Search results

Title: [African American family in front of their Pennsylvania residence]
Description: Depicts the African American family of four women, two men, and a boy posed in front of their two-story house with a porch, trellis, and picket fence. In the left, an older African American man, wearing white hair, stands behind the picket fence and looks directly at the viewer. A woman, wearing her hair tied up in a bun and attired in a long-sleeved dress with decorative stripes at the bottom, stands with her left arm resting on top of the open gate and looks to the left. Three women, attired in brimmed hats and long-sleeved dresses, stand resting an arm on the picket fence. The barefooted boy, attired in a cap, a shirt, a collared jacket, and pants that end just below the knees, stands next to a dog. In the right, the man, wearing a mustache and attired in a bowler hat, a shirt, a jacket, pants, and shoes, holds the reins as he sits on top of a horse, which stands on the sidewalk in front of the house., Title supplied by cataloger., Mount has decorative gold border., See accompanying manuscript notebook United States View Company's Instructions to Salesmen. (P.9502)., Gift of Martha Graybill, 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The United States View Company, was established by Newton Graybill and Lewis Garman of Richfield, Pennsylvania in the 1890s. It was one of several view companies which employed operators and salesmen to photograph and sell the prints of small town residents posed in front of their homes and community buildings.
Creator: United States View Company, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - United States View Company - residences [P.9253.74]

Title: [African American woman nursing a baby on a porch in the presence of a man]
Description: Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in a polka-dotted shirt and a checked skirt, cradles an infant on her lap as it suckles on her breast. Seated in the right, the African American man, attired in a hat, a long-sleeved white shirt, a ring, and pants, looks over at the mother and child. On the porch is a wooden chair beside the closed door., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note on verso: Herr Klebenice?, Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2002.8.5]

Title: Afro-American historical family record
Description: Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
Date: 1899
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]

Title: Album
Description: Album of genre scenes depicting European life in the country. Several contain children and animals, who are often in rural and buccolic settings. Includes plate 19 showing a Gypsy boy, with a monkey on his shoulder, and accompanied by two dogs walking past a farm; plate 20 showing a figurine peddler dropping his wares when frightened by a mother dog protecting her pups at a rustic family homestead; plate 3 depicting a woman, a rifle over her shoulder, guiding the horse of a Zouave soldier away from his fellow troops; plate 2 depicting a woman, with a book, possibly a Bible under her arm, walking with two boys past two men working in their garden; plate 5 showing a family in a canoe fishing with a net; plate 6 showing young hunters stealing the game of their napping companion; plate 7 depicting a young farm girl asleep near a picnic basket and a dog while her elders build hay huts in the background; plate 8 depicting a gypsy violinist with his dog near a stone wall and under the gaze of a barefoot peasant boy and girl; plate 9 showing a girl wading near an unhappy duck family in a river below a mountain range accompanied by a young male companion seated on the shore; plate 10 showing two young farm women attending to rabbits in the doorway of a hutch; plate 11 showing a peasant woman, carrying a bundle of wheat, and with a girl on a dirt road who watch a man, with a specimen box, seated near his net and holding a snake; plate 12 showing a wife in traditional costume leading a mule carrying her peasant husband and their child and a large bundle; plate 13 showing a father and his two young girls ice fishing with their dog and a picnic basket; plate 14 showing two girls gathering fire wood near a frozen river and with their dog; and plate 14 showing a girl making a floral wreath near another girl petting a dog attended by a boy on a hillside below a castle-like structure., Also includes plate 16 showing a toddler boy in a gown and socks walking to his mother seated next to his father in their rustic home; plate 17 depicting an older peasant boy and young woman attempting to wake a peasant girl sleeping on a hay bale in a farm field; an unnumbered plate showing an older boy disrobing for a swim beside a dog and a younger boy leaning on a pier near the ocean; and plate 4 showing a girl standing near a boy petting a dog laying near a tree on which a hunter's bag, rifle, and cap hang., Inscribed on front free endpaper: Maggie A. Fleming, June 1850., Title stamped on front cover., Green morrocco binding., Plate numbers printed in upper right corner of all, except one print. Bound out of order., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Helen Beitler Graphic Ephemera Collection., Gift of Helen Beitler and the estate of Helen Beitler.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - album [9475.F]

Title: ASSU Illustration 3363
Description: Block numbered in two places: 3363, also 717 on small adhesive label on back of block., Image of a man grasping the throat of a woman and making a fist with his other hand while two small children attempt to restrain him; a table, a chair, a tankard, and other objects are overturned on the floor; a second woman standing in the doorway waves one of her arms.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 21

Title: ASSU Illustration 6081.
Description: Block numbered 6081 in two places., Image of six people, possibly a family, standing near a dining table; the table is set for a meal., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Date: [between 1861 and 1876?]
Location: ASSU Woodblocks -- Box 32

Title: ASSU Illustration 6320.
Description: Block numbered 6320 in three places., Image of seven people, possibly a family, seated around a dining table; the table is set for a meal; a dog is in the foreground., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “A.S.S.U.”—Back of block in three places.
Date: [between 1861 and 1876?]

