A Union soldier wears a Zouave uniform and holds two pistols out. He has a pistol tucked into his belt, and his sword scabbard hangs away from his body. A smoking cannonball lies between his feet and a bullet is near his head., Text: Hero! how my fond heart doats / On your trowser petticoats; / On your leggins, tight and trim; / On your cap without a brim; / On your lip of hair prolific, -- / Arab-Yankee-- you're terrific! / There's a wild light in your eye--/ Is it valor? Is it rye? / O! beware of whisky-skin, / Brains go out as that goes in. / Sober keep, and by the Nine! / You shall be my Valentine., Cf. Valentine 13.45., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A large soldier wears a large plumed hat and a blue jacket decorated with flowers and a sash. He carries a sword., Text: What man is he that loveth not renown; / Out on him for a booby or a clown! / Fortune and women love the soldier brave, / But love not him who'd be a willing slave. / For me thou art the man brave soldier mine, / And I accept thee for my Valentine., "104", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union soldier holds a pickaxe and wears a helmet. The valentine mocks his occupation as a miner before the war, and the sender rejects the recipient because of his social status., Text: You belong to the Sappers and Miners, 'tis said, / And you work in the trenches with pickaxe and spade; / An old spade and pitchfork you wielded at home, / And with ash-cart and blind horse the city did roam; / On 'taters and cabbage you daily did dine, / And you'll die in despair if you want to be mine., "517", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union soldier puts snuff in his nose and leans his rifle against his arm. Dead soldiers lie around him, and cannonballs are in the air and on the ground., Text: To make folks think you're bold and brave, / You swear your country you will save, / And fiercely charge upon her foes, / But first you'll stop to charge your nose; -- / Like the dog that lost the rabbit. / When taken short, -- as was his habit; / This application suits me fine, / That I can't be your Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The Union recruit stands with his musket over his shoulder. His jacket is too large for him and makes him look childish., Text: A raw recruit my taste don't suit, / Althought he should make me a queen-- / And I see from your face, / And your unnatural grace, / That you are too awfully green., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man has very long mutton chops and a moustache., Text: You think your style is just the thing / To raise a great commotion; / Get the ladies on a string, / And use them to your notion; / But ladies cannot stomach now, / Such senseless-headed noodles, / They all with one accord avow, / They find more sense in poodles., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The snob, or shoemaker, sews the leather upper to the sole of the shoe. The valentine mocks his appearance, drinking, and courtship of unobtainable women., Text: Now, Mr. Snobby, when next you're at work, / At hammering a sole on your lap, / For the sake of the woman who'd ever have you, / Just commit suicide with your strap. / Oh! wax'd ends and leather! tho' what do I see, / Getting toddy'd wherever you can; / Both stupid and lazy, and shabbily dress'd, / I believe that he thinks he's a man., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union soldier holds a sword in his hand. His hat is decorated with two figures. Behind him is a dead body with detached legs., Text: O thou, man of fame and slaughter, You cannot have my mother's daughter; / You are the man, I most could bet, That went away from poor Jeanette. / What's the use of that long sword to you? Void of courage to run an enemy through, / Or even a bull-frog to attack a rush, Thou art no soldier, but a man of mush., Cf. Valentine 10.15., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The trooper [i.e., cavalry soldier] kneels before a young woman who is crying. He wears a blue Union uniform, and his hat and gloves lie on the ground before him. Sitting on his spurs, the trooper appears pained. The text and image suggest that the trooper has no interest in the woman's feelings, and is concerned only with his immediate physical discomfort., Text: Ah! what is the matter, my trooper so gay, / While to this young lass you are kneeling? / Your head, it is soft-- as for heart you have none, / Your butt alone seems to have feeling., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union soldier holds a sword in his hand. His hat is decorated with two figures. Behind him is a dead body with detached legs., Text: O thou, man of fame and slaughter, / You cannot have