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Title: Bathing houses - Atlantic City
Description: Shows bathhouses operated by Leedom & Finney National Bath House lining the beach. Also shows patrons at a nearby oyster stand and clothes hanging on lines beside the bathhouses., Title printed on mount., White mount with square corners., Distributor's stamp pasted on verso: McAllister & Brother, 728 Chestnut Street, Philadelphia., Originally part of a McAllister scrapbook of views of New Jersey., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Recreation [5742.F.6b]

Title: Vickery's Aunt Sally baking powder
Description: Trade card illustration depicting a snowy scene. Two white boy, a woman, and a dog stand by a sled. They are under a large barren tree and near the steps of a house. Visible in the background are trees, a body of water and mountains. On the verso, there is a racist illustration of an African American woman holding a tray of biscuits. A speech bubble near her head reads, "Dar's no use talking, Missus' Vickery's Aunt Sally am de best fur biscuits and cakes." Vickery & Co. manufactured Aunt Sally's Baking Soda and was likely founded in Scranton, Pennsylvania in 1875. The company's founder, George H. Vickery later moved to Philadelphia after a fire destroyed his business., Title from item., Partially visible advertising text printed on verso: Presented with each box. Vickery's Aunt Sally baking poser, trade mark patented. The secret told. [...] put a laundry gloss on your shirts [...] Buy a bottle of Aunt Sally Harsh Gloss and see how it is done. You [...] with it, it puts that shiny gloss., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Vikery [P.2017.95.183]

Title: Colburn's Philadelphia mustard
Description: Trade card promoting A. Colburn & Co.'s mustard and depicting a racist caricature of an young African girl riding an ostrich in a tropical setting. Show the barefooted girl, attired in a short-sleeved, knee-length, red dress with yellow trim, holding on to the ostrich's neck with both hands. The grey ostrich takes a long stride with its legs as it runds on a dirt path. Plants with palm leaves, greenery, and a rock line the path. Arthur T. Colburn (1834-1901) founded the spice business A. Colburn & Co. in 1856 in Philadelphia. The business was one of the largest spice dealers in the city and operate into the 1920s., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Advertising text printed on verso: Colburn's Philadelphia mustard 1/4, 1/2 & 1 lb. Tins, always full weight. Better and cheaper than imported. 14 cents a pound saved in duty alone. Flavor, pungency and quality unequalled. Best for table or medicinal purposes. Press opinions of Colburn's Philadelphia mustard: N.Y. World--"Many persons have found that Colburn's Philadelphia mustard is better than the imported for the table and sick room." N.Y. Sun--"Better goods at lower prices is welcome news to housekeepers. Colburn's Philadelphia mustard, better and cheaper than imported, pleases everybody." N.Y. Telegram-- "One of the best articles of its kind is Colburn's Philadelphia mustard. It is a table luxury and is especially good for medicinal purposes." N.Y. Com. Advertiser --"The celebrity of Colburn's Phila. mustard as a table luxury and medicinal purposes has won for it a deserved place in prominent competition." N.Y. Evening Post--"An advance made by American manufacturers is of benefit to the whole county. Colburn's Philadelphia mustard is taking the place largely of imported mustard." N.Y. Evening Express--"We call special attention to Colburn's Philadelphia mustard. Many who have had an idea that the imported [w]as the best have found that this 'brand' of home manufac[tu]re was better for the table and sick room, besides being at least 14 cents a pound cheaper, on account of saving in duty. Messrs. A. Colburn & Co., of Philadelphia, stand in the front rank of our manufacturers and none need be afraid of goods bearing [?]me or label. We cordially recommend Colburn's Philadelphia mustard." Sold by all grocers and druggists., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Colburn [P.2017.95.34]

Title: E. Schoeneck, dealer in choice groceries, provisions, flour, etc., 359 W. Lake Street, Chicago
Description: Racist trade card illustration depicting an African American man and boy walking through a valley alongside a river. The man is attired in a hat, a jacket with patches, and pants with a patch on the right knee. The boy is attired in a shirt and pants that are torn at the hems. The man carries a stick with a sack at the end over his left shoulder and holds a walking stick in his right hand. The boy holds a sack in his left hand. Mountains and a shrub are visible in the background. Both figures are portrayed with exaggerated features. Elizabeth Schoeneck was a grocer who immigrated to the United States from Germany in 1851., Title from item., Text printed on recto: The exodus, why are they leaving? If you want to see, heat the card., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Shoeneck [P.2017.95.155]

