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Title: Magee, Kneass & Co. Philadelphia Saddlery, ware-house no. 6 Magazine Street, New-Orleans, manufactory, no. 18 Decatur St., Philadelphia Quilted & plain, English, French and Spanish saddles in great variety, bridles, fillings & martingales, medical & plain bags, coach, gig, dearbourn, stage and waggen harnes [sic], & blind bridles, riding & driving whips of every description. Morroco, sheep & hogskins patent upper & skirting leather, lining & top hides, saddlers & coachmakers tools, coach lace, fringe & tufts, plated, brass & steel stirrups, bits & spurs and all other saddlery.- Carey ploughs kings make, wheelbarrows, trucks, agricultural & farming utensils generally
Description: Advertisement containing the firm's logo, "Golden Horse Head" (a horse with bridle, bit and reins) surrounded and above images and text advertising a variety of saddles, whips, and trunks. Also includes a plow and hobby horse., Philadelphia on Stone, POSP 140
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements [P.8729.22]

Title: The cruel boys What shows a worse disposition than to abuse a poor dumb creature. It is the beginning of a course, that leads to robbery and murder
Description: Plate from a children's moral instruction book showing three boys mistreating a horse on a dirt path. One boy, attired in a jacket and pants rides the crouching, saddleless horse, raised stick in hand, as the other two boys, stand on either side of the animal, raised sticks in hand. One boy, in the right foreground, wears no shoes. Bushes, weeds, rocks, and a small body of water line the dirt path. A house with a smoking chimney is visible in the right background., Not in Wainwright., Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Originally accompanied by text titled "Kindness to Animals" moralizing that it is wrong to abuse "poor dumb beasts whom God has put in their power.", Philadelphia on Stone, POSP 293, Gift of Michael Zinman.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department *GC - Morality [P.2017.28]

Title: Clark's mile-end 60 spool cotton
Description: Racist trade card promoting Clark Thread Company and depicting a genre scene of an African American man and woman in conversation on a country road. The man and woman are portrayed with exaggerated features and speaking in the vernacular. Shows, in the left, the man standing on a dirt road and holding a piece of thread attached to a giant spool labeled "Clark's mile-end 60 spool thread." He is attired in black boots; yellow striped pants with patches on the knees and rolled to his calves; a white shirt; a red vest; and a green jacket. His straw hat is upturned on the ground beside him. In the right, an African American woman sits in a horse-drawn wagon holding the reins to a white horse. She tells the man "luck I got a spool to mend yer clos' with." She is attired in a yellow head kerchief and a red dress with yellow trim at the neck. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on recto: Ef dat mile end thread don't hold, dere ain't anything- lucky I got a spool to mend yer old clos' with., Advertising text printed on verso: Clark's Mile-End Spool Cotton is the best for hand and machine sewing. Clark's Mile-End Colors are made expressly to match the leading shades of dress goods, and are unsurpassed both in quality and color. Clark's Mile-End Spool Cotton is six-cord in all numbers to 100 inclusive., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.33]

Title: Fred C. Davis, land surveyor and insurance agent, Felchville, VT., will insure against all kinds of accidents
Description: Trade card promoting surveyor and insurance agent Fred C. Davis and depicting a racist caricature of an African American man on a horse-drawn plow. Shows the man barely seated, leaning back, and with his legs in the air on the plow. He holds broken reins in his hands to a brown horse running away in the left. The man is depicted with exaggerated features. His mouth is open in alarm. He is attired in brown boots, blue checked pants and shirt, and a brown vest. His hat has flown off his head behind him. The roof of a house is visible in the left background. Fred C. Davis was an insurance agent in Vermont circa 1884 - circa 1921., Title from item., Series number on recto: 468., Text printed on recto: Over., Text printed on verso: Insurance companies represented. Assets January 1, 1888. Phoenix, of Hartford...$4,778,469.00. Phenix, of Brooklyn... 5,054,179.51. North British & Mercantile, of London and Edinburg... 3,301,747.00. New England, of Rutland... 125,414.40. Vermont Mutual...3,530,434.82. Fitchburgh Mutual. Travelers (Life and Accident) of Hartford...9,111,589.68., Gift of David Doret.
Date: 1884
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Davis [P.2017.95.40]

