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Title: Farmer's market, Market Street, below Twelfth
Description: Exterior view from the southeast of the Farmers' Market, the largest of several market houses constructed in 1859 after market sheds and stalls were cleared from Market Street. Image includes the adjoining Franklin Market (also known as the Twelfth Street Market) constructed ca. 1864., Series label on verso., Retrospective conversion record: original entry, edited., See clipping in Poulson's scrapbook vol. 1, pg. 57., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bartlett & French, photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Bartlett & French - Markets [P.9260.6]

Title: Butchers & farmers market, Market Street, Philadelphia, Penna
Description: View from the southwest of two market houses located on Market Street between 11th and 12th Streets: the Farmers' Market, the largest of several market houses constructed in 1859 after market sheds and stalls were cleared from Market Street, and the adjoining Franklin Market (also known as the Twelfth Street Market) constructed ca. 1864. Street scene includes a variety wagons and carriages., Accompanied by printed label giving series title, image title, and publisher's imprint., Originally part of McAllister scrapbook of engravings relating to Philadelphia., Retrospective conversion record: original entry, edited., See clipping in Poulson's scrapbook vol. 1, pg. 57., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 113., Arcadia caption text: The Franklin Market (left), more commonly known as the Twelfth Street Market and the Butchers’ and Farmers’ Market (right) were two of the four market houses built between 1859 and 1875 on Market Street after the removal of the sheds. The Butchers’ and Farmers’ Market, completed in 1859, was the largest of the new market houses and was constructed using scraps from the razed market sheds. The two markets contained nine block-long aisles lined by stalls that rented for prices ranging from around $14 to $125 a month. As visible in this c. 1869 view, wagons lined the 1100 block of Market Street to make and receive deliveries throughout the day., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1869]
Location: Library Company of Philadelphia | Print Department stereo - Newell - markets [(8)1322.F.17b]

Title: [Butchers & farmers market, Market Street, Philadelphia, Penna.]
Description: View from the southwest of two market houses located on Market Street between 11th and 12th Streets: the Farmers' Market, the largest of several market houses constructed in 1859 after market sheds and stalls were cleared from Market Street, and the adjoining Franklin Market (also known as the Twelfth Street Market) constructed ca. 1864. Street scene includes a variety of wagons and carriages., Title from publishers label on duplicate (8)1332.F.17b., Manuscript note on verso: Market House, Philadelphia, Pa., Retrospective conversion record: original entry, edited., See clipping in Poulson scrapbook vol. 1, pg. 57., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1869]
Location: Library Company of Philadelphia | Print Department stereo - Newell - markets [7992.F.17]

Title: One flag, one country. [graphic] : Constitution & laws.
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Trimmed., Patriotic print, possibly a poster illustration, containing a central allegorical scene flanked by views of Civil War battlefields. Central scene shows men of all eras and trades, including a sailor with an American flag, raising their arms in salute to the Temple of Liberty elevated upon a rock in the background. Other figures include a farmer with a sickle, a veteran of the American Revolution, and a wagon driver. Also shows boughs of wheat and artisans tools. Battle views show soldiers, including Zouaves, charging, traveling on horseback, and firing a cannon. Variant of print often used as a Civil War envelope design.
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept. *GC - Civil War [5786.F.137a]

Title: A Farmer's Wife.
Description: The farmer's wife stands next to a large pig. A butter churn is behind her. The valentine mocks her for being overweight., Text: A charming life is a farmer's life; / And ain't you in luck to be his wife? / He feeds and fats you just like his pig, / And loves as much when you're twice as big., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Sharpless, Samuel J.
Creator: Library Company of Philadelphia, creator
Date: May 8, 1879

Title: Richards, Augustus H.
Creator: Library Company of Philadelphia, creator
Date: January 6, 1870

Title: Richardson, Nathaniel, 1793-1872
Creator: Library Company of Philadelphia, creator
Date: June 7, 1828

Title: Wright, John W.
Creator: Library Company of Philadelphia, creator
Date: December 6, 1862

