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Title: A. Koellner No. 6. Bank Alley Philadelphia respectfully offers his services to the public in drawing of figures landscapes & animals from the rough sketch to the most finished drawing in every manner and in a style which will be especially useful to publishers of books, periodicals, music, etc. manufacturers etc. etc. on reasonable terms & at short notice
Description: Advertisement for the Philadelphia lithographer containing vignettes and picