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- Title
- Philadelphia, from the State House, looking N.E
- Description
- Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- [photographed October 12, 1855, printed ca. 1862]
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]
- Title
- Philadelphia, from the State House, looking N.E
- Description
- Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- [photographed October 12, 1855, printed ca. 1862]
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]
- Title
- Philadelphia, from the State House, looking N.E
- Description
- Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street. Includes Blackwood & Co. carpet store (431 Chestnut) and Farmers & Mechanics Bank built 1854-1855 after the designs of John M. Gries. Also shows surrounding buildings including the steeple of Christ Church (22-34 N. 2nd)., Attributed to William and Frederick Langenheim., Pale yellow paper mount with square corners., Title printed on mount., Date from duplicate. [(5)2526.F.1c]., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- [photographed October 12, 1855, printed ca. 1862]
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Views [1322.F.4f]
- Title
- Fifteenth amendment. Bringing his crop to town
- Description
- Racist, vignetted view showing an African American man, attired in worn clothes, hauling a loaded cart pulled by a thin, horned cow. The man, attired in a wide-brimmed hat, jacket, and pants, rides the cow. His right hand holds the reigns of the yoke and his left hand holds up a stick in a striking motion. A pile of thatch fills the cart. A bag of cotton rests atop of the thatch. Townscape is visible in the background. View racistly satirizes African American civil rights and the right to vote granted to African American men in 1870 by the Fifteenth Amendment., Title and series number printed on verso., Name of photographer printed on verso., Photographer inferred to also be publisher., Date inferred from style of mount and active dates of photographer., Printed on mount: Charleston & Vicinity., Orange mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Jerome N. Wilson (1827-1897), a New-York born photographer, relocated his photography business to Savannah Georgia in 1865. He produced multiple genres of photographs, including cartes de visite and stereographs. His studio was enlarged and improved in 1871.
- Creator
- Wilson, J. N.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department stereo - misc. photo. - Wilson [P.2018.16.11]
- Title
- Oliver Chilled Plow Works
- Description
- Racist trade card illustration depicting a group of African American men and women observing an African American man posing while a cow and donkey pull an -Oliver Chilled Plow in a field. A white dog in the foreground walks into a hollow and fallen tree trunk. The women in the crowd are attired in yellow and blue dresses, a red coat, and white and red headwraps. The men in the crowd are attired in blue, red, green, and yellow vests, jackets, shirts and pants. A white-haired older man in the crowd kneels forward with his hands in his knees. His top hat is visible on the ground in front of him. The man near the plow stands with his right leg crossed in front of his left and his left arm bent toward his chest. He raises his hat with his right hand and bends his head back. He is attired in a white collared shirt, green checkered pants, and black shoes. Visible in the background are two men chasing a goat. Houses, trees, fences, and a steamboat on a body of water are also depicted in the background. On the verso of the trade card is an illustration of an aerial view of the Oliver Chilled Plow Works. The Oliver Chilled Plow Works was founded in Mishawaka, Indiana in 1836 by James Oliver. Shortly after, Oliver began operating from a foundry in South Bend, Indiana where he began manufacturing chilled plows. In 1929, the company merged with the American Seeding Machine Company, Hart-Parr Tractor Company, and Nichols and Shepard Company to form the Oliver Farm Equipment Company., Title from item., Advertising text printed on left panel of verso: Oliver Chilled Plow, 750.000 now in use and more than 90.000 sold for the trade of 1883, a record that cannot be equaled. The Casaday Sulky Plow in spite of the determined opposition of our competitors has taken the very front place in the list of labor saving implements. 20.000 sold for the season of 1883 being more than the combined sales of any three of our competitors. Send for circulars., Advertising text printed on right panel of verso: Oliver Chilled Plow Works. South Bend, Ind., Housed with *Trade cards [*Trade cards - Oliver (P.2017.95.142)], Gift of David Doret.
