Block numbered in two places: 719 ; another number on side of block has been defaced., Image of an unidentified flower., Housed with fragment of another stereotype., , Provenance:, , Variant:
Block numbered in two places: 8454., Image of an unidentified flower., "V. Grottenthaler, 402 Library St Phila." [?]--Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., Back of block partially obscured by pasted-down paper.
Block numbered in two places: 7859., Image of a flower with roots. Also depicted is the flower in bloom and in bud., Back of block partially obscured by pasted-down paper.
Block numbered in one place: 5819., Image of a very young child holding a bunch of flowers., Signed: Van Ingen-Snyder. Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active between 1853 and 1871.
Block numbered in two places: 7891., Image of an unidentified flower, in close-up and distant, along with depictions of the flower’s buds open and closed., Back of block partially obscured by pasted-down paper.
Block numbered in three places: 7870., Image of an unidentified flower, with details of the buds., Back of block partially obscured by pasted-down paper.
Block numbered in one place: 1756., Image of an unidentified flower, with blossom or fruit., "Branston" -- stamped on side of block. Note: at least two engravers named Branston worked in London in the 19th century., Block damaged: wood base has ca. 1 cm. loss in height.
Block numbered in one place: 4924., Image of a flower in a natural setting., “N.J. Wemmer. 5 Pear St. Phila.” -- Back of block. Nelson J. Wemmer is listed (as an artist) at this address in Philadelphia city directories from 1848 to 1856.
Block numbered in two places: 8516., Image of large trees and flowers separated by stick fences; a path weaves through and there may be houses visible through the trees; a fortification or bridge is visible on top of a hill beyond the trees., Signed: Hele-Sattler. Hele & Sattler, a partnership between William J. Hele (b. ca. 1857) and Julius C. Sattler (1855-1916), was active between circa 1877 and circa 1886., "V. Grottenthaler, Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876.
Block numbered in two places: 7976., Image of a blooming flower in the foreground, and a tree in the background., Back of block partially obscured by pasted-down paper.
Block numbered in at least one place: 5284., Image of a single hydrangea., “N.J. Wemmer. 5 Pear St. Phila.” [?] -- Back of block, but mostly obscured by the paper. Nelson J. Wemmer is listed (as an artist) at this address in Philadelphia city directories from 1848 to 1856., Illustration appears in Rhymes for the nursery (Philadelphia, 1865), p. 51, Back of block partially obscured by pasted-down paper.
Block numbered in two places: 9740., Image of stylized ferns and flowers, possibly lilacs., "V. Grottenthaler Co., Phila, PA."--Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1869 to 1876.
Block numbered in one place: 9340., Image of a tall unidentified flower, with an unidentified bird perched on the stalk., Back of block partially obscured by pasted-down paper.
Block numbered in two places: 7524, also 1688 on small adhesive label on back of block., Image of two girls, one entering a room from the outside through a door and the other seated inside; the latter holds flowers in her hands and sits in front of a bush or small tree, suggesting that she may be in an indoor nursery., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876.
Block numbered in one place: 7677., Image of a single rose., Illustration appears in The Union primer, or, First book for children... (Philadelphia, between 1875 and 1893?), p. 7., "V. Grot…, 40…"--Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1869 to 1876.
Block numbered in two places: 7592., Image of a rose in bloom, with several other buds on the plant., "V. Grottenthaler, 402 Library St Phila."-- Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876.
Block numbered in two places: 8366., Image of a girl picking flowers in an outdoor setting. The girl appears to be in front of a clothesline, with a building in the background., Illustration appears in The flower-mission, and what grew out of it (Philadelphia, 1893?), p. 33. This title was listed in the American Sunday-School Union catalogue for 1893. Caption of illustration -- "There isn't a single bright flower for my bouquet.", Signed in reverse: HM Snyder., "V. Grottenthaler Co., Phila, PA." -- Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1869 to 1876., Back of block partially obscured by pasted-down paper.
