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Title: Academy of Natural Science postcards
Description: Contains views of the Academy of Natural Sciences built 1868 after designs by James Hamilton Windrim. Images depict the exterior of the museum before major renovations and additions, and an interior view of the Audubon bird hall., Contains 2 postcards printed in color and 2 printed in black and white., Sheet numbers: 27A01A and 27B01A., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1905-1911
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Buildings - Miscellaneous - 27]

Title: Is yo' sho' lady when I wears dese stockings I won' fin' ma laigs all black
Description: Racist caricature reminiscent of the plate "Have you any flesh coloured silk stockings...?" from E.W. Clay's racist satiric series, Life in Philadelphia, originally published in the late 1820s and early 1830s. Depicts an African American man dressed as a woman attired in a brimmed hat, a long-sleeved dress tied with a bow at the back, a fur shawl, shoes, and with a closed umbrella and a basket at her feet. She sits in front of the counter of a dry goods store and inquires in the vernacular about a pair of dark stockings which she holds. A young white woman sales clerk smiles with her elbows on the counter and displays to the customer a second pair of dark-colored stockings. Bolts of fabric rest on shelves behind the clerk, and socks and hosiery hang above. A white woman customer shops at the other end of the counter, in the right., Title from item., Date from copyright statement: Copyright 1902 by Underwood & Underwood., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Title printed on verso in six different languages, including French, German, and Spanish., Grey mount with rounded corners., See Life in Philadelphia. "Have you any flesh coloured silk stockings...?" [LCP Life in Philadelphia (Philadelphia) P.9701.9], Purchase 2002., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Underwood & Underwood
Date: 1902
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2002.31]

Title: [Martha Maxwell and her exhibit of "Woman's Work", Philadelphia Centennial Exhibition]
Description: Shows Mrs. Martha Maxwell surrounded by her habitat display, with stuffed animals and birds, arranged in a rocky landscape in the Kansas-Colorado Building at the Centennial Exhibition in Philadelphia., Title supplied by cataloguer, from a description of a duplicate in the Historical Society of Pennsylvania's collections, reproduced in Maxine Benson's Martha Maxwell: Rocky Mountain naturalist (Lincoln: University of Nebraska Press, c1986)., Martha Maxwell opened her Rocky Mountain Museum in 1874 in Boulder, Colorado, and moved it to Denver in 1876. She hoped her museum would advance scientific education, but also display curiosities and other amusements to attract the general public., See Maxine Benson's Martha Maxwell: Rocky Mountain Naturalist (Lincoln: University of Nebraska Press, c1986)., For a similar view of Martha Maxwell's displays, see stereo - unidentified - Exhibitions [P.2007.12]., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photo. Co. - Maxwell's Rocky Mountain Museum [P.2007.15.1]

Title: [Martha Maxwell's exhibit of "Woman's Work", Philadelphia Centennial Exhibition]
Description: Shows Mrs. Martha Maxwell's habitat display, with stuffed animals and birds, arranged in a rocky landscape in the Kansas-Colorado Building at the Centennial Exhibition in Philadelphia., Title supplied by cataloguer., Martha Maxwell opened her Rocky Mountain Museum in 1874 in Boulder, Colorado, and moved it to Denver in 1876. She hoped her museum would advance scientific education, but also display curiosities and other amusements to attract the general public., For a similar view of Martha Maxwell's displays, see stereo - unidentified - Exhibitions [P.2007.12]., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photo. Co. - Maxwell's Rocky Mountain Museum [P.2007.15.3]

Title: [Martha Maxwell posing with habitat grouping, Mrs. M.A. Maxwell's Rocky Mountain Museum, Boulder, Colorado]
Description: Shows Mrs. Martha Maxwell standing with stuffed animals and birds arranged in a life-like, wild landscape display at the Colorado museum., Title supplied by cataloguer., Photographer from duplicate series in the collections of the Denver Public Library., Name of publisher inferred from descriptive text on verso of stereograph., Martha Maxwell opened her Rocky Mountain Museum in 1874 in Boulder, Colorado, and moved it to Denver in 1876. She hoped her museum would advance scientific education, but also display curiosities and other amusements to attract the general public., For similar views of Martha Maxwell's displays, see Centennial Photographic Co. stereographs., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Chamberlain, W. G. (William Gunnison)
Date: c1875
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Exhibitions [P.2007.12]