Title: Noix de coco for puddings, pies, and pastry. Manufactured by Warner & Merritt. Philadelphia
Description: Racist trade card promoting Warner & Merritt’s Noix de Coco and depicting a white woman in a hammock being fanned by a caricature of an African man. In the center, shows the blond-haired, white woman attired in a red headband, a blue dress, and yellow shoes, lying in a hammock. In the left, an African woman, attired in a red head kerchief, a necklace, a white shirt, and a red skirt, serves a tray of food to the woman. The white woman leans over and grabs a piece of food from the tray with her right hand and has a butterfly on her left hand. In the right, an African man, attired in hoop earrings and a red and white sarong, fans the woman with a feathered fan on a long pole. In the right foreground, another African man attired in a blue sarong, sits on steps leading to the hammock and fills a basket with coconuts. In the left are a parrot, several stacked boxes with pineapples on top, and two potted plants. In the right, a monkey sits holding a coconut. In the background is a water fountain, a statue of a woman carrying a vase on a pedestal, and palm and coconut trees. Behind the hammock is the roof of a building with a yellow curtain hanging down. The Philadelphia firm Warner & Merritt imported fruit from the West Indies and Central America from 1878 until 1884. They used 20,000 to 25,000 coconuts weekly to manufacture their desiccated coconut product, Noix de Coco., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Distributor's imprint stamped on verso: Levi I. Schreffler, Dealer In Produce, Tobacco, Sugars, Fresh Fish & Truck, New Depot, Tamaqua, PA., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Warner [P.2017.95.188]

Title: Merrick Thread Co. "Fooled dis time, cully. Dis cotton ain't gwine to break."
Description: Racist trade card depicting a smiling African American boy portrayed as fishing bait for an alligator in a swamp. Shows the boy suspended from a tree limb over the gaping jaws of the head of the reptile jutting out from the body of water below him. The boy is held up by a hook in the seat of his pants that is attached to white thread wrapped around the tree limb and from a large spool that floats in the water. The spool bears the Merrick Thread Co. logo. The boy holds the fishing line of thread and fishing rod in his hands and by his face. He is barefooted and attired in a blue hat, a red shirt with the sleeves rolled up, a white vest, and blue pants with a patch on the right knee. The boy is depicted with exaggerated features. Print also contains an image on verso depicting a partially opened box of several spools of thread, on which the thread company's tagline "Merrick Thread Co's Ready Wound Bobbins for Sewing Machines Warranted 200 Yards" is printed. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company. The distributor of the thread, Isaac J.H. Bordner, owned a store which was built in 1881 and located in the Mount Aetna neighborhood of Tulpehocken Township in Pennsylvania. In addition to being a businessman, Bordner was served as the local postmaster between 1870 and 1899., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Buy Merrick Thread Co.'s Best Six Cord Soft Finish Spool Cotton For Machine & Hand Sewing Warranted 200 Yds. Also., Distributor's imprint printed on verso: Isaac J.H. Bordner, Dealer in General Merchandise, Mt. Aetna, Berks Co., Pa.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Merrick [P.2017.95.120]

Title: New transfer picture-album offering a collection of fine transfer pictures and the direction how to fix them
Description: Pocket-size volume of decals of vignette maps of French cities, territories, colonies, and provinces during the antebellum period. Decals also include illustrations symbolic of the environment, culture, and economy of the depicted regions. Maps include (Afrique) Ile Bourbon, i.e., Réunion; Department de la Course, i.e., Corsica; Department de la Seine, i.e., Paris; Amerique Guadeloupe; Nle Caledonie/Iles de la Societe, i.e., New Caledonia/Society Islands; Algerie; (Amerique) La Martinique; (Afrique) Mayotte, Nossi-Be, St. Marie/Senegal; and Algerie (Afrique) Prov. De. D’Oran, i.e., Oran Province. Illustrations depict ethnic stereotypes and racist caricatures showing Africans, including an enslaved man from Ile Bourbon and Algerians; a Guadeloupean white plantation owner; a Corsican woman; sacks, crates, and barrels of foods and spices, including cacao, coffee, canella, cotton, sugar, indigo, and nutmeg; and native flora and fauna, including trees, grasses, a turtle, bird, elephant, and alligator. Vignettes also show a portrait of Napoleon; Paris architecture; ships and boats; and huts and a tent., Title from item., Date inferred from era of production of miniature decals and cover design., Front cover illustrated with a clown figure holding a trumpet to his mouth in one hand and tugging his hat with the other., Printed on back cover: Directions for fixing transfers. Take the picture, put it into luke-warm water for a quarter of a minute, pres the picture-side firmly on the object you wish to decorate, and draw gently the paper away. the fixed picture can be varnished, which makas [sic] it finer and secure against water and dust., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department ephemera - Misc. [P.2014.17.3]