Title: "Be patient, dear; don't swear."
Description: Comic genre photograph set in a kitchen, showing a man who has just fallen off of the stool he was standing on as he tried to fix the stove. His wife and daughter reach to help him up., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9319.4]

Title: Bits of nature and some art products, in Fairmount Park, at Philadelphia, Penna
Description: Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [1878-1894]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]

Title: Book of cabinet chromos 1881
Description: Subscriber's premium comprised of a series of titled chromolithographs depicting portraits of historical figures and genre, religious, sentimental, and allegorical scenes. Images include "Beauty and Her Pets" showing a young lady feeding doves at her window garden; a robed woman "At The Cross"; the "Autumn Beauties" of a girl on a swing with her cat in her lap; a woman picking flowers in "Shoo Fly"; "The Sailor Girl"; "Our Idol," a lavishly attired Victorian girl; a woman near a fireplace showing "Maternal Affection" as she holds her baby to her breast; "The Flower Angels"; "The Angel of Song" in a bird's nest; a "Little Tot" of a girl; "The Flower Girl" in a wooded area with her dog; "Young Captain Jinks"; "Little Buttercup"; a woman pondering "Yes Or No" to a written marriage proposal; the engaged woman holding a portrait photograph in "Yes"; portraits of George and Martha Washington and Henry W. Longfellow; chicks confronting "The Unwelcome Visitor" of a frog; a mother kissing the hand of her daughter - "Grandma's Pet" - in a highchair next to her grandmother; "The Angel's Message"; "A Merry Christmas" and "Happy New Year" family portrait; "The Young Student" reading on a grassy cliff overlooking a cove; puppies learning "The First Lesson" of hunting vermin; "Puss in Boots" showing a kitten in a boot; the buck "The Monarch of the Glen"; a girl covered in ink from her "Little Mischief" to write with a quill pen; children "Fruit Gatherers" at a fruit tree by a lake; and a woman on an evening "Meditation" near a sun dial., Copyrighted., Presented to every subscriber to The People’s Illustrated Fireside Magazine., Case shaped liked book binding and illustrated on recto and verso. Images include vignette showing a hearth and floral and geometric pictorial details., Text on spine reads: Premium with The Peoples Illustrated Fireside Magazine. 32 Gems., Prints numbered lower left corner: 1-2; 4-23; 26-33. Some in manuscript., Peleg Orison Vickery, publisher and politician, established Fireside Magazine in 1874. The periodical contained fictional stories and served as a mail order catalog., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: 1881
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection [P.2011.10.1a-dd]

Title: A bran new coon in town
Description: Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1898
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]

Title: Bread St. bel. Arch St
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm

Title: Bread St. bel. Arch St
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm

Title: Bread St. bel. Arch St. A Jewish family and a delegation of the darktown brigade
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats. Smoke from a fire in the street wafts in front of the children., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: Wisp of haze near centre of picture is smoke from a fire in the street opposite the house. Certin [sic] rooms in the building had just been papered and a bonfire was made of the refuse. This house is about 125 yrs old. Note the splendid condition of the brick work and mortor [sic] joints. Bricks were carfully [sic] made in those days. The proper proportion and careful selection of loam, shale and sand was an art. Then too the drying and baking of the brick was of vast importance and was done with the utmost attention towards the securing of the best results. These bricks were baked with wood fires, as was the lime on which they were laid. Explain why wood baked lime and bricks are superior to the coal baked product., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.84], http://www.lcpimages.org/wilson/wilson84.htm

Title: The Camden & Atlantic Railroad. The short and popular route to Atlantic City Pocket time card-season of 1882. Depots in Philadelphia foot of Vine-Street and Shackamaxon Street
Description: Illustrated trade card depicting a vignette of a well-dressed family on the beach, including the father wearing a top hat and cane and the mother holding a yellow parasol. Two girls play near the waves while their parents look on. Vignette inset into a larger scene depicing a sailboat in the ocean, a lighthouse, and seashells lining the shore in the foreground. The Camden & Atlantic Railroad began regular service between Camden and Atlantic City, New Jersey in 1855. The railroad was taken over by the West Jersey & Seashore Railroad in 1883., Contains a condensed timetable ("summer arrangement") for trains traveling between Atlantic City and Philadelphia printed on verso. Includes times for the South Atlantic City Branch and the locations of ticket offices in Philadelphia, Germantown, and Camden, New Jersey., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1882
Location: Library Company of Philadelphia | Print Department trade card - Camden [1975.F.25]

Title: Darien Expedition. Comd'r Selfridge, comd'g
Description: Series of titled views from T.O. Selfridge's Darien Expedition include, "Sea, curving Cupica Bay," "U.S.S. Nipsic, Columbia Bay," "Limon River, at the falls," "Santa Maria del Real," "Cliffs, Limon Bay," "Natural Arch, Cupica Bay," "Islands, Cupica Bay," "Family scene, Cartagena," "Mango tree, near Pinogana," "A group of natives, Chipigana," "Scene Chipigana, Gulf of Darien," and "Cocoa Grove, near Turbo." Images depict rock formations, small islands, and waterfalls in various bodies of water, including Cupica Bay, Limon River and Limon Bay; a mango tree near Pinogana and a cocoa grove near Turbo; the steam gunboat U.S.S. Nipsic in the Colombia Bay; the village of Santa Maria del Real from the water; and two group portraits of locals, including a group standing outside of two huts in Chipigana, and a view of a family in their home in Cartagena. Views from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Titles on mounts., Publication information supplied by William C. Darrah., Contains seven stereographs mounted on yellow stereograph mounts and five on buff stereograph mounts, all curved with rounded corners. All contain manuscript notes on versos: Bessie E. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1870 or 1871]
Location: Library Company of Philadelphia | Print Department stereo - Darien Expedition [66653.D.1-12]

Title: [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
Description: Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator: Gillingham, Deborah Passmore, 1820-1877, compiler
Date: [ca. 1810-ca. 1910, bulk 1830-1850]
Location: Library Company of Philadelphia | Print Department albums [P.2019.6]

