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- Title
- Lake Scene
- Description
- Doughty's first version of the lake scene was said to be painted for Henry Pickering, a Hudson River poet. From this painting, George B. Ellis engraved a print which illustrated the poem, "A Lake Scene", by Pickering which appeared in the 1827 gift book, The Atlantic Souvenir. The Library Company's painting is a later version that differs slightly with the addition of a pair of huntsmen., Bequest of Dr. James Rush, 1869., Exhbited in the Library Company's exhibition, Quarter of a Millennium (1981).
- Creator
- Doughty, Thomas, 1793-1856
- Date
- Ca. 1828
- Location
- OBJ 112
- Title
- [Four men hunting and fishing]
- Description
- View of four men sitting on the top of a hill with hunting and fishing gear, including fishing rods, axes, knapsacks, and a dead animal. Tall trees are visible behind them., Title supplied by cataloger., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Recreation [8248.F.10]
- Title
- [Two men hunting]
- Description
- View of two men and a young boy hunting in the woods. One man crouches and aims his rifle while the other stands next to him and watches the shot. The boy stands in the background in front of large tree trunk., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Recreation [8313.F.139d]
- Title
- Blood hounds attacking a black family in the woods
- Description
- Engraving is after a drawing by Rainsford, the former Captain of Britain's Third West-India Regiment. The setting is St. Domingo (Haiti) in 1803. As Rainsford explains in his text, as the French occupiers lost power and control, they reverted to increasingly barbarous measures, and unleashed vicious blood hounds on black residents., Plate in Marcus Rainsford's Historical Account of the Black Empire of Hayti: comprehending a view of the principal transactions in the revolution of Saint Domingo; with its antient and modern state (London: Albion press printed: published by James Cundee, Ivy-Lane, Paternoster-Row; and sold by C. Chapple, Pall Mall, 1805), p. 338., Fels Afro-Americana Image Project, Resistance.
- Creator
- Barlow, J., engraver
- Date
- [1805]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1805 Rains 1416.Q p 338, https://digital.librarycompany.org/islandora/object/Islandora%3A2707
- Title
- Nigritie, ou le pays des Negres en Afrique, avec tous ses royaumes, bayes, rivieres et ports de mer, suivant les meilleurs relations de ceux qui ont ete sur les lieux, et nouvellement mise au jour
- Description
- Physical and political map of the Western coast of Central Africa. A marginal illustration in the lower left-hand corner features African kings and hunters, as well as various indigenous animals, including two elephants and a lion. It also shows a few Europeans trading with African merchants. In the background, several figures bathe in an idyllic landscape., Folded map in Pieter van der Aa's La galerie agreable du monde, où l'on voit et un grand nombre de cartes tres-exactes et de belles tailles-douces, les principaux empires, roiaumes, republiques, provinces, villes, bourgs et forteresses . . . (Le tout mis en ordre & executé à Leide, par Pierre vander Aa [1729?]), n.p., In the absence of pagination, 31 has been written next to the plate., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
- Date
- [1729?]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare *U Gen Gal v 60-62 1729.F 31, https://digital.librarycompany.org/islandora/object/Islandora%3A2942
- Title
- The Chestnut Hill Stock Farm, Chestnut Hill, Pa. Breeders and importers of hackneys and thoroughbreds, hunters, high action pairs, dog-cart horses, ladies cobs, and childrens ponies Hackney and thoroughbred stallions in the stud. Hunters schooled. Horses boarded
- Description
- Trade card containing a vignette showing a hunter on horseback after clearing a fence and accompanied by hounds., Printed above title: Proprietor, Mitchell Harrison, Lock Box 1630, Phila. Address All Communications to the Farm. Manager, W. Fred. Presgrave, Chestnut Hill, Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.9]
- Title
- [B stands for bloodhound]
- Description
- Image is accompanied by a verse, which begins as follows: "B Stands for Bloodhound. On merciless fangs / The slaveholder feels that his "property" hangs, /." With his arms extended over his head, an escaped slave falls to his knees. Behind him, a bloodhound bites at his shoulders and claws his thigh; two other dogs surround him., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette B, https://digital.librarycompany.org/islandora/object/Islandora%3A2814
- Title
- [F stands for fugitives]
- Description
- Image is accompanied by a verse, which begins as follows: "F Stands for Fugitives hasting from wrath, / And furies are hot on their dangerous path. /." A group of four fugitive slaves, including a mother and child, hide in a thicket, hoping to avoid the bloodhounds who trail them. To the left, in the distant background, an American flag waves., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette F, https://digital.librarycompany.org/islandora/object/Islandora%3A2815
- Title
- Scipio hunted, "As men hunt a deer!"
