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Title: The life & age of man. Stages of man's life from the cradle to the grave
Description: Allegorical print containing a portrayal of a male figure aging from a baby to an older man on a pedestal of life. Includes rhymed couplets describing each age below the image corresponding to animal vignettes adorning the pedestal styled as up and down steps. Shows the figure, in the far left, as an infant as a "lamb like innocent" in the lap of his mother, her long dark hair loose down her back, and attired in a red dress; at the age of 10 with dark hair and attired in a blue pant suit and cap and holding a stick and hoop as he "goat like skips and joys"; at the age of 20 attired in a black top hat, black waistcoat, and blue striped pants when "love doth swell his veins and heifer like untamed remains"; at the age of 30 attired in a military uniform "with bull like strength he smites his foes"; at the age of 40 attired in a military uniform holding a sword and flag and "naught his courage quails but lion like by force prevails"; at the age of 50 with greying hair, attired in a black suit and top hat, and his "strength fails but with wit fox like he helps to manage it"; at the age of 60 with long white hair, attired in a black suit and top hat, and holding out a cane while "wolf like he tries his wealth to raise"; at the age of 70 with rounded shoulders and attired in a black long coat and top hat and cane in hand, "he'll hear and tell but dog like loves at home to dwell"; at the age of 80 slightly hunched and reaching out as "a cat keeps house and loves the fire" he has the same desire; at the age of 90, in the far right, severely hunched over and reliant on a cane that he must suffer everywhere as "weak asses backs were made to bare"; and at the age of 100, attired in a white night gown, seated in a chaise lounge, and tended by a young woman, attired in a red dress and holding a cup as "the sick of life the grave he fears.", Image also includes a tree in full leaf (left), a dead withered tree (right), and a vignette scene set in a tree-lined pasture behind a stone wall entitled "Resist the Devil and he will flee from you!" Scene shows bare-chested male figure attired in a loincloth and with their left hand up and right arm out between a couple, in the right, and a table of men drinking, in the left. A cross is seen in the distance behind the couple., Title from item., Date inferred from dates publisher Nathaniel Currier operated as sole proprietor of his firm., Printed on recto: 87., Currier operated as a sole proprietor at 152 Nassau Street from 1838 to 1857 before partnering with Frederick Ives.
Creator: Currier, Nathaniel, 1813-1888
Date: [ca. 1847]
Location: Library Company of Philadelphia | Print Department *GC - Allegories [P.2004.14.1]

Title: Ladies
Description: Lantern slide formerly owned and probably used in art lessons by Philadelphia painter, photographer, and art teacher, Xanthus Smith. Depicts a scene set in Roman antiquity of a white woman, attired in a white gown, dancing before upper-class Romans. In the center is a marble veranda with a roof comprised of a red drape with yellow fringe held up by columns. In the veranda, around a table filled with food and drink, a Roman woman and three men lounge and watch the dancer. Behind them, three enslaved Black men and a woman carry wine flasks, pour drinks, and fan. In the left, white men and women musicians play flutes and tambourines. In the background, a peacock and other birds stand and fly on the palatial building decorated with columns, sculpture, and flowers., Title from partially legible label on mount., Number 19 in "Old Roman World" series., Gift of Edna Andrade, 1994., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department Lantern Slides - Smith [P.9471]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with multiple-colored fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., Series no. on verso: 2690 N., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112B04., Sheet number: 112A05., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: [John Wanamaker's Grand Depot trade cards]
Description: Series of illustrated trade cards for John Wanamaker's Grand Depot at Thirteenth and Market Streets in Philadelphia, opened in 1876 to cater to Centennial Exhibition crowds. Illustrations depict a butterfly; two children walking outside with their parents; a harp with the figure of a mermaid forming the column; a round pediment inscribed "Constitution" resting on three caryatids; yellow flag with two horizontal red stripes; exterior views of the Grand Depot with pedestrian and vehicular traffic in the foreground; a girl feeding birds; a girl eating a piece of fruit; head portraits of girls wearing bonnets; cranes standing in water; sprays of flowers; children and a dog gathered around a piano, one of them playing a flute; a Japanese man tripping two boys with spools of "Stafford braid"; and two men dueling with swords., Title supplied by cataloger., Two prints [1975.F.945 & 947] part of Wemple & Kronheim's Series No. 43., Two prints [1975.F.908 & 999] copyrighted 1877 by L. Prang & Co., Two prints [1975.F.945 & 947] copyrighted 1879 by Wemple & Kronheim, N.Y., Two prints [1975.F.985 & 986] copyrighted 1878 by L. Prang & Co., Boston., Printers and engravers include L. Prang & Co. (Boston), Wemple & Kronheim (New York), Donaldson Brothers (New York), S.C. Duval (Philadelphia), Mayer, Merkel & Ottmann (New York), and Marcus Ward & Co. (Belfast)., Eight prints contain advertising text printed on versos., Two prints contain calendars printed on verso, one [1975.F.922] for 1881 and the other [P.9577.12] for 1900., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1877-1900]
Location: Library Company of Philadelphia | Print Department trade card - John Wanamaker [1975.F.316; 1975.F.908; 1975.F.918; 1975.F.920-922; 1975.F.943; 1975.F.945; 1975.F.947; 1975.F.954; 1975.F.956; 1975.F.985 & 986; 1975.F.989; 1975.F.999; 1975.F.1005; 1975.F.1008; P.9577.12]