Title: [D.S. Ewing trade cards]
Description: Series of illustrated trade cards depicting a postcard of a dwelling labeled "new home" tucked into flowers and a beach scene showing siblings (brother and sister) on the beach, a boat with a sail labeled "new home", and a sewing machine in the sky. The boy has a patch with the initials "N.H." sewn onto the back of his pants and a caption under their feet reads: Sister.--What are the wild waves saying? Brother.--This patch was put on by the light running new home sewing machine., One print [P.9737] contains seller's stamp on verso: G.A. Buck, dealer in sewing machines, organs, etc. Weissport, Penna., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Ewing [P.9737 & P.9754]

Title: A pl easant evening at home
Description: Genre photograph showing an interior view of a family recreating in their den or living room. Shows a mother watching her two daughters as one plays the piano and the other holds sheet music. Their father reads the newspaper nearby., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and St. Petersburg, Russia., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9738]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Emancipation Freedom for all, both black and white!
Description: Print depicting the Emancipation Proclamation for both African Americans and whites including equal opportunity to education. Depicts Lincoln raising his right hand and holding the "Emancipation Proclamation" in his left hand in the center between a poor white family and an enslaved African American family. Both families, attired in torn and worn clothing, stand and kneel as they hold their clasped hands up toward Lincoln, who treads upon broke shackles and a serpent. A "Spelling Book" lies on the ground near them. In the background, Union soldiers stop a white man enslaver from whipping a shackled and enslaved African American woman and children enter "Public School, No. 1." From the roof of the school waves a flag inscribed "Education to all Classes." Contains text from the Proclamation above the image, "and by virtue of the power and for the purpose of the aforesaid, I do order and declare that all persons held as slaves, within designated States and parts of States are, and henceforward shall be free!", Title from item., Date from copyright statement: Entered according to the act of Congress A.D. 1865 by J.L. Magee in the Clerk's Office of the District Court of the Eastern District of Pennsylvania., Magee, a lithographer, painter, and cartoonist, established his own firm in Philadelphia in 1850., LCP exhibition catalogue: Negro History, p. 77., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department GC - Emancipation [P.9702]

Title: Emancipation: the past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person’s home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person’s cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel, who has the year 1863 above his head, is held by Father Time; Thomas Crawford’s statue of freedom; and the hellhound Cerberus fleeing liberty., Title from item., Originally published in Harper's weekly, January 24, 1863., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3 variant [(10)1540.F]

Title: [Family posed in front of clapboard house]
Description: View showing a family, including a baby in a carriage, posed in front of their residence, probably in Philadelphia. Family members stand on the porch and on the sidewalk. Trees adorn the front yard., Title supplied by cataloguer., Date inscribed on recto., Photographer's monogram inscribed on recto., Originally part of a McAllister scrapbook of American views., Retrospective conversion record: original entry, edited.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: September 1860
Location: Library Company of Philadelphia | Print Department photo - Odiorne - C [5739.F.87b]

Title: First of April
Description: April's Fools Day interior genre scene showing a man attired in a dressing gown holding the limp body of cat upside down by its tail. His wife, daughter, and a boy in uniform, possibly his son, observe nearby. The boy crouches near wicker baskets from which the man pulled the cat's body., Title from printed label pasted on verso., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, No. 31., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.9022.67]

Title: Freedom to the slaves. Proclaimed January 1st 1863, by Abraham Lincoln, President of the United States. “Proclaim liberty throughout all the land unto all the inhabitants thereof”__ Lev. XXV 10
Description: Civil War print evoking the Emancipation Proclamation depicting a freed, enslaved family with Abraham Lincoln in an outdoor setting. Shows Lincoln standing in the right, bearded, attired in a suit, and pointing the finger of his right hand into the air (and to the heavens) while his left hand is being kissed by the African American father of the family. The man, attired in shirtsleeves tucked into striped pants, kneels, and holds the right hand of Lincoln with his left hand as he kisses it. His right arm is by his side and his right hand holds a yellow, brimmed hat to the ground. Part of a broken shackle is under Lincoln’s foot by the left knee of the man. Behind the African American man, stands his African American woman partner holding a baby to her chest. She holds the baby’s arm with her left hand and their bottom with her right. A young child in a thigh-length smock with ragged edges stands at her right side. The woman wears a tied, green-striped head band around her forehead, a shawl with stripes, and a pink sheath dress with a floral pattern. Patches of grass are visible in the foreground and the roof and chimney of a dwelling are visible in the background., Title from item., Date inferred from content., Purchased in part with the Davida T. Deutsch African American History Fund., Description revised 2022., Access points revised 2022.
Creator: Currier & Ives
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Emancipation [P.2020.21]

Title: Future rulers of Florida U.S.A
Description: Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]

Title: [The Goodwin Gas Stove & Meter Co.'s Sun Dial gas stove trade cards]
Description: Illustrated trade cards depicting before and after scenarios entitled "Before they had the "Sun Dial" gas stove" and "After they had purchased the "Sun Dial" gas stove". In the "before" scene, a disheleved female domestic worker, surrounded by debris, drops cinders and sets the stove on fire as a concerned and hesitant family enters the room. In the "after" scene, with the aid of a Sun Dial stove, the pleasant and well-groomed maid has already prepared breakfast and tidied the dining area as the happy family enters the room for breakfast. The Goodwin Gas Stove & Meter Company was founded by William Wallace Goodwin and his father Oliver W. Goodwin., Title supplied by cataloger., Before they had the "Sun Dial" gas stove caption [1975.F.791]: "Sure Sor! says Biddy "it's not my fault this breakfast's not ready; faith I used all the morning paper and a sup of kerosene too and bedad it smokes like a chimney yet. Indade Sor, you've frightened me so I've split all the cinders.", After they had purchased the "Sun Dial" gas stove caption [1975.F.867]: Indade Mum, the breakfast will always be ready on time since you got the "Sun Dial," sure the work's so aisy now, I was thinking Mum I wouldn't object to a small reduction of my wages., Advertising text printed on versos promotes gas burning stoves and includes numbered lists of advantages over coal and "ordinary gas stoves"., One print [1975.F.791] contains the trademark printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Sun Dial [1975.F.791 & 1975.F.867]

