[Lily watercolor and poem]
Title
[Lily watercolor and poem]
Description
Album page containing an unattributed drawing of a purple lily above a four-line poem about friendship. Lily is depicted with green leaves., Title supplied by cataloguer., Date from item., Includes four-line poem: "The crown imperial, lillies of all kinds,/The Flower-de-luce being one. Of these I lack/To make you garlands of, and my sweet friend/To strew thee o'er and o'er., RVCDC, Description revised 2022., Access points revised 2022.
Date
1839
Location
Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.26]
Guess - who is it?
Title
Guess - who is it?
Description
Genre photograph showing two women, one standing and grinning at the photograher and holding the other's eyes shut, while the other woman, seated at a desk, attempts to write a letter., Title from photographer's manuscript note on verso., Photographer's imprint on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Creator
Cremer, James, 1821-1893
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department stereo - Cremer - Genre [P.9299.7]
Friendship album
Title
Friendship album
Description
Album with locks of hair sewn onto the pages in loops of stylized flowers with colored drawings of flowers. The hair was assembled by Margaret Williams. Family names contained in the book are: Williams, Barmore, Mary, Washburn, Lee, Holden, Pullen, Armstrong, Darlen, Underhill, McIntyre, Rasnell, Halsted, Marshall, Philips, and Smith., Exhibited in: the Library Company's exhibition, Picturing Women (2004) ; and the Living Book: New Perspectives on Form and Function (2017-2018).
Creator
Williams, Margaret
Date
1839
Location
OBJ 846
[Two young women in an embrace]
Title
[Two young women in an embrace]
Description
Genre photograph showing two women embracing., Title supplied by cataloger., Photographer's imprint on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Creator
Cremer, James, 1821-1893
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department stereo - Cremer - Genre [P.9299.8]
Snuffbox with Portrait of Benjamin Franklin
Title
Snuffbox with Portrait of Benjamin Franklin
Description
Tortoiseshell snuffbox with a portrait of Benjamin Franklin on the lid. Miniature portrait is framed with a simple ovolo moulding of gold. It was commissioned by Franklin as a gift to Georgiana Shipley (1756-1806), the daughter of Jonathan Shipley, bishop of St. Asaph. Georgiana Shipley wrote to Franklin on May 1st requesting a portrait miniature, “Numberless are the prints & medals we have seen of you, but none that I quite approve, should you have a good picture painted at Paris, a miniature copied from it, would make me the happiest of beings, & next to that, a lock of your own dear grey hair would give me the greatest pleasure…” Franklin sent the snuffbox and lock of hair to which Shipley replied on Feb. 3, 1780, “How shall I sufficiently express my raptures on recieving (sic) your dear delightfull & most valuable present. The pleasure I felt was encreased if possible at the sight of the beloved little lock of Hair, I kissed both that & the picture 1000 times: the miniature is admirably painted, the Artist (whose name I wish to learn) appears inferior to none we have in England: as for the resemblance, it is my very own dear Doctor Franklin himself…”, Gift of Stuart Karu, 2009., Exhibited in: University of Pennsylvania's exhibition, The Intellectual World of Benjamin Franklin (1990); Benjamin Franklin: In Search of a Better World (2005-2007); Patriots and Presidents: Philadelphia Portrait Miniatures, 1760-1860 (April 2009).
Creator
Dumont, François, 1751-1831
Date
1779
Location
OBJ 879
New drawing album [graphic].
