four young well-dressed women in “Washington DC 5/9/14” (p. 31); snapshot photograph depicting history instructor “Miss Isabel W. Franklin” (p. 57); professional group portrait photograph showing the student members of “The Captain Ball Team of A prime 8” (a few of the girls hold a stuffed cat, a ball, and the school banners); anecdotal entries titled “Class Prophecy, And how it comes out” and “Class History”; tongue-in-cheek “Last Will and Testament” essay of student bequests to school instructors and departments; and a copy of the commencement announcement. “Miscellaneous” section contains several essays colloquially describing classes and written and signed by Zaiser’s fellow students, including ‘Physics Hour” written by Lucy Seiber (p. 169-171); “Mathematics Hour” written by Emily M. Woodward and Blanche Rostow (p. 172-177); “Drawing Hour” incomplete and unsigned (p. 178-179); “Physiology Hour” written by Marie Zaun (p. 181-184); “Gymnasium Hour” written by Della Martin (p. 185 -188); and “English Hour” written by Lillian Schivare (p. 189). Notes by Zaiser detailing the class flower and colors and her graduation gown and presents and the prose “Who’s Who in A8” written by Dorothy Noe (p 141-143) also comprise the manuscript content of the book. Captain ball is a game similar to basketball played on an area marked with six circles with the goal to pass the ball to the player in the end circle., Portrait sitters (p. 15-29) include: Rheba Luberoff, 1928 N. 7th St., Phila; Mary Olivell, 341 S. Lawrence St., Phila; Helen Mahoney, 1502 Hollywood St., Phila; Della Markie, 4118 Pechin St., Rox.; Minnie Mayerle, 2406 Sedgely St., Phila.; Minnie Mayerle, 2406 Sedgely St., Phila.; Della Markie, 4118 Pechin St., Rox.; Minnie Mayerle, 2406 Sedgely St., Phila.; Florence Martin, 1234 N. 54th St., W. Phila ;Lea Meisel, 630 N. 55th St., W. Phila.; Mattie Miller, 3859 Olive St., W. Phila. (African American student); Dorothy Noe, 3311 N. 17th St. [830 Windsor Square, Phila – crossed out in different hand]; Tillie Mellanoff, 634 Hoffman St., Phila.; Mary Patterson, House of Correction, Holmesburg; Helen Pechin, N.E. Cor. 20th St. and Columbia Ave., Phila.; Lillian Pollard, 5339 Lena St., Germantown; Helen Radcliffe, 801 E. Washington Lane [6213 Germantown Ave G’m’t – crossed out in different hand]; Blanche Rostow, 1222 N. 7th St., Phila; Marion Schurer, 1103 Fairmount Ave., Phila.; Lillian Schware, 1342 Poplar St., Phila.; Lucy Seiber, 7024 Second St. Pike, Lawndale, Phila.; Elva Smith, 2502 N. Garnet St., Phila.; Fannie Still (later Lloyd)(abolitionist William Still’s granddaughter), 1607 Bainbridge St., Phila.; Helen Taylor, Upsal and Sullivan Sts.; Esther Tittman, 419 Moore St., Phila; Arabella Turney, 2334 S. 17th St., Phila.; Rosalie Tutleman, 5230 N. Broad St., Phila.; Grace Wilhelm, 1524 Parker St., Phila.; Annie Wood, 762 N. Uber St., Phila. (African American student); Emily Woodward, 518 W. Venango St., Phila.; Mildred Davis Zaiser, 