Title: U.S. Govt. B'ld'g transept looking s[outh]
Description: View of displays in the U.S. Government Building looking south from the transept showing large lighthouse lanterns in the left foreground and stuffed mammals including dolphins, whales, seals, otters, walruses and deer in the right background divided by a wide aisle where patrons rest on benches. American flags and patriotic bunting cover the interior walls below the windows. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Distributor's stamp on verso: S.B. Moyer, finest line of stereoscopic views of all parts of the world. Pottstown, Pa. Best views of the Johnstown Disaster., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.8975.4]

Title: Library Company of Philadelphia scrapbook
Description: Scrapbook predominantly containing photographs of the interiors and exteriors of the buildings of the Library Company of Philadelphia at Fifth and Library streets (1792-1878) and Juniper and Locust streets (1880-1940). Interior views show the main reading room, the women's reading room, and the Henry C. Lea Annex (member's reading room) at the Juniper Street building. The images include shelves of books; reading tables and chairs; magazine racks; card catalogs; and paintings, photographs, manuscripts and busts and object d'arts on display. Also contains photographs and photomechanical reproductions of portraiture of early noted figures and donors to the Library Company and art and artifacts held by or associated with the repository. Additional content includes reference correspondence (1920 and 1924) between librarian George Abbot and overseas researchers studying Peter Collinson and an April 8, 1834 newspaper clipping reporting the Library Company's receipt of the book collection of the late James Cox "Artist and Bibliomaniac" accompanied by his autograph (John McAllister label pasted on verso)., Portraits depict Rev. Samuel Preston (1756-1834); optician Joseph Fisher (d. 1864); library director Dr. Thomas Parke (1749-1835); "library director 1825-1840" Benjamin R. Morgan (1765-1840); and Library Company purchasing agent Peter Collinson (1694-1768). Artifacts include the "Lion's Mouth" tin suggestion box (ca. 1850); the candle lantern from the entrance of the original library building (pre-1791); "old playing cards used as washers for Franklin's electrical machine" (1740s); William Penn's secretary desk (ca. 1680); John Penn's air pump case for electrical instruments (1738-1739); and the anti-slavery painting "Liberty Displaying the Arts and Sciences" given to the library by its artist Samuel Jennings in 1792., Title supplied by cataloger., Bookplate of the Library Company dated October 9, 1934 pasted on inside front cover., Some contents identified from manuscript notes on rectos and versos of scrapbook pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Select link above to access the website "Art & Artifacts. Discover the Library Company’s Art and Artifact Collection.", The Library Company of Philadelphia, America’s first successful lending library and oldest cultural institution, was founded in 1731 by Benjamin Franklin as a subscription library supported by its shareholders. Until the 1850s it was the largest public library in America. It was transformed into a research library in the 1950s.
Creator: Library Company of Philadelphia
Date: 1818-ca. 1934, bulk 1920-1930
Location: Library Company of Philadelphia | Print Department albums - Library [Uy8 7065.Q], http://www.librarycompany.org/artifacts/

Title: The new woman--wash day
Description: Genre scene satirizing the "new woman" and the role reversal of men and women in the home. Depicts a woman attired in bloomers and gloves (bicycle garb), with one foot propped on a chair as she smokes. Her husband bends over the wash tub and wrings an article of clothing as he does her laundry, some of which dries above their heads on a line. The woman's bicycle is propped near the door., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Title printed on mount., Publisher's imprint printed on mount., Title also printed on verso in five additional languages., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.9998]

Title: The City Hall Philadelphia. Architecture, sculpture and history
Description: Limited edition volume, organized in 18 topical sections, containing photomechanical reproductions of engravings (by Faust) and photographs showing views of the interior, exterior, and architectural and sculptural details of the municipal building built 1871-1901 after the designs of John McArthur, Jr. Sections, predominately titled, include Modeling of the William Penn statue; views of court rooms, Mayor's Office, entrances; Window Spandrels Tower; Bronze Groups on Towers; Centre Pavilion Dormers; Caryatides (i.e., supporting columns sculptured in the form of a draped female figure); Medallions in Conversation Hall of Councils; Doorway Spandrels. Northern & Eastern Entrances; Keystones; Panels. Stairway; Impost Panels of Windows; Spandrels and Statuary Centre Pavilion; Panels; Tower Capitals; Spandrels Interior of Tower; Panels in Eastern Entrance; Spandrels in Northern Entrance; and Window Spandrels in Northern Entrance. Interior views often include pedestrian traffic., Architectural and ornamental details depict allegorical, historical, ethical, anthropological, and political and governmental figures and tableaux, including "Distinguished Early Philadelphians"; the continents; the four natural elements and seasons; "Indians"; Swedes; mammals, reptiles, and birds, including eagles, bears, and buffalo; the natural and social sciences, arts, and humanities; industry, mechanics, and commerce; civilization and barbarism; prayer and meditation; victory and fame; admonition and repentance; and liberty and law; and youth. Details also show the seal of Pennsylvania and stereotyped, ethnographic facial studies, and cherubic figures., Edition de luxe limited to one thousand copies. Copy no. 48., Frontispiece shows a view engraved by Faust of the exterior of City Hall. Includes street and pedestrian traffic., Front matter is misordered ([p. 4] and [p. 5] reversed) and includes an "Historical" overview of the location and construction of the building; "Description of the Buildings," including the styles of "Architecture" and dimensions; the "Comparative Heights of the Principal Buildings of the World"; and the "Inscription upon face of Corner-stone in centre of tower foundation.", Reproduced wood engravings contain artist's signature or initials: F. Faust; F.F., Original cloth bindings, brown cloth grained with gilt stamped front cover and endpapers removed and rehoused with rebound album for conservation., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Frederick Faust, born in Germany in 1849, immigrated to the United States in 1870 and worked as a wood engraver in Philadelphia by the early 1880s. He continued in the trade as an illustrator into the early 20th century and was retired by 1930.
Creator: Faust, Frederick
Date: c1897
Location: Library Company of Philadelphia | Print Department albums - Faust [It 7 2779.F]

Title: Mr. & Mrs. Turtledove's new French cook
Description: Series of titled comic genre photographs include "Mr. & Mrs. Turtledove's new French cook," "You sweet thing, when did you arrive?" "Now don't be so shy!" "Oh my, but you are lovely," "Sh! Sh! I hear my wife coming," "Heavens, what does she mean," "Well, I am caught sure enough," "She must leave this house at once," "Mr. Turtledove trying to get out of the difficulty," "Mr. Turtledove making promises to be good," "Darling, I love you more than ever," and " Mr. & Mrs. Turtledove's next "French" cook." Images depict a straying husband's relationship with the pretty French cook, his wife's discovery of the relationship, and his attempts and success at reconciling with his wife. The pretty female cook is eventually replaced by an unattractive "French" cook, represented by a man dressed as a woman., Series copyrighted 1902 by William H. Rau., Title supplied by cataloger., Publisher's imprint printed on mounts., Gray curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Rau, William Herman, 1855-1920, photographer
Date: c1902
Location: Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.9872.1-12]

