Search results

Title: Life in Philadephia [sic]. The valentine
Description: Racist caricature depicting an African American man reading a comic valentine in his bedroom as he prepares for bed. Shows the bearded man, beside a bed with a pink canopy, holding the back of a tilted chair (his waistcoat on it) with his left hand and holding up the valentine illustrated with a picture of the devil in his right hand. The man is portrayed with an angry expression and standing with his feet far apart. He wears a night cap, a blue-striped shirt, a black neck tie, brown pantaloons from which a watch fob hangs, white stockings and one red slipper. A water pitcher and boots lie near his feet. In the left, an African American woman, smiles, and stands behind the ajar bedroom door. She wears a night bonnet, neckerchief, short-sleeved shirt, blue skirt, and black slippers. A stairwell is seen behind her. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item,, Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within the image: Holl’a! What’s all dis about_. “De rose is Red de Violets blue” De Debils Black and so are You. Well dat’s bery Fair indeed., Inscribed: No. 6., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.6]

Title: [Unidentified African American woman]
Description: Near full-length portrait showing an African American woman attired in a narrow-brimmed, high-domed, ornamented bonnet; dark-colored, button-down shirt waist; and white skirt with ruching at the hips. A broach with a four-leaf clover detail adorns her collar. She stands between a post to her right and a stringy, hay bale-like prop to her left. She rests her left hand on the prop and holds a parasol perpendicular to the floor in her right. A photographer's head clamp is positioned to the left of the post and a backdrop illustrated with an outdoor setting is visible in the background. The studio is partially visible in the left of the image., Title supplied by cataloger., Accompanied by detached photographer's label (P.2017.14.4b)., Date inferred from "N.B." on photographer's label., Description and access points reviewed 2022.
Creator: Fenton, J., photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department tintypes - photographer - Fenton [P.2017.14.4a&b]

Title: [Portrait of five African American men attired in uniforms, probably band uniforms]
Description: Full-length portrait depicting the five young African American men, standing in a row, in a studio setting. The men on either end are slightly angled toward the man in the middle. The men have short-cropped hair, some with it parted in the middle. One man also has a mustache. The men are attired in white high collar shirts; bow ties; three-buttoned, dark jackets with flourishes across the chest and on the arms; and dark pants. One man (second from right) wears a black bow tie, while the others wear white ones. The man in the middle wears his jacket unbuttoned, while the others have theirs buttoned. Setting includes a palatial backdrop, a balustrade covered in drapery (in left), the edge of a platform (in right), and a fur rug on which the men stand., Title supplied by cataloger., Photographer's imprint with insignia printed on mount. Insignia composed of H.W. monogram with flourishes., Date inferred from years (1888-1892) photographer operated at address listed in imprint., Printed on verso: Harry A. Webb, art photographer, 112 and 114 N. 9th St., Philadelphia. Instantaneous process used exclusively. All negatives preserved. Duplicates, enlargements, or lockets. Can be furnished without resitting. Text surrounded by and within pictorial details. Details resemble pine needles, banners, and a circular ornament. The text and pictorial elements are within an ornamented border composed with bark-like details and ornate cornices adorned with floral twigs., Description reviewed 2022., Access points revised 2022., Harry A. Webb, born in England, worked in Philadelphia as a photographer by 1880. He continued in the profession through 1900. By the time of his death in 1927, he worked as a clerk for William H. Horstmann, a dress trimmings, military and regalia manufactory.
Creator: Webb, Harry A., 1847-1927, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Webb [P.2017.40]

Title: Trexler & Hartzell
Description: Racist trade card illustration depicting an African American woman curtsying toward the viewer. The woman is attired in an elaborate bonnet with faux pink flowers, pink ribbons, white frills, and a yellow chinstrap. She is also attired in a pink dress with a pattern of pink, blue, and green flower bouqets, red ribbons, a red faux flower, and a wide neckline. She dons white gloves with yellow cuffs on both hands and holds up the hem of her dress to reveal a white petticoat and red shoes. The woman is depicted with exaggerated features. Trexler & Hartzell was a newspaper firm in Allentown, Pennsylvania that sold paper and was owned by B.F. Trexler and Wilson J. Hartzell. The business founded in 1870 and operated throughout the late 19th and early 20th centuries., Title from item., Text printed on verso: Trexler & Hartzell will be ready for business in their new quarters by Monday, August 31st. A prize to every purchaser of school books., Text printed on recto: Who me?, Series no. 58 printed in right corner of recto., Date inferred from perpetual calendar., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Trexler [P.2017.95.174]

Title: [Three-quarter length portrait of Frances W. Bruce]
Description: Three-quarter length, forward facing, seated portrait of Frances W. Bruce. Sitter has dark hair parted in the middle with ringlet curls at the sides of her face. She is attired in a dress made of a patterned fabric of decorative scrolls and with a white lace collar and cuffs. She wears two rings on her right hand. Sitter rests her right elbow on a tableclothed side table in the left. Her left hand rests on her lap and slightly clasps her right hand. Frances Wardale Bruce (1815-1892) was William Y. McAllister’s sister and spouse of physician George D. Bruce., Title supplied by the cataloger., Date and name of photographer from manuscript note on label attached to case: Frances Bruce, Feb. 1845., Pad: Red velvet., Mat: Octagon., Case: Leather. Bouquet of mixed flowers in a vase. No design on verso., William Y. McAllister was an optician and cane manufacturer in Philadelphia from 1845 to 1860.
Creator: McAllister, W. Y. (William Young), 1812-1896, photographer
Date: Feb. 1845
Location: Library Company of Philadelphia | Print Department cased photos – McAllister [P.2021.37]

Title: Double Head Study of an Older and a Young Woman
Description: Gift of David Doret and Linda G. Mitchell, 2022., Label on the verso from Montclair Art Museum (Montclair, N.J.) (Double Head Study), Gift of Mr. and Mrs. Ethan D. Alyea. 1964.51., Bust-length, forward-facing portrait study of two white women. In the left, shows an older woman with brown ringlet curls framing her forehead and attired in a white lace day cap tied in a bow under her chin and a dark-colored dress with a white lace collar. In the right, shows a young woman with her dark brown hair parted in the middle and tied back and attired in dress with a white neckline. There is an additional portrait of a woman on the verso of the canvas. A cut out in the frame reveals the eyes of the portrait. A photocopy reproduction is taped to the back. Bust-length portrait of a white woman with her blonde hair tied back and attired in drop earrings, a multi-stranded necklace, and a light blue dress.
Date: ca. 1830s-1840s
Location: OBJ 922

