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Title: Firemen's furnishing house. Fire hats, belts, fatigue caps, shirts, &c. J.M. Migeod & Son 27 South Eighth St. Philada. Manufacturers of firemen's, military & society goods Service and parade horns, lanterns, torches, spanners, metal badges, ball badges, marshal's badges, sashes and batons for parades. Mourning draperies for hose carriages and steamers, feather plumes for horses, flags, banners and markers. Gold and silver fringe and trimmings, gloves of all kinds, woolen neck ties, coat buttons ad covers, firemen's pictures. Military & fire companies and societies fitted out with every article required
Description: Advertisement containing vignettes, and firefighting, military, and patriotic iconography. Central scene shows firefighers rushing equipment to and battling a building on fire during the evening. Other vignettes show a military parade and a masonic parade. Iconography includes an American eagle clutching a bundle of firefighting tools, American flags, men in Zouave and firefighting uniforms, a firefighter's and dress calvary helmet. The business J.M. Migeod was renamed J.M. Migeod & Son in 1866., Not in Wainwright., Philadelphia on Stone, POS 254, Historical Society of Pennsylvania: Society Collection - Posters & Broadsides - Advertisements - Miscellaneous Folder 2, Haehnlen operated a lithography studio until ca. 1873.
Date: [ca. 1868]
Location: Historical Society of Pennsylvania HSP Society Collection - Posters & Broadsides - Advertisements - Miscellaneous Folder 2

Title: [P. Madeira trade cards]
Description: Series of illustrated trade cards promoting Pugh Madeira's cutlery and surgical instrument establishment at 115 South Tenth Street, Philadelphia. lllustrations represent world countries by depicting boys attired in styles of clothing native to China, France, Germany, South America, Hungary, United States, Turkey, Spain, Italy, England, Russia, and Mexico. Also shows two boys riding horses. The card labeled, “China,” shows a Chinese boy with a carrying pole across his shoulders, which holds cards on each side. He wears a queue hairstyle and is attired in a red hat with a black brim; a colorful, long-sleeved tunic; yellow pants; and yellow boots. He holds an orange card in his left hand. A piece of wood is yoked across his shoulders and wire or string hangs down on both sides, which balance the weight of the load. The border has decorative Chinese-stylized decorative motifs., Title supplied by cataloger., Date inferred from dates of operation of the advertised business., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Madeira [1975.F.594; 1975.F.599-608; 1975.F.647; P.2002.9.3]

Title: Costume guerriers Japonais
Description: Interior view of the Japanese display, including samurai armor, at the Exposition Universelle in Paris. Shows a mannequin attired in Japanese samurai armor, carrying a bow, and mounted on a horse. In the left is another mannequin attired in samurai armor stands and holding a spear. A sign reading "Couvernement Du Taichiou De Satsousma" rests at the foot of the display. In the right is a norimono, a Japanese palanquin or litter. Nets hang down from the ceiling. In the left background is a partial view of more objects, including another mannequin. The Exposition, held April 1-November 3, 1867, celebrated the technological and economic progress of the Second French Empire, as well as originated the classification system followed by proceeding international exhibitions. It was the first time Japan exhibited in a national pavilion at a world’s fair., Title printed on mount., Date inferred from content., Blindstamped on mount: Concession Unique., Yellow mount with rounded corners., Photographer's imprint printed on verso: M. Leon & J. Levy Ferrier, Sucrs. de Ferrier pere et fils et Soulier, 113, Boulevard de Sebastopol, 113 Paris. Vues sterescoptique sur verre de L'Exposition Universelle de 1867 ainsi que de tour les Pays, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: M. Leon & J. Levy
Date: 1867
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Stereographs [P.2008.36.40]

Title: A "lily footed" woman of China - this outrage against nature has been in vogue 900 years
Description: Stereograph depicting a full-length portrait of a Chinese woman with her bound feet on display. Shows the woman wearing her hair tied back and attired in a tunic and pants with decorative stripes and lotus shoes. She sits atop what is probably a wooden shelf with her feet resting on a circular wooden stool. She holds flowers in her left hand and looks slightly left. In the right is a tree stump and a flower pot on a wooden shelf. In the background are two chairs covered in cloth, and a patterned rug is on the floor., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: The rag tender From life, Phila
Description: Children's moral instruction book showing three men with their hats dipped low, asleep in a stalled horse-drawn furniture wagon on a pier overlooking the river. The three men are customers of the rag tender, who stands near the cart warning another man to stay away. Another man, presumably down on his luck, leans on a post in the distance., Not in Wainwright., Date supplied by cataloger., Published as illustration on page 28 in City Sights for Country Eyes ([Philadelphia]: American Sunday School Union, [1856])., Accompanied by text titled "The rag tender" moralizing against the dangers of being "late and unsteady" at work and men who "spend their odd pence for whiskey and cigars". These men end up trading their better clothes to the "rag tender"., Philadelphia on Stone, POS 631, Historical Society of Pennsylvania: Bd 61 K 8343.28, Free Library of Philadelphia: \\RBD\\ASSU\\V\\C498S\\FACSIM.\\
Creator: Kollner, Augustus, b. 1813
Date: [1856]
Location: Historical Society of Pennsylvania HSP Bd 61 K 8343.28

Title: Philadelphia fashions, fall & winter 1844, by S. A. & A. F. Ward, no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. To the left, a man attired in a cloak converses with a man attired in an evening suit. In the center, a man attired in a suit, showing his back, and resting his foot and cane on a foot pillow talks to a man and woman seated in chairs in front of a fireplace. The seated man wears a checkered vest and pants and the woman wears a day dress and frilly cap. To the right, a man in a suit and a man wearing a cape talk. Three of the men hold top hats and five wear facial hair. Also includes vases and mosaic carpeting. Lower panel shows the outdoor scene. To the left, a man in an overcoat and top hat converses with a man attired in a hunting outfit and derby and holding a rifle. In the center, two men in overcoats, striped pants, and top hats, stand showing their backs. In the right, two men in overcoats and top hats, a boy in a suit, and a woman in a riding habit convene. In the background, a "View of S.A. & A.F. Wards Publication Office" at "62" Walnut Street is visible. Pedestrians walk past the building adorned with signage "Philada Fashion & Tailors Archtypes" and "T. Sinclair Lithogy." Four of the men have some facial hair and some wear gloves. Key numbered 1-7 and 8-15 printed above and below the image., Philadelphia on Stone, Atwater Kent Museum: 40.14.63/02
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1843]
Location: Atwater Kent Museum | Print Department AKM AKM 40.14.63/02, Atwater Kent Museum | Print Department AKM 40.14.63/02 detail

Title: The bloomer schottisch. Dedicated to Mrs. Bloomer and the ladies in favor of the Bloomer costume
Description: Sheet music cover depicting a white woman attired in bloomers. In the center, the woman stands, wearing her hair parted in the middle and attired in a bonnet, a long-sleeved white shirt, a purple dress with blue tiers, and white bloomers. She holds her hands together and juts her left foot out. Image is surrounded by an ornamental scroll border, labeled "Autumn dress" at the bottom., Title from item., Text printed on recto: 25 cts. Nett., Date from copyright statement: Entered according to act of Congress in the year 1851 by W. Hall & Son in the Clerk's Office of the Disct Court of Southern Dist of N.Y., Library Company copy has front cover only., Gift of David Doret, 2011.
Creator: Dressler, William, composer
Date: 1851
Location: Library Company of Philadelphia | Print Department GC - Fashion - U.S. [P.2011.45.18]

Title: A Japanese family. A pretty and interesting cut-out
Description: Print depicting a Japanese man, boy, and two women, which could be cut out and made into a paper toy. In the left, shows a Japanese woman attired in a red kimono with green trim tied with a black and yellow obi and wearing her hair up and adorned with a kanzashi hair ornament. She looks left with her left hand at her waist and holds a fan in her right hand. In the right at her feet are white flowers. The Japanese man wears a chonmage hairstyle, which is shaved in the front with a top knot, and is attired in a blue, green, and white kimono and slip on shoes, and has a sword in a scabbard at his waist. He stands with his face in right profile. In the top right, the boy, attired in a white and red kimono and socks, sits on the ground beside a white flower. In the bottom right, a Japanese woman, attired in a blue kimono with gray trim tied with a black obi and wearing her hair up and adorned with a kanzashi hair ornament, sits on the floor with her left hand resting on her leg and her right hand up. She is surrounded by two vases, a black stand with a teapot on top, and a decorative screen depicting a bird. In the top center, shows a diagram depicting how the figures could be cut out and flaps used to stand them upright., Title from item., Date from copyright statement: Copyright 1910, by the North American Company., Published in the March 6, 1910 Sunday supplement of the North American newspaper., Text printed on recto: Directions: Paste this sheet upon a sheet of heavy cardboard: let it dry thoroughly, and cut out pieces around heavy black lines. To make figures stand, bend the flabs backward at the dotted lines, A, B, C, D, E, F, as in the diagram. When ready, stand the figures up and arrange to suit yourself., RVCDC, Larry Semon (1889-1928) worked as a cartoonist for Philadelphia and New York newspapers before becoming an actor, director, producer, and screenwriter during the silent film era.
Creator: Semon, Larry, 1889-1928
Date: 1910
Location: Library Company of Philadelphia | Print Department *GC- Paper toys - Japanese [P.2024.71.2]