- Date
- [1883]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Oliver [P.2017.95.142]
- Title
- United States Hotel, Philadelphia Chestnut Street, between 4th & 5th opposite the Custom House, (late Bank of U.S.) M. P. Mitchell, proprietor
- Description
- Advertisement showing heavy pedestrian and street activity in front of the large, prominent hotel opened in 1826 following the conversion by John Rea of several properties at 419-423 Chestnut Street. Several carriages, including one marked "U.S. Hotel" line up in front of the hotel. A group of men stand near the entranceway as other guests exit doorways and stand on the verandah. Signage for businesses tenanting the lower floor of the eastern section of the hotel is visible. Businesses include M. J. & C. Croll, tailor; G. W. Duffy's, fashionable hat & cap store; Blanchard & Rock, paper hangings. View includes adjacent buildings, including Farmers & Mechanics Bank (425-429) and W. Christie, upholsterer (411). Couples exit some of the storefronts, individuals promenade on the sidewalk, and a woman talks to two men at the steps of the bank. Also shows a coach traveling in the street near a running dog; two men conversing; two delivery boys, one with a basket standing near a well-dressed man walking and holding a small sack in his hand; and an African American laborer pushing a hand-cart loaded with a crate. The hotel was demolished in 1856 for the erection of the new building for the Bank of Pennsylvania., Date from manuscript note on recto: May 1850., Philadelphia on Stone, POS 780, Historical Society of Pennsylvania: Bc 32 U 582, Trimmed.
- Creator
- Dacre, Henry, b. ca. 1820, artist
- Date
- [1850]
- Location
- Historical Society of Pennsylvania HSP Bc 32 U 582
- Title
- State fair buildings and grounds, Philadelphia. Industrial Exhibition Pennsylvania State Agricultural Society, North Broad Street and Lehigh Avenue, Philadelphia Manufactures, machinery, implements, apparatus, produce & live stock
- Description
- View of the fair buildings and heavily trafficked grounds enclosed by a wood fence. In the foreground, outside of the grounds, pedestrian and street traffic is visible. Horse-drawn carriages and wagons travel in the street near pedestrians, including a woman walking her dog on the sidewalk. Horse-drawn omnibuses arrive at and depart from the multiple entrances to the fair at Fifteenth Street near a Philadelphia & Reading Railroad train arriving at the "Special Station." Within the grounds, visitors stroll on the paths between and enter the several exhibition buildings, including the Main Building (center), Restaurant, House of Public Comfort, Carriage and Wagon House, and Poultry House. Agricultural implements, fountains, and shrubbery adorn the grounds. In the background, the cattle sheds, rows of horse stalls, and the Executive Offices line the outskirts of the grounds in back of which trains on the Connecting Railroad and Pennsylvania Rail Railroad tracks travel past. Also shows the entrances, train station, and buildings decorated with flags. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts.", pdcp00044, Not in Wainwright., Key to buildings (left to right) printed below the image: Cattle Sheds. Connecting Railroad. Horse Stalls. Exercise and Parade Drive. Restaurant. Main Building. House of Public Comfort. Horse Stalls. Carriage and Wagon House. Pennsylvania R.R. Executive Offices. Fifteenth St. Entrances. Philadelphia & Reading R.R. Agricultural Building. Poultry House. Special Station P. & R.R.R., Philadelphia on Stone, POSP 239, Free Library of Philadelphia: Oversize Philadelphiana – Fairs, festivals, See related tradecard for Cheltenham Coach Works, Shoemakertown, PA. Moore & Ervien in FLP Americana - Tradesmen's Cards (A-D) - Folder C. Tradecard illustrated with a montage of views of the fair buidlings.
