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Title: [Plate 7 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Fourth to Fifth Streets]
Description: Plate depicts section of the 400 block of Chestnut Street (134-169 pre-consolidation). South side includes the offices of Graham’s Magazine and the fancy dry goods store of L.J. Levy & Co. (134); jewelers Baily & Kitchen, Wm. E. Harpur, Chronometer & Watch manufacturer, and daguerreotypists Broadbent & Co. (136); [William F.] Warburton, Late W. H. Beebe & Co., Hats, Caps, Furs and Umbrellas (138); and Crittenden’s Commercial Institute (later Crittenden's Philadelphia Commercial College), M. A. Root’s Daguerreotypes Rooms, jeweler James E. Caldwell & Co. (140); and (Charles) Fawcett’s Hair Cutting Rooms, Wig, Scalp, & Hair Dye Manufacturer, and A. B. Warden, Jeweler (142). North side includes F. Brown, Druggist (169); H. J. Pepper & Son, Jewelers (167); Blanchard & Rock, Paper Hangings Manufacturers (165); Franklin Fire Insurance Co. (163 1/2-161); Blackwood & Smith, Carpeting and Van Loan & Co., daguerreotypists (159); and Farmer & Mechanic’s Bank (155). Plate also shows some of the businesses adorned with flags and other adornments, including a model of an eagle and statuary., Advertisements promote thirteen of the businesses depicted, including Fawcett; Warden; Caldwell & Co.; Root; Warburton; Crittenden; Baily & Co. (late Bailey & Kitchen); Van Loan & Co.; Franklin Fire Insurance Company; Blanchard & Rock; Pepper & Son; and Brown. Most include several lines of promotional text and ornamented type. Fawcett’s advertisement also includes endorsements from the local press and Root promotes "Out Door Views and Miniatures of deceased person taken at short notice," in addition to "The Crayon Style (Proues's Patent)" only taken by himself., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 8.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 8 [*Am 1851 Rae, 2975.Q]

Title: [Plate 7 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Fourth to Fifth Streets]
Description: Plate depicts section of the 400 block of Chestnut Street (134-169 pre-consolidation). South side includes the offices of Graham’s Magazine and the fancy dry goods store of L.J. Levy & Co. (134); jewelers Baily & Kitchen, Wm. E. Harpur, Chronometer & Watch manufacturer, and daguerreotypists Broadbent & Co. (136); [William F.] Warburton, Late W. H. Beebe & Co., Hats, Caps, Furs and Umbrellas (138); and Crittenden’s Commercial Institute (later Crittenden's Philadelphia Commercial College), M. A. Root’s Daguerreotypes Rooms, jeweler James E. Caldwell & Co. (140); and (Charles) Fawcett’s Hair Cutting Rooms, Wig, Scalp, & Hair Dye Manufacturer, and A. B. Warden, Jeweler (142). North side includes F. Brown, Druggist (169); H. J. Pepper & Son, Jewelers (167); Blanchard & Rock, Paper Hangings Manufacturers (165); Franklin Fire Insurance Co. (163 1/2-161); Blackwood & Smith, Carpeting and Van Loan & Co., daguerreotypists (159); and Farmer & Mechanic’s Bank (155). Plate also shows some of the businesses adorned with flags and other adornments, including a model of an eagle and statuary., Advertisements promote thirteen of the businesses depicted, including Fawcett; Warden; Caldwell & Co.; Root; Warburton; Crittenden; Baily & Co. (late Bailey & Kitchen); Van Loan & Co.; Franklin Fire Insurance Company; Blanchard & Rock; Pepper & Son; and Brown. Most include several lines of promotional text and ornamented type. Fawcett’s advertisement also includes endorsements from the local press and Root promotes "Out Door Views and Miniatures of deceased person taken at short notice," in addition to "The Crayon Style (Proues's Patent)" only taken by himself., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 8.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 8 [*Am 1851 Rae, 2975.Q]

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
Description: Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]

