Search results

Title: [Chestnut Street, rooftop view east from Odiorne's studio at 920 Chestnut]
Description: Rooftop view looking east from Odiorne's Studio at 920 Chestnut showing the 800 and 900 blocks, north side, of the commercial street. Businesses include a boys clothing store and the Girard House hotel, built from 1851-1852 after the designs of John McArthur, Jr,.(823-835 Chestnut). Includes partial view of the south side of the street., Title supplied by cataloguer., Date from manuscript note on mount., Manuscript note on mount: Chestnut St. E. from 9th., Photographer's blindstamp on mount., Buff mount with square corners., Retrospective conversion record: original entry, edited., Image faded., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Odiorne operated from Philadelphia photographer Isaac Rehn's Gallery at 920 Chestnut Street between 1859 and 1860.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: 1860
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Streets [(8)1322.F.27e]

Title: [Chestnut Street, rooftop view east from Odiorne's studio at 920 Chestnut]
Description: Rooftop view looking east from Odiorne's Studio at 920 Chestnut showing the 800 and 900 blocks, north side, of the commercial street. Businesses include a boys clothing store and the Girard House hotel, built from 1851-1852 after the designs of John McArthur, Jr,.(823-835 Chestnut). Includes partial view of the south side of the street., Title supplied by cataloguer., Date from manuscript note on mount., Manuscript note on mount: Chestnut St. E. from 9th., Photographer's blindstamp on mount., Buff mount with square corners., Retrospective conversion record: original entry, edited., Image faded., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Odiorne operated from Philadelphia photographer Isaac Rehn's Gallery at 920 Chestnut Street between 1859 and 1860.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: 1860
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Streets [(8)1322.F.27e]

Title: [Full-length portrait of an unidentified young African American man]
Description: Full-length portrait of an African American man, attired in a white collared shirt, a pin-striped waistcoat with a watch chain and jacket, lighter-colored pin-striped pants, and shoes. He stands and holds a bowler hat in his right hand and rests his left hand on a chair draped with an animal fur. He is posed in front of a painted backdrop and looks at the viewer., Title supplied by cataloger., Manuscript note on verso: 6420., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Grier, Andrew A., photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Grier [P.9930.4]

Title: [Unidentified African American woman]
Description: Near full-length portrait showing an African American woman attired in a narrow-brimmed, high-domed, ornamented bonnet; dark-colored, button-down shirt waist; and white skirt with ruching at the hips. A broach with a four-leaf clover detail adorns her collar. She stands between a post to her right and a stringy, hay bale-like prop to her left. She rests her left hand on the prop and holds a parasol perpendicular to the floor in her right. A photographer's head clamp is positioned to the left of the post and a backdrop illustrated with an outdoor setting is visible in the background. The studio is partially visible in the left of the image., Title supplied by cataloger., Accompanied by detached photographer's label (P.2017.14.4b)., Date inferred from "N.B." on photographer's label., Description and access points reviewed 2022.
Creator: Fenton, J., photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department tintypes - photographer - Fenton [P.2017.14.4a&b]

Title: [Portrait of five African American men attired in uniforms, probably band uniforms]
Description: Full-length portrait depicting the five young African American men, standing in a row, in a studio setting. The men on either end are slightly angled toward the man in the middle. The men have short-cropped hair, some with it parted in the middle. One man also has a mustache. The men are attired in white high collar shirts; bow ties; three-buttoned, dark jackets with flourishes across the chest and on the arms; and dark pants. One man (second from right) wears a black bow tie, while the others wear white ones. The man in the middle wears his jacket unbuttoned, while the others have theirs buttoned. Setting includes a palatial backdrop, a balustrade covered in drapery (in left), the edge of a platform (in right), and a fur rug on which the men stand., Title supplied by cataloger., Photographer's imprint with insignia printed on mount. Insignia composed of H.W. monogram with flourishes., Date inferred from years (1888-1892) photographer operated at address listed in imprint., Printed on verso: Harry A. Webb, art photographer, 112 and 114 N. 9th St., Philadelphia. Instantaneous process used exclusively. All negatives preserved. Duplicates, enlargements, or lockets. Can be furnished without resitting. Text surrounded by and within pictorial details. Details resemble pine needles, banners, and a circular ornament. The text and pictorial elements are within an ornamented border composed with bark-like details and ornate cornices adorned with floral twigs., Description reviewed 2022., Access points revised 2022., Harry A. Webb, born in England, worked in Philadelphia as a photographer by 1880. He continued in the profession through 1900. By the time of his death in 1927, he worked as a clerk for William H. Horstmann, a dress trimmings, military and regalia manufactory.
Creator: Webb, Harry A., 1847-1927, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Webb [P.2017.40]