4548 Manayunk Ave., Rox.; Marie Zaun, 122 E. Gorgas Lane, Mt. Airy; and Alberta Goodwin, President of the Graduating Class, Feb. 1915., The portraits are bust-length and the sitters are posed in profile, facing forward, and looking down upon books. Most of the young women wear their hair long and swept back and up. Some wear their hair bobbed or with bangs. The attire of most of the students include white or patterned blouses and neckties and neckerchiefs. Some also wear necklaces and/or jackets or smocks or ribbon headbands., Book illustrated with art nouveau-style pictorial, border, and ornamental details depicting images of young women in flouncy dresses reading newspapers, holding brownie cameras, writing invitations and in a journal; views of desks and shelves containing objects associated with studying, school, and young women, including books, ink wells, candlesticks, a box of letters, and flowers; and borders and ornaments composed of rose and floral designs., Bound in limp olive suede with blind-embossed design and gilt titling on front cover. Cover stamped with design composed of book, quill pen, and a bough of greenery with banner., Title stamped in gilt on cover: The Girl Graduate: Her Own Book., Contains inscription: This book belongs to [Mildred Davis Zaiser]. Graduated from [The Philadelphia High School for Girls. 17th and Spring Garden Sts.] Inscription in art nouveau-style border shaped like a frame and composed of flowers and branches., Title page illustrated with art nouveau-style border composed of vinery, roses, and the bust of a young woman attired in a flouncy blouse and with a yellow ribbon in her hair., Table of Contents: Date. Flower. Colors 11; Class Yell. Motto 13; Class Photographs 15; Class Autographs 33; Class Officers 49; The Teachers 53; Class Prophecy 61; Her Invitations 75; The Programmes 83; Social Events 95; Press Notices 113; Her Gowns 125; The Presents 133; Jokes and Frolics 141; Baccalaureate Sermon 161; Miscellaneous 169., Several editions of "The Girl Graduate" with variant cover designs and a loose leaf version were published 1906-ca. 1927., Purchase 2015., Description revised 2022., Access points revised 2022., Mildred Zaiser Cope (1897-1981) was raised in a German section of Philadelphia and noted as the "German Dictionary" by her classmates at her graduation in 1915. She still lived with her parents in 1920 when she worked as a clerk for the Board of Education. By 1930 she had married William Cope and lived in Norwalk, Connecticut., Louise Perrett (b. 1878) was an illustrator who studied under Howard Pyle. She was also an instructor at the Art Institute of Chicago circa 1920s. She partnered with Sarah K. Smith on several memory albums first published by Reilly and Britton Co. in the early 1900s. By 1940 she was an art teacher at the Elizabeth Peabody House in Boston.
Creator: Perrett, Louise, illustrator
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department albums [P.2015.2]