- Description
- Equipped with dogs and rifles, a party of men surround Scipio, an escaped slave, who lies wounded on the ground. St. Clare intervenes, claiming Scipio as his prisoner in order to prevent the men from shooting him., Illustration in Harriet Beecher Stowe's Uncle Tom's Cabin (London: John Cassell, Ludgate Hill, 1852), p. 176., Caption underneath the image reads, "He fought the dogs right gallantly, and actually killed three of them with only his naked fists . . . . It was all I could do to keep the party from shooting him." --Page 200., Fels Afro-Americana Image Project, Fugitives.
- Creator
- Jackson, Mason, 1819-1903, engraver
- Date
- [1852]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Sto 72726.O p 176, https://digital.librarycompany.org/islandora/object/Islandora%3A2790
- Title
- Shooting scene
- Description
- Engraving shows a slave being hunted by three men with dogs and guns., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 265., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Creator
- Croome, William, 1790-1860, engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 265, https://digital.librarycompany.org/islandora/object/Islandora%3A2738
- Title
- Camp Vermont, Va. 4th Dele. Infy. [graphic] : Col. A.H. Grimshaw. Comd. 3rd Brigade. Lt. Col. C. Carroll Tevis. Major C.C. Lammot. Adjt. W.H. Cloward Q. Master. John F. Toner.
- Description
- Contains printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., View of the Union military training camp near Hunting Creek, North Carolina. Shows soldiers milling among wood barracks on the grounds. Also shows two large tents in the foreground.
- Creator
- Rosenthal, L. N. (Louis N.), creator
- Date
- c1863
- Location
- Library Company of Philadelphia Print Dept. *GC - Civil War - Military Camps - V [5779.F.31]
- Title
- The Sportsman.
- Description
- A man with a bear's head and a tail holds a rifle., Text: Your presence as a lover, / Right gladly I had hailed; / But that of fair proportions, / You are cruelly cur-tailed., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
- Date
- [between 1840 and 1880?]
- Title
- Now I'm sure it is a shame,
- Description
- A man holds a gun in the countryside. His hat has fallen off and he appears to be losing his balance. The valentine suggests he is an inept hunter., Text: Now I’m sure it is a shame, / You should of harmless birds make game; / But in some cases it is true, / The little birds MAKE GAME of you., "No. 82", Provenance: Helfand, William H..
- Date
- [between 1840 and 1880?]
- Title
- Album
- Description
- Album of genre scenes depicting European life in the country. Several contain children and animals, who are often in rural and buccolic settings. Includes plate 19 showing a Gypsy boy, with a monkey on his shoulder, and accompanied by two dogs walking past a farm; plate 20 showing a figurine peddler dropping his wares when frightened by a mother dog protecting her pups at a rustic family homestead; plate 3 depicting a woman, a rifle over her shoulder, guiding the horse of a Zouave soldier away from his fellow troops; plate 2 depicting a woman, with a book, possibly a Bible under her arm, walking with two boys past two men working in their garden; plate 5 showing a family in a canoe fishing with a net; plate 6 showing young hunters stealing the game of their napping companion; plate 7 depicting a young farm girl asleep near a picnic basket and a dog while her elders build hay huts in the background; plate 8 depicting a gypsy violinist with his dog near a stone wall and under the gaze of a barefoot peasant boy and girl; plate 9 showing a girl wading near an unhappy duck family in a river below a mountain range accompanied by a young male companion seated on the shore; plate 10 showing two young farm women attending to rabbits in the doorway of a hutch; plate 11 showing a peasant woman, carrying a bundle of wheat, and with a girl on a dirt road who watch a man, with a specimen box, seated near his net and holding a snake; plate 12 showing a wife in traditional costume leading a mule carrying her peasant husband and their child and a large bundle; plate 13 showing a father and his two young girls ice fishing with their dog and a picnic basket; plate 14 showing two girls gathering fire wood near a frozen river and with their dog; and plate 14 showing a girl making a floral wreath near another girl petting a dog attended by a boy on a hillside below a castle-like structure., Also includes plate 16 showing a toddler boy in a gown and socks walking to his mother seated next to his father in their rustic home; plate 17 depicting an older peasant boy and young woman attempting to wake a peasant girl sleeping on a hay bale in a farm field; an unnumbered plate showing an older boy disrobing for a swim beside a dog and a younger boy leaning on a pier near the ocean; and plate 4 showing a girl standing near a boy petting a dog laying near a tree on which a hunter's bag, rifle, and cap hang., Inscribed on front free endpaper: Maggie A. Fleming, June 1850., Title stamped on front cover., Green morrocco binding., Plate numbers printed in upper right corner of all, except one print. Bound out of order., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Helen Beitler Graphic Ephemera Collection., Gift of Helen Beitler and the estate of Helen Beitler.