Block numbered in three places: 6659; also numbered 666[?]; irregular shape (re-used?)., Image of a decorative border of what appear to be leaves and small flowers.
Block numbered in two places: 8364, also 1100 on small adhesive label on back of block., Image of a woman bending to hand a small bunch of flowers to a girl; the woman holds a pair of scissors in her other hand, and wears a bustled dress and a straw hat with a wide ribbon tied around it; the girl carries a basket and wears a small hat with a ribbon tied around it; the pair appear to be in a garden or wooded area., Signed: HM Snyder [i.e. Henry M. Snyder], “V Grottenthaler [?] Phila” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876.
Block numbered in two places: 2217, also 1180 on small adhesive label on back of block., Image of a girl holding her apron or overskirt up with one hand and holding the branch of a tree with another hand, perhaps picking small fruits, nuts, or flowers; beside her on the ground is a basket with a sunbonnet in it., Back of block partially obscured by pasted-down piece of paper.
Numbered in two places: 5224., Image of a seated woman handing flowers to a boy in bed., “N.J. Wemmer. 5 Pear St. Phila.” – Back of block. Nelson J. Wemmer is listed (as an artist) at this address in Philadelphia city directories from 1848 to 1856.
Glass negative showing a field of Easter lilies bordered by a row of leafy shrubs. Trees grow behind the field., Photographer remarks: Slightly overtimed., Time: 12:30, Light: Good sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
April 3, 1889
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.9895.1495]
Block numbered in two places: 5631, also 1190 on small adhesive label on back of block., Image of a small girl watering flowers while a woman stands over her and point; the fence behind them suggests a yard or garden, but there appears to be a stone, perhaps a tombstone, behind the plant., Signed: HD [i.e., Henry Dacre?]
Block numbered in two places: 9206, also 1831 on small adhesive label on back of block., Image of a girl in profile in the center of a circle; around the circle are flowers and branches, geometric designs, what appears to be the top of a castle in the distance, and the words “May” and “Will”; at the bottom of the block are the words “Of such truthful simple hearts / The Kingdom is of Heaven”, from the poem “Little Will” by R.R. Thom., “John Dalziel, 1009 Arch St. Philad’a.” – Back of block., “V. Grottenthaler Phila.” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876.
Album with locks of hair sewn onto the pages in loops of stylized flowers with colored drawings of flowers. The hair was assembled by Margaret Williams. Family names contained in the book are: Williams, Barmore, Mary, Washburn, Lee, Holden, Pullen, Armstrong, Darlen, Underhill, McIntyre, Rasnell, Halsted, Marshall, Philips, and Smith., Exhibited in: the Library Company's exhibition, Picturing Women (2004) ; and the Living Book: New Perspectives on Form and Function (2017-2018).
Specimen showing a bunch of flowers. Cornices contain rose details. George S. Harris established his printing business, which specialized in labels, in 1847. In 1852, he relocated to Fourth and Vine Streets where he operated as George S. Harris until 1872 when he partnered with his son George T. Harris and renamed the business George Harris & Son., Not in Wainwright., Philadelphia on Stone, POSA 85, Forms part of Specimens Album [P.9349].