Title: Grandfather's visit
Description: Puzzle showing a family, including a mother, father, grandfather and two daughters, working and playing outside on their homestead. The mother and father work in the garden, as the daughters play with various toys, including dolls, a drum, horn, and sword. Also shows a mill building with a waterwheel in the background., One of four puzzles housed in clamshell box., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.3]

Title: H. Rendtorff, wholesale and retail dealer in stoves and hardware, 291 & 293 North Ave., Chicago
Description: Racist trade card depicting an interior scene of a set of African American conjoined twin sisters, their mother, their father, and their male suitor. The twins curtsy and their suitor bows his head. The twins are attired in a yellow and red dotted dress with a roffled hem and white collars. Their mother is attired in a blue and red dress with a white apron. The twins' father is attired in a green jacket, a white collared shirt, a yellow bow tie, red pants, and black boots. The twins' suitor is attired in a black jacket, a white collared shirt, a red bow tie, red and blue striped pants, and black shoes. He holds a brown hat in his right hand to his chest. Visible in the background of the scene are framed works of art on the wall, a table, a vase with flowers, a window, and a clock. All of the figures are portrayed with exaggerated features. The illustration is based on a racist series of African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship, marriage, and the start of families by "The Twins." A Bismarck Range stove is depicted on the verso of the trade card. Herman Rendtorff was a Chicago stove and hardware merchant whose business operated throughout the latter half of the 19th century., Title from item., Text printed on recto: Introduction of the Twins., Advertising text printed on verso: The celebrated Bismark Range. Manufactured by Burdett, Smith & Co., Troy, New York, And 34 River St., Chicago, Ill., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Rendtorff [P.2017.95.148]

Title: The industrious man It is Saturday night. The industrious man returns home from his labour in peace-He is welcome to an humble home-Pleasant smiles and happy voices greet him. Let him fear and serve God will bless him and his household for ever
Description: Shows a man returning to his quaint home and family convened around the dining table after a day of work. He enters the door with a lunch pail in his hand and greets his son who runs to him. In front of the table, laid out with a pot of tea, an older daughter uses a plate of water to bathe her younger sister who has been stripped to her waist. At the end of the table, the mother holds a baby at her bosom. Nearby, the family cat sits in front of the stove slightly visible in the right of the image., Not in Wainwright., pdcp00026, Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Manuscript note on verso: James L. & Isaac W. Morris from Aunt Sarah [Pitrom’s?] Christmas 1849, Accompanied by text titled "Welcome Home" moralizing that a happy home stems from a strong work ethic by the "honest laborer" who is one of the "noblest of men.", Philadelphia on Stone, POSP 117, Free Library of Philadelphia: Philadelphiana - American Sunday School Union
Creator: Traubel, M. H. (Morris H.), 1820-1897, artist
Date: [ca. 1849]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - American Sunday School Union

Title: It stands at the head. "Domestic" sewing machine
Description: Racist trade card promoting Domestic Sewing Machine Company and depicting a caricaturized genre scene of an African American family looking to their right at a billboard on the side of a building. The figures are portrayed with exaggerated feaures. Shows an older, squat man, a woman, and three children seated and standing in a horse-drawn cart halted on a dirt road. An older boy stands behind the cart. The man, attired in a top hat; a ragged jacket; a shirt with bowtie; and pants with patches on the knees and suspenders sits smiling and holding in his hands a stick and the reins of his horse that wears blinders. The woman, attired in spectacles; a straw hat with a decorative ribbon that is tied under her chin in a bow; a long-sleeved dress; and a shawl stands up inside the cart. She holds a baby in her left arm and points at the billboard with her right hand. A boy attired in a long shirt and pants sits beside the man in the front of the cart. Behind the man, a girl attired in a bonnet stands. The boy outside of the cart is barefooted and attired in a cap; a shirt; and ragged pants with a hole at the knee, and carries a basket. A dog, its tail between its legs, hunches underneath the cart. In the left, the billboard is illustrated with a sewing machine in the center of a star with the advertising text around it. Text reads: "It stands at the head : Copyrighted by the "Domestic" Sewing Machine Co. The star that leads them all. Unequalled for simplicity of construction ease of operation and durability. The light running "Domestic" sewing machine." In the distant right background a house is visible. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on recto: E.R. Bumps, jeweller, Waldoboro, ME., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.51]