Title: Smith's Island. C. Boenning, proprietor
Description: Advertisement for the resort area operated by Caspar Boenning at the Delaware River Island containing a "General View of Smith's Island (Fare 6 Cts To Go & Return)" surrounded by 8 scenes showing island amusements and entertainments. Central view depicts a sailboat passing two ferries of people approaching the pier adorned with a tall flagpole and signage for "C. Boenning Baths." Individuals walk on the pier and paths on the island near resort and residential buildings, including the residence of Robert W. Smith. A ferry boat travels through the channel in the right of the image. Upper surrounding vignettes include 3 titled scenes "Residence of Thomas G. Smith," "Swimming & Shower Bath," and "Residence of Robert W. Smith." Shows visitors strolling the building and grounds of the residences. Robert Smith residence also shows a dog swimming and a man on a skiff in a reservoir besides the fenced dwelling. At the bath for men and boys, individuals attired in swim trunks swim, go down a water slide, and dive from a plank and a small raised platform in the center of the pool. Others partake of the waterfall-like shower to the right of the pool and the shade provided by roofing covering parts of the poolside. Also shows a fully-dressed man on the plank holding a rope tied around a child in the pool, possibly receiving swimming lessons and two men and two boys attired in street clothes., Lower untitled scenes show men and women spectators watching a man shooting at a target from the shed of an outdoor shooting range; boys looking in from outside a fence, near a "No Admittance For Boys" sign, at individuals purchasing beverages from a "Lager Beer" stand next to the crowded tented seating area; patrons strolling around and within the Ladies and Families Refreshment Saloon with a "Restaurant" and "Bowling Saloon" as a waiter delivers a tray of food past the side of the building; women attending to customers of all ages at a sarsparilla and mineral water stand advertising "Refreshments for Boys" "Cakes" and "Ice Cream" as children, including a boy with a hoop, play in front of the two-story octagonal building; and a recreation ground where men and women watch ladies swing in swinging cars, and men and boys climb gymnastic (monkey) bars and a pole, as vessels sail on the river in the background. The island, owned by the Smith family 1817-1879, was removed 1891-1897 by the Federal Government to improve the navigation of the river for shipping traffic., Philadelphia on Stone, POS 699, Historical Society of Pennsylvania: Bc 723 W 429
Date: [ca. 1862]
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Bc 723 W 429

Title: Hungry Continentals paid busy lass a visit. Helping himself to fruit, cried one, "What is it?" This machine which does suck work! Would I were the owner!" "Sir," she said, " It is the Enterprise cherry stoner."
Description: Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Cherry Stoners." Contains an anachronistic scene including a caricaturized depiction of Continental Army officers. Depicts the officers eating pitted cherries from a pan under the Enterprise cherry stoner. A female cook carrying a basket of cherries addresses them. Another basket of cherries lay on the floor. Also contains a view of the Mines Building designed by S. S. Beman. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Cherry Stoners, Japanned or Tinned. Our Cherry Stoners, Nos.1 and 2, work rapidly and efficiently. they may be easily adjusted by thumb-screws to adapt them to the different sizes of cherry stones; are well-made and equal to the best in the market. No. 12 Cherry Stoner will stone cherries with the least possible cutting or disfiguring of fruit. Every good housewife will appreciate this for preserving purposes. Prices: No. 1, Jappanned, $7.50 per doz. No. 2, Tinned, $9.00 " ". No. 12 [2 crossed out] " 12.00 " "., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustration on verso. Depicts an "Enterprise" Cherry Stoner. Cherries fill the basin of the machine and a pan underneath it. Pits fall from the stoner into a cup., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1893
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.64 & 75]