Title: Kendall's Spavin Cure
Description: Trade card promoting B.J. Kendall Company, manufacturer of proprietary medicine, and depicting a racist caricature of an African American man jockey portrayed with exaggarated features. Shows the jockey at the reins of a brown race horse running at full speed, its legs lifted off the ground, and two of its shoes flying through the air. The jockey grips the reins of the horse over which he is prone and suspended above. He exclaims in the vernacular, "I only ’plied jist six bottles of Kendall’s Spavin Cure...so he can go in 2:05 3-8. Gwine to put on two bottles more, and den he can go in jist 1:51 7-16." The jockey is attired in a red buttoned jacket and red plaid pants. His red and white striped jockey's cap and one of his black boots have flown off and trail behind him. In the background a wooden fence lines the grounds. An African American man with exaggarated features attired in blue pants and a red plaid shirt and with his mouth open and arms raised in alarm stands within the entryway to the fence. A wooden sign posted on the fence reads, "2.05 3/8." Burney James Kendall (1845-1922) founded the B.J. Kendall Company in Enosburg Falls, Vermont in 1879. Kendall Company was incorporated in 1883. The success of Kendall's Spavin Cure spurred the firms line of products to expand to proprietary medicines for other animals in addition to people. The Company declined and closed in 1957 following the invention of automobiles., Title from item., Date deduced from the history of the advertised business and genre of print., Text printed on recto: "Hi! Dat hoss can jist fly now. I only 'plied jist six bottles of Kendall's Spavin Cure, and it hab taken off all dem four ringbones, two spavins, one curb, two splints, one capped hock and a shoe bile, so he can go in 2:05 3-8. Gwine to put on two bottles more, and den he can go in jist 1:51 7-16. Dat boy nebber shall fly wid dat hoss agin, for he am liable to fly off de track if he 'creases dat speed.", Copyright secured., Advertising text printed on verso: Kendall's Spavin Cure. The great success which has attended the introduction of Kendall's Spavin Cure, in all parts of the United States, has never been equalled, and it is now considered by the very best veterinary surgeons and most extensive horse-owners in the country to be the greatest discovery in veterinary science of the nineteenth century. It is giving the very best of satisfaction wherever urged. A few reasons why: 1. It does not blister or cause any sore, which makes it a desirable liniment for man or beast. 2. It is sure in its effect. 3. It cures spavins, splints, ring-bone, curb, callous, sprains, swellings, galls, lameness, from whatever cause, in any part of the body or limbs. 4. As a household liniment it has no equal. Its effect on human flesh is marvellous. It is used with the most gratifying results in all cases of lameness or any deep-seated pains, such as rheumatism, neuralgia, corns, bunions, frost bites, felons, chillblains, burns or any pain, bruise, cut or lameness which are not affected in the least by ordinary liniments. Kendall's Spavin Cure. Kendall's Spavin Cure, refined expressively for Human Flesh, in red wrappers, price $.50. Kendall's Spavin Cure, in light wrappers, for Animals, price $1.00. The Spavin Cure in light wrappers can be used on human flesh with perfect safety, if desired. B.J. Kendall & Co., Proprietors. Enosburgh Falls, Vt., U.S.A. Sold by all druggists., Testimonial printed on verso: Harrisburg, Pa., Nov. 13, 1880. Dr. B.J. Kendall & Co., Gents: -- I have a very fine mare that has had a bone spavin for a long time. I tried everything man could devise to cure it, but all in vain, and was about to give it up, when a friend of mine in this city came to me and recommended Kendall's Spavin Cure, which I tried with grand results, removing that bone clear and clean; and then I sent twenty-five cents to you for one of your Illustrated Horse Books, and I think there is no better book printed on the horse and his diseases. I have taken great interest in it, and have since sold eighteen copies for you to my neighbors, and will try and do what good I can by getting them for others. Yours truly, G.W. Miller., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - BJ Kendall [P.2017.95.10]

Title: Use Dannemiller's Cordova coffee, in 1 pound papers, because it's the best
Description: Racist trade card promoting Dannemiller Coffee Company and depicting a genre scene with an African American boy jockey, white children, and a horse. In the left, the jockey, attired in riding boots; white breeches; a white shirt and red vest; and a red and white jockey cap, stands beside a brown horse onto which he helps a white boy mount. He holds the bridle in his left hand and leans down to help the boy place his foot into the stirrup with his right hand. In the center, the white boy, attired in a Fauntleroy outfit with black boots and hat, grips the saddle to hoist himself up onto the horse. In the right, a smiling white girl with long, brown hair looks at the viewer. She descends a set of stairs holding the railing. She is attired in black shoes, a yellow dress with blue trim, stockings, and a bow in her hair. She carries a doll costumed in a red and white dress with matching red shoes and hat. A greyhound faces the girl at the base of the stairs. Edward Dannemiller (1850-1939) and his son Albert J. Dannemiller (1879-1955) founded Dannemiller Coffee Company in Brooklyn, N.Y., in 1904. The Company operated through the mid-twentieth century., Title from item., Place of publication from place of operation of advertised business., Date deduced from history of advertised business., Advertising text printed on verso: A fair trial is all we ask, and we are sure of the result, if you take quality into consideration. It's merits are unequaled. Don't be deceived judge fore yourself. Lasst euch nicht batriigen urtheilt fiir euch selbst. A beautiful picture with each package., Manuscript note on verso: Stella Leonard., Gift of David Doret.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dannemiller [P.2017.95.39]

