Search results

Title: $129 bounty paid as soon as sworn in Recruits wanted for the 12th Regiment, N.Y. Vols. Now serving in General Butterfield's brigade, Gen. Porter's 5th Army Corps, the crack corps of the army. One month's pay in advance $25 United States bounty, $50.00 state bounty! Also, $50 city bounty. $4.00 for each recruit Relief tickets issued to families
Description: Daniel Butterfield commanded the 3rd Brigade, 1st Division, 5th Corps, Army of the Potomac from May to Aug. 1862., The illustration, signed E. Purcell, shows Liberty perched on a cannon holding a sword and a laurel wreath, in front of an eagle and four flags, above the banner: E pluribus unum., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, New York Infantry Regiment, 12th (1861-1865)
Date: [1862?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 4# Am 1862 Uni Sta (4)5777.F.35 (McAllister)

Title: $400 bounty State aid to men with families, 4 dollars per week! Good men wanted immediately for the 2d Regiment R.I. Cavalry under the command of Major A.W. Corliss, which has been ordered to join Major General Banks' expedition! Men who enlist in this regiment will receive 25 dollars, a good uniform, horse and equipments on the day of enlistment; $300 before leaving the state! $75 when discharged! The best chance and the largest bounty ever offered. Recruiting offices: corner of Westminster and Orange Streets, up stairs, Room No. 5. " Market Square and North Main Street. Dorrance Street. A.W. Corliss, Major comd'g
Description: The Second Regiment of the Rhode Island Cavalry was organized in Nov. 1862 and ordered to duty in Louisiana; it was consolidated to a battalion of four companies in Aug. 1863, and transferred to 1st Louisiana Cavalry; it was transferred again in Jan. 1864 to the 3rd Rhode Island Cavalry., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Rhode Island Cavalry Regiment, 2nd (1862-1863)
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.13 (McAllister)

Title: 121st Regiment, P.V Twenty-third Philad'a Light Infantry Col. Chapman Biddle. Wanted, able-bodied men for Co. I in this regiment, going into camp immediately. $162 bounty! As follows: $25 U.S. bounty in cash. $50 Philadelphia city bounty. $10 extra bounty. $2 on mustering in, and $75 U.S. bounty at end of the war. Arrangements will be made by which soldiers' families may receive, in this city, allotments of monthly pay
Description: The 121st Regiment of the Pennsylvania Volunteers was organized in Sept. 1862, and mustered out in June 1865; Chapman Biddle was discharged in Dec. 1863. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 30, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 135., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Pennsylvania Infantry Regiment, 121st (1862-1865), Company I.
Date: [1862 or 1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1862 Uni Sta (1)5777.F.38d (McAllister)

Title: [African American family in front of their Pennsylvania residence]
Description: Depicts the African American family of four women, two men, and a boy posed in front of their two-story house with a porch, trellis, and picket fence. In the left, an older African American man, wearing white hair, stands behind the picket fence and looks directly at the viewer. A woman, wearing her hair tied up in a bun and attired in a long-sleeved dress with decorative stripes at the bottom, stands with her left arm resting on top of the open gate and looks to the left. Three women, attired in brimmed hats and long-sleeved dresses, stand resting an arm on the picket fence. The barefooted boy, attired in a cap, a shirt, a collared jacket, and pants that end just below the knees, stands next to a dog. In the right, the man, wearing a mustache and attired in a bowler hat, a shirt, a jacket, pants, and shoes, holds the reins as he sits on top of a horse, which stands on the sidewalk in front of the house., Title supplied by cataloger., Mount has decorative gold border., See accompanying manuscript notebook United States View Company's Instructions to Salesmen. (P.9502)., Gift of Martha Graybill, 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The United States View Company, was established by Newton Graybill and Lewis Garman of Richfield, Pennsylvania in the 1890s. It was one of several view companies which employed operators and salesmen to photograph and sell the prints of small town residents posed in front of their homes and community buildings.
Creator: United States View Company, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - United States View Company - residences [P.9253.74]

Title: [African American woman nursing a baby on a porch in the presence of a man]
Description: Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in a polka-dotted shirt and a checked skirt, cradles an infant on her lap as it suckles on her breast. Seated in the right, the African American man, attired in a hat, a long-sleeved white shirt, a ring, and pants, looks over at the mother and child. On the porch is a wooden chair beside the closed door., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note on verso: Herr Klebenice?, Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2002.8.5]