my mother's daughter; / You are the man, I most could bet, / That went away from poor Jeanette. / What's the use of that long sword to you? / Void of courage to run an enemy through, / Or even a bull-frog to attack a rush, / Thou art no soldier, but a man of mush., Cf. Valentine 10.14., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The man wears a blue Union coat with tails and a top hat that he tips forward; his clothing matches Union uniforms in color but not style. He holds a large rifle with a bayonet. The sender suggests that the recipient uses false stories of military glory to attract a wife., Text: Ladies, I learned to bow this way / A dodging rebel swells; / I am a soldier brave and gay, / A favorite with the belles, / If you're for Union-- 'to a man.' / Why, we'll enlist, as soon as we can., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Confederate soldier runs away from bullets and cannonballs. He has a fearful expression. L. Prang & Co. first appeared in the Boston city directory in 1863., Text: You doubtless think that prudence is a virtue, / And therefore dangerous favors you decline. / Run swiftly when you fear that aught will hurt you. / But never hope to be my Valentine., "12", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wears a gown with large sleeves and a headdress with large feathers. "Upper Ten" refers to the elite., Text: As a fair belle of Fashion, / I charm all the men, / And a husband I'll catch / 'Mongst the tall "Upper Ten.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a Union soldier standing near a cannon and a pile of cannonballs. He has white hair and moustache., Text: Oh gunner bold and gunner wise, / With reddish nose and glassy eyes, / Although you can adjust your gun, / You can as well turn around and run. / I would as leave on bullets dine, / As have you for my Valentine., "511", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a fireman straddling a firehose. He smokes a cigar. The sender mocks the recipient's womanizing, drinking, and fixation on fire fighting, and urges him to settle down. "Mose" is the name of the fireman in Benjamin Baker's play New York as it is., Text: Mose loves nothing so well as a fire, / Except it be women and wine; / If I love Mose it is with a desire / To make Mose open his eyes and eye her / Who loves nothing so well as a VALENTINE., Provenance: McAllister, John A. (John Allister), 1822-1896, collector., Provenance: Baker, Benjamin A., 1818-1890. New york as it is.
The valentine shows a large man skating as he holds two children in his arms. The child facing front resembles a bull-dog. The verse mocks Irish accents., Text: Be aisy now, darlints, be aisy, I say, / There's swate Widdy Connor skathing this way; / I want to present her these jewels of mine, / And wid them, this gay second-hand Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union soldier with a moustache holds a sword and fires a pistol. Cannonballs have severed his forearm and shin from his body. "Fire-eater" refers to Southern advocates of seccession., Text: Bullet and bayonet! grapeshot and shell! / Nothing of that sort to you comes amiss, / By the moustache that becomes you so well, / You are quite worthy an Amazon's kiss. / Say, do you eat all you slaughter, mon brave? / Ogre-ish, methinks, / is your countenance dread; / Doubtless your sword is a "Secesher" would halve, / After a bullet had gone through his head! / When from the war with a wreath on your brow, / Back to the North you come-- then, if you'll shave, / I will be yours as in heart I am now, / And in the interval long may you wave!, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union Zouave soldier holds his rifle on his shoulder. Chicken heads peak out from his pants, suggesting that "hens" means "women" in the text., Text: My Zouave is a pretty bird, / He wears a bushy tail; / He never missed secessia's hens, / When one upon their trail. / But now he's gone to / A long way from the snore [i.e., shore], / Where he can never hook the hens, / He gaily hooked before., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union soldier holds a gun and sword. Hemp rope was used for hanging, and the sender rejects the recipient by suggesting that he hang himself., Text: You're a gay old Colonel, that's beyond a doubt, / See front your forehead how your eyes bulge out; / With sword and pistol tight within your hand, / You think, no doubt, you look supremely grand; / Around your neck go place thick hempen twine, / And never hope to be my Valentine., "503", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The man's torso is a barrel of lager that shields him from cupid's arrows. His limbs are covered with armor, and his face is also shaped