Title: [Sharpless & Sons trade cards]
Description: Series of illustrated trade cards depicting women in a variety of settings, including a woman sitting on the beach with a parasol and fan; a woman attired in gypsy-inspired clothing kneeling next to an urn; the bust of a woman wearing a large plumed hat superimposed onto a painting palette; and another bust portrait of a woman wearing a hat. Also shows men in hunting gear with rifles and dogs; clowns balancing on the hardware of a clock; a couple on the beach stopped in front of an enormous hermit crab, birds and guitar; a chef wielding a large knife with his hand around the throat of a large duck; a couple standing inside of a large lantern; men working on a large paper lantern that hangs from a tree branch; a couple being transported in a covered gondola; and a table containing wine, fruit, bread and dishes superimposed onto a painting palette., Title supplied by cataloger., Printers and engravers include D. Hutinet (Paris), Bognard (Paris) and John A. Lowell & Co. (Boston)., Advertising text printed on versos: Sharpless & Sons, importers, jobbers & retailers of dry goods, 801, 803, 805 & 807 Chestnut Street, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Sharpless [1975.F.760; 1975.F.762; 1975.F.766-768; 1975.F.780; 1975.F.794; 1975.F.812; 1975.F.814; 1975.F.825; 1975.F.838-840]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: Warner's Safe Yeast. Up with the sun
Description: Racist trade card promoting Warner’s Safe Yeast and depicting a white mother with a sick infant and an African American woman nanny who suggests using Warner’s yeast. Shows the mother with her brown hair tied up in a bun and attired in a long-sleeved, striped pink dress with yellow pleats at the bottom and white lace at the collar and cuffs of the sleeves. She cradles in her arms an infant wrapped in a white blanket with two yellow stripes. She looks down at her son standing in the right. He is attired in an orange, long-sleeved shirt with a white collar, a yellow skirt and leggings, and black shoes. He asks, “Mamma, what’s the matter with baby?” She replies that, “Baby’s very sick.” The boy holds up a cannister labeled “Safe Yeast” and states, “Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him.” In the right, Dinah stands looking on, attired in a yellow bonnet, red earrings, a yellow, short-sleeved dress with a white collar and red tie, and a white apron. In the bottom right is a large cannister of Warner’s Safe Yeast. Image also includes a blue and green rug, fireplace andirons, and in the background a windowpane with a blue vase with yellow flowers. Outside the window the sun comes up and reads, “up with the sun.” Hulbert Harrington Warner (1842-1923) founded a patent medicine business in Rochester, N.Y. in 1878. He created Warner’s Safe Yeast in 1885. In the Panic of 1893, he was unable to cover the company's debts, and the business failed., Title from item., Date deduced from the history of the advertised business., Text printed on recto: Precocious Youngster: Mamma, what’s the matter with the baby? Mamma: Ah, Darling, Baby’s very sick, I’m afraid we won’t be able to raise him. Precocious Youngster: Try this Mamma, Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Warner [P.2017.95.187]