- Date
- c1884
- Location
- Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Oversize Philadelphiana – Fairs, festivals
- Title
- Maugridge, William
- Creator
- Library Company of Philadelphia, creator
- Date
- March 25, 1732
- Title
- [Engravings]
- Description
- Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
- Date
- [ca. 1832-ca. 1868]
- Location
- Library Company of Philadelphia | Print Department albums [P.9152]
- Title
- [Engravings]
- Description
- Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
- Date
- [ca. 1832-ca. 1868]
- Location
- Library Company of Philadelphia | Print Department albums [P.9152]
- Title
- United States Hotel Chesnut [sic] Street, Philadelphia. This hotel under the presant [sic] management has under gone many important alterations and has been entirely refurnished with rich and elegant furniture. The situation of the house is acknowledged by all to be the most favourable of any in the city for either the man of business of pleasure. The proprietor respectfully solicits the patronage of friends and the public. Thomas C. Rea
- Description
- Advertisement looking east down Chestnut Street showing the large, prominent hotel opened in 1826 following the conversion by John Rea of several properties at 419-423 Chestnut Street. Gentlemen convene near the entranceway and portico of the hotel in front of which a carriage is parked. On the north side of the street, east of the hotel, several individuals, including couples and families, promenade and converse on the several blocks of businesses visible to the riverfront. Opposite the hotel, on the south side of the street, a couple promenades and boys play marbles in front of the former Second Bank of the United States (420 Chestnut) as another couple and several shadowy figures of pedestrians walk down the sidewalks in the background. In the street, a couple on horseback, an omnibus, and carriage travels. Also shows a partial view of the Farmers & Mechanics Bank (425-429) adjacent the hotel and a few trees and street lamps landscaping the street. A patron ascends the stairs to the bank. The hotel, altered in 1840, was demolished in 1856 for the erection of the new building for the Bank of Pennsylvania. Thomas C. Rea, son of John Rea, operated the property until his death in 1846., Philadelphia on Stone, POS 779, Wainwright retrospective conversion project, edited.
- Creator
- Quintin, David S., artist
- Date
- [ca. 1840]
- Location
- Library Company of Philadelphia | Print Department *W417 [P.2228]
- Title
- East from Independence Hall
- Description
- Panoramic view showing Banker's Row on the north side of the 400 block of Chestnut Street. Includes the Philadelphia Trust, Safe Deposit & Insurance Company, completed in 1874 after the designs of James Hamilton Windrim (413-417 Chestnut); the Philadelphia National Bank built 1857-1859 after the designs of John M. Gries (419-423 Chestnut); the Farmers and Mechanics Bank built 1854-1855 after the designs of Gries (425-429 Chestnut); the Pennsylvania Company for Insurances on Lives & Granting Annuities built 1871-1873 after the designs of Addison Hutton (431 Chestnut); and the Girard Building built circa 1871 after the designs of Windrim (435 Chestnut)., Curved orange mount with rounded corners., Title from label on negative., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- ca. 1885
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Views [P.9567.14]
- Title
- The Delaware County Society, for the Promotion of Agriculture, Horticulture, Manufactures, and the Mechanic and Household Arts
- Description