Title: [Incomplete set of racist playing card game Game of In Dixieland. No. 1118]
Description: Incomplete collection of playing cards from the racist card game "Game of In Dixieland. No. 1118" issued by the Fireside Game Co. of Cincinnati, the subsidiary company established in 1896 by executives of the U.S. Playing Card Company. Advertised by the publisher as "life-like reproductions of characteristic sketches from the Sunny South," the captioned and lettered cards depict stereotyped and caricatured portraits and scenes of African American men, women, and children and African American southern life. The object of the game was to compile all the cards with the same letter into a book, with the winner holding the most books. Cards include: "A1. The Crossing Sweeper." Scene depicts an African American boy street sweeper on a street corner. He is attired in oversize jacket and pants. He also wears a cap and holds a broom. "A3. In Clover." Scene shows three young African American boys, attired in worn long-sleeve shirts and pants, seated on a log and eating quarters of a watermelon. The boy in the middle wears a bucket hat. Stacks of watermelon, including the remaining quarter of the one being eaten by the children rest at their feet. "A4. Picking Cotton." Scene shows an African American boy in a field of cotton, bent over, and picking a cotton boll. He wears a cap, long-sleeved shirt, and loose ankle-length pants. He is barefoot. Men picking cotton and a cart are visible in the background. "B2. Picking Up a Living." Portrait shows an African American girl holding a large satchel over her left shoulder. She wears a checkered, long-sleeved dress, and floppy hat. "B3 '"Jest A Restin’."' Portrait shows a young African American man seated on a crate next to a barrel and a second crate. He wears a domed cap; loose, long-sleeved jacket; cropped pants; and rolled-down boots., "D4. Heavily Laden." View shows two young African American girls, attired in ankle-length shift dresses, and aprons, and carrying buckets on their heads. Girl in left, balances the bucket on her head, and her apron contains a hole at the chest. The girl in the right holds the bucket on her head with her hands. They are bare foot and stand near the brick wall of a mill. "E1.A Georgia Charmer." Bust-length portrait shows an African American woman, slightly smiling, and her right hand resting on the side of her chin. She wears a light-colored blouse with slightly puff sleeves; a short-brimmed, straw hat; and bracelet. "F2. The Coquette." Full-length portrait shows a young African American woman, her hand on her hip, bare foot, and standing in front of the door to a log cabin. She wears a kerchief on her head, a shirtwaist, belt, and calf-length skirt. "F3 '"Look pleasant, please."' Reproduction of a drawn view shows an African American man taking a photograph of an African American woman, three African American children, and a dog on a beach. The women and children, attired in summer dresses and jumpers, sit and stand on a log and the photographer stands by a makeshift camera and removes the lens cap. The photographer wears a hat, overalls, and a long-sleeved shirt., "G2. A Genuine Brunette." Full-length portrait shows a very young African American girl, bare foot, attired in a shift dress, and seated on a step. She frowns slightly and she clasps her hands in her lap. "G4. Learning to Walk." View shows two, very young, African American girls, in blousy dresses, standing side by side on a sidewalk and in front of the brick wall of a building. "H3. The Virginia Pine Chopper." Full-length portrait shows an older African American man, with a white beard, seated on a stump, holding an ax over his left shoulder. He also has the handle of a tin pail over his left wrist and holds a walking stick in his right hand. He is posed in a dirt yard laden with sticks. Stacks of logs and a wooden fence are visible in the background."I2. A Mississippi Beauty." Half-length portrait shows a young African American woman, her left hand resting on the side of her chin. She looks slightly to the right and has a slight smile. Her hair is pulled back and somewhat teased at the crown. She wears a shirtwaist and checkered, apron dress., "J2. A Hidden Nest in the Bushes." View shows two African American boys seated on their knees in a field and eating slices of watermelon. They wear wide-brimmed caps, long sleeved shirts, and pants. Boy in right also wears a jacket. “J3. On the Wharf.” View shows an African American man and woman seated on the edge of a wharf. The man attired in a long-sleeved shirt, vest, pants, and cap, sits with his feet dangling over the edge. The woman attired in a shirtwaist, skirt, and cap sits with her feet on the wharf landing. Sailing vessels are visible in the background. "K3.'"Mos’ to de end ob de road."' Full-length portrait shows an older African American man, with a beard, seated on a chair, in front of a crumbling brick wall. He wears a worn jacket, vest, shirt, and pants. A hat with kindling rests at his bare feet. He holds a walking stick that he rests between his legs. "L3. Among the Virginia Pines." View shows a log cabin, in the distance, along a dirt road lined with dry underbrush and a few trees, some barren. A woman stands in the yard of the cabin. Fireside Card Co. was dissolved in 1908 and U.S. Playing Card Co. began to issue educational card games., Publication information from copies included in the World Web Playing Card Museum. Publication date inferred from copyright date included on box covers., Card letter printed in upper left corner., Copyright statement printed on 8 of the cards: Copyright ’96 by L.D. Baldwin., Gift of Jennifer Woods Rosner., Housed in phase box., Many stained and in poor condition., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Fireside Game Co.
Date: [1897]
Location: Library Company of Philadelphia | Print Department albums [P.2019.47]