Title: African mother on a rock
Description: Yarrima, an African mother, watches in despair as her son, Yazoo, is whisked away on the white man's boat., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 28., Caption underneath the illustration reads: "Yarrima climbed to the highest rock, and saw the white man's boat moving rapidly over the waves.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Hall, John H., engraver
Date: [1834]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2734

Title: Afro-American historical family record
Description: Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
Date: 1899
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]

Title: Album
Description: Album of genre scenes depicting European life in the country. Several contain children and animals, who are often in rural and buccolic settings. Includes plate 19 showing a Gypsy boy, with a monkey on his shoulder, and accompanied by two dogs walking past a farm; plate 20 showing a figurine peddler dropping his wares when frightened by a mother dog protecting her pups at a rustic family homestead; plate 3 depicting a woman, a rifle over her shoulder, guiding the horse of a Zouave soldier away from his fellow troops; plate 2 depicting a woman, with a book, possibly a Bible under her arm, walking with two boys past two men working in their garden; plate 5 showing a family in a canoe fishing with a net; plate 6 showing young hunters stealing the game of their napping companion; plate 7 depicting a young farm girl asleep near a picnic basket and a dog while her elders build hay huts in the background; plate 8 depicting a gypsy violinist with his dog near a stone wall and under the gaze of a barefoot peasant boy and girl; plate 9 showing a girl wading near an unhappy duck family in a river below a mountain range accompanied by a young male companion seated on the shore; plate 10 showing two young farm women attending to rabbits in the doorway of a hutch; plate 11 showing a peasant woman, carrying a bundle of wheat, and with a girl on a dirt road who watch a man, with a specimen box, seated near his net and holding a snake; plate 12 showing a wife in traditional costume leading a mule carrying her peasant husband and their child and a large bundle; plate 13 showing a father and his two young girls ice fishing with their dog and a picnic basket; plate 14 showing two girls gathering fire wood near a frozen river and with their dog; and plate 14 showing a girl making a floral wreath near another girl petting a dog attended by a boy on a hillside below a castle-like structure., Also includes plate 16 showing a toddler boy in a gown and socks walking to his mother seated next to his father in their rustic home; plate 17 depicting an older peasant boy and young woman attempting to wake a peasant girl sleeping on a hay bale in a farm field; an unnumbered plate showing an older boy disrobing for a swim beside a dog and a younger boy leaning on a pier near the ocean; and plate 4 showing a girl standing near a boy petting a dog laying near a tree on which a hunter's bag, rifle, and cap hang., Inscribed on front free endpaper: Maggie A. Fleming, June 1850., Title stamped on front cover., Green morrocco binding., Plate numbers printed in upper right corner of all, except one print. Bound out of order., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Helen Beitler Graphic Ephemera Collection., Gift of Helen Beitler and the estate of Helen Beitler.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - album [9475.F]

Title: ASSU Illustration 3363
Description: Block numbered in two places: 3363, also 717 on small adhesive label on back of block., Image of a man grasping the throat of a woman and making a fist with his other hand while two small children attempt to restrain him; a table, a chair, a tankard, and other objects are overturned on the floor; a second woman standing in the doorway waves one of her arms.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 21

Title: ASSU Illustration 6081.
Description: Block numbered 6081 in two places., Image of six people, possibly a family, standing near a dining table; the table is set for a meal., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Date: [between 1861 and 1876?]
Location: ASSU Woodblocks -- Box 32

Title: ASSU Illustration 6320.
Description: Block numbered 6320 in three places., Image of seven people, possibly a family, seated around a dining table; the table is set for a meal; a dog is in the foreground., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “A.S.S.U.”—Back of block in three places.
Date: [between 1861 and 1876?]

Title: Attention troopers! To horse and off for the war again! 80 young and active men wanted for a troop of horse for the Second R.I. Cavalry! This is a dashing and pleasant service, and young men will have a chance to become good horsemen. Bounty 402 dollars! Cash in advance 330 dollars! In addition to the above the city of Providence pays $4 per week to the families and dependents of volunteers. Office, Room No. 5, corner of Orange and Westminster Sts., Providence, R.I
Description: The Second Regiment of the Rhode Island Cavalry was organized in Nov. 1862 and ordered to duty in Louisiana; it was consolidated to a battalion of four companies in Aug. 1863, and transferred to 1st Louisiana Cavalry; it was transferred again in Jan. 1864 to the 3rd Rhode Island Cavalry., The illustration is a trotting stallion., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Rhode Island Cavalry Regiment, 2nd (1862-1863)
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.4 (McAllister)

Title: "Be patient, dear; don't swear."
Description: Comic genre photograph set in a kitchen, showing a man who has just fallen off of the stool he was standing on as he tried to fix the stove. His wife and daughter reach to help him up., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9319.4]

Title: Bits of nature and some art products, in Fairmount Park, at Philadelphia, Penna
Description: Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [1878-1894]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]

Title: Book of cabinet chromos 1881
Description: Subscriber's premium comprised of a series of titled chromolithographs depicting portraits of historical figures and genre, religious, sentimental, and allegorical scenes. Images include "Beauty and Her Pets" showing a young lady feeding doves at her window garden; a robed woman "At The Cross"; the "Autumn Beauties" of a girl on a swing with her cat in her lap; a woman picking flowers in "Shoo Fly"; "The Sailor Girl"; "Our Idol," a lavishly attired Victorian girl; a woman near a fireplace showing "Maternal Affection" as she holds her baby to her breast; "The Flower Angels"; "The Angel of Song" in a bird's nest; a "Little Tot" of a girl; "The Flower Girl" in a wooded area with her dog; "Young Captain Jinks"; "Little Buttercup"; a woman pondering "Yes Or No" to a written marriage proposal; the engaged woman holding a portrait photograph in "Yes"; portraits of George and Martha Washington and Henry W. Longfellow; chicks confronting "The Unwelcome Visitor" of a frog; a mother kissing the hand of her daughter - "Grandma's Pet" - in a highchair next to her grandmother; "The Angel's Message"; "A Merry Christmas" and "Happy New Year" family portrait; "The Young Student" reading on a grassy cliff overlooking a cove; puppies learning "The First Lesson" of hunting vermin; "Puss in Boots" showing a kitten in a boot; the buck "The Monarch of the Glen"; a girl covered in ink from her "Little Mischief" to write with a quill pen; children "Fruit Gatherers" at a fruit tree by a lake; and a woman on an evening "Meditation" near a sun dial., Copyrighted., Presented to every subscriber to The People’s Illustrated Fireside Magazine., Case shaped liked book binding and illustrated on recto and verso. Images include vignette showing a hearth and floral and geometric pictorial details., Text on spine reads: Premium with The Peoples Illustrated Fireside Magazine. 32 Gems., Prints numbered lower left corner: 1-2; 4-23; 26-33. Some in manuscript., Peleg Orison Vickery, publisher and politician, established Fireside Magazine in 1874. The periodical contained fictional stories and served as a mail order catalog., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: 1881
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection [P.2011.10.1a-dd]

Title: A bran new coon in town
Description: Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1898
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]

Title: Bread St. bel. Arch St
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm

Title: Bread St. bel. Arch St
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm

Title: Bread St. bel. Arch St. A Jewish family and a delegation of the darktown brigade
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats. Smoke from a fire in the street wafts in front of the children., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: Wisp of haze near centre of picture is smoke from a fire in the street opposite the house. Certin [sic] rooms in the building had just been papered and a bonfire was made of the refuse. This house is about 125 yrs old. Note the splendid condition of the brick work and mortor [sic] joints. Bricks were carfully [sic] made in those days. The proper proportion and careful selection of loam, shale and sand was an art. Then too the drying and baking of the brick was of vast importance and was done with the utmost attention towards the securing of the best results. These bricks were baked with wood fires, as was the lime on which they were laid. Explain why wood baked lime and bricks are superior to the coal baked product., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.84], http://www.lcpimages.org/wilson/wilson84.htm

Title: The Camden & Atlantic Railroad. The short and popular route to Atlantic City Pocket time card-season of 1882. Depots in Philadelphia foot of Vine-Street and Shackamaxon Street
Description: Illustrated trade card depicting a vignette of a well-dressed family on the beach, including the father wearing a top hat and cane and the mother holding a yellow parasol. Two girls play near the waves while their parents look on. Vignette inset into a larger scene depicing a sailboat in the ocean, a lighthouse, and seashells lining the shore in the foreground. The Camden & Atlantic Railroad began regular service between Camden and Atlantic City, New Jersey in 1855. The railroad was taken over by the West Jersey & Seashore Railroad in 1883., Contains a condensed timetable ("summer arrangement") for trains traveling between Atlantic City and Philadelphia printed on verso. Includes times for the South Atlantic City Branch and the locations of ticket offices in Philadelphia, Germantown, and Camden, New Jersey., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1882
Location: Library Company of Philadelphia | Print Department trade card - Camden [1975.F.25]

