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Title: Japon
Description: Trade card promoting druggist John H. Sheehan & Co. and depicting a scene of a Japanese woman and a samurai holding a flag. In the right, the Japanese woman, wearing her hair up with Kanzashi hair ornaments and attired in a multi-colored kimono and yellow shoes, stands and reaches her right hand out towards the man. In the left, the Japanese samurai, attired in a helmet and armor, stands and holds a Japanese flag on a flagpole. A cherry tree with pink flowers grows in the background. In the top left corner is a crest with a Japanese flag., Title from item., Date inferred from content., Text printed on verso: John H. Sheehan, Dealers in Drugs, Medicines, Pefumery and Toilett (sic) Articles, 167 Genesee Street, Utica, N.Y., Gift of William H. Helfand., RVCDC, See related: P.9828.6777.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Sheehan [P.9828.6766]

Title: China. E.F. Keeler, druggist, Groton, Ct
Description: Trade card promoting druggist E.F. Keeler and depicting a racist caricature of a Chinese woman, symbolizing China, attired in a dress of the Imperial yellow dragon flag. Shows a Chinese woman, wearing her hair in a long braid and attired in a conical hat, a yellow dress with a green dragon on the front, yellow gloves, and white dress shoes. She stands on her toes with her hands up., Title from item., Date inferred from content., Gift of William H. Helfand.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Keeler [P.9828.6242]

Title: Kansas and Colorado State Building, interior.
Description: Interior view of building depicting various exhibits including Mrs. Maxwell's Museum, which displays taxidermy representing the native flora and fauna of the Rocky Mountains. Also depicted are a domed building made out of various plant products including corn, gourds, apples, melons and other fruits and vegetables, various rock and mineral displays, a Liberty Bell made out of grasses, and a large map of the state of Kansas. Exhibit sign - The Horse's Friend - Chambers Timekeeping Odometer.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.12]

Title: General view of state buildings.
Description: Connecticut Building architect: D.R. Brown, from a design by Donald G. Mitchell. Five state buildings, Saint George's House (British) and a comfort station in a row with man standing on railroad tracks. American flag flies in front of the New York Building and benches are on the path. Obscured views of Delaware and Maryland Buildings.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.12b]

Title: Belmont Avenue.
Description: Architects: Machinery Hall -- Henry Pettit & Joseph M. Wilson; Judges' Hall -- H.J. Schwarzmann; Pennsylvania Railroad Office -- Joseph M. Wilson; World's Ticket Office -- H.J. Schwarzmann; Centennial Photographic Association Building -- H.J. Schwarzmann. Artist of the "Washington" monument is M. Dickerson Eyre. Belmont Avenue with Bartholdi's Fountain prominent, lamp-lined walkways, landscaped grounds, the Washington monument and pedestrians, and several buildings, including Machinery Hall, Judges' Hall, Pennsylvania Railroad Office, Frank Leslie's Pavilion, World's Ticket Office, and Centennial Photographic Association Building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - photos [P.9260.640]

Title: Marriott at front gate Avocado, Sea Girt, [NJ]
Description: Glass negative showing Marriott C. Morris standing next to the gate in a metal fence at the Morris family home Avocado. Morris wears a hat, plaid pants, and a checkered tie. A flagpole flying an American flag and the ocean are visible in the distance. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Photographer remarks: Negative spoiled by a scratch. About 1884?, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: August 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.16.5]

Title: [View from Sea Girt. Front fence of Avocado. Marriott C. Morris, Shober Kimber, and a woman, possibly Anne Emlen, by iron fence on beach. American flag flying in background]
Description: Glass negative showing Marriott Morris, Shober Kimber, and a woman, possibly Anne Emlen, standing near a metal fence at the Morris family home Avocado. Kimber and Emlen, stand behind the gate while Morris leans against the other side of the fence. A flagpole flying an American flag stands behind the group with the ocean visible in the distance. Both men wear jackets and short ties. Emlen wears a high-necked dress., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 6, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.14.1]

Title: Africa. America
Description: Abolition print juxtaposing two female allegorical figures in chariots representing Africa and America. In front of a backdrop of tropical trees and huts, "Africa," depicted as a Black woman, is attired in a feathered headpiece, an orange shawl covering one breast, and a pink sarong. She holds a flag inscribed "Slave Trade abolish'd in England 1806" and the reins of two lions pulling her chariot. In front of a waterfall, probably Niagara Falls, "America," depicted as a white woman, is dressed in Native American attire, including a feathered headpiece, a breast plate, an orange cape, a pink and blue sari, and an axe strapped to her back. She holds the American flag, decorated with a portrait of George Washington, and the reins of two tigers pulling her chariot. Near the wheels of her chariot, a rattlesnake is coiled., Title from item., Date inferred by content and medium., Name of publisher illegible., Lib. Company. Annual report, 1969, p. 56., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1808]
Location: Library Company of Philadelphia | Print Department *GC-Allegories [7812.F]

