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Title: Philadelphia, Paris & New York fashions, for spring & summer of 1865, published and sold by F. Mahan, no. 911, Chestnut Street Philadelphia
Description: Fashion print featuring twenty full-length models in two rows displaying men's and women's indoor and outdoor clothing. Primarily depicts men's fashions but includes three female figures and two children. Top row features figures posed against a domestic interior featuring a large window overlooking a country landscape and patterned carpeting and drapes. Bottom row features figures dressed in outdoor clothing including two Union generals, Maj. Gen. George H. Thomas and Maj. Gen. Philip Henry Sheridan, in military uniforms and a sportsman carrying a hunting rifles posed in front of a military camp., Philadelphia on Stone, POSP 184, LCP AR [Annual Report] 1991, pgs. 48-49.
Creator: Haugg, Louis, 1827-1903, artist
Date: c1865
Location: Library Company of Philadelphia | Print Department **BW - Fashion [P.9366.2]

Title: Chestnut St. from above 9th
Description: View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include: the Continental Hotel (824-838 Chestnut) completed in 1860 after the designs of John McArthur, Jr.; a millinery, a shirt manufactory, and a clothier. Lampposts line the sidewalk, including one adorned with an advertisement for the Walnut Street Theater. Horse-drawn carts and carriages travel the street. Partial view of a tree with full foliage is visible in the foreground., Attributed to Henry B. Odiorne., Title and date from manuscript note on mount., Grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Duplicate of (8)1322.31a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: 1860
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Streets [(8)1322.F.27f]

Title: Chestnut St. from above 9th
Description: View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include: the Continental Hotel (824-838 Chestnut) completed in 1860 after the designs of John McArthur, Jr.; a millinery, a shirt manufactory, and a clothier. Lampposts line the sidewalk, including one adorned with an advertisement for the Walnut Street Theater. Horse-drawn carts and carriages travel the street. Partial view of a tree with full foliage is visible in the foreground., Attributed to Henry B. Odiorne., Title and date from manuscript note on mount., Grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Duplicate of (8)1322.31a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: 1860
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Streets [(8)1322.F.27f]

Title: Chestnut St. from above 9th
Description: View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include: the Continental Hotel (824-838 Chestnut) completed in 1860 after the designs of John McArthur, Jr.; a millinery, a shirt manufactory, and a clothier. Lampposts line the sidewalk, including one adorned with an advertisement for the Walnut Street Theater. Horse-drawn carts and carriages travel the street. Partial view of a tree with full foliage is visible in the foreground., Attributed to Henry B. Odiorne., Title and date from manuscript note on mount., Gray mount with square corners., Attributed to Henry B. Odiorne., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Duplicate of (8)1322.31a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Odiorne, Henry B., 1805-1860, photographerphotographer
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Streets [(8)1322.F.31a]

Title: Chestnut St. from above 9th
Description: View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include: the Continental Hotel (824-838 Chestnut) completed in 1860 after the designs of John McArthur, Jr.; a millinery, a shirt manufactory, and a clothier. Lampposts line the sidewalk, including one adorned with an advertisement for the Walnut Street Theater. Horse-drawn carts and carriages travel the street. Partial view of a tree with full foliage is visible in the foreground., Attributed to Henry B. Odiorne., Title and date from manuscript note on mount., Gray mount with square corners., Attributed to Henry B. Odiorne., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Duplicate of (8)1322.31a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Odiorne, Henry B., 1805-1860, photographerphotographer
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Streets [(8)1322.F.31a]

Title: Chestnut St. from above 9th
Description: View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include: the Continental Hotel (824-838 Chestnut) completed in 1860 after the designs of John McArthur, Jr.; a millinery, a shirt manufactory, and a clothier. Lampposts line the sidewalk, including one adorned with an advertisement for the Walnut Street Theater. Horse-drawn carts and carriages travel the street. Partial view of a tree with full foliage is visible in the foreground., Attributed to Henry B. Odiorne., Title and date from manuscript note on mount., Gray mount with square corners., Attributed to Henry B. Odiorne., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Duplicate of (8)1322.31a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Odiorne, Henry B., 1805-1860, photographerphotographer
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Streets [(8)1322.F.31a]

Title: [Panorama of Philadelphia northeast from State House]
Description: Panoramic view showing several city blocks northeast from the State House at 520 Chestnut Street. In the foreground, identifiable businesses include W.H. Selheimer, book and job printing (n.w. cor. Fifth and Chestnut), and H.J. Toudy & Co., practical lithographer (503-505 Chestnut, 1868-1871). In the distant background, White Hall, clothiers, the steeple of Christ Church, and various businesses' rooftops with signage advertising hardware, drugs, and clothing are visible., Attributed to Robert Newell and his "American Views" series., Yellow mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Views [(3)1322.F.9g]

Title: Chestnut Street, Philadelphia, from Tenth to [Ninth], south side
Description: View from above Tenth Street, looking east, showing the 1000 block of Chestnut Street. Businesses include: J.G. Maxwell, trimmings store and factory (1032 Chestnut); Wilson and Stellwagon, jewelers (1028 Chestnut), and a children's clothing store. Crates of trash rest on the corner near a lamppost and a group of conversing men. Also includes a horse-drawn carriage standing idle in the street. Trimmings store contains a large advertisement on the side of its building., Title printed on mount., Photographer's imprint printed on mount., Green mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: ca. 1869
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [(8)1322.F.29a]