Title: The First lesson An exceptional offer to the users of Knox gelatine
Description: Racist trade card promoting Knox Gelatine and depicting an African American woman domestic making a gelatin molded dessert with a white girl. Shows an African American woman domestic attired in a head kerchief, spectacles, a patterned shawl, and a white, long-sleeved shirt, sitting in a kitchen behind a table. She teaches the white girl, attired in a hair bow and a striped dress with a ruffled collar, how to decorate a molded gelatin dessert and places a berry on top it. The girl has a bowl of berries in front of her and holds a spoon with a berry on it. On the table there is a mold, a glass, a lid, a knife, a pitcher, and a box labeled, “Knox’s Gelatine.” In the background is a brick hearth with pots and an oven in the right. Charles B. Knox (1855-1908) of Johnstown, New York discovered a method of granulating gelatine in 1889, which made it practical and easy to use. Charles died in 1908, and his wife Rose Knox ran the company for the next forty years. The Company continues to operate into the 21st century., Title from item., Place of publication from place of operation of advertised business., Publication information and date from the copyright statment: Copyright 1905 By Chas. B. Knox., Advertising text on verso: We have had reproduced in its original colors Harry Roseland’s famous painting, “The First Lesson.” The other side of this card gives only a faint idea of what the picture really is. The large reproduction has twelve (12) distinct colors in it, is reproduced on heavy plate paper having all the appearance of canvas, and it would take an expert to tell it from the original. The original hangs in Mr. Knox’s home, and there are no reproductions of it except those referred to on this card, and if these were on sale in the art stores they would cost at the very least $5 each. The size of the picture is 20 x 27, and it is ready for framing. We want the users of Knox Gelatin to have a copy of this painting and we will send you one upon receipt of ONE empty Knox Gelatine box and 10c in coin or stamps to cover cost of packing and mailing. The supply of these pictures is limited, so if you want one you must act quickly. After receiving the picture, if you are not entirely satisfied with it, return it, and your 10c will be refunded by next mail. Address, Art Department, Knox Gelatine, Johnstown, N.Y., U.S.A. Knox Gelatine is the best Gelatine in the world. It is made from absolutely pure stock; is granulated and can be measured with a spoon like sugar; dissolves in two minutes and mold in half an hour. Each package makes a half gallon of jelly; is clear and sparkling and needs no clarifying. Pink coloring for fancy desserts in every package. It is guaranteed to comply with the National Pure Food Law, and it is always sold under the broad guarantee of “Your Money Back If For Any Reason You Are Dissatisfied.”, Gift of David Doret.
Date: 1905
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Knox [P.2017.95.100]

Title: Golden Cottolene, N.K. Fairbanks & Co. Chicago
Description: Racist trade card illustration depicting a short-haired African American girl picking cotton. Surrounding the image are cotton leaves, buds, and bolls. The girl carries a large, overflowing bale of cotton in the skirt of her apron and stands on her left leg while kicking her right leg outward. Visible in the right corner of the image is a tin bucket of Golden Cottolene. The girl is attired in a red and blue striped collared dress, a yellow striped apron, red socks, and black heeled boots. She is depicted with exaggerated features. Golden Cottolene shortening was was manufactured by N.K. Fairbank & Co., which was based in Chicago during the late 19th century and purchased by American Cotton Oil in 1875. The manufacturing plant in Chicago was closed in 1921., Title from item., Advertising text on verso: Directions for using Fairbank's Cottolene. Health! Purity! Economy! Cottolene, the new and popular health food, is rapidly superseding lard and butter as a cooking fat, being healthier, cleaner and more economical. Use in every place and in the same manner that lard and butter is used in cooking, taking only two-thirds (2/3) of the amount that would be required of the above mentioned articles. If more is used it is wasted. For cake making treat in the same manner as butter, i.e., creaming it with sugar, adding a little salt, for Cottolene contains none. For frying put the Cottolene in a cold pan or kettle allowing the fat to gradually come to a cooking point. This will prevent burning. Cottolene reaches a cooking point without any sputtering or smoking and quicker than lard with the same heat, and therefore care should be taken that it does not become too hot. Beware of imitations. The N.K. Fairbank Co. Chicago, St. Louis, New York, Boston, Philadelphia & Montreal. Recipe for New England Doughnuts. 1 cup sugar. 2 eggs beaten light and mixed with the sugar. 2 teaspoonfuls melted Cottolene. 1/2 cup milk. 2 teaspoonfuls baking powder. 1/2 teaspoonful salt. 1 salt-spoonful cinnamon. Flour enough to roll. Add the milk alternately with the flour. Have the kettle three-quarters (3/4) full of Cottolene, hot enough to brown a piece of bread in half a minute, or while you count sixty. Drop in the doughnuts and fry till brown., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.137]