Title: Library Company of Philadelphia scrapbook
Description: Scrapbook containing newspaper clippings, photographs, ephemera and prints predominantly issued between the 1930s and 1970s documenting exhibitions, loans, collections, events and the history of the Library Company. Clippings include newspaper articles about a loan of American political cartoons to the Toledo Museum (1936); exhibitions commemorating the centenary of librettist W.S. Gilbert (1936); the tercentenary of Swedish Settlement (1938); and the library's African American history collection (1971). Columns also describe the presentation of the Christopher Sower library (1909); the return in 1876 of a book 99 years overdue since the American Revolution (1938); the demolition of the Library's Juniper and Locust streets building for a parking lot (1939); and the vandalism of the former Ridgway Building at 901-933 Broad Street (1969). Photographs predominantly depict the exteriors and reading rooms of the library buildings at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building). Other photographs include a series of views from the 1939 unveiling ceremony of the James Logan memorial (to be erected in Fairmount Park) on the steps of the Ridgway Branch. Ephemera includes invitations (several from The Women's Committee), brochures, catalogs, announcements and placards related to library events; bulletins and pamphlets describing collections; dues notices and book plates; the variant 1884 and 1906 "Rules of the Library Company"; an off-print of the 1882 Louise Stockton entry in "A Sylvan City..." about "The Old Philadelphia Library"; and a 1961 citation from the city recognizing the library as a "Philadelphia first.", Title supplied by cataloger., Cut outs of the seal and motto of Library Company from bookplate pasted on title page., Some contents annotated with dates and typewritten descriptions., Several loose photographs removed and rehoused as "Library Company of Philadelphia Scrapbook Photographs Collection" [P.2010.17]. Contains a ca. 1865 portrait of library donor John A. McAllister misidentified as librarian Lloyd P. Smith, a ca. 1935 portrait of librarian George Abbot, and interior and exterior views of the library buildings, including artifacts, at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2022., Access points revised 2022., Typewritten index inserted in volume., The Library Company of Philadelphia, America’s first successful lending library and oldest cultural institution, was founded in 1731 by Benjamin Franklin as a subscription library supported by its shareholders. Until the 1850s it was the largest public library in America. It was transformed into a research library in the 1950s.
Creator: Library Company of Philadelphia
Date: [ca. 1865-ca. 1971, bulk ca. 1936-ca. 1945]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2010.17], Library Company of Philadelphia | Print Department Library Company of Philadelphia Scrapbook Photographs Collection [P.2010.17]