Title: Liberty, the fair maid of Kansas-in the hands of the "Border Ruffians."
Description: Cartoon addressing the Democratic administration's responsibility for the violence in Kansas following the passage of the Kansas-Nebraska Act of 1854. Depicts Democratic leaders as violent, proslavery invaders known as "Border Ruffians." In the center, a drunken President Franklin Pierce, armed with a tomahawk, knife, pistol, and rifle, hovers over "Liberty," depicted as a white woman, and tramples the American flag draped on her shoulders. Senator Lewis Cass, armed with a tomahawk, sword, knife, and rifle, looks at Liberty with his tongue sticking out. Liberty stretches her arms out and exclaims, “O Spare Me Gentlemen, Spare Me!!” They assure her that she will not be harmed. In the right, Senator Stephen Douglas scalps a dead, white man farmer, who carries a scythe in his left hand. In the left, Secretary of State William Marcy, attired in a “fifty-cent" trouser patch (a joke used by his political enemies referring to his use of state funds to repair his pants when he served as an associate justice for the Supreme Court of New York,) empty the pockets of a slain, white man settler. Presidential candidate James Buchanan, stating "Might makes right," steals the dead man’s watch. In the left background, a white woman settler, made insane by the violence, mistakes a border ruffian for her husband as they mock her, "Ho! ho! She thinks I'm her husband, we Scalped the Cus and she like a D--m fool went Crazy on it, and now she wants me to go to heaven with her, ha! ha! ha!" In the distance are additional scenes of violence and murder., Title from item., Artist and publication information supplied by Reilly., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a New York cartoonist and lithographer who eventually established his own lithographic firm in Philadelphia in 1850.
Creator: Magee, John L., artist
Date: [1856]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1856-9 [5760.F.90]

Title: Bird's eye view of Philadelphia, east from State House steeple
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street before construction began on the Provident Life & Trust Company building (401-411 Chestnut) in 1876. Includes Peoples Bank (433-437 Chestnut, i.e., Girard Building, built ca. 1874); Pennsylvania Company for Insurances on Lives & Granting Annuities (431 Chestnut, built 1871-73, Addison Hutton, architect); Farmers' & Mechanics' Bank (425-429 Chestnut, built 1854-55, John M. Gries, architect); Philadelphia National Bank (419-423 Chestnut, built 1857-59, John M. Gries, architect); and the Philadelphia Trust, Safe Deposit & Insurance Co. (413-417 Chestnut, built 1873-74, James H. Windrim, architect). Also shows surrounding buildings including the steeple of Christ Church (22-34 North Second Street)., Title printed on mount and in manuscript note on verso of P.2010.6.2., Alternate title on negative of P.9168.17: "East from Sixth and Chestnut"., Photographer's imprint on mounts; in black text on P.2010.6.2 and red text on P.9168.17., Explicative paragraph of text providing brief history of the city entitled, "Philadelphia, Pennsylvania," printed on verso of P.2010.6.2. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One of the images gift of David Doret (P.2010.6.2).
Creator: Cremer, James, 1821-1893
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Streets [P.2010.6.2 and P.9168.17]

Title: Maugridge, William
Creator: Library Company of Philadelphia, creator
Date: March 25, 1732

Title: [Engravings]
Description: Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
Date: [ca. 1832-ca. 1868]
Location: Library Company of Philadelphia | Print Department albums [P.9152]

Title: [Engravings]
Description: Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
Date: [ca. 1832-ca. 1868]
Location: Library Company of Philadelphia | Print Department albums [P.9152]

Title: United States Hotel Chesnut [sic] Street, Philadelphia. This hotel under the presant [sic] management has under gone many important alterations and has been entirely refurnished with rich and elegant furniture. The situation of the house is acknowledged by all to be the most favourable of any in the city for either the man of business of pleasure. The proprietor respectfully solicits the patronage of friends and the public. Thomas C. Rea
Description: Advertisement looking east down Chestnut Street showing the large, prominent hotel opened in 1826 following the conversion by John Rea of several properties at 419-423 Chestnut Street. Gentlemen convene near the entranceway and portico of the hotel in front of which a carriage is parked. On the north side of the street, east of the hotel, several individuals, including couples and families, promenade and converse on the several blocks of businesses visible to the riverfront. Opposite the hotel, on the south side of the street, a couple promenades and boys play marbles in front of the former Second Bank of the United States (420 Chestnut) as another couple and several shadowy figures of pedestrians walk down the sidewalks in the background. In the street, a couple on horseback, an omnibus, and carriage travels. Also shows a partial view of the Farmers & Mechanics Bank (425-429) adjacent the hotel and a few trees and street lamps landscaping the street. A patron ascends the stairs to the bank. The hotel, altered in 1840, was demolished in 1856 for the erection of the new building for the Bank of Pennsylvania. Thomas C. Rea, son of John Rea, operated the property until his death in 1846., Philadelphia on Stone, POS 779, Wainwright retrospective conversion project, edited.
Creator: Quintin, David S., artist
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department *W417 [P.2228]