Title: It stands at the head. "Domestic" sewing machine
Description: Racist trade card promoting Domestic Sewing Machine Company and depicting a caricaturized genre scene of an African American family looking to their right at a billboard on the side of a building. The figures are portrayed with exaggerated feaures. Shows an older, squat man, a woman, and three children seated and standing in a horse-drawn cart halted on a dirt road. An older boy stands behind the cart. The man, attired in a top hat; a ragged jacket; a shirt with bowtie; and pants with patches on the knees and suspenders sits smiling and holding in his hands a stick and the reins of his horse that wears blinders. The woman, attired in spectacles; a straw hat with a decorative ribbon that is tied under her chin in a bow; a long-sleeved dress; and a shawl stands up inside the cart. She holds a baby in her left arm and points at the billboard with her right hand. A boy attired in a long shirt and pants sits beside the man in the front of the cart. Behind the man, a girl attired in a bonnet stands. The boy outside of the cart is barefooted and attired in a cap; a shirt; and ragged pants with a hole at the knee, and carries a basket. A dog, its tail between its legs, hunches underneath the cart. In the left, the billboard is illustrated with a sewing machine in the center of a star with the advertising text around it. Text reads: "It stands at the head : Copyrighted by the "Domestic" Sewing Machine Co. The star that leads them all. Unequalled for simplicity of construction ease of operation and durability. The light running "Domestic" sewing machine." In the distant right background a house is visible. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on recto: E.R. Bumps, jeweller, Waldoboro, ME., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.51]

Title: Kerr & Co., 34 Walker St. N.Y
Description: Trade card promoting Kerr & Co.’s thread and depicting a racist caricature of an African American man using Kerr’s thread to move a safe onto a cart. In the right, shows an African American man, attired in a yellow hat, an orange shirt with the sleeves rolled up to the elbows, and green pants, standing on the back of a cart pulled by two white horses. He turns the handle attached to an oversized spool of “Kerr’s Cotton” thread, which is pulling a large, black safe labeled, “Herring’s Champion New York; Kerr & Co., 34 Walker St. N.Y.” onto the cart. A white man, attired in a black hat, an orange shirt with the sleeves rolled to the elbows, and green pants, stands behind the safe to steady it. In the left, a crowd of people look on to the scene, including a white man police officer; a brown haired white girl attired in an orange hat, an orange dress with a white lace collar and a blue sash at the waist, and white stockings and shoes; a white man with a black mustache, attired in a black top hat, a white shirt, a black jacket, a yellow coat, and white pants and shoes; and a white woman attired in an orange hat with a white feather, an orange dress with white checks, and a black shawl. Above them a crane holds an oversized spool of black thread labeled, “Kerr & Co. Warranted 200 yds machine thread. Six cord (40) soft finish.” In the right is a building where people look through the windows at the scene. In the second story window in the left are two white men with mustaches attired in white collared shirts and blue jackets. In the right window are two white women attired in an orange dress and a blue dress respectively and hats. The building reads, “six-cord, soft-finish, new spool cotton.”, Peter Kerr (1818-1869) was a thread manufacturer who moved to the United States in 1866 and opened a factory in New York City. He partnered with his brother-in-law George A. Clark's thread company. Clark & Company later merged with J.&P. Coats in 1896., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on recto: Kerr's cotton never breaks. It is a safe thread., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kerr [P.2017.95.97]

Title: A happy new year
Description: Greeting card depicting a racist caricature of an African American man jockey riding a bucking horse in the snow. Shows the African American man jockey attired in a yellow jockey cap, a yellow vest, a pink shirt, a blue bowtie, white breeches, and black boots. He sits on a white horse that is kicking its back legs and hitting a snowman in the right. The snowman has a pipe in his mouth and a large pine branch in his hands. The jockey has lost hold of the reins, which dangle from the horse’s mouth, and his whip is in the snow., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Happy [P.2017.95.244]

Title: FacSimile of the revolutionary flag, A.D. 1774
Description: Depiction of the First Troop Philadelphia City Cavalry’s flag from 1774. Shows the flag with fringed edges on a spiked flagpole adorned with two tassels and held open by a rope from its upper right corner tied to a tree in the right. In the top left of the flag are thirteen stripes representing the colonies. In the center, flanking a shield illustrated with thirteen ropes tied into a Gordian Knot are allegorical figures representing Liberty and Fame. Liberty, depicted as a barefooted Native American figure attired in a headdress, feather skirt, and with a quiver of arrows on their back, carries a bow and a liberty cap on a pole. Fame, depicted as a winged angel, blows a trumpet. Above the shield is a horse’s head wearing a bridle with the letters “LHC,” which stands for light horse cavalry. A banner below the shield reads, “For these we strive.”, Title from item., Date from copyright statement: Entered according to act of Congress in the Year 1839, by Wm. M. Huddy, in the Clerk’s Office of the District Court of the Eastern District of Penna., Printed on recto: Plate No. 4., Gift of David Doret., RVCDC
Date: 1839
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Prints [P.2019.64.33]