Title: A Farmer.
Description: A farmer stands in a field holding a scythe. The sender considers farmwork dirty., Text: You pigheaded, grinning, ugly brute, / Go look after the pigs and the sheep; / For they are the only companions you’ll suit -- / No girl would your company keep. / You smell too much of horse and swine, / For any maiden to be thine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Now I'm sure it is a shame,
Description: A man holds a gun in the countryside. His hat has fallen off and he appears to be losing his balance. The valentine suggests he is an inept hunter., Text: Now I’m sure it is a shame, / You should of harmless birds make game; / But in some cases it is true, / The little birds MAKE GAME of you., "No. 82", Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: It’s Time You Were Married.
Description: An older woman stands with her hands over her heart. The bottom of her dress is shaped like an upside down heart and has the words "To Let" on it. Next to her is a sign that says "A heart wanted." A Hoosier is a resident of the state of Indiana., Text: You’re forty, if you are a day, / And yet no husband comes your way. / It is too bad that such a face / Should live alone in such a place. /Take in your sign, and get thee West,-- / There aged maidens thrive the best. / For Hoosiers, when they seek a pal, / Are all content if she’s a gal., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: A.W. Stevens & Sons, manufacturers & patentees, Auburn, New York. The new Stevens spring tooth harrow
Description: Fold-out flier containing two illustrations, including a cover image. Cover image shows two fashionably dressed girls seated in a goat carriage. One girl holds a muff. Other image depicts captioned scenes comparing and contrasting farmers using and not using a "Stevens Arch-Frame Harrow." Scenes separated by a pictorial detail of shrubbery and stones. In the left, a strident farmer follows behind his buoyant horse team pulling a Stevens Harrow over an area of stones "and fears no snag." A dog romps besides the horses. In the right, a hunched "old-fashioned" farmer realigns his "straight frame harrow" entwined with old growth behind his haggard horse team. A dog crouches away from the scene where the "Farmers' Dismal Song is 'That's the Harrow my Back to Break.'" The Stevens firm, established in 1842 by A.W. Stevens, was renamed A.W. Stevens & Son in 1870. The firm operated under that name until 1898., For Sale By, [signed in pencil] Mory., Several lines of advertising text printed on verso. Text promotes and explicates the success, design, patents, and ordering of the "All Steel, Arched Frame" Stevens Spring Tooth Harrow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Miscellaneous [P.2011.10.175]

Title: W.B. Eltonhead, watch maker, and jeweler. 340 so. 2d St., Philad'a
Description: Illustrated trade card depicting two figures, a farmer with a scythe slung over his shoulder and a sailor resting against a large anchor, flanking a decorative scroll containing the title. A banner labeled "Excelsior" surmounts the scroll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department trade card - Eltonhead [P.9937]

Title: [View of a farm in a river valley in the mountains, Schuylkill County, Pa.]
Description: View of a farm in a river valley in the mountains. In the foreground, a man stands with a rake or pitchfork looking toward the camera (left). Two warehouses are visible at the tree-lined river bank in the background., Title supplied by cataloger., Photographer's imprint printed on mount., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier., A.M. Allen, born in Deerfield, Mass., relocated to Pottsville, Pa. ca. 1852 and set up his studio at the southwest corner of West Market and North Centre Streets. He retired from the business in 1894.
Creator: Allen, A. M. (Amos Morrel), 1823-1900, photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Allen - Views [P.9844.35]

Title: [Market Street, looking east from below Twelfth Street, Philadelphia]
Description: View showing the 1100 block of Market Street, including the Farmers' Market and several storefronts. The Farmer's Market was the largest of several market houses constructed in 1859 after market sheds and stalls were removed from Market Street. Street scene includes a variety of parked horse-drawn carts and wagons, strolling pedestrians, and horse-drawn omnibuses traveling the street., Title supplied by cataloguer., Half of mounted stereoview., Yellow mount with square corners., Misidentified on mount: 19th and Market Sts., Originally part of a McAllister scrapbook., See clipping in Poulson's scrapbook vol. 1, pg. 57., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: ca. 1869
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Streets [(8)1322.F.51c]