Title: [John Mundell & Co. trade cards]
Description: Series of illustrated trade cards for John Mundell & Co.'s solar tip shoes manufactured in Philadelphia. One illustration, labeled "Girard College Philada, where 200 boys wear our solar tip shoes," depicts a small group of girls watching a large group of boys playing ball on the lawn in front of Founder's Hall, Girard College. A marching band passes through in the background. Also shows two scenes, "The foolish man" depicting a flustered father surrounded by bills and upset children wearing worn shoes juxtaposed with "The wise man" who purchased solar tip shoes and is surrounded by happy, smiling children. Girard College, designed by Philadelphia architect Thomas Ustick Walter and constructed between 1833-1847, occupied a site between what became Girard Avenue and Ridge Avenues at Corinthian Avenue. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Printers and engravers include E. Ketterlinus & Co. (Philadelphia)., Advertising text printed on versos includes John Mundell & Co.'s trademark and promotes solar tip shoes., Distributor's imprint printed on verso of P.9806: At wholesale by McKee & Branham, Indianapolis, Ind., Distributors' imprints printed on verso of P.9800: wholesale dealers, Dunn, Salmon & Co., Syracuse, N.Y.; sold at retail by M.E. Aldrich, Philadelphia, N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Mundell [P.9800 & P.9806]

Title: [John Wanamaker's Grand Depot trade cards]
Description: Series of illustrated trade cards for John Wanamaker's Grand Depot at Thirteenth and Market Streets in Philadelphia, opened in 1876 to cater to Centennial Exhibition crowds. Illustrations depict a butterfly; two children walking outside with their parents; a harp with the figure of a mermaid forming the column; a round pediment inscribed "Constitution" resting on three caryatids; yellow flag with two horizontal red stripes; exterior views of the Grand Depot with pedestrian and vehicular traffic in the foreground; a girl feeding birds; a girl eating a piece of fruit; head portraits of girls wearing bonnets; cranes standing in water; sprays of flowers; children and a dog gathered around a piano, one of them playing a flute; a Japanese man tripping two boys with spools of "Stafford braid"; and two men dueling with swords., Title supplied by cataloger., Two prints [1975.F.945 & 947] part of Wemple & Kronheim's Series No. 43., Two prints [1975.F.908 & 999] copyrighted 1877 by L. Prang & Co., Two prints [1975.F.945 & 947] copyrighted 1879 by Wemple & Kronheim, N.Y., Two prints [1975.F.985 & 986] copyrighted 1878 by L. Prang & Co., Boston., Printers and engravers include L. Prang & Co. (Boston), Wemple & Kronheim (New York), Donaldson Brothers (New York), S.C. Duval (Philadelphia), Mayer, Merkel & Ottmann (New York), and Marcus Ward & Co. (Belfast)., Eight prints contain advertising text printed on versos., Two prints contain calendars printed on verso, one [1975.F.922] for 1881 and the other [P.9577.12] for 1900., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1877-1900]
Location: Library Company of Philadelphia | Print Department trade card - John Wanamaker [1975.F.316; 1975.F.908; 1975.F.918; 1975.F.920-922; 1975.F.943; 1975.F.945; 1975.F.947; 1975.F.954; 1975.F.956; 1975.F.985 & 986; 1975.F.989; 1975.F.999; 1975.F.1005; 1975.F.1008; P.9577.12]

Title: The light-running New Home sewing machine, D.S. Ewing, general agent, 1127 Chestnut St. Phila, PA
Description: Racist trade card illustration depicting an African American family riding a donkey and leaving their small cabin, which is likely located on or near a plantation. The family consists of a father, son, mother, and baby. Surrounding the family are two small dogs, two children waving goodbye on a wooden fence, a child who tugs the donkey's tail, a woman bidding the group farewell with her arms outstrethced, and a man who sits on the steps of the cabin in the background. A second cabin is visible in the background of the image behind the wooden fence. The father is attired in a yellow coat, a white and black top hat, and shoes. The son is attired in a white dotted shirt, a hat, plaid yellow pants, and shoes. The mother is attired in a yellow shirt, a white bonnet, a blue dotted shirt and shoes. She holds the baby in a wrapped blanket and gestures toward the onlookers behind her. A sign shaped like an arm with a hand pointing its index finger is situated beside the wood fence and reads "New home." In the upper right corner is a circular image of a New Home sewing machine. Daniel S. Ewing was a Philadelphia merchant who sold sewing machines at his eponymous store. The store was located in Philadelphia on Chestnut Street., Title from item., Text on recto: We's gwine to get a new home we is!, Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - New Home [P.2017.95.140]

Title: "Look upon this picture and on this." Shakespeare Intemperance and temperance
Description: Allegorical genre scene showing an intemperate and temperate family in front of a tree on the banks of the Schuylkill River. In the left of the image, a man dressed in ragged clothing leads his somberly-dressed wife and barefoot sleepy child from a dilapidated tavern down a weed strewn path. At the tavern, men drink, cajole and are passed out on the porch underneath the tavern sign adorned with the image of a pig. Pigs laze and eat from a trough beside the drinking establishment. In the right of the image, a well-dressed couple watches their child pick flowers into a basket as others picnic on the grass in the background. In the distance, the Fairmount Waterworks is visible. Also shows the half of the tree on the intemperate side dead and leafless while the other half on the temperate side is full of foliage., Not in Wainwright., Name of printer partially crossed out and deduced by cataloger., Manuscript note pasted on verso: The original sketch of this picture was made by Thomas Birch, about the year 1826. His daughter Mrs. Veacock, now (Aug. 1891) living at the age of 83 years remembers seeing her father working at the drawing. This copy was found in her garret where it had been for many years., Label pasted on verso: Presented to the Historical Society of Pa. by A. R. Thomas, M.D., Philadelphia on Stone, POS 443, Revised August 2018 based on copy at American Antiquarian Society, Lithf Chil Birc Look. Originally recorded Childs & Lehman as printer with ca. 1834 as the publication date., Historical Society of Pennsylvania: Bb 61 B 617, Inscribed in verso: Taken off the wall, 1940.
Creator: Rider, Alexander, artist
Date: [ca. 1832]
Location: Historical Society of Pennsylvania HSP Bb 61 B 617