Title: East from Independence Hall
Description: Panoramic view showing Banker's Row on the north side of the 400 block of Chestnut Street. Includes the Philadelphia Trust, Safe Deposit & Insurance Company, completed in 1874 after the designs of James Hamilton Windrim (413-417 Chestnut); the Philadelphia National Bank built 1857-1859 after the designs of John M. Gries (419-423 Chestnut); the Farmers and Mechanics Bank built 1854-1855 after the designs of Gries (425-429 Chestnut); the Pennsylvania Company for Insurances on Lives & Granting Annuities built 1871-1873 after the designs of Addison Hutton (431 Chestnut); and the Girard Building built circa 1871 after the designs of Windrim (435 Chestnut)., Curved orange mount with rounded corners., Title from label on negative., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Views [P.9567.14]

Title: The Delaware County Society, for the Promotion of Agriculture, Horticulture, Manufactures, and the Mechanic and Household Arts
Description: Fair certificate containing vignettes and scenes related to farming, industry, and domestic work. Predominately contains farm images that show farmers reaping, plowing, and threshing fields, transporting a truck of hay near the coastline, scraping feathers from a goose on a table as a locomotive travels past in the distant background, and a woman milking a cow in the field. Industrial images include women working at sewing machines and operating mechanical looms; a printer at a press; a mill; and a hull of a ship under construction. Vignettes also show farm animals and produce; bakeware, cookware, and other implements to prepare food; and the figure of William Penn., Not in Wainwright., Issued September 1857 to J[ohn?] Davidson for H[orse?] General Scott 2 years old. James Andrews, President. Abram P. Morgan, Secretary., Philadelphia on Stone, POSP 49, Historical Society of Pennsylvania: Bc 65 D 343, Free Library of Philadelphia: Philadelphiana - Societies - Certificates
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 65 D 343

Title: A Country Clown.
Description: The country clown holds a rake and stands on grass. He smiles widely and wears a wide-brimmed hat, trousers, shirt, and vest. The text suggests that he speaks a provincial dialect, saying "ye" for "you.", Text: Devoid of breeding, arts, and graces, / Among the greens I'm sure your place is; / To come to town would be a pity, / For I am sure some horse would eat ye., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Owen, Owen, 1690-1741
Creator: Library Company of Philadelphia, creator
Date: February 22, 1733

Title: Horace Greely, to his farmer friends, one day, said "How needlessly man often labors, use the Enterprise Sprinkler, that is the proper way, and give up the watering pot, neighbors."
Description: Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Lawn Sprinklers." Contains a scene including a caricaturized depiction of newspaper editor and agrarian reformer Horace Greeley. Shows Greeley demonstrating an Enterprise sprinkler to two farmers on the front lawn of an estate. Also contains a view of the Horticultural Building designed by W.L.B. Jenney. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Lawn Sprinklers. Two sizes. no. 1,-- $3.50. No. 2,--$2.75. Our No. 1 Sprinkler has the following advantages: 1st. Each machine is furnished with a cord or rope, so that the Sprinkler may be easily moved, when running, without going near it. 2nd. The water passes through a strainer before it enters the small perforations, which, therefore are prevented from filling up. 3rd. It is so constructed that the weight of its revolving parts is removed by the pressure of the water, thus overcoming unnecessary wear. 4th. All parts of the machine are made sufficiently strong for ordinarily rough usage and are interchangeable. 5th. The machine is Tinned and Nickel Plated, and is of very handsome appearance. 7th. [sic] The Sprinklers are finished and boxed complete in our factory and require no skill to put them together. Our No. 2 Sprinkler, being a cheaper machine, has no strainer or ball, but is similar to the No. 1 in other respects., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustrations on verso. Depicts an Enterprise lawn sprinkler spraying water., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1893
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.58 & 80]

