Reward of merit
Title
Reward of merit
Description
Contains central vignette showing a Native American man seated on a hillside and watching a train approaching a town. Another train travels past the town., Includes verse: Tis sweet oh sweet to know, If we our time improve, We shall be happy while below, And dwell in heaven above., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Rewards of Merit [P.2011.10.158]
[Die-cut textile label depicting the United States Capitol Building]
Title
[Die-cut textile label depicting the United States Capitol Building]
Description
Shows the East Front and grounds of the Capitol building, including the cast-iron dome completed in 1866 and landscaped gardens. Also contains the vignette, profile portrait of a Native American man in a headdress, and a garland frame., Title supplied by cataloger., Embossed and stamped on recto: No. 2202. Yds., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.172]
Reading's Sesqui-Centennial, Reading, Pa. Jubilee Week June 5th to 12th, 1898. 150th Anniverary.
Title
Reading's Sesqui-Centennial, Reading, Pa. Jubilee Week June 5th to 12th, 1898. 150th Anniverary
Description
Pictorial envelope designed by Sesqui-centennial committee members Samuel Dilbert, W. Morris Deischer and Howard L. Boas containing a menagerie of imagery bordering two vignettes. Vignettes depict a view of the Reading "Court House, 1782-1841" and a view captioned "1748" showing Native Americans near a teepee watching a traveling Conestoga wagon from across a river. Other images show a locomotive, factories, train shed, and a winged female allegorical figure holding a trumpet and bolt of lightning, probably representing progress. An anvil, gear, and angle rest at the figure's feet. Over 700, 000 envelopes were printed and distributed nationally. The sesqui-centennial celebration included band concerts; civic, firemen, and industrial parades; grand illuminations; fireworks; and an equestrian and bicycle day., Addressed in manuscript to: Ronalds & Johnson Co., 139 N. 7th St., Philadelphia, Pa., Printed in red ink on recto: Return to E. S. Summons' Plumbing & Heating Co., 209 N. 6th St., Reading, Pa., Ink-stamp postmark on verso: Received Philadelphia, PA Mar 31, 1898 6 30 PM., Publication information from Morton Luther Montgomery, History of Reading, Pennsylvania: and the anniversary proceedings of the sesquice-centennial, June 5-12, 1898 (1898)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[c1897]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Envelopes [P.2011.10.89]
William Penn's treaty with the Indians postcards.
Title
William Penn's treaty with the Indians postcards
Description
Depicts William Penn's treaty of 1682 for Pennsylvania as a peaceful interaction with Native Americans., Contains 1 postcard printed in color and 1 printed in black and white., Divided backs., Accession numbers: P.9049.22 and P.9049.25., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
1908-1919
Location
Library Company of Philadelphia | Print Department LCP postcards - Historic events - [various]
[Proofs after plates from McKenney and Hall's "History of the Indian Tribes of North America"]
Title
[Proofs after plates from McKenney and Hall's "History of the Indian Tribes of North America"]
Description
Series of three proof, possibly trial, prints after plates from the seminal work about early 19th-century Native American culture containing 117 portraits, several after paintings by Charles Bird King. Depicts No. 3 "Mo-Hon-Go, An Osage Woman"; No. 4 Shar- I-Tar-Ish, A Pawnee Chief; and No. 6 "Se-Quo-Yah, Inventor of the Cherokee Alphabet." Plates possibly trials for the Rice & Rutter edition published 1865-1870., Title supplied by cataloger., Contain registration marks., Contain plate numbers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.63a & 64a&b]
[Proofs after plates from McKenney and Hall's "History of the Indian Tribes of North America"] [graphic].