Title: [Little Dock and Spruce streets, at Second Street]
Description: View showing the businesses at 303 South Second Street at the intersection of Second and Little Dock (i.e., Mattis) streets. Shows the ramshackle building tenanted by J.T. Wells, clothier; Jacob Reed, clothing rooms; and J. & R. Hattuck, locksmiths and bell hangers. Includes two gentlemen in top hats conversing on the Little Dock Street side of the building; a freight car and sign post for a hotel in the right background; and surrounding businesses., Title supplied by cataloguer., Date and photographer's monogram inscribed in negative of (7)1322.F.39., Inscribed in negative of (7)1322.F.39: 23., Manuscript note on recto of (7)1322.F.55e: S.e. cor 2nd & Spruce., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Image (7)1322.F.39 reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #64.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: March 1860
Location: Library Company of Philadelphia | Print Department photo - Odiorne - L [(7)1322.F.39d & 55e]

Title: Old London coffee house, s.w. corner of Market and Front street
Description: View showing the former coffee house and merchants' exchange. Shows building tenanted by Ulrich & Brother's Tobacco & Segar Store (100 Market). Crates stand piled near the entranceways and striped poles and window shutters adorn the building. Also shows the adjacent men's and boys' clothing stores operated by Philip Hunt (100 Market) and William Umberger (102 Market); merchandise on display; a handcart resting idle on Front Street; and a conestoga wagon parked near a pile of barrels on the sidewalk. Also shows a doll standing on one of the piles of crates in front of the tobacco store. Originally built in 1702, the former coffee house was razed circa 1883 by the Ulrich brothers, whose family purchased the building in 1813., Title, date, and photographer's imprint form Poulson inscription on mount., Contains a newspaper clipping dated January 19, 1842 about the changed social climate in Philadelphia over the last eight years and an advertisement for Mr. Rice as Jim Crow on the verso., McClees 1858-9., Originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 11, page 47. The scrapbooks contained photographs of 18th-century public, commercial, and residential buildings in the city of Philadelphia collected by Poulson to document the vanishing architectural landscape., Retrospective conversion record: original entry, edited., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 96., Arcadia caption text: The old London Coffee House, depicted here, and the Merchants’ Coffee House (also known as City Tavern) served as informal business exchanges in the 18th and early 19th centuries. Merchants, ship owners, and investors gathered at these establishments to conduct business, advertise their wares, attend auctions, discuss politics and trade, and drink coffee with their associates. This photograph, taken in August of 1858, shows the former coffeehouse at the southwest corner of Market and Front streets occupied by a variety of businesses including a tobacconist, a barber, and a clothing shop., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #74., McClees, an early prominent Philadelphia photographer and daguerreotypist, produced some of the earliest paper photographic views of Philadelphia between 1853 and 1859.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: August 1858
Location: Library Company of Philadelphia | Print Department photo - McClees - Hotels, Inns, and Taverns [(2)2526.F.47]

Title: [African American girl caregiver seated with a young white girl, probably her charge, on her lap]
Description: Three-quarter length, forward facing portrait of an African American girl caregiver, possibly an enslaved girl, seated on a wooden chair with spindles. Sitter has short hair and is attired in a long-sleeved dress made of patterned fabric with small checks and an apron with white polka dots. She holds a white girl on her lap (probably her charge), with her right hand on the girl’s chest and her left hand on the left side of the girl’s head. Their heads press together side-by-side. The blond-haired, white girl, attired in a necklace, a short-sleeved, dark-colored, checked dress with a white petticoat, stockings, and black shoes, faces the viewer and smiles. Her cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Leather miniature case embossed with oval motif, contains nonpareil mat, and is missing front cover., Gift of Mrs. A. Douglas Oliver, 1977., Description revised 2021., Access points revised 2021.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - unidentified [8326.F.17]

Title: [Old London Coffee House, Front and Market streets, Philadelphia.]
Description: View showing the former coffee house and merchants' exchange. Shows building tenanted by Ulrich & Brother's Tobacco & Segar Store (14 Market, i.e. 100 Market). Also shows a partial view of the adjacent men's and boy's clothing store operated by Umberger & Co. (16 Market). Includes a female peddler with her baskets of goods at the corner; store merchandise on display; several handcarts resting idle on Front Street; tobacco store employees standing in the doorway; and a conestoga wagon parked in front of the clothing store. Originally built in 1702, the former coffee house was razed circa 1883 by the Ulrich brothers, whose family purchased the building in 1813., Photographer's imprint blindstamped on mount., Title supplied by cataloguer., *McClees 1853-1., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., McClees & Germon, a partnership between Philadelphia photographers James E. McClees and Washington Lafayette Germon, was active between 1854-1855.
Creator: McClees & Germon, photographer
Date: ca. 1854
Location: Library Company of Philadelphia | Print Department *photo - McClees [8339.F.16]