- Fair certificate containing vignettes and scenes related to farming, industry, and domestic work. Predominately contains farm images that show farmers reaping, plowing, and threshing fields, transporting a truck of hay near the coastline, scraping feathers from a goose on a table as a locomotive travels past in the distant background, and a woman milking a cow in the field. Industrial images include women working at sewing machines and operating mechanical looms; a printer at a press; a mill; and a hull of a ship under construction. Vignettes also show farm animals and produce; bakeware, cookware, and other implements to prepare food; and the figure of William Penn., Not in Wainwright., Issued September 1857 to J[ohn?] Davidson for H[orse?] General Scott 2 years old. James Andrews, President. Abram P. Morgan, Secretary., Philadelphia on Stone, POSP 49, Historical Society of Pennsylvania: Bc 65 D 343, Free Library of Philadelphia: Philadelphiana - Societies - Certificates
- Date
- [ca. 1857]
- Location
- Historical Society of Pennsylvania HSP Bc 65 D 343
- Title
- Bird's eye view of Philadelphia, east from State House steeple
- Description
- Cityscape view looking northeast from State House (520 Chestnut) showing the north side of the 400 block of Chestnut Street before construction began on the Provident Life & Trust Company building (401-411 Chestnut) in 1876. Includes Peoples Bank (433-437 Chestnut, i.e., Girard Building, built ca. 1874); Pennsylvania Company for Insurances on Lives & Granting Annuities (431 Chestnut, built 1871-73, Addison Hutton, architect); Farmers' & Mechanics' Bank (425-429 Chestnut, built 1854-55, John M. Gries, architect); Philadelphia National Bank (419-423 Chestnut, built 1857-59, John M. Gries, architect); and the Philadelphia Trust, Safe Deposit & Insurance Co. (413-417 Chestnut, built 1873-74, James H. Windrim, architect). Also shows surrounding buildings including the steeple of Christ Church (22-34 North Second Street)., Title printed on mount and in manuscript note on verso of P.2010.6.2., Alternate title on negative of P.9168.17: "East from Sixth and Chestnut"., Photographer's imprint on mounts; in black text on P.2010.6.2 and red text on P.9168.17., Explicative paragraph of text providing brief history of the city entitled, "Philadelphia, Pennsylvania," printed on verso of P.2010.6.2. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One of the images gift of David Doret (P.2010.6.2).
- Creator
- Cremer, James, 1821-1893
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - Cremer - Streets [P.2010.6.2 and P.9168.17]
- Title
- Liberty, the fair maid of Kansas-in the hands of the "Border Ruffians."
- Description
- Cartoon addressing the Democratic administration's responsibility for the violence in Kansas following the passage of the Kansas-Nebraska Act of 1854. Depicts Democratic leaders as violent, proslavery invaders known as "Border Ruffians." In the center, a drunken President Franklin Pierce, armed with a tomahawk, knife, pistol, and rifle, hovers over "Liberty," depicted as a white woman, and tramples the American flag draped on her shoulders. Senator Lewis Cass, armed with a tomahawk, sword, knife, and rifle, looks at Liberty with his tongue sticking out. Liberty stretches her arms out and exclaims, “O Spare Me Gentlemen, Spare Me!!” They assure her that she will not be harmed. In the right, Senator Stephen Douglas scalps a dead, white man farmer, who carries a scythe in his left hand. In the left, Secretary of State William Marcy, attired in a “fifty-cent" trouser patch (a joke used by his political enemies referring to his use of state funds to repair his pants when he served as an associate justice for the Supreme Court of New York,) empty the pockets of a slain, white man settler. Presidential candidate James Buchanan, stating "Might makes right," steals the dead man’s watch. In the left background, a white woman settler, made insane by the violence, mistakes a border ruffian for her husband as they mock her, "Ho! ho! She thinks I'm her husband, we Scalped the Cus and she like a D--m fool went Crazy on it, and now she wants me to go to heaven with her, ha! ha! ha!" In the distance are additional scenes of violence and murder., Title from item., Artist and publication information supplied by Reilly., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a New York cartoonist and lithographer who eventually established his own lithographic firm in Philadelphia in 1850.