like a barrel. The border features matches, a heart-shaped beet, and cherubs playing tennis and tug o' war. The label on the matchbox reads "Red-headed matches go off easy," and the beet is marked "D.B." [i.e. "dead beat" or "dead beet"]. "Dutchmen" in the verse may refer to either Dutch or German ("Deutsche") men., Text: Little Cupid, don't be stupid, / Thus your darts to shoot away / At the Dutchmen, for on such men / Lost all your wily play, / As they swagger, full of lager, Up and down the cellar-way., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine depicts a man with a dog's head. He wears boxing gloves labeled "insant death" and "six months illness.". He also wears a monocle and a top hat, which suggest that he is a "puppy," or dandy. The border features matches, a heart-shaped beet, and cherubs playing tennis and tug o' war. The label on the matchbox reads "Red-headed matches go off easy," and the beet is marked "D.B." [i.e. "dead beat" or "dead beet"]., Text: Do you think you ugly man, / Because you're like a black-and-tan, / And a hitter from the shoulder-joint likewise, / That on you the blooming girls, / With their fascinating curls, / Will glance with approbation in their eyes / If you do you're much mistaken, / For it's just as sure as bacon / No fighter can a woman's true love win, / But the soldier-boy whose blows / Fall on his country's foes / When the ring is pitched, the battle-field within., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man sits in a chair. He wears fashionable clothing, smokes a pipe, and holds a drink., Text: You're a nice man to think of a wife, / With a phiz that we laugh at round town; / We girls know how you're spending your life, / With your drink and tobacco done brown., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a woman walking. The text suggests that the sender will "read" the recipient now that he has read all the books in libraries and bookstores., Text: I have read every Library / And book-store through; / And, since fate decrees it, / I'll read only you., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The Union sentinel holds a gun and wears a uniform that is too big for his frame, making him appear childish. The sender mocks the recipient and suggests that he will never marry., Ill. signed: B., Text: Say! Lonely Sentinel; when on thy beat, / Do'st ever long the one thou lovest to meet? / Do'st ever wish when though demand'st the pass, / That she that gave the countersign might be thy lass? / Oh! vain is thy hope, and grey will be thy hair, / Before she gives the watchword to "Who goes there?", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A German American woman ice skates, and a small figure in the background has fallen down., Text: You come all de way from Hoboken, / Mit a schmile upon your nose, / An', I dinks you is a fraulein, / A seeking for-- I knows! / So shust don't skate any more as dat. / But schlip like scheese away, / Un go mit me to de schustice mit de peace, / Und I'll make you mine vrow right away. / Never skates any more, den, bewitching fraulein, / If you would save from de colic your own Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A fireman pulls a running hose towards him and fails to turn it towards the fire behind him. The valentine uses slang and provinicialisms to mock the fireman and suggest that he will not attract any women., Text: Oh! what a "gallus" Fireman, / To run "wid der Machine; " / To "take de butt," or pick a muss / None better e'er was seen, / But do not think a decent girl / As a "Lize" would wish to shine : / Or be unto a Loafer! / A loving Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wears a tapered, bustled, ruffled skirt that forces her to bend forward in the Grecian Bend. She holds a small parasol and wears a hat. The valentine mocks the recipient for thinking her fashionable dress is attractive to men. The Grecian Bend style of bustle became popular after 1869., Text: A slave to Fashion's tyrant laws, / You court each silly fop's applause; / Did you but know what I can see, / How shocked, I fancy, you would be. / You will, I hope, leave off this style, / Your dress provokes a pitying smile., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man wears rustic attire and a wide-brimmed hat. He holds a long walking stick and stands next to a fence. The figure's posture, expression, and facial features are androgynous, and the valentine associates being "lovesick" with effeminancy., Text: Cease your sighing day and night, / Moping like a lovesick dove, / Go 'list, and serve the Right, / And prove yourself worthy of my love., Signed: Green., Provenance: McAllister, John A. (John Allister), 1822-1896, collector., Provenance: Green.