Title: Trexler & Hartzell
Description: Racist trade card illustration depicting an African American woman curtsying toward the viewer. The woman is attired in an elaborate bonnet with faux pink flowers, pink ribbons, white frills, and a yellow chinstrap. She is also attired in a pink dress with a pattern of pink, blue, and green flower bouqets, red ribbons, a red faux flower, and a wide neckline. She dons white gloves with yellow cuffs on both hands and holds up the hem of her dress to reveal a white petticoat and red shoes. The woman is depicted with exaggerated features. Trexler & Hartzell was a newspaper firm in Allentown, Pennsylvania that sold paper and was owned by B.F. Trexler and Wilson J. Hartzell. The business founded in 1870 and operated throughout the late 19th and early 20th centuries., Title from item., Text printed on verso: Trexler & Hartzell will be ready for business in their new quarters by Monday, August 31st. A prize to every purchaser of school books., Text printed on recto: Who me?, Series no. 58 printed in right corner of recto., Date inferred from perpetual calendar., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Trexler [P.2017.95.174]

Title: Mertens & Phalen, best made clothing. Troy, N.Y
Description: Racist trade card depicting a sentimentalized view of an African American girl. Shows the smiling, cherubic-faced girl in bust-length, standing behind a barely-visible brick wall and holding a white cloth with embroidered edges over it. The girl holds the cloth in both hands as well as an up-turned feathered duster in her right hand. She is attired in an orange and white ruffled cap, an orange bowtie, a white and orange polka dot shirt, and a blue and white striped apron. Visible in the background are flowers and greenery. Mertens & Phalen, a branch of the firm J.M. Merten's & Co., was a retail business in Troy, New York. J.M. Merten's was founded in 1888 after J.M. Merten assumed ownership of a clothing manufacturing business formerly owned by A.C. Yates and Theodore Dissel., Title from item., Date inferred from dates of operation listed in Dwight Hall Bruce, ed., "Memorial History of Syracuse, N.Y.: From Its Settlement to the Present Time," (H.P. Smith & Company), 636-637., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Mertens [P.2017.95.124]

Title: Star Clothing House, 808 Elm St
Description: Racist trade card illustration depicting a white man pasting advertisements on an unattended horse and a carriage. The carriage's driver, an African American man, gestures at the white man to get him to stop. The white man is attired in a flat cap, a collared shirt, suspenders, checkered pants, and boots. He carries a messenger bag and holds a pasting brush in his right hand. A bucket of paste is visible on the ground to the left of the man. The African American man is attired in a hat, a jacket, a vest, and a collared shirt. He holds a whip in his right hand and raises both arms in the air. A caption in the bottom left of the image reads, "The Latest.", Title from item., Advertising text printed on verso: The Star Clothing House is the place for you to get any-thing made. Entire line of clothing at the bottom figures. 808 Elm Street., Text printed on recto: For honest goods we warrant our prices lower than the lowest, and [..]h every suit from $10 up we give a hat such as purchasers may select., Printer's imprint partially legible., Series number printed in left corner on recto: 464., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star [P.2017.95.167]

Title: [Three-quarter length portrait of Frances W. Bruce]
Description: Three-quarter length, forward facing, seated portrait of Frances W. Bruce. Sitter has dark hair parted in the middle with ringlet curls at the sides of her face. She is attired in a dress made of a patterned fabric of decorative scrolls and with a white lace collar and cuffs. She wears two rings on her right hand. Sitter rests her right elbow on a tableclothed side table in the left. Her left hand rests on her lap and slightly clasps her right hand. Frances Wardale Bruce (1815-1892) was William Y. McAllister’s sister and spouse of physician George D. Bruce., Title supplied by the cataloger., Date and name of photographer from manuscript note on label attached to case: Frances Bruce, Feb. 1845., Pad: Red velvet., Mat: Octagon., Case: Leather. Bouquet of mixed flowers in a vase. No design on verso., William Y. McAllister was an optician and cane manufacturer in Philadelphia from 1845 to 1860.
Creator: McAllister, W. Y. (William Young), 1812-1896, photographer
Date: Feb. 1845
Location: Library Company of Philadelphia | Print Department cased photos – McAllister [P.2021.37]

Title: [Full-length studio portrait photograph of an unidentified, young African American man, seated]
Description: Shows the man, posed slightly to the left, seated on a wooden chair, and his left leg crossed over his right. He looks toward the photographer. His left hand rests in his lap and his right hand rests on the fore edge of the right arm of the chair. He wears a dark-colored suit, white shirt, neck tie, and laced up boots. Image also includes a backdrop and decorated flooring., Title supplied by cataloger., Photographer's imprint and insignia blindstamped on mount., Paper cover is embossed with floral pictorial details., Gift of J. Murray Atkins Library., Benjamin W. Fowler operated from 238 N. Eighth St., Philadelphia between 1889 and 1917.
Creator: Fowler, Benjamin W., photographer
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department portrait photographs - photographer - Fowler [P.2022.54]

Title: [Half-length portrait of an unidentified woman, seated]
Description: Half-length, forward facing portrait of an unidentified white woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved dress with buttons down the bodice and a white collar, and black lace, fingerless gloves. A broach adorns her collar. Her lips and cheeks are tinted pink. She is seated and holds a book labeled, Message and Documents 1857-8 Part 1 (i.e., Congressional documents), on her lap with her right hand. She crosses her left arm over her right and rests her left hand on her right wrist., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on lips and cheeks., Cased image accompanied by a lock of hair and four feathers from an Amazon parrot., Gift of Ivan Jurin, 2022., Pad: Red velvet with flowers within a decorative scroll border., Mat: Nonpareil., Case: Leather. Decorative geometric and scroll pattern in the center with leaves in the corners. Same design on verso.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2022.29.1-1a]