Title: [Full-length studio portrait photograph of an unidentified, young African American man, seated]
Description: Shows the man, posed slightly to the left, seated on a wooden chair, and his left leg crossed over his right. He looks toward the photographer. His left hand rests in his lap and his right hand rests on the fore edge of the right arm of the chair. He wears a dark-colored suit, white shirt, neck tie, and laced up boots. Image also includes a backdrop and decorated flooring., Title supplied by cataloger., Photographer's imprint and insignia blindstamped on mount., Paper cover is embossed with floral pictorial details., Gift of J. Murray Atkins Library., Benjamin W. Fowler operated from 238 N. Eighth St., Philadelphia between 1889 and 1917.
Creator: Fowler, Benjamin W., photographer
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department portrait photographs - photographer - Fowler [P.2022.54]

Title: [Half-length portrait of an unidentified woman, seated]
Description: Half-length, forward facing portrait of an unidentified white woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved dress with buttons down the bodice and a white collar, and black lace, fingerless gloves. A broach adorns her collar. Her lips and cheeks are tinted pink. She is seated and holds a book labeled, Message and Documents 1857-8 Part 1 (i.e., Congressional documents), on her lap with her right hand. She crosses her left arm over her right and rests her left hand on her right wrist., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on lips and cheeks., Cased image accompanied by a lock of hair and four feathers from an Amazon parrot., Gift of Ivan Jurin, 2022., Pad: Red velvet with flowers within a decorative scroll border., Mat: Nonpareil., Case: Leather. Decorative geometric and scroll pattern in the center with leaves in the corners. Same design on verso.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2022.29.1-1a]

Title: Group of old Japanese
Description: Full-length, forward-facing, group portrait of seven Ainu men. Shows a row of four men sitting cross-legged on the floor with a row of three men sitting in chairs. The barefooted men have long, white and gray hair and beards and are attired in patterned robes. A woven mat hangs behind them. The Ainu are an indigenous people from the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese., Title from manuscript note written on recto., Date inferred from content., Manuscript note written on verso: A group of Japanese old men.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - group portrait - misc. [P.9057.73] (Brenner)

Title: Beauty on the street- front view. J.T. F[ritch], jobber & dealer in tobacco cigars, snuff, pipes &c. Main Street, Kurtztown, PA
Description: Racist trade card illustration depicting an African American woman walking her dog. The woman is attired in an elaborate feathered wide-brimmed top hat, a form-fitting jacket with a ruffled collar, a long skirt, petticoat, and boots. The woman holds an umbrella in her right hand and her dog's leash in her left. The dog appears to urinate behind a pole. The woman is depicted with exaggerated features. J.T. Fritch was a businessman based in Kurtztown, Pennsylvania who was trained as a printer, became a cigar manufacturer and dealer, and embarked on several other business ventures during the late 19th and early 20th centuries., Title from item., Printed in blue ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Tobacco [P.2017.95.176]

Title: The Star Show
Description: Racist trade card illustration depicting an African American man and woman. The woman is attired in a red hat with a white feather, a blue dress with a white ruffled collar, gold bracelets, red stockings, and black boots. The man is attired in a black top hat, a red plaid jacket, a white collared shirt, a yellow tie, black pants, and black shoes. He holds a cane in his right hand. Both figures are depicted with exaggerated features. Called Back was a novel that was written by English playwright Frederick John Fargus (who went by the pen name Hugh Conway) and adapted as a play in the 1880s., Title from item., Date inferred from perpetual calendar., Advertising text on verso: The Star Show, next week! Next week! Monday, Nov. 16. Afternoon and evening. F.H. Glenny's great dramatization of Hugh Conway's famous story, Called Back. A star company! A star play! Matchless scener! Don't miss this one! Called Back. Called Back. No theater goer - Man, Woman, or Child should miss this great Play. Secure your seats now, and avoid the rush! Next! Don't forget Nov. 23. That ever popular play, "Uncle Tom's Cabin," A star company, realistic scenery, and one hundred people on the stage., Gift of David Doret.
Date: [1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star Show [P.2017.95.170]

Title: To Mrs. Amelia Bloomer The new costume polka composed for the piano by Mathias Keller
Description: Sheet music cover containing a portrait of a woman attired in a bloomer costume, standing in front of the storefront of music publishers Lee & Walker on the 600 block of Chestnut Street. The lady holds a blue parasol, and wears a corseted pink-colored coat and pale yellow skirt over her white bloomers. A model harp adorns the door of the music store in which a female patron wearing a bloomer costume enters. Also shows the neighboring J. A. Robinson bookstore (162, i.e., 632 Chestnut). Pedestrians, including another woman in bloomers, walk on the sidewalk, past the store, and look in its window. The bloomer costume gained notoriety from an 1851 depiction of women's rights advocate Amelia Bloomer in this style of reform dress comprised of Turkish pantaloons and a skirt., Additional distributors printed on recto: New York, Wm. Hall & Son; Memphis, Ten. P. Flavio; and New Orleans, Wm. T. Mayo., Printed on recto: Plain 25 cts net. Colored 38., Accompanied by the sheet music., Philadelphia on Stone, POS 756, Library Company of Philadelphia: Sheet Music 11855.F (Doret). Copy gift of David Doret., Historical Society of Pennsylvania: Ba 38 L 477, Free Library of Philadelphia Music Department holds copy., Inscribed on verso of HSP copy: April 2, 1958. Mifflin Fund.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: c1851
Location: Historical Society of Pennsylvania HSP Bb 38 L 477