Title: True blue
Description: Poster commemorating the service of African American men during World War I. Shows an African American family gathered in a living room decorated with floral wall paper and looking at the framed portrait, hung above a fireplace, of an African American service man, likely the father of the family. In the right, the mother, attired in a beige sheath dress, holds a toddler attired in white pajamas in her arms while her daughter, attired in a white night gown, and holding a black baby doll in her left hand, stands next to her. The daughter stands in front of her older, seated brother. The older son, attired in a beige uniform, sits in an arm chair. The toddler and daughter reach and point toward the portrait on the wall. Decorative flags adorn the upper edge of the framed portrait showing the man in uniform. A fire burns in the fireplace and a portrait of George Washington, a portrait of Woodrow Wilson, a vase of flowers, a bust, and a clock adorn the mantle. On the wall to the right of the father's portrait, hangs a framed portrait of Abraham Lincoln. A patterned rug, a cat asleep by the fire, and a window displaying a service flag comprise the scene as well. Sheer curtains and a bowl-shaped vase of flowers also adorn the window., Name of publisher and date from copyright statement: [copyright symbol of "c" in circle] 1919 By E. G. Renesch, Chicago., Description revised 2022., Access points reviewed 2022.
Date: 1919
Location: Library Company of Philadelphia | Print Department *GC - Soldiers [P.2016.61]

Title: Philharmonic T[h]eatre, Islington. Every evening at eight. [Sa]turday at three and eight. Sam Hague's Ori[gi]nal Slave Troupe at St. James's Hall, Li[me] Street, Liverpool. Every evening at 8, Saturdays at 3 & 8, all the year round. Positively for four weeks on[ly] commencing Monday, Feb. 14th. Terminat[ing] [on] March 11 [ ] been re-built since the fire), St. James Hall, Liverpool, March 13th, 1876
Description: Advertising print depicting a racist scene to promote Sam Hague's Original Slave Troupe after their dislocation from their permanent home theatre, St. James Hall, following a fire in 1875. Shows a rhinoceros, a bell on his tail, pulling a cart on which members of the minstrel troupe, portrayed as Black men and women caricartures, perform. On the head of the animal, a man sits, his legs straight out while he holds the pole of a banner designed as an American flag and that is marked with advertising text for the troupe. On the animal's back, men and a woman stand, play hand instruments, and dance on a raised plank. On the cart, men play string and wind instruments, including a bass and trombone, as well as one man, bare-chested and in boxing pants, holds up an open umbrella, on which another man sits and plays the drum. The men figures are attired in suits and/or shirt sleeves and pants. The woman figure wears a kerchief, long-sleeved shirt, with the sleeves pulled up and apron-like, checkered skirt. Scene also includes blades of grass and a flowering plant in the foreground. Sam Hague's Original Slave Troupe evolved from the Georgia Slave Troupe Minstrels for which Samuel Hague assumed part management in 1866. Within the year, the troupe of formerly enslaved individuals, including singers, comedians, and minstrels, traveled to Great Britain to tour the country. In 1869, Hague acquired St. James Hall in Liverpool as a permanent home for the company, as well as a site to organize touring companies. In 1875, the hall was razed by fire and for the next year, the Troupe performed from other theatres such as Philharmonic Theatre, Islington. By this time, the Troupe was mainly comprised of white performers who performed in Blackface and Hague had managed the Troupe with a few different partners., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from promotional text on item., RVCDC, Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Print torn in half and with sections missing.
Date: [1876]
Location: Library Company of Philadelphia | Print Department **GC - Advertisements - Samuel Hague [P.2022.57.1]