Title
[Proofs after plates from McKenney and Hall's "History of the Indian Tribes of North America"]
Description
Series of three proof, possibly trial, prints after plates from the seminal work about early 19th-century Native American culture containing 117 portraits, several after paintings by Charles Bird King. Depicts No. 3 "Mo-Hon-Go, An Osage Woman"; No. 4 Shar- I-Tar-Ish, A Pawnee Chief; and No. 6 "Se-Quo-Yah, Inventor of the Cherokee Alphabet." Plates possibly trials for the Rice & Rutter edition published 1865-1870., Title supplied by cataloger., Contain registration marks., Contain plate numbers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.63a & 64a&b]
Tokio cigarettes
Title
Toki o cigarettes
Description
Textiles from a series of premium tobacco silks containing half-length portraits of prominent Native American chiefs. Depicts Chief Joseph; Many Horns; and White Shield. All are shown with feather head pieces. White Shield wears a large cross. Chief Joseph silk numbered "20.", Printed above images: Factory No. 649, First Dist., N.Y., Printed in lower right corner of P.2011.10.176.1: 20., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1910]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Miscellaneous [P.2011.10.176.1-3]
In sixteen eighty two, you surely have heard how William Penn and honest treaty made. All good Indians mourn him still and remember his proclamation of good will to use the Enterprise bone, shell, and corn mill.
Title
In sixteen eighty two, you surely have heard how William Penn and honest treaty made. All good Indians mourn him still and remember his proclamation of good will to use the Enterprise bone, shell, and corn mill
Description
Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise bone, Shell and Corn Mills." Contains an anachronistic scene including a caricaturized depiction of William Penn's Treaty with the Indian Also contains a view of the Electrical Building designed by Van Brunt & Howe. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Bone, Shell and Corn mills. Two Styles. It is a well-known fact that Bone, Meal, Ground Shells, Cracked Corn, etc. are excellent for poultry. These mills are especially adapted to grinding Bones, Shells, Corn, Roots, Bark, Grain, Chicken Feed, etc. When it is considered that pure raw bone meal is one of the best fertilizers, they will soon pay for themselves for that purpose alone. The grinders are warranted as hard as and equal to hardened cast steel, and can be regulated to grind coarse or fine, by adjusting a thumb-screw near the centre of the fly-wheel. They are good general mills for farmers, poultrymen, etc., and for compactness, strength and durability we consider them unexcelled. Our No. 650 commends itself to those who wish to save space. It is intended to be screwed or fastened to a wall, post, etc. Capacity of these mills, about 1 1/4 bushels of corn per hour. these mills are not intended for grinding "green bones," but can be used for that purpose after the bones have been dried. Prices. No. 650...$7.50. No. 750,...$7.50., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustration on verso. Depicts a No. 750 Enterprise bone, shell, and corn mill., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date
c1893
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.65 & 74]
In eighteen fourteen, Scott, the Indian hero, made red hot work for the red men-yes and redder himself he cooled with Juleps, cold as zero iced by the famous Enterprise ice shredder.
Title
In eighteen fourteen, Scott, the Indian hero, made red hot work for the red men-yes and redder himself he cooled with Juleps, cold as zero iced by the famous Enterprise ice shredder
Description
Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Ice Shredder." Contains an anachronistic scene including a caricaturized depiction of Major General Winfield Scott following the Battle of Chippewa, July 5, 1814. Depicts Scott seated on a trunk and sipping a frosty julep through a straw as one of his soldier handles an Empire ice shredder on a cake of ice. Other soldiers stand guard behind him and in the background Native American lay on the ground and run. Also contains a view of the U.S.S. battleship Illinois. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Ice Shredder. Patented, 1893. For Shaving Ice coarse or Fine. Prices: No. 33 Tinned $7.20 per dozen. No. 34, Nickeled, $24.00 " ". The operation of our Shredder requires no explanation, being simply to draw the blade upon a piece of ice, the pressure applied producing fine or coarse pieces, as desired. To remove the finely cut ice from the cup, grasp the Shredder firmly in the right hand and strike it, inverted, upon the left, at the same time being careful to keep the lid closed. then scrape the ice into some convenient receptacle. It is not necessary to take the ice out of the refrigerator, as you may reach in and fill the cup from the side, end or top of a cake of ice without disturbing anything or wetting your hand. Its use will be appreciated for Fruits, Drinks, Oysters and clams on the half Shell, Olives, Celery, Radishes, Iced Tea, Sliced Tomatoes, etc., etc., and for many purposes in the Sick Room., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Vignette illustration on verso. Depicts a cross-section of the ice shredder on a cake of ice., Typeface on verso varies between prints., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date
c1893
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.62 & 76]
[Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Title
[Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description
Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860-ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]
[Job printing specimens for certificates, bank notes, receipts, labels, and billheads] [graphic].