- Date
- [ca. 1850]
- Location
- Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - album [9475.F]
- Title
- [Textile labels advertising Ginghams, and Balmoral skirts]
- Description
- Series of illustrated textile labels for Fulton and Clyde Ginghams, and Raleigh's, J. P. Buggy, and Fairbrook Mills balmoral skirts. Illustrations depict Robert Fulton seated in front of a view of a steamboat on the water; a Scottish hunter attired in a kilt and accompanied by a dog; a fashionably-attired couple seated in a pavilion; individual women in winter attire lifting their overskirt to expose their Balmoral skirt; and a couple ice skating., Title supplied by cataloger., One of prints [P.9349.187d] copyrighted in 1866 by Arthur Keegan, Printers include Theodore Leonhardt and Stein & Jones., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See P.9349.153l for proof of P.9349.187g., Leonhardt relocated his establishment to 114 South Third Street in 1868.
- Date
- ca. 1862-ca. 1868
- Location
- Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.187a-f]
- Title
- [Textile labels advertising Ginghams, and Balmoral skirts]
- Description
- Series of illustrated textile labels for Fulton and Clyde Ginghams, and Raleigh's, J. P. Buggy, and Fairbrook Mills balmoral skirts. Illustrations depict Robert Fulton seated in front of a view of a steamboat on the water; a Scottish hunter attired in a kilt and accompanied by a dog; a fashionably-attired couple seated in a pavilion; individual women in winter attire lifting their overskirt to expose their Balmoral skirt; and a couple ice skating., Title supplied by cataloger., One of prints [P.9349.187d] copyrighted in 1866 by Arthur Keegan, Printers include Theodore Leonhardt and Stein & Jones., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See P.9349.153l for proof of P.9349.187g., Leonhardt relocated his establishment to 114 South Third Street in 1868.
- Date
- ca. 1862-ca. 1868
- Location
- Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.187a-f]
- Title
- Jayne's [patent medicine label]
- Description
- Label for the Philadelphia patent medicine manufacturer David Jayne. Contains a dramatic scene in the wilderness surrounded by an ornate border. Scene depicts a man aiming his gun at a wild cat, in between which a horrified woman kneels over another who lays motionless. Border includes filigree, griffins, and urns., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Print Department albums - Serz [P.9773.49b]
- Title
- What's the matter with that ere dog?
- Description
- Illustrated stock trade card depicts a bear with a rifle behind a man that sits on the ground with his legs spread out before him. With a fork in his right hand and a meal in front of him, the man wonders why his dog runs away., Copyrighted Bufford, Boston., Advertising text printed on recto for Atlantic Clothing House, No. 204 North Second Street, Philadelphia, two doors above Race. Morris Salinger, proprietor., Manuscript note on verso: Chester., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Atlantic [P.9577.17]
- Title
- Running away
- Description
- Illustration accompanies part five, "Domestic Amusements in the Slave States." Trailed by a pack of bloodhounds and several mounted authorities armed with rifles, a slave family tries to make their escape. To the right, on the bank of a river, two authorities aim their rifles at a drowning slave, who is approached by a group of white men in a boat., Illustration in the Suppressed Book about Slavery! (New York: Carleton, 1864), p. 336., Fels Afro-Americana Image Project, Fugitives.