Title: Illustrations for the Berlitz Method
Description: Series of flash cards utilized in the direct method to teach foreign languages developed in 1878 by Maxmillian Berlitz. Cards depict household furniture and utensils, including a stove, desk, book, and pen (1); a color bar, and book bindings and pencils of different colors, lengths, and widths (2); styles of fashion, fashion accessories, and parts of the body (3); fruits and flowers (4); vegetables, meat, and bread (5); clocks and clock faces (7); wild animals, including a lion and bear (10); land and water fowl, including a turkey, swan, and peacock (11); birds and small mammals, including a mouse, hare, and ostrich (12); a city street scene showing numerous forms of land and marine travel, including a railroad, horse-drawn carriages, and a steamship (14); cityscape, including a church, fountain, statuary, and municipal building (15); and an interior view of a bedroom, including a bed, fireplace, and wardrobe (16)., Date inferred from depictions of clothing., Title from label pasted on case., Prints numbered: 1-5; 7; 10-12; and 14-16., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Illustrations [P.2011.10.2.1-12]

Title: [Wedding party]
Description: Depicts four couples, including John H. Webster, Jr. and Jane L. Webster, standing in a field, dressed for a wedding. The four women are all attired in white, long-sleeved dresses, gloves and a hat. All of them hold bouquets. The men are attired in three piece suits, which are concealed by the women who stand in front of them., Modern reference print #32 available in research file., Attributed to John H. Webster but may have been taken by other Webster family members.
Creator: Webster, John H., 1861-1934, photographer
Date: ca. 1895
Location: Library Company of Philadelphia | Print Department Webster [P.9501.66 & 67]

Title: [Racist and sexist metamorphic New Years Day card depicting a man kissing a series of women, including an African American woman depicted in caricature]
Description: Racist and sexist metamorphic trade card showing an older man in a tuxedo, holding a bouquet of roses, and kissing a "rotating" series of women through a "window." Only the women's heads are visible. The women include a white woman with auburn hair in a top knot and adorned with a rose; a young white woman with blonde, puffed, chin-length hair and adorned with matching blue bows; a white woman with raven-colored hair, pulled up, and adorned with a bridal veil; a white woman with pulled up cherry-blonde hair and adorned with blue flowers; and an African American woman, wearing a kerchief, hoop earrings and depicted with caricatured and exagerrated features. The man has grey hair and a dark-haired, pencil mustache and also wears a monocle., Title supplied by cataloger., Date inferred from fashion of figures depicted., Greeting printed inside: Here's a nosegay sweet and fair, Lilies, roses, rich and rare. Try each in turn then take a rest, And choose the one you love the best. They're charming, ah I thought you'd say so, Make up your mind pray don't delay so. That SHE'll be faithful, fond, and true, The odds are FIVE to ONE on you! E.E.G. With [fond love and] best Wishes for a Happy New Year, To [Mrs. ? ? ?]., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - New Years [P.2019.23.2]

Title: [Bust-length portrait of an unidentified young African American woman]
Description: Bust-length portrait of an unidentified young African American woman slightly facing right. Her hair is parted in the center and pulled back, and she is attired in a high collared shirt with shoulder flounces with lace trim and a stick pin at her neck., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint with insignia stamped on mount., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Gilbert, Conrad M., photographer
Date: [ca. 1893]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Gilbert [P.9853.2]

Title: [Three-quarter length portrait of an unidentified young African American woman]
Description: Three-quarter length portrait of an unidentified young African American woman standing and slightly facing right. She wears he hair tied back with bangs of curls on her forehead and is attired in a dark velvet basque shirt jacket with buttons down the bodice, a floral printed skirt, earrings, bracelets on both wrists, and a pin. She is posed beside a plaster tree stump, which she rests her hands on. In the background is a painted backdrop with trees., Title supplied by cataloger., Photographer's imprint stamped on mount., Date inferred from dates of operation of photographer and attire of the sitter., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Snyder & Walton, photographer
Date: [ca. 1893]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Snyder [P.9853.4]

Title: [Bust-length portrait of an unidentified young African American man]
Description: Bust-length studio portrait of an unidentified young African American man. The man, wearing a mustache and attired in a white collared shirt, a striped tie, a waistcoat, and a jacket, faces slightly right., Title supplied by cataloger., Date inferred from operation dates of the photographer and attire of the sitter., Photographer's blindstamp on mount., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hurst, Jonathan A., photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc - unidentified male [P.9967.1]

Title: [Bust-length portrait of an unidentified young African American man]
Description: Copy photograph of a bust-length portrait of a young, unidentified African American man facing forward. The man has rosy-colored cheek, wears a mustache, and is attired in a white collared shirt, a waistcoat, and a jacket., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint stamped on mount., Gift of David Long, 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Shaw, Jeremiah H., photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Shaw [P.9969.2]