Creator
Harris, George S.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.171i]
Album page with an embossed border and containing a drawing of forget-me-nots. Shows a sprig of red and blue flowers, and red and blue buds, as well as green leaves. Border is composed of ornament details., Title from album page., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator
Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date
[ca. 1843]
Location
Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.83]
Film negative showing a view of a flowering shrub at Pocono Lake. The Pocono Lake Preserve was pioneered by a group of Quakers, including Isaac Sharpless, who camped in the area in 1904. In 1908, this group bought the property from the Pocono Mountain Ice Company and designed it as a basic, rustic campground., July 30 - August 1, 1909., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
1909
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.375]
Family chart containing floral, sentimental, allegorical, and landscape vignettes within twelve framed oval insets for portrait photographs. Vignettes include views of country homes, trees in full foliage, vases of flowers, allegorical female figures for spring and fall, and children at play. Ovals bordered by notations that read age, stature, weight, complexion, eyes, hair, form, and education. Vignettes separated by floral and vine details. Also contains tables for "Births"; "Marriages"; and death captioned "Oh Grave Where is Thy Victory. Oh Death Where is Thy Sting" and angels, a cherubic figure, and scenes of mourning., Not in Wainwright., Copyrighted by Roberts & Wheeler in New Jersey., Philadelphia on Stone, POSP 67, Library of Congress: PGA - Haehnlen--Family record (D size) [P&P]
Creator
Sharp, A.C, artist
Date
c1870
Location
Library of Congress | Prints and Photographs Division LOC PGA - Haehnlen--Family record (D size) [P&P]
Certificate for the fraternal organization containing a border of vignettes depicting symbols of temperance and honor. Includes a scene of a mother giving her child water from a fountain, and images of flowers, a tree, a pair of hearts and clasped hands, a pedestal marked "Temperance," a bowl, and a mirror. Also shows details of vinery interspersed between the vignettes. The National Temple of Honor and Temperance was organized in 1846., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department albums - Serz [P.9773.25a]
Album page with embossed border and containing a drawing depicting a bunch of flowers above a four-line sentimental poem about friendship and rememberance. Flowers include a rose. Other flowers are depicted in the colors of orange, red, and violet. Image also includes a stem and leaves., Title from manuscript verse., Probably by civil rights activist and educator Ada Howell Hinton who founded a school in 1849. Hinton was daughter of Philadelphia African American elite community member, barber, perfumer, and abolitionist Frederick Augustus Hinton., Contains four lines of verse: A mark of friendship pleasing power,/In this small trifle see/And sometimes in a lonely hour,/View it and think of me., RVCDC, Description revised 2022.
Date
ca. 1840
Location
Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.73]
Album page with embossed border and containing a drawing of a vase of flowers. Shows an arrangement of flowers including roses, camellias, pansies and forget-me-nots, in an urn-shaped vase. Border is composed of a leaf design., Title supplied by cataloguer., Date from album page., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator
Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date
1843
Location
Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.78]
Album page containing a pencil drawing of an arrangement of assorted flowers of different varieties drawn when the album was in a horizontal position. Arrangment also includes leaves and flower buds., Title supplied by cataloguer., Date from item., Probably by Lydia A. Bustill., Lydia A. Bustill, was an anti-slavery activist and cousin of educator, artist, and anti-slavery activist Sarah Mapps Douglass., RVCDC, Description revised 2022., Access points revised 2022.
Date
[October, 1841]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.52]
Album page containing a drawing of a stem of fuchsia with four flowers copied after a figure in a plate from James Andrews' Lessons in Flower Painting. A Series...(London: Charles Tilt, Fleet Street; John Menzies, Edinburgh; Thomas Wardle, Philadelphia [1836]), pl. 11. (LCP Am 1836 And, 13878.Q). The fuchsia is depicted with the blue petals, red sepals, and pink stamens of the flowers facing down. Image is also composed with the bud of a flower at the end of the stem that has multiple green leaves., Title and date from item., LCP exhibit catalogue: African American Miscellany p.45., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, educator, community activist, and prominent Quaker member of the Philadelphia African American elite community. Mary Anne Dickerson was her pupil.