Title: Group of old Japanese
Description: Full-length, forward-facing, group portrait of seven Ainu men. Shows a row of four men sitting cross-legged on the floor with a row of three men sitting in chairs. The barefooted men have long, white and gray hair and beards and are attired in patterned robes. A woven mat hangs behind them. The Ainu are an indigenous people from the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese., Title from manuscript note written on recto., Date inferred from content., Manuscript note written on verso: A group of Japanese old men.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - group portrait - misc. [P.9057.73] (Brenner)

Title: [Bust-length portrait of an unidentified Asian American woman]
Description: Bust-length portrait of a young unidentified Asian American woman. The woman, wearing her hair parted in the middle with tight curls close around her head and attired in a light-colored fur shawl and earrings, looks at the viewer., Title supplied by cataloger., Date inferred by the attire of the sitter., Gift of Joseph Kelly, 1982.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1950]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators – Non-Philadelphia-Women – Portraits

Title: Beauty on the street- front view. J.T. F[ritch], jobber & dealer in tobacco cigars, snuff, pipes &c. Main Street, Kurtztown, PA
Description: Racist trade card illustration depicting an African American woman walking her dog. The woman is attired in an elaborate feathered wide-brimmed top hat, a form-fitting jacket with a ruffled collar, a long skirt, petticoat, and boots. The woman holds an umbrella in her right hand and her dog's leash in her left. The dog appears to urinate behind a pole. The woman is depicted with exaggerated features. J.T. Fritch was a businessman based in Kurtztown, Pennsylvania who was trained as a printer, became a cigar manufacturer and dealer, and embarked on several other business ventures during the late 19th and early 20th centuries., Title from item., Printed in blue ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Tobacco [P.2017.95.176]

Title: The Star Show
Description: Racist trade card illustration depicting an African American man and woman. The woman is attired in a red hat with a white feather, a blue dress with a white ruffled collar, gold bracelets, red stockings, and black boots. The man is attired in a black top hat, a red plaid jacket, a white collared shirt, a yellow tie, black pants, and black shoes. He holds a cane in his right hand. Both figures are depicted with exaggerated features. Called Back was a novel that was written by English playwright Frederick John Fargus (who went by the pen name Hugh Conway) and adapted as a play in the 1880s., Title from item., Date inferred from perpetual calendar., Advertising text on verso: The Star Show, next week! Next week! Monday, Nov. 16. Afternoon and evening. F.H. Glenny's great dramatization of Hugh Conway's famous story, Called Back. A star company! A star play! Matchless scener! Don't miss this one! Called Back. Called Back. No theater goer - Man, Woman, or Child should miss this great Play. Secure your seats now, and avoid the rush! Next! Don't forget Nov. 23. That ever popular play, "Uncle Tom's Cabin," A star company, realistic scenery, and one hundred people on the stage., Gift of David Doret.
Date: [1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star Show [P.2017.95.170]

Title: To Mrs. Amelia Bloomer The new costume polka composed for the piano by Mathias Keller
Description: Sheet music cover containing a portrait of a woman attired in a bloomer costume, standing in front of the storefront of music publishers Lee & Walker on the 600 block of Chestnut Street. The lady holds a blue parasol, and wears a corseted pink-colored coat and pale yellow skirt over her white bloomers. A model harp adorns the door of the music store in which a female patron wearing a bloomer costume enters. Also shows the neighboring J. A. Robinson bookstore (162, i.e., 632 Chestnut). Pedestrians, including another woman in bloomers, walk on the sidewalk, past the store, and look in its window. The bloomer costume gained notoriety from an 1851 depiction of women's rights advocate Amelia Bloomer in this style of reform dress comprised of Turkish pantaloons and a skirt., Additional distributors printed on recto: New York, Wm. Hall & Son; Memphis, Ten. P. Flavio; and New Orleans, Wm. T. Mayo., Printed on recto: Plain 25 cts net. Colored 38., Accompanied by the sheet music., Philadelphia on Stone, POS 756, Library Company of Philadelphia: Sheet Music 11855.F (Doret). Copy gift of David Doret., Historical Society of Pennsylvania: Ba 38 L 477, Free Library of Philadelphia Music Department holds copy., Inscribed on verso of HSP copy: April 2, 1958. Mifflin Fund.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: c1851
Location: Historical Society of Pennsylvania HSP Bb 38 L 477

Title: [Wu Ying Ding]
Description: Bust-length portrait of Wu Ying Ding, attired in a tight-fitting cap and a shirt with a Mandarin collar and frog closures, facing slightly right. Hu Quang Yung exhibited a selection of his collection, including cloisonne, bronzes, and ceramics, at the 1876 Centennial Exposition in Philadelphia. Yung's nephew, Wu Ying Ding, attended the Centennial as an envoy with the objects., Title supplied by cataloger., Date inferred from active dates of the photographer., Manuscript note written on verso: To General Mrs. Basban, With best Compliments of Wu Ying Ding, Mandarin of China, N.Y., Feb. 17, 1877., Text printed on verso: No. [996]. In ordering duplicates please send no. as above, and name., Gustavus Gerlach and Gustavus Fromhagen were Philadelphia photographers who were in partnership from circa 1875 to 1878.
Creator: Gerlach & Fromhagen, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Ding [P.9664]