Title: Nanki-Poo
Description: Racist trade card promoting thread manufacturer J. & P. Coats and depicting a character from The Mikado or, The town of Titipu, the opera by W. S. Gilbert and Arthur Sullivan. Shows the white man actor in character as Nanki-Poo. He stands holding an open fan with his hands up. He wears a blue decoration in his hair and is attired in a blue-striped coat, red shirt, blue and white obi, red tunic, and sandals. A branch of pink flowers is overhead. An oversized spool of thread labeled, "J & P. Coats 200 yds 50 best six cord," is in the left. Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title from item., Date deduced from the history of the advertised business., Text printed on recto: The flowers that bloom in the spring, tra la. breathe promise of merry sunshine, as we merrily dance and we sing, tra la, we welcome the hope that they bring, tra la, of a summer of roses and wine. And so, Coats' spool cotton is always a thing as welcome as flowers that bloom in the spring., Advertising text printed on verso: White, black and colors for hand and machine. J & P. Coats' Best Six Cord Thread.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Trade Cards - J. & P. Coats [P.2024.38.2]

Title: Tuesday, August 15, 1905. The Ladies clothing emporium. She and I[?] take an umbrella to [the?] and get our first look at the heathen Chinee
Description: Manuscript note with images from magazines of four women and a Chinese man pasted on the back of a Keystone Telephone Company order form. Handwritten note, presumably by a white woman, describes a trip to a women's clothing store and an encounter seeing a Chinese man. It reads, "Tuesday, August 15, 1905. The Ladies clothing emporium. She and I[?] take an umbrella to [the?] and get our first look at the heathen Chinee." Four fashion magazine prints depicting women attired in dresses have been cut out and pasted on each corner of the card. In the bottom center is a photomechanical print of a Chinese man, wearing a queue hairstyle and attired in a tunic, robe, a string of beads, and cloth slip-on shoes, standing with his hands at his waist and looking down. An arrow points from the word "Chinee" to the image. Robert H. Foerderer (1860-1903) founded the Keystone Telephone Company in 1900. Bell bought Keystone in 1944., Title and date from manuscript written on verso., Text printed on recto: Keystone Telephone Company, Equip. Dept., Detail Order Record. Detail order no.; File no.; Ordered; Supply order no.; Location and nature of work; [C]ompleted; Elapsed time; [?]st material; Cost labor; [T]otal cost; Acct. chgble; [?]reman; Men; Remarks., Library Company copy is torn on the left side., RVCDC
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department ephemera - forms/documents [P.2025.42]

Title: Cathay Tea Garden, 1221-23-25 Chestnut St., Philadelphia
Description: Menu for the Cathay Tea Garden located at 1221-1225 Chestnut Street, Philadelphia. The green and gold menu cover depicts a Chinese woman, attired in a dress and high-heeled shoes, raising her left hand to her chin as she faces the viewer. She stands on a balcony or bridge overlooking a landscape of trees and mountains under a moonlit sky. The menu is in English and organized by number in sections for “Wines and Liquors” (#1-167); “Chinese Menu” (#1-179); and “American Menu” (#181-383). The Chinese menu includes categories for chop suey, chow mein, Chinese omelettes, and a prix fixe “Table d’Hote” with three different options and prices from $1.25 to $2.50. The American menu includes categories for sea food, steaks, salads, and sandwiches. The restaurant advertises music, broadcasting, and dancing from 12 to 2:00 P.M., 6 to 8 P.M., and 10 to 1 A.M. with a note that “our patrons are requested to dance only with their escorts. This rule is for the protection of both you and us.” A one sheet insertion, decorated with a red border of bamboo, promotes three Table D’Hote dinners for Tuesday, August 17th for 85 cents, $1.10, and $1.35. The Cathay Tea Garden, also called the Cathay Restaurant, was a Chinese restaurant that had a large dance floor where musicians and bands played. They also broadcasted a live radio show. The restaurant closed in 1973., Title from item., Date inferred from content and active dates of business., Gift of Linda Kimiko August.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department *ephemera - Menus - C [P.2023.43.7]

Title: [Partridge & Richardson trade cards]
Description: Series of illustrated trade cards and caricatures for Artemus Partridge & Thomas D. Richardson's "bee hive" dress trimmings' store at 17, 19 & 21 North Eighth Street in Philadelphia. Illustrations include various series depicting flowers; men and women couples promenading; bust-length portraits of well-dressed women; children playing and fishing on the beach; frogs and cherubs seated on or near mushrooms holding umbrellas in the rain; and anthropomorphic rabbits jumping rope, one rabbit pulling another on a sleigh with a banner labeled "Rabbit Transit," the sleigh crashing through the ice, and two African American men, portrayed in racist caricature, trying to lure rabbits into a trap. Other imagery includes an anthropomorphic moon smiling down at a boy sitting on the limb of a bare tree with two cats singing from sheet music labeled "Clair de lune"; a portrait of a mother holding her infant; a female cherub picking flowers; a girl picking flowers; a fox standing under a grapevine trellis; three cats in a basket; a girl blindfolding a dog; and a boy fishing in a pond., Title supplied by cataloger., Four prints [1975.F.660-662 & 665] copyrighted 1881 by Chas. Moritz., Printers and engravers include Graf Brothers (Philadelphia), Sunshine Publishing Company (Philadelphia), Wemple & Kronheim (New York), and Craig, Finley & Co. (Philadelphia)., Four prints [1975.F.701-704] signed with the same trademark initials (C.A. or A.C.) and contain French titles, including "Zozor revenant du bain," "Lili pechant la crevette," "Nini prenant sa leçon de natation," and "Petit marin faisant une découverte"., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Partridge [various]

Title: [John Wanamaker & Co., 818, 820 & 822 Chestnut Street trade cards]
Description: Series of illustrated trade cards for John Wanamaker & Co.'s 818, 820 & 822 Chestnut Street store in Philadelphia. Illustrations depict the eastern and western hemispheres of the world; sheep standing in the snow; striped socks; butterflies; an anthropomorphic owl attired in a plaid coat and top hat standing in the curve of the moon observing the townscape below; a boy and a girl standing on a path below a tree in which a large birds sits; Philadelphia's City Hall; a boy riding on a sled through the snow pulled by two turkeys; a bird on a tree branch; a hearth with a kettle over a fire; rabbits and a grasshopper; an owl and birds; a well-dressed boy reading a sign on a stone all for boys' clothing at John Wanamaker & Co.'s store; putti seated in a bird's nest and playing with a Dutch clog in a pond; Japanese men assembling a paper lantern; an owl flying above two Japanese men huddled on the ground; cricket players; a large ship at sea framed by a large horseshoe; Japanese men running and falling from their sled in the snow; an angry merchant holding a $20.00 I.O.U. from a man attired in a new suit smoking a cigarette; men sitting on the field of a shooting range; and children playing with wood blocks and spelling "Wanamaker". Includes a metamorphic trade card, which when open shows an advertising board for John Wanamaker & Co. propped in a man's crooked teeth in his wide open mouth and when closed, shows the man with his eyes open and mouth closed. In 1869, Wanamaker established John Wanamaker & Co. on the 800 block of Chestnut Street., Title supplied by cataloger., Two prints [1975.F.940 & 1006] copyrighted 1881 by E.O. Goodman., Two prints [1975.F.963 & 966] copyrighted 1878 by L. Prang & Co., Boston., Two prints [1975.F.990, 991, 1000] copyrighted 1881 by O.J. Ramsdell., One print [1975.F.993] copyrighted 1879 by G.H. Kendall, engraver, 285 Broadway, New York., Printers and engravers include Hiram P. Arms, Jr. (Philadelphia), Rogers & Florance (Philadelphia), L. Prang & Co. (Boston), and G.H. Kendall (New York)., Four prints [1975.F.958, 979 & 980, 993] contain advertising text printed on versos promoting John Wanamaker & Co.'s quality clothing and low prices., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1878-ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - John Wanamaker & Co. [1975.F.906; 1975.F.916 & 917; 1975.F.924; 1975.F.926; 1975.F.940 & 941; 1975.F.946; 1975.F.957 & 958; 1975.F.962 & 963; 1975.F.966; 1975.F.977; 1975.F.979 & 980; 1975.F.987 & 988; 1975.F.990 & 991; 1975.F.993; 1975.F.1000; 1975.F.1006; 1975.F.1009; P.9651.24; P.9728.16; P.9745]