Title: [Migrating African Americans emancipated from enslavement]
Description: Drawing by Alexander Kitzmiller, a 24-year-old Pennsylvania German, prisoner Number 4780 at Eastern State Penitentiary. Depicts two African American families of freedom seekers emancipated from enslavement, portrayed in racist caricature, migrating on horseback and on foot. In the left, an African American man, barefoot and attired in a yellow hat, a blue collared shirt, and orange and white patterned pants, rides on a mule with his son and daughter. Behind him walking on foot is a boy, attired in a soldier’s cap, a red collared shirt with a red tie, and blue pants with suspenders and the African American mother, attired in a red head kerchief, hoop earrings, a yellow dress, and yellow and black shoes, who holds the arm of her daughter. The young girl, attired in a blue hat and a red and white striped dress, carries a Black doll. In the right, another family walks, including an African American man, attired in a yellow hat, a red and white striped collared shirt with a brown tie, white pants, and black boots, who carries a bundle on a stick; an African American woman, attired in a white head kerchief, hoop earrings, a red dress, and yellow and black shoes, who carries a baby on her shoulder, and a boy, attired in a soldier’s cap, an orange collared shirt, blue pants with suspenders, and brown shoes, who has his hand in his pants pocket. Adaption of Francis B. Schell's illustration, "Arrival at Chicksaw Bayou of the negro slaves of Jefferson Davis, from his plantation on the Mississippi," published in Frank Leslie's Illustrated newspaper on August 8, 1863., Title supplied by cataloger., Date inferred from content and tenure dates of S.W. Woodhouse as physician at Eastern State Penitentiary., Manuscript note on verso: Presented to me by a German prisoner in the State Penitentiary of Pennsylvania during my residency there. S.W. Woodhouse, M.D., Woodhouse was a Philadelphia surgeon, naturalist, and pioneer ornithologist who served as resident physician at the Eastern State Penitentiary from 1862 to 1863., Lib. Company. Annual report, 1997, p. 37., Purchase 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kitzmiller, Alexander, approximately 1839-, artist
Date: [1863]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - Kitzmiller [P.9547]

Title: Mother and great-grand-aunt of the two daughters
Description: Group portrait of woman holding her two daughters with her aunt sitting next to her on a couch., Title from photographer's manuscript note on verso., Photographer's manuscript note on verso: Age of the g-g-a 103 yrs. Does not wear glasses, can walk, attend to household duties and possesses a remarkable memory. Is hard of hearing but can keep up a rapid fire conversation. Has a fine sense of humor. Eats what she wants, when she wants it, does not worry and has never had indigestion. Age authentic. (Relate story of the fractured hip and dislocated shoulder blade). Had her hair bobbed., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: ca. 1923
Location: Library Company of Philadelphia | Print Department Wilson 113 [P.8513.113], http://www.lcpimages.org/wilson/wilson113.htm

Title: Muzzy's sun gloss starch. Elkhart Starch Co
Description: Racist trade card promoting Elkhart Starch Company and depicting a domestic, genre scene of a white family and an African American woman domestic on wash day. The woman is portrayed as a caricaturized figure. Shows in the right, the women domestic, attired in a red and yellow head kerchief; gold earrings; and a blue and white dress with gold buttons and the sleeves rolled up to her elbows, standing behind a wooden table with an iron on it. She holds up a stiffly starched and unwrinkled white collared shirt in front of the well-dressed mother and her three children. The reflection of the mother is seen on the shirt. In front of the mother, her brown-haired older son , attired in a white collared shirt and a yellow jacket, points his finger at the shirt. To his right, his younger, brown-haired sister, attired in a yellow dress with white ruffles at the neck and sleeves, reaches both arms toward the shirt. Beside her, a cat sits up at the table and looks at the shirt. Between her and her brother, the older blond- haired sister, attired in a blue dress with white ruffles at the neck and sleeves, a yellow bowtie, and a red sash tied around her waist, hands a box labeled "sun gloss starch" to her mother. In the left, the young mother with long brown hair and attired in earrings; a necklace with a red pendant; and a red dress with white ruffles down the middle and at the sleeves; reaches her right hand out to the box of starch. She cluthches an ornate fan to her chest in her left hand. In the far left, through a doorway, the young father attired in a black jacket with tails; a white collared shirt; and white pants with blue stripes, holds a top hat, stands in a hallway, and looks into the room. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Advertising text printed on verso: "Elkhart Starch Co. Elkhart, Ind. Manufacture Muzzy's Sun Gloss refined & corn starch. Of superior quality, by a new process. A thorough test makes it a household necessity. Muzzys corn starch is the purest & best made. Capacity ten tons of starch per day." Includes an illustration of a train running past the Elkhart starch works manufactory., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Elkhart [P.2017.95.56]

Title: No. 10 The event Or where "2 pair is better than 4 of a kind"
Description: Tenth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the tall husband of one of the twins, twin babies in hand, arriving at the home of the other twin and her husband after the birth of their twins. In the right, the twin lies in bed under the covers as “Dr. Black” turns to the entryway and prepares to give her a spoonful of medicine. Near them is the bed-ridden twins' husband, seated and feeding one baby twin a bottle as the other rocks in a cradle. To his right, the “grandmother,” attired in a bonnet, glasses, polka dot dress, and apron raises her hands in excitement as she greets the arriving husband of the twin's sister. A stool, framed pictures, and a sideboard adorn the room., Title from item., Name of publisher from other photographs in series., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.9]