Title
New drawing album
Description
Friendship album of Helen Frances Baxter containing circa 60 entries, predominantly contributed while she was a student at Hudson Female Academy during the early 1860s. Entries include original and transcribed poems, prose, and essays; miniature watercolor, pencil and ink sketches; and ruled designs in pencil to resemble mosaics of square calling cards. Most of the entries are signed or contain the initials of the contributor, some noted as completed in Texas. Several entries also include or are entirely composed of vignette paper photograph portraits, predominantly bust-length and depicting young women. Topics of the entries include remembrance, friendship, mortality, religion and allusions to the literary works Harriet Beecher Stowe's "Uncle Tom’s Cabin" (p. [99]) (racialized allusion) and Charles Dickens's "A Christmas Carol" and Clement Clarke Moore's "Night Before Christmas" (p. [161-165]). Sketches depict scenes of nature (trees, a waterfall), a cottage, stone ruins, and “crossticks” and are often inserted into four slots in the corresponding page. Mosaics sometimes include names and addresses and/or portrait photographs. Also contains 10 lithographs depicting a composition of a scroll bordered by a type of flower, including lily, tulip, convolvulus, and rose. Lithographs also include printed sentimental prose describing the depicted flower. A small piece of paper with pasted down dried leaves and a final page of bon mots, including “All things lovely have an end. So has this book of yours my friend” also comprise the album., Contributors include Alba K. Fellows (p. [25-26]), Mary Phipps (later Foster) (Hudson, NY) (p. [39]), Sarah Vanderzee (Coeymans, NY) ( p. [55, 141]), William H. Morrison (Hudson, NY) (p. [59)], Eva C. Platt (p. [95]), Angie Smalley (Carmel, NY) (p. [31, 166-167], and Emma V. Claflin (later Parmalee)(Philadelphia) (p. [152]). Hudson Female Academy, established by Reverend John B. Hague in 1851 and under his administration during the 1860s, was a four-year academy for young women in Hudson, NY. The course of study included Mathematics, English Grammar, "Philosophy of Nautral History," Latin, Physiology, Vocal Music, Composition, "Guizot's Civilization," Chemistry, Intellectual and Moral Philosophy, French, German, Drawing, and Painting., Lacquered papier mâché binding with painted imagery depicting a bouquet of flowers framed by filigree, and accented with inlaid mother of pearl., Title from title page: New Drawing Album. J. C. Riker, publisher., Contains presentation page on p. [2]: Hand-colored lithograph signed Lith. Of Sarony & Major, N. Y. and depicting an open scroll of paper bordered by flowers and with text “Presented to.” Imprint: Published by J. C. Riker, 129 Fulton St., N. York., Contains inscription in pencil on p. [9]: Receive me with a smile,/As to each friend [?],/Detain me but a little while,/Then send the wanderer home., Contains presentation page on p. [13]: Hand-colored lithograph signed Lith. Of Sarony & Major, N. Y. and depicting an open scroll of paper bordered by flowers and with text “Presented to” [Miss Helen Frances Baxter, 12th May 155 by J.H.P]. Imprint: Published by Riker, Thorne &Co, 129 Fulton St., New York., Contains gilt marbled end papers., Contains some color paper pages., Gift of Michael Zinman, 2014., List of contributors and transcription of album entries available at repository., Description revised 2021., Access points revised 2021., Possibly compiled by Helen Fisher Baxter (1843- 1920) of Fishkill, later Hughsonville, N.Y. She worked as a music teacher in 1880 and died in Wappingers, N.Y. in 1920.
Creator
Baxter, Helen Frances
Date
[1855-1875, bulk 1860-1861]
Location
Library Company of Philadelphia | Print Department albums [P.2014.79]
Original & selected poetry &c. [graphic] / Amy Matilda Cassey.
Title
Original & selected poetry &c
Description
Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the antislavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a rustic, residential scene, possibly in New York. Contributors, including many women from the antebellum African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, scholarly, educational, and cultural community of the antebellum North, including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone;, floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Rebecca Buffum, Susan C. Wright, and sisters Hannah L. Stickney and Mary T. Stickney, and sisters Mary Forten (p.10), Margaretta Forten, and Sarah Forten Purvis, as well as their sister-in-law Mary Virginia Wood Forten (p.22); memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore anti-slavery activist Emily Willson; anti-slavery activists Ann Warren Weston and Elizabeth Le Brun (Stickney) Gunn; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by probably Lydia A. Bustill and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding with blue moiré silk doublures., Lib. Company Annual Report 1998, p. 25-35., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Cassey, an abolitionist, temperance and civil rights activist and founding member of the multiracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.