Title: Cavalrymen wanted! To form a new battalion, under command of Major A.W. Corliss. Now is the time to join a crack battalion for the gallant Gen. Burnside's division! 400 dollars bounty! $325 before leaving the state! Families provided for by the state! Each man will be furnished with a good horse, equipments, &c. Rally boys! This is the last opportunity you will have to join a cavalry regiment! Recruiting office, No. 28 North Main Street, Tyler's Building, up stairs, Pawtucket, Rhode Island
Description: The Second Regiment of the Rhode Island Cavalry was organized in Nov. 1862 and ordered to duty in Louisiana; it was consolidated to a battalion of four companies in Aug. 1863, and transferred to 1st Louisiana Cavalry; it was transferred again in Jan. 1864 to the 3rd Rhode Island Cavalry., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Rhode Island Cavalry Regiment, 2nd (1862-1863)
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.8c (McAllister)

Title: Cavalrymen wanted! To form a new battalion, under command of Major A.W. Corliss. Now is the time to join a crack battalion for the gallant Gen. Burnside's division! 400 dollars bounty! $325 before leaving the state! Families provided for by the state! Each man will be furnished with a good horse, equipments, &c. Rally boys! This is the last opportunity you will have to join a cavalry regiment. Recruiting office, cor. of North Main St. and Market Sq., Prov., R.I
Description: The Second Regiment of the Rhode Island Cavalry was organized in Nov. 1862 and ordered to duty in Louisiana; it was consolidated to a battalion of four companies in Aug. 1863, and transferred to 1st Louisiana Cavalry; it was transferred again in Jan. 1864 to the 3rd Rhode Island Cavalry., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Rhode Island Cavalry Regiment, 2nd (1862-1863)
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.5 (McAllister)

Title: Company C, Third Regiment, Reserve Brigade Recruits wanted immediately for Co. C, 3d Regiment, Reserve Brigade, now recruiting at Commissioners' Hall, 37th & Market Streets to serve under the call of the governor, for a period of three months, unless sooner discharged. Recruits in this company receive bounty, $13 per month for the benefit of their families, in addition to state pay and city bounty. Citizens' Bounty, 24th Ward, $13, city bounty, 10, bounty per month, 13, state pay, 13, advance
Description: Joseph D. Sorver was Captain of Company C of the 25th Regiment, Militia of 1862, under command of Col. C.E. Eakin. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 5, p. 1204., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Pennsylvania, Militia, Infantry Regiment, 25th (1862), Company C.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Penn Mil (1)5777.F.30 (McAllister)

Title: [Consequences of emancipation]
Description: In the foreground center, a black man reads aloud from the Bible while a girl kneels and prays before him. In their immediatie proximity, a mother holds her two small children. Behind them, several figures perform various chores and tasks. A group congregates in the middle-ground, and what looks to be a representation of Monticello is visible in the background., Front cover of the American Anti-Slavery Almanac, for 1837 (Boston: Published by N. Southard & D.K. Hitchcock, 1836)., Two captions appear underneath the image: "A sketch from God's description of the 'Consequences of Emancipation.' Psa. 58." and "We hold these truths to be self-evident -- that all men are created equal.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Ame Ant 16996.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2745

Title: The cruelties of slavery
Description: Holding a whip in his right hand, a slaveowner moves to strike a female slave kneeling beneath him. The slave reaches her arms toward her baby, who dangles by one wrist from the slaveowner's left hand. To the right, another slaveowner looks on as mother and child are separated. In the left background, four bound slaves march off in single file., Caption title vignette in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. I, no. 5 (May, 1835), p. 49., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [May 1835]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 16998.D v 1 n 5 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2856

Title: Darien Expedition. Comd'r Selfridge, comd'g
Description: Series of titled views from T.O. Selfridge's Darien Expedition include, "Sea, curving Cupica Bay," "U.S.S. Nipsic, Columbia Bay," "Limon River, at the falls," "Santa Maria del Real," "Cliffs, Limon Bay," "Natural Arch, Cupica Bay," "Islands, Cupica Bay," "Family scene, Cartagena," "Mango tree, near Pinogana," "A group of natives, Chipigana," "Scene Chipigana, Gulf of Darien," and "Cocoa Grove, near Turbo." Images depict rock formations, small islands, and waterfalls in various bodies of water, including Cupica Bay, Limon River and Limon Bay; a mango tree near Pinogana and a cocoa grove near Turbo; the steam gunboat U.S.S. Nipsic in the Colombia Bay; the village of Santa Maria del Real from the water; and two group portraits of locals, including a group standing outside of two huts in Chipigana, and a view of a family in their home in Cartagena. Views from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Titles on mounts., Publication information supplied by William C. Darrah., Contains seven stereographs mounted on yellow stereograph mounts and five on buff stereograph mounts, all curved with rounded corners. All contain manuscript notes on versos: Bessie E. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1870 or 1871]
Location: Library Company of Philadelphia | Print Department stereo - Darien Expedition [66653.D.1-12]