Title: [Wu Ying Ding]
Description: Bust-length portrait of Wu Ying Ding, attired in a tight-fitting cap and a shirt with a Mandarin collar and frog closures, facing slightly right. Hu Quang Yung exhibited a selection of his collection, including cloisonne, bronzes, and ceramics, at the 1876 Centennial Exposition in Philadelphia. Yung's nephew, Wu Ying Ding, attended the Centennial as an envoy with the objects., Title supplied by cataloger., Date inferred from active dates of the photographer., Manuscript note written on verso: To General Mrs. Basban, With best Compliments of Wu Ying Ding, Mandarin of China, N.Y., Feb. 17, 1877., Text printed on verso: No. [996]. In ordering duplicates please send no. as above, and name., Gustavus Gerlach and Gustavus Fromhagen were Philadelphia photographers who were in partnership from circa 1875 to 1878.
Creator: Gerlach & Fromhagen, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Ding [P.9664]

Title: [Fashion plate for Samuel A. & Asahel F. Ward]
Description: Fashion advertisement containing two panelled scenes of 11 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Four men and three women socialize. Three of the men wear suits and one, dressed in evening attire, sits in a chair. Two of the men hold top hats and all have chin beards. One woman wears an evening dress and the other two women are attired in day dresses and bonnets. One of the latter pair wears a shawl and the other holds a handkerchief. Also includes framed pictures, mosaic carpeting, a window with drapery, and a pedestal displaying a vase of flowers. Lower panel shows the outdoor scene. In the center, "Genl. David R. Porter, Govr. Of Penna. Copied by permission of Huddy & Duval" wears his uniform and is mounted on his horse. To the left, two men in overcoats stand near a hitching post. To the right, two men attired in top hats (one white), vests, jackets, pants, and holding canes, stand. In the background, a militia troop drills, including two separated members on horseback. All the men are clean shaven. Key numbered 1-7 and 8-11 printed above and below the image., Not in Wainwright., Title supplied by HSP., Philadelphia on Stone, POSP 68, Historical Society of Pennsylvania: Bc 642 W 363d, Trimmed.
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1842]
Location: Historical Society of Pennsylvania HSP Bc 642 W 363d

Title: Fashions for spring and summer 1854 by S. A. & A. F. Ward, no. 100 Chesnut [sic] Street Philadelphia, Pa
Description: Fashion advertisement containing two paneled scenes of 16 elegantly attired men, women, and children in outdoor settings. Upper panel shows six men, two women, and two boys socializing on a verandah. The men and boys wear patterned, light, and dark pants and jackets, bow ties or a cravat, and wear and hold top hats and canes. The women wear plain and ruffled hoop skirts, with one also attired in a bonnet and holding a parasol. Lower panel shows five men and a woman standing near a river lined by a stone gate monument, farmhouse, and mansion house. Includes a woman in a riding habit (part of a couple) standing next to a horse across from a man in a coat and tails. Four of the men wear patterned pants, long coats, and hold or wear hats. One also wears a plaid vest. Many of the depicted men wear mustaches. Key numbered 1-10 and 11-16 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 77, Historical Society of Pennsylvania: Bc 642 W 263c 1854
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263c 1854

Title: Philadelphia fashions, fall & winter 1845, by Samuel A. Ward & Asahel F. Ward, no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 18 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene with 7 men, 2 boys and a woman socializing. Most of the men wear suits with striped pants, long coats, bow ties or a cravat and hold top hats and canes. The boys who cozy up to their seated father, wear a military style suit or a dress and pants. The woman, seated on a chaise lounge, wears a bonnet and holds a riding crop. Furnishings include a fireplace, mosaic carpeting, sofa, and a piano. Lower panel shows 7 men and a woman at an outdoor scene along the banks of the Schuylkill River across from the Blockley Almshouse and Schuylkill Permanent Bridge. The men wear fur-trimmed overcoats, a cloak with patterned lining, patterned pants, top hats, and a cap. Many hold canes or a riding crop and one man leans on a hitching post. The woman, turned to her side and her face obscured by a bonnet, wears a cloak and holds a muff. Most of the depicted men have some facial hair. Key numbered 1-10 and 11-18 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 175, Historical Society of Pennsylvania: Bc 642 W 263d
Creator: French, John Taylor, 1822-1852, artist
Date: [ca. 1845]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263d

Title: Fashions. Fall & winter. 1851-2. By S. A. Ward & A. F. Ward, no. 62 Walnut St. Philadelphia
Description: Fashion advertisement containing two panelled scenes of 21 elegantly attired men, women, and children in a parlor and outdoor setting. Scenes surrounded by a border designed as tree branches rising from tree stumps on which axes lay. Upper panel shows the parlor scene with 7 men, 2 women, a boy and a girl socializing. Most of the men wear suits, including two attired in striped pants, and the host wears an evening suit with white bow tie and tails. Four of the men wear or hold a top hat and a couple, arriving from the door, is attired in a suit and riding habit. The other woman, the hostess, at the center of the scene, flanked by her children, wears an evening dress with plunging neckline. Her two sons are attired in a hat, cape, tunic, and stockings and in a cap, jacket, and striped pants. Furnishings include a large display mirror, sofas, and drapery. Lower panel shows 10 men in front of a militia campsite near the coastline. Most of the men wear striped or checkered pants and overcoats or capes. All of the men wear top hats or caps and four of the men wear militia uniforms. Background includes a cannon, tents, and sailing ships. Many of the depicted men have mustaches and or sideburns. Key numbered 1-11 and 12-21 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 72, Historical Society of Pennsylvania: Bc 642 W 263
Date: [ca. 1851]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263

Title: Fashions for fall and winter 1853-4 by S. A. & A. F. Ward, no. 62 Walnut St. Philadelphia, Pa
Description: Fashion advertisement containing two panelled scenes of 19 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene with 7 men, 1 women, a boy and a girl socializing. To the left, two men attired in suits with striped pants, stand near a piano and cushioned chair. One holds a top hat and cane. In the center, a man wearing a patterned vest, and with a woman and a young girl in riding habits, stands near a cushioned arm chair. To the right, two men in suits with garishly printed pants, accessorized by top hats and canes stand. One talks to a man in an evening jacket with tails and a white tie. The man in evening attire leans again a table with his hand on the shoulder of a young boy attired in a long coat and pants who holds a ball in his hand. Lower panel shows 9 men and a woman in front of a riverbank and temple-style building in the background. Most of the men wear plaid and patterned pants, overcoats, cloaks, caps or top hats. One man holds an umbrella and a cigar. Also includes two men in hunting attire accompanied by a dog. The men carry gun powder pouches and one wears knee-high boots and the other holds a dead bird. The woman, in the center of the image, wears a riding habit and is seated side-saddle on a horse. Many of the depicted men have mustache, sideburns, or a beard. Key numbered 1-9 and 10-19 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 75, Historical Society of Pennsylvania: Bc 642 W 263a
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263a