Title: [Partridge & Richardson trade cards]
Description: Series of illustrated trade cards and caricatures for Artemus Partridge & Thomas D. Richardson's "bee hive" dress trimmings' store at 17, 19 & 21 North Eighth Street in Philadelphia. Illustrations include various series depicting flowers; men and women couples promenading; bust-length portraits of well-dressed women; children playing and fishing on the beach; frogs and cherubs seated on or near mushrooms holding umbrellas in the rain; and anthropomorphic rabbits jumping rope, one rabbit pulling another on a sleigh with a banner labeled "Rabbit Transit," the sleigh crashing through the ice, and two African American men, portrayed in racist caricature, trying to lure rabbits into a trap. Other imagery includes an anthropomorphic moon smiling down at a boy sitting on the limb of a bare tree with two cats singing from sheet music labeled "Clair de lune"; a portrait of a mother holding her infant; a female cherub picking flowers; a girl picking flowers; a fox standing under a grapevine trellis; three cats in a basket; a girl blindfolding a dog; and a boy fishing in a pond., Title supplied by cataloger., Four prints [1975.F.660-662 & 665] copyrighted 1881 by Chas. Moritz., Printers and engravers include Graf Brothers (Philadelphia), Sunshine Publishing Company (Philadelphia), Wemple & Kronheim (New York), and Craig, Finley & Co. (Philadelphia)., Four prints [1975.F.701-704] signed with the same trademark initials (C.A. or A.C.) and contain French titles, including "Zozor revenant du bain," "Lili pechant la crevette," "Nini prenant sa leçon de natation," and "Petit marin faisant une découverte"., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Partridge [various]

Title: [Scraps no. 3 for 1832]
Description: Plate two from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life, such as dueling, juries, the wealthy, debt, education, and the use of coal as a fuel. Includes "Fair Play: Safe Play" depicting two absurd methods of dueling utilizing chalked figures on a rotund man and a barn door; "Hunger Versus Judgment Jury -Room" depicting a hungry jury voting for execution in order to adjourn for dinner; "Who Are You Looking At?" depicting an indignant white man looking at the viewer; "The Last Bell" depicting a wealthy, white "belle" with an entourage transporting her numerous belongings for a river voyage, annoyed with her son who has fallen in the water; "Military Precocity" depicting a young white boy aspiring to fit into his grandfather's oversized military uniform; "Anti-Phlogistic" depicting white gentlemen experimenting with safe, economical "Rhode Island coal" in a fireplace attended by an African American man servant; "Primary School Examination" depicting an elementary classroom where a white man teacher is mocked as a "jackass" and a white girl student reveals during a spelling lesson that her mother takes rum in her tea; "An Incarcerated Monster" depicting a white man artisan debtor on display in his prison cell in front of a wealthy family commenting about his deserved incarceration as a monster., Title supplied by cataloger., Printed in upper left corner: Plate 2., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 2., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., African American household employees
Creator: Johnston, David Claypoole, 1799-1865
Date: [1832]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (b) [P.2275.26]

Title: [Fifth and Market streets looking west.]
Description: View showing the south side of the 500 block of Market Street. Businesses include: A. Hirsch & Brothers, umbrellas and parasols (500 Market); Charles Hirsch & Brothers , clothiers, and Samuel Vendig, shirt manufacturer (502 Market); F. Paxson & Co., fancy and white goods (504 Market); C.D. McClees & Co., auctioneers (506 Market); Jacob Goldsmith, Jr., clothing (508 Market); Capitol Clothing House (510 Market); Graff Watkins & Co., boots and shoes (512 Market); Bennett's Tower Hall, clothier (518 Market); and Wanamaker and Brown's Oak Hall, clothiers (534 Market). Businesses are heavily adorned with signage. Also includes horse-drawn wagons lining the street, crates lining the sidewalk, individuals standing in front of the shops, and a telegraph pole on the corner., Title supplied by cataloguer., Manuscript note on verso: 5th & Market looking west., Photographer's imprint printed on mount., Publisher's imprint printed on verso., Inscribed on negative: 218., Pink mount with rounded corners., Printed on mount: No. 4., Reproduced in Joseph Jackson's America's most historic highway Market Street, Philadelphia, New ed. (Philadelphia: John Wanamaker, 1926), p. 153., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell & Son, a partnership between Robert and his son, Henry, was active from around 1870 until 1897 and the death of the elder Newell.
Creator: R. Newell & Son, photographer
Date: ca. 1871, c1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [P.9299.130]

Title: Testimonial banquet to Ms. Eugenia M. Neal. Daughter Ruler Keystone Temple, No. 448 I.B.P.O.E.W., Dec. 8, 1930. O. V. Catto Elks Home, Philadelphia
Description: Panoramic group portrait photograph depicting over one hundred African American men and women, of all ages, at a testimonial banquet of the Improved Benevolent Protective Order of Elks of the World for Eugenia Neal (1873-1949). The attendees, attired in evening wear, sit at rows of tables and a few booths in the right of the room. Attendees wear suits, tuxedos, and evening and cocktail dresses. Most of the sitters do not smile and face the camera. Some are turned away or eating. Some of the men wear their I.B.P.O.E.W. fezzes. In the right background, one woman has an arch of flowers over her. The tables are covered in white tablecloths and lined with plates of food, serving platters, and silver pitchers. In the background, at the back of the room, a small band of men musicians is seated next to a woman at a piano. Streamers and a paper bell adorn the ceiling. The O.V. Catto Elks Lodge began in 1903 as a chapter of the Improved Benevolent Protective Order of Elks of the World established in 1897 with a mission to "practice charity by providing and performing charitable services in our communities throughout the world and by promoting harmony, friendship, and unity among our esteemed members." By 1926, the Lodge had over 3000 members, and in 1929, it relocated to a new building that included a boxing ring, basketball court, and rooftop garden, at 16th and Fitzwater. Eugenia Neal, born Eugenia Brisby in Virginia, worked as a typesetter in Philadelphia by 1920. Married to Moses Neal in 1896, the couple resided in Atlantic City before relocating to Philadelphia by 1910. As a Daughter Ruler, Neal lead the Keystone Temple with her male counterpart, Exalted Ruler, and "under their leadership, all Elks shall show[ed] truth in activities and live[d] to help others, while promoting Brotherly and Sisterly Love to all.", Title and date from item.
Date: [1930]
Location: Library Company of Philadelphia | Print Department framed graphics [P.2023.5]

Title: Celluloid waterproof collars, cuffs & shirt bosoms Economical, durable, handsome
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting racist caricatures of Chinese men laundry workers in shock when a white man holds up a box of celluloid collars and cuffs. In the left, a white man, attired in a black bowler hat, a white collared shirt, a red bowtie and waistcoat, a blue-and-white checked suit, and black shoes, stands holding and pointing his finger to a box labeled, “Wear Celluloid Cuff & Collars.” Four Chinese men laundry workers jump up in surprise on their tiptoes with their mouths open and grimacing and their queue braids flying straight up into the air. The men have long fingernails and are attired in gold hoop earrings, colorful clothes, including yellow, red, or green tunics, and yellow or blue short pants, and cloth, slip-on shoes. In the left, one laundry worker stands behind the white man with his hands in a steaming washtub. Also visible are two baskets full of laundry on the ground, a table with irons on top, and white sheets hanging on a line. The text, “The Last Invention” is printed on the bottom right., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.728]

Title: Life in New York
Description: Collection of primarily racist social caricatures lampooning the etiquette and conventions of early 19th-century, middle-class New Yorkers, particularly the growing community of free African American persons. Eliciting the heightened racism in the antebellum North, the African American men, women, and children characters are depicted with exaggerated features, wearing boldly-patterned and colored clothes, and speaking in a vernacular to be portrayed and denigrated as illegitimate elite society. Caricatures also address “rules” of courtship, fashion, classism, and a dance lesson. Some caricatures also represent the sexism and ethnic divisions of the era., Influenced by the "Life in Philadelphia" series of 1828-1830, the series consists of at least eight prints published around 1830 by eminent New York lithographer Anthony Imbert. Although often attributed to Edward W. Clay, the different styles of the caricatures imply that the prints were executed by various artists employed by Imbert. The African American caricature, "A Five Points Exclusive," a lithograph published in the early 1830s by John Pendleton, an associate of Imbert, has been included as a part of the series., Serie title from items., Dates inferred from content and names of publishers., Original series contained at least eight prints., LCP holds four of the series. Three are first editions., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 93-95. (LCP Print Room Yz, A423.O), Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1830-ca. 1834, bulk 1830
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set)