Title: [African American musicians performing on a riverboat]
Description: Scene depicting a group of four African American men singing and playing guitars while surrounded by spectators, seated on the deck of a riverboat, possibly in Tennessee. The musicians sit on a raised platform with their feet dangling. The third performer to the right plays a star shaped guitar and sings with his head tilted back and mouth wide open. He props his right foot on a stool. In the right, two African American men sit in wooden chairs. Surrounding the musicians, white men, women, and children sit and stand and look on. In the background, people walk on the deck and the smokestacks are visible., Title supplied by cataloger., Date inferred from content and attire of the sitters., Gift of Elsie Wood Harmon, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Photographs-Wood [P.8743.189]

Title: [Full-length portrait of an unidentified older woman seated in a wheelchair]
Description: Full-length, forward facing portrait of an unidentified older white woman, seated in a wheelchair positioned at a slight angle. Sitter has gray hair parted in the center and is attired in a dark-colored lace cap with lappets and a dark-colored, long-sleeved dress with a white collar. Her cheeks are tinted pink. She holds a book, with the spine towards the viewer, in her right hand on her lap. Her left arm is propped on the armrest. A small pouch-like bag hangs from the corner of the back of the wheelchair visible in the left of the image. The chair back is covered with a patterned cloth., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on cheeks., Pad: Red velvet with a leaf in the center and decorative scroll border., Mat: Nonpareil., Case: Leather. Decorative geometric and leaf pattern in the center with leaves in the corners. Same design on verso.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo –unid sitter - ambro [P.2021.31]

Title: Chil dren of all nations. A series of 50
Description: Series of pop out cigarette cards depicting waist-length portraits of children (boys and girls) of different nationalities attired in their "native" costume. Includes Arabia (boy); Australia (boy); Belgian Congo (boy); Belgium (girl); Bulgaria (boy); Burma (girl); Denmark (girl); Egypt (girl); England (boy); Greece (girl); Holland (girl); Hungary (boy); Italy (girl); Ireland (girl); Mexico (boy); Natal (girl); New Zealand (girl); Norway (girl); Palestine (girl); Patagonia (girl); Poland (girl); Portugal (boy); Rumania (girl); Russia (girl); Scotland (boy); Siam (boy); Spain (girl); Sweden (girl); Tahiti (girl); Tibet (girl); Tunis (girl); Turkey (girl); United States (girl); and Wales (girl). The Ogden Branch was originally founded by Thomas Ogden as the Ogdens Tobacco Company in 1860. In 1901, American Tobacco Company bought Ogden's Tobacco Company and it in turn was bought by Imperial Tobacco Co. in 1902. Ogden started to include cigarette cards in its packaging in 1894., Date inferred from pop out format. Series issued in 1924 as pop outs., Printed above images: Ogden's Cigarettes., Title from series title on items., Versos contain explicative statements describing the depicted children's appearance, social life, and customs., Gift of George Allen., RVCDC, Description reviewed 2022., Access points revised 2022.
Date: [ca. 1924]
Location: Library Company of Philadelphia | Print Department ephemera - Cards [P.2016.56.1-34]

Title: Lines Bros., the largest retail dealers in the state! Proprietors of ten shoe stores. Buffalo store- 95 [Seneca St.]. Boots, shoes & rubber goods. Low prices. Plain figures
Description: Racist trade card depicting a comic scene between an African American woman and African American man. Shows the woman hitting a man in the face with the back of her right hand. She clutches an umbrella in her left hand. The man falls backwards with his arms and legs splayed out. The woman is attired in a long striped dress, a dot-patterned apron, and a hat with a flower adornment. She is portrayed with exaggerated features., Title from item., Date inferred from 1884 Buffalo City Directory., Image caption on recto: A mistaken identity., Adverstising text on verso: Lines Bros., Largest Retail Dealers in the State Proprietors of Ten Shoe Stores! Buffalo Store, No. 95 E. Seneca St., Boots, Shoes & Rubber Goods. Stores at Troy, Albany, Geneva, Elmira, Buffalo, Lockport, Rochester, Amsterdam, Schenectady, and Canandaigua., Place of publication inferred from place of business advertised., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Lines [P.2017.95.108]

Title: Minstrels! Branch, 1602 South St
Description: Racist trade card illustration depicting a large troupe of African American minstrels on a stage. Five of the men in the front row are seated in white chairs and a man in the center stands on his right leg with his arms wide. In the background are several palm trees. Visible in the center of the image is an ovular gold pendant with a caricatured portrait of a smiling African American man depicted with exaggerated features. He is attired in a white collared shirt, a red checkered necktie, and a brown jacket. The minstrel troupe is attired in white pants, red jackets, and white shoes. Some men hold red and white hats in their hands. The trade card is likely advertising Phillip Conway's business, Conway Gent's Furnisher, a custom clothing shop., Title from item., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Minstrels [P.2017.95.131]

Title: The guessing. Smith, Stevenson & Co., Byxbee house block, Meriden
Description: Racist trade card illustration advertising a competition to guess the weight of a horse. Image depicts a smiling African American child peering out from beneath a folded blanket with fringe. The upper left corner of the blanket is folded and bears advertising text and the word "Honey." Underneath the folded flap of the blanket is a branch with two roses. The child is depicted with exaggerated features. Smith, Stevenson & Co. was a clothing store in Meriden, Connecticut., Title from item., Advertising text on recto: I's gwine to guess de weight ob Meriden Girl, shuah!, Advertising text on recto: The Guessing on the weight of the bay mare Meriden Girl, will close Thursday, December 21st. We make this announcement that all may have a chance to guess before the box is closed. The mare will be weighed Christmas morning as before stated., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.158]