Title: Theo. Leonhardt & Son. Importers of cards, 324 & 326 Chestnut St. Philadelphia
Description: Not in Wainwright., Trade card depicting "Le Petit Chaperon Rouge." Shows a girl attired in a red frock and bonnet holding a basket with a "patissier" and windmill standing in the background. Also contains several lines of French text explicating the story of "Chaperon Rouge." The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 99, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Le Petit
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Le Petit

Title: Specimen of crayon work for Theo. Leonhardt & Son. Lithographers. 324 & 326 Chestnut St. Philadelphia
Description: Not in Wainwright., Advertisement showing the bust-length portrait of a woman, slightly facing right, attired in a ruffled hood with fur trim and jewel clasp at her collar. The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 86, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Woman
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Woman

Title: Paris, New York & Philadelphia fashions, for spring & summer 1855. Published and sold by F. Mahan, no. 211 Chestnut Street, Philadelphia
Description: Fashion advertisement containing two paneled scenes of 22 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Eight men, a woman, and two boys socialize in clusters of three and four. The men and boys predominately wear suits, and the woman wears a ruffled layered dress with full skirt and as well as a bonnet. The other male figures wear a bed jacket and cap (man) and a dress with sash over bloomers (boy). A large vanity and two chairs furnish the room decorated with framed paintings, carpet, drapery, and wallpaper. Lower panel shows the outdoor scene set before an oceanside. Eight men, including "His Excellency A. Johnson" and "L. Hyneman Proprietor of Masonic Mirror," two boys, and a woman descend upon and stand on the stone pier. Six of the men wear suits, including overcoats. The two other men wear a riding outfit and a hunting outfit, including a rifle. The boys, one in pantaloons playing with a hoop and the other in pants, also were jackets. The woman wears a riding outfit. Most of the men are clean-shaven and all the men in the outdoor scene wear or hold hats., Philadelphia on Stone, POSP 162, Library of Congress: LOC DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Fashions Spring Summer 1855
Date: c1855
Location: Library of Congress | Prints and Photographs Division LOC DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Fashions Spring Summer 1855

Title: Philadelphia, Paris & New-York fashions, for spring & summer 1854
Description: Fashion advertisement containing two panelled scenes of 20 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Eight men, a woman, and a boy socialize in clusters of three and four. The men and boy wear suits, many with paisley-patterned pants, and the woman wears a patterned dress with full skirt and tassels as well as a bonnet. A large mirror on a stand, several chairs, and chaise lounges furnish the room decorated with carpet, drapery, and wallpaper. Lower panel shows the outdoor scene set before "The New Masonic Temple, Chestnut St., Phila." Six men, including clothing store proprietor Francis Mahan, two girls , a boy, and a woman stand on the street block. Four of the men wear suits, including one with an overcoat. Another man, with a girl in a skirt and bloomers standing at his side, wears a hunting oufit and holds a rifle. The woman comprises part of a couple attired in riding outfits who are flanked by a boy dressed in a suit, a girl wearing a skirt and bloomers, and the man with the overcoat. Most of the men wear mutton chops, including three with mustaches., Philadelphia on Stone, POS 546, LOC copy uncolored., Library of Congress: PGA - Duval--Paris, New York & Philadelphia fashions (D size) [P&P] Fashions Spring Summer 1854
Date: c1854
Location: Library of Congress | Prints and Photographs Division LOC PGA - Duval--Paris, New York & Philadelphia fashions (D size) [P&P] Fashions Spring Summer 1854

Title: Life in Philadelphia. "Behold thou art fair Deborah,..."
Description: Caricature satirizing the manners of Quakers and depicting a white Quaker couple, Deborah and Timothy, courting in front of a fireplace in a sitting room. In the right, Timothy, depicted in left profile sits stiffly in a wooden, straight back chair with his hat in his lap. He is portrayed with full lips, a pronounced nose, and large ears and with his brown hair in a cowlick at the back top of his head. He wears a brown long coat, brown pants, and tied shoes. He compliments Deborah by reciting verses from the biblical love poem Song of Solomon. In the right, Deborah, portrayed facing the viewer, and looking down, sits stiffly in a wooden, straight back chair with her hands in her lap. She is attired in a brown plain, long-sleeved dress, and a white kerchief over her shoulders. She also wears a white cap out of which sprays of her brown hair are visible on her forehead. Dorothy replies she is overcome by him and recites that his hair is like a flock of goats "from Gilead." A small dog with a curled tail sits between their feet. Also shows, in the background, wooden, straight back chairs flanking the mantelpiece of the fireplace on which two candles rest., Title from item., Date inferred from content., Plate 2 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert of New York., Contains five lines of dialogue below the image: Behold thou art fair Deborah, thou hast doves eyes! Behold thou art fair Deborah, yea pleasant! Turn away thine eyes from me, Timothy, for they overcome me; thy hair is a flock of goats that appear from Gilead!, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Accessioned 1999.
Date: [ca. 1830]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (New York Set) [P.9701.6]

Title: Life in Philadelphia. "Behold thou art fair Deborah,..."
Description: Caricature satirizing the manners of Quakers and depicting a white Quaker couple, Deborah and Timothy, courting in front of a fireplace in a sitting room. In the right, Timothy, depicted in left profile sits stiffly in a wooden, straight back chair with his hat in his lap. He is portrayed with full lips, a pronounced nose, and large ears and with his brown hair in a bowl cut. He wears a blue long coat, blue pants, and tied shoes. He compliments Deborah by reciting verses from the biblical love poem Song of Solomon. In the right, Deborah, portrayed facing the viewer, sits stiffly in a wooden, straight back chair with her hands in her lap. She is attired in a brown plain, long-sleeved dress, and a white kerchief over her shoulders. She also wears a white cap out of which sprays of her brown hair are visible on her forehead. Dorothy replies she is overcome by him and recites that his hair is like a flock of goats "from Gilead." A pug-like dog sits between their feet. Also shows, in the background, wooden, straight back chairs flanking the mantelpiece of the fireplace on which two candles rest., Inscribed: Plate 2., Title from item., Date inferred from content and name of publisher., Date inferred from name and address of publisher and time period of her publication of the series., Contains five lines of dialogue below the image: Behold thou art fair Deborah, thou hast doves eyes. Behold thou art fair Deborah, yea pleasant! Turn away thine eyes from me, Timothy, for they overcome me; thy hair is a flock of goats that appear from Gilead!, Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD. diss., The University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O), RVCDC, Description revised 2021., Access points revised 2021., Purchase 1990.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9288]