Title: Life in New York. My name is Antonio Ceasa de Wilson..."
Description: Racist and sexist caricature exploiting a documented assault case reported as a lampoon in the September 30, 1829 edition of the "Morning Courier and New York Enquirer" about two African American men in an altercation over the intentions and handkerchief of "Miss Minta." In front of the left side of a police station counter attended by seven white men, "Antonio Cesea de Wilson" is being held back by his coat lapel by a white older man. The older man, attired in a waist coat and pantaloons, has a slight frown. Wilson, portrayed with wide, round eyes and a plain expression, and attired in a cravat, shirt, waistcoat, vest, and pants, stands with his feet apart and his left arm outstretched and his hand in a fist as his other arm is pulled back. He explains to the police how he came to the tussle with "Massa Sambo." On the right side of the counter, "Massa Sambo," portrayed with a plain expression, and attired in a ruffled shirt, cravat, waistcoat, and stirrup pants, stands and gestures behind him to Miss Minta." She holds a closed fan up in one hand and a parasol to the ground with the other. She is portrayed with a plain expression and wears her hair in a top knot and is attired in a long-sleeved, double-skirted dress with a check pattern and lace details, stockings, and slip on shoes. She looks in the direction of “Massa Sambo.” He explains that he is the receiver of the handkerchief and her rightful suitor. He has not only received her "witching glance" but has given her several gifts, including a lock of hair. The men, congregated behind the station's counter, include the magistrate recording the testimonies. The men are attired in waistcoats, shirts, and cravats. Many of the men laugh and, in the right, one reads a paper near shelves of ledgers. The African American figures are portrayed with oversize features., Title from item., Date inferred from content and name of publisher., Contains several lines of dialogue in dialect and the vernacular below the image: My name is Antonio Ceasa de Wilson, I have been paying a visit to Miss Araminta Arabella Tomson in de oyster cellar where she live, Where Massa Sambo come in and say “You have no business here” so I look at Miss Minta and she say I have, and this gentleman and me have a tussle. The handkerchief is not his, but one Miss Minta made a present of to me.”/I can assure you “that Miss Araminta did give me the witching glance, which told me as plain as eye could speak that I was the more welcome visiter, and as to the handkerchief, it is Miss Minta’s, and I have better right to it than this other gentleman, as I have presented to her, a scissor, a timble, and a lock of my hair.”, Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Canova, Dominico, artist
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.1]

Title: Life in New York. My name is Antonio Ceasa de Wilson..."
Description: Racist and sexist caricature exploiting a documented assault case reported as a lampoon in the September 30, 1829 edition of the "Morning Courier and New York Enquirer" about two African American men in an altercation over the intentions and handkerchief of "Miss Minta." In front of the left side of a police station counter attended by seven white men, "Antonio Cesea de Wilson" is being held back by his coat lapel by a white older man. The older man, attired in a waist coat and pantaloons, has a slight frown. Wilson, portrayed with wide, round eyes and a plain expression, and attired in a cravat, shirt, waistcoat, vest, and pants, stands with his feet apart and his left arm outstretched and his hand in a fist as his other arm is pulled back. He explains to the police how he came to the tussle with "Massa Sambo." On the right side of the counter, "Massa Sambo," portrayed with a plain expression, and attired in a ruffled shirt, cravat, waistcoat, and stirrup pants, stands and gestures behind him to Miss Minta." She holds a closed fan up in one hand and a parasol to the ground with the other. She is portrayed with a plain expression and wears her hair in a top knot and is attired in a long-sleeved, double-skirted dress with a check pattern and lace details, stockings, and slip on shoes. She looks in the direction of “Massa Sambo.” He explains that he is the receiver of the handkerchief and her rightful suitor. He has not only received her "witching glance" but has given her several gifts, including a lock of hair. The men, congregated behind the station's counter, include the magistrate recording the testimonies. The men are attired in waistcoats, shirts, and cravats. Many of the men laugh and, in the right, one reads a paper near shelves of ledgers. The African American figures are portrayed with oversize features., Title from item., Date inferred from content and name of publisher., Contains several lines of dialogue in dialect and the vernacular below the image: My name is Antonio Ceasa de Wilson, I have been paying a visit to Miss Araminta Arabella Tomson in de oyster cellar where she live, Where Massa Sambo come in and say “You have no business here” so I look at Miss Minta and she say I have, and this gentleman and me have a tussle. The handkerchief is not his, but one Miss Minta made a present of to me.”/I can assure you “that Miss Araminta did give me the witching glance, which told me as plain as eye could speak that I was the more welcome visiter, and as to the handkerchief, it is Miss Minta’s, and I have better right to it than this other gentleman, as I have presented to her, a scissor, a timble, and a lock of my hair.”, Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Canova, Dominico, artist
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.1]

Title: [Ralston family cased photograph collection]
Description: Collection of daguerreotype and ambrotype portraits, several by Norristown daguerreotypist William Stroud, portraying clergyman and founder of Oakland Female Institute James Grier Ralston, his wife Mary Anderson Larimore Ralston, their daughters, and his and his wife’s female siblings, and women teachers at the Institute. Contains bust-, half-, three-quarter, and full-length portraits of individual and pairs of sitters. Sitters are often seated, but a number of the portrait depicts sitters in a standing pose. The women’s and girl’s attire includes bonnets; off-the-shoulder bateau neckline dresses; high-neck, long-sleeved dresses with lace collars and cuffs; brooch and belt chatelaines; and earrings. Dresses worn by the female sitters are often a solid dark color, but occasionally are of a pattern design or light color. James Grier Ralston’s attire included broad bow ties, vests, jackets, and suits. Many of the images also contain props, including covered side tables, chairs, flowers, possibly an ambrotype, and a crumpled piece of cloth., Sitters in addition to James Grier Ralston and Mary Anderson Larimore Ralston include their daughters Anna Larimore Ralston, Ella Grier Ralston, Lilly Grier Ralston (who died at 11 months old), and Cora (Cara) Ralston; Institute music teacher Mrs. John Hunsicker, i.e., Fannie Henry Hunsicker (married by James G. Ralston); Mary’s sister and Institute graduate, Hetty Clark Larimore; and Institute teacher and sister of James, Agnes Caldwell Ralston; Institute graduate Martha (Mattie) Divine (Mrs. Fleming); and an unidentified woman., Posed portrait pairs include images of Mary Anderson Larimore Ralston and daughter Anna Larimore Ralston (P.2012.5.6) in which Anna sits in Mary’s lap with her mother’s hand on her head; and Anna Larimore Ralston and Ella Grier Ralston (P.2012.5.8) which Anna stands next to Ella who sits on a chair, while she rests her arm on a covered side table adorned with a basket of flowers; Anna Larimore Ralston and Fanny Hunsicker (P.2012.5.16) in which Fanny, seated, has her one hand at her hip and her other hand and arm around the waist of Anna who stands; and Hetty Clark Larimore and Mary Larimore Ralston (p.2012.5.17) in which the women are seated, side by side, and Hetty holds a bound object, possibly an ambrotype and Mary holds a crumpled white cloth., Title supplied by cataloger., Date inferred from photographic medium and age and attire of sitters., Photographers include William Stroud (Norristown, Pa.) and Theodore L. Chase (Philadelphia, Pa.)., Various-shaped mats, including oval, elliptical, double elliptical, and non pareil., Various colored pads, including blue, red, and maroon velvet or silk, several with embossing. Embossings include photographer’s imprints and/or imagery. Imagery includes floral and geometric designs, scroll work, and eagles., Primarily leather cases, and one thermoplastic case. Case designs vary, but are predominantly rose and mixed flower designs, in addition to geometric, scroll, and quatrefoil designs. Designs also include Pressed Flower, plate 154; The Delicate Roses, variant, plate 123; A Spray of Roses, plate 131; Mixed Garden Flowers, plate 133; Two Lilies, variant, see plate 112 and 113 in American miniature case art by Floyd and Marion Rinhart (Cranbury, New Jersey: A.S. Barnes and Co., Inc., 1969)., Majority of sitters identified by accompanying slips of paper with manuscript notes., Several of the images contain pink tinting on the cheeks of the sitters., P.2012.5.4, P.2012.5.8, P.2012.5.11-15, P.2012.5.21 contains daguerrean's imprint on pad or inside rim of case. Various imprints include: William Stroud, Norristown; William Stroud's Skylight Gallery, Norristown, Pa.; Stroud’s Ambrotypes Norristown, Pa., P.2012.5.6 contains dagurrean's imprint on pad: Theodore L. Chase, N.E. cor. Chestnut & Fifth Sts., Fannie Henry Hunsicker was a woman of Chinese descent. Official records are conflicting as to whether she was born in China, at sea, or in Connecticut., Several of the images contain weeping glass deterioration, tarnished plates, or other damage., Inventory of collection available at repository., See Sarah Weatherwax, "Revealing the Ralston Family," The Daguerreian Society Quarterly (July-September 2021), p. 3-6., Clergyman James Grier Ralston (1815-1880) founded Oakland Female Institute in 1845 in Norristown, Pa. Ralston studied at the Theological Seminary at Princeton and headed the Female Seminary at Oxford, Chester Country, PA before establishing Oakland. He married Mary A. Larimore (1822-1891) in 1842 and they had four children Anna L. (1848-1902), Ella M.(1847-1924), Lillie G. (1852-1853) and Cara G. (1856-1928), with Lillie dying in infancy. Ralston’s children were educated and/or taught at Oakland, as did his sister Agnes C. Ralston. The Institute operated until 1880 and the death of Ralston
Date: [ca. 1845-ca. 1855]
Location: Library Company of Philadelphia | Print Department cased photos - Ralston Family [P.2012.5.1-22]

