Search results

Title: [Fashion print showing a couple attired in Quaker costume]
Description: Fashion print showing a young couple in plain dress on promenade. The man wears a broad-rimmed hat, white cravat, and suit. The woman wears a poke bonnet and a plain dress with a large white collar and puff sleeves. Each holds or wears gloves., Date from manuscript note on recto: Costume 1844., Philadelphia on Stone
Date: 1844
Location: Library Company of Philadelphia | Print Department BW - Fashion [P.2005]

Title: Costume des Quakers Bibliothéque de Philadelphie
Description: Plate showing a Quaker man outside and a Quaker woman and man within a fence in front of the subscription library, Library Company of Philadelphia, at 5th and Library streets. The men wear broad rimmed hats, long coats, and pantaloons. The woman wears a plain dress, shawl, and bonnet. She holds a basket. The Library Company, established by Benjamin Franklin and his Junto in 1731, occupied the hall built in 1790 after the designs of Dr. William Thornton until 1880. The building was razed in 1887., Published in Édouard de Montulé's Voyage en Amérique, en Italie, en Sicile et en Egypte, pendant les années 1816, 1817, 1818 et 1819 (Paris, Delaunay [etc.], 1821)., Printed in the upper right corner: Pl. 6., Philadelphia on Stone, POS 166
Date: [1821]
Location: Library Company of Philadelphia | Print Department BW - Libraries - Library Company [P.8476]

Title: Life in Philadelphia. "Good evening Miss..."
Description: Sexist caricature satirizing middle-class mores and depicting a white man dandy sexually harassing a well-to-do white woman as she traverses a Philadelphia street. The man stands next to her, in the right, and the woman has an aghast expression. She has a bouffant hairstyle adorned with yellow flowers and ribbons. She wears a long pink cape with a blue hood over her hourglass shape and large hair. The dandy is dressed in a corset, a black top hat, blue coat with tails, pink vest, gloves, and large pink bow tie. He holds a walking stick toward the ground in his right hand. A white handkerchief hangs out of his right coat pocket. Cityscape and two men pedestrians are seen on the street in the background., Title from item., Date from item., Inscribed: Plate 8., The symbol of a key is used in place of the name Clay., Contains five lines of dialogue above the image: “Good evening Miss, shall I have the pleasure of walking with you?” _ Me sir!! for whom do you take me, sir? __”Come, come that’s a good one!__ for whom do I take you? Why for myself to be sure!”__, Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed publication of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., Reaccessioned as P.9701.2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.2]

Title: Promenade in Washington Square
Description: Caricature depicting a modishly dressed white couple (man and woman) strolling through Philadelphia's Washington Square near the Society Hill section of the city. The woman wears a bright yellow dress with extremely puffed leg o'mutton sleeves and a dramatically large yellow hat with a massively wide brim. Blue and yellow striped ribbons are attached to the hat and hang down from the brim. A kerchief and necklace adorn her neck. She carries a purple purse and a pink umbrella in her left hand and a pink monocle in her right. She holds the monocle close to the side of her chin. The man wears a blue waistcoat with massively puffed leg o'mutton sleeves, a plaid cravat, brown trousers, and top hat. He holds a walking cane in his left hand to the side of his waist. Both figures are depicted with corseted waists. Two fashionably dressed women, a fashionably dressed couple (man and woman) with a child, and multi-story buildings and trees are seen in the background. In the early 1800s Washington Square evolved from a pasture ground and a burial ground for the city’s African American community, indigent community, and Revolutionary War soldiers in the 18th century to a park at the request of the wealthy residents in the neighborhood., Title from item., Date inferred from dates of later plates in the series., Probably published by William Simpson., Inscribed: Plate 1., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 86. (LCP Print Room Uz, A423.O)., Part of the digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Accessioned in 1999.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1828]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9688]

Title: Philadelphia fashions, spring & summer 1845, by S. A. & A. F. Ward no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 16 elegantly attired men, women, and boys in a parlor and outdoor setting. Upper panel shows the parlor scene. A couple in bed coats sits on a chaise lounge. The man accompanied by a boy, attired in a military-style suit, talks to another man, wearing a suit with patterned pants. The woman talks with another lady attired in a bonnet, shawl, and full skirt. A third gentleman stands near two columns to the left. He wears a suit with a lavishly patterned vest and striped pants. On the opposite side of the columns, two women in evening dresses sit at a piano. One wears a feather in her hair and the other wears an elaborate up do with ringlettes on the side. Two men in evening suits join them. Furnishings also includes a framed painting and mosaic carpeting. Lower panel shows the outdoor scene. At the banks of a river, possibly the Schuylkill, 5 men, one woman, and a boy are gathered. The woman, at the center of the scene, wears a riding habit and sits side saddle on her horse. Her male companion, in a riding suit, stands next to her, dismounted from his horse. To the left, a man in a hunting outfit and with a dog stands between two men in suits and top hats. To the right, a man attired in an overcoat stands with a boy, attired in a suit. Each wears a top hat. All the men wear pants of various patterns and different styles of neckwear. Most carry a cane and the hunter holds a rifle. Most of the depicted men have some facial hair. Key numbered 1-9 and 10-15 printed above and below the image., Not in Wainwright., Philadelphia on Stone, POSP 179
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.2007.28.28]