Creator
Cassey, Amy Matilda, 1808-1856
Date
[ca. 1833-ca. 1856]
Location
Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764]
Album [graphic].
Title
[Album]
Description
Album belonging to Mary Anne Dickerson, a young middle-class African American Philadelphian, possibly created as a pedagogical exercise, with contributions dating from 1833 until 1882. Contains engraved plates depicting scenic views, and original and transcribed poems, prose, essays, and drawings on topics including friendship, motherhood, mortality, youth, death, flowers, female beauty, and refinement. Also contains a one page record of family deaths, marriages, and births with entries up to the birth of Mary Anne's grandson in 1882. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural communities of mid-19th century Philadelphia, New York, and Boston., Contains the following contributions: "The Mother's Joy," a poem by C.F., possibly by abolitionist and second wife of entrepreneur James Forten, Charlotte Vandine Forten; illustration after "The Boroom Slave" and the poem, "To the Album," by artist and activist Robert Douglass; prose, "To Mary Ann", about living a happy life by Philadelphian anti-slavery activist Amy Matilda Cassey; a memorial, "To My Dear Willie," by Mary Anne to her deceased son, William Jones; poem, "The Night of Death," by J.A.J., Mary Anne's husband, John A. Jones; Boston author and civil rights activist William C. Nell's transcription of the poem, "The Rights of Women"; allegorical prose on the meaning of life by New York abolitionist Harriet Forten Purvis; transcription of the poem, "The Pearl Diver," by white Philadelphian anti-slavery activist Arnold Buffum; prose to "Mary Annie" about remembrance by Ada, possibly by anti-slavery activist Sarah Forten Purvis or educator and anti-slavery activist Ada Howell Hinton; floral drawing by A.H.H., probably by Ada Howell Hinton; prose and floral watercolors by educator, abolitionist, and Quaker Sarah Mapps Douglass, the sister of Robert Douglass; "Lines Addressed to a Wreath of Flowers Designed on a Present for Mary Ann" by E.S. Webb, possibly Elizabeth Susan Webb, sister of novelist Frank J. Webb; and prose by Mary Anne about mortality. Additional entries of prose and poetry by John G. Dutton, E.S. Webb, Lydia A.B., Henrietta, W.F.P, and S.L.C., unattributed entry, "To Esther," and unattributed entry of a floral watercolor. Also contains engraved plates by A.B. Durand, C. Fielding, C.G. Childs, Robert Walter Weir, James Smillie and Thomas Cole entitled respectively, "Falls of the Sawkill"; "Italy, The Bay of Naples"; "Weehawken"; "Delaware Water Gap"; "Catskill Mountains"; "Fort Putnam"; and "Winnipiseogee Lake"., Title supplied by cataloguer., Inclusive range of dates inferred from entries inscribed with dates., Contains engraved illustrated title page: Album. The Mother's Joy., Blank album published in New York in 1833 by J.C. Ricker., Embossed and gilt morocco binding., Release of Dower document dated 1838 giving the Dickerson home to the surviving children, contemporary unidentified newspaper clippings, manuscript poetry transcriptions, contemporary greeting cards, trade card, and other miscellaneous loose items removed and housed separately., Lib. Company. Annual Report, 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator
Dickerson, Mary Anne, 1822-1858
Date
[ca. 1833-ca. 1882]
Location
Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q]
Engravings by William Humphrys Scrapbook
Title
Engravings by William Humphrys Scrapbook
Description
Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."
Arthur Power Dudden Travel Ephemera Collection
Title
Arthur Power Dudden Travel Ephemera Collection
Description
Collection of ephemera documenting the travels of the Charles J. Clarke family between 1865 and 1875.