Title: Farmers & Mechanics Bank, Chestnut Street
Description: Exterior view of bank located at 425-429 Chestnut Street, built 1854-5, designed by John M. Gries. Also depicts the Pennsylvania Company for Insurances on Lives & Granting Annuities at 431 Chestnut, built 1871-3, designed by Addison Hutton. Buildings form part of Bank Row., Title printed on mount., Yellow mount with rounded corners., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 93., Arcadia caption text: This photograph focuses on two of the extant banks located on Bank Row shown above. When John Gries’ design for the building was completed in 1855, the Farmers’ & Mechanics’ Bank, on the right, was the largest bank in the city. Its smaller neighbor to the left, the Pennsylvania Company for Insurances on Lives & Granting Annuities was completed in 1873 after designs by Addison Hutton. The building complemented the architectural style of the Farmers’ & Mechanics’ Bank while using contrasting gray granite rather than white marble for its façade., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1873]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - banks [P.9079.3]

Title: Philadelphia, from the State House, looking N.E
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: [photographed October 12, 1855, printed ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]

Title: Philadelphia, from the State House, looking N.E
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: [photographed October 12, 1855, printed ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]

Title: Philadelphia, from the State House, looking N.E
Description: Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: [photographed October 12, 1855, printed ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]

Title: Fifteenth amendment. Bringing his crop to town
Description: Racist, vignetted view showing an African American man, attired in worn clothes, hauling a loaded cart pulled by a thin, horned cow. The man, attired in a wide-brimmed hat, jacket, and pants, rides the cow. His right hand holds the reigns of the yoke and his left hand holds up a stick in a striking motion. A pile of thatch fills the cart. A bag of cotton rests atop of the thatch. Townscape is visible in the background. View racistly satirizes African American civil rights and the right to vote granted to African American men in 1870 by the Fifteenth Amendment., Title and series number printed on verso., Name of photographer printed on verso., Photographer inferred to also be publisher., Date inferred from style of mount and active dates of photographer., Printed on mount: Charleston & Vicinity., Orange mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Jerome N. Wilson (1827-1897), a New-York born photographer, relocated his photography business to Savannah Georgia in 1865. He produced multiple genres of photographs, including cartes de visite and stereographs. His studio was enlarged and improved in 1871.
Creator: Wilson, J. N.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Wilson [P.2018.16.11]

Title: Oliver Chilled Plow Works
Description: Racist trade card illustration depicting a group of African American men and women observing an African American man posing while a cow and donkey pull an -Oliver Chilled Plow in a field. A white dog in the foreground walks into a hollow and fallen tree trunk. The women in the crowd are attired in yellow and blue dresses, a red coat, and white and red headwraps. The men in the crowd are attired in blue, red, green, and yellow vests, jackets, shirts and pants. A white-haired older man in the crowd kneels forward with his hands in his knees. His top hat is visible on the ground in front of him. The man near the plow stands with his right leg crossed in front of his left and his left arm bent toward his chest. He raises his hat with his right hand and bends his head back. He is attired in a white collared shirt, green checkered pants, and black shoes. Visible in the background are two men chasing a goat. Houses, trees, fences, and a steamboat on a body of water are also depicted in the background. On the verso of the trade card is an illustration of an aerial view of the Oliver Chilled Plow Works. The Oliver Chilled Plow Works was founded in Mishawaka, Indiana in 1836 by James Oliver. Shortly after, Oliver began operating from a foundry in South Bend, Indiana where he began manufacturing chilled plows. In 1929, the company merged with the American Seeding Machine Company, Hart-Parr Tractor Company, and Nichols and Shepard Company to form the Oliver Farm Equipment Company., Title from item., Advertising text printed on left panel of verso: Oliver Chilled Plow, 750.000 now in use and more than 90.000 sold for the trade of 1883, a record that cannot be equaled. The Casaday Sulky Plow in spite of the determined opposition of our competitors has taken the very front place in the list of labor saving implements. 20.000 sold for the season of 1883 being more than the combined sales of any three of our competitors. Send for circulars., Advertising text printed on right panel of verso: Oliver Chilled Plow Works. South Bend, Ind., Housed with *Trade cards [*Trade cards - Oliver (P.2017.95.142)], Gift of David Doret.
Date: [1883]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Oliver [P.2017.95.142]