Title: William Russell Birch Collection
Description: Collection containing primarily engravings, watercolors, and drawings executed by English-born artist and engraver William Birch and his descendants between the 18th and later 19th century. Several of the graphic materials are by William Birch and represent engraved work he completed in Britain before 1794 and following his immigration to the United States that same year. His British work includes plates from his unpublished satiric volume “The Busy World, or London Dissected ...” (ca. 1792-ca. 1793) showing a charlatan at work, a fight between Richard Humphreys and Daniel Mendoza, a May Day procession, and rag dealers (P.2016.50.28-33); loose plates from his book of British landscapes “Les Delices de la Grande Bretagne” (1791) (P.2016.50.34, 36, 42); the rural and scenic “The Porcupine Inn Yard Rushmore Hill” (p.2016.50.38); the disaster print “The Great Fire of London in the Year 1666” (P.2016.50.55); and portraits of the poetical character Secander (P.2016.50.40) and his mentor “Sir Joshua Reynolds” (P.2016.50.22). His American work includes variant editions of plates from his “Views of Philadelphia” originally published as a series 1798-1800 (P.2016.62.21-37); variant editions of plates from his “Country Seats” originally published in 1808 (P.2016.62.38-45a); and the 1800 commemorative portrait “George Washington. Late President of the United States of America” (hand-colored and black and white [P.2016.50.59 & P.2016.62.55])., British and American work of Birch is also included in the collection in the form of watercolors, drawings, paintings, a sketchbook, and as photographic reproductions. These graphics depict portraits of family members (some photographed ca. 1910s by Charles W. Parker), including his children Priscilla, Thomas, George, and Albina while young as well as his purportedly his mother Anne (P.2016.50); ca. 1800s plan and views of his Bucks County country seat Springland (purchased in 1798) (P.2016.50.48-50); views of the Philadelphia country seat China Retreat, Gunpowder Falls near Hampton, MD, and the George Read estate in New Castle, DE (P.2016.50.43, 45-46); an annotated sketch of Westminster Bridge from the Adelphi Terrace (P.2016.50.51); a drawing of a group of boys (P.2016.62.2); and pencil sketches of male and female figures within an undated sketchbook (P.2016.62.59). Additionally, Birch’s work is represented by a preparatory sketch of an A. Sheffer portrait of Lafayette (P.2016.50.21); portrait drawings of unidentified sitters (P.2015.25 & 26); a ca. 1795 miniature enamel painting of his daughter Deborah (P.2016.50.67); a palette of his paint colors (P.2016.50.66); and an 1830s oil painting of an older Thomas Birch (1779-1851) attributed to William (P.2016.62.1)., Other original and reproduced material is attributed to William Birch or by Birch family members or by other artists and engravers. This includes a 1742 Thomas Worlidge pencil portrait of William’s father Thomas (P.2016.50.14), a Birch portrait of William King (father-in-law of son Thomas), and portraits and a "Museum" (i.e., Peale Museum) blind-stamped silhouette of Birch (P.2016.50.16); ca. 1785 Robert Freebairn watercolor of Hampstead Heath (Birch’s British county of residence); engravings by M. Marigot of “Mount Vernon ...” and “View of the City and Port of Philadelphia ...” from Janson's "Stranger in America" (London, 1807); Franklin Birch 1860s pencil sketches of a printing press and plows (P.2016.62.5-6)); Louise S. Birch's oil renderings of flowers (P.2016.62.12-13); sketches of a title page to the 1852 edition of Thomas Day’s “The History of Sanford and Merton” and of rural and landscape scenes and animal studies (Thomas Birch?; P.2016.62.3, 8-11); John McAllister, Jr. 1860 restrikes (some signed by Agnes McAllister) of Philadelphia views by Charles Willson Peale, Thomas Birch and William Strickland and the 1798 “Congressional Pugilists cartoon (P.2016.62.46-52; and engraved portraits of Major Genl. Brown (P.2016.62.53) and Edward Shippen (P.2016.62.54)., Collection also contains a unique ca. 1810 mockup by Birch for a revised and enlarged edition of his “Country Seats” (P.2016.62.59).The album includes plates from the first edition as well as a proof plate of the Devon view, three watercolors showing “Analostun, or Masons Island with one wing of the house at Georgetown and two of Mr. Custus’s in the distance”; “Point Breeze. The Residence of Joseph Bonapart – at Burdentown on the Delaware”;“The Mill & House of Mr. E. Esirel late sheriff of Phila., Near Christeen,” and a pencil sketch “Mr. Bells Buildings at Richmond.” Other unique items in the Birch Collection include his two variant volumes of manuscript copies of “The Life and Anecdotes of William Russell Birch ...”