- Creator
- Van Ingen & Snyder, engraver
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Suppr 15191.D p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2813
- Title
- The bloodhound business
- Description
- Illustration accompanies part five, "Domestic Amusements in the Slave States." It shows a family of runaway slaves as they try to defend themselves from a pack of bloodhounds. Behind them, two slavehunters aim their rifes at father, mother, and child., Illustration in the Suppressed Book about Slavery! (New York: Carleton, 1864), p. 288., Fels Afro-Americana Image Project, Fugitives.
- Creator
- Van Ingen & Snyder, engraver
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Suppr 15191.D p 288, https://digital.librarycompany.org/islandora/object/Islandora%3A2812
- Title
- The fugitive's song
- Description
- Backed by a large tree, a fugitive slave representing Frederick Douglass runs away from a river-bank, and heads in the direction of New England (as evidenced by the sign in the background right). The party in pursuit of him, two mounted figures and a pack of dogs, can be seen on the other side of the river in the distant background. The fugitive slave (Douglass) wears unsoiled white pants, a neat striped shirt, and no shoes; he carries a bundle on a stick., Sheet music cover for J. Hutchinson (lyrics) and J.M. White's (music), The Fugitive's Song (Boston: Published by Henry Prentiss, 33 Court St., 1845)., Dedication underneath the image reads: "Words / composed and respectfully dedicated, in token of confidential esteem to / Frederick Douglass / a Graduate from the / "Peculiar Institution" / For his fearless advocacy, signal ability and wonderful success in behalf of / his brothers in bonds. / (and to the fugitives from slavery in the ) / Free States & Canadas. / by their friend / Jesse Hutchinson Junr.", Fels Afro-Americana Image Project, Fugitives.
- Creator
- Bouvé, Ephraim W., 1817-1897, designer
- Date
- [1845]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare *Sheet Music Fugitive 8214.F, https://digital.librarycompany.org/islandora/object/Islandora%3A2891
- Title
- The mode of training blood hounds in St. Domingo and of exercising them by Chasseurs
- Description
- Featuring a model of a black man and a Spanish Chasseur in typical dress, the engraving helps shows how Spanish colonizers in St. Domingo trained blood-hounds to track and kill runaway slaves. As Rainsford explained, "With respect to the dogs their general mode of rearing was latterly in the following manner. From the time of their being taken from the dam, they were confined in a sort of kennel, or cage, where they were but sparingly fed upon small quantities of the blood of different animals. As they approached maturity, their keepers procured a figure roughly formed as a negro in wicker work, in the body of which were contained the blood and entails of beasts. This was exhibited before an upper part of the cage, and the food occasionally exposed as a temptation, which attracted the attention of the dogs to it as a source of the food they wanted. This was repeated often, so that the animals with rodoubled ferocity struggled against their confinement while in proportion to their impatience the figure was brought nearer, though yet out of their reach, and their food decreased, till at the last extremity of desperation, the keeper resigned the figure, well charged with the nauseous food before described, to their wishes. While they gorged themselves with the dreadful met, he and his colleagues caressed and encouraged them. By these means the whites ingratiated themselves so much with the animals, as to produce an effect directly opposite to that perceivable in them towards the black figure; . . . ." (p. 426-27)., Plate in Marcus Rainsford's Historical Account of the Black Empire of Hayti: comprehending a view of the principal transactions in the revolution of Saint Domingo; with its antient and modern state (London: Albion press printed: published by James Cundee, Ivy-Lane, Paternoster-Row; and sold by C. Chapple, Pall Mall, 1805), p. 422., Fels Afro-Americana Image Project, Resistance.