A man is seated in a cart pulled by a running horse. Two ships are in the background, one with a steam engine, and one with masts and sails. The valentine implies that the recipient presses the sender to engage in premarital sex. The sender rejects him because she does not believe he will marry her., Text: G'lang ole hoss -- high up, my spunky one! / Show 'em you'll do it -- can't you, though -- get on! / Allow me, sir, to interrupt you, -- do: / And, as you are, I will be EXPRESS, too; / I can't be pressed to favor your address, / And trust you'll make your pressing suit EX-PRESS., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman reads a sign that says " INTELI- / GENCE/ OFFICE." She holds an umbrella and circle of rope. A young man thumbs his nose behind her. The phrase "not to know B from a bull's foot" means to be completely illiterate., Text: Verdant damsel, jolly green! / Never was a simpler seen; / B from Bull's foot scarce you know, / Yet you think to catch a beau., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man lies on his back with his arms and legs up and bottom facing towards the viewer. He wears ice skates, and the ice around him has cracked. Likening him to a coin, the sender rejects the recipient for landing with his tail up., Text: A game of chance, played with a nickel, / Suggested is by your pickle; / Head or tail! -- I'll watch and see, / If I your Valentine shall be. / The Tail is up! -- the Head is down! / Your doom is sealed, your fate is known -- / Heads lose -- Tails win-- the game is mine, / Go seek another Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man with a hog's head ice skates. He carries a walking stick and wears fashionable clothes, suggesting that he is a dandy. The word "cove" is slang for fellow, and the expression "hog on ice" suggests lack of grace and control. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: I love to lie in the shady grove, / In the arms of him whose heart I prize; / Or 'neath the skimm'ring moon to rove, / And gaze into his lustrous eyes. / O'er the frozen pool to glide I love, / With him whose love is past all price; / Get out, Pork-Chops! you're not the cove, / 'Tis not with you, you Hog on Ice!, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The Modern Cupid is a man with large mutton chops, a beard, and small wings holds a string of hearts. The text suggests that he has a financial approach to love. The border features matches, a heart-shaped beet, and cherubs playing tennis and tug o' war. The label on the matchbox reads "Red-headed matches go off easy," and the beet is marked "D.B." [i.e. "dead beat" or "dead beet"]., Text: Cupid in whiskers and all-round collar / Is now a sight of every day, / With hearts for sale, (two for a dollar), / And sometimes hearts to give away. / He takes his part in every pageant, / Is for his business tact renowned, / Acts as a matrimonial agent, / And plays the mischief all around., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man rides a ram and holds a banner that reads "Friendship, Love, Truth," the motto of the Odd-Fellows society. The initials "FLT" are written underneath him., Text: Ah! now my odd friend, as you're up for a ride, / On your orders, odd emblem, I know very well; / But never, dear Sir, can I be the Bride / Of a man whose order will lead him to h---., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a couple kissing. The clock on the wall indicates that it's one o'clock, and a candle burns nearby. His receding hairline and her staid demeanor suggest that they are older than the norm for courtship. Thus, the late courtship is literally late-at-night and possibly an object of ridicule given their ages., Text: As you daintly sip the dews from her lips, / Both time and the hours scorning, / You sit all night in gay delight, / And don't go home 'till morning., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman sits with her hands folded and her head down., Text: Oh! I can't think of you, my dear little darling, / You're all the time fawning, and fretting, and snarling; / So take my advice, now, and don't be forgetting, / Youl'll not get a husband, my charmer, by fretting., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman holds a pair of breeches, and "I runs wid der sewing machine I does," and "tailoring done" are written behind her., Text: Ah! me, don't you see, I'm sadly in need / Of some one to tinker me with needle and thread? / I've long had my eye on your useful machine -- / Your "Wheeler and Wilson," of course, I mean. / To the end that my clothes shall be in repair, / My oldest breeches I'll permit you to wear, / And never shall grumble, unless you, sweet Miss, / Some other gay Valentine should prefer to kiss., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A Union soldiers stands with his chest puffed out and his hand on his hip., Text: Say! Song of Mars, / With lofty figure, / Did you ever pull a trigger? / I know you didn't invent powder, / Although you talk a great deal louder. / Shun men who're really brave-- / You couldn't fight your soul to save; / Go keep your tale of love untold, / For my affection's for the bold., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The grandmother wears a poke-bonnet and shawl. The valentine mocks older women who pursue younger men., Text: I'm a lonely Grandmother, / And want a young beau, / To nurse and caress me / As older I grow., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A young man looks at a poster of an elephant. Behind him is a sign that reads "NOTICE GENTLEMEN FROM THE COUNTRY TAKEN IN," suggesting that the recipient is from the country and will be exploited in the city., Text: My tender sprout of cabbage head, / I would your young heart deceive; / So seek some more congenial bed / To flourish in, -- and now leave., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman's figure has two heads. One is smiling and says "My love to you, dear ," while the other has a forked tongue and says "Bad luck to the wretch." The text translates roughly to: "Cheers, Sir. Oh, how polite, to indulge us with the privilege of your presence, if I see the man I'd like to stick a pincer in his guts." The valentine suggests the recipient's words mask malicious intentions., Translation: "Cheers, Sir. Oh, how polite, to indulge us with the privilege of your presence, if I see the man I'd like to stick a pincer in his guts.", Text: Wohl bekomm’s mein Herr / Ach, wie artig, uns die Ehre / Ihres Besuches zu gönnen, / Wenn ich den Menschen sehe / Möcht icht eine glückende Zange / In seine Eingeweiden umkehren., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A maid wearing an apron is holding a bed-warmer. The word "empty" is written over her head. The valentine suggests that her lack of brains means she is condemned to a life a menial tasks., Text: The reason why you don’t get on in life-- / Is the Sending of the Valentine to you a hollow mockery?, Cf. Valentine 14.42., Provenance: Helfand, William H..