Title: Country Pumbkin.
Description: The "country pumbkin" is shown from the waist up. He carries a green pumpkin (or other squash) and wears a green top hat, blue jacket, and red vest. His mouth is open, either yawning or yelling. "Pumpkin" is a derogatory term for an important person., Text: Oh you poor corn-fed country Elf, / Behold the picture of thyself. / Hither come to make love's vows, / Better stay at home and feed your cows. / A city life will never do / For a stupid Hound like you, / Go hoe your corn and feed your swine / And keep your pumpkin for a Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Farmer.
Description: A farmer gives grain to a small bird. He has moles and errant facial hairs. The valentine puns on the meanings of green and implies that the recipient is inexperienced and a bad farmer., Text: A farmer's life's the life for me, / A farmer's lad I mean to be; / So sweet to go, at early morn, / And give the little chicks their corn; / To milk the pigs, and shear the cows, / And see the 'punkins' on the boughs; / To gaze on all the lovely scene, / And be, just like the landscape, green., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Of Dandizetts You’re Sure the Queen,
Description: A woman wears a large crinoline, a cape, gloves and a hat with a snood. "Bean" can mean money., Text: Of Dandizetts you’re sure the Queen, The loveliest creature ever seen, / Your head so small and shape so fine, / Must make each bean your valentine., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: I send you my dearest a sketch of your Phiz,
Description: A woman in a bulky coat stands with her hands in her pockets. The sender suggests the sketch presents a a true and less flattering likeness, which ought to correct the recipient's conceited attitude., Text: I send you my dearest a sketch of your Phiz, / Just look in the glass and you’ll find it, / ‘Tis so true you’ll admit ‘tis not meant for a Quiz, / It may cure your conceit, so pray mind it., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: One of the Codfish Aristocracy.
Description: A man with a fish for a head wears a top hat and carries a cane. "Cod-fish aristocracy" was a derogatory term for New Englanders whose family wealth originated in maritime businesses., Text: In vain you try to make a show, / ‘Mongst the proud flesh of cod-fish row, / Your home should be fast to a rod, / Upon the banks of old Cape “Cod.”, Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: What, my chap.
Description: Text: What, my chap about town! I certainly thinks, / That the vulgate, ex-homo, a fellow who stinks, / And the heat that we know, of so filthy a spark, / The nuisance is traced, in the twilight—or dark., Published by A. Park, 47, Leonard Street, Finsbury, London, 171, Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: You looking for a Valentine, whoever would suppose
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: You looking for a Valentine, whoever would suppose / You'd ever get a valentine with such a head and nose, / You'd best stick to the nursery, and the children dandle, / Such a head and nose serves well for a handle; / You've got two kids already, therefore contented be, / I assure you for a Valentine you never will kid me., See similar print "You looking for", Comic Valentines, 17.8, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: [Farmers' and Mechanics' Bank, Chestnut Street above 4th, north side, Philadelphia]
Description: Exterior view of the bank built 1854-1855 after the designs of Philadelphia architect John M. Gries on Bank Row at 425-429 Chestnut Street. Also shows gas street lights lining the sidewalk and partial views of adjoining buildings, including signage for a piano manufactory., Partial impression of photographer's blindstamp on mount., Manuscript note on mount: Chestnut St. ab. 4th. Farmers & Mechanics Bk., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., McClees, a prominent Philadelphia photographer and daguerrotypist, produced some of the earliest paper photographic views of Philadelphia between 1853 and 1859.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: [May 1855]
Location: Library Company of Philadelphia | Print Department photo - McClees - Banks [(7)1322.F.25b]

Title: A Country Clown.
Description: The country clown holds a rake and stands on grass. He smiles widely and wears a wide-brimmed hat, trousers, shirt, and vest. The text suggests that he speaks a provincial dialect, saying "ye" for "you.", Text: Devoid of breeding, arts, and graces, / Among the greens I'm sure your place is; / To come to town would be a pity, / For I am sure some horse would eat ye., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Owen, Owen, 1690-1741
Creator: Library Company of Philadelphia, creator
Date: February 22, 1733

Title: Horace Greely, to his farmer friends, one day, said "How needlessly man often labors, use the Enterprise Sprinkler, that is the proper way, and give up the watering pot, neighbors."
Description: Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Lawn Sprinklers." Contains a scene including a caricaturized depiction of newspaper editor and agrarian reformer Horace Greeley. Shows Greeley demonstrating an Enterprise sprinkler to two farmers on the front lawn of an estate. Also contains a view of the Horticultural Building designed by W.L.B. Jenney. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Lawn Sprinklers. Two sizes. no. 1,-- $3.50. No. 2,--$2.75. Our No. 1 Sprinkler has the following advantages: 1st. Each machine is furnished with a cord or rope, so that the Sprinkler may be easily moved, when running, without going near it. 2nd. The water passes through a strainer before it enters the small perforations, which, therefore are prevented from filling up. 3rd. It is so constructed that the weight of its revolving parts is removed by the pressure of the water, thus overcoming unnecessary wear. 4th. All parts of the machine are made sufficiently strong for ordinarily rough usage and are interchangeable. 5th. The machine is Tinned and Nickel Plated, and is of very handsome appearance. 7th. [sic] The Sprinklers are finished and boxed complete in our factory and require no skill to put them together. Our No. 2 Sprinkler, being a cheaper machine, has no strainer or ball, but is similar to the No. 1 in other respects., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustrations on verso. Depicts an Enterprise lawn sprinkler spraying water., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1893
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.58 & 80]