Title: Street Sweeper.
Description: A woman holds out her arms in alarm after a man steps on the back of her crinolined skirt, causing her skirt to billow up to reveal enough of her legs to show her drawers., Text: Clear the track, Hackley -- your occupation's gone! / Here comes the new machine, a lady and her throng; / Her skirts sweep the street-- my feeling rankles-- / That men forget the dirt while gazing at her ankles. / She glides along in silence, with grace I confess, / Till some unlucky wight puts his foot upon her dress. / She quickly turns, while he bows with sorrow down. / And vents her spite, with "Oh! you awkward clown.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Singer Sewing Machine Company's Building
Description: Interior view of the Singer Sewing Machine Company's Building. Depicts a formal display featuring two mannequins wearing elegant gowns. Behind the mannequin display, the background shows embroidered, floral draperies hanging before the windows.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.22b]

Title: [Chestnut Street, east from Thirteenth Street, south side, Philadelphia]
Description: View showing the south side of the 1200 block of Chestnut Street. Businesses include: Lacey & Phillips, saddlery and harnessmaker (1220 Chestnut); Reeve L. Knight & Son, carpets (1222 Chestnut); T.L. Jacobs & Co., shirt manufacturers (1226 Chestnut); Peck & Co., druggists (1228 Chestnut); Edward Borhek & Son, opticians (1230 Chestnut); and Carrington, DeZouche & Co., window shades and paper hangings (Chestnut and Thirteenth). Lacey & Phillip's building is adorned with signage advertising the business's awards for excellence. A woman stands in front of Carrington, DeZouche & Co. Also shows a boy leaning on a lamppost and letterbox at the street corner., Attributed to Robert Newell., Unmounted half of stereoview., Title supplied by cataloguer., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1869]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [(8)1322.F.49i]

Title: Bridget, sometimes, at the glass.
Description: "Bridget" looks at herself in the mirror glass. She wears a bonnet and large skirt with the crinoline visible. A broom stands rests on the dresser in front of her. Honiton refers to an expensive English lace company. Brass here means brazenness or impudence, and the valentine condemns her pretensions., Text: Bridget, sometimes, at the glass, / Tries Miss Julia's bonnet on;/ Making, thus, a face of brass, / Edged with lace of Honiton., Cf. 5.7., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Washington Relics - U.S. Government Building.
Description: Display of military items, including a tattered American flag backdrop, clothing, pots and pans, desk, chair, bellows and trunks. Titles on labels: Washington relics, Govt. B.; and Taken expressly for Harper's Weekly.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9844.51]

Title: Clarence Brooks & Co., manufacturers of fine coach varnishes, cor. West & West 12th Sts., New York "ceticism my belobed bredren. It am something beautiful frinstance it am light and airy - like de bean."
Description: Trade card employing an African American Oscar Wilde caricature. Wilde toured the United States in 1882. The Wilde figure, wearing long hair and attired in blue knee breeches with red bows, a red jacket with tails, black socks, and gold slippers lectures to an audience of well-attired African American men and women. He stands at a table adorned with a piece of paper, a candle in a bottle, and a water glass containing a sunflower. To his left, an older frowning man sits with an umbrella between his knees on the stage, while in the first row, two women (one wearing a sunflower on her hat) swoon in front of a lanky man, standing, and looking moonfaced. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881 the firm issued a calendar illustrated with African American caricatures in genre scenes., Publication date inferred from image content., Purchased with the Davida T. Deutsch African American History Fund.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2014.35]

Title: You think your style is just the thing,
Description: A man has very long mutton chops and a moustache., Text: You think your style is just the thing / To raise a great commotion; / Get the ladies on a string, / And use them to your notion; / But ladies cannot stomach now, / Such senseless-headed noodles, / They all with one accord avow, / They find more sense in poodles., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: 1600 block of Chestnut St., south side looking east
Description: Real estate photograph commissioned by the Jackson-Cross Company depicting commercial store fronts along the south side of the 1600 block Chesnut Street, looking east. The WCAU Building (1618-1622) towers over adjacent three and four story stores and shops. Built circa 1931, purportedly after designs by Harry Sternfeld and Gabriel Blum Roth. Includes Sun Ray drug store (1624); Whitman & Son Retail Store (1626), built in 1929 after designs by Edmund Beaman Gilchrist; Dr. Scholl's Foot Comfort Shop (1628), built in 1927 after designs by Rankin & Kellogg; and Mann & Dilks' clothing store (1630). Automobile traffic and parked vehicles are visible in the foreground., The Jackson-Cross Company, established around 1876, was a Philadelphia real estate firm in operation until 1998.
Date: ca. 1940
Location: Library Company of Philadelphia | Print Department Jackson-Cross [P.9784.31]

Title: [Chestnut Street, rooftop view east from Odiorne's studio at 920 Chestnut Street]
Description: View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include the hotels built after the designs of John McArthur, Jr.; the Continental Hotel (824-838 Chestnut) completed in 1860 and the Girard House hotel (823-825 Chestnut) built 1851. Also shows the Masonic Temple(713-721 Chestnut); the roof of the Burd mansion (900-906 Chestnut); building signage advertising a boy's clothing bazaar at the northwest corner of Ninth and Chestnut; and street and pedestrian traffic, including a horse-drawn omnibus., Title supplied by cataloguer., Attributed to Henry B. Odiorne., Manuscript note on recto of (6)1322.F.69a: Chestnut E. from 9th., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department photo - Odiorne - C [(6)1322.F.27e & 69a]

Title: Jefferson House, so. west corner of Seventh and Market st
Description: View showing the house owned by Jacob Graff in which Thomas Jefferson wrote the Declaration of Independence in 1776. Signage adorns the building advertising current tenants William Brown, clothing, and D.E. Thompson's Book and Job Printing Office. Also shows an awning reading "Birth Place of Liberty" attached to the building; playbills on display; a hitching post; and a view of the adjacent business, William Jordan's Shoe Warehouse at 232 Market Street. The building was razed circa 1883., Title, date, and photographer's imprint from Poulson inscription on mount., Originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 5, page 92? The scrapbooks contained photographs of 18th-century public, commercial, and residential buildings in the city of Philadelphia collected by Poulson to document the vanishing architectural landscape., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #59., McClees, a prominent Philadelphia photographer and daguerreotypist, produced some of the earliest paper photographic views of Philadelphia between 1853 and 1859.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1855
Location: Library Company of Philadelphia | Print Department photo - McClees - Residences - G [P.2295]

Title: [Chestnut Street, rooftop view east from Odiorne's studio at 920 Chestnut Street]
Description: View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include the hotels built after the designs of John McArthur, Jr.; the Continental Hotel (824-838 Chestnut) completed in 1860 and the Girard House hotel (823-825 Chestnut) built 1851. Also shows the Masonic Temple(713-721 Chestnut); the roof of the Burd mansion (900-906 Chestnut); building signage advertising a boy's clothing bazaar at the northwest corner of Ninth and Chestnut; and street and pedestrian traffic, including a horse-drawn carriage., Title supplied by cataloguer., Attributed to Henry B. Odiorne., Manuscript note on verso: Snow storm April 10, 1862., Probably originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department photo - Odiorne - C [P.2282.13]

Title: [J.W. LeMaistre trade cards]
Description: Series of illustrated trade cards depicting birds; flowers; putti carrying a pine tree or Christmas tree; children holding up a large sign for J.W. LeMaistre; a lady attired in Renaissance or Medieval clothing; a woman standing on a tree branch over a body of water releasing fish she caught in her lace shawl; General Ulysses S. Grant smoking while standing on a globe labeled "United"; and children symbolizing various countries by wearing traditional clothing and carrying the countries' flags, including England, Italy, and Spain., Title supplied by cataloger., Printers and lithographers include L. Prang & Co. (Boston), McCalla & Staveley (Philadelphia) and Craig, Finley & Co. (Philadelphia)., Eight prints contain advertising text printed on versos promoting products imported and sold by J.W. LeMaistre, including embroideries, laces, curtains, handkerchiefs, collars, cushions, silk ties and bows, and bibs sold at his 46-48 North Eighth Street establishment in Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - LeMaistre [1975.F.492; 1975.F.498; 1975.F.501; 1975.F.508-512; 1975.F.514; P.9811.1 & 2; P.9838]