(bulk written after War of 1812 and into the 1820s), including accounts of his work and travels (P.2016.50.61 & 62); “Birch’s American Cottage. Volm. 2nd” of personal anecdotes, including discussion of Springland (P.2016.50.63); Birch’s “Book of Profitts” with entries dated 1813-1830 (P.2016.50.64); and probably his personal copy of “Les Delices de la Grande Bretagne” (P.2016.50.65). An imperfect copy of “Les Delices” formerly owned by original subscriber Francis Longe (and including his book plate) and a copy of “Transactions of the Society Instituted at London” (1785) referencing a Birch award (p.183) are also included with the materials (P.2016.50.65 & 60)., A small number of manuscripts written by William Birch comprise the collection as well. These materials include a ca. 1800-ca.1805 calligraphic and manuscript title page to "Views of and from The Country References of William Birch. Drawn by Himself wih a sett of Drawings of Springland"; a ca. 1818 letter to an unidentified granddaughter (P.2015.50.1); an undated letter addressed to the Duke of Grafton and Duke of Richmond about “forgetting their subscriptions” (possibly about subscription to Delices... [1791]) (P.2015.50.2); scraps with names of subscribers to “Busy World” (P.2015.50.3) as well as titles completed and to be completed (P.2015.50.4&5); ca. 1805 list of views of “Beautys of Springland not Pictured” (P.2015.50.6); and an 1811 receipt for 5 dollars issued to Ben Wilson for “Views.” (P.2015.50.7). Ephemera also forms the Birch Collection and includes Birch’s certificate of United States citizenship issued in 1808 (P.2016.50.52); a broadside advertising the 1789 titles to be issued by “J. Bell of the British Library” and addressed to Wm. Birch, Hampstead Heath (P.2016.50.53); the bookplate of historian and writer Thomas Birch (1705-1766) (P.2016.50.35 &P.2016.62.15); completed tags for William Birch miniatures on display at the 1911 The Pennsylvania Academy of the Fine Arts and The Pennsylvania Society of Miniature Painters Tenth Annual Exhibition (P.2016.62.17-20); early twentieth-century receipts and labels for works by Thomas and William Birch (P.2016.62.62-66); and an unused enamel plate (P.2016.50.27)., Various artists, engravers, printers, and photographers including William Russell Birch, Thomas Birch, Franklin Birch, Louise Birch, J. N. Gimbrede, Jan Griffier, Augustus Kollner, M. Marigot, Charles W. Parker, Charles Willson Peale, P. Roberts, J. Rogers, Julius F. Sacshe, Ary Sheffer, Samuel Shelley, Thomas T. Stiles, Gilbert Stuart, Benedictus Antonio Van Assen, E. Wellmore, J. Wood, and Thomas Worlidge., Various publishers and distributors including J. Bell, William Birch, R. Campbell & Co., James Cundee, E. Jeffrey, Edward J. Parker, R. Pollard, C. Taylor, and T. Thornton., Research files, genealogical reference files, and modern photographic reproductions of the artists' work that accompanied the collection when acquired are available at the repository., See Emily T. Cooperman and Lea Carson Sherk, Picturing the American Scene (Philadelphia: University of Pennsylvania Press, 2011)., See Emily T. Cooperman, ed., The Country Seats of the United States. William Russell Birch (Philadelphia: University of Pennsylvania Press, 2009)., See S. Robert Teitelman, Birch's Views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., See Martin P. Snyder, "William Birch: His Philadelphia Views," The Pennsylvania Magazine of History and Biography 73 (July 1949), 271-315., See Martin Snyder, "Birch's Philadelphia Views: New Discoveries," The Pennsylvania Magazine of History and Biography 88 (April 1964), 164-173., See Martin P. Snyder, "William Birch: his ’Country seats of the United States,’" Pennsylvania magazine of History and Biography 81 (1957), 225-254., Lib. Company. Annual Report, 2017, p. 49 - 51., P.2018.55 photographic reproduction of Mrs. Robinson engraved by William Birch after Sir Joshua Reynolds housed with collection., William Russell Birch (1755-1834), trained in England under Sir Joshua Reynolds, was a respected Philadelphia engraver, miniaturist, and enamel painter. Birch was also one of the most important landscape artists in America’s Federal period. He engraved and published the first viewbook of an American city, "The City of Philadelphia in the Year… 1800" and the respected "The Country Seats of the United States of North America" in 1804. His son Thomas Birch (1779-1851) assisted him in the drawing and engraving of his viewbooks. He became a respected artist in his own right and specialized in marine paintings.
Date: [ca. 1742 - ca. 1913]
Location: Library Company of Philadelphia | Print Department Birch Collection [P.2016.50 & 62 and P.2017.54 and P.2018.55]