Title: Farmers & Mechanics Bank, Chestnut Street
Description: Exterior view of bank located at 425-429 Chestnut Street, built 1854-5, designed by John M. Gries. Also depicts the Pennsylvania Company for Insurances on Lives & Granting Annuities at 431 Chestnut, built 1871-3, designed by Addison Hutton. Buildings form part of Bank Row., Title printed on mount., Yellow mount with rounded corners., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 93., Arcadia caption text: This photograph focuses on two of the extant banks located on Bank Row shown above. When John Gries’ design for the building was completed in 1855, the Farmers’ & Mechanics’ Bank, on the right, was the largest bank in the city. Its smaller neighbor to the left, the Pennsylvania Company for Insurances on Lives & Granting Annuities was completed in 1873 after designs by Addison Hutton. The building complemented the architectural style of the Farmers’ & Mechanics’ Bank while using contrasting gray granite rather than white marble for its façade., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1873]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - banks [P.9079.3]

Title: Philadelphia, from the State House, looking N.E
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: [photographed October 12, 1855, printed ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]

Title: Philadelphia, from the State House, looking N.E
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: [photographed October 12, 1855, printed ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]

Title: Philadelphia, from the State House, looking N.E
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: [photographed October 12, 1855, printed ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]

Title: Fifteenth amendment. Bringing his crop to town
Description: Racist, vignetted view showing an African American man, attired in worn clothes, hauling a loaded cart pulled by a thin, horned cow. The man, attired in a wide-brimmed hat, jacket, and pants, rides the cow. His right hand holds the reigns of the yoke and his left hand holds up a stick in a striking motion. A pile of thatch fills the cart. A bag of cotton rests atop of the thatch. Townscape is visible in the background. View racistly satirizes African American civil rights and the right to vote granted to African American men in 1870 by the Fifteenth Amendment., Title and series number printed on verso., Name of photographer printed on verso., Photographer inferred to also be publisher., Date inferred from style of mount and active dates of photographer., Printed on mount: Charleston & Vicinity., Orange mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Jerome N. Wilson (1827-1897), a New-York born photographer, relocated his photography business to Savannah Georgia in 1865. He produced multiple genres of photographs, including cartes de visite and stereographs. His studio was enlarged and improved in 1871.
Creator: Wilson, J. N.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Wilson [P.2018.16.11]

Title: Oliver Chilled Plow Works
Description: Racist trade card illustration depicting a group of African American men and women observing an African American man posing while a cow and donkey pull an -Oliver Chilled Plow in a field. A white dog in the foreground walks into a hollow and fallen tree trunk. The women in the crowd are attired in yellow and blue dresses, a red coat, and white and red headwraps. The men in the crowd are attired in blue, red, green, and yellow vests, jackets, shirts and pants. A white-haired older man in the crowd kneels forward with his hands in his knees. His top hat is visible on the ground in front of him. The man near the plow stands with his right leg crossed in front of his left and his left arm bent toward his chest. He raises his hat with his right hand and bends his head back. He is attired in a white collared shirt, green checkered pants, and black shoes. Visible in the background are two men chasing a goat. Houses, trees, fences, and a steamboat on a body of water are also depicted in the background. On the verso of the trade card is an illustration of an aerial view of the Oliver Chilled Plow Works. The Oliver Chilled Plow Works was founded in Mishawaka, Indiana in 1836 by James Oliver. Shortly after, Oliver began operating from a foundry in South Bend, Indiana where he began manufacturing chilled plows. In 1929, the company merged with the American Seeding Machine Company, Hart-Parr Tractor Company, and Nichols and Shepard Company to form the Oliver Farm Equipment Company., Title from item., Advertising text printed on left panel of verso: Oliver Chilled Plow, 750.000 now in use and more than 90.000 sold for the trade of 1883, a record that cannot be equaled. The Casaday Sulky Plow in spite of the determined opposition of our competitors has taken the very front place in the list of labor saving implements. 20.000 sold for the season of 1883 being more than the combined sales of any three of our competitors. Send for circulars., Advertising text printed on right panel of verso: Oliver Chilled Plow Works. South Bend, Ind., Housed with *Trade cards [*Trade cards - Oliver (P.2017.95.142)], Gift of David Doret.
Date: [1883]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Oliver [P.2017.95.142]