Title: [Unidentified trade cards]
Description: Series of illustrated trade cards depicting scenes of Japanese life showing men and women attired in traditional garb; a Merry Christmas and Happy New Year greeting with a vase of flowers and bamboo; a profile of a woman's face encircled by a flower border and a bird; a female figure attired in robes and a Roman helmet in the clouds holding a mirror showing a child's reflection; sailing vessels on the water; a horseshoe; and flowers., Title supplied by cataloger., Printers and engravers include Bufford (Boston) and Continental Bank Note Co. (New York)., Advertising text printed on versos promotes the gents' shoe department of an unidentified store; fancy furs and cloaks; porcelaines, bronzes, clocks and leather goods; and "all of the ordinary grades at the lowest prices"., Two prints contain calendars for 1880, one for 1879 and one print with sixth months of a calendar for an unidentified year printed on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Unidentified [1975.F.198; 1975.F.215; 1975.F.218; 1975.F.306; 1975.F.483; 1975.F.919; 1975.F.1033; 1975.F.1040; P.9111.12]

Title: [John Wanamaker's Grand Depot trade cards]
Description: Series of illustrated trade cards for John Wanamaker's Grand Depot at Thirteenth and Market Streets in Philadelphia, opened in 1876 to cater to Centennial Exhibition crowds. Illustrations depict a butterfly; two children walking outside with their parents; a harp with the figure of a mermaid forming the column; a round pediment inscribed "Constitution" resting on three caryatids; yellow flag with two horizontal red stripes; exterior views of the Grand Depot with pedestrian and vehicular traffic in the foreground; a girl feeding birds; a girl eating a piece of fruit; head portraits of girls wearing bonnets; cranes standing in water; sprays of flowers; children and a dog gathered around a piano, one of them playing a flute; a Japanese man tripping two boys with spools of "Stafford braid"; and two men dueling with swords., Title supplied by cataloger., Two prints [1975.F.945 & 947] part of Wemple & Kronheim's Series No. 43., Two prints [1975.F.908 & 999] copyrighted 1877 by L. Prang & Co., Two prints [1975.F.945 & 947] copyrighted 1879 by Wemple & Kronheim, N.Y., Two prints [1975.F.985 & 986] copyrighted 1878 by L. Prang & Co., Boston., Printers and engravers include L. Prang & Co. (Boston), Wemple & Kronheim (New York), Donaldson Brothers (New York), S.C. Duval (Philadelphia), Mayer, Merkel & Ottmann (New York), and Marcus Ward & Co. (Belfast)., Eight prints contain advertising text printed on versos., Two prints contain calendars printed on verso, one [1975.F.922] for 1881 and the other [P.9577.12] for 1900., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1877-1900]
Location: Library Company of Philadelphia | Print Department trade card - John Wanamaker [1975.F.316; 1975.F.908; 1975.F.918; 1975.F.920-922; 1975.F.943; 1975.F.945; 1975.F.947; 1975.F.954; 1975.F.956; 1975.F.985 & 986; 1975.F.989; 1975.F.999; 1975.F.1005; 1975.F.1008; P.9577.12]

Title: [Geo. G. Burbank, druggist and apothecary, 235 Main St., Worcester, Mass.]
Description: Series of illustrated trade cards depicting Japanese boys wearing fanciful, stylized versions of traditional attire and geta shoes and performing a variety of activities, including watching a fly pull toys on the ground, playing a stringed instrument as a dog dances on its hind legs, and holding a piece of paper of an illustration of a man and woman. Also includes "Ole zip coon," depicting a racist scene of an African American man stealing a chicken in the countryside. He hangs suspended on a wooden fence, snagged by the seat of his pants. He holds two squawking chickens by the legs in his right hand as another squawking chicken runs away in the left. The man is portrayed with exaggerated features and a look of fear. His mouth is open and the corners turned down. His wide eyes look to the right. In the background in the right, a white man, holding a rifle, runs with a dog towards the fence. A house is visible in the center background., Title supplied by cataloger., One print [P.9828.5576] numbered 450 and printed by Bufford, Boston., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - B [P.9828.5573-5576]

Title: View from State House
Description: Panoramic view showing the north side of the the 600 block of Chestnut Street, including the office buildings constructed for patent medicine manufacturer Dr. David Jayne. Includes Rockhill & Wilson, clothiers (603-605 Chestnut); the Bulletin Building (607 Chestnut, built 1866); the Jayne Office Building known as the Commonwealth Building (611-613 Chestnut); Jayne's Marble Building (615-619 Chestnut, built 1860); and Jayne's Hall (625-631 Chestnut, built 1856). Visible on the 700 block is a sign for "Greene's" and the front facade of the old Masonic Hall (713-721 Chestnut, built 1852-1853)., Yellow mount with rounded corners., Title printed on mount below image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Views [P.9644.27]

Title: [Sharpless & Sons trade cards]
Description: Series of illustrated trade cards depicting women in a variety of settings, including a woman sitting on the beach with a parasol and fan; a woman attired in gypsy-inspired clothing kneeling next to an urn; the bust of a woman wearing a large plumed hat superimposed onto a painting palette; and another bust portrait of a woman wearing a hat. Also shows men in hunting gear with rifles and dogs; clowns balancing on the hardware of a clock; a couple on the beach stopped in front of an enormous hermit crab, birds and guitar; a chef wielding a large knife with his hand around the throat of a large duck; a couple standing inside of a large lantern; men working on a large paper lantern that hangs from a tree branch; a couple being transported in a covered gondola; and a table containing wine, fruit, bread and dishes superimposed onto a painting palette., Title supplied by cataloger., Printers and engravers include D. Hutinet (Paris), Bognard (Paris) and John A. Lowell & Co. (Boston)., Advertising text printed on versos: Sharpless & Sons, importers, jobbers & retailers of dry goods, 801, 803, 805 & 807 Chestnut Street, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Sharpless [1975.F.760; 1975.F.762; 1975.F.766-768; 1975.F.780; 1975.F.794; 1975.F.812; 1975.F.814; 1975.F.825; 1975.F.838-840]

Title: Portrait photograph album of Mary McPhilomy
Description: Photographs predominantly depict the acquaintances and relatives of the McPhilomy family of Philadelphia, including men, women, and children. Most are bust-length portraits, with a number of full-length portraits, including a couple in bathing wear, children in sailor suits, and women fashionably attired and holding fans and purses. Many of the women and girls wear jewelry. Also includes images of a priest, a nun, a display of religious floral decorations; a sepulchral monument; a religious allegorical scene; a reproduction of a framed testimonial with portrait photograph vignettes; and a photo-collage portrait showing a man driving a horse-drawn wagon., Sitters include Mary, John and Frank McPhilomy; Rev. Mother Louis Gonzaga of the Sisters of Notre Dame (Boston); members of the Logue family, including Charles Logue; David Mulcahy (died March 31, 1876); Al. Schaff; members of the Bradford family, including John Bradford; John Keenan; members of the Sacriste family, including Mr. and Mrs. Sacriste and Hortense Sacriste White., Chromolithographed title page: The Photographic Album. Philadelphia. J.B. Lippincott & Co., [ca. 1875]., Embossed leather binding with gold stamping., Spine embossed and stamped: Photographs., Inscribed: To Miss Mamie McPhilomy with compliments of the season, Dec 25 1875. D.P.M. E.S.C., Various photographers, including A. P. Beecher of Wilmington, De.; L. S. Griffin of Jersey City, N.J. and B. Frank Saylor & Co. of Lancaster, Pa. and Philadelphia photographers, including George W. Evans, Gilbert & Bacon, and O. B. De Morat., Several sitters identified by inscriptions on mount or album page. Some misidentified due to the relocation and removal of photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Binding in poor condition. Album housed in phase box.
Creator: McPhilomy, Mary
Date: ca. 1865-ca. 1920, bulk ca. 1865-ca. 1875
Location: Library Company of Philadelphia | Print Department albums [P.2007.17]