Title: The Start
Description: Die-cut scrap depicting a racist caricature of an African American man riding in a two-wheeled, horse-drawn cart. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a red cart, smiling and looking at the viewer. He holds the reins to the brown horse, which trots and pulls the cart in the right. He also carries a black whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.269]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 35 - The start [P.2017.95.287]

Title: In danger
Description: Die-cut scrap depicting a racist caricature of an African American man trying to control the horse pulling the cart he is riding in. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a two-wheeled cart. He opens his mouth in alarm as he pulls back on the reins of the brown horse hauling the cart. The horse’s mouth is open as it runs off making the cart jerk, causing its right wheel to lift off of the ground. The man also carries a whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.270]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 13 - In Danger [P.2017.95.266]

Title: The Finish
Description: Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves; and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.268]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 14 - The finish [P.2017.95.267]

Title: The Finish
Description: Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves, and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.267]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 15 - The finish [P.2017.95.268]

Title: The Start
Description: Die-cut scrap depicting a racist caricature of an African American man riding in a two-wheeled, horse-drawn cart. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a red cart, smiling and looking at the viewer. He holds the reins to the brown horse, which trots and pulls the cart in the right. He also carries a black whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.287]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 16 - The start [P.2017.95.269]

Title: In danger
Description: Die-cut scrap depicting a racist caricature of an African American man trying to control the horse pulling the cart he is riding in. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a two-wheeled cart. He opens his mouth in alarm as he pulls back on the reins of the brown horse hauling the cart. The horse’s mouth is open as it runs off making the cart jerk, causing its right wheel to lift off of the ground. The man also carries a whip in his right hand., Title from item., Date deduced from visual content., Duplicate copy [P.2017.95.266]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 17 - In Danger [P.2017.95.270]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: [Photographic reproduction of an allegorical view including Abraham Lincoln, a pavilion, and marching soldiers]
Description: Boudoir card depicting a photographic reproduction of an allegorical Civil War painting by Paul Philippoteaux, possibly a panel from one of his four versions of "The Gettysburg Cyclorama." Shows a figure resembling General George McClellan pointing to Lincoln, his hand on his chest and standing on the steps of a pavilion. A white and African American man stand next to Lincoln. The pavilion is comprised of a tent adorned with ornate shields and stone columns marked "Union" and "Liberty." Urns rest atop the columns. Smoke rises from them. A large statue of the figure of Liberty rises over the pavilion. Inside the pavilion, men in suits sit at a long table at which two other men, one in shirt sleeves, stand and sign documents. A crowd of men stand behind and beside the table. Near the "Liberty" column in the right, a white man breaks the shackles of a male slave as armed African Americans rush by. Troops of soldiers march around the pavilion in front of cheering men, women, and children, including blacksmiths near an anvil, flags, and a shield in the right foreground. In the left foreground, an older man holds the reigns of a rider less grey horse next to a man astride a black horse. In the left background, the U.S. Capitol is visible and in the right background ironclads sail on the ocean. French artist Paul Phillipoteaux was commissioned to create the Gettysburg Cyclorama painting in 1879. Depicting Pickett's charge, he created four versions, with the first completed in 1883 and displayed in Chicago. The second version was first shown in Boston in 1884, with the third and fourth versions shown in Philadelphia and New York in 1886. Two of the four versions are known to be extant (Chicago and Boston). Contemporary descriptions of the extant cyclorama paintings do not include the scene reproduced by Allen & Rowell, who also reproduced "The Gettysburg Cyclorama" as boudoir cards circa 1884., Date inferred from possible provenance and its year of display in Boston., Photographer's imprint printed on verso., Title supplied by cataloger., Purchased with funds for the Visual Culture Program (Junto 2015)
Creator: Allen & Rowell
Date: [ca. 1884]
Location: Library Company of Philadelphia | Print Department photo - Allen & Rowell [P.2017.83]

Title: [Working plaster sculpture of D.C. French and E.C. Potter Columbian Exposition statue of African American teamster with work horse]
Description: View of the sculpture designed by renown sculptors Daniel Chester French and Edward Clark Potter for the Court of Honor lagoon at the Columbian Exposition of 1893 in Chicago. The African American man teamster, attired in a sleeveless shirt, his muscular arms exposed, and pants cinched at the waist and ankles with rope, stands by the front leg of his draught horse. His legs slightly apart, his left hand behind his back, the laborer rests his right elbow on the shoulder of the yoked and harnessed animal. The statuary, the base marked "E.C. Potter" and "D.C. French, Sc.," stands before a drop cloth, probably within French's studio in Enfield, Massachusetts., Title supplied by cataloger., French, a renowned sculptor of several federal commissioned pieces including the Lincoln Memorial, collaborated with Potter, his former student and respected equestrian sculptor, on several sculpted works including the Court of Honor statuary at the Columbian Exposition and the statue of General Grant in Philadelphia's Fairmount Park., McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Arnold, C. D. (Charles Dudley), 1844-1927, photographer
Date: 1892
Location: Library Company of Philadelphia | Print Department photo - Arnold [5785.F.61b]

Title: The Centennial - George's Hill from Elm Avenue
Description: View from the Centennial Exhibition of 1876 depicting an African American man standing next to an occupied horse-drawn passenger cart decorated with flags and posters in front of George's Hill in Fairmount Park. The observation tower upon the hill, and several sheds, pavilions, and tents are seen in the background., Title and photographer's imprint on mount., Number 1017 in a series of views entitled: The Centennial., Manuscript note on verso: No. 21., Manuscript note on verso: Isaac Sterns Burlington, VT., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Creator: Barker, George, photographer
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department stereo - Barker [P.9047.20]

Title: Race Street in Philadelphia's Chinatown
Description: View looking down Race Street in Chinatown. Includes storefronts adorned with buntings, awnings, and flags. Pedestrians, horse-drawn carts and carriages, and cyclists crowd the thoroughfare. Probably taken during Chinese diplomat and statesmen Li Hongzhang's visit to Philadelphia on September 3, 1896., Publisher's imprint printed on mount., Title printed on mount., Curved gray mount with rounded corners., Date inferred from type of mount., Gift of Raymond Holstein.
Creator: Berry, Kelley & Chadwick
Date: [ca. 1896]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Streets - Race Street [P.2011.47.1937]