Title: Maugridge, William
Creator: Library Company of Philadelphia, creator
Date: March 25, 1732

Title: [Engravings]
Description: Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
Date: [ca. 1832-ca. 1868]
Location: Library Company of Philadelphia | Print Department albums [P.9152]

Title: [Engravings]
Description: Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
Date: [ca. 1832-ca. 1868]
Location: Library Company of Philadelphia | Print Department albums [P.9152]

Title: East from Independence Hall
Description: Panoramic view showing Banker's Row on the north side of the 400 block of Chestnut Street. Includes the Philadelphia Trust, Safe Deposit & Insurance Company, completed in 1874 after the designs of James Hamilton Windrim (413-417 Chestnut); the Philadelphia National Bank built 1857-1859 after the designs of John M. Gries (419-423 Chestnut); the Farmers and Mechanics Bank built 1854-1855 after the designs of Gries (425-429 Chestnut); the Pennsylvania Company for Insurances on Lives & Granting Annuities built 1871-1873 after the designs of Addison Hutton (431 Chestnut); and the Girard Building built circa 1871 after the designs of Windrim (435 Chestnut)., Curved orange mount with rounded corners., Title from label on negative., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Views [P.9567.14]

Title: Bird's eye view of Philadelphia, east from State House steeple
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street before construction began on the Provident Life & Trust Company building (401-411 Chestnut) in 1876. Includes Peoples Bank (433-437 Chestnut, i.e., Girard Building, built ca. 1874); Pennsylvania Company for Insurances on Lives & Granting Annuities (431 Chestnut, built 1871-73, Addison Hutton, architect); Farmers' & Mechanics' Bank (425-429 Chestnut, built 1854-55, John M. Gries, architect); Philadelphia National Bank (419-423 Chestnut, built 1857-59, John M. Gries, architect); and the Philadelphia Trust, Safe Deposit & Insurance Co. (413-417 Chestnut, built 1873-74, James H. Windrim, architect). Also shows surrounding buildings including the steeple of Christ Church (22-34 North Second Street)., Title printed on mount and in manuscript note on verso of P.2010.6.2., Alternate title on negative of P.9168.17: "East from Sixth and Chestnut"., Photographer's imprint on mounts; in black text on P.2010.6.2 and red text on P.9168.17., Explicative paragraph of text providing brief history of the city entitled, "Philadelphia, Pennsylvania," printed on verso of P.2010.6.2. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One of the images gift of David Doret (P.2010.6.2).
Creator: Cremer, James, 1821-1893
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Streets [P.2010.6.2 and P.9168.17]

Title: Liberty, the fair maid of Kansas-in the hands of the "Border Ruffians."
Description: Cartoon addressing the Democratic administration's responsibility for the violence in Kansas following the passage of the Kansas-Nebraska Act of 1854. Depicts Democratic leaders as violent, proslavery invaders known as "Border Ruffians." In the center, a drunken President Franklin Pierce, armed with a tomahawk, knife, pistol, and rifle, hovers over "Liberty," depicted as a white woman, and tramples the American flag draped on her shoulders. Senator Lewis Cass, armed with a tomahawk, sword, knife, and rifle, looks at Liberty with his tongue sticking out. Liberty stretches her arms out and exclaims, “O Spare Me Gentlemen, Spare Me!!” They assure her that she will not be harmed. In the right, Senator Stephen Douglas scalps a dead, white man farmer, who carries a scythe in his left hand. In the left, Secretary of State William Marcy, attired in a “fifty-cent" trouser patch (a joke used by his political enemies referring to his use of state funds to repair his pants when he served as an associate justice for the Supreme Court of New York,) empty the pockets of a slain, white man settler. Presidential candidate James Buchanan, stating "Might makes right," steals the dead man’s watch. In the left background, a white woman settler, made insane by the violence, mistakes a border ruffian for her husband as they mock her, "Ho! ho! She thinks I'm her husband, we Scalped the Cus and she like a D--m fool went Crazy on it, and now she wants me to go to heaven with her, ha! ha! ha!" In the distance are additional scenes of violence and murder., Title from item., Artist and publication information supplied by Reilly., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a New York cartoonist and lithographer who eventually established his own lithographic firm in Philadelphia in 1850.
Creator: Magee, John L., artist
Date: [1856]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1856-9 [5760.F.90]