Title: Old '76 and young '48 From the original picture in the possession of the American Art-Union
Description: Mexican War-era genre print evoking the memory of the American Revolution depicting a young, white man Mexican War soldier returned home to his family, including his grandfather, a Revolutionary War veteran. In a parlor, the young man, attired in his uniform, sits, turned away from his meal, surrounded by his mother, father, sister, grandfather, and family dog. He raises his hand in the air as he regales his family about his experiences. They all look at him intently, except the grandfather, seated in an arm chair, and leaning on a cane, who stares a little off to the side. In the background, three servants (two African American men and an African American woman) listen from the doorway. A portrait painting of the grandfather as a young man in his military uniform hangs on the wall. In the left, a fireplace with mantle is visible. Above the mantle, a framed print reproduced after Trumbull's painting "Declaration of Independence" is displayed near lamps, a clock, and a bust of Washington on a bookcase. Also shows the soldier's cap and sword lying on the floor in the foreground., Title from item., After an 1849 painting by Robert Caton Woodville in the collections of the Walters Art Museum, Baltimore., One of six prints issued in 1851 for the members of the American Art-Union in New York., Gift of David Doret, 2006., Description revised., Access points revised., Described in the Bulletin of the American Art-Union, June 1850, p. 46., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Pease, Joseph Ives, 1809-1883, engraver
Date: 1851
Location: Library Company of Philadelphia | Print Department *GC - Mexican War [P.2006.28.23]

Title: On the march to the sea
Description: Civil War scene from Union General William Tecumseh Sherman's notorious campaign across Georgia in 1864 and 1865 depicting the depredation and destruction of countryside near the Atlantic coast. Amidst smoke, Sherman sits on his horse, looks through a scope, and scouts the horizon. Around him, white men Union soldiers and an African American man dismantle railroad tracks, and further down the line a railroad car has been set on fire. Newly free African Americans leave on foot and by raft. In the right, an African American family of a mother, father, son, and grandfather, attired in worn and torn cloths, carry bundles as they travel over the dismantled railroad tracks. The mother holds her son’s one hand while he uses the other to rub his eyes. The father rests his hand on the back of the grandfather. Behind them, two Union soldiers cut down a telegraph pole. In the background, Union soldiers round up cattle, burn homesteads and a bridge, and fire upon retreating Confederate soldiers. In the lower margin is a portrait of Sherman., Title from item., Plate signed by Darley lower right corner., Manuscript note on verso: Acc. No. 0479; Gift Minnie Owen., See Nancy Finlay's Inventing the American past: the art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32., Accessioned 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced many engravings after the works of the premier illustrator of the 19th century and native Philadelphian, F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1868
Location: Library Company of Philadelphia | Print Department **GC-Civil War [P.9854]

Title: The past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel is held under the year 1863 by Father Time; Thomas Crawford's statue of freedom; and the hellhound Cerberus fleeing liberty. The Great Central or Sanitary Fair of 1864 was organized by the Philadelphia division of the United States Sanitary Commission to raise money for their soldier relief organization. Although emancipation was a popular theme of the fair, African Americans were excluded from the exhibition., Title from item., Date inferred from content., Inscribed: Price [Fif?]ty Cents., Originally published in "Harper's weekly," January 24, 1863., LCP exhibition catalogue: African American Miscellany, p. 22., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Nast, Thomas, 1840-1902, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3a variant [P.9177.30]

Title: [Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description: Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]

Title: The pic nic on the Fourth of July, "A day to be remembered"
Description: Copy of subscription print published in 1864 and 1866 for "Demorest's Monthly Magazine" after the painting of Lily May Spencer showing her family at a Fourth of July picnic in a grove near, possibly, the Passaic River, in Newark, N.J, the hometown of the Spencers. Shows Spencer's husband Benjamin in the center of the view, lying on his side, and with one hand on the broken rope of a tree swing. Family members surround him, seated and standing, and predominately laugh and clap, except for a boy who attempts to help him up and the artist who runs toward him with her arms out. Another child waves a flag while on her father's shoulders. In the foreground, in the right, an African American man servant with a picnic basket, pot, and ice cream churn at his feet is distracted by the husband and pours wine on an older female guest who scowls. To their left, an African American woman caretaker holds a concertina and watches the scene with African American man. Seated next to her is her young white charge, who rests on a dog. To the right, a boy, holding up a small instrument, possibly a noise maker, lays behind a log on which a young couple courts each other. They hold hands and the woman places a fan to her face. Lush greenery forms the landscape, and in the background, a path through the woods, and canoes, a sailboat, and boys playing at the river is visible., Title from item., Published and copyrighted by the New York Engraving, Printing & Publishing Company in 1864 and published by H. Peters and P. & J. Levy (N. Y.) in 1866., Gift of David Doret, 2009., Trimmed and strip of paper mounted on bottom edge., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hollyer, Samuel, 1826-1919, engraver
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department **GC - Holidays - F [P.2009.6.1]