Title: United States Hotel, Philadelphia Chestnut Street, between 4th & 5th opposite the Custom House, (late Bank of U.S.) M. P. Mitchell, proprietor
Description: Advertisement showing heavy pedestrian and street activity in front of the large, prominent hotel opened in 1826 following the conversion by John Rea of several properties at 419-423 Chestnut Street. Several carriages, including one marked "U.S. Hotel" line up in front of the hotel. A group of men stand near the entranceway as other guests exit doorways and stand on the verandah. Signage for businesses tenanting the lower floor of the eastern section of the hotel is visible. Businesses include M. J. & C. Croll, tailor; G. W. Duffy's, fashionable hat & cap store; Blanchard & Rock, paper hangings. View includes adjacent buildings, including Farmers & Mechanics Bank (425-429) and W. Christie, upholsterer (411). Couples exit some of the storefronts, individuals promenade on the sidewalk, and a woman talks to two men at the steps of the bank. Also shows a coach traveling in the street near a running dog; two men conversing; two delivery boys, one with a basket standing near a well-dressed man walking and holding a small sack in his hand; and an African American laborer pushing a hand-cart loaded with a crate. The hotel was demolished in 1856 for the erection of the new building for the Bank of Pennsylvania., Date from manuscript note on recto: May 1850., Philadelphia on Stone, POS 780, Historical Society of Pennsylvania: Bc 32 U 582, Trimmed.
Creator: Dacre, Henry, b. ca. 1820, artist
Date: [1850]
Location: Historical Society of Pennsylvania HSP Bc 32 U 582

Title: State fair buildings and grounds, Philadelphia. Industrial Exhibition Pennsylvania State Agricultural Society, North Broad Street and Lehigh Avenue, Philadelphia Manufactures, machinery, implements, apparatus, produce & live stock
Description: View of the fair buildings and heavily trafficked grounds enclosed by a wood fence. In the foreground, outside of the grounds, pedestrian and street traffic is visible. Horse-drawn carriages and wagons travel in the street near pedestrians, including a woman walking her dog on the sidewalk. Horse-drawn omnibuses arrive at and depart from the multiple entrances to the fair at Fifteenth Street near a Philadelphia & Reading Railroad train arriving at the "Special Station." Within the grounds, visitors stroll on the paths between and enter the several exhibition buildings, including the Main Building (center), Restaurant, House of Public Comfort, Carriage and Wagon House, and Poultry House. Agricultural implements, fountains, and shrubbery adorn the grounds. In the background, the cattle sheds, rows of horse stalls, and the Executive Offices line the outskirts of the grounds in back of which trains on the Connecting Railroad and Pennsylvania Rail Railroad tracks travel past. Also shows the entrances, train station, and buildings decorated with flags. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts.", pdcp00044, Not in Wainwright., Key to buildings (left to right) printed below the image: Cattle Sheds. Connecting Railroad. Horse Stalls. Exercise and Parade Drive. Restaurant. Main Building. House of Public Comfort. Horse Stalls. Carriage and Wagon House. Pennsylvania R.R. Executive Offices. Fifteenth St. Entrances. Philadelphia & Reading R.R. Agricultural Building. Poultry House. Special Station P. & R.R.R., Philadelphia on Stone, POSP 239, Free Library of Philadelphia: Oversize Philadelphiana – Fairs, festivals, See related tradecard for Cheltenham Coach Works, Shoemakertown, PA. Moore & Ervien in FLP Americana - Tradesmen's Cards (A-D) - Folder C. Tradecard illustrated with a montage of views of the fair buidlings.
Date: c1884
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Oversize Philadelphiana – Fairs, festivals

