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Title: Emancipation
Description: Reproduction of a George Gardner Fish allegorical painting celebrating the Emancipation Proclamation (1863) originally photographed by Boston photographer J. P. Soule. Depicts the white female figure Columbia holding out the Emancipation Proclamation and standing between a kneeling enslaved African American man and woman (attired in a head wrap). The bare-chested man holds up the pole of an American flag, while the woman drapes the flag around her naked body. Columbia, attired in a tiara and drapey gown, also holds a bunch of sprigs of laurel, as well as stands on a whip. A partial view of a wagon wheel is visible in the left background., Title from item., Artist and photographer from copy in the collections of the Library of Congress. LC copy "Entered according to Act of Congress, in the year 1863, by John Sowle [sic], in clerk's office of the District Court for the District of Massachusetts.", George Gardner Fish was a Nantucket portrait painter who specialized in pastels. He exhibited at the National Academy of Design between 1858 and 1863., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund., Description revised 2021., Access points revised 2021.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Genre & sentimental [P.2014.22]

Title: [ Montage of caricatures satirizing Southern Democrats]
Description: Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]

Title: Emancipated slaves Brought from Louisiana by Col. Geo. H. Hanks. The children are from the schools established by order of Maj. Gen. Banks
Description: Abolitionist group portrait of emancipated enslaved men, woman, and children, freed by Union General Butler in New Orleans, on tour through the North to raise funds for the emancipated enslaved schools of Louisiana. Depicts Wilson Chinn, his forehead branded with the initials of his former master; Colonel Hank's cook, Mary Johnson; ordained preacher, Robert Whitehead; African American child, Isaac White; and the fair-skinned children Charles Taylor, Augusta Broujey, Rebecca Huger, and Rosina Downs. Names of the emancipated enslaved people printed below image. Proceeds from the sale of the photograph were to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863, by Philip Bacon, in the Clerk's Office of the United States for the Southern District of New-York., Image reproduced as wood engraving with accompanying article in Harper's weekly, January 30, 1864, p. 69 and p. 71. (LCP **Per H, 1864)., Copyrighted by Philip Bacon, Assistant Superintendent of Freedmen and founder of first emancipated enslaved school in Louisiana., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait photographs - emancipation [P.9864]

Title: The house that Jeff built
Description: Cartoon attacking slavery and Jefferson Davis as the Confederate President. Contains twelve vignettes indicative of the inhumanity of the institution of slavery with accompanying verse following the frequently used cartoons scheme of the nursery rhyme "The House that Jack Built." The vignettes starting with the house that Jeff built (a depiction of a "Slave Pen") continue to include images of bales of cotton; enslaved African Americans working in the cotton fields; an auction of enslaved African American men, women, and children; a white man auctioneer; shackles; a white man enslaver whipping an enslaved African American woman; and a portrait of "arch rebel" Davis. The vignettes end with the image of several smashed symbols of slavery, such as shackles and whips alongside a notice of Davis's execution. The accompanying verse predicts that "Jeffs infamous house is doom'd.", Title from item., Artist and publication information supplied by Reilly., Date from copyright statement: Entered according to act of Congress in the year 1863 by D.C. Johnson in the Clerk's Office of the District Court of Massachusetts., Purchase 1966., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., David Claypoole Johnston (1779-1860), known as the "American Cruikshank," was a respected comic illustrator, engraver, and lithographer.
Creator: Johnston, David Claypoole, 1799-1865, artist
Date: 1863
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1863-9 [7549.F]

Title: 'Conquering prejudice,' or 'fulfilling a constitutional duty with alacrity.'
Description: Antislavery print depicting the pursuit of a freedom seeker in accordance with the Fugitive Slave Law of 1850. Shows a barefooted, enslaved African American woman, portrayed with exaggerated features, and attired in a head kerchief and a short-sleeved dress. She runs holding her child and screams for help, "My God! My child! Will no one help! Is there no mercy!" Chasing her are Daniel Webster admiring himself for performing a "disagreeable duty," a marshal holding a gun and handcuffs and exclaiming a sense of relief over Webster's interpretation of the Constitution, and two dogs. In the background is a church and courthouse., Title from item., Date inferred from content., Lib. Company. Annual Report, 1978, p. 54-5., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Kramer was a German born painter and lithographer who worked with the Rosenthals, a prominent Philadelphia family of lithographers from 1850 and through the early 1850s.
Creator: Kramer, Peter, 1823-1907, artist
Date: [ca. 1851]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1851- Con [8433.F]