Title: Amy Smith, April 17, 1876
Description: Half-length portrait of Smith, a young African American woman, posed to the left. She looks forward toward the viewer. She wears a plaid-patterned garment, a white, upturned collar, and a bowtie-like ribbon at her neck. Her hair is pulled back and she wears a hair band. Smith, born in Virginia resided in Philadelphia by 1870. Smith was buried at the Harmony Burial Ground, the burial ground of the African Friends to Harmony at 41st and Chestnut Street in West Philadephia. African Friends, founded in 1826, sought to provide a cemetery for low-income African Americans to be interred with dignity and respect. Several of those buried in the cemetery were associated with the Monument Baptist Church or the Mount Pisgah A.M.E. Church. The property was sold in 1910. In 2020, the remains of over 160 burials were transferred to Eden Cemetery., Title from manuscript note on mount., Photographer's imprint printed on verso., Printed on verso: No. [57860]. Duplicated any time if orderd by the original, or by a responsible person., Manuscript note on verso: died March 23d 1878., Partially purchased with funds for the Visual Culture Program., RVCDC
Creator: Reimer, Benjamin F., approximately 1826-1899, photographer
Date: [1876]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Smith [P.2023.17.1]

Title: [Copy photograph of African American woman caregiver with her young white charges]
Description: Copy photograph of a circa 1860 three-quarter length portrait of a young African American woman caregiver, seated, and with a white baby on her lap and a young white boy standing to her left. The caregiver has her right hand resting on the head of the baby and her left arm wrapped around his/her waist. The baby wears a medium-colored dress, which their nanny's hand has slightly tugged up. The baby has their left hand in their mouth. The nanny wears her long, wavy dark hair, parted in the center, and pulled away from her face. She is attired in a patterned shirt waist and dark satin skirt with crinoline underneath. The boy to her left wears a dark-colored, mandarin-style jacket and dark pants. All the sitters look straight at the viewer., Title supplied by cataloger., Date based on type of mount and address of photographer., Photographer's imprint stamped on mount and verso. Imprint on verso includes decorative insignia composed of an ornamented letter "G" with a coat of arms in its interior. The coat of arms includes a lion and bird., Inscribed in pencil on verso: 100801., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photo - Gutekunst [P.2016.17.2]

Title: Paul Lee & bride
Description: Three-quarter length studio portrait of Paul Lee and his newlywed wife in wedding attire. Shows the couple standing and facing the viewer. In the left, Paul is attired in a white collared shirt, a white bowtie, a black jacket with tails, black pants, and white gloves. In the right, the Chinese woman is attired in a veil with a decorative headband going across her forehead and the tulle rising up behind her head and flowing down her back; a short-sleeved, empire-waisted, tea-length, white wedding dress; a necklace; and white gloves. She cradles a floral bouquet in her arms. In the background is a decorated studio backdrop., Title from manuscript note on verso: Paul Lee & Bride., Date inferred from design of verso of postcard: Divided back; AZO stamp box with triangles in the corner (upward pointing triangles at top, and downward pointing triangles at the bottom)., Gift of Jean Gallagher.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Jean Gallagher Photograph Collection [P.2022.7.33]

Title: Go to Edelman's for your kid gloves, zephyrs, ribbons and hosiery, 335 Northampton St., Easton, PA
Description: Trade card promoting Edelman's store and depicting a satiric, racist caricature of an older African American man misunderstanding an operator to whom he speaks on a wall-mounted telephone. He faces the viewer, leans against the wall, and remarks in vernacular speech "dis chile's rich...dis man... gib me de city hall." The man is balding and has tufts of hair on the sides of his head. He has a white beard and is attired in a beige coat, an undersized, green vest with buttons, and blue plaid pants rolled up at the bottom exposing his socks and black shoes. On the ground beside his feet is a banjo and brimmed hat. M.A. Edelman had a shoe store on 146 Northampton Street, Easton, PA circa 1871. Circa 1880s, he opened a store selling women's accessories on 335 Northampton Street., Title from item., Publication information from copyright statement: Copyright 1883 by J H. Bufford's Sons., Text printed on recto: Golly! I guess dis chile's rich- dis man him say wait a minute and him gib me de city hall., Gift of David Doret.
Date: 1883
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Edelman [P.2017.95.54]

Title: Traymore House, Atlantic City, N.J
Description: Illustrated trade card promoting the Traymore hotel in Atlantic City, New Jersey and depicting two Japanese women walking in opposite directions. Shows the women, attired in kimonos and holding parasols, walking on the grass. In the right is a partial view of a fence and part of a roof with geometric designs along the side. A tree grows in the background. The Traymore began as a boarding house in Atlantic City in 1879 and expanded to become a large resort hotel. It was demolished in 1972., Title from item., Date inferred from dates of operation of the advertising business., Advertising text printed on verso: “The Traymore,” Sea end of Illinois Avenue, Atlantic City, N.J., Will re-open for the reception of guests June 1st. The House, situated at the sea end of Illinois Avenue, containing upwards of seventy apartments and being one of the nearest to the beach (which is within 100 yards), with nothing to obstruct the view, gives it the advantage of having more pleasant Ocean rooms than any other house of its capacity in Atlantic City., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Traymore [1975.F.872]