- Creator
- Barlow, J., engraver
- Date
- 1805
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1805 Rains 1416.Q p 422, https://digital.librarycompany.org/islandora/object/Islandora%3A2708
- Title
- A pot hunter
- Description
- Portrait depicting an African American man, with his back to the viewer, as he climbs over a fence on a snow-covered landscape. The man, attired in a brimmed hat, a coat, pants, and boots, holds a rifle in his right hand and a dead possum by its tail in the left hand., Title from lantern slide at Staten Island New York Historical Society., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist and traveler, turned to photography in the 1880s, exhibiting his work, including genre studies of African Americans, at several national and international photography exhibitions. His photographs often won prizes.
- Creator
- Wood, George Bacon, 1832-1909, photographer
- Date
- [ca. 1888]
- Location
- Library Company of Philadelphia | Print Department photo - Wood [P.8743.182]
- Title
- Shooting turkeys for Thanksgiving-Day Written by a New England patriot in 1765
- Description
- Genre scene depicting a turkey shoot on a snowy knoll near a New England barn and tavern. In the foreground, a group of white men and boys including two men on horseback, converse, ready their guns, and watch as one man takes aim. At the shooter's feet, near a dead turkey, two boys, one African American, crouch. Another hunting party stands in the distance near the tavern. Contains a poem about the economic prosperity of "North Americay" below the image., Title from item., Date based on the active dates of engraver., Not in Wainwright., Text printed on recto below image: It is a wealthy people who sojourn in that land, their churches all with steeples most delicately stand; their houses, like the gilly, are painted white and gay, they flourish like the lily, in North Americay. Their land with milk and honey continually doth flow, the want of food, or money, they very seldom know; They heap up golden treasure, they have no debts to pay, they spend their time in pleasure, in North Americay. On turkeys, fowls and fishes most frequently they dine; with well-replenished dishes their tables always shine. They crown their feasts with butter, they eat and rise to pray; in silks their ladies flutter, in North Americay., Lib. Company. Annual report, 1967, p. 56., Purchase 1967., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1860]
- Location
- Library Company of Philadelphia | Print Department *BW-Holidays [7599.F]
- Title
- Munn & Co., 37 Park Row, N.Y, solicitors of American and foreign patents and publishers of the "Scientific American."
- Description
- Trade card-size advertising calendar containing illustration drawn by Frank Bellew and captioned "Ready-Acting Dog-Tail and Gun-Barrel Attachment." Shows a hunter, with a hunting basket containing a frog on his back, and his dog wearing the gun attachment "Invented by Donald Read" at a pond. The hunter holds a bullfrog in one hand and the trigger attachment in the other as the dog is aimed at a frog in the water. A farmhouse is visible in the background., Contains several lines of advertising text promoting "Scientific American" "the oldest, largest, cheapest, and the best weekly illustrated paper devoted to Engineering, Mechanics, Chemistry, New Inventions, Science and Industrial Progress, published in the United States" on recto. Text describes the depth of the engravings, subscription prices, and benefits of a subscription., Contains calendar for year 1875 and several lines of advertising text promoting "Patents, Munn & Co. Established 1846" on verso. Text solicits for inventor's patents, notes "special notices" in "Scientific American," and advises the attainment of their pamphlet detailing patent laws., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
- Date
- [1874]
- Location
- Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Calendars [P.2011.10.168]
- Title
- [Sooy's trade cards]
- Description
- Series of illustrated trade cards depicting sprays of flowers; a man smelling flowers while his female companion lies on her stomach in the grass nearby; a hunting scene labeled "Autumn" showing a dog and two boys walking, one of them with a rifle slung carelessly over his shoulder, which has just discharged and knocked the hat off of the boy behind him; and Santa Claus approaching a chimney with a sack of toys on his back. His reindeers and sleigh wait for him on the rooftops overlooking the skyline of the city., Title supplied by cataloger., One print [1975.F.827] contains trimmed "List of Streets of Philadelphia, North and South of Market St." printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Sooy [1975.F.761; 1975.F.776 & 777; 1975.F.785; 1975.F.811; 1975.F.827-829]
- Title
- [Brownings trade cards]
- Description
- Series of illustrated trade cards for Brownings fine clothing and gent's furnishing store in the Girard House at Ninth and Chestnut Streets in Philadelphia. Illustrations depict ornate, gilt cards with decorative text and borders; flowers; birds; a horse-drawn carriage; a butterfly; an eagle; a hunting scene; a cabin; and a buffet of sweets, including fruit and cakes., Title supplied by cataloger., Printers include the New York firm Major & Knapp Engraving, Manufacturing & Lithographic Co. and the Boston firm L. Prang & Co., One print [P.9306.3] copyrighted 1878 by L. Prang & Co., Boston, U.S.A., Advertising text printed on rectos and versos. One print [1975.F.62] contains "Directions for Self-Measurement" on verso with front and back views of a man attired in a coat. Another print [1975.F.49] contains printed text on verso that attests to the quality of Brownings clothing., Two prints [1975.F.113 and 116] die cut and shaped into ovals., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.9306.3] gift of Gordon Marshall., Digitized.