Title: Views of slavery Does the slaveholder admit the slave to be a human being? If so we would ask his interpretation of the following sentiment "Whatsoever ye would that men should do unto you, do you even so to them."
Description: Abolitionist print containing six scenes depicting the inhumanity of slavery. Scenes include enslaved African American children crying while their mothers work and a white man enslaver whips an enslaved man in a sugar plantation field; the punishment of enslaved people by flogging, whipping, and binding by white men overseers in a shack; an auction of enslaved people; a free African American woman with a child watching the destruction of her free papers as she is kidnapped from the street; an anguished enslaved mother being separated from her children by a white man involved in the slave trade; and the shipping of enslaved people to New Orleans from a Baltimore dock. Also contains an excerpt about the rights of human beings from William Ellery Channing's abolitionist text, "On Slavery," below the image., Title from item., Advertised in the New York American Anti-Slavery Society newspaper, Emancipator (March 1836), p.3., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2003, p. 45-46.
Date: [1836]
Location: Library Company of Philadelphia | Print Department political cartoons - 1836 Vie [P.2003.10], http://www.lcpimages.org/afro-americana/F-Views.htm

Title: "No higher law."
Description: Antislavery print denouncing the immorality of the Fugitive Slave Law by exploiting abolitionist Senator William H. Seward's famous quote that "a higher law" than the Constitution should exist regarding slavery. Shows "King Slavery," depicted as a bearded, bare-chested, white man, attired in a crown made of finger bones and armed with pistols in his waistband. The King sits and leans upon the arm of his throne composed of the "Fugitive Slave Bill," the Bible, and human skulls as he defiantly holds a whip of chains above his head. An American flag on a pole billows behind the throne. Below the throne, Seward, depicted as a priest, looks up and raises his left hand toward the King. He stands before a cat-faced altar inscribed "Sacred to Slavery," which rests upon a book of "Law" and pours oil from a container onto the altar fire, generating clouds of smoke. In the right, three enslaved men squat with their heads bowed. Senator Daniel Webster gestures toward them and holds a paper supporting the Fugitive Slave Bill "to the fullest extent." Near them, "Freedom," depicted as a bearded, white man and attired in a robe, displays his sense of defeat by removing his crown and lowering his liberty pole. In the left, an African American man freedom seeker fends off dogs attacking him. An African American woman freedom seeker and two children flee from two white men mercenaries on horseback and run toward a white woman with outstretched arms in front of a house. In the right background, the figure of Liberty falls from her pedestal., Title from item., Place of publication inferred from the residence of the distributor., Weitenkampf suggests date of publication as 1851., Text printed on recto: Price $3 A Hundred And Six Cents Single Copy., William Harned was an abolitionist printer in New York who also published the pamphlet, "The Fugitive Slave Bill:...." in 1850. (LCP Am 1850 Fug 16809.D.1)., A.B. Maurice and F.T. Cooper's The History of the 19th century in caricature (New York: Dodd, Mead, and Company, 1904), p. 156., Lib. Company. Annual Report, 2000, p. 40-2., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1851]
Location: Library Company of Philadelphia | Print Department political cartoons - 1851 - 2W [P.9739]

Title: Emancipated slaves Brought from Louisiana by Col. Geo. H. Hanks. The children are from the schools established by order of Maj. Gen. Banks
Description: Abolitionist group portrait of emancipated enslaved men, woman, and children, freed by Union General Butler in New Orleans, on tour through the North to raise funds for the emancipated enslaved schools of Louisiana. Depicts Wilson Chinn, his forehead branded with the initial of his former master; Colonel Hank's cook, Mary Johnson; ordained preacher, Robert Whitehead; African American child, Isaac White; and the fair-skinned children Charles Taylor, Augusta Broujey, Rebecca Huger, and Rosina Downs. Names of the emancipated enslaved people printed below image., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863, by Geo. H. Hanks, in the Clerk's Office of the United States for the Southern District of New-York., Image reproduced as wood engraving with accompanying article in Harper's weekly, January 30, 1864, p. 69 and p. 71. (LCP **Per H, 1864)., Copyrighted by George H. Hanks, abolitionist, civil rights activist, and Civil War colonel., Label on verso: The nett proceeds from the sale of these Photographs will be devoted exclusively to the education of colored people in the Department of the Gulf, now under the command of Maj. Gen. Banks., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait photographs - emancipation [(1)5786.F.108]