Title: [Darlington, Runk & Co. trade cards]
Description: Series of illustrated trade cards depicting children, cats, cherubs, and ornately attired couples. Also shows a Japanese woman dressed in traditional garb playing a shamisen; a man painting on canvas as his female companion watches; three women shooting with bows and arrows at a heart-shaped target; two women reading a letter as a male admirer watches unnoticed; and men and women gathered around a drinking fountain., Title supplied by cataloger., One print [1975.F.284] printed by J.H. Bufford's Sons, Boston and six prints signed J. Bognard, Paris., One print [1975.F.279] contains advertising text printed on verso: Darlington, Runk & Co., importers and retailers of silks, dress-goods, mourning-goods, hosiery, gloves, india shawls, laces &c. Nos. 1126 and 1128 Chestnut Street, Philadelphia., Ten prints contains image titles, including "Dos a dos," "Fi dono!" "La gourmandisi," "La cholere," "La paresse," "Brouillés," "La rencontre," "Pardonne-moi," "L'orgueil," and "La promenade"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Darlington [1975.F.146; 1975.F.225-227; 1975.F.240; 1975.F.245-246; 1975.F.248-249; 1975.F.251; 1975.F.254-255; 1975.F.258-259; 1975.F.261-262; 1975.F.265-266; 1975.F.268-269; 1975.F.277; 1975.F.279; 1975.F.284]

Title: Scraps illustrative of the history of Phil[adelphia]. Vol. 5
Description: Scrapbook containing predominantly clipped illustrations, prints and ephemera dated 1855-1856 and pertaining to the built environment, and social and cultural climate of Philadelphia. Contents include several wood engravings, engravings, cameo stamps, and lithographs depicting prominent city landmarks, businesses, cityscapes, and caricatures and cartoons. Many of the graphics are advertisements and vignettes, or illustrate published articles. Advertisements depict F. Roussel Perfumery (114 Chestnut); W. J. Horstmann, trimmings (223 Chestnut); E. Mathieu, clarified cider and vinegar (14 Lombard); Stoddart’s Dry Good Store (278 N. Second); a Segars and tobacco store (93 S. Sixth, i.e., 300 block); Bennett’s Tower Hall (184 Market, i.e., 600 block); C. B. Rogers & Co. Agricultural Works and Bone Mill; P.F. Cunningham Catholic Book Store (104 S. Third); "Palmer’s Patent Leg, as exhibited at the World’s Exhibition, London, 1851"; J. H. Rohrman, Japan Ware Manufactory (96 Cherry); Carpenter’s Schuylkill & Eastern Ice Depot (Franklin & Willow); Mills B. Espy, preserved fruits (109 S. Third); J. Thornley’s India-Rubber Emporium and Magnetic Telegraph Offices (101 Chestnut, i.e., 300 block); Thomas & Sons auction house and E. H. Butler & Co., publishers (67 S. Fourth, i.e., 200 block); The State Savings Fund (83 Dock); Leary’s Cheap Book Store (158 N. Second, i.e., 200 block); John Baird Marble Mason (Ridge Avenue); Farmers & Mechanics Fire Marine & Life insurance Co. (200 block Walnut) Frederick Brown Building (Chestnut and Fifth); Fritz, Williams, & Hendry, leather (29 N. Third); Henry Tilge & Co., importers & dealers in hatters goods (140 N. Third); F.A. Hoyt & Brother, boys clothiers (1000 block Chestnut); Masonic Hall and adjacent properties, including Horstmann and Washington House (700 block Chestnut); Thornley & Chism, dry goods (700 block Spring Garden); and North, Chase & North, iron founders (Second and Mifflin)., Other graphics show "Chapel and Principal Entrance. To the Monument Cemetry [sic] Phila."; Institution for the Blind; First Presbyterian Church; a building at "Pine & William St. West Phila."; an 1837 view of the American Sunday School Union annotated "Chestnut Street next E. of Jones Hotel; and the houses eastward to S.E. cor. of Sixth & Chestnut Street – Durand’s apothecary shop"; Stand Pipe for the West Philadelphia Water Works; "City Ferry Boat"; and a view of the entrance to Mount Moriah Cemetery, and map, including the cemetery; and genre engravings "The Farm-House Pets" and The Roadside Inn " by J.H. Byram annotated "specimen of the art of engraving on wood in Philadelphia 1855." Vignettes depict "A Merchant of Philadelphia in the year 1745"; housewares, including a sieve, bath tub, ranges and furnaces, and drapery; a "“Know Thyself” phrenological head annotated “Fowler, Wells & Co."; a "J.B. Smith, New Street File Works" file; and an annotated 1832 view of C. & N. Jones Stockings (200 block Chestnut) [p. 28 and 31]. Caricatures and cartoons satirize an African American women peddler "Hot Corn Biddy"; spiritualism; fashion; the medical profession; and street musicians., Scrapbook also contains several lithographs from the 1830 edition of "Watson's Annals," ephemera, and newspaper clippings. Watson plates include Stone Prison at Philadelphia 1728, Carpenter’s Mansion, London Coffee House, and High Street & Market Shambles. Most are accompanied by detailed manuscript notes by Poulson. Ephemera includes a chart of "Length of Squares East and West"; hand-colored, illustrated lithographed invitation for the "Hand in Hand Fire Company, First Grand Citizens Dress Ball" (1847); illustrated invitation to Islington Park showing Islington Park (1848); seals of the Agricultural Society of Philadelphia, Pennsylvania Railroad Company, All Saints Church, Moyamensing; a “Ship news” cut from "Poulson’s American Daily Advertiser" (1822) annotated “designed at my request by my friend John Lewis Krimmel, the now celebrated painter; and engraved on brass by Mason, So. Fourth St."; "The Old State House Bell" souvenir poem; architectural drawing "N.W. Corner 2d & Chestnut St. extending W on Chest. St. torn down abt. 1832" (includes R. Jones, engraver; I. Davis confectionary; [C. & N. Jones] Stocking Store); and a partial circular advertising De Grath’s “Electric Oil” Depot, No. 39 South Eighth Street (1859)., Newspaper clippings include illustrated advertisements and articles; editorials; anecdotal and current event pieces; and columns reporting about city improvements and public interest stories. Illustrated pieces detail Lafayette Vauxhall Garden; a "Bird’s Eye View of the City of Philadelphia"; Central High School; the Society of the Cincinnati; the major 1856 fire at Sixth and Market streets; "The Trained Elephants ‘Victoria’ and ‘Albert’ " at the National Circus; "Gentlemen’s Short Boots"; and the new hall of the Athenaeum. Anecdotal and current event articles include commentaries about the closing of Blood’s Despatch Post in flavor of the Post Office (1861); the new traveling coach built by W. D. Rogers for entertainer Dan Rice; the influx of envelopes due to the change in the Post Office law (1841); a new cooling apparatus installed in Walnut Street Theatre (1855); the 1855 State Poultry Exhibition; and the planting of oysters in Back Creek below the city. Editorials discuss the Philadelphia Book Trade (1855); Academy of Natural Sciences; deterrents for pedestrians on Chestnut Street, including extension of shopfronts into the sidewalk and side show hawkers; ladies fancy work fads, including scrap furniture and poticho mania (1856); and the mansions of George Washington and George Willing., Other columns report about West Philadelphia; the 1856 fires at Bingham Mansion and the Artisan’s Building (100 block Chestnut); government buildings, including the Custom House, Commissioners Hall and United States Mint; city trades, including lager beer; city improvements, including the modification of street names, removal of the market sheds on Market Street, the laying of the cornerstone of the Church of Evangelists, the forthcoming erection of the new hospital for Christ Church; and new establishments, including Granville Stokes “picton stone” store (209 Chestnut). Clippings also include lists, reports, and tables about the cattle market; real estate sales; taxables (1841); crime statistics; the fire department companies; and building improvements. Scrapbook also contains explicative manuscript notes by Poulson (some tipped in or inscribed on lettersheets). Topics include Carpenter’s Mansion, Pennsylvania Hospital, and the State House. Some notes explicate accompanying graphics., Majority of contents annotated with a date. Several annotated with a detailed manuscript note by Poulson., Chromolithograph “Philadelphia” containing vignettes of portrait of Benjamin Franklin and the seal of the city and annotated by Poulson pasted on p. 4. Print inscribed: "Vincit qui se vincit. Vol. V. Collected from fugitive sources only, By C. A. Poulson.", "Index to set in back part of vol. XI.", Several photographs by F. De. B. Richards and James McClees, including views of Independence Hall, La Pierre House, and Central High School, removed to the Print Department., Original watercolors by Poulson, including view of Walnut Grove removed to Print Department., Various artists, engravers, and printers include William Avery; C. G. Childs; Edward Clarkson; S. H. Gimber; Alexander Lawson; C. A. Lesueur; J. H. Byram; King & Baird; R. Major; W. Mason; Charles F. Noble; Frederick Pilliner; John Sartain; Charles Spiegle; J. W. Steele; William Stott; William Strickland; R. Telfer; Cornelius Tiebout; and Charles Cushing Wright., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1822-1862, bulk 1855-1856
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 5 [(5)2526.F]