Title: [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
Description: Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator: Gillingham, Deborah Passmore, 1820-1877, compiler
Date: [ca. 1810-ca. 1910, bulk 1830-1850]
Location: Library Company of Philadelphia | Print Department albums [P.2019.6]

Title: [D.S. Ewing trade cards]
Description: Series of illustrated trade cards depicting a postcard of a dwelling labeled "new home" tucked into flowers and a beach scene showing siblings (brother and sister) on the beach, a boat with a sail labeled "new home", and a sewing machine in the sky. The boy has a patch with the initials "N.H." sewn onto the back of his pants and a caption under their feet reads: Sister.--What are the wild waves saying? Brother.--This patch was put on by the light running new home sewing machine., One print [P.9737] contains seller's stamp on verso: G.A. Buck, dealer in sewing machines, organs, etc. Weissport, Penna., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Ewing [P.9737 & P.9754]

Title: A pl easant evening at home
Description: Genre photograph showing an interior view of a family recreating in their den or living room. Shows a mother watching her two daughters as one plays the piano and the other holds sheet music. Their father reads the newspaper nearby., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and St. Petersburg, Russia., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9738]

Title: [An emancipated family]
Description: Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of Negro's Friend: on the ease, safety, and advantages of liberating the enslaved Negroes; and on compensation to their masters (London: Printed by Bagster and Thoms, 1830?)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1830?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1830 Neg Fri 67066.D front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2731

Title: An emancipated family
Description: Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of the American Anti-Slavery Almanac, for 1836 (Boston: Published by Webster & Southard, c1835)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [c1835]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Am Ant 65753.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2741

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Emancipation Freedom for all, both black and white!
Description: Print depicting the Emancipation Proclamation for both African Americans and whites including equal opportunity to education. Depicts Lincoln raising his right hand and holding the "Emancipation Proclamation" in his left hand in the center between a poor white family and an enslaved African American family. Both families, attired in torn and worn clothing, stand and kneel as they hold their clasped hands up toward Lincoln, who treads upon broke shackles and a serpent. A "Spelling Book" lies on the ground near them. In the background, Union soldiers stop a white man enslaver from whipping a shackled and enslaved African American woman and children enter "Public School, No. 1." From the roof of the school waves a flag inscribed "Education to all Classes." Contains text from the Proclamation above the image, "and by virtue of the power and for the purpose of the aforesaid, I do order and declare that all persons held as slaves, within designated States and parts of States are, and henceforward shall be free!", Title from item., Date from copyright statement: Entered according to the act of Congress A.D. 1865 by J.L. Magee in the Clerk's Office of the District Court of the Eastern District of Pennsylvania., Magee, a lithographer, painter, and cartoonist, established his own firm in Philadelphia in 1850., LCP exhibition catalogue: Negro History, p. 77., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department GC - Emancipation [P.9702]

Title: Emancipation: the past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person’s home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person’s cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel, who has the year 1863 above his head, is held by Father Time; Thomas Crawford’s statue of freedom; and the hellhound Cerberus fleeing liberty., Title from item., Originally published in Harper's weekly, January 24, 1863., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3 variant [(10)1540.F]

Title: End the war! To strike now is to crush the foe! Men wanted for Co. E., Camden Guards, attached to the Twelfth New Jersey Regiment, Col. Robert C. Johnson. $150 bounty $88 advance. Premium of two dollars will be paid for each accepted recruit. One month's pay is given in advance, and $50 bounty from Camden County to each recruit, when mustered in the U.S. service, and a further bounty of $25 from the U.S. when the regiment is mustered in. Married men, and those having dependent widowed mothers receive $6 per month, and single men, $2 per month, extra pay from the state; making the total bounty, married men, $366! Single men, 222! Recruiting offices, No. 9 Front Street, above Plum, and Andrews' Hall, corner 4th and Market Streets, Camden. Philip M. Armington, 1st Lieut. James McComb, 2d Lieut. Charles K. Horsfall, Captain
Description: The 12th Regiment New Jersey Infantry was mustered in Sept. 4, 1862 and mustered out July 15, 1865., Printed in red and blue., The illustrations are a farmer holding a flag and a gun in front of a plow, a soldier in uniform holding a gun in front of a cannon and the flag, and one, signed L. Johnson & Co., an eagle on a shield with the banner: The Union now and forever!, Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, New Jersey Infantry Regiment, 12th (1862-1865), Company E.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 3# Am 1862 Uni Sta (1)5777.F.2a (McAllister)