Title: Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
Description: Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]

Title: [Plate 7 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Fourth to Fifth Streets]
Description: Plate depicts section of the 400 block of Chestnut Street (134-169 pre-consolidation). South side includes the offices of Graham’s Magazine and the fancy dry goods store of L.J. Levy & Co. (134); jewelers Baily & Kitchen, Wm. E. Harpur, Chronometer & Watch manufacturer, and daguerreotypists Broadbent & Co. (136); [William F.] Warburton, Late W. H. Beebe & Co., Hats, Caps, Furs and Umbrellas (138); and Crittenden’s Commercial Institute (later Crittenden's Philadelphia Commercial College), M. A. Root’s Daguerreotypes Rooms, jeweler James E. Caldwell & Co. (140); and (Charles) Fawcett’s Hair Cutting Rooms, Wig, Scalp, & Hair Dye Manufacturer, and A. B. Warden, Jeweler (142). North side includes F. Brown, Druggist (169); H. J. Pepper & Son, Jewelers (167); Blanchard & Rock, Paper Hangings Manufacturers (165); Franklin Fire Insurance Co. (163 1/2-161); Blackwood & Smith, Carpeting and Van Loan & Co., daguerreotypists (159); and Farmer & Mechanic’s Bank (155). Plate also shows some of the businesses adorned with flags and other adornments, including a model of an eagle and statuary., Advertisements promote thirteen of the businesses depicted, including Fawcett; Warden; Caldwell & Co.; Root; Warburton; Crittenden; Baily & Co. (late Bailey & Kitchen); Van Loan & Co.; Franklin Fire Insurance Company; Blanchard & Rock; Pepper & Son; and Brown. Most include several lines of promotional text and ornamented type. Fawcett’s advertisement also includes endorsements from the local press and Root promotes "Out Door Views and Miniatures of deceased person taken at short notice," in addition to "The Crayon Style (Proues's Patent)" only taken by himself., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 8.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 8 [*Am 1851 Rae, 2975.Q]

Title: [Plate 7 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Fourth to Fifth Streets]
Description: Plate depicts section of the 400 block of Chestnut Street (134-169 pre-consolidation). South side includes the offices of Graham’s Magazine and the fancy dry goods store of L.J. Levy & Co. (134); jewelers Baily & Kitchen, Wm. E. Harpur, Chronometer & Watch manufacturer, and daguerreotypists Broadbent & Co. (136); [William F.] Warburton, Late W. H. Beebe & Co., Hats, Caps, Furs and Umbrellas (138); and Crittenden’s Commercial Institute (later Crittenden's Philadelphia Commercial College), M. A. Root’s Daguerreotypes Rooms, jeweler James E. Caldwell & Co. (140); and (Charles) Fawcett’s Hair Cutting Rooms, Wig, Scalp, & Hair Dye Manufacturer, and A. B. Warden, Jeweler (142). North side includes F. Brown, Druggist (169); H. J. Pepper & Son, Jewelers (167); Blanchard & Rock, Paper Hangings Manufacturers (165); Franklin Fire Insurance Co. (163 1/2-161); Blackwood & Smith, Carpeting and Van Loan & Co., daguerreotypists (159); and Farmer & Mechanic’s Bank (155). Plate also shows some of the businesses adorned with flags and other adornments, including a model of an eagle and statuary., Advertisements promote thirteen of the businesses depicted, including Fawcett; Warden; Caldwell & Co.; Root; Warburton; Crittenden; Baily & Co. (late Bailey & Kitchen); Van Loan & Co.; Franklin Fire Insurance Company; Blanchard & Rock; Pepper & Son; and Brown. Most include several lines of promotional text and ornamented type. Fawcett’s advertisement also includes endorsements from the local press and Root promotes "Out Door Views and Miniatures of deceased person taken at short notice," in addition to "The Crayon Style (Proues's Patent)" only taken by himself., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 8.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 8 [*Am 1851 Rae, 2975.Q]

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