Title: The celluloid corset clasps side & dress steels Warranted not to rust. Corsets after washing. With the old style clasps in. With the new celluloid clasps in
Description: Trade card advertising celluloid corset clasps and depicting racist caricatures of Chinese men laundry workers comparing celluloid and traditional corsets. In the center, the laundry worker, wearing a queue hairstyle with the braid sticking straight out to the right and attired in gold hoop earrings, a red tunic, white pants, and blue and white cloth, slip-on shoes, smiles as he holds up a clean, white corset with celluloid clasps. In the left, the laundry worker, wearing a mustache and queue hairstyle and attired in a blue tunic, yellow pants, and blue and white cloth, slip-on shoes, holds a soiled and dirty corset as he opens his mouth in dismay looking at the clean corset. In the right background, the Chinese man, wearing a queue hairstyle and attired in a yellow tunic, blue pants, and white cloth, slip-on shoes, washes laundry with his hands in a steaming washtub. Also visible are a basket of laundry; a corset hanging on a line; and a table with an iron on top of it., Title from item., Date inferred from content., Contains advertising text printed on verso: Celluloid corset clasps. Side and dress steels. Perspiration proof. Elastic. Durable. In introducing these improved corset clasps, &c., let us call your attention to some of the points of their superiority over all others heretofore in use. 1st.--The inferior is finely tempered clock spring steel. 2d.--The exterior is celluloid. 3d.--The combination of the two unites the strength of the steel with the rust-proof qualities of the celluloid. 4th--The trouble of ripping out and sewing in the steels every time corsets are laundried becomes unnecessary as these steels need not be taken out for that purpose. 5th--They are warranted not to rust and thus stain the corsets or other garments. 6th--They are the best steels in every particular ever offered. Sold by all dry and fancy goods dealers throughout the country., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [1975.F.182]

Title: I'se a dude!
Description: Trade card promoting New Jersey grocer H. G. Prall & Sons and depicting an African American man dandy, with a sheepish expression, and posed with his left hand to his lips and his other hand holding a white top hat at his shoulder. He is portrayed in racist caricature and attired in a ruffled white shirt, a white waistcoat adorned with a watch fob, a gold jacket with tails, and blue and white striped pants. He stands in front of a background of fauna details. H. G. Prall primarily appears as the sole proprietor of his grocery in later 19th-century directories, but is listed as H. G. Prall & Son in 1883., Title from item., Date inferred from city directory listing for business., Series no. printed on recto: 58., Advertising text printed on verso: H. G. Prall & Sons, Dealers in fine Groceries. Headquarters for Fish, Provisions, Flour, Feed, &c., 174 and 176 Main Street, Somerville, N. J., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade cards - Prall [113419.D]

Title: The Universal clothes wringer
Description: Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text on verso: The Universal Wringer Has the Following Points of Superiority. 1. Rolls of Solid White Rubber. 2. Rowell's Double Cog-wheels. 3. Two Independent Pressure Screws. 4. Double cogs at both ends of each Roll. 5. Folding Apron or Clothes Guide. 6. Rocking Springs of wood and rubber. N. P. Baker, Dealer in General Merchandise, Sunapee, N. H., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - American [113420.D]

Title: [T. Sharpless & Sons, wholesale ware room, clothes, cassimeres, merinoes, silks and vestings and Pekin Tea Company, South Second Street and Trotter's Alley, Philadelphia]
Description: Advertisement showing the four-story double storefronts adorned with signage at 30-32 South Second Street, below Market Street. Massive merchandise displays adorn the windows and front facades of the businesses. At the wareroom, reams of different cloths hang within open windows from rods behind tables covered in swatches and bolts of cloth. A number of patrons, including women and a couple, admire the displays, and enter the open entry through which shadowy figures of female clerks are visible. More merchandise, including bolts of cloth and cloth-covered hat boxes, are visible in showcase spaces on the second floor. At the tea store, couples exit and enter the business in which several boxes of tea are piled between Chinese figurines displayed in the window. A clerk stands within the store. Potted plants adorn the third floor windows between which a large model of a box of tea hangs. In front of the store, boxes of tea are piled under a frame for an awning that displays a sign advertising "Fresh Teas." Manhole covers and a fire hydrant adorn the sidewalk as well. Around the corner of the building, a woman and girl walk past a horse-drawn dray travelling down a side alley to Strawberry Street partially visible in the background. Also shows partial views of adjacent buildings. Pekin Tea Company relocated to Sixth and Callowhill streets in 1847. The textile firm established by Townsend Sharpless in 1815 located to the address in 1841 under the name T. Sharpless & Son. Firm was renamed T. Sharpless & Sons in 1842., Title supplied by cataloger., Date from Poulson inscriptions on recto: Strawberry. So. Second St. & Trotter's Alley. Sept. 1846. "Strawberry" written in image to identify street., Philadelphia on Stone, POS 736, Wainwright retrospective conversion project, edited., See related advertisement print, *W278 [P.2168]
Creator: Reynolds, Robert F., artist
Date: [September 1846]
Location: Library Company of Philadelphia | Print Department *W358 [P.2198]

Title: Market St., west of 10th St
Description: View of the commercial street, above Tenth Street, south side. Businesses include: Clark's Heating & Ventilating Warehouse at 1008 Market Street; Dale & Thomas, carpets, at 1010 Market Street; James Spear & Co., stoves, heaters, and ranges at 1014 Market Street; William Ray, clothier, at 1018 Market Street; William F. Simes, saddlery and harnessmaker, at 1026 Market; and the Bingham House hotel (named after express and freight agent John Bingham), established in 1867, at the corner of 11th and Market streets. Several of the businesses display their merchandise in front of their stores, including the stove warehouses and the clothier. A telegraph pole stands in the foreground. A horse-drawn wagon rests in front of the carpet store., Title from manuscript note on verso., Publisher's label pasted on verso advertising: Stereoscopes and Views, Wholesale and Retail., Orange mount with rounded corners., Gift of Robert M. Vogel., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Cremer, James, 1821-1893
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Streets [P.9047.94]

Title: [Chestnut Street, east of Second Street, south side, Philadelphia]
Description: View showing the south side of the 100 block of Chestnut Street, including a gentlemen's clothing store, an oyster house, several wool and cotton dealers, and Robert Patterson & Co.,commercial merchants. Men stand in front of the storefronts and horse-drawn drays, crates, and barrels line the street and sidewalks., Attributed to Robert Newell., Unmounted half of stereoview., Title supplied by cataloguer., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [(6)1322.F.69e]

Title: [Chestnut Street, west from Ninth Street, north side, Philadelphia]
Description: View showing the north side of the 900 block of Chestnut Street. Businesses include: the Pennsylvania Central Railroad ticket office (901 Chestnut); Richelderfers, gentlemen's furnishings (903 Chestnut); and J.E. Gould, piano and organ dealer (923 Chestnut). Railroad ticket office heavily adorned with signage. Also includes partial view of an awning inscribed "[sil]ver plated war[es]" adorning the business on the adjacent corner of Ninth and Chestnut streets., Attributed to Robert Newell., Unmounted half of stereoview., Title supplied by cataloguer., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [(6)1322.F.94e]

Title: [Brown, Frederick & Kunkel, clothing warerooms, 41 North Third Street, Philadelphia]
Description: Unlettered proof of advertisement showing a North Third Street block of businesses (37-43) above Market Street. Includes (left to right) Sieger, Lamb & Co., dry goods (43); Brown, Frederick & Kunkel, men's and boys' wear and Irwin, Shultz & Peiper, merchants (41); S. Brock Jr., fancy dry goods and Iungerich & Smith, grocers (39); and Lloyd & Walmsley, trimmings (37). Storefronts are four to five stories and are built of stone. Gentlemen patrons enter and exit, including one descending an interior flight of stairs, most of the establishments. A crate rests outside and boxes are piled near the second-floor windows of Brown, Frederick, & Kunkel. Barrels crowd the first floor of Iungerich & Smith into which a laborer rolls a barrel as two line the sidewalk behind him. Outside of Lloyd & Walmsley, a gentleman inspects a large box and men sit on or address crates in front of Sieger, Lamb & Co. Drays, a wagon, and handcart, attended by their drivers, and loaded with goods, many with faint writing, are parked in front of, or depart, from each building. One drayman attempts to settle his horse. Also shows the storefront (without signage) at 45 North Third Street and partial views, with signage, of neighboring businesses, including J.W. Swain, umbrellas and parasols (35). Names of businesses spelled variantly on 41 North Third Street storefront., Title supplied by cataloger., Possibly by W.H. Rease., Date supplied by Wainwright., Philadelphia on Stone, POS 65, Wainwright retrospective conversion project, edited.
Date: [1855]
Location: Library Company of Philadelphia | Print Department **W34 [P.2033]

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