Title: A high caste lady's dainty "lily feet" - as they really are - China
Description: Stereograph depicting a Chinese woman's feet on display. Shows the woman from the waist down attired in a tunic and pants with stripes at the bottom. She holds a closed fan in her hands on her lap. Her bare feet are exhibited on a cloth-covered box. The left foot points to the viewer, while the right foot is shown from the side displaying the heel and the toes bent over the arch. A newspaper in English is draped behind her legs., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: [Copy photograph of African American woman caregiver with her young white charges]
Description: Copy photograph of a circa 1860 three-quarter length portrait of a young African American woman caregiver, seated, and with a white baby on her lap and a young white boy standing to her left. The caregiver has her right hand resting on the head of the baby and her left arm wrapped around his/her waist. The baby wears a medium-colored dress, which their nanny's hand has slightly tugged up. The baby has their left hand in their mouth. The nanny wears her long, wavy dark hair, parted in the center, and pulled away from her face. She is attired in a patterned shirt waist and dark satin skirt with crinoline underneath. The boy to her left wears a dark-colored, mandarin-style jacket and dark pants. All the sitters look straight at the viewer., Title supplied by cataloger., Date based on type of mount and address of photographer., Photographer's imprint stamped on mount and verso. Imprint on verso includes decorative insignia composed of an ornamented letter "G" with a coat of arms in its interior. The coat of arms includes a lion and bird., Inscribed in pencil on verso: 100801., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photo - Gutekunst [P.2016.17.2]

Title: From the Paris mantilla cloak and fur emporium. 920 Chestnut Street, Philada J. W. Proctor & Co
Description: Advertisement label showing an exterior view of the clothing store. Several cloaks are displayed in the storefront windows. A female clerk helps a customer at the entrance. Pedestrian traffic, predominately women wearing cloaks, pass on the sidewalk. Proctor relocated his store from 708 to 902 Chestnut Street in 1862., Philadelphia on Stone, POS 287, Historical Society of Pennsylvania: Print Collection - Small - Stores & Factories - Box 55, Folder 7, LCP holds engraved copy of advertisement. [Ph Pr - 8x10 - Businesses (7)1322.F.453i].
Date: [ca. 1862]
Location: Historical Society of Pennsylvania HSP Print Collection - Small - Stores & Factories - Box 55, Folder 7

Title: E. O. Thompson, merchant tailor, no. 908 Walnut St. Philadelphia Ready for the season. Please accept with the compliments of the proprietor this circular as a cordial invitation to visit his establishment
Description: Circular advertisement containing an "Interior view of E.O. Thompson's Merchant Tailoring Establishment, no. 908 Walnut Street, Philadelphia." Shows the elegantly furnished interior of the shop designed with a fresco ceiling and crown moldings. In the foreground, a display table lined with bolts of cloths stands in the center of the room. Surrounding furnishings include armoires, display dressers covered with bolts of cloth, large mirrors, and an ornate mantelpiece. Objet d'arts, books, and framed fashion plates adorn the mantel that is flanked by two wood chairs. A samovar on a small table stands in front of the mantelpiece. Framed fashion plates also adorn the walls in addition to chandeliers. In the background, four shop tailors trace patterns, and cut and measure cloth in a middle room that leads to another room with tables of cloth on display. Interior also includes an umbrella stand and wall clock. Covers of the circular show two full-length portraits of a younger and older man attired in suits. The younger wears a plaid suit and stands in front of a bureau displaying bolts of cloth. The older man wears a suit with a long coat and an overcoat. Both of the men hold hats. Cover and interior image also contain advertising text about the business hours, original and patented systems of cutting, and "nothing omitted essential to the business" and "everything and every effort to please." Thompson, a New York tailor, established his Philadelphia branch of his business in 1860, which expanded to include a ready-made clothing house in 1886. Thompson's sons Benjamin and E. O. Thompson, Jr. assumed the business in 1897., Not in Wainwright., Philadelphia on Stone, POS 194, Historical Society of Pennsylvania: Prints - Stores & Factories - Box 57, Folder 9, Inscribed: Mifflin Fund. October 31, 1955.
Date: [ca. 1875]
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Prints - Stores & Factories - Box 57, Folder 9