Title: Country Pumbkin.
Description: The "country pumbkin" is shown from the waist up. He carries a green pumpkin (or other squash) and wears a green top hat, blue jacket, and red vest. His mouth is open, either yawning or yelling. "Pumpkin" is a derogatory term for an important person., Text: Oh you poor corn-fed country Elf, / Behold the picture of thyself. / Hither come to make love's vows, / Better stay at home and feed your cows. / A city life will never do / For a stupid Hound like you, / Go hoe your corn and feed your swine / And keep your pumpkin for a Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Farmer.
Description: A farmer gives grain to a small bird. He has moles and errant facial hairs. The valentine puns on the meanings of green and implies that the recipient is inexperienced and a bad farmer., Text: A farmer's life's the life for me, / A farmer's lad I mean to be; / So sweet to go, at early morn, / And give the little chicks their corn; / To milk the pigs, and shear the cows, / And see the 'punkins' on the boughs; / To gaze on all the lovely scene, / And be, just like the landscape, green., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Of Dandizetts You’re Sure the Queen,
Description: A woman wears a large crinoline, a cape, gloves and a hat with a snood. "Bean" can mean money., Text: Of Dandizetts you’re sure the Queen, The loveliest creature ever seen, / Your head so small and shape so fine, / Must make each bean your valentine., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: I send you my dearest a sketch of your Phiz,
Description: A woman in a bulky coat stands with her hands in her pockets. The sender suggests the sketch presents a a true and less flattering likeness, which ought to correct the recipient's conceited attitude., Text: I send you my dearest a sketch of your Phiz, / Just look in the glass and you’ll find it, / ‘Tis so true you’ll admit ‘tis not meant for a Quiz, / It may cure your conceit, so pray mind it., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: One of the Codfish Aristocracy.
Description: A man with a fish for a head wears a top hat and carries a cane. "Cod-fish aristocracy" was a derogatory term for New Englanders whose family wealth originated in maritime businesses., Text: In vain you try to make a show, / ‘Mongst the proud flesh of cod-fish row, / Your home should be fast to a rod, / Upon the banks of old Cape “Cod.”, Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: What, my chap.
Description: Text: What, my chap about town! I certainly thinks, / That the vulgate, ex-homo, a fellow who stinks, / And the heat that we know, of so filthy a spark, / The nuisance is traced, in the twilight—or dark., Published by A. Park, 47, Leonard Street, Finsbury, London, 171, Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Country Bumpkin.
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: You looking for a Valentine, whoever would suppose
Description: A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: You looking for a Valentine, whoever would suppose / You'd ever get a valentine with such a head and nose, / You'd best stick to the nursery, and the children dandle, / Such a head and nose serves well for a handle; / You've got two kids already, therefore contented be, / I assure you for a Valentine you never will kid me., See similar print "You looking for", Comic Valentines, 17.8, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Pennsylvania State Agricultural Society [certificate]
Description: Diploma depicting six vignettes and graphic elements symbolizing agriculture and horticulture separated into distinct scenes by borders designed as trees and foliage. At the top, a winged, female allegorical figure, attired in a robe and laurel wreath, sits with her arms outstretched over a shield surmounted by an eagle. She holds a bugle in her left hand and a laurel wreath in her right, and she reaches in the direction of two horses that flank the shield. Images of a railroad locomotive crossing a stone arch bridge (left) and a waterfront industrial complex (right) flank the winged figure. On the sides, scenes depict cattle and sheep grazing, men harvesting a field with a horse-drawn reaper, and a man feeding horses near a large bale of hay. At the bottom, tools and agricultural products surround the society's blind stamp, and include farm produce, scythes, pitchforks and wheelbarrows. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., Not in Wainwright., Awarded to S.M. Mertzler for display of wines etc. at the exhibition of said society held at Lancaster in 1875, signed D.W. Seiler, secretary, and George Scott, president., Society's blind stamp on recto., Philadelphia on Stone, POSP 166, Gift of David Doret., Edward Herline and Howard B. Hamilton, the proprietors of Herline & Co., moved their lithographic operations from 630 Chestnut Street to 39 South Tenth Street in 1871.
Creator: Rosenthal, Max, 1833-1918, artist
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Agriculture [P.2003.37.1]