Creator
Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date
[July 15, 1846]
Location
Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.75]
Album page containing a drawing of a black butterfly on a twig with pink flowers. Shows the butterfly with a black head, thorax, and abdomen and black wings with specks of green and red. The twig also contains several green leaves that fold up, fold down, and/or droop. The stem and branches of the twig are outlined with pink lines., Title from manuscript note., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator
Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date
[ca. 1833]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.2]
Album page containing a drawing of a stem of blue forget-me-nots above a poem about remembrance. Shows the stem with mutiple flowers and leaves., Title from manuscript verse., Date from item., Probably by Margaretta or Mary Forten, civil rights activists and members of the multiracial Pennsylvania Female Anti-Slavery Society. The women were the daughters of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten, Contains lines of verse: Forget me not”!—how sweet the token,/ When early hours have faded long,/ And hopes as well as hearts are broken,/ To know they still exist in song!/ Thus, may the exile fondly dream of/ Many a dear and transie[n]t ray/ And watchful memory catch a gleam/ Each colouring of a by-gone day. What tho the wave with ceaseless motion/ Protracts the union of o’er lot:—/ Our Hope’s the rock, which stems Time’s ocean,/ Our Love’s the flower, “Forget Me Not.” Excerpt adapted from poem by William G. Simms Jr., “The ‘Forget Me Not,’” in Early Lays (Charleston, South Carolina: A. E. Miller, 1827)., Manuscript of "Philadelphia" outlined with dots., Manuscript numbers for year "1834" formed with dots., RVCDC, Description revised 2022., Access points revised 2022.
Date
[1834]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.14]
Album page containing a drawing of a white vase of flowers on a square-shaped base and above a poem about memory and remembrance. Flowers depicted are of various kinds and include roses. They are long-stemmed, have leaves, and are in colors of pink, red, yellow, white and blue., Title from manuscript verse., Date inferred from complementary entries in album., Contains four lines of verse: Long, long be my heart with your memory fill’d!—/Like the vase in which roses have once been distill’d—/ You may break, you may ruin the vase if you will;/ But the scent of the roses will hang round it still., RVCDC, Description revised 2022., Access points revised 2022., Forten, was a civil rights activist, founding member of the multiracial Pennsylvania Female Anti-Slavery Society, and educator. She was the daughter of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten.
Creator
Forten, Margaretta, 1806-1875, artist
Date
[ca. 1834]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.16]
Album page containing a drawing of a white, urn-shaped vase of flowers. A variety of flowers are depicted including a pink rose and white lilies. Leaves also comprise the depicted floral display., Title supplied by cataloguer., Possibly by Amy Matilda Cassey., Date estimated from span of dates of dated entries within album., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1845]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.21]
Album page containing a drawing of coupled red and blue flowers above six lines of allegorical verse about unappreciated beauty. Shows the red camellia with fluffy stamens below three, five-petal blue flowers, possibly forget-me-nots. The flowers are also depicted with buds, leaves, and stems. The stem of the red flower contains thorns., Title from manuscript verse., Date inferred from complementary entries in album., Contains six lines of verse: No marvel woman should love flowers, they bear/ So much of fanciful similitude/ To her own history; like herself repaying/ With such sweet interest all the cherishing/ That calls their beauty or their sweetness forth;/ And like her too—dying beneath neglect. Verse from a poem by English writer Letitia Elizabeth Landon that was frequently published, including in the Ladies’ Miscellany (Salem, Mass., April 7, 1830)., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator
Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date
[ca. 1833]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.24]
Trade card depicting a clutch of flowers to advertise the Philadelphia lithographer, Stephen C. Duval, son of P.S. Duval who continued in the trade following dissolution of Hunter & Duval until ca. 1879. Verso contains advertising text promoting the "getting up of entirely new designs," in addition to services, cheaper prices, and estimates that will satisfy "both as to price and quality." Services include Lithographic, Chromo-Lithographic, Photo-Lithographic, Photo-Relief Engraving, and Type Printing Work, of every description." Text signed S.C. Duval, practical lithographer. Manager for A.L. Weise., Not in Wainwright., Philadelphia on Stone, POSA 66, Historical Society of Pennsylvania: Tradecard Collection - D - SCDuval, Weise operated from 401 Ranstead circa 1876-1879.
Creator
Duval, S.C. (Stephen C.)
Date
[ca. 1877]
Location
Historical Society of Pennsylvania HSP Tradecard Collection - D - SCDuval, Historical Society of Pennsylvania HSP Tradecard Collection - D - SCDuval verso