- Date
- [c1878-[ca. 1881]
- Location
- Library Company of Philadelphia | Print Department trade card - Brownings [1975.F.49; 1975.F.62; 1975.F.113; 1975.F.116; P.9306.3]
- Title
- "Creme" oat meal toilet soap
- Description
- Trade card promoting soap manufacturer J.D. Larkin & Co. and depicting a racist caricature of an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a rifle under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from item., Date from copyright statement: Copyright, Clay & Richmond, Buffalo, N.Y., 1881., Printed in upper right corner on recto: J, D, L, & C. monogram (ie. J.D. Larkin & Co.) surmounting "Buffalo, N.Y.", Series no. printed on recto: II., Advertising text printed on verso promotes "Creme" toilet soap sold by A.E. Snow, dealer in drugs, medicines, etc. in Plainfield, Vt. Also promotes "six different designs" of cards by the People's Mfg. Co., Buffalo, N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - S [P.9828.6852]
- Title
- [I.S. Custer, Son & Co. trade cards]
- Description
- Series of illustrated trade cards for the millinery and fancy goods business of I.S. Custer, Son & Co. at 39, 41, & 43 North Eighth Street in Philadelphia. Illustrations depict a boy hanging from a tree branch by his shirt after attempting to steal apples from a fenced-in yard with a sign reading "Keep off". A boy with a basket full of apples stands below him and watches from the ground. Also shows a girl wearing a bonnet with a red, white and blue ribbon and resting her head on her hands in a field with flowers and a butterfly. Includes two cherub-like figures, one representing "Septembre" running from a rabbit with his rifle and hunting bag, and the other, "Octobre," wearing a robe and a laurel wreath on his head and spilling wine from a goblet., Title supplied by cataloger., One print [1975.F.207] die cut and shaped in an art or painting palette with advertising text for goods available within Departments A through H printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Custer [1975.F.149; 1975.F.199-200; 1975.F.207]
- Title
- Clark's trademark O.N.T. spool cotton
- Description
- Trade card promoting Clark Thread Company and depicting a racist caricature of an African American boy fishing with Clark thread. The boy is portrayed with exaggerated facial features and expressions. Shows the boy seated and with his legs straddling a giant spool of thread labeled, "Clark's trademark O.N.T. spool cotton" at the edge of a river. The boy holds a fishing rod across his chest and attempts to break the cotton thread, which he is using as fishing line. He looks at the viewer and says in the vernacular "I reckon dis yere's strong 'nuff suah." He is barefoot and attired in blue pants with red patches at the knees; an orange shirt with ragged sleeves; a green vest; and a brown cap. In the right on the ground at his feet is an orange-labeled canister from which worms escape. In the background is tall grass and the multi-colored horizon. In the foreground, the edge of the spool, the canister, and end of the rod are reflected in the water. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Text printed on recto: "I reckon dis yere's strong 'nuff suah.", Advertising text printed on verso: Clark's O.N.T. spool cotton. In white, fast black, and bright colors. Sold everywhere., Distributor's imprint printed on verso: George A. Clark, sole agent., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.30]
- Title
- [A.C. Yates & Co. clothing trade cards]
- Description
- Series of illustrated trade cards for A.C. Yates & Co. clothing store, which began operations on the ground floor of the Public Ledger Building at Sixth and Chestnut Streets in Philadelphia in 1876. Illustrations depict a bust portrait of William Penn and Penn's treaty with the Indians to commemorate the Penn Bicentennial (1682-1882); children walking in the snow and carrying sprigs of holly; a boy sitting on a bare tree limb under a smiling moon serenading cats from sheet music labeled "Au Clair de la lune"; couples on the beach painting, reading by moonlight, and embracing behind the privacy of a large umbrella; swans swimming with flower garlands in their beaks; a traveling hunting party, including two men mounted on horses with a large group of hounds; three bystanders watching a man paint a large sign for A.C. Yates & Co. onto a brick wall; birds; sprays of flowers; two women and a man ice skating together; children blowing bubbles; children tumbling to the ground after hoisting one another to grab canisters from the top of a pantry; putti holding grotesque