Title: No more Chinese cheap labor. Celluloid cuffs, collars & bosoms
Description: Trade card containing an illustration depicting a racist scene with the figures of Uncle Sam and America, and a Chinese man laundry worker. In the left, the laundry worker, wearing his hair in a queue and attired in a long-sleeved, orange tunic; long, wide-legged, white pants; and orange slip-on, cloth shoes; sits on an over-turned wooden wash tub. His eyes are closed, and he holds his head down in his left hand. His left leg is crossed over his right, and his right hand is on his left ankle. To his left, the white woman figure of Columbia/America, looks down at the laundry worker and points up with her right hand. In her left hand, she holds up a shield with the pattern of the American flag and marked "Invention." She wears her dark hair pulled back to the nape of her neck and is attired in a gown with the pattern of the American flag, a red and blue cap adorned with a white star, and sandals. An open box of spilled starch lies between her feet and those of the laundry worker. Behind the laundry worker, is a laundry iron on a shelf, Chinese characters written on a wall, and Uncle Sam resting his arms on the ledge of an opening in the wall. Uncle Sam has red hair and a beard and is attired in a top hat, a blue jacket with a white star pattern, a red neck tie, and white shirt with the collar turned up. He looks at America. Above his head is the sign "Gon Up Chinese Laundry." Patented during the 1860s and 70s, separable celluloid collars, unlike separable paper collars, were waterproof and longer lasting, as well as fashionable and affordable. Following the Chinese Exclusion Act of 1882, the celluloid collar industry leveraged the racist legislation to promote the use of celluloid collars as patriotic and as a means to make Chinese launderers obsolete and to facilitate the end of Chinese immigration., Title from item., Date inferred from content., Includes advertising text printed on verso: A New Improvement-Patented. Waterproof Linen. Waterproof-Elastic-Durable. Ladies' & Gents' Cuffs Collars, [Bossa]ms, Made From Celluloid. In Introducing this new invention [italicized], we beg to call the attention of the public to some of the remarkable features of this "new departure," [italicized], which will commend the use of these goods to all who study economy, neatness, and beauty [italicized]. 1st. The Interior is Fine Linen. 2d. The Exterior is Celluloid. 3d. The Union of Above, Combines the Strength of Linen With The Waterproof Qualities of Celluloid. 4th. The Expense of Washing Is Saved. If The Goods Are Soiled Simply Wipe Them Off With Soap And Water. 5th. The Goods Never Wilt Or Fray On Edges. 6th. They Are Perspiration Proof. For Sale by All Gents' Furnishing & Fancy Goods Houses throughout the Country., Image caption: "Othello's occupation gone." The Hand Writing on the Wall., Purchased with funds for the Visual Culture Program., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [P.2021.20.1]

Title: Our protection. Rosa, Charley, Rebecca. Slave children from New Orleans
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rosina Downs, Charles Taylor, and Rebecca Huger. Shows the children, who were freed in New Orleans by General Benjamin Butler, side-by-side, draped in a large American flag. The children, touring the North with a group of people emancipated from enslavement to raise funds for the Louisiana schools for the formerly enslaved established by Assistant Superintendent of Freedmen, Phillip Bacon, were also publicized as the children denied entrance in December 1863 to the Philadelphia hotel, the St. Lawrence., Title from item., Date from copyright information. Copyrighted by S. Tackaberry., Photographer's imprint stamped on verso., Distributor's imprint stamped on verso: N.B.-All orders must be addressed to H.N. Bent, [National Freedmen's Relief Association], No. 1 Mercer Street, New York., Stamped on verso: No. 9., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored People in the department of the Gulf, now under the command of Maj. Gen'l Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Purchase 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Paxson, Chas. (Charles), -1880, photographer
Date: 1864
Location: Library Company of Philadelphia | Print Department cdv portraits-group-Emancipated Enslaved Children [P.9846]

Title: Proclamation of Emancipation. By the President of the United States of America
Description: Print commemorating the Emancipation Proclamation containing a bust-length portrait of Abraham Lincoln and two abolitionist vignettes above text from the Proclamation. In the center, Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly right and is bordered by an American eagle clutching an olive branch and arrows in front of a backdrop of American flags. To the left and right of the portrait are scenes of an auction of enslaved people, with an African American woman, and free African American men working in a carpentry shop. Below the scenes, two African American cherubs hold a banner inscribed, "By the President of the United States of America." Below the text, an allegorical vignette contrasts the productive North with the destitute South depicting a white woman crying, surrounded by her children, sitting underneath a tree., Title from item., Date from copyright statement., Purchase 1972., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., J. Mayer & Company, the Boston lithography firm established by John Julius Mayer in 1862, specialized in practical lithography. Despite the official firm name, John Mayer had no partners.
Creator: J. Mayer & Co., lithographer
Date: 1865
Location: Library Company of Philadelphia | Print Department **GC - Emancipation [8025.F.4]