- Creator
- Magee, John L., artist
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1856-9 [5760.F.90]
- Title
- Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
- Description
- Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
- Creator
- M'Clees, Jas. E. (James E.), photographer
- Date
- 1859
- Location
- Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]
- Title
- [Plate 7 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Fourth to Fifth Streets]
- Description
- Plate depicts section of the 400 block of Chestnut Street (134-169 pre-consolidation). South side includes the offices of Graham’s Magazine and the fancy dry goods store of L.J. Levy & Co. (134); jewelers Baily & Kitchen, Wm. E. Harpur, Chronometer & Watch manufacturer, and daguerreotypists Broadbent & Co. (136); [William F.] Warburton, Late W. H. Beebe & Co., Hats, Caps, Furs and Umbrellas (138); and Crittenden’s Commercial Institute (later Crittenden's Philadelphia Commercial College), M. A. Root’s Daguerreotypes Rooms, jeweler James E. Caldwell & Co. (140); and (Charles) Fawcett’s Hair Cutting Rooms, Wig, Scalp, & Hair Dye Manufacturer, and A. B. Warden, Jeweler (142). North side includes F. Brown, Druggist (169); H. J. Pepper & Son, Jewelers (167); Blanchard & Rock, Paper Hangings Manufacturers (165); Franklin Fire Insurance Co. (163 1/2-161); Blackwood & Smith, Carpeting and Van Loan & Co., daguerreotypists (159); and Farmer & Mechanic’s Bank (155). Plate also shows some of the businesses adorned with flags and other adornments, including a model of an eagle and statuary., Advertisements promote thirteen of the businesses depicted, including Fawcett; Warden; Caldwell & Co.; Root; Warburton; Crittenden; Baily & Co. (late Bailey & Kitchen); Van Loan & Co.; Franklin Fire Insurance Company; Blanchard & Rock; Pepper & Son; and Brown. Most include several lines of promotional text and ornamented type. Fawcett’s advertisement also includes endorsements from the local press and Root promotes "Out Door Views and Miniatures of deceased person taken at short notice," in addition to "The Crayon Style (Proues's Patent)" only taken by himself., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 8.
- Creator
- Rae, Julio H.
- Date
- [1851]
- Location
- Library Company of Philadelphia | Print Department albums - Rae - Folder 8 [*Am 1851 Rae, 2975.Q]
- Title
- [Plate 7 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Fourth to Fifth Streets]
- Description
- Plate depicts section of the 400 block of Chestnut Street (134-169 pre-consolidation). South side includes the offices of Graham’s Magazine and the fancy dry goods store of L.J. Levy & Co. (134); jewelers Baily & Kitchen, Wm. E. Harpur, Chronometer & Watch manufacturer, and daguerreotypists Broadbent & Co. (136); [William F.] Warburton, Late W. H. Beebe & Co., Hats, Caps, Furs and Umbrellas (138); and Crittenden’s Commercial Institute (later Crittenden's Philadelphia Commercial College), M. A. Root’s Daguerreotypes Rooms, jeweler James E. Caldwell & Co. (140); and (Charles) Fawcett’s Hair Cutting Rooms, Wig, Scalp, & Hair Dye Manufacturer, and A. B. Warden, Jeweler (142). North side includes F. Brown, Druggist (169); H. J. Pepper & Son, Jewelers (167); Blanchard & Rock, Paper Hangings Manufacturers (165); Franklin Fire Insurance Co. (163 1/2-161); Blackwood & Smith, Carpeting and Van Loan & Co., daguerreotypists (159); and Farmer & Mechanic’s Bank (155). Plate also shows some of the businesses adorned with flags and other adornments, including a model of an eagle and statuary., Advertisements promote thirteen of the businesses depicted, including Fawcett; Warden; Caldwell & Co.; Root; Warburton; Crittenden; Baily & Co. (late Bailey & Kitchen); Van Loan & Co.; Franklin Fire Insurance Company; Blanchard & Rock; Pepper & Son; and Brown. Most include several lines of promotional text and ornamented type. Fawcett’s advertisement also includes endorsements from the local press and Root promotes "Out Door Views and Miniatures of deceased person taken at short notice," in addition to "The Crayon Style (Proues's Patent)" only taken by himself., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 8.
- Creator
- Rae, Julio H.
- Date
- [1851]
- Location
- Library Company of Philadelphia | Print Department albums - Rae - Folder 8 [*Am 1851 Rae, 2975.Q]
- Title
- [Thomas Richardson and American Bank Note Company scrapbook]
- Description
- Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
- Creator
- Richardson, Thomas, 1802-approximately 1881
- Date
- [ca. 1854-ca. 1861]
- Location
- Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]