Three-quarter length portrait of Miss Washburn holding a rifle and glancing back at a wounded Indian., In Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), plate following p. 268., After being held captive for ten years by a group of Indians, Miss Washburn encountered several pioneers. She persuaded them to provide her with a rifle, which she then used to kill two of her captors as they launched an attack on the pioneers.
In Bishop, H. E. Floral home; or, first years in Minnesota (New York, 1857), frontispiece., Harriet Bishop moved to Minnesota, then still a territory, to become the first teacher in the small city of St. Paul. She was a writer and an advocate of education reform and women's rights., Facsimile signature: Harriet E. Bishop., Bust-length portrait of Bishop, wearing a brooch.
Full-length portrait of Mrs. Woods in the foreground, seemingly unaware of an Indian man entering the house behind her., In Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), plate following p. 120., “Early one morning, sometime in the year 1784, Mr. Woods being absent from home, and Mrs. Woods being a short distance from the cabin, she discovered several Indians advancing towards it. She ran towards the cabin, and reached the door before all the Indians but one, who pursued so closely, that before she could secure the door, he entered. A lame negro in the cabin instantly seized the savage, and, after a short scuffle, they both fell – the negro underneath. The resolute black fellow held his antagonist so tightly that he could not use his knife. Mrs. Woods then seized an axe from under the bed, and, at the request of the negro, struck the savage upon the head.”--P. 120.
Full-length portrait of the writer wearing a hat while holding a rifle in one hand and a horn in the other. A citadel is visible in the distant background., In Rowlandson, Mary W. A narrative of the captivity, sufferings, and removes of Mrs. Mary Rowlandson (Boston, 1770), p. [2.], Mrs. Mary Rowlandson was a Puritan pioneer who, during an Indian attack on her town, was taken captive with her children and held for three months before being ransomed., The portrait was likely first used to represent Hannah Snell, the cross-dressing British soldier. Cf. Reilly, Elizabeth Carroll. Dictionary of colonial American printers’ ornaments and illustrations, p. 373.
Full-length portrait of the back of Mrs. Daviess, holding a shotgun aimed at an Indian man stepping through a doorway., In Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), plate following p. 206., Mrs. Daviess was the wife of the late 18th-century Kentucky pioneer Samuel Daviess. She tricked her potential captor into setting down his gun, which she then used to hold him hostage.
Full-length portrait of the young woman, standing with hands clasped and arms uplifted. In the foreground Anglo and Indian men wield swords while two women stand weeping in the background., In Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), frontispiece., Jemima Boone was the daughter of pioneer Daniel Boone. While living in Kentucky in 1776, she and a friend by the name of Miss Calloway [i.e., Callaway] were captured by a group of Indians. The girls were retrieved after a fatal confrontation between Boone’s men and the Indian men., Another portrait appears in: Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), plate following p. 26.
Date of publication supplied by Wainwright., Select link below for a digital image., Lower left corner missing., Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War.
Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Description revised 2021., Access points revised 2021., Philadelphia on Stone, POS 351, Lower left corner missing., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis Schell in the 1850s, and eventually owned his own press until around 1872.
Creator
Rease, W. H., artist
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department **W174 [P.2143]