Title: Life in New York. Inconvienency of tight lacing
Description: Caricature satirizing early 19th-century, middle-class men’s fashion, specifically male corsets. Depicts a scene in front of a fence at New York's “St. John’s Park” where a white dandy dressed in a top hat, ruffled shirt, and slip on shoes holds onto a lamp post, his right leg up, outstretched, and held by a dandy man companion. He holds his head back and his right hand toward his mouth. The friend, similarly attired in a top hat, waistcoat, and stiped pants crouches with his legs apart. Both are unable to bend. A "practically" attired, older man wearing an overcoat, vest, pants, and boots stands to the right and observes the scene. He states that he will report the event to the "Morning Courier & N.Y. Enquirer." Scene also shows dense foliage and a tree in the park behind the fence., Title from item., Date inferred from content and name of publisher., Inscribed: No.4., Inscribed: St. Johns Park, Sept. 28, 1829., Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.2]

Title: Life in Philadelphia. "Behold thou art fair Deborah,..."
Description: Caricature satirizing the manners of Quakers and depicting a white Quaker couple, Deborah and Timothy, courting in front of a fireplace with a fire in a sitting room. In the right, Timothy, depicted in left profile sits stiffly in a wooden, straight back chair with his hat in his lap. He is portrayed with full lips, a pronounced nose, and large ears and with his brown hair in a bowl cut. He wears a blue long coat, blue pants, and tied shoes. He compliments Deborah by reciting verses from the biblical love poem Song of Solomon. In the right, Deborah, portrayed facing the viewer, sits stiffly in a wooden, straight back chair with her hands in her lap. She is attired in a brown plain, long-sleeved dress, and a white kerchief over her shoulders. She also wears a white cap out of which sprays of her brown hair are visible on her forehead. Dorothy replies she is overcome by him and recites that his hair is like a flock of goats "from Gilead." A pug-like dog sits between their feet. Also shows, in the background, wooden, straight back chairs flanking the mantelpiece of the fireplace on which objet d'arts and a mirror with an ornately decorated frame is placed. Twom framed works of art hang on the wall on each side of the mirror., Title from items., Date inferred from content and name of publisher., Inscribed: Plate 11., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1968.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7707.F]

Title: No. 5 The duel
Description: Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]

Title: No. 9 Coming events
Description: Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]

Title: Pennsylvania at the Panama Pacific International Exposition, San Francisco, 1915
Description: Photograph album containing twenty-seven captioned views of Pennsylvania's contributions to the world's fair held in San Francisco, February 20-December 4, 1915. A number of the images include persons and groups of people posed in front of the Liberty Bell, which traveled nation wide on train from Philadelphia to the fair. Photographs include: "Pennsylvania Building"; "Corner of the Pennsylvania Garden"; "Corner of the Pennsylvania Bldg showing Plaque"; "Mural Pennsylvania Bldg. Steel Industry, Edward Trumbull";"Mural Pennsylvania Bldg. Penn's Treaty, Edward Trumbull"; "The Chinese Commission to the Exposition" in front of the Liberty Bell; "Gentlemen's Rest Room" in the Pennsylvania Building; "Education Day, October 11. 1915" showing young girls attired in "stars and stripes" dresses dancing; "Education Day, October 11. 1915" showing a woman attired as "Liberty" surrounded by young girls attired in "stars and stripes" dresses and standing in front of the Liberty Bell; "Great Grand Daughter of Gen. Putnam" by the Liberty Bell; "Ex Gov. John K. Tenor delivering address Dedication Day, March 18, 1915"; "Vice Pres. Fairbanks delivering address Dedication Day; "Judge William Bailey Lamar U.S. Repr. delivering address Dedication Day"; "Mr. Thomas A. Edison" by Liberty Bell; "A group of Chinese girls" by Liberty Bell; "Mr. Henry Ford" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh and Official Party" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh delivering address Pennsylvania Day, September 4, 1915; "Senator E.L. Tustin delivering address Pennsylvania Day, September 4, 1915";, "Judge Win Bailey Lamar U.S. Repr. delivering address Pennsylvania Day"; "Vice Pres Ruben B. Hale of P.P.J.E. delivering address Pennsylvania Day"; "Senator Boies Penrose" at Liberty Bell; "Farwell to the Liberty Bell, November 10, 1915"; "Philadelphia Officers 'Guards to the Liberty Bell"; "Chief Little Bear" at Liberty Bell; "Arrival of the Liberty Bell at the Pennsylvania Bldg"; and "Arrival of the Liberty Bell at the Pennsylvania Bldg.", Photograph titled, "The Chinese Commission to the Exposition," depicts nine Chinese men and one white man posed in front of the Liberty Bell behind a metal barrier. The men are attired in suits, some holding bowler hats in their hands, except one older Chinese man who wears a white mustache and is attired in a changshan and a round hat. The Liberty Bell is decorated with flowers and sits on a platform draped in an American flag. Four flags, including two American flags, are on flagpoles flanking the bell. Partial view of men and women spectators in the background. Photograph titled, "A group of Chinese girls," depicts six Chinese women posed in front of the Liberty Bell. In the center, the Liberty Bell is displayed on a platform that is draped with an American flag. Two women sit on the platform, and four women stand. Five of the women are attired in white tunics with Mandarin collars, dark-colored skirts, and lace-up, heeled boots, and several of the women wear necklaces and brooches. The woman in the right is attired in a long-sleeved white shirt, a quilted, dark-colored tunic with a Mandarin collar and matching quilted pants, a bracelet, and lace-up, heeled boots., Title and date from manuscript note on first page of album., See related: Rau Collection [P.9520.1] and photo - unid. -events [P.9520.2-8].
Date: [1915]
Location: Library Company of Philadelphia | Print Department albums [P.2022.2]