Title: [Double-sided proof print containing a racist caricature of an African American mother and her children and a comic genre scene with a bookmaker]
Description: Left panel depicts an African American mother, portrayed in racist caricature, with her three children in the doorway of a home in the country. The mother, attired in a red headkerchief with white polka dots, a white shirt with pink polka dots and the sleeves rolled to the elbows, a green skirt, and a white apron with blue stripes, stands smiling with her arms crossed. Sitting in front of her are three young barefooted children attired in pink short-sleeved dresses. The children suck on the tubes of their nursing bottles. A small black dog, a cat with two kittens, and a pig gather and watch children. At the right of the door, a barrel rests under a drain pipe. A food tray lies nearby, and a horseshoe hangs above the door. The right panel shows "Joe McK.. Bookmak[er]" accepting bets, seated at his table, outside a stadium. The older white man bookie, attired in a gray bowler hat, a white collared shirt, a red polka dot vest, blue and white striped pants, and yellow shoes, smokes a cigar and accepts money from a young white man waiting at the head of the line. Also shows the backs of men leaving the bookie and headed toward the "Grand Stand" visible in the background., Title supplied by cataloger., Date from copyright statement: Copyright 1905 by J. Hoover & Son Phila., Printed lower left corner: 2039., Gift of S. Robert Teitelman, 2007., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hall, Bernhard, 1859-1935, artist
Date: 1905
Location: Library Company of Philadelphia | Print Department political cartoons - 1905 Proof [P.2007.23.8]

Title: [Croft, Wilbur & Co. trade cards]
Description: Series of illustrated trade cards promoting confectioners Croft, Wilbur & Co. and depicting children performing a variety of activities, including two white girls playing tug-of-war over a wrapped piece of candy; and boys and girls eating sweets, including a white boy eating a candy stick while holding his dog on a leash. Also shows flowers; a courting white boy and girl couple sitting on a log; two white boy clowns dancing, playing a drum, and strutting a homemade pitchfork; and a man in Colonial attire popping out of a large cracker or bon-bon and dumping candy to white woman who catches it in her skirt. Racist card depicting an African American boy, portrayed in caricature, and a white girl on a candy stick seesaw. In the left, shows the white girl attired in a large, white bonnet; a yellow dress with red polka dots; a blue and white checked smock; orange stockings; and brown shoes, sitting on a red and white striped candy stick. In the right, the barefooted African American boy, attired in an orange shirt and gray pants, sits on the other side of the candy see saw. The fulcrum is a piece of chocolate. Founded in Philadelphia in 1865 by Samuel Croft and Henry Oscar Wilbur, Croft, Wilbur & Co. divided into H.O. Wilbur & Sons and Croft and Allen in 1884., Title supplied by cataloger., Four prints printed by E. Ketterlinus & Co., Includes two prints [1975.F.120 and 1974.F.141] with advertising text printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Croft [1975.F.120; 1975.F.141; 1975.F.145; 1975.F.168; 1975.F.176; 1975.F.178; 1975.F.182a; 1975.F.196; 1975.F.210]

Title: Bits of nature and some art products, in Fairmount Park, at Philadelphia, Penna
Description: Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [1878-1894]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]

Title: Standard java, Chase & Sanborn, Boston
Description: Trimmed metamorphic trade card promoting Chase & Sanborn's coffee. Depicts a quirky, racist scene with a trompe l’oeil aesthetic and including the oversized head of a Black man with exaggerated features in a North African setting. Shows an African man attired in a yellow hooded robe on a white horse and holding a long spoon to an enormous face of an African man. His head covered in a green and red turban has torn through a wall. He purses his lips out to the spoon. In the center of the image is a white coffee cup with a blue stripe and the text "Standard java, Chase and Sanborn, Boston" written in red. In the right foreground, holding a basket, is a barefooted African woman attired in a white dress with red stripes and cap sleeves; a yellow vest; and red, head kerchief. In the background is a building with Moresque decorative features in the doorway and window. Illustrated on the verso is a partial view of a black man. Shows his chin and lower lip, his torso, and his legs above his ankles. His arms are raised, and he is attired in white pants with blue stripes; a green jacket with yellow lining; a white collared shirt; and red vest and bowtie. Caleb Chase (1831-1908) established a coffee and tea company in 1864. Chase partnered with coffee seller James Sanborn (1835-1903) in 1874 to form Chase & Sanborn. It was the first company to pack and ship roasted coffee in sealed tins. In 1893, the firm supplied the coffee to all of the salons at the Chicago World's Fair. Chase & Sanborn was acquired in 1929 by Standard Brands, which merged with Nabisco in 1981., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Boston roasted coffees have a national reputation representing the finest grown seal brand java and mocha coffee is justly called the aristocratic coffee of America surpassing all others in its richness and delicacy of flavor always packed whole roasted in 2-lb, air-tight tin cans. Crusade blend coffee is a skillfull blending of three high grade coffees noted for their flavor, strength and aroma, warranted not to contain a single Rio bean, but guaranteed to [?]., Gift of David Doret., Card is trimmed at the top and bottom.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Chase [P.2017.95.25]

Title: United we stand. Divided we fall
Description: Racist, satiric trade card promoting the Great American Tea Company. Depicts in two panels an African American man knocking down two African American children eating a candy stick by opening the cellar doors they were sitting on. In the left panel, shows caricatures portrayed with exaggerated features of two barefooted African American children sitting on top of slanted cellar doors. In the left, the boy, attired in a hat, a long-sleeved shirt, and pants with suspenders, holds a striped candy stick in his mouth. In the right, the girl, attired in a bonnet and a dress, shares the same candy stick and sucks the opposite end in her mouth above the caption, “united we stand.” In the right panel, an African American man has come up from inside the cellar and stands holding both doors open in his hands. He is attired in a white shirt, a striped vest, striped pants, and a cap, and holds a pipe in his mouth. The boy has been thrown off of the door and lies in the left on the ground with the candy stick still in his mouth. The girl has also been flung from the top of the door and lies on the ground beside the cellar with only her feet and left hand visible, as the caption reads, “divided we fall.” George Gilman (1826-1901), a tea and coffee merchant, founded the Great American Tea Company in 1863. He opened a number of stores in New York City and started a national mail order business. The firm was renamed the Great Atlantic & Pacific Tea Company in 1870, though the Great American Tea Company name was still used in the mail order business. George Huntington Hartford (1833-1917) took over management of the company from 1878 to 1917 and grew the business into the chain of grocery stores known as A&P., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: The most useful every day premium ever sent out, is our latest and newest design of dinner set, genuine imported English white granite, containing 126 pieces. No crazing—no cracking. Use it for breakfast, dinner and supper. This is just the set for every day use. We will give one of these imported white granite dinner sets, (126 pieces) AWAY with a $40.00 order. Every Lady likes to have a nice closet of dishes—your closet is not complete without this set. Don’t fail to get up an order for our celebrated new goods, --teas, coffees and baking powder. As a trial order we will send 3 ½ pounds, of our best teas, by mail, postage prepaid on receipt of list price. Only pure goods sold. The Great American Tea Company, N.B.—Get “The Lalla Rookh Dress Cutting System Chart.” The Greatest Boon to the Ladies., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Great [P.2017.95.75]