Title: [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description: Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: [1882-1886]
Location: Library Company of Philadelphia | Print Department albums [P.9318]

Title: On a Virginia turnpike
Description: View of a rural turnpike where a man driving a horse-drawn cart pulls up near a man standing in front of a wooden shed. Two African American agricultural workers, a boy carrying hay and a man carrying a sack, stand on the dirt road with their backs to the viewer and look on at the cart. A church, pastures, and a mountain range are seen in the background., Title from mount., Inscribed: Presentation Picture, 1887, Photographic Society of Philad'a., Manuscript note on verso: Photographed July, 1886. Carbutt Special Plate. Ross 11 inch Rapid Symetrical Lens. F/22 2 Seconds Exposure., The Photographic Society of Philadelphia, founded in 1862, by Charles Guillou, was one of the earliest existing amateur photography clubs in the world. The Society held annual exhibitions where the members competed for best portrait and landscape., Purchase 1991., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Bullock was a respected Philadelphia pictorial photographer, a former president of the Photographic Society of Philadelphia, and founding member of photography as art movement, Photo-Secession.
Creator: Bullock, John G., 1854-1939, photographer
Date: 1886
Location: Library Company of Philadelphia | Print Department photo - Bullock [P.9352]

Title: Guns in Front of Government Building
Description: View of guns, cannons, and various artillery along road in front of U.S. Government Building. Depicted in the scene are people partaking in tasks and a horse tied to a fence. Also shown are many trees in the background.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.16c]

Title: Horticultural Hall, East front.
Description: Artist: The Mott Fountain -- J.L. Mott Iron Works, New York. Exterior of Horticultural Hall with the Mott fountain and a horse and carriage in front. Sculptures of children, angels, and women decorate the fountain. Item is identical to P.9037.13.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.7]

Title: Women's Pavilion.
Description: Vew of the Women's Pavilion from the U.S. Government Building. In the foreground, people stand next to a Rodman gun and walk along walkways.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.6f]

Title: Judge's Pavilion.
Description: Exterior view of Judges' Hall with mailbox on side. A street light and a horse and cart are on sidewalk in front and railroad tracks cross foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.4f]

Title: Memorial Hall
Description: Exterior view of Memorial Hall. On top of Memorial Hall are birds and statues. In the foreground are "The Navy", sculptor Larkin G. Mead of the Ames Manufacturing Company, shrubs, and Winged horses owned by the Fairmount Park Commission and a passenger train.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.3b]

Title: Republic Avenue from Machinery Hall.
Description: Architects: Machinery Hall, Bldg. #2 - Henry Pettit & Joseph M. Wilson; World's Ticket Office, Bldg. #84 - H.J. Schwarzmann; Pennsylvania Railroad Office, Bldg. #113 - J.M. Wilson; Judge's Hall, Bldg. #109 - H.J. Schwarzmann & Hugh Kafka; Memorial Hall/Art Gallery, Bldg. #101 - H.J. Schwarzmann; Main Exhibition Building, Bldg. #1 - Henry Pettit & Joseph M. Wilson. Exterior view of buildings lining Republic Avenue. On the road in front is a horse and cart and railroad tracks.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.11f]

Title: Selections from Russian section - Main Building.
Description: Bronze and silver figurines of horses and riders, one figurine of a sheep. One ornate clock and two matching candle holders. Title on label: Selection's [sic] from Russian Sec: M.B. Taken expressly for Harper's Weekly.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9037.15]

Title: Memorial Hall.
Description: Exterior view of Memorial Hall. On top of building are birds and statues. In the foreground are "The Navy", sculpted by Larkin G. Mead, shrubs, railroad tracks, and Winged horses. Image is identical to P.8700.2.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.1]

Title: Centennial opening - the choristers.
Description: View of large crowd in front of the Main Building on and around the sculptures. Choristers dressed in white walk through the center.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2b]

Title: Main Building - north entrance.
Description: View of the Main Building with two statues, railway cars, and horse cart in the foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2e]

Title: Main Building - for "Art and Industry".
Description: Exterior of Main Exhibition Building topped with flags. In foreground are the Mineral Annex, street lights, roads, shrubs and several carriages with horses.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - photos [P.9037.19]

Title: Winged Horses.
Description: Winged Horses monument, owned by the Fairmount Park Commission, with people around base, in front of Memorial Hall.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.3e]

Title: Main Building, north entrance.
Description: View of the Main Building with two statues, railway cars, horse cart and two men in the foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.9]

Title: Kansas and Colorado State Building, interior.
Description: Interior view of building depicting various exhibits including Mrs. Maxwell's Museum, which displays taxidermy representing the native flora and fauna of the Rocky Mountains. Also depicted are a domed building made out of various plant products including corn, gourds, apples, melons and other fruits and vegetables, various rock and mineral displays, a Liberty Bell made out of grasses, and a large map of the state of Kansas. Exhibit sign - The Horse's Friend - Chambers Timekeeping Odometer.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.12]