Title: [Portrait of an unidentified African American woman]
Description: Bust-length, forward facing portrait of a seated, African American woman whose eyes look to the right. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeved, silk dress with a white collar and cravat. A small, decorative button or brooch is pinned in the center of the collar. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with a single swirled feather design., Mat: Oval., Leather. Geometric design with a crosshatched oval surrounded by ovals, each of which has a flower in the center. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.8]

Title: [Portrait of an unidentified African American girl]
Description: Three-quarter length, forward facing portrait of an African American girl seated on a chair with an ornate, wooden back. Sitter has long, dark hair, parted in the middle, crimped, and tied in pig tails. She is attired in a dark-colored, short-sleeved dress with white lace decorating the cuffs. She clasps her hands together slightly and rests them at her waist. Her cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with fleur de lis in center surrounded by scrolls., Mat: Oval., Case: Leather. Geometric design with a six pointed star within a shield flanked by banners. Same design on verso., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on cover and on page 44 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.9]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has dark hair that is parted in the middle and combed close to and tied back behind her head. She is attired in a long-sleeved, button down, plaid dress with ruffles at the cuffs and wears a matching, round, brooch necklace and earrings. She rests her right forearm on a table and her hands, forming slight fists, rest in her lap. Her cheeks and lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet. Fleur de lis in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Geometric design featuring a six-pointed star within a shield flanked by banners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.7]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace, fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Dark purple velvet with a scroll design in the center., Mat: Oval., Case: Square thermoplastic. On recto is a leaf design surrounded by scrolls. This design is #3-128 reproduced in Paul K. Berg's nineteenth century photographic cases and wall frames (Huntington Beach, Ca. 92647: Huntington Valley Press, 1995.) The design on the verso is a bunch of grapes, #2-25 in Berg's book., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021., Lib. Company. Annual report, 1993, p. 17-24.
Date: [ca. 1850-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos -Dickerson Family Collection [P.9427.16]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of a seated African American woman posed behind a prop window frame. Sitter rests her left elbow and right hand on the bottom edge of the frame. Her left hand rests on her shoulder, near the side of her face. She has dark, crimped hair, parted in the middle and that is pulled back into a braided crown at the back of her head. She is attired in a dark-colored, satiny dress with a plunging V-neck and that is adorned with a frilled ribbon and long sleeves with ruching below the shoulder. She also wears a white V-neck collar adorned with a broach, frilled white cuffs, hoop earrings, and a ring on her right hand. Her cheeks and lips are tinted pink. Image also includes a creeping grape vine in the right of the image. Sitter probably from or related to the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Sitter's cheeks tinted pink., Name of daguerreotypist inferred from studio prop (window and trailing vine) visible in image., Pad: Bright red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Geometric design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Creator: Broadbent, Samuel, 1810-1880, photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department cased photos [P.9427.13]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pink tinting on lips., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Small vase of flowers in the center surrounded by ornate decorations. The"Flower Vase" design is reproduced as Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., The die-engraver's name is below the design in reverse, and properly reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000), Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.11]

Title: [The Siamese twins, Chang and Eng, aged eighteen]
Description: Full-length portrait of the conjoined twins Chang and Eng Bunker standing outdoors on grass. Shows the young men barefooted and attired in matching Thai clothing consisting of brown caps, brown tunics, and blue, striped pants. The tunics are open in the front revealing the band of skin and flesh that joined them at the chest. Chang has his right arm around Eng's shoulder, and Eng holds his hand. Eng has his left hand on Chang's waist, and Chang holds his hand. Chang and Eng Bunker were born as conjoined twins in Thailand (formerly known as Siam) to parents of Chinese descent. Chang was positioned on their left, and Eng was on their right. Merchant Robert Hunter and Sea Captain Abel Coffin brought them to the United States in 1829, where they were exhibited as curiosities. The Bunkers left their managers and later toured independently. They purchased an estate in North Carolina. Eng married Sarah Yates, and Chang married her sister Adelaide Yates and together had twenty-one children., Title from a similiar print in the Wellcome Collection., Date inferred from medium and content., Gift of David Doret., Created postfreeze.
Date: [ca. 1830]
Location: Library Company of Philadephia | Print Department portrait prints - Bunker [P.2005.14.3]

Title: Philadelphia fashions fall & winter 1847 by Samuel A. Ward & Asahel F. Ward, no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 19 elegantly attired men and women in a parlor and outdoor setting. Upper panel shows the parlor scene with 8 men and two women socializing. Most of the men wear suits with striped or plaid pants, long coats tapered at the waist, and bow ties. Some hold top hats and canes. The women wear a bonnet, shirtwaist, and full skirt or a riding habit. Furnishings include a marble pedestal, and mosaic carpeting and wallpaper. Lower panel shows General Zachary Taylor and two military officers, in uniforms and mounted on horses, flanked by 6 male civilians in front of a military training ground. All the plain-clothed men wear top hats, striped or checkered pants, and overcoats or capes. Background includes calvary troops on drill and a cannon. Most of the depicted men are clean-shaven or have mustaches. Key numbered 1-10 and 11-19 printed below the figures., Not in Wainwright., Copyrighted by S. A. & A. F. Ward., Philadelphia on Stone, POSP 174, Gift of David Doret.
Creator: French, John Taylor, 1822-1852, artist
Date: c1847
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.2007.28.29]

Title: [Wedding party]
Description: Depicts four couples, including John H. Webster, Jr. and Jane L. Webster, standing in a field, dressed for a wedding. The four women are all attired in white, long-sleeved dresses, gloves and a hat. All of them hold bouquets. The men are attired in three piece suits, which are concealed by the women who stand in front of them., Modern reference print #32 available in research file., Attributed to John H. Webster but may have been taken by other Webster family members.
Creator: Webster, John H., 1861-1934, photographer
Date: ca. 1895
Location: Library Company of Philadelphia | Print Department Webster [P.9501.66 & 67]

