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- Title
- Is yo' sho' lady when I wears dese stockings I won' fin' ma laigs all black
- Description
- Racist caricature reminiscent of the plate "Have you any flesh coloured silk stockings...?" from E.W. Clay's racist satiric series, Life in Philadelphia, originally published in the late 1820s and early 1830s. Depicts an African American man dressed as a woman attired in a brimmed hat, a long-sleeved dress tied with a bow at the back, a fur shawl, shoes, and with a closed umbrella and a basket at her feet. She sits in front of the counter of a dry goods store and inquires in the vernacular about a pair of dark stockings which she holds. A young white woman sales clerk smiles with her elbows on the counter and displays to the customer a second pair of dark-colored stockings. Bolts of fabric rest on shelves behind the clerk, and socks and hosiery hang above. A white woman customer shops at the other end of the counter, in the right., Title from item., Date from copyright statement: Copyright 1902 by Underwood & Underwood., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Title printed on verso in six different languages, including French, German, and Spanish., Grey mount with rounded corners., See Life in Philadelphia. "Have you any flesh coloured silk stockings...?" [LCP Life in Philadelphia (Philadelphia) P.9701.9], Purchase 2002., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Underwood & Underwood
- Date
- 1902
- Location
- Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2002.31]
- Title
- [Martha Maxwell and her exhibit of "Woman's Work", Philadelphia Centennial Exhibition]
- Description
- Shows Mrs. Martha Maxwell surrounded by her habitat display, with stuffed animals and birds, arranged in a rocky landscape in the Kansas-Colorado Building at the Centennial Exhibition in Philadelphia., Title supplied by cataloguer, from a description of a duplicate in the Historical Society of Pennsylvania's collections, reproduced in Maxine Benson's Martha Maxwell: Rocky Mountain naturalist (Lincoln: University of Nebraska Press, c1986)., Martha Maxwell opened her Rocky Mountain Museum in 1874 in Boulder, Colorado, and moved it to Denver in 1876. She hoped her museum would advance scientific education, but also display curiosities and other amusements to attract the general public., See Maxine Benson's Martha Maxwell: Rocky Mountain Naturalist (Lincoln: University of Nebraska Press, c1986)., For a similar view of Martha Maxwell's displays, see stereo - unidentified - Exhibitions [P.2007.12]., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Centennial Photographic Co.
- Date
- c1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photo. Co. - Maxwell's Rocky Mountain Museum [P.2007.15.1]
- Title
- [Martha Maxwell's exhibit of "Woman's Work", Philadelphia Centennial Exhibition]
- Description
- Shows Mrs. Martha Maxwell's habitat display, with stuffed animals and birds, arranged in a rocky landscape in the Kansas-Colorado Building at the Centennial Exhibition in Philadelphia., Title supplied by cataloguer., Martha Maxwell opened her Rocky Mountain Museum in 1874 in Boulder, Colorado, and moved it to Denver in 1876. She hoped her museum would advance scientific education, but also display curiosities and other amusements to attract the general public., For a similar view of Martha Maxwell's displays, see stereo - unidentified - Exhibitions [P.2007.12]., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Centennial Photographic Co.
- Date
- c1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photo. Co. - Maxwell's Rocky Mountain Museum [P.2007.15.3]
- Title
- [Martha Maxwell posing with habitat grouping, Mrs. M.A. Maxwell's Rocky Mountain Museum, Boulder, Colorado]
- Description
- Shows Mrs. Martha Maxwell standing with stuffed animals and birds arranged in a life-like, wild landscape display at the Colorado museum., Title supplied by cataloguer., Photographer from duplicate series in the collections of the Denver Public Library., Name of publisher inferred from descriptive text on verso of stereograph., Martha Maxwell opened her Rocky Mountain Museum in 1874 in Boulder, Colorado, and moved it to Denver in 1876. She hoped her museum would advance scientific education, but also display curiosities and other amusements to attract the general public., For similar views of Martha Maxwell's displays, see Centennial Photographic Co. stereographs., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Chamberlain, W. G. (William Gunnison)
- Date
- c1875
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Exhibitions [P.2007.12]
- Title
- U.S. Govt. B'ld'g transept looking s[outh]
- Description
- View of displays in the U.S. Government Building looking south from the transept showing large lighthouse lanterns in the left foreground and stuffed mammals including dolphins, whales, seals, otters, walruses and deer in the right background divided by a wide aisle where patrons rest on benches. American flags and patriotic bunting cover the interior walls below the windows. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Distributor's stamp on verso: S.B. Moyer, finest line of stereoscopic views of all parts of the world. Pottstown, Pa. Best views of the Johnstown Disaster., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Centennial Photographic Co.
- Date
- c1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.8975.4]
- Title
- The new woman--wash day
- Description
- Genre scene satirizing the "new woman" and the role reversal of men and women in the home. Depicts a woman attired in bloomers and gloves (bicycle garb), with one foot propped on a chair as she smokes. Her husband bends over the wash tub and wrings an article of clothing as he does her laundry, some of which dries above their heads on a line. The woman's bicycle is propped near the door., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Title printed on mount., Publisher's imprint printed on mount., Title also printed on verso in five additional languages., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
- Date
- c1901
- Location
- Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.9998]
- Title
- Mr. & Mrs. Turtledove's new French cook
- Description
- Series of titled comic genre photographs include "Mr. & Mrs. Turtledove's new French cook," "You sweet thing, when did you arrive?" "Now don't be so shy!" "Oh my, but you are lovely," "Sh! Sh! I hear my wife coming," "Heavens, what does she mean," "Well, I am caught sure enough," "She must leave this house at once," "Mr. Turtledove trying to get out of the difficulty," "Mr. Turtledove making promises to be good," "Darling, I love you more than ever," and " Mr. & Mrs. Turtledove's next "French" cook." Images depict a straying husband's relationship with the pretty French cook, his wife's discovery of the relationship, and his attempts and success at reconciling with his wife. The pretty female cook is eventually replaced by an unattractive "French" cook, represented by a man dressed as a woman., Series copyrighted 1902 by William H. Rau., Title supplied by cataloger., Publisher's imprint printed on mounts., Gray curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Rau, William Herman, 1855-1920, photographer
- Date
- c1902
- Location
- Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.9872.1-12]