Title: Silver and bronzes, Russian section - Main Building.
Description: Bronze and silver figurines of horses and riders. Ornate urns, plates, and gunpowder horns.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9037.14]

Title: Centennial opening - the choristers.
Description: View of large crowd in front of the Main Building on and around the sculptures. Choristers dressed in white walk through the center.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.164]

Title: Art Gallery and Memorial Hall, March 7,1876.
Description: Exterior view of Memorial Hall soon after completion. Work began on July 4, 1874 and was completed March 1, 1876. Equipment, lumber and buildings sed for construction are depicted in foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.182]

Title: Memorial Hall.
Description: Exterior view of Memorial Hall. On top of building are birds and statues. In the foreground are "The Navy", sculpted by Larkin G. Mead, shrubs, railroad tracks, and Winged horses. Image is identical to P-8700.1.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.2]

Title: Memorial Hall.
Description: View of crowds on steps of Memorial Hall and on railroad platform. Railroad tracks and Winged Horses in foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2f]

Title: Memorial Hall.
Description: Exhibit title: The Navy (statue), Ames Manufacturing Company, Chicopee, Mass., Exhibit #145, Memorial Hall, Bldg. #101. Exterior view of Memorial Hall. On top of Memorial Hall are birds and statues. In the foreground are "The Navy", sculptor Larkin G. Mead of the Ames Manufacturing Company, shrubs, and Winged horses owned by the Fairmount Park Commission.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - photos [P.9047.187]

Title: General Washington's carriage.
Description: Outside of Carriage Annex, a carriage with four carved wooden horses hitched up. Titles on labels: Washington's carriage, and: Gen. Washington's carriage. "Samuel R. Phillips Harness Maker 13th Below Chestnut Philadelphia." -- Display sign. Exhibit title: Phillips, Samuel R., Philadelphia, Pa., Exhibit #301a, Annex to Main Building, Bldg. #106.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9734.7]

Title: Horticultural Hall, East front.
Description: Artist: The Mott Fountain -- J.L. Mott Iron Works, New York. Exterior of Horticultural Hall with the Mott fountain and a horse and carriage in front. Sculptures of children, angels, and women decorate the fountain. Item is identical to P.8700.7.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9037.13]

Title: Centennial opening - the choristers.
Description: View of large crowd in front of the Main Building on and around the sculptures.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.163]

Title: All on hobbies, gee up, gee ho!
Description: Cartoon depicting the possible candidates for the presidential election of 1840, riding hobby horses symbolizing their issues. President Van Buren leads the pack cheering on his "old hickory nag," "Sub Treasury," named after his financial program, which allowed independent agencies to administer federal funds. Politicians following Van Buren include: bullionist Senator Thomas Hart Benton on "Specie Currency," his "golden poney" which carries "more weight than any of them"; Senators Henry Clay and Daniel Webster, leading opponents to Van Buren's fiscal policy, bickering over their shared horse named after the defunct "United States Bank"; South Carolina Senator John C. Calhoun riding his "consistent" horse "State Rights and Nullification"; 1836 presidential nominee William Henry Harrison, attired in uniform, on his "Anti-Masonic" horse that keeps a "pretty easy pace" but may "lose his wind" if another scandal like the abduction and murder of mason William Morgan does not occur; and Congressman John Quincy Adams steering away from the group on his "Ebony" horse "Abolition.", Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838, by H.R. Robinson, in the Clerk's Office of the District Court of the United States for the Southern District of New York., Artist's initial lower left corner., Retrospective conversion record: original entry, edited., Described in Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD diss., The University of Michigan, 1980), p. 205., Accessioned 1989., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Clay, Edward Williams, 1799-1857, lithographer
Date: 1838
Location: Library Company of Philadelphia | Print Department political cartoons - 1838-1 [P.9249.8]

Title: Wakefield – The “Hunt,"
Description: Montage of five scenes from a "Hound and Hare Club of Germantown" meet at Wakefield Meadow, part of the estate of Thomas and Sarah Fisher near Germantown. Large central scene shows elegantly attired men, women, and children, a few astride horses, milling on the grounds near the old residence, pond and creek. Surrounding scenes show horsemen galloping on the grounds, over fences, and in front of distant crowds of on-lookers standing in front of the dwelling. Dwelling built circa 1795. The meet involved horsemen acting as "hounds" and "hares" through horns and pieces of paper. The riders were tracked by their fellow mounted clubmen. The club started meets at Wakefield circa 1871., Not in Wainwright., Printed above image: Germantown, December 1876. Vol. I, No. V. $1 Per Annum in Advance This December No., 5 CTS., Manuscript note on recto: Fishers Lane., pdcc00032, Philadelphia on Stone, Free Library of Philadelphia: Castner 38:32
Creator: Cooper, Colin Campbell, Jr.
Date: December 1876
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 38:32

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