Title: Philadelphia fashions, spring & summer 1844, by S.A. & A.F. Ward, No. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 17 elegantly attired men, women, and children in a parlor and outdoor, hunting setting. Upper panel shows four men, two women and three boys in a furnished parlor. All of the men are attired in long jackets, vests, cravats and patterned pants. Two hold or wear hats, and two hold canes. To the left, two men stand and converse with two women. The seated lady holds a fan and wears an evening dress, with a low, straight neckline. Her hair is styled in ringlets, and a flower rests behind her ear. The other woman adorns outerwear styled with a high-necked, tight-waisted dress, shawl and plumed bonnet. To the right, two men stand with three boys, who all wear flat caps. The boy on the left is dressed in an Eton suit, while the other two younger boys wear longer tunic suits. The parlor is furnished with carpet and ornate furniture, vases and landscape paintings. The bottom panel shows an outdoor, hunting scene centered around a man and woman mounted on horses. The scene includes five men and one woman, with three people on each side of the couple. The men wear long jackets, patterned pants, waistcoats, cravats and hats, and the women are attired in riding habits. The lady riding the horse wears a top hat adorned with a veil. A dog runs beside the trotting horses in the foreground and sailing vessels are visible on the sea in the background (right). Key numbered 1-9 and 10-17 printed above and below the image., Not in Wainwright., Signed "Weaver" in lower left-hand corner., Philadelphia on Stone, POSP 178, Gift of David Doret.
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [1844]
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.2002.61.1]

Title: [Half-length portrait of James Rodgers]
Description: Glass negative showing a half-length portrait of James Rodgers. Rodgers, attired in a cap, a white collared shirt, a patterned tie with a pin, a waistcoat, and a jacket, sits on a wooden bench in a garden facing slightly left. Trees and the rear of a house are visible in the background., Title supplied by cataloger., Purchase 2001., Description revised 2021., Access points revised 2021., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.87.9]

Title: [Full-length portrait of James Rodgers]
Description: Glass negative showing James Rodgers standing outside a house next to a shuttered window. Rodgers, attired in a cap, a white collared shirt, a tie, a waistcoat, a jacket, and pants, stands with his right knee slightly bent and his arms at his sides., Title supplied by cataloger., Purchase 2001., Description revised 2021., Access points revised 2021., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.87.5]

Title: [Portrait of an unidentified young woman holding a daguerreotype]
Description: Three-quarter length portrait of a seated, young, white woman with brown hair. She rests an elbow on a book on a table beside her and holds a daguerreotype in her opposite gloved hand. She sits in front of a painted landscape backdrop depicting high cliffs near a body of water., Title supplied by cataloger., Pad: Faded rust colored velvet with an eagle at the top. Photographer's imprint: "Daguerreotype artist, Goodridge's Extra Sky- Light Gallery, York, Pa.", Mat: Brass nonpareil., Case: Leather. Within a nonpareil-like border, striated lines surround a geometric design in the center. Same design on verso. Front cover detached., See John Vincent Jezierski's Enterprising images: The Goodridge brothers, African American photographers, 1847-1922 (Detroit, Michigan: Wayne State University, 2000) and "'Dangerous opportunity': Glenalvin J. Goodridge and early photography in York Pennsylvania," Pennsylvania history. (Spring 1997, vol. 64, no. 2), pp. 310-333 for additional information on Goodridge., Accessioned 2001., Description revised 2021., Access points revised 2021., Goodridge, an African American daguerreotypist, ambrotypist, and photographer, operated a gallery in York, Pennsylvania from 1847 to 1862. He primarily produced daguerreotypes from 1847 to around 1855.
Creator: Goodridge, Glenalvin J., 1829-1867, daguerreotypist
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department Cased photos - Goodridge [P.9989]

Title: Philadelphia, Paris & New-York, fashions for fall & winter 1858-9. Published and sold by F. Mahan, no. 720 Chestnut Street, Philadelphia
Description: Fashion print containing twenty-two full-length models in two rows primarily displaying a variety of men's suits and coats. Top row features figures posed against a domestic interior showing patterned carpeting and drapes as well as a mirror and a tall case clock. Includes two female figures in the center of the row. Bottom row features male figures dressed in outdoor clothing including Liet. Washington L. Mahan in military uniform and Maj. T.E. Tiden posed against a bleak winter landscape., LCP copy uncolored., Philadelphia on Stone, POSP 183
Creator: P.S. Duval & Son, lithographer
Date: c1858
Location: Library Company of Philadelphia | Print Department **BW - Fashion [7753.F]

Title: Philadelphia, Paris & New-York fashions, for spring & summer of 1864. Published and sold by F. Mahan, no. 911, Chestnut Street, Philadelphia
Description: Fashion print containing two rows of full-length models displaying men's and women's indoor and outdoor clothing. Top row features figures posed against a domestic interior featuring a large window overlooking a country landscape and patterned carpeting and drapes. Two female figures in the center of the row display dresses with large hoops. Bottom row features figures dressed in outdoor clothing including two Union generals, Brig. Gen. Henry Morris Naglee and Maj. Gen. Nathanial Prentiss Banks, in military uniforms and two sportsmen carrying hunting rifles posed in front of a military camp., Philadelphia on Stone, POSP 185, LCP AR [Annual Report] 1991, pgs. 48-49.
Creator: Haugg, Louis, 1827-1903, artist
Date: c1864
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.9366.1]

Title: Philadelphia, Paris & New York fashions, for spring & summer of 1865, published and sold by F. Mahan, no. 911, Chestnut Street Philadelphia
Description: Fashion print featuring twenty full-length models in two rows displaying men's and women's indoor and outdoor clothing. Primarily depicts men's fashions but includes three female figures and two children. Top row features figures posed against a domestic interior featuring a large window overlooking a country landscape and patterned carpeting and drapes. Bottom row features figures dressed in outdoor clothing including two Union generals, Maj. Gen. George H. Thomas and Maj. Gen. Philip Henry Sheridan, in military uniforms and a sportsman carrying a hunting rifles posed in front of a military camp., Philadelphia on Stone, POSP 184, LCP AR [Annual Report] 1991, pgs. 48-49.
Creator: Haugg, Louis, 1827-1903, artist
Date: c1865
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.9366.2]

Title: [Unidentified young African American woman]
Description: Full-length portrait of a young African American woman standing and resting her left hand on the balustrade behind her. She wears her hair tied behind her head and is attired in a fur cap and a long-sleeved dress which has large, decorative buttons that are placed in the middle and run the length of the dress flanked on either side with pleated ruffles with two rows of ruffles around the base of the skirt. In the right is a table covered in a tablecloth and a drape which hangs down., Title supplied by cataloger., Photographer's imprint including vignette and business advertisement stamped on verso., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Galleries operated at 523 South 9th Street from 1876 to 1885.
Creator: Parlor Gallery (Firm), photographer
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department cdv portraits – photographer – Parlor [P.9900.12]