Title: The farmer at the market
Description: Plate from children's moral instruction book showing a farmer selling his goods to a female shopper from his horse-drawn wagon on the city street. Poultry hangs from the cart, and other farm made goods are organized in crates. Two gentlemen stand on the sidewalk in the background (left)., Published in Common sights in town & country. Delineated & described for young children (Philadelphia: American Sunday-School Union, No. 146 Chestnut Street, [ca. 1853])., Accompanied by text titled "The farmer at the market" praising the life of the "honest thrifty farmer" who provides city residents with food from his harvest., Philadelphia on Stone, POS 244, Historical Society of Pennsylvania: Bd 61 K 8342.54
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bd 61 K 8342.54

Title: This diploma was awarded by the Luzerne County Agricultural Society at their [blank] annual fair held at Wyoming [blank] 18[blank]
Description: Diploma containing two vignettes and and a dominant scene symbolizing agriculture separated by borders comprised of sheaves of wheat, a shovel, farm produce, and vinery. In the upper right, vignettes depict a farmer reaping his field with a horse-drawn reaper and an industrial view of a train passing a coal breaker factory across from a coal mine in which horse-drawn coal cars arrive and depart. The dominant scene shows a farm with livestock, including a pig, turkeys, chickens, and ducks milling the grounds near a woman milking a cow while farmhands corral cows out of a yard, transport a wagon of hay from a barn, and plow a field. View also shows horses before a pasture of grazing sheep and other homesteads, the Wyoming Monument (erected in 1833 in memory of victims of the Wyoming Massacre 1778), and treescaped hills in the distance. The Luzerne County Agricultural Society was founded in 1858 by persons interested in farming and gardening with the mission "to foster and improve agriculture, horticulture, and the domestic and household arts." The first annual fair was held in 1859 and stopped after circa 1879 and before 1891., Not in Wainwright., Dilpoma completed in manuscript: This diploma was awarded by the Luzerne County Agricultural Society at their [Thirteenth] Annual Fair held at Wyoming [Sept. 25, 26 & 27] 18[72] To [William H. Shoemaker Esq. of Wyoming] for [best bottle of grape wine]. [Steuben Jenkins], Prest. and [W. H. Jenkins], Secy., Glued onto a modern mat by previous owner., Philadelphia on Stone, POSP 287, Steuben Jenkins was a respected lawyer, farmer, historian, and antiquarian of Wyoming County.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Agriculture - Luzerne [P.2014.11]

Title: [Farmers' and Mechanics' Bank, Chestnut Street above 4th, north side, Philadelphia]
Description: Exterior view of the bank built 1854-1855 after the designs of Philadelphia architect John M. Gries on Bank Row at 425-429 Chestnut Street. Also shows gas street lights lining the sidewalk and partial views of adjoining buildings, including signage for a piano manufactory., Partial impression of photographer's blindstamp on mount., Manuscript note on mount: Chestnut St. ab. 4th. Farmers & Mechanics Bk., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., McClees, a prominent Philadelphia photographer and daguerrotypist, produced some of the earliest paper photographic views of Philadelphia between 1853 and 1859.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: [May 1855]
Location: Library Company of Philadelphia | Print Department photo - McClees - Banks [(7)1322.F.25b]

Title: Diploma of the Pennsylvania State Agricultural Society
Description: Fair certificate containing vignettes and scenes related to agriculture, horticulture, and industrial arts. At the top, a female allegorical figure, sits upon a rug-covered throne with her arms outstretched. She is flanked by symbols of agriculture, including wheat, farm produce, and livestock. On the sides, vignettes depict tools and products of the book arts and fine arts, a threshing machine, a steam locomotive, and stems of flowers, and a grape vine. At the bottom, a historical scene of Egyptians slaves, in front of the pyramids and under the view of an overseer, cutting wheat with sickles is contrasted to a farmer harvesting his field with a horse-drawn reaper. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., Not in Wainwright., Issued to Henry Disston & Sons, Phila. on Sept. 30, 1885 for improved carpenter tools. A. W. Seiler, Secretary. A. Wilhelm, President., Seal of the society with ribbon pasted on the recto., Philadelphia on Stone, POSP 56, Historical Society of Pennsylvania: Certificates - Pennsylvania State, Inscribed on verso: Wm. D. Disston, Feb. 19, 1956., Left side water stained and torn.
Creator: Faber, Harman, 1832-1913, artist
Date: [ca. 1875]
Location: Historical Society of Pennsylvania HSP Certificates - Pennsylvania State