Title: [Bust-length portrait of an unidentified African American girl]
Description: Bust-length portrait of a young African American girl facing slightly right. She wears her curly hair in bangs at her forehead, with half of her long hair tied up and the rest draped behind her back. She is attired in small hoop earrings and a dress with a crocheted lace collar with a pin at the neck., Photographer's imprint printed on mount., Title supplied by cataloger., Date inferred from the photographer and attire of the sitter., Gift of David Long, 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Gallery, operated by Lewis Horning, was in business at 525 South 9th Street from around 1886 until around 1894.
Creator: Parlor Gallery (Firm), photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Parlor [P.9981.11]

Title: [Three-quarter length portrait of an unidentified young African American woman]
Description: Three-quarter length portrait of a young African American woman standing and facing the viewer. She wears her hair tied back and is attired in a brimmed, straw hat adorned with ribbons and flowers, a high-collared shirtwaist with narrow sleeves puffed at the shoulders, a belt with a decorative clasp at the center, and several rings on her left hand. She holds flowers in her hands which she rests on top of an upholstered chair that is in front of her. In the right is a side table covered in a patterned tablecloth with two books and a basket of flowers on top of it., Photographer's imprint stamped on mount., Title supplied by cataloger., Date inferred from operation of the photography studio and attire of the sitter., Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Gallery, operated by Lewis Horning, was in business at 525 South 9th Street from circa 1886 until circa 1894.
Creator: Parlor Gallery (Firm), photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Parlor [P.9573.1]

Title: [Three-quarter length portrait of an unidentified young African American woman]
Description: Three-quarter length portrait of a young African American woman standing with her left hand resting on a side table covered in a patterned tablecloth. She wears her hair tied back with curls at the top of her head and is attired in a patterned shirtwaist with a high-neckline, a ruffled collar, and lace cuffs, and a matching skirt. The background is a painted backdrop of a parlor., Photographer's imprint stamped on mount., Title supplied by cataloger., Date inferred from operation of the photography studio and attire of the sitter., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Gallery, operated by Lewis Horning, was in business at 525 South 9th Street from around 1886 until around 1894.
Creator: Parlor Gallery (Firm), photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Parlor [P.9957.8]

Title: Compliments of Malven, Gordon & Co., Port Jervis, N.Y. 1891
Description: Racist trade card promoting the William Rogers Manufacturing Company’s silver plated ware and depicting a caricature of an African American man sitting before an easel painting. Shows the man, attired in a yellow, brimmed hat, a white collared shirt with blue polka dots, a yellow jacket with tails, white pants with a blue stripe, and black shoes, sitting on a wooden stool before an easel. He holds a palette in his left hand and lifts a paint brush up to the canvas with his right hand. He paints blue flourishes as he tilts his head back blowing smoke up into the air. William Rogers founded the William Rogers Manufacturing Company in 1865 in Hartford, Connecticut. The firm became part of the International Silver Company in 1898., Title from item., Place of publication deduced from place of operation of the advertised business., Date inferred from title., Advertising text printed on verso: Buy the celebrated Rogers brand of Silver Plated Ware. Best in the World. Manufactured by the Wm. Rogers MFG. Co., Hartford, Conn., Gift of David Doret.
Date: [1891]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wm. Rogers [P.2017.95.192]

Title: Compliments of Malven, Gordon & Co., Port Jervis, N.Y. 1891
Description: Racist trade card promoting the William Rogers Manufacturing Company’s silver plated ware and depicting a caricature of an African American man combing his hair and looking into a mirror. Shows the man attired in a white-collared shirt with pink stripes, a yellow bowtie, a blue jacket with tails, a yellow and pink flower boutonniere, a yellow waistcoat, white pants with pink stripes, and black shoes. He bends forward at the waist and smiles as he looks into a mirror to comb his hair. He holds the comb with his right hand and holds a brush in his left hand. The mirror is on a small table that is covered with a white tablecloth. An upside down, black top hat sits on the table. William Rogers founded the William Rogers Manufacturing Company in 1865 in Hartford, Connecticut. The firm became part of the International Silver Company in 1898., Title from item., Place of publication deduced from place of operation of the advertised business., Date inferred from title., Advertising text printed on verso: Buy the celebrated Rogers brand of Silver Plated Ware. Best in the World. Manufactured by the Wm. Rogers MFG. Co., Hartford, Conn., Gift of David Doret.
Date: [1891]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wm. Rogers [P.2017.95.191]