masks; and a view of Fairmount Park from Belmont, showing well-dressed couples sitting and walking in the park, a horse-drawn carriage and a man riding horseback on a dirt path in the foreground, and bridges spanning the Schuylkill River in the background., Title supplied by cataloger., Printers and engravers include Hatch Lith. Co. (New York); Chas. Shields' Sons (New York); and E. Ketterlinus & Co. (Philadelphia)., Eighteen prints contain advertising text printed on versos., Two prints contains calendars for 1881 printed on versos., One print [P.9057.52] contains a manuscript note on verso: A.N. Fisher, card with which she read the three volumes of "The Dutch Republic" winter of '77 & '78. The ending of the books were nicer than the rest. Suge? of Leipsig--very good--& you couldn't help being interested in persons, places & performaces. Wm. of Orange's nearly only despicable characteristic was having spies and thru them interrupted [?]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1876-ca. 1882]
- Location
- Library Company of Philadelphia | Print Department trade card - Yates [1975.F.679; 1975.F.907; 1975.F.1013 & 1014; 1975.F.1016; 1975.F.1018-1032; P.8666.3i-3l; P.8666.3p; P.8666.3z; P.9057.52; P.9642.7; P.9802.12]
- Title
- Gloucester (Mass.) Fishery Exhibit - Agricultural Building
- Description
- Interior view of the Gloucester, Massachusetts Fishery Exhibit in the Agricultural Building. The exhibit displays fishing gear, along with other objects pertaining to the fishing industry including ropes, knives, bottles, and general equipment.
- Creator
- Centennial Photographic Co., photographer., creator
- Date
- 1876
- Location
- Centennial - album [P.8965.25e]
- Title
- [Sharpless & Sons trade cards]
- Description
- Series of illustrated trade cards depicting women in a variety of settings, including a woman sitting on the beach with a parasol and fan; a woman attired in gypsy-inspired clothing kneeling next to an urn; the bust of a woman wearing a large plumed hat superimposed onto a painting palette; and another bust portrait of a woman wearing a hat. Also shows men in hunting gear with rifles and dogs; clowns balancing on the hardware of a clock; a couple on the beach stopped in front of an enormous hermit crab, birds and guitar; a chef wielding a large knife with his hand around the throat of a large duck; a couple standing inside of a large lantern; men working on a large paper lantern that hangs from a tree branch; a couple being transported in a covered gondola; and a table containing wine, fruit, bread and dishes superimposed onto a painting palette., Title supplied by cataloger., Printers and engravers include D. Hutinet (Paris), Bognard (Paris) and John A. Lowell & Co. (Boston)., Advertising text printed on versos: Sharpless & Sons, importers, jobbers & retailers of dry goods, 801, 803, 805 & 807 Chestnut Street, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Sharpless [1975.F.760; 1975.F.762; 1975.F.766-768; 1975.F.780; 1975.F.794; 1975.F.812; 1975.F.814; 1975.F.825; 1975.F.838-840]
- Title
- A line shot - the recoil
- Description
- Comic print using racist stereotypes to satirize the gunmanship of African Americans. Shows an older African American couple, portrayed in racist caricature with exaggerated features and mannerisms, in the aftermath of the husband firing a shot in their backyard. Shows, in the left, the husband, attired in blue coat tails and striped pants, jumping a fence, his gun powder horn flying above his head, and his rifle and hunter's hat lying on the ground behind him. He is accompanied by his dogs, a bony brown dog climbing over the fence with him, and a pit-bull like dog who holds his owner's torn pants seat in his jaws as he prepares to follow him. In the right, his wife, attired in a yellow bonnet, a blue top, a red skirt, and white pantaloons, topples over in a wicker basket of laundry. Her shoes fly off her feet. The clothesline pole lands on her head as her bare-footed legs are knocked into the air. Pieces of clothing, including a gunshot white shirt with clothes pins at the shoulders fly about her. A log house with a chimney and a dog house are visible in the background. The Darktown series of over 100 prints was issued mid 1870s-1890s. Thomas Worth was the artist of several of the prints in the reported popular and profitable series., Title printed below image., Issued as part of the "Darktown" comics series., Date from copyright statement: Copyright 1881 By Currier & Ives, N. Y., Gift of David Maxey, 2015., RVCDC, Description revised 2021., Access points revised 2021.