A woman with glasses and a bun is sewing bonnets. The valentine suggests she is unattractive to suitors and will be an old maid, so she should focus on her millinery., Text: Miss bonnet-builder, such a guy I never saw before, / Your bonny hair is a knob behind, your nose a knob before, / That your head’s a bonnet-block that of it maybe said, / Who would ever have a Valentine that is a blockhead, / So drop the thoughts of Valentines and attends to bonnet shapes, / For you are built for an old maid, in future to lead apes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A cook wearing a bonnet holds a pot on a stove. She has a long pointed nose. The Valentine suggests she is too ugly to find love., Text: Goddess of the fries and stews, / To court the male sex ‘tis no use; / Your nose I’m sure is only fit / To make a kitchen roasting spit; / Then cut your foolish ways, pray do, / I’ll ne’er have a Valentine like you., Signed: Pickering., Provenance: Helfand, William H..
A man with a crocdile head holds a handkerchief to his teary eye. Two women are looking at him, one has her hands on her hips. The sender accuses the recipient of being insincere and deceitful., Text: I love a man that is sincere in all he’ll say and do, / But not a sniveling Crocodile, deceitful wretch like you / Who for any paltry end can always whine and cry, / You ugly, paltry, sniveling brute, deceit is in your eye. / You may whine and do your best at which we only laugh, / But let us tell you love’s too old to be thus caught by chaff., Provenance: Helfand, William H..
A poulterer stands behind a counter with a fowl in his hand and smiles. The valentine suggests that although he can be ingratiating, he is not trustworthy., Text: Stands the Poulterer pert and sly, / Madam, pray step in and buy; / Ah! Buy indeed, to buy and rue, / Would be to buy a goose like you; / Never, by cock and hen, I swear, / Shall you be mine, unpolished bear., Provenance: Helfand, William H..
A young woman in a gown holds a bouquet of flowers., Text: Thou languishing young lady bird, / Thou angel quite untainted, / With ruby lips and well formed hips, / Pray tell me – are you painted! / You’re uglier than the Gorgon, / That hightoned folks to stone, / I little thought my darling, / Such a beauty you’d have grown., Provenance: Helfand, William H..
A bartender wears an apron and rolled-up shirtsleeves. He pours a beer from a tap and appears to be dancing. The sender rejects him because she does not consider him cultivated enough for her., Text: Oh! Mr. Barman, / you never will be, / The cultivated kind of man / to marry me., Provenance: Helfand, William H..
A woman with glasses and a bun is sewing bonnets. The valentine suggests she is unattractive to suitors and will be an old maid, so she should focus on her millinery., Text: Miss bonnet-builder, such a guy I never saw before, / Your bonny hair is a knob behind, your nose a knob before, / That your head’s a bonnet-block that of it maybe said, / Who would ever have a Valentine that is a blockhead, / So drop the thoughts of Valentines and attends to bonnet shapes, / For you are built for an old maid, in future to lead apes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman wearing a cloak and bonnet holds at lamppost for support. Her mouth is open and she appears drunk. A sign on the wall behind her says "Gin." The Valentine faults her for her drunkenness., Text: Hic, -- hic, --hic, --drink is your soul's delight, / And your only Valentine, / Go, you drunken wretch, steep your brain in Alcohol, / You never shall be mine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