Title: What makes these children look so queer? Why do they awkward all appear? The reason is, they are arrayed in clothing that is badly made Awkward no more these boys appear. No longer look these children queer. And do you ask the reason why?-Their clothing now is fitted by, Strawbridge & Clothier
Description: Metamorphic tradecard designed with a turn-down flap to depict a before and after scene. Before scene shows three boys attired in ugly patterned and oversized or too tight clothing. After scene shows boys attired in elegant, smartly patterned suits., Advertising text printed on verso: Strawbridge & Clothier, 801, 803, 805, 807 & 809 Market Street, Philadelphia. Invite attention to their large Stock of Boys' clothing. This Stock is gotten up with great care and is all sold on the basis of our uniformly low prices., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Strawbridge [P.2012.34]

Title: [Unidentified African American man with a dog]
Description: Full-length portrait of an African American man, wearing a mustache and attired in a white collared shirt, a waistcoat, a jacket, a riding coat, and pants, standing in front of a backdrop adorned with ornate decorative columns. He holds a walking stick, crosses his right leg over his left, and leans on a balustrade on which a top hat rests. A white and brown spaniel dog lies in the foreground., Photographer's imprint printed on verso., Title supplied by cataloger., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Gallery, operated by Lewis Horning, was in business at 523 South 9th Street from around 1876 until 1885.
Creator: Parlor Gallery (Firm), photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Parlor [P.9981.7]

Title: Philadelphia, Paris & New-York fashions, for spring & summer of 1864. Published and sold by F. Mahan, no. 911, Chestnut Street, Philadelphia
Description: Fashion print containing two rows of full-length models displaying men's and women's indoor and outdoor clothing. Top row features figures posed against a domestic interior featuring a large window overlooking a country landscape and patterned carpeting and drapes. Two female figures in the center of the row display dresses with large hoops. Bottom row features figures dressed in outdoor clothing including two Union generals, Brig. Gen. Henry Morris Naglee and Maj. Gen. Nathanial Prentiss Banks, in military uniforms and two sportsmen carrying hunting rifles posed in front of a military camp., Philadelphia on Stone, POSP 185, LCP AR [Annual Report] 1991, pgs. 48-49.
Creator: Haugg, Louis, 1827-1903, artist
Date: c1864
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.9366.1]

Title: The Philadelphia dandies. A group of fashionables. "Shoot folly as it flies."
Description: Caricature lampooning "fashionable" middle-class Philadelphians depicting two scenes of “belles” being greeted. The first scene portrays a white belle, in the right, being greeted by a white dandy, in the left, who holds up a monocle in his left hand and asks, "How do you do?" They are each bent over and face each other. The dandy is attired in a white ruffled shirt, blue waistcoat, tan pants, and grey boots with spurs. He holds down a black top hat from which a cane hangs in his right hand. The belle is attired in a large green bonnet that curves at the back of her head and that is adorned with feathers and a ribbon, a pink, long-sleeved, knee-length, belle-shaped dress, and boots. She holds a green umbrella up in her right hand toward the raised arm of the dandy and the back of her dress has risen up. A pug-like jumps up and barks at her from behind. She responds that she is “rather cold.” The second scene depicts a white belle being greeted by a "fashionable" white woman and girl whose hand she holds. The women and girl are all similarly attired in large bonnets adorned with flowers, long-sleeved, high waisted, calf-length dresses in pink or green, and boots or ankle-laced shoes. They are also portrayed with stooped postures and accentuated posteriors. The woman with the child also holds a pink purse in the same hand as that of the girl who also wears pantalettes and holds a green parasol in her left hand. A third woman wearing a mortarboard style hat adorned with feathers, a long-sleeved, calf-length, high-waisted dress with under skirt, and boots, holds a spear-shaped umbrella over her shoulder and "marches" passed them in the right. Also, shows a pug-like dog standing in the left by the women who greet each other., Title from item., Date inferred from content., Contains two bubbles of dialogue within image of first scene: How do you do? How do you do? Madam! How is it with you today? It is rather Cold, sir!-, This caricature is similar in content to the prints from the series, "Life in Philadelphia" (London Set), and has been catalogued as part of the series., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Kensett, Thomas, 1786-1829, engraver
Date: [ca. 1820-ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9720]

Title: Celluloid waterproof collars, cuffs & shirt bosoms
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese boy smoking a pipe and carrying a cane. Shows the boy, wearing a queue hairstyle with a pink bow tied at the end of his braid and attired in a colorfully patterned Chinese robe with oversized celluloid cuffs, collar, and hat, and red, slip-on, cloth shoes. He holds the smoking pipe to his lips with his left hand and carries a walking cane in his right hand., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.741]

Main menu