Title: Pore lil' Mose sends his Pa a valentine
Description: Racist cartoon containing vignettes about an African American family, portrayed in racist caricature, with the boy prankster Pore Lil' Mose giving valentines to his gal Happy Lil' Sal and his Pa. In the left, shows Miss Sally Sunbeam, portrayed in caricature and wearing her hair in pigtails with yellow bows and attired in a pink dress with a white ruffled collar, yellow stockings, and boots, standing with her dog. She smiles and holds up the valentine while Mose looks on from behind a fence. Below is a vignette depicting Pa angrily holding and reading his “comic” valentine, “Moses Pryor shif’less coon quit his job de first of June never works again till fall hates to ever work at all.” Mose’s mother, attired in a red headkerchief with white polka dots, a yellow shawl, and a blue dress, smiles as she looks over Pa’s shoulder. A younger brother, attired in a red and white sailor shirt with a green bow and green pants, stands behind Pa and scowls with his hands in his pockets. The next vignette, shows Mose fleeing the kitchen with only his legs visible running out the door as a mule looks on. Pa, tripping over the cat, flies through the air head down and legs up and carrying a stick in his hand. Ma leans back with her hand on her head as the plates, cutlery, and coffee pot are thrown from the kitchen table. In the top right is a portrait of Uncle Jack, wearing white hair and attired in a black top hat, a white and red striped shirt, a yellow vest with red polka dots, blue pants, red socks, and brown shoes, standing with his hands in his pockets. The image of Pa’s valentine depicts a racist caricature of an African American man stealing a chicken at night under the moonlight. Contains 21 lines of text written in the vernacular explicating the scenes ending with the line "Pore Lil' Mose.", Title from item., The "Por Lil' Mose" series was published in the New York Herald from 1901 until 1902., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Richard Felton Outcault (1868-1928) is renowned as the creator of the first published full page comic. He is also the creator of "Buster Brown."
Creator: Outcault, Richard Felton, 1863-1928, artist
Date: [ca. 1901]
Location: Library Company of Philadelphia | Print Department political cartoons - 1901 Por [8391.F]

Title: [Portrait of an African American family]
Description: Family portrait of several generations of a middle-class African American family posed in front of a Christmas tree. The family, attired in suits and dresses, sit and stand in the living room. In the foreground, an African American boy sits on the floor, crossed legged, and smiles at the viewer. Behind him, seven men and women sit on chairs. Two young girls sit on the laps of the older men. Nine men and women stand behind the chairs. In the background, the top of a decorated Christmas tree is visible., Title supplied by cataloger., Date written on recto: Mosby 1936., Purchase 1993., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1936
Location: Library Company of Philadelphia | Print Department group portrait photographs - family [P.9410.31]

Title: Privat [sic] residence near Philadelphia
Description: Exterior view of residence partially obscured by trees. Includes a family (father, mother, and daughter) posed on the front lawn., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Residences [7992.F.21]

Title: Prospect from Ridgeland, Fairmount Park, Phila
Description: Lithograph showing the landscape of West Fairmount Park near Ridgeland, the dwelling built as a farmhouse for William Couch between 1752 and 1762. A woman stands on the porch of the dwelling watching two children drag a tree branch toward the house. A man approaches a bench and cluster of trees nearby. Includes the outlines of Belmont Mansion and Girard College in the distance. Dwelling sold to the city of Philadelphia in 1869., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.3]

Title: Rapid transit in Southern Mississippi
Description: Racist scene showing an African American family comprised of the parents and eleven children traveling in an open wagon pulled by two oxen. The parents, each holding a baby, sit on the cab as the older children stand in the bed of the wagon. A wood shack, with three small windows, a door, and dilapidated fencing stands in the background. Two African American women, each holding a baby, stand in front of the building. The women and girls wear cotton shirtwaists, skirts, or smock dresses, and kerchiefs or a wide-brimmed hat. The man and boys wear long-sleeved shirts, pants, and hats or caps., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Title printed in six different languages, including French, German, and Spanish on verso., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & Genre [P.2018.16.9]

Title: Reading the Emancipation Proclamation
Description: Print depicting a white Union soldier reading the Emancipation Proclamation to families of enslaved African Americans in a cabin. The families are depicted with anxious and solemn mannerisms. Family members surround the officer near a dining table and hearth. An older boy holds a torch providing the officer with light. The father watches over the soldier's shoulder. Other figures, including a "young woman with two children, the house servant of her [enslaver], not belonging to the cabin but happened to be in on the occasion" pray, cheer, and cling to their mothers. Interior also includes a side of bacon hanging next to a ladder, a drying line with cotton balls handing from it above the hearth, and a cradle. Contains portrait of Abraham Lincoln below the image. The Emancipation Proclamation, effective January 1, 1863, granted African Americans not only their right to freedom but the right to join the Union Army., Title from item., Date from copyright statement., After painting by Henry Walker Herrick exhibited at the National Academy of Design in New York in 1865. Exhibited by "possessor" Lucius Stebbins., Publisher and copyright holder Stebbins published complementary pamphlet "Emancipation Proclamation of January 1st, 1864 [sic]" that included "Description of the Engraving." Description: Old man at the right with folded hands, Grand-father; Old lady at the left with cane in hand, Grand-mother; man leaning on ladder, the father; woman with child in her arms, the mother; lad swinging his hat, oldest son; one holding torch, second son; little girl, oldest daughter; infant in the arms of its mother. Young woman with two children, the house servant of her master, not belonging to the cabin but happened to be in on the occasion. Party reading, Union Soldier. The internal view of the Cabin is true to nature. The stone chimney, garret, ladder, side of bacon, rough cradle, piece of sugar cane and cotton balls, &c, all combine to give a correct idea of the slaves' home. Lincoln Financial Foundation copy of pamphlet accessible at Internet Archive., Lib. Company. Annual report, 1993, p. 44., LCP exhibition catalogue: An African American Miscellany p. 22., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lucius Stebbins (1810-1901), born in Massachussets, worked in Hartford, Connecticut, in the businesses of map coloring and subscription book publishing (American Publishing Company).
Creator: Watts, James W., -1895, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC-Emancipation [P.9429]

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