Title: [Fashion plate for Samuel A. & Asahel F. Ward]
Description: Fashion advertisement containing two panelled scenes of 11 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Four men and three women socialize. Three of the men wear suits and one, dressed in evening attire, sits in a chair. Two of the men hold top hats and all have chin beards. One woman wears an evening dress and the other two women are attired in day dresses and bonnets. One of the latter pair wears a shawl and the other holds a handkerchief. Also includes framed pictures, mosaic carpeting, a window with drapery, and a pedestal displaying a vase of flowers. Lower panel shows the outdoor scene. In the center, "Genl. David R. Porter, Govr. Of Penna. Copied by permission of Huddy & Duval" wears his uniform and is mounted on his horse. To the left, two men in overcoats stand near a hitching post. To the right, two men attired in top hats (one white), vests, jackets, pants, and holding canes, stand. In the background, a militia troop drills, including two separated members on horseback. All the men are clean shaven. Key numbered 1-7 and 8-11 printed above and below the image., Not in Wainwright., Title supplied by HSP., Philadelphia on Stone, POSP 68, Historical Society of Pennsylvania: Bc 642 W 363d, Trimmed.
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1842]
Location: Historical Society of Pennsylvania HSP Bc 642 W 363d

Title: [Bennet's Tower Hall Clothing Bazaar, 518]
Description: Quirky advertisement showing heavy street traffic in front of the clothing store, designed as a medieval tower, at 518 Market Street. Patrons and pedestrians gather near the entrance of the store across from a saddled horse and a dray loaded with crates parked in front of the building. Other street traffic includes a stopped "Hestonville, Market Street, Cambridge Ferry" omnibus from which a lady departs from the rear while a chariot-like horse-drawn vehicle advertising "Tower Hall Clothing Bazaar Market Street" passes her. The unique vehicle is followed by an ornately painted "West Philadelphia" street car crowded with passengers, including men seated on the roof beside the driver. Also shows neighboring buildings. Joseph M. Bennett opened his clothier establishment in 1849, which he named Tower Hall in 1853., Title supplied by Wainwright., Philadelphia on Stone, Atwater Kent Museum: 88.98.393/2, Trimmed. Varnished.
Date: [ca. 1859]
Location: Atwater Kent Museum | Print Department AKM AKM 88.98.393/2

Title: Fashions for spring and summer 1854 by S. A. & A. F. Ward, no. 100 Chesnut [sic] Street Philadelphia, Pa
Description: Fashion advertisement containing two paneled scenes of 16 elegantly attired men, women, and children in outdoor settings. Upper panel shows six men, two women, and two boys socializing on a verandah. The men and boys wear patterned, light, and dark pants and jackets, bow ties or a cravat, and wear and hold top hats and canes. The women wear plain and ruffled hoop skirts, with one also attired in a bonnet and holding a parasol. Lower panel shows five men and a woman standing near a river lined by a stone gate monument, farmhouse, and mansion house. Includes a woman in a riding habit (part of a couple) standing next to a horse across from a man in a coat and tails. Four of the men wear patterned pants, long coats, and hold or wear hats. One also wears a plaid vest. Many of the depicted men wear mustaches. Key numbered 1-10 and 11-16 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 77, Historical Society of Pennsylvania: Bc 642 W 263c 1854
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263c 1854

Title: Philadelphia fashions, fall & winter 1845, by Samuel A. Ward & Asahel F. Ward, no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 18 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene with 7 men, 2 boys and a woman socializing. Most of the men wear suits with striped pants, long coats, bow ties or a cravat and hold top hats and canes. The boys who cozy up to their seated father, wear a military style suit or a dress and pants. The woman, seated on a chaise lounge, wears a bonnet and holds a riding crop. Furnishings include a fireplace, mosaic carpeting, sofa, and a piano. Lower panel shows 7 men and a woman at an outdoor scene along the banks of the Schuylkill River across from the Blockley Almshouse and Schuylkill Permanent Bridge. The men wear fur-trimmed overcoats, a cloak with patterned lining, patterned pants, top hats, and a cap. Many hold canes or a riding crop and one man leans on a hitching post. The woman, turned to her side and her face obscured by a bonnet, wears a cloak and holds a muff. Most of the depicted men have some facial hair. Key numbered 1-10 and 11-18 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 175, Historical Society of Pennsylvania: Bc 642 W 263d
Creator: French, John Taylor, 1822-1852, artist
Date: [ca. 1845]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263d