Title: Cottolene
Description: Racist trade card illustration depicting a three-quarter length portrait of a smiling African American girl. The girl holds an overflowing bale of cotton in her arms. A picturesque countryside and field of cotton is visible in the background. The girl is attired in a pink and blue striped short sleeved dress and her hair is tied into a braid with a yellow ribbon. She is depicted with exaggerated features. Cottolene shortening was was manufactured by N.K. Fairbank & Co., which was based in Chicago during the late 19th century and purchased by American Cotton Oil in 1875. The manufacturing plant in Chicago was closed in 1921., Title from item., Advertising text on verso: Directions for using Fairbank's Cottolene. Health! Purity! Economy!!! Cottolene, the new and popular Health Food is rapidly superseding lard and butter as a cooking fat being healthier, cleaner and more economical. Use in every place and in the same manner that lard and butter is used in cooking, taking only two-thirds (2/3) of the amount that would be required of the above mentioned articles. If more is used it is wasted. For cake making treat in the same manner as butter, i.e., creaming it with sugar, adding a little salt, for Cottolene contains none. For frying put the Cottolene in a cold pan or kettle allowing the fat to gradually come to a cooking point. This will prevent burning. Cottolene reaches a cooking point without any sputtering or smoking, and quicker than lard with the same heat, and therefore care should be taken that it does not become too hot. Beware of imitations. N.K. Fairbank & Co., Chicago. St. Louis. New York, Boston, Philadelphia and Montreal. Recipe for New England Doughnuts. 1 cup of sugar. 2 eggs beaten light and mixed with the sugar. 2 teaspoonfuls of melted Cottolene. 1/2 cup milk. 2 teaspoonfuls of baking bowder. 1/2 teaspoonful salt. 1 salt-spoonful cinnamon. Flour enough to roll. Add the milk alternately with the flour. Have the kettle three-quarters (3/4) full of Cottolene, hot enough to brown a piece of bread in half a minute, or while you count sixty. Drop in the doughnuts and fry till brown., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.138]

Title: New clothing [etc] at T.B. Segar's, Odd Fellows Block. Hope Valley
Description: Racist trade card illustration depicting an African American man being chased by a white man and a dog. The African American man hangs by the seat of his pants on the jagged picket of a fence behind him. He holds a chicken in his right hand and watches a second chicken escape from him. He is attired in a blue and white striped shirt, blue pants, and shoes. The white man carries a gun in his right hand and runs as his hat flies off his head. A house is visible in the background. The African American man is depicted with exaggerated features., Title from item., Text on recto: New clothing, new hats & caps, new carpetings, new oil cloths, new house paper, new borders, new dry goods, new hoisery, new gloves, new corsets, new department for boots and shoes, an immense stock and low prices, at T.B. Segar's, Odd Fellows Block, Hope Valley., Text on recto: Ole zip coon!, Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - T.B. Segar's [P.2017.95.156]

Title: Miles, Samuel
Creator: Library Company of Philadelphia, creator
Date: April 6, 1769

Title: David Doret collection of Centennial ephemera
Description: Collection consists of approximately one hundred items, primarily advertising ephemera, relating to the Centennial Exhibition, held in Philadelphia’s Fairmount Park in 1876 to celebrate America’s one-hundredth anniversary of independence and to showcase the strengths of the country’s industry, manufactures, agriculture, and art. Materials include circulars, price lists, advertising cards, stationery, and pamphlets for goods and services, including washboards, ironing tables, saws, springs, sewing machines, mills, mowers, reapers, horse shoes, and hotel accommodations. Other documents include souvenir view books and guidebooks for visitors, maps, a Centennial Board of Finance letterhead, a Centennial award seal, programs, and admission tickets. Several of the items contain illustrations, such as views of the Centennial buildings, and depictions of products. Some advertisements promote foreign businesses from countries, including Belgium, Russia, Great Britain, Holland, Austria, France, Germany, and Spain., Approximately seventeen of the items include manuscript annotations of dates (e.g. "11.2.76" and "Nov 9/76"), possibly made by Centennial visitors to record dates of attendance at the fair. A concert program for Seibert Hall [11423.F.21] contains a lengthy manuscript annotation on the verso., Various printers include Allen, Lane & Scott; Craig, Finley & Co.; Thomas S. Dando; Duross Brothers; G. S. Harris & Son; Heppenheimer & Maurer; Thomas Hunter; Ketterlinus; Lehman & Bolton; Loag; William Mann; Phillip Frey & Co.; Potsdamer & Co.; Theodore Leonhardt & Son; and Times Printing House., Select link above for on-line finding aid and exhibition., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Books and oversize material housed separately in stacks., 11423.F.14 is probably the separated cover of a handbill, and not an advertising card.
Date: 1855-1882, bulk 1876
Location: Library Company of Philadelphia | Print Department Doret Collection Centennial Ephemera [11423.F; P.2010.21.6-14], Library Company of Philadelphia | Print Department *Doret Collection Centennial Ephemera - 4th Floor [11423.F], Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 Visitors 11423.F.10 (Doret), Library Company of Philadelphia | Books & Other Texts | Rare Am 1876 Chick 11423.F.35 (Doret), Library Company of Philadelphia | Books & Other Texts | Rare Am 1876 Chick 11423.F.36 (Doret), Library Company of Philadelphia | Books & Other Texts | Rare Am 1876 Pocket 11423.F.11 (Doret), http://www.lcpimages.org/centennial/