Title: East Pennsylvania Agricultural & Mechanical Society
Description: Fair certificate containing an ornate border with vignettes, female allegorical figures, and pictorial elements related to agriculture and horticulture. Vignettes show the Pennsylvania coat of arms (surrounded by flags) and montages of scenes of life on a farm. Farm scenes include a farmhouse; barns; a woman milking a cow; a farmhand settling a horse; piglets suckling on their mother; sheep being corralled; a field being cleared; and farmhands loading a wagon full of hay. Allegorical figures hold a sickle, cornucopia of flowers, a basket of fruit, and the head of a ram that lays near other farm animals. Border also includes cherubs, garlands of vines and flowers, fruit bushes, and displays of farm produce. Two bales of wheat clustered with doves, a bee hive, and gardening tools form another pictorial element. The East Pennsylvania Agricultural & Mechanical Society was established in 1860 in Norristown following a split from the Montgomery County Agricultural Society. The society held its first fair in 1861., Not in Wainwright., Issued to Charles P. Peters in 1867 for King of peaches being the best variety on exhibition. Signed Joshua Ashbury, President and A.S. Hallman for Secretary., Philadelphia on Stone, POSP 62, Historical Society of Pennsylvania: Certificates - East Pennsylvania
Date: [ca. 1860]
Location: Historical Society of Pennsylvania HSP Certificates - East Pennsylvania

Title: View of the Pennsylvania State Agricultural Fair, held at Powellton [sic], twenty-fourth ward, Philadelphia, late West Philadelphia, September 1854
Description: Shows the well-attended fair on grounds landscaped with dirt paths and a track, tenanted by tents and sheds adorned with American flags, and enclosed by a white fence. Visitors enter by foot, on horseback, and carriage through an arched opening near the "Ticket Office" as a lone carriage departs through the opposite exit way. Throngs of people spill out from the temporary shelters while individuals ride horseback, travel in carriages, and rest on a mound of dirt nearby. Also shows horses racing on the track and trees lining the back of the property in the background. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." Powelton was the estate of John Hare Powel, an experimental farmer and diplomat., Title supplied by Wainwright., Philadelphia on Stone, Atwater Kent Museum: 49.34.25
Date: [ca. 1854]
Location: Atwater Kent Museum | Print Department AKM AKM 49.34.25

Title: Diploma awarded by the Lebanon County Agricultural and Horticultural Society
Description: Fair certificate containing an ornate border with seven vignettes related to agriculture and horticulture. Vignettes show a small herd of sheep; a farmer at his plow; a group of cattle; a town hall; a pair of horses; an iron worker with his assistant at a forge (resembling John Neagle's "Pat Lyon at his Forge"); and a gathering of barn animals. Animals include a pig, chickens, ducks, geese, and a turkey. Border also includes farm produce such as squashes, cherries, grape vines, herbs, and plants in addition to agricultural and farm implements, including a butter churn, rake, hoe, basket, pitcher, pail, sickle, shovel, and an ax. Also contains a vignette showing the coat of arms of Pennsylvania including the banner "Virtue, Liberty and Independence.", Not in Wainwright., Issued October 8, 1858 to Mrs. S. B. Lehman for greatest variety verbena. Sawr. Rightmeyer, Secretary. Simeon Guilford, President., Philadelphia on Stone, POSP 54, Historical Society of Pennsylvania: Bc 65 D 956
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1858]
Location: Historical Society of Pennsylvania HSP Bc 65 D 956

Title: A Farmer's Wife.
Description: The farmer's wife stands next to a large pig. A butter churn is behind her. The valentine mocks her for being overweight., Text: A charming life is a farmer's life; / And ain't you in luck to be his wife? / He feeds and fats you just like his pig, / And loves as much when you're twice as big., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Sharpless, Samuel J.
Creator: Library Company of Philadelphia, creator
Date: May 8, 1879

Title: Richards, Augustus H.
Creator: Library Company of Philadelphia, creator
Date: January 6, 1870

Title: Richardson, Nathaniel, 1793-1872
Creator: Library Company of Philadelphia, creator
Date: June 7, 1828

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