Title: Philadelphia fashions, spring & summer 1843, by S. A. & A. F. Ward, no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Two men, one showing his back, attired in suits, top hats in hand, greet each other in front of a sofa. A man and woman in lavish bed coats in front of a vanity dresser look over their two boys attired in jackets and pantaloons as they read a book on an ottoman. A man in a checkered vest sits with a flute in his hand as a man in striped pants, standing near a writing table, and showing his back, addresses him. Also includes framed paintings, mosaic carpeting, and wallpaper trim. Lower panel shows the outdoor scene. A lad wearing a cap, suit, and holding a cane greets a fashionable couple on a hillside that is lined with a picket fence, bushes, and trees. The man wears a suit and top hat and holds a cane, and the lady wears a bonnet and capelet, and holds a handkerchief. In the center, a militiaman in the Uniform of the Richmond Light Blues "copied by permission of Huddy & Duval" stands on a path in front of a mansion house. To the left, a hunting party with a dog convenes near a hitching post scratched with initials. The men wear hats of various styles, long coats, and checkered and dark pants. Each has a handkerchief in an upper or lower coat pocket and one carries a rifle and hunting bag. Most of the depicted men have some facial hair. Key numbered 1-8 and 9-15 printed above and below the image., Not in Wainwright., Philadelphia on Stone, POSP 177, Historical Society of Pennsylvania: Bc 642 W 263c 1843
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1842]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263c 1843

Title: [Full-length portrait of Maung Shaw Loo]
Description: Full-length, forward-facing portrait of Maung Shaw Loo, attired in traditional Burmese clothes, including a gaung baung (head wrap); a light-colored shirt; a striped longyi (sarong or long skirt); and a floor-length, striped cloth cape around his shoulders. He stands with his right hand on the back of a wooden chair. A curtain hangs in the right, and a patterned carpet is visible on the floor. Maung Shaw Loo (1839-1929) was born in Burma (Myanmar) and traveled to the United States in 1858. He attended the University of Lewisburg (later renamed Bucknell University) in Pennsylvania, graduating in 1864. He earned a medical degree from Cleveland Medical College in 1867, becoming the first Western-trained Burmese physician. He returned to Burma and continued work as a physician and educator., Title supplied by cataloger., Date inferred from sitter's time in Lewisburg, Pa., Photographer's imprint on verso: E.L. Mowry, Photographer, Lewisburg, Pa.
Creator: Mowry, E.L, photographer
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Loo [P.2024.2]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of a seated African American woman posed behind a prop window frame. Sitter rests her left elbow and right hand on the bottom edge of the frame. Her left hand rests on her shoulder, near the side of her face. She has dark, crimped hair, parted in the middle and that is pulled back into a braided crown at the back of her head. She is attired in a dark-colored, satiny dress with a plunging V-neck and that is adorned with a frilled ribbon and long sleeves with ruching below the shoulder. She also wears a white V-neck collar adorned with a broach, frilled white cuffs, hoop earrings, and a ring on her right hand. Her cheeks and lips are tinted pink. Image also includes a creeping grape vine in the right of the image. Sitter probably from or related to the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Sitter's cheeks tinted pink., Name of daguerreotypist inferred from studio prop (window and trailing vine) visible in image., Pad: Bright red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Geometric design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Creator: Broadbent, Samuel, 1810-1880, photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department cased photos - Dickerson Collection [P.9427.13]

Title: Sketches of character. Plate 2. At home. Plate 3. Abroad
Description: Racist caricature contrasting two scenes of the same African American couple "At Home" and "Abroad." The "At Home" scene depicts the couple in their kitchen with a wood floor washing dishes together. In the right, the woman, attired in a kerchief, short sleeves, apron, skirt, and slip on shoes, is bent over and washes the dishes in a tub on a stool. In the left, the man, barefoot and attired in a shirt with the sleeves rolled up, vest, bow tie, and pants, sits on the edge of a butcherblock table on top of which a pile of dishes rests, and dries one. The man and woman look at each other. In the background, on the wall, cooking utensils, pots and pans, and a slab of bacon hang from hooks underneath a shelf lined with cook and dishware near a large woven basket, a cupboard, and a small shelf with two bottles. The "Abroad" scene depicts the pair well attired and about to promenade down a city street, possibly Philadelphia and from near Independence Hall. The woman wears a large plumed bonnet with a veil and a ribbon tied under her chin, a blue cape over a dress giving her the appearance of a bell, and gaiter-like shoes. Her husband wears spectacles, a top hat, white shirt, yellow vest, black waist coat, grey pants, and yellow gloves. He holds a walking cane down toward the ground in his left hand and his other arm out to his companion. A guardhouse is seen in the right and the edge of a building (possibly Independence Hall) in the left. Cityscape is visible in the distant background. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in brown hand coloring., Title and date from item., Copy right secured., Lib. Company. Annual Report, 2013, p. 51., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Clay, Edward Williams, 1799-1857
Date: January 12, 1830
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.2013.74]

Title: No. 1. The flirtation
Description: First scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the African American twins greeting two African American men. They depart from the gate of their log cabin home, attired in polka dot dresses, aprons, and turned-up brimmed hats. They smile at the two African American men as they begin their walk. One twin lifts her handkerchief. One of the men is tall and thin and he tips his hat. The other is shorter and squat and has a hand on his chest. The men are attired in suits with striped pants that are hemmed high. The twins' log cabin home with their parent's seeing them off is visible in the left background. Background also includes the log cabin with "Dr. Black’s Office"; the town church; a "Dry Goods and Clothing” store; a "Saloon"; and a "Hotel.”, Title from item., Name of publisher from other photographs in series., Date from copyright statement on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1]

Title: No. 2 The introduction
Description: Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]