Title: [African American girl caregiver seated with a young white girl, probably her charge, on her lap]
Description: Three-quarter length, forward facing portrait of an African American girl caregiver, possibly an enslaved girl, seated on a wooden chair with spindles. Sitter has short hair and is attired in a long-sleeved dress made of patterned fabric with small checks and an apron with white polka dots. She holds a white girl on her lap (probably her charge), with her right hand on the girl’s chest and her left hand on the left side of the girl’s head. Their heads press together side-by-side. The blond-haired, white girl, attired in a necklace, a short-sleeved, dark-colored, checked dress with a white petticoat, stockings, and black shoes, faces the viewer and smiles. Her cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Leather miniature case embossed with oval motif, contains nonpareil mat, and is missing front cover., Gift of Mrs. A. Douglas Oliver, 1977., Description revised 2021., Access points revised 2021.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - unidentified [8326.F.17]

Title: Life in Philadelphia. A crier extraordinary
Description: Racist caricature of an African American town crier performing his duties in front of a storefront on a busy Philadelphia street. The crier, attired in worn clothing and a yellow straw hat, holds up his bell in his right hand and the sheet of news down with the other. He calls out the upcoming events, including sales of merchandise, a "sarmont on Temperance," and a "Colored Ball at Mrs. Johnsons." His attire includes a blue jacket, striped shirt with patches, a red cravat, white pants with patches, and black shoes. Several spectators listen, including an African American belle, attired in a striped, hooded cape over a dress with floral details; an African American street boy, attired in a worn jacket, vest, and pants and holding a broken mug; a white boy peddler, attired in a smock and boots and with his wares on a tray over his shoulder; and a white shopkeeper holding a cloth work in his hands as his stands in his store's doorway. The peddler boy walks a dog that has torn the crier's copy of the news. Drapery hangs in the store’s display window. Black figures are depicted with oversize and exaggerated features. White figures are depicted with exaggerated features., Signed W.S. for William Summers in lower right corner., Title from item., Date inferred from content and name of publisher., Contains five lines of dialogue in the vernacular below the image: Sale dis nite_Frying Pans_Grid Irons_Book_Oyster Knives and odder kinds of Medicines_Joe Williams will hab some fresh oysters at his stablishment_by tickler design, Mr. Hewlet will gib Imitations ober again_two or tree damaged Discussion Locks, and Rebd. Mr. P.Q. will deliver a sarmont on Temperance, half past 6 o’Clock precise, dats not all! Widout Money or Price _ de great Bull Phillip will be station at Squire S__s & dats not all nudder! dare will be a perlite & Colored Ball at Mr. Johnsons jus arter dis is bin done”_, Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022., Purchase 1968.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7689.F]

Title: Life in Philadelphia. Dark conversation
Description: Circa 1833 racist caricature about the "disagreeableness" of the growing community of middle-class African Americans in Philadelphia. Depicts an African American man greeting an African American man-woman couple on a windy street corner, near the shop of a print dealer and where several fashionably-attired African American men and women are walking and standing. A river is visible below. In the left, the solitary man dressed in equestrian costume, including a white riding hat, green coat, and white ruffled shirt, holds a walking cane and comments about the "Black looking day." He extends a snuff box, with his ungloved left hand, to the man who is a part of the couple. The man, attired in a blue waistcoat and black pants, accepts the box with his ungloved right hand while holding a green umbrella under his left arm. He agrees about the stormy condition and that "De Blacks flying about so make it Petickly Disagreable." His woman partner, stands beside him and with her right hand under the elbow of his extended arm. She is attired in a white bonnet and a white shawl over a pink long-sleeved dress. She also wears white gloves, holds a black purse in her right hand, and her bonnet is adorned with a feather that blows in the breeze. Behind them, the African American men and women on promenade are similarly attired in waistcoats and pants; equestrian costume; and long-sleeved dresses and bonnets. Shadowy depictions of several prints are visible in the print dealer’s large display store window. Also shows in the far right, a river, bridge, and landscape. Figures are portrayed with oversize and exaggerated features and their skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.1]

Title: Life in Philadelphia. The new shoes
Description: Racist caricature depicting an African American woman trying on shoes at "Sambo Paley Boots & Shoe Manufacturer." In the left, the woman, seated on a chair, looks down at her slightly raised left foot on which an African American clerk has placed a black slip-on shoe. Her removed yellow shoe rests beside her feet. She is attired in a yellow bonnet adorned with feathers and with a white veil that frames her face like long straight hair, a red puff sleeve dress, and a yellow slip-on shoe. She slightly raises her dress with her left ungloved hand to appear at her shoe and holds a green parasol to the floor with her gloved right hand. A blue and yellow purse hangs from her right wrist. The clerk kneels in front of her and holds her left foot. He is attired in a striped shirt, neck tie, brown vest, brown pantaloons, white stocking and red slipper shoes. The woman states the shoe "is sich a bery dirty color" and does he not have any white or pink ones. The clerk replies that it may not be "handsome" to look at, but surely a "good color to wear." In the background, an African American man, attired in shirt sleeves and an apron, possibly the bootmaker, shines a boot behind a counter and in front of a row of boots and shoes on a cabinet. A brush and can of boot black rest on the counter. A sign reading “Sambo Paley Boots & Shoe Manufacturer. The Best Jet Blacking Sold Here" hangs above the man’s head. In the far left, shoes hang inside the store’s window and visible through the shop’s doorway, a well-dressed African American man and woman walk past in the street. The man wears a top hat and waistcoat and the woman wears a yellow bonnet and puff sleeve dress. Scene also shows pairs of boots resting on the floor across from the kneeling clerk in the right. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Inscribed: No. 3., P.2016.45.1 trimmed., Charles Hunt was a respected 19th century London engraver and etcher known primarily for his prints of sporting subjects., P.2016.45.1 gift of Dr. Richard Dunn & Dr. Mary Maples Dunn., Digital image depicted is P.9710.3., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.3 & P.2016.45.1]

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