Title: Edward Casperson, boot and shoe maker, No. 3647 Woodland Ave. (formerly Darby Road.)
Description: Illustrated trade card depicting a man in medieval clothing, including a cloak, fur cap with a feather, tights, and sword, holds and inspects a skull in his right hand., Title, advertising text, and a list of street numbers divided into "North" and "South" columns are printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Casperson [P.2006.20.19]

Title: [Three-quarter length portrait of an unidentified African American man]
Description: Three-quarter length portrait of an African American man standing with his hands behind his back facing slightly left. He is attired in a white collared shirt, a bowtie, a waistcoat, a jacket, and pants. His jacket is adorned with a ribbon on his lapel, and there is a watch chain on his waistcoat, both decorated with metal stars, possibly signifying his membership within a fraternal lodge., Title supplied by cataloger., Mount contains gold border., Gift of Mrs. Barbara Jacobsen, 1988., Image slightly out of focus., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Graeff, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Graeff [P.9216]

Title: [Full-length portrait of an unidentified young African American man]
Description: Full-length portrait of an African American man, attired in a white collared shirt, a pin-striped waistcoat with a watch chain and jacket, lighter-colored pin-striped pants, and shoes. He stands and holds a bowler hat in his right hand and rests his left hand on a chair draped with an animal fur. He is posed in front of a painted backdrop and looks at the viewer., Title supplied by cataloger., Manuscript note on verso: 6420., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Grier, Andrew A., photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Grier [P.9930.4]

Title: [Portrait of five African American men attired in uniforms, probably band uniforms]
Description: Full-length portrait depicting the five young African American men, standing in a row, in a studio setting. The men on either end are slightly angled toward the man in the middle. The men have short-cropped hair, some with it parted in the middle. One man also has a mustache. The men are attired in white high collar shirts; bow ties; three-buttoned, dark jackets with flourishes across the chest and on the arms; and dark pants. One man (second from right) wears a black bow tie, while the others wear white ones. The man in the middle wears his jacket unbuttoned, while the others have theirs buttoned. Setting includes a palatial backdrop, a balustrade covered in drapery (in left), the edge of a platform (in right), and a fur rug on which the men stand., Title supplied by cataloger., Photographer's imprint with insignia printed on mount. Insignia composed of H.W. monogram with flourishes., Date inferred from years (1888-1892) photographer operated at address listed in imprint., Printed on verso: Harry A. Webb, art photographer, 112 and 114 N. 9th St., Philadelphia. Instantaneous process used exclusively. All negatives preserved. Duplicates, enlargements, or lockets. Can be furnished without resitting. Text surrounded by and within pictorial details. Details resemble pine needles, banners, and a circular ornament. The text and pictorial elements are within an ornamented border composed with bark-like details and ornate cornices adorned with floral twigs., Description reviewed 2022., Access points revised 2022., Harry A. Webb, born in England, worked in Philadelphia as a photographer by 1880. He continued in the profession through 1900. By the time of his death in 1927, he worked as a clerk for William H. Horstmann, a dress trimmings, military and regalia manufactory.
Creator: Webb, Harry A., 1847-1927, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Webb [P.2017.40]

Title: Photographing the baby
Description: Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator: National Bank Note Co.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]

Title: Use Queen Anne Soap I'se a waiting
Description: Racist trade card illustration depicting a full length portrait of an African American woman walking a small brown dog. The woman is attired in an elaborate orange, yellow, and green feathered bonnet, a blue and red dotted and frilled dress with white and blue details, a pendant, white and yellow fingerless gloves, red stockings, and black heeled shoes. She holds the dog's leash and a red and blue fan in her left hand and a blue parasol in her right hand. Visible behind her is a large yellow ribbon which is attached to the back of her dress. The woman leans forward while jutting out her backside and stands with her right foot in front of her left. The woman is portrayed with exaggerated features. Queen Anne Soap was owned by the Detroit Soap Company, which in 1915 was acquired by the Buffalo-based Lautz Bros. & Co., Title from item., Date inferred from dates of operation of advertised business., Advertising text on recto: Purest and best in the world., Series number on recto: 58., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Queen [P.2017.95.145]