Title: Dis Union. Union. John E. Kaughran & Co., 763 Broadway, Bet. 8th and 9th Streets
Description: Racist, satiric trade card promoting John E. Kaughran & Co.’s dry goods store. Depicts in two panels an African American man knocking down two African American children eating a candy stick by opening the cellar doors they were sitting on. In the left panel, an African American man has come up from inside the cellar and stands holding both doors open in his hands. He is attired in a white shirt, a striped vest, striped pants, and a cap, and holds a pipe in his mouth. The African American boy has been thrown off of the door and lies in the right on the ground with the candy stick in his mouth. The African American girl has also been flung from the top of the door and lies on the ground beside the cellar with only her feet and left hand visible, as the caption reads, “dis union.” In the right panel, shows the two barefooted children sitting on top of slanted cellar doors. In the right, the boy, attired in a hat, a long-sleeved shirt, and pants, holds a striped candy stick in his mouth. In the left, the girl, attired in a bonnet and a dress, shares the same candy stick and sucks the opposite end in her mouth above the caption, “union.” John E. Kaughran (1849-1899) founded his dry goods business in 1877 in New York City and opened a store on Broadway. He retired in 1886., Title from item., Date deduced from history of the advertised business., Text printed on recto: (Over.), Advertising text printed on verso: John E. Kaughran & Co., 763 Broadway, Bet. 8th and 9th Sts., will remove on or about May 1st to 767 and 769 Broadway, Cor. 9th Street. Immense Bargains in all our Departments, Call early in the day and avoid the great rush in the Afternoon., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - John [P.2017.95.93]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112A05., Sheet number: 112B04., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: Boston boot and shoe and gents’ furnishing house, also, a fine line of hats, caps, trunks, valises &c. At no. 253 South Clark St., near Jackson, Chicago. L. F. Shanovski, - proprietor
Description: Trade card promoting L.F. Shanovski’s shoe store and depicting a racist caricature of a Chinese man upset that a cat has taken a rat from his plate. Shows the man, wearing a queue hairstyle and attired in red pants and brown cloth slip-on shoes, holding a large white plate across his chest and a pair of chopsticks in his right hand. He opens his mouth upset that a cat is taking a dead rat from his plate. Louis F. Shanovski was born in Germany and moved to Chicago in the early 1870s, opening a shoe store in circa 1877. The firm L.F. Shanovski and Bro. dissolved in 1899., Title from item., Date inferred from dates of operation of business advertised., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department trade cards - Shanovski, L.F. [P.2023.43.1]