Title: [John Serz scrapbook]
Description: Scrapbook of print specimens, proofs, and original drawings primarily delineated and compiled by German-born Philadelphia engraver John Serz. Contents include book and periodical illustrations; separately-issued views; portrait prints; certificates; and job printing specimens. Majority of graphics depict religious, landscape, historical, genre, and fashion views, including plates from "Lives of the Fathers, Martyrs, and Other Principal Saints" (New York, 1864); Auerbach’s "Tales of the Black Forest"; Sartain’s Magazine; Graham’s Illustrated Magazine; W. Alvin Lloyd’s Railroad Guide; and Demorest’s Monthly Magazine. Religious and historical themes include the Last Supper, the Crucifixion, and other Biblical scenes, Mary and Jesus, scenes of prayer, William Penn's Treaty, the defeat of Napoleon at Waterloo, and the Civil War. Other well-represented material is separately-issued city, bird's eye, landscape, and collegiate views showing European and American sites, including Albany; Baltimore; Boston; Dresden; Hildburghausen; Humboldt (Ca.), New York; Washington, D.C.; Fort Putnam; Philadelphia; Georgetown College; Notre Dame University; Lake of Four Cantons (i.e., Lake Lucerne) and Rutli, Switzerland; West Point; Suspension Bridge over Niagara; and Tivoli. Scrapbook also contains numerous portrait prints (often frontispieces); advertisements; European prints, as well as watercolors and drawings, which show the Centennial Exhibition (1876); landscapes, village scenes, and tree and flower arrangement studies., Portrait print sitters include John Stainbach Wilson, M.D.; Mary A. Niemeyer; Daniel Webster; Hannah Rose Hoffman; and E. R. Beadle. Advertisements depict primarily Philadelphia storefronts and factories and often also show street and pedestrian traffic. Businesses include X. Bazin Perfumery Laboratory (917 Cherry St); Joseph J. Canavan Morocco Factory (1225 N. Fifth St.); Allen’s Furniture Warehouse (1209 Chestnut Street); Joseph Beckhaus Carriage Factory (1204 Frankford Ave.); Gumpert Bros. cigars (1341 Chestnut St.); Oxford Carpets Mills (Wm. Hogg, Jr.)(140 Oxford St.); Baugh & Sons, Manufacturers of Raw Bone Super Phosphate Lime (120 S. Delaware Ave.); Theo. Wilson & Co., Steam Ship, Bread, Cracker & Cake Bakery (212 & 214 N. Front St.); White, Hentz & Co., Rectifiers of Spirits & Importers of Wines & Liquors (222 N. Second St.). European prints include plates from Bernard-Romain Julien "Cours Elementaire" and from Wilhem Hermes's figure drawing books "Berliner Zeichenleher," i.e. United States Systematic Drawing Schools (New York edition); engravings by Serz, several published by German publishers Schneider U Wegel, and primarily showing views of German villages Unterberg (Bavaria) and Nuremberg, and bridges, castles, and churches; and chromolithographs, including the title page, from the Korn'schen series of views of Nuremberg "Ansichten von Nurnberg". Other content includes job printing specimen vignettes and labels depicting allegorical, patriotic and industrial imagery; proofs of the "Rose of Philadelphia, "Rose of Washington, D.C.," and labels for patent medicine manufacturer David Jayne illustrated with Jayne's Building, Chinese characters, and a dramatic scene; and images of wild and domestic animals, including a condor, lemming, sheep, dogs, horses, hippo, boar, camel, and elephant., Contents also include certificate specimens for a temperance society, Sunday School, and the fraternal organization Alpha Omega; the relgious-themed prints "A Curious Piece of Antiquity on the Crucifixion of Our Lord and Savior Jesus Christ," "Jesus Healing the Sick," and "The Two Thieves: The Holy Land Exhibiting the Places & Cities Mentioned in the Old & New Testament"; the Serz color engraving Kriegs =Neurigkeiten (i.e. War News) showing men gathered at a table in a village tavern; an advertisement for Philadelphia calico printer Wm. Simpson & Sons depicting a sepulchral monument; and a post mortem portrait engraved by Serz showing Napoelon II, i.e., Duke of Reichstadt., Various American and European artists, engravers, lithographers, and printers, including W. H. Bartlett; J.C. Garrigues & Co.; H. B. Hall & Sons; Heliographic Co. of NY; Langlumé; G. Lury; A. H. Payne; J. C. MacRae; J. Poppel; John Sartain; F. Silber; Joshua Shaw; and F. W. Topham., Various American and European publishers, including D. & J. Sadlier & Co.; John Dainty; Francois Delarue; Friedrich Kornschen; F. W. Thomas & Sons; Parmelee & Co.; Henry Tuessli & Co.; and Max Jacoby & Zeller., Some prints annotated with lines of perspective., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Loose items retained in album., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr., John Serz (1808-1881), born in Nuremberg, Bavaria, worked as an engraver in Germany before immigrating to Philadelphia circa 1851. Naturalized in 1856, Serz earned enough income from his trade to be taxed by the I.R.S. during the Civil War. During the 1870s, his bird's-eye print "Philadelphia and Environs" was advertised in the "Public Ledger" and he served as professor of drawing at the Philadelphia Conservatory of Music. Serz was also a president and secretary of the old Artists Club and member of several German societies, including the German Society of Pennsylvania. He died of a skull fracture in 1881.
Creator: Serz, John, ca. 1810-ca. 1878
Date: [ca. 1842-ca. 1893]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9773]

Title: Is dese' your chickens miss Compliments of Durant & Oehlmann, druggists, 518 Hampshire St., Quincy, Ills
Description: Racist trade card depicting an African American man, portrayed in racist caricature and attired in a torn hat and shirt, on the ground with baby chicks in front of him. In the left, a white woman with a pitchfork leans over a fence to observe the scene and surprises him. Durant & Oehlmann, the partnership between Dr. Joseph F. Durant (b. 1831) and Charles Oehlmann (1849-1921), operated in Quincy, Illinois between 1875 and 1888., Title from item., Date inferred from date of operation of advertised business., Advertising text printed on verso promotes Falke's Sulpholine Cream and Falke's Kah-Kan-Kee Hair Restorative manufactured by J. Falke & Co., 418 Elm St., St. Louis., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - D [P.9828.5810]