Title: [Canning and preserving at demonstration center at Little Wakefield, Germantown]
Description: Shows a class for young National League for Women's Service workers at the Germantown estate "Little Wakefield." In the center, an African American woman, attired in a long-sleeved dress with the sleeves rolled up to the elbows and an apron, stands behind a table over a metal basin as she demonstrates preserving techniques. A group of young women gather around her and watch. In the left, more students stand around a stove and take jars out of a metal basin and pot. The students, many in the similar attire of a white blouse and dark bloomers, take notes, observe, assist in the preserving process, and take a photo with a hand held camera. They stand outside a building on a porch that is covered with a wooden trellis with vines growing on it. A voluntary organization in support of the homefront during World War I, the League used the Little Wakefield estate as a demonstration center. They held classes in home economics and canning and preserving, grew fruits and vegetables, and cultivated bees. Little Wakefield was built by Thomas Rodman Fisher in 1829 on property adjacent to his father's estate, Wakefield, located at 1601 Lindley Avenue. La Salle University purchased the land in 1989., Title from published postcard., Date inferred from content., Photographer's blindstamp on recto., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Pancoast, Charles R., 1858-, photographer
Date: [ca. 1918]
Location: Library Company of Philadelphia | Print Department photo - Pancoast [P.9276.43]

Title: Representation of the Philadelphia fish market
Description: Periodical illustration depicting the bustling market near the Camden Ferry and the Delaware River on Market Street below Water Street. Under the market shed, in the right, women peddlers sell their goods to the many milling customers. Under the adjacent canopy walkways, in the left, white men sailors and couples of men and women stroll and an African American man and woman couple argues. On the street, in the right background and center foreground, dockworkers deliver wheelbarrows of goods and a white woman peddler chases a dog stealing a fish. From the late 18th century, Philadelphia continually had a fish market below Water Street. The permanent shed, built in 1816, was torn down when the market closed in 1860., Title from item., Originally published in Gleason's pictorial drawing room companion, ca. 1852., Purchase 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Leslie, most known as the publisher of "Frank Leslie's Illustrated News," began his career as an engraver at "London Illustrated News." He left the London newspaper for "Gleason's Pictorial..." where he worked from 1851 until 1853.
Creator: Leslie, Frank, 1821-1880, engraver
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Markets-Philadelphia Fish Market [P.9361.2]

Title: A " jam" on Dock Street, Philadelphia's produce market place
Description: View of street traffic at the produce market on the 200 block of Dock Street. Horse-drawn carts and wagons packed with sacks, barrels, and crates crowd the cobblestone street lined with storefronts, including C.G. Justice & Co. (123 Dock St.); Rosskam, Gerstley & Co. (133 & 135 Dock Street); Carstairs & McCall Co (139 Dock St.); and J. M. Morris & C. H. Peacock warehouse. Signs advertising "Carstairs & McCall Co. fine rye whiskies," "Rosskam, Gerstley & Co. fine whiskies," and "Fruits" adorn the buildings. Produce dealers C.G. Justice & Co. was established in 1871. Isaac Rosskam and Henry Gerstley founded the whiskey wholesale firm Rosskam, Gerstley & Co. in circa 1869 and continued until 1921. Brothers Charles and James Carstairs, Jr. and John C. McCall founded the whiskey company Carstairs & McCall Co. in 1868., Title printed on mount., Date from copyright statement: Copyrighted 1903 by William H. Rau., Curved buff mount with rounded corners., Distributor's imprint printed on mount: Sold only by Universal View Co., Publisher's imprint printed on mount., Gift of Raymond Holstein.
Creator: Rau, William Herman, 1855-1920, publisher
Date: 1903
Location: Library Company of Philadelphia | Print Department Holstein stereo - Streets - Chestnut Street [P.2011.47.1840]

Title: [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description: Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date: [1879]
Location: Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]

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