- Creator
- Currier & Ives
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department *GC - Genre - Line [P.2015.52.1]
- Title
- [Geo. S. Harris & Sons print specimens]
- Description
- Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1881]
- Location
- Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]
- Title
- John Weik's (Philadelphia) kochbuecher (cookbooks)
- Description
- Whimsical publisher's advertisement containing four vignettes in a fanciful border of food imagery surrounding a list of cookbook titles in German and English authored by Marianne Struf and the steward of the Union League, William Vollmer. Vignettes depict three quirky scenes representing agricultural work, hunting, fishing, and fine dining. Also contains a scene depicting four women peeling apples, mincing meat, and baking in a kitchen. Vignettes include an African American man waiter and an African American woman cook. Fanciful border contains stone pedestals adorned with seals comprised of cooking implements, as well as a basket of bread, bottles of wine, a crab holding oranges, a tureen of soup, dead game, ears of corn, plates, a pitcher, a coffee grinder, and mischievous monkeys., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1856 by J. Weik in the Eastern District Court of Pa., Printed above image: Life Preserver., Printed under title in German: All five books can be had here., Not in Wainwright., Philadelphia on Stone, POSP 126, LCP exhibition catalogue: The Larder invaded, aft. p. 9., LCP exhibition catalogue: Philadelphia revisions #32., Lib. Company. Annual report, 1973, p. 44., Top corner and center edge mended., Purchase 1973., Description revised 2021., Access points revised 2021.
- Creator
- Nissle, J., artist
- Date
- 1856
- Location
- Library Company of Philadelphia | Print Department **BW - Advertisements [8074.F.1]
- Title
- A West India sportsman Make haste with the sangaree Quashie and tell Quaco to drive the birds up to me - I'm ready
- Description
- Satiric print mocking the decadent state of West Indian plantation society showing enslaved people catering to a white enslaver on a hunting trip. Shows the white man, seated under an umbrella, his feet up, his gun in his hand, as he is fanned by a long-sleeved shirt and sarong-clad enslaved man behind him. Other enslaved people (a woman, young men, and a child) keep flies away from platters of meat displayed on a table and a basket of tropical fruit; butler a large glass of sangaree; and drive birds from a field. Also shows jugs of liquor, including royal punch, sangaree, and rum, lined near the grinning "sportsman." The rum jug has toppled over near empty bottles strewn on the ground near a broken jug of water. In the distance, another white enslaver holds a gun and lies on a settee while an enslaved woman holds an umbrella over him. All the figures are depicted with exaggerated features., Publisher's advertisement printed below image: Of Mr. Holland may be had the following West India Prints, Johnny Newcome in the Island of Jamaica_ A Grand Jamaica Ball_ Martial Law in Jamaica_The Blessings of Jamaica_and a Segar Smoking Society in Jamaica. 5s each_A large portrait of Rachel Pringle of Barbadoes 7s. 6_Likewise Gillray's sale of English Beauties in the East Indies 7s 6d., Title from item., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC., Purchase 2005., Lib. Company. Annual report, 2005, p. 62-65., Description revised 2021., Access points revised 2021.
- Date
- November 1, 1807
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1807- Wes [P.2005.28.1]
- Title
- [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
- Description
- Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
- Date
- [1879]
- Location
- Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]