Title: Extra bounty! Families of recruits provided for. By the liberal contribution of the Grocers' Committee, the Fifth Metropolitan Guard Col. T.W. Parmele, is enabled to offer an extra cash bounty of $10 for each recruit in addition to other bounties. The families of recruits are also provided for by the Metropolitan Police Fund, and have the gratuitous services of the physicians of the Police Department at their own homes. Headquarters, Howard St., near Broadway
Description: The 5th Metropolitan Guard, the 174th Regiment of New York Infantry, was mustered in Nov. 13, 1862 and consolidated with 162nd New York Infantry Feb. 17, 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, New York Infantry Regiment, 174th (1862-1864)
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Uni Sta (2)5777.F.4c (McAllister)

Title: Facts! The U.S. bounty to volunteers ceases August 21st! State and city aid is to "volunteers" and not to drafted men. A volunteer who has a family will receive $614 for the first year's services, or about 51 dollars per month. The same man, if drafted, will receive for nine months services $199, or about $22 per month. The company now recruiting by Capt. Hooper and Lieut. Swift, will be the last "bounty" company and will fill the quota of Roxbury
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [between 1863 and 1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1864 Facts (2)5777.F.70c (McAllister)

Title: Fall in Fifth Ward Captain Thos. H. Taylor, late of the 69th P.V. is now organizing a company, at New Market Hall, Second & Pine Sts. for the Union League Brigade! Third Regiment, Colonel George P. McLean, com'dg. late of the 88th P.V. for state defence, 3 months or sooner discharged. All the authorized bounties paid, and families provided for. Action, not words! Must defend the state. Recruits uniformed and sent to camp at once, near the city
Description: The Third Union League Regiment, 59th Regiment Infantry of the Ninety-Day Militia, under command of Col. George P. McLean, was mustered into service July 1 and discharged Sept. 9, 1863. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 5, p. 1311, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 251., The illustration, signed L. Johnson & Co., in an eagle on a shield, with the banner: Our country and our flag., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Pennsylvania, Militia, Infantry Regiment, 59th (1863)
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1863 Penn Mil (3)5777.F.42 (McAllister)

Title: [Family posed in front of clapboard house]
Description: View showing a family, including a baby in a carriage, posed in front of their residence, probably in Philadelphia. Family members stand on the porch and on the sidewalk. Trees adorn the front yard., Title supplied by cataloguer., Date inscribed on recto., Photographer's monogram inscribed on recto., Originally part of a McAllister scrapbook of American views., Retrospective conversion record: original entry, edited.
Creator: Odiorne, Henry B., 1805-1860, photographer
Date: September 1860
Location: Library Company of Philadelphia | Print Department photo - Odiorne - C [5739.F.87b]

Title: [Family ties broken up]
Description: A black man in tattered clothing is dragged away from his family by four white men acting on behalf of his purchaser. The man's wife and three small children have been purchased by another slaveholder, and the family will be separated., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 15., Caption underneath the image reads: "The purchaser of the husband has sent to have him dragged away. As he does not wish for the 'balance' of the family, they have been taken by different purchasers.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1837]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 15, https://digital.librarycompany.org/islandora/object/Islandora%3A2751

Title: First of April
Description: April's Fools Day interior genre scene showing a man attired in a dressing gown holding the limp body of cat upside down by its tail. His wife, daughter, and a boy in uniform, possibly his son, observe nearby. The boy crouches near wicker baskets from which the man pulled the cat's body., Title from printed label pasted on verso., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, No. 31., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.9022.67]

Title: For your country! Now or never! Don't wait to be drafted! To horse! The foe is on us!! Young men wanted to join at once! The first troop Penn'a Light Horse! We will fight the guerillas on their own soil! Arouse, men of Pennsylvania! The rebels are menacing the homes of your fathers!! "Strike for your altars and your fires! Strike for the green graves of your sires! Strike, till the last armed foe expires!" Your countrymen have provided liberally for your families, and all the bounties for three years, or the war, will be paid men joining this troop
Description: The 16th Cavalry, 161st Regiment of the Pennsylvania Volunteers, under the command of Col. J. I. Gregg until Aug. 1864, was organized in the summer and fall of 1862 and mustered out in Aug. 7, 1865; Nathan S. Hill and Archer N. Martin both served in Company I; Lieut. Hill was promoted to captain Nov. 15, 1862. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 950, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 179., Printed in red and blue., The illustration shows a mounted Union cavalry soldier, sabre drawn, attacking a mounted Confederate soldier., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Pennsylvania Cavalry Regiment, 16th (1862-1865), Company I.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.16i (McAllister)

Title: For your country! Now or never! Don't wait to be drafted! To horse! The foe is on us!! Young men wanted to join at once! The first troop Penn'a Light Horse! We will fight the guerillas on their own soil! Arouse, men of Pennsylvania! The rebels are menacing the homes of your fathers!! "Strike for your altars and your fires! Strike for the green graves of your sires! Strike, till the last armed foe expires!" Your countrymen have provided liberally for your families, and all the bounties for three years, or the war, will be paid men joining this troop. This troop will be organized on the principle of the Anderson Troop
Description: The 16th Cavalry, 161st Regiment of the Pennsylvania Volunteers, under the command of Col. J. I. Gregg until Aug. 1864, was organized in the summer and fall of 1862 and mustered out in Aug. 7, 1865; Company I, recruited primarily from Philadelphia, was led by Capt. William H. Fry, who was promoted to Major Nov. 14, 1862. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 950 and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 179., Printed in red and blue., The illustration shows a mounted Union cavalry soldier, sabre drawn, attacking a mounted Confederate soldier., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Pennsylvania Cavalry Regiment, 16th (1862-1865), Company I.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.16h (McAllister)

Title: Freedom to the slaves. Proclaimed January 1st 1863, by Abraham Lincoln, President of the United States. “Proclaim liberty throughout all the land unto all the inhabitants thereof”__ Lev. XXV 10
Description: Civil War print evoking the Emancipation Proclamation depicting a freed, enslaved family with Abraham Lincoln in an outdoor setting. Shows Lincoln standing in the right, bearded, attired in a suit, and pointing the finger of his right hand into the air (and to the heavens) while his left hand is being kissed by the African American father of the family. The man, attired in shirtsleeves tucked into striped pants, kneels, and holds the right hand of Lincoln with his left hand as he kisses it. His right arm is by his side and his right hand holds a yellow, brimmed hat to the ground. Part of a broken shackle is under Lincoln’s foot by the left knee of the man. Behind the African American man, stands his African American woman partner holding a baby to her chest. She holds the baby’s arm with her left hand and their bottom with her right. A young child in a thigh-length smock with ragged edges stands at her right side. The woman wears a tied, green-striped head band around her forehead, a shawl with stripes, and a pink sheath dress with a floral pattern. Patches of grass are visible in the foreground and the roof and chimney of a dwelling are visible in the background., Title from item., Date inferred from content., Purchased in part with the Davida T. Deutsch African American History Fund., Description revised 2022., Access points revised 2022.
Creator: Currier & Ives
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Emancipation [P.2020.21]

Title: Future rulers of Florida U.S.A
Description: Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]

Title: [The Goodwin Gas Stove & Meter Co.'s Sun Dial gas stove trade cards]
Description: Illustrated trade cards depicting before and after scenarios entitled "Before they had the "Sun Dial" gas stove" and "After they had purchased the "Sun Dial" gas stove". In the "before" scene, a disheleved female domestic worker, surrounded by debris, drops cinders and sets the stove on fire as a concerned and hesitant family enters the room. In the "after" scene, with the aid of a Sun Dial stove, the pleasant and well-groomed maid has already prepared breakfast and tidied the dining area as the happy family enters the room for breakfast. The Goodwin Gas Stove & Meter Company was founded by William Wallace Goodwin and his father Oliver W. Goodwin., Title supplied by cataloger., Before they had the "Sun Dial" gas stove caption [1975.F.791]: "Sure Sor! says Biddy "it's not my fault this breakfast's not ready; faith I used all the morning paper and a sup of kerosene too and bedad it smokes like a chimney yet. Indade Sor, you've frightened me so I've split all the cinders.", After they had purchased the "Sun Dial" gas stove caption [1975.F.867]: Indade Mum, the breakfast will always be ready on time since you got the "Sun Dial," sure the work's so aisy now, I was thinking Mum I wouldn't object to a small reduction of my wages., Advertising text printed on versos promotes gas burning stoves and includes numbered lists of advantages over coal and "ordinary gas stoves"., One print [1975.F.791] contains the trademark printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Sun Dial [1975.F.791 & 1975.F.867]