Title: [Philadelphia Inquirer art supplements]
Description: Series of art supplements depicting genre, historical and allegorical scenes, landscapes, portraiture, and character studies. Includes "Aurora" showing a white female fairy figure smelling a flower; "The Pilot" portrait of an older white man sea captain smoking a pipe; "The Partners" showing a white girl and boy with a broom and shovel; "Tambourine Girl"; "Playmates" depicting a white girl holding a cat; "Deep Sea Fisherman"; "Night of the Ball" depicting an exterior view of a palatial estate in the snow with an inset showing a young white woman in evening attire; "One of the Four Hundred" showing a white boy costumed as a vagabond; "By the Sea" showing an older African American seaman, attired in a grey top hat, a white collared shirt, a blue and gold bowtie, red suspenders, a yellow jacket with a flower boutonniere, brown pants, and boots, smoking a pipe; an older white man reading "Fairy Tales" to a white girl; "Sheik of the Desert" a bust-length portrait of an Arab man; "A Lively Scrimmage" during a football game; a dog inspecting "Five O'Clock Tea"; a white clergyman having "A Disappointing Luncheon"; a view "Off the Belgium Coast near Ostend"; "Spring" and fall landscapes; "Does You Mother Know You're Out" depicting a white girl with a newly hatched chick; "Napoleon and the Old Guard"; "Wellington and His Soldiers"; a white man and woman couple on "A Honeymoon at Niagara"; and a white lady portrayed fancifully "Among the Roses.", Title supplied by cataloger., Various artists, including M. Duboy, C.L. Van Vredenburgh, Charles P. Gruppe, A. I. Keller, and W. Merritt Post., Various printers, including Forbes Lithograph Manufacturing Company; Leopold Gast & Brother; Julius Bien & Co.; Donaldson Bros.; Ketterlinus; and J. Ottmann., Two of prints designed to stand as display cards., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., Description revised 2022., Access points revised 2022., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1894-1898]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Philadelphia Inquirer [P.9349.282, 287, 295, 310, 313, 323-325, 330-331, 413, 424, 432, 434, 440, 457, 463-464, 466, & 469]

Title: View of the Philadelphia volunteer refreshment saloons
Description: Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator: Queen, James Fuller, 1820 or 1821-1886, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department **W434 [P.9001.6]

Title: Dividing the beef, Lodge Grass Mont[ana]
Description: Scene depicting Native Americans, probably Crow, and African American cowboys in a circle cutting up beef carcasses. Native American men, women, and children sit on the grass in a circle around the meat. Several can be seen smiling. There are also small dogs standing around the group. An African American man stands in the right and looks on at the scene. In the center, another African American man bends over with a side of beef in his hands. In the background are two tepees and a tent., Title from caption on mount., Purchase 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Rich was a professional Philadelphia landscape photographer and avid traveler commissioned in 1908 to accompany a Rodman Wanamaker expedition to Yellowstone to photograph the region's landscape and Native American life.
Creator: Rich, James Bartlett, 1866-1942, photographer
Date: 1908
Location: Library Company of Philadelphia | Print Department Lantern Slides-Rich [P.9266.1308]

Title: Try King's quick rising buckwheat. It is the best. The cook likes it
Description: Racist trade card promoting King Cereal Manufacturing Company and depicting a caricature of an African American woman domestic serving pancakes to a white couple while an African American man cook smiles in the kitchen. Shows the African American woman domestic, attired in a red dress, a white apron, and a white bonnet, holding her apron up in her hands while looking at the viewer and winking her eye. In the right, a brown-haired, white man with a mustache attired in a black suit, a white collared shirt, and black shoes and a white woman with brown hair in a bun and attired in a blue dress, sit in wooden chairs at a table covered with a white tablecloth. The white woman looks at the viewer as she wipes her mouth with a white napkin. On the table is a plate of pancakes, a coffee pot, glasses, and a condiment tray with various bottles. Through a doorway in the left background, the African American man cook, attired in a white chef’s hat and jacket, a white apron, pants, and black shoes, smiles as he stands behind a table with a box of King’s Quick Rising Buckwheat. In the right on the wall are two framed pictures and a large window with white curtains. Image also includes a red rug and a wooden chair with a green cushion. Edward King (d. 1907) founded King Cereal Manufacturing Company in 1861 in Chicago. He sold his interest in the firm to H. Horner & Co., wholesale grocers in 1903. The firm continued operations into the 1920s., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: We manufacture and sell all the package goods name[?] King’s Quick Ris[ing] Flour, King’s Quick Rising W[heat] For Biscuit, &c. Mrs. Hopper’s Pan[cake] a splendid substitu[te] [spe]cially adapted King’s R[ising] [?]ne Breakfast “Cut Oat Meal. “White Hominy. “Corn Grits or Samp. “Farina. (From the Best Wheat.) “Golden Corn Meal. “Silver Corn Meal. “Flaked Hominy. The best preparation of Corn ever placed on the market. Makes a delicious breakfast dish or after dinner dessert., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - King [P.2017.95.98]

Title: [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description: Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date: [1879]
Location: Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]

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