Title: No. 3 The courting
Description: Third scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. In the left, one twin sits face to face with her tall suitor. She looks down and raises her hand to her mouth. In the right, the other twin sits next to her suitor and smiles. The twin holds a fan to her face. A hat and coat hang on the wall above them. The twins' parents watch from a doorway in the left background. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Reproduced from sketch by Sol Eytinge from Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher inscribed on original drawing., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.3]

Title: No. 4 The proposal
Description: Fourth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. The tall suitor of the twin in the left kneels on the floor, his chair fallen behind him, and proposes to her as he holds her right hand. She covers her mouth with the other. The twin of the couple in the right sits on her suitor’s lap as he holds her. Her foot rests on his hat on the floor, and she holds a fan down on her legs. The parents of the twins, an older couple, stand, their mouths ajar, in an open entryway in the left background. Keepsakes and knick knacks adorn the mantle behind the stove. A coat and hat hang above the couple in the right. The twins are attired in polka dot dresses and the men in suits., Title from item., Date from copyright statement inscribed on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.4]

Title: No. 6 The wedding
Description: Sixth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins getting married in the parlor in which they were introduced to their fiancés (see No. 2 The Introduction). The twins are attired in white wedding dresses and veils and their betrothed in formal suits. An older African American reverend stands in front of them and officiates. Their relatives, including an older woman, attired in a bonnet, and seated in a rocker and holding in her lap a boy, attired in a striped suit with ruffled collar, watch the nuptials from behind them. "Dr. Black" and other acquaintances watch from through a doorway. Framed pictures adorn the wall. A table with a cake and a decanter with glasses is visible behind the reverend., Title from item., Name of publisher inscribed on original drawing: Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.6]

Title: Life in New York. "Blakey I say, can't you by the powers of your stame engine..?"
Description: Racist caricature depicting a conversation between a middle-class African American merchant and a working-class Irish man. Depicts the well-dressed man "merchant" of a "Patent Steam" laundry and his well-dressed woman companion being approached by a white Irish man outside the doorway to his “Patent Steam Scouring Establishment. Clothes of all kinds, etc.” He wears a top hat, green waistcoat, a white ruffled shirt and stiff collar, white pants, and black shoes. He holds a walking stick. His companion wears a yellow, wide-brimmed hat adorned with feathers and ribbons, a blue and yellow, long-sleeved dress with lace details, white stockings and slipper shoes. She holds up a monocle toward the Irish man who is in bare feet and attired in worn and torn clothing. He holds a stained and patched waistcoat. The Irish man asks the merchant to "shift" his coat for a new one, as by the appearance of the merchant's coat, he is just the man for whom he has been looking since leaving "Kilarney." The merchant and his companion are "salted" by the notion that they are of the same nature as the "ruffian" and will "larn" him better by telling him to "ply to the office." The African American figures are portrayed with oversized features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Contains several lines of dialogue in dialect and the vernacular below the image: What you mean sir! I’m a merchant, I larn you better! cant you rid dat dere Sign, ply to the Office./Aint it too gusting for a lady of quality to be salted so in Street by Ruffians./Blakey I say! Can’t you by the powers of your Stame Engine Shift me this coat for a new one! I trust by the looks of yours youre the very man I have been looking for since I left Kilarney., Inscribed: Pl. 2., Charles Ingrey was a premier London lithographic printer of the 1830s., LCP AR [Annual Report] 1972 p. 60., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022., Purchase 1972.
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in New York (London Set) [8025.F.2]

Title: Life in New York. "Blakey I say, can't you by the powers of your stame engine..?"
Description: Racist caricature depicting a conversation between a middle-class African American merchant and a working-class Irish man. Depicts the well-dressed man "merchant" of a "Patent Steam" laundry and his well-dressed woman companion being approached by a white Irish man outside the doorway to his “Patent Steam Scouring Establishment. Clothes of all kinds, etc.” He wears a top hat, green waistcoat, a white ruffled shirt and stiff collar, white pants, and black shoes. He holds a walking stick. His companion wears a yellow, wide-brimmed hat adorned with feathers and ribbons, a blue and yellow, long-sleeved dress with lace details, white stockings and slipper shoes. She holds up a monocle toward the Irish man who is in bare feet and attired in worn and torn clothing. He holds a stained and patched waistcoat. The Irish man asks the merchant to "shift" his coat for a new one, as by the appearance of the merchant's coat, he is just the man for whom he has been looking since leaving "Kilarney." The merchant and his companion are "salted" by the notion that they are of the same nature as the "ruffian" and will "larn" him better by telling him to "ply to the office." The African American figures are portrayed with oversized features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Contains several lines of dialogue in dialect and the vernacular below the image: What you mean sir! I’m a merchant, I larn you better! cant you rid dat dere Sign, ply to the Office./Aint it too gusting for a lady of quality to be salted so in Street by Ruffians./Blakey I say! Can’t you by the powers of your Stame Engine Shift me this coat for a new one! I trust by the looks of yours youre the very man I have been looking for since I left Kilarney., Inscribed: Pl. 2., Charles Ingrey was a premier London lithographic printer of the 1830s., LCP AR [Annual Report] 1972 p. 60., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022., Purchase 1972.
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in New York (London Set) [8025.F.2]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Sarah Hart was a Jewish Philadelphia stationer who assumed printing of the "Life in Philadelphia" series in 1829. She reprinted the entire original series of 14 prints in 1830., Pendelton, Kearny, & Childs, in operation from 1829 until 1830, was the first successful lithographic firm in Philadelphia. The firm's partners were John Pendleton, Frances Kearny, and Cephas G. Childs., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Described in Daily Chronicle, December 26, 1829, 2 and “The Dead Cut,” Philadelphia Inquirer, December 31, 1829, 2., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1970.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7893.F.1]