Title: Fashions. Fall & winter. 1851-2. By S. A. Ward & A. F. Ward, no. 62 Walnut St. Philadelphia
Description: Fashion advertisement containing two panelled scenes of 21 elegantly attired men, women, and children in a parlor and outdoor setting. Scenes surrounded by a border designed as tree branches rising from tree stumps on which axes lay. Upper panel shows the parlor scene with 7 men, 2 women, a boy and a girl socializing. Most of the men wear suits, including two attired in striped pants, and the host wears an evening suit with white bow tie and tails. Four of the men wear or hold a top hat and a couple, arriving from the door, is attired in a suit and riding habit. The other woman, the hostess, at the center of the scene, flanked by her children, wears an evening dress with plunging neckline. Her two sons are attired in a hat, cape, tunic, and stockings and in a cap, jacket, and striped pants. Furnishings include a large display mirror, sofas, and drapery. Lower panel shows 10 men in front of a militia campsite near the coastline. Most of the men wear striped or checkered pants and overcoats or capes. All of the men wear top hats or caps and four of the men wear militia uniforms. Background includes a cannon, tents, and sailing ships. Many of the depicted men have mustaches and or sideburns. Key numbered 1-11 and 12-21 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 72, Historical Society of Pennsylvania: Bc 642 W 263
Date: [ca. 1851]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263

Title: Fashions for fall and winter 1853-4 by S. A. & A. F. Ward, no. 62 Walnut St. Philadelphia, Pa
Description: Fashion advertisement containing two panelled scenes of 19 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene with 7 men, 1 women, a boy and a girl socializing. To the left, two men attired in suits with striped pants, stand near a piano and cushioned chair. One holds a top hat and cane. In the center, a man wearing a patterned vest, and with a woman and a young girl in riding habits, stands near a cushioned arm chair. To the right, two men in suits with garishly printed pants, accessorized by top hats and canes stand. One talks to a man in an evening jacket with tails and a white tie. The man in evening attire leans again a table with his hand on the shoulder of a young boy attired in a long coat and pants who holds a ball in his hand. Lower panel shows 9 men and a woman in front of a riverbank and temple-style building in the background. Most of the men wear plaid and patterned pants, overcoats, cloaks, caps or top hats. One man holds an umbrella and a cigar. Also includes two men in hunting attire accompanied by a dog. The men carry gun powder pouches and one wears knee-high boots and the other holds a dead bird. The woman, in the center of the image, wears a riding habit and is seated side-saddle on a horse. Many of the depicted men have mustache, sideburns, or a beard. Key numbered 1-9 and 10-19 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 75, Historical Society of Pennsylvania: Bc 642 W 263a
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263a

Title: Theo. Leonhardt & Son. Importers of cards, 324 & 326 Chestnut St. Philadelphia
Description: Not in Wainwright., Trade card depicting "Le Petit Chaperon Rouge." Shows a girl attired in a red frock and bonnet holding a basket with a "patissier" and windmill standing in the background. Also contains several lines of French text explicating the story of "Chaperon Rouge." The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 99, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Le Petit
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Le Petit

Title: Specimen of crayon work for Theo. Leonhardt & Son. Lithographers. 324 & 326 Chestnut St. Philadelphia
Description: Not in Wainwright., Advertisement showing the bust-length portrait of a woman, slightly facing right, attired in a ruffled hood with fur trim and jewel clasp at her collar. The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 86, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Woman
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Woman

Title: Paris, New York & Philadelphia fashions, for spring & summer 1855. Published and sold by F. Mahan, no. 211 Chestnut Street, Philadelphia
Description: Fashion advertisement containing two paneled scenes of 22 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Eight men, a woman, and two boys socialize in clusters of three and four. The men and boys predominately wear suits, and the woman wears a ruffled layered dress with full skirt and as well as a bonnet. The other male figures wear a bed jacket and cap (man) and a dress with sash over bloomers (boy). A large vanity and two chairs furnish the room decorated with framed paintings, carpet, drapery, and wallpaper. Lower panel shows the outdoor scene set before an oceanside. Eight men, including "His Excellency A. Johnson" and "L. Hyneman Proprietor of Masonic Mirror," two boys, and a woman descend upon and stand on the stone pier. Six of the men wear suits, including overcoats. The two other men wear a riding outfit and a hunting outfit, including a rifle. The boys, one in pantaloons playing with a hoop and the other in pants, also were jackets. The woman wears a riding outfit. Most of the men are clean-shaven and all the men in the outdoor scene wear or hold hats., Philadelphia on Stone, POSP 162, Library of Congress: LOC DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Fashions Spring Summer 1855
Date: c1855
Location: Library of Congress | Prints and Photographs Division LOC DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Fashions Spring Summer 1855

Title: Philadelphia, Paris & New-York fashions, for spring & summer 1854
Description: Fashion advertisement containing two panelled scenes of 20 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Eight men, a woman, and a boy socialize in clusters of three and four. The men and boy wear suits, many with paisley-patterned pants, and the woman wears a patterned dress with full skirt and tassels as well as a bonnet. A large mirror on a stand, several chairs, and chaise lounges furnish the room decorated with carpet, drapery, and wallpaper. Lower panel shows the outdoor scene set before "The New Masonic Temple, Chestnut St., Phila." Six men, including clothing store proprietor Francis Mahan, two girls , a boy, and a woman stand on the street block. Four of the men wear suits, including one with an overcoat. Another man, with a girl in a skirt and bloomers standing at his side, wears a hunting oufit and holds a rifle. The woman comprises part of a couple attired in riding outfits who are flanked by a boy dressed in a suit, a girl wearing a skirt and bloomers, and the man with the overcoat. Most of the men wear mutton chops, including three with mustaches., Philadelphia on Stone, POS 546, LOC copy uncolored., Library of Congress: PGA - Duval--Paris, New York & Philadelphia fashions (D size) [P&P] Fashions Spring Summer 1854
Date: c1854
Location: Library of Congress | Prints and Photographs Division LOC PGA - Duval--Paris, New York & Philadelphia fashions (D size) [P&P] Fashions Spring Summer 1854

