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Title: ASSU Illustration 0075
Description: Image of a duck in a natural setting., Back of block partially obscured by pasted-down paper., , Provenance:, , Variant:
Date: [s.a.]
Location: ASSU Woodblocks -- Box 2

Title: ASSU Illustration 3392
Description: Block numbered in one place: 3392., Image of a duck in a natural setting., Tape (inscribed “874”) on obverse., Back of block partially obscured by pasted-down paper.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 5

Title: ASSU Illustration 1576
Description: Block numbered in one place: 1576., Image of a duck in a barnyard or farm setting., Back of block partially obscured by pasted-down paper., Illustration appears in The Book of one hundred pictures (Philadelphia, between 1861 and 1907?), p. 93.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 5

Title: [Duck pond with swans, Fairmount Park]
Description: View of ducks and swans wading in an unidentified stone-lined lake, presumably one of several lakes in Fairmount Park., Title from negative sleeve., Modern reference prints available., Gift of Richard R. Frame.
Creator: Berry, Frank, b. 1863, photographer
Date: ca. 1907
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.4]

Title: [Ducks at an unidentified farm, Long Island, New York.]
Description: Depicts ducks in a large pen, surrounded by a green field and trees. Dwellings are visible at the top of a hill in the distance in some of the images. Includes ducks wading in a pond., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: ca. 1895
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.1-5]

Title: "Come, birdie, come, oh! Come with me."
Description: Racist trade card specimen depicting a caricature of an African American boy carrying a chicken and a duck. Shows the boy, attired in a straw hat, a long-sleeved shirt, pants with patches at the knees, and black shoes, smiling and looking at the viewer. He says, “come, birdie, come, oh! Come with me” as he carries a chicken under his right arm. In his left hand he holds a duck by the neck., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Come, Birdie [P.2017.95.198]

Title: [African American man with a basket of produce and carrying a dead duck]
Description: Racist, trade card specimen depicting a caricature of an older African American man, possibly a peddler, carrying a dead duck and a basket of produce. The man is balding and has tufts of white hair on the sides of his head and is attired in plaid pants, a collared shirt, a collared jacket, and a plaid scarf tied around his neck. He holds a dead duck by the legs in his left hand. Around his left shoulder, he carries a straw handled basket, which has the leaves of a vegetable sticking out of it. Behind him in the background is a shelf that has a bottle and a glass on it., Title supplied by cataloger., Date deduced from the visual content., Printed in red ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 25 [P.2017.95.236]

Title: Mirth! music! originality! The success of the season! "Jollities"
Description: Racist trade card promoting “The Electrical Doll” play at the Gaiety Theatre in Boston. Depicts a caricature of an older African American man, possibly a peddler, carrying a dead duck and a basket of produce. The man is balding and has tufts of white hair on the sides of his head and is attired in plaid pants, a collared shirt, a collared jacket, and a plaid scarf tied around his neck. He holds a dead duck by the legs in his left hand. Around his left shoulder, he carries a straw handled basket, which has the leaves of a vegetable sticking out of it. Behind him in the background is a shelf that has a bottle and a glass on it. The Gaiety Theatre in Boston was located on Washington Street between West and Avery Streets. The 800-seat theater operated from 1878 to 1882 when it became the Bijou Theatre. Charles Atkinson with his Jollities theatre troupe produced comedic plays, including “The Electrical Doll,” which was written by Clinton G. Parrefield with music by J. Adalim. It first appeared in December, 1879 and ran for a number of years in America and Europe., Title from item., Publication information and date inferred from the content., Text printed on the recto: (Over.), Advertising text printed on the verso: Boston Press Notes. [Boston Herald, Dec. 14.]“Standing room only.” and precious little of that, was what late comers at the Gaiety Theatre found last evening. One of the largest audiences ever gathered in this cosy little house extended to the ‘Jollities’ Combination such a welcome as to dispel all doubts, if, indeed, any existed, that the levees to be given during the present week by “The Electrical Doll” will be little short of a perfect ovation.” [Boston Post, Dec. 14.] “The ‘Jollities’ presented the ‘Electrical Doll,” the funniest of all musical absurdities, before an over-flowing house last evening at the Gaiety, and gave universal satisfaction.” [Boston Globe, Dec. 14.] The Jollities. “There was not a vacant seat at the cosy Gaiety last evening. Why? Simply from the fact that Manager Gouge, who knows just what a Boston audience requires, gave one of the best performances that has graced this theatre this season. If good acting, splendid singing, bright and witty dialogue, with a capital orchestra—whose sparkling music was rendered under the baton of J.A. Norris in such an acceptable manner that encores were demanded—deserve to be called first-class, then a faint idea may be conceived of the excellencies of the Jollities Combination entertainment.”, [Boston Journal, Dec. 14.] Gaiety Theatre—“The Jollities Combination is well named, for jollier lot of performers could scarcely be brought together. At the Gaiety Theatre, last night, they appeared before a large audience in a two-act musical piece entitled ‘The Electrical Doll.” On the bills the piece is called an ‘absurdity,’ and it is deliciously absurd, yet marked by a consistency that places it as a composition for the stage very far ahead of the majority of similar productions. The Jollities deserve full houses during their stay of a week, and all who attend their clever entertainments are certain to be pleased.”, Printed with green ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Gaiety [P.2017.95.67]

Title: Academy of Natural Sciences
Description: Book illustration depicting an exterior of the museum building at Broad and George (i.e., Sansom) Streets built from 1839 to 1840 after designs by Philadelphia architect, John Notman. In the foreground, pedestrian traffic includes an African American man peddler carrying a rack of ducks. The Academy, incorporated in 1815 as a scientific association to disseminate and promote the knowledge of natural history, opened as a public museum in 1828., Title from item., Published in R.A. Smith's Philadelphia as it is in 1852 (Philadelphia: Lindsay & Blakiston, 1852), p. 203. (LCP Am 1852 Smith)., Originally part of a Poulson scrapbook of illustrations of Philadelphia., Poulson inscription: 1852., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffmann, engraver
Date: [1852]
Location: Library Company of Philadelphia | Print Department PhPr - 8x10 - Museums [(1)1525.F.36e]

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