Title: All slaves were made freemen. By Abraham Lincoln, president of the United States, January 1st, 1863. Come, then, able-bodied colored men, to the nearest United States camp, and fight for the stars and stripes
Description: Civil War recruitment print targeting African Americans by evoking the freedoms granted by the Emancipation Proclamation. Depicts a montage of symbolic scenes centered around an African American Union soldier triumphantly holding up a sword and an American flag with the banner "Freedom to the Slave." He stands near broken shackles upon a tri-color flag adorned with a coiled snake. The flag is tugged upon by one of three joyous African Americans freed from enslavement by an African American soldier. Other scenes depict an African American man reading a newspaper on a rocking chair near a plow and child, African American children entering a "Public School" near a church, and a regiment of "U.S. Colored Troops" marching across a battlefield strewn with dead bodies., Title printed on verso., Text of the "Original Version of the John Brown Song" by H.H. Brownell printed on verso., Described in LCP exhibition catalogue: Negro History, entry #139., Originally part of a McAllister scrapbook of Civil War miscellany [(2)5786.F.107b]. Transferred from #Am 1863 All (2)5786.F.107b. McAllister Collection, gift, 1886. Accessioned 1987 [P.9179.44], Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department GC - Emancipation [P.9179.44; (2)5786.F.107b]

Title: Proclamation of Emancipation. By the President of the United States of America
Description: Print commemorating the Emancipation Proclamation. Contains a portrait of Lincoln surrounded by American flags and a bald eagle with the text of the proclamation below. In the left are three vignettes within an ornamental border that depict the horror of Southern slavery, including enslaved African Americans working at a cotton plantation, a scene of an African American man being auctioned, and African American men being attacked by dogs. In the right are three vignettes within an ornamental border that depict the industriousness of the free North, including a scene with a large house and estate, African American children in school, and a dock with a steamboat. In the bottom is an allegorical scene contrasting the war savaged Confederacy with the prosperous Union., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1864 by R.A. Dimmick in the Clerk's Office of the District Court of the United States for the Southern District of New York., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Roberts, William, approximately 1829-, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC - Emancipation [5792.F.27]

Title: The game of secession or sketches of the rebellion Our army and navy for ever!
Description: Gameboard containing a serpent-like figure comprised of 135 spaces surrounded by captioned vignettes also used on Civil War envelopes. Pro-Union designs advance the player and anti-secession designs retard the player. Vignettes depict portraits of prominent war figures; views of forts, soldiers, and preparations for battle; Union and Confederate flags; allegorical figures; and satiric and racist depictions of Confederates. Includes President Abraham Lincoln; Confederate President Jefferson Davis, Gen. Winfield Scott, Maj-Gen. George B. McClellan, Comm. S.F. Dupont, Confederate Gen. Beauregard; bombardment of Fort Sumter; Philadelphia Navy Yard; liberty; Columbia; and Confederate soldiers on retreat; riding a enslaved African American man, and protected by bales of cotton. "Directions" to play the game printed in the lower left corner. Flags and shields adorn the borders., Title from item., Originally part of a McAllister scrapbook of materials related to George McClellan. McAllister Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at the Library Company of Philadelphia," The Ephemera journal 13 (2010), [39]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department **GC - Games [5793.F.44]

Title: Civil War stationery collection
Description: Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]

Title: Specimen sheet Union, patriotic and humorous designs upon envelopes
Description: Advertisement containing twenty-five examples of Civil War envelope vignettes published by King & Baird. Majority of the vignettes include titles and slogans. Designs depict the American flag; liberty, the American eagle; soldiers (including the martyred Colonel Ellsworth); caricatures of Brigadier General Henry A. Wise (former governor of Virginia), Jefferson Davis, and the Southern gentry; a portrait of Washington; an abolitionist scene showing the whipping of an African American man entitled "The persuasive eloquence of the Sunny South"; and a racist caricature of an African American man on all fours carrying a whip and asking in the vernacular, "Whar's Jeff Davis?" Also contains a description of the envelopes and shipping information, as well as the scale of prices ranging from "25 Assorted Envelopes, (25 kinds)" at 25 cents to 1000 at 5 dollars., Title from item., Text printed on recto: Single copies of this sheet will be mailed free of postage, upon receipt of six cents, by King & Baird, Book and Job Printers, 607 Sansom St., Philadelphia., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886 [5786.F.161a]. Accessioned 2002 [P.2002.45]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: King & Baird
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Civil War [5786.F.161a; P.2002.45]

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