Title: Chinese prisoner
Description: Full-length portrait of an unidentified Chinese man with his queue tied to a ladder. The man, wearing a queue hairstyle and attired in a blue robe, belt, and cloth slip-on shoes, stands facing to the left with his hands inside his sleeves at his waist and his right foot forward. His hair is tied to a ladder that leans against the wall in the right. The manuscript inscription labels the man as a "Chinese prisoner.", Title from manuscript note written on recto under the image: Chinese prisoner., Date inferred from content., Gift of S. Marguerite Brenner, 1984.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - unid. men sitters [P.9057.71]

Title: [Portrait of an unidentified African American man]
Description: Bust-length, portrait of an African American man facing slightly right. Sitter is attired in a white collared shirt and a dark-colored necktie and jacket. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic medium and sitter's attire., Pad: Red velvet with geometric design in center surrounded by scrolls., Mat: Oval., Case: Leather. A small floral spray is within a curlicued border within a modified oval. Scroll work all around. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.1]

Title: Double Head Study of an Older and a Young Woman
Description: Gift of David Doret and Linda G. Mitchell, 2022., Label on the verso from Montclair Art Museum (Montclair, N.J.) (Double Head Study), Gift of Mr. and Mrs. Ethan D. Alyea. 1964.51., Bust-length, forward-facing portrait study of two white women. In the left, shows an older woman with brown ringlet curls framing her forehead and attired in a white lace day cap tied in a bow under her chin and a dark-colored dress with a white lace collar. In the right, shows a young woman with her dark brown hair parted in the middle and tied back and attired in dress with a white neckline. There is an additional portrait of a woman on the verso of the canvas. A cut out in the frame reveals the eyes of the portrait. A photocopy reproduction is taped to the back. Bust-length portrait of a white woman with her blonde hair tied back and attired in drop earrings, a multi-stranded necklace, and a light blue dress.
Date: ca. 1830s-1840s
Location: OBJ 922

Title: Life in New York. Inconvienency of tight lacing
Description: Caricature satirizing early 19th-century, middle-class men’s fashion, specifically male corsets. Depicts a scene in front of a fence at New York's “St. John’s Park” where a white dandy dressed in a top hat, ruffled shirt, and slip on shoes holds onto a lamp post, his right leg up, outstretched, and held by a dandy man companion. He holds his head back and his right hand toward his mouth. The friend, similarly attired in a top hat, waistcoat, and stiped pants crouches with his legs apart. Both are unable to bend. A "practically" attired, older man wearing an overcoat, vest, pants, and boots stands to the right and observes the scene. He states that he will report the event to the "Morning Courier & N.Y. Enquirer." Scene also shows dense foliage and a tree in the park behind the fence., Title from item., Date inferred from content and name of publisher., Inscribed: No.4., Inscribed: St. Johns Park, Sept. 28, 1829., Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.2]

Title: No. 5 The duel
Description: Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]

Title: No. 9 Coming events
Description: Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]

Title: Pennsylvania at the Panama Pacific International Exposition, San Francisco, 1915
Description: Photograph album containing twenty-seven captioned views of Pennsylvania's contributions to the world's fair held in San Francisco, February 20-December 4, 1915. A number of the images include persons and groups of people posed in front of the Liberty Bell, which traveled nation wide on train from Philadelphia to the fair. Photographs include: "Pennsylvania Building"; "Corner of the Pennsylvania Garden"; "Corner of the Pennsylvania Bldg showing Plaque"; "Mural Pennsylvania Bldg. Steel Industry, Edward Trumbull";"Mural Pennsylvania Bldg. Penn's Treaty, Edward Trumbull"; "The Chinese Commission to the Exposition" in front of the Liberty Bell; "Gentlemen's Rest Room" in the Pennsylvania Building; "Education Day, October 11. 1915" showing young girls attired in "stars and stripes" dresses dancing; "Education Day, October 11. 1915" showing a woman attired as "Liberty" surrounded by young girls attired in "stars and stripes" dresses and standing in front of the Liberty Bell; "Great Grand Daughter of Gen. Putnam" by the Liberty Bell; "Ex Gov. John K. Tenor delivering address Dedication Day, March 18, 1915"; "Vice Pres. Fairbanks delivering address Dedication Day; "Judge William Bailey Lamar U.S. Repr. delivering address Dedication Day"; "Mr. Thomas A. Edison" by Liberty Bell; "A group of Chinese girls" by Liberty Bell; "Mr. Henry Ford" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh and Official Party" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh delivering address Pennsylvania Day, September 4, 1915; "Senator E.L. Tustin delivering address Pennsylvania Day, September 4, 1915";, "Judge Win Bailey Lamar U.S. Repr. delivering address Pennsylvania Day"; "Vice Pres Ruben B. Hale of P.P.J.E. delivering address Pennsylvania Day"; "Senator Boies Penrose" at Liberty Bell; "Farwell to the Liberty Bell, November 10, 1915"; "Philadelphia Officers 'Guards to the Liberty Bell"; "Chief Little Bear" at Liberty Bell; "Arrival of the Liberty Bell at the Pennsylvania Bldg"; and "Arrival of the Liberty Bell at the Pennsylvania Bldg.", Photograph titled, "The Chinese Commission to the Exposition," depicts nine Chinese men and one white man posed in front of the Liberty Bell behind a metal barrier. The men are attired in suits, some holding bowler hats in their hands, except one older Chinese man who wears a white mustache and is attired in a changshan and a round hat. The Liberty Bell is decorated with flowers and sits on a platform draped in an American flag. Four flags, including two American flags, are on flagpoles flanking the bell. Partial view of men and women spectators in the background. Photograph titled, "A group of Chinese girls," depicts six Chinese women posed in front of the Liberty Bell. In the center, the Liberty Bell is displayed on a platform that is draped with an American flag. Two women sit on the platform, and four women stand. Five of the women are attired in white tunics with Mandarin collars, dark-colored skirts, and lace-up, heeled boots, and several of the women wear necklaces and brooches. The woman in the right is attired in a long-sleeved white shirt, a quilted, dark-colored tunic with a Mandarin collar and matching quilted pants, a bracelet, and lace-up, heeled boots., Title and date from manuscript note on first page of album., See related: Rau Collection [P.9520.1] and photo - unid. -events [P.9520.2-8].
Date: [1915]
Location: Library Company of Philadelphia | Print Department albums [P.2022.2]