Title: Compliments of Villa Park Improvement Co
Description: Racist trade card illustration depicting two African American girls and one boy standing near a fence and fending off two wild turkeys. The boy stands behind the two girls and is attired in a cap, a long brown coat, tan gloves, and black shoes. The older girl is attired in a red hat with a dark-colored ribbon, a yellow jacket, red gloves, red stockings, and black boots. She wields a stick in her right hand and holds the younger girl with her left. The younger girl is attired in a blue and white cap and a blue jacket. All of the children are depicted with exaggerated features. The Villa Park Improvement Company was based in New Jersey and James Moses, a Trenton businessman, was the organization's president during the 1890s., Title from item., Advertising text on recto: Compliments of Villa Park Improvement Co. Be sure to read the circular. It is interesting. Especially about the free life insurance and free car far. An ideal location for a home. Great value as an investment. No interest, no taxes, two trolley lines. Public school on the plot. Main office, 39 Muirhead Street. Branch office, Corner Hamilton and Quintin Avenues., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Villa [P.2017.95.183x]

Title: J.H. Short, dealer in music and musical merchandise, 94 Town Hall, Stamford, Conn. Piano and organ music 1/3 off
Description: Racist trade card illustration promoting Connecticut music dealer J.H. Short and depicting an African American male dandy, with a sheepish expresion, and posed with one hand to his lips and his other hand holding a top hat at his shoulder. He wears a ruffled white shirt, white vest adorned with a wa4tch fob, gold waist coat with tails, and bright blue and white striped pants. He stands in front of a background of fauna details., Title from item., Text printed on recto: I'se a Dude!, Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Short [P.2017.95.157]

Title: Millie Christine, "the Two Headed Nightengale."
Description: Full-length portrait of the African American conjoined twins and performers posed near an arm chair. The women are attired in a long-sleeved damask dress with front ruching. Each wears a lace neckerchief, an adornment in her hair, and earrings. Millie (on the left) holds a fan in her hands. A backdrop illustrated with a changing screen is visible in the background. The twins were born in Whiteville, North Carolina on July 11, 1851, to Jacob and Monemia McKoy who were enslaved to Jabez McKay. Various enslavers and managers exhibited the twins nationally and internationally. By the end of the 1880s, the twins retired to a farm in their home state of North Carolina., Title printed on mount., Photographer's imprint printed on mount., Date inferred from address of photographer., See History and medical description of the two-headed girl:...(Buffalo, N.Y.: Warren, Johnson, & Co., 1869). (LCP Am 1869 Hist, 70318.D)., Lib. Company. Annual report, 2015, p.42-43., Purchase 2015., Description revised 2022., Access points revised 2022., RVCDC, Horace Ollivier operated his studio from 466 5th Avenue between 1889 and 1903.
Creator: Ollivier, Horace, photographer
Date: [ca. 1889]
Location: Library Company of Philadelphia | Print Department cabinet card - sitter - Millie [P.2015.23.2]

Title: Joe Michl's fifty little orphans
Description: Small display card depicting a montage of children's and baby's faces, heads, and busts, including one African American child. Two children, prominently shown in the foreground, hold hands, and a cigar. Some children wear bonnets and ribbons on their heads. A few children wear outfits with lace collars and shoulder straps with bows. Most of the "little orphans" smile, while others cry and frown. Michel established his cigar business as a partnership in Decatur in 1858. He predominantly operated as a sole proprietor from 1863 to 1903. His cigars were known for their standard of excellence., Contains hole for hanging in upper edge., Advertising text on verso: Smoke the "Little Orphan" cigar. Best on Earth for 5 Cents. Manufactured by Jos. Michl., Decatur, Ill., Purchased with funds for the Visual Culture Program., George S. Harris started his printing business in 1847, and in 1872, he partnered with his son George T. Harris and renamed the business George Harris & Son.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department *trade card - Michel [P.2013.59]

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