Title: Practical illustration of the fugitive slave law
Description: Antislavery print depicting a fight between Northern abolitionists and supporters of the Fugitive Slave Law of 1850. In the left, abolitionist William Lloyd Garrison and an African American man both raise guns to protect an enslaved African American woman who is attired in a head kerchief, earrings, a short-sleeved dress, and shoes. She raises both arms in the air and clutches a handkerchief in her right hand and exclaims “Oh Massa Garrison protect me!!!” Garrison wraps his right arm around her and says, “Don’t be alarmed, Susanna, you’re safe enough.” In the right, the white man mercenary, attired in a top hat with a star on it, who may represent the federal marshals or commissioners authorized by the act (and paid) to apprehend freedom seekers, carries a noose and shackles. He sits astride Secretary of State Daniel Webster, who is on his hands and knees clutching the Constitution and bemoaning, "This, though constitutional, is extremely disagreeable." Behind them a white man, possibly John C. Calhoun, declares "We will give these fellows a touch of Old South Carolina" and carries two volumes labeled "Law and Gospel." Another white man carries a quill and ledger and says "I goes in for Law & Order." In the background, a number of men on both sides fight. A white man lies on the ground on his back. An African American man grabs a white man enslaver by the head and holds a whip while saying “It’s my turn now Old Slave Driver.” A "Temple of Liberty" stands in the background with two flags flying which read, "A day, an hour, of virtuous Liberty is worth an age of Servitude," and "All men are created free and equal.", Title from item., Probable place and date of publication supplied by Reilly., Weitenkampf attributed this cartoon to the New York artist Edward Williams Clay, but Reilly refutes this attribution on the grounds that the draftsmanship, signature, and political opinions are atypical of Clay., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1850 or 1851]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1851-6 [5760.F.104]

Title: A grand slave hunt, or trial of speed for the presidency, between celebrated nags Black Dan, Lewis Cass, and Haynau
Description: Cartoon criticizing presidential candidates Daniel Webster (i.e., Black Dan) and Lewis Cass's avid support for the enforcement of the Fugitive Slave Law during the election of 1852. Shows Webster, carrying a copy of the Fugitive Slave Law and a flag, leading a group of white men, including the lagging Michigan Senator Lewis Cass; the infamously cruel Hungarian General Baron Haynau with a pitcher of "Barclay Best" on his head (a symbolic reference to the brewery workers who attacked him in England); and President Millard Fillmore holding a Fugitive Slave Bill. They pursue an enslaved African American woman who runs clutching a baby in her arms and holding the hand of her young son. Additional figures in the background include Horace Mann, Massachusetts Congressman and opponent of the Compromise of 1850; an orator resembling Webster bombasting Mann before a group of kneeling white men admirers; a preaching white man minister with Bible in hand; and an African American woman freedom seeker with her child being tugged between a yelling man and a white man mercenary carrying handcuffs., Title from item., Date of publication supplied by Weitenkampf., Purchase 1967., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1852]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1852-7W [P.9676]

Title: The result of the Fifteenth Amendment, and the rise and progress of the African race in America and its final accomplishment, and celebration on May 19th A.D. 1870
Description: Print commemorating the passage of the Fifteenth Amendment containing a large central scene of the celebratory parade held in Baltimore in May surrounded by several bust portraits and vignettes. Parade is led by several African American Zoaves down Monument Street, which is lined with African American and white men, women, and children spectators. Bust-length portraits of African American civil rights supporters above and to the sides of this scene include Abraham Lincoln; Baltimore jurist Hugh Lennox Bond; abolitionist John Brown; Vice-President Schuyler Colfax; President Grant; Pennsylvania representative Thaddeus Stevens; Maryland representative Henry Davis; Massachusetts senator Charles Sumner; Martin Robinson Delaney; Frederick Douglass; and Mississippi Senator Hiram Revels. Vignettes include a plantation scene depicting enslaved African American men and women working in a cotton field while a white man stands looking on titled, "we are in bondage, deliver us!; a Civil War battle with African American troops; a classroom with an African American man teacher and African American students titled, "Education will be our pride"; an African American congregation; and a parade of African American Masons holding banners., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1870 by Metcalf & Clark, in the office of the Librarian of Congress at Washington., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1870
Location: Library Company of Philadelphia | Print Department *political cartoons - 1870-2 [7764.F]

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