Title: Clark's mile-end 60 spool cotton
Description: Racist trade card promoting Clark Thread Company and depicting a genre scene of an African American man and woman in conversation on a country road. The man and woman are portrayed with exaggerated features and speaking in the vernacular. Shows, in the left, the man standing on a dirt road and holding a piece of thread attached to a giant spool labeled "Clark's mile-end 60 spool thread." He is attired in black boots; yellow striped pants with patches on the knees and rolled to his calves; a white shirt; a red vest; and a green jacket. His straw hat is upturned on the ground beside him. In the right, an African American woman sits in a horse-drawn wagon holding the reins to a white horse. She tells the man, "Ef dat mile end thread don't hold, dere ain't anything - lucky I got a spool to mend yer old clos' with." She is attired in a yellow head kerchief and a red dress with yellow trim at the neck. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on recto: Ef dat mile end thread don't hold, dere ain't anything- lucky I got a spool to mend yer old clos' with., Advertising text printed on verso: Clark's Mile-End Spool Cotton is the best for hand and machine sewing. Clark's Mile-End Colors are made expressly to match the leading shades of dress goods, and are unsurpassed both in quality and color. Clark's Mile-End Spool Cotton is six-cord in all numbers to 100 inclusive., Stamp on the recto is illegible., See related copy: Goldman Trade Card Collection - Clark [P.2017.95.33]., Gift of George Allen, 2022., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Trade cards - C - Clark's [P.2022.42.7]

Title: Celluloid waterproof collars, cuffs & shirt bosoms
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese boy smoking a pipe and carrying a cane. Shows the boy, wearing a queue hairstyle with a pink bow tied at the end of his braid and attired in a colorfully patterned Chinese robe with oversized celluloid cuffs, collar, and hat, and red, slip-on, cloth shoes. He holds the smoking pipe to his lips with his left hand and carries a walking cane in his right hand., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.741]

Title: Celluloid cuffs, collars & bosoms, water & perspiration proof
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese man at the beach watching a white man demonstrate the waterproof qualities of his celluloid cuffs, collar, and bosom or bib. In the center, the white man, wearing a mustache and attired in a red robe, red-and-yellow striped shorts, and white celluloid cuffs, collar, and bosom, stands in the ocean with water dripping down his clothes, showing that they are waterproof. In the right, a Chinese man, wearing a queue hairstyle, a red tunic, blue pants, and slip-on, cloth shoes, carries two sacks of laundry and looks over at the man in the water. In the left, a white man, attired in a straw hat, a white collared shirt, a red vest, yellow striped pants, and red shoes, sits on the sand holding an umbrella and wipes perspiration from his face with a handkerchief. In the background, a white man swims in the water and a boat is visible., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, 1032 Chestnut St., Phila., Text printed on verso: Waterproof linen, patented. Ladies’ and gent’s cuffs, collars and bosoms, made from celluloid. Waterproof, elastic, durable. These goods are far superior to any Linen Goods yet placed before the public, and in recommending them, we would call attention to some of their remarkable features, which will commend their use to all who study economy, neatness and beauty. 1sr. The interior is fine linen. 2d. The exterior is celluloid. 3d. The unison of above, combines the strength of linen with the waterproof qualities of celluloid, 4th. The expense of washing is saved. If the goods are soiled, simply cleanse with soap and water. 5th. The goods never wilt or fray on edges and are perspiration proof. The best preparation to effectually cleanse them is celluline. For sale by all gent’s furnishing and fancy goods houses throughout the country., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.745]