Title: Grandfather's visit
Description: Puzzle showing a family, including a mother, father, grandfather and two daughters, working and playing outside on their homestead. The mother and father work in the garden, as the daughters play with various toys, including dolls, a drum, horn, and sword. Also shows a mill building with a waterwheel in the background., One of four puzzles housed in clamshell box., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.3]

Title: H. Rendtorff, wholesale and retail dealer in stoves and hardware, 291 & 293 North Ave., Chicago
Description: Racist trade card depicting an interior scene of a set of African American conjoined twin sisters, their mother, their father, and their male suitor. The twins curtsy and their suitor bows his head. The twins are attired in a yellow and red dotted dress with a roffled hem and white collars. Their mother is attired in a blue and red dress with a white apron. The twins' father is attired in a green jacket, a white collared shirt, a yellow bow tie, red pants, and black boots. The twins' suitor is attired in a black jacket, a white collared shirt, a red bow tie, red and blue striped pants, and black shoes. He holds a brown hat in his right hand to his chest. Visible in the background of the scene are framed works of art on the wall, a table, a vase with flowers, a window, and a clock. All of the figures are portrayed with exaggerated features. The illustration is based on a racist series of African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship, marriage, and the start of families by "The Twins." A Bismarck Range stove is depicted on the verso of the trade card. Herman Rendtorff was a Chicago stove and hardware merchant whose business operated throughout the latter half of the 19th century., Title from item., Text printed on recto: Introduction of the Twins., Advertising text printed on verso: The celebrated Bismark Range. Manufactured by Burdett, Smith & Co., Troy, New York, And 34 River St., Chicago, Ill., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Rendtorff [P.2017.95.148]

Title: The industrious man It is Saturday night. The industrious man returns home from his labour in peace-He is welcome to an humble home-Pleasant smiles and happy voices greet him. Let him fear and serve God will bless him and his household for ever
Description: Shows a man returning to his quaint home and family convened around the dining table after a day of work. He enters the door with a lunch pail in his hand and greets his son who runs to him. In front of the table, laid out with a pot of tea, an older daughter uses a plate of water to bathe her younger sister who has been stripped to her waist. At the end of the table, the mother holds a baby at her bosom. Nearby, the family cat sits in front of the stove slightly visible in the right of the image., Not in Wainwright., pdcp00026, Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Manuscript note on verso: James L. & Isaac W. Morris from Aunt Sarah [Pitrom’s?] Christmas 1849, Accompanied by text titled "Welcome Home" moralizing that a happy home stems from a strong work ethic by the "honest laborer" who is one of the "noblest of men.", Philadelphia on Stone, POSP 117, Free Library of Philadelphia: Philadelphiana - American Sunday School Union
Creator: Traubel, M. H. (Morris H.), 1820-1897, artist
Date: [ca. 1849]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - American Sunday School Union

Title: It stands at the head. "Domestic" sewing machine
Description: Racist trade card promoting Domestic Sewing Machine Company and depicting a caricaturized genre scene of an African American family looking to their right at a billboard on the side of a building. The figures are portrayed with exaggerated feaures. Shows an older, squat man, a woman, and three children seated and standing in a horse-drawn cart halted on a dirt road. An older boy stands behind the cart. The man, attired in a top hat; a ragged jacket; a shirt with bowtie; and pants with patches on the knees and suspenders sits smiling and holding in his hands a stick and the reins of his horse that wears blinders. The woman, attired in spectacles; a straw hat with a decorative ribbon that is tied under her chin in a bow; a long-sleeved dress; and a shawl stands up inside the cart. She holds a baby in her left arm and points at the billboard with her right hand. A boy attired in a long shirt and pants sits beside the man in the front of the cart. Behind the man, a girl attired in a bonnet stands. The boy outside of the cart is barefooted and attired in a cap; a shirt; and ragged pants with a hole at the knee, and carries a basket. A dog, its tail between its legs, hunches underneath the cart. In the left, the billboard is illustrated with a sewing machine in the center of a star with the advertising text around it. Text reads: "It stands at the head : Copyrighted by the "Domestic" Sewing Machine Co. The star that leads them all. Unequalled for simplicity of construction ease of operation and durability. The light running "Domestic" sewing machine." In the distant right background a house is visible. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on recto: E.R. Bumps, jeweller, Waldoboro, ME., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.51]

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