Title: Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
Description: Racist, satiric trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a caricature of an African American man presenting Dixon’s Stove Polish to the African American men members of the Lime Kiln Club. Shows Brother Gardner, the white-haired, African American man, in the left with spectacles on his forehead and attired in a white collared shirt with a red bowtie, an orange jacket with a sunflower on the lapel, red and white checked pants, and black shoes. He stands holding a blue box of Dixon’s in his left hand and a gavel in his right hand. In the left is a wooden table with a blue pitcher and a top hat on top of it and a sign that reads, “Dixon’s Carburet of Iron Stove Polish.” Brother Gardner addresses the men in the vernacular, who are identified by number with the key of their names on the verso of the card. In the right, the man, attired in a striped white collared shirt, a red tie, a white and blue striped jacket, yellow and red striped pants, and black shoes, sits on a wooden chair and examines a blue box of Dixon’s in his hands. Beside him another man, balding with tufts of white hair on the sides of his head and a white beard and attired in a red jacket and blue striped pants, kneels down and carries a brush in his right hand. Behind them two men sit on chairs and an additional nine men stand and listen to Brother Gardner. In the background, the wall reads, “Lime Kiln Club, Paradise Hall.” A horseshoe and framed prints that read “Beautify your homes” and “Rules of the Lime Kiln Club” hang on the wall. In the center is a large, black stove., The African American "Lime Kiln Club" caricatures originally were devised by Charles Bertrand Lewis (i.e., M. Quad) in the Detroit Free Press. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date from copyright statement: Copyright 1886., Advertising text printed on verso: The Lime Kiln Club, Brother Gardner in the Chair. “Dis Club hab ebery reason to be proud of de Stove Committee. We has tried all de other stove polishes. We has been stunk out wid so-called peperahuns and seen de piping rust to pieces, till de stove-pipe wus a tumbled down disgrace to de good name of de Lime Kiln Club. De honah of dis occashun belongs to Brudder Shindig, who has made a name for hisself, by introducing Dixon’s Big cake of Stove Polish, and has covered hisself wid shine. Stand up, Brudder Shindig, and let us gaze upon your countenance. Now, my frens, let us draw a lesson from dis: Seek and find out for yerselves, and when you’s got a good ting stick to it, so dat, like DIXON’S STOVE POLISH, you may not only be a use to de community in which yer libes, but a shining example for de rest of mankind. “De club owes a vote of thanks to de Stove Committee, an’ to Brudder Shindig in particular, an’ extend de heartfelt thanks of de Lime Kiln Club to DIXONS for de valuable addition to de comfits of dis life through their CARBURET OF IRON STOVE POLISH. Wid one drawback, Brudder Shindig—you orer haf found dis outen befo’ for de DIXON’S STOVE POLISH has bin in de market SINCE 1827,--58 YEARS.” (Signed) No. 1. Bro. Gardner, 2. Old Man Jenkins, 3. Bro. Shindig, 4. Give-A-Dam Jones, 6. Sundown Davis, No. 7. Accordingly Davis, 8. Stepoff Johnson, 9. Trustee Pullback, 10. Sickles Smith, 11. Sir Isaac Walpole, 12. Layback Jones, Committee., Advertising text printed on verso: Fifty-eight years in market! The oldest, the best, the neatest, the quickest. Ask your dealer for Dixon's Stove Polish. Jos. Dixon Crucible Co., Jersey City, N.J. Illustration showing a box of "Dixon's Prepared Carburet of Iron (Trademark) For Polishing Stoves, Grates, Ranges, and Every Kind of Cast and Sheet Iron work.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1886
Location: Library Company of Philadelphia | Print Department *trade card - J [P.2012.54.2]

Title: [Specimens album]
Description: Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1852-ca. 1876]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up

Title: [Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1869-ca. 1890, bulk 1880-1890]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]

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