Title: Oh! Gentle Lady, you know full well.
Description: The valentine shows a woman standing on a city street. She wears a walking dress with short skirt that reveals her crinoline structure, legs, and petticoats. The valentine mocks the recipient's immodest deportment., Text: Oh! Gentle Lady, you know full well, / You care not for mud, but you'd cut a swell-- / A swell you make, if you could see, / You'd be ashamed, as well as we., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Oh! My Hoops.
Description: A woman stands while reading a book. Her crinoline has turned up so that it reveals her legs, and a dog stands underneath it. She says, "What are the people staring at, I wonder?", Text: The winds of march will be here soon / Then you who look like a Balloon, / Perchance may the Balloon fate, / And into the air be carried straight. / Like Cesar -- all gentle fair / Should the Ides of March beware, / For were you carried into the sky, / What THINGS ABOVE might meet each eye., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Conceited Woman.
Description: The conceited woman wears a large skirt with furbelows and a crinoline. Her face is obscured by a purple wide-brimmed hat, and her nose is upturned. She extends her left hand., Text: There we see an old ewe, yet more like a ram, / Though a fifty-year old, she's dressed like a lamb / Both toothless and ugly, and snuffy and base, / Yet she tries to look sheepish, and soft in the face. / Dress on, mother Hecate your Stiff Crinoline / Floats flauntingly freely, abroad in the wind, / But the looks you give, and the fashions you wear, / Bids all of good sense and of manners beware., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: A Mantilla from your shoulder falls
Description: A woman in gown with a bustle holds an umbrella and bouquet of flowers. "Three-balls" is slang for a pawnbroker. Bustles became popular after 1869., Text: A Mantilla from your shoulder falls / Just redeemed from the three-balls; / In the street you make a dash, / 'Tis strange how you obtain the cash. / You're too lazy, and fear to work / You dirty, nasty little flirt; / Stay at home-- not gad the street, / And speak to every loafer you meet., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [after 1869?]

Title: Waddling pyramid you go,
Description: A woman wears a coat and a large-skirted gown that make her triangle-shaped. The valentine mocks the hoop skirt trend for the cage-like appearance of crinolines and the dirt the large skirts attracted in the streets., Text: Waddling pyramid you go, / Flounce flouncing in the snow; / Pretty lady do not rage, / When I say you're in a cage, / By a lot of hoops secured -- / Of it, I am well assured. / Head, of course, is left outside, / Bonnet on your back doth ride; / Sweep away the side-walks clean, / Of street sweepers, you're the queen., Cf. Valentine 1.41 and Valentine 8.37., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Aint you a pretty pair of bloods, as in the cars you ride,
Description: On public transportation, two fashionable young men (a "pair of bloods") crowd a woman so much that her crinoline billows up, revealing her legs. The men's high opinion of themselves (as "big bugs," or men of importance) is not shared by the woman. A third man is visible in outline; each man wears a different style of hat., Text: Aint you a pretty pair of bloods, as in the cars you ride, / To croud and squeze a lady so, with room upon each side, / You are two big bugs indeed, the ladies think you are two swine, / To squeze a lady in the cars, and smash a crinoline., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Moors, Moorish furniture, etc.
Description: Display of Moorish furniture: wall unit, small table, urns, vases, bowls, carpets, and blankets. Seated in the display are two mannequins in Moorish dress.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - photos [P.9037.4]

Title: Pharaoh's Daugher.
Description: Sculpture of Pharaoh's daughter wearing an Egyptian headdress and carrying the baby Moses in a basket.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - photos [P.9844.45]

Title: Pretty lady do not rage
Description: A woman wears a triangular gown and coat. The valentine mocks the crinoline fashion trend, particularly the dirt the skirts attracted in the streets., Pretty lady do not rage / When I say you're in a cage, / By a lot of hoops secured -- / Of it, I am well assured, / Sweep away the side-walks clean, / Of street sweepers, you're the queen., Cf. Valentine 1.41 and Valentine 12.34., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Convenient Fashion.
Description: The valentine shows a woman entering a carriage and a man standing behind. Her crinoline pulls up her skirt, hitting the man in the head and revealing her legs to him., Text: Go in, my dear-- go it with a rush, / And never mind the hat; / It is not often that I see / So big a leg as that., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Oh! My Hoops.
Description: A woman wears a hoop skirt and floats above the ground. Two men look up at her through a grate, and another man looks at her from a window. A street lamp with a face smiles at her. The sender mocks the recipient's exhibitionism., Text: Oft when seated in the Park, / You wonder what attracts each spark. / To turn and look with such surprise; / "I wonder what attracts all eyes?"/ Alas, alas you little know, / What a show you make below., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

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