Title: The ladies' hoops do dreadful slaughter.
Description: The valentine shows a man falling over a woman's hoop skirt. The skirt billows up, revealing her legs. The valentine mocks the crinoline fashion for causing accidents. "Pegs" refers to men's legs., Text: The ladies' hoops do dreadful slaughter. / They often cause the chaps to lose their pegs; / And as often quite the girls to show their legs, / And make a world of sport and laughter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: "Pray, what's the matter," said a friend to me,
Description: A woman wears a gown with a tiered, tapered skirt over a Grecian Bend style of bustle. The Grecian Bend became popular after 1869., Text: "Pray, what's the matter," said a friend to me, / "With that young woman that I see?" / I stopped and looked and calmly said, / "The wits have surely left her head, / But where they're gone there's no telling / Unless you judge by large swelling.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Creator: Beard, Frank, 1842-1905, ill., creator
Date: [after 1869?]

Title: Devoid of useless crinoline.
Description: A woman wears a dress with a narrow skirt and train and neither a crinoline nor a bustle. "Rag and tag" refers to the damage done to the trains of the skirts from walking in the streets. Crinolines were out of fashion in the late 1860s, and then bustles were in vogue. Bustles went out of fashion between 1876 and 1883., Text: Devoid of useless crinoline. / She moves majestic as a queen, / In sweeping robe and drooping bonnet / With many a rag and tag upon it., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [not before 1868; possibly between 1876 and 1883]

Title: What more would you have, all plaided and stuffed,
Description: A man wears a plaid jacket with large sleeves, vest, and pants., Text: What more would have, all plaided and stuffed / Sleeves full dimensioned and puckered and cuffed; / A spectacle spectacled -- good morrow to you, / A sample I pass, for the best Boggs can do., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Behold her pompous, lofty stride.
Description: A woman's walking dress reveals her legs and her crinoline. The verse mocks the structure of crinoline, which resembled a cage. She wears black boots, a blue coat, and red cap., Text: Behold her pompous, lofty stride, / With her boots, and hoops ten feet wide; / We'll step aside and let her pass, / A bladder filled with wind or gas, / A petticoat made like a cage: / The monster is so huge in size, / And her dress sticks so far out! / The whirling winds now fill her sail., Cf. 2.32., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Miss Brazenface.
Description: A woman wears a low-cut gown and pulls up her skirt so that it reveals her petticoats and ankles. Her face is shaded to suggest rouge and lip coloring. Her holds her thumb to her nose in a disrespectful gesture., Text: Your conduct in loud accents speaks, / That nought can bring shame's blush to cheeks / So hard as your's, -- what shame, alas! / That in your face you've so much brass., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Clear the track and let me pass.
Description: The woman's walking dress reveals her legs and her crinoline. "Sonsie" is slang for "comely.", Text: Clear the track and let me pass, / Boots and hoops, / Am I not a sonsie lass, / One who troops? Ho! my coat of lion skin / Never droops-- / Nor my buttons, nor my chin. / With ribbon loops., Cf.1.39., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Just a Little Flattered; That’s All.
Description: A man stands in front of a fence smoking a cigar. He wears a fez and a pocket watch. The valentine suggests he is overly impressed with his physical appearance., Text: Why, here’s your portrait ready done, / Now don’t suppose I’m making fun. / ‘Tis like as like you must admit; / I’m sure you’ll highly value it., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Look Dandy, pray look,
Description: A donkey wears a coat. The sender considers the recipient's attention to dress to be ridiculous., Text: Look Dandy, pray look, / Look at your Brother; / Why should not one Ass, / Look at another., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Man with Elk Horns Staring in a Mirror.
Description: A man with elk horns looks at his reflection in an ornate mirror. Horns can be a sign of being a cuckold., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Of Dandizetts You’re Sure the Queen,
Description: A woman wears a large crinoline, a cape, gloves and a hat with a snood. "Bean" can mean money., Text: Of Dandizetts you’re sure the Queen, The loveliest creature ever seen, / Your head so small and shape so fine, / Must make each bean your valentine., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Oh! Daughter of Fair Mother Eve,
Description: A woman steps out of a door and reveals her petticoats under her crinoline. A sign behind her reads "To the Bank" and a man is standing next to the steps. The valentine suggests that the sight of her legs is embarassing to the people around her., Text: Oh! Daughter of fair mother Eve, / Your brothers all you sorely greive, / And give us each exceeding pain / To witness thus the curse of Cain. / ‘Tis surely not a modest sight / To have the legs thus brought to light., Provenance: Hlefand, William H..
Date: [between 1840 and 1880?]

Title: Oh, Dear Me, You Think Yourself Grand,
Description: A coachman wearing a hat and coat with epaulets stands by a carriage and holds a stick. "Monkey's share" can refer to the term monkey's money, meaning payment in kind., Text: Oh, dear me, you think yourself grand, / Standing et my lord’s door with stick in hand, / My lot with you I would not fix, / For the sight of you makes me feel sick, / Bowing here, scraping there / Sometimes you get the Monkey’s share., Cf. Valentine 15.42, Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

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