Title
[Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description
Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860-ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]
[S. Shoneman trade cards]
Title
[S. Shoneman trade cards]
Description
Series of illustrated trade cards for Samuel Shoneman's "button house" and ladies' trimmings store at 101 South Eleventh Street, later 1018 Chestnut Street, in Philadelphia. Illustrations depict sprays of flowers; flowers in a vase; children carrying a potted flowering plant; a girl picking and smelling flowers; putti; a boy straddling a music stand containing sheet music and playing the violin or fiddle; a male figure attired in a hat and ruffled collar standing near a scythe and hourglass holding a hoop through which a frog leaps; and a view showing the treaty made at the village of Shackamaxon (i.e. Penn Treaty Park, Kensington) on the Delaware River. Penn, surrounded by his delegates, negotiates with the Delaware Indian chief near a giant elm tree. Crates of goods are sat upon and displayed by the English delegation. Also shows residences standing in the background., Title supplied by cataloger., Three prints contain advertising text printed on versos promoting various styles of buttons sold by Shoneman's "button house", along with various ladies trimmings, jewelry and fancy goods., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880-1885]
Location
Library Company of Philadelphia | Print Department trade card - Shoneman [1975.F.691; 1975.F.698; 1975.F.798; 1975.F.850; 1975.F.852; 1975.F.862 & 863; P.9728.10]
Explorations West of the 100th Meridian. Expedition of 1871, Lieut. Geo. M. Wheeler, Com'dg.
Title
Explorations West of the 100th Meridian. Expedition of 1871, Lieut. Geo. M. Wheeler, Com'dg
Description
Series of titled views from Wheeler's United States surveys of the West include, "Grand Cañon, from opposite Diamond Creek," "Middle of Black Cañon," "The Start, Camp Mohave, A.T.," "Mohave Indians; Panambona and Mitiwara," "Camp Big Horn, Black Cañon," "Mohaves Caught Napping," and "Grand Cañon, above Grotto Spring." Images depict mostly landscape views of large rock formations flanking the Colorado River. Views also include Mohave people and men leaving Camp Mohave in boats., Photographer's imprint printed on mount., Manuscript note on versos: Bessie & Smith, Media., Yellow curved mounts with rounded corners., See William Bell's series [66651.D.1-7] of Colorado River and Geological Series for similar views of Wheeler's survey. Bell replaced O'Sullivan in 1872., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Timothy O'Sullivan accompanied George M. Wheeler on his survey of the territories west of the 100th meridian in 1871, 1873 and 1875.
Creator
O'Sullivan, Timothy H., 1840-1882, photographer
Date
[ca. 1871]
Location
Library Company of Philadelphia | Print Department stereo - O'Sullivan - Views [66652.D.1-7]
J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia, : [graphic] : Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c.
Title
J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c
Description
Racist trade card promoting lace manufacturer J.W. LeMaistre and depicting a white man photographer showing a Native American person his photograph outside a pavillion. In the left, the Native American person, portrayed in racist caricature and attired a feathered headress, a tunic with a feathered skirt, hoop earrings, bracelets, and anklets, bends slightly forward and looks at a portrait photograph of themself. In the right, the photographer, attired in a long-sleeved blue shirt with a white collar, a pink bowtie, white pants, and black shoes, bends forward as he holds up the photograph from the floor with both hands. A large camera with hood stands behind him. Several white men pedestrians, an obelisk, and a neoclassical building can be seen in the left background. John W. LeMaistre (1840-1915) is listed in the Philadelphia directories as a lacemaker from circa 1880s. He incorporated the firm, the LeMaistre Lace and Embroidery Co., in 1905., Title from item., Date inferred from dates of operation of advertised business., Includes copyright statement: Copyrighted., RVCDC
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department trade cards - LeMaistre [P.2022.9]
[Specimens album]
Title
[Specimens album]
Description
Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1852-ca. 1876]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up
[Geo. S. Harris & Sons print specimens]
Title
[Geo. S. Harris & Sons print specimens]
Description
Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1881]
Location
Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]
Engravings by William Humphrys
Title
Engravings by William Humphrys
Description
Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator
Humphrys, William, 1795-1865
Date
[ca. 1817-ca. 1845]
Location
Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]
American celebrities album
Title
American celebrities album
Description
Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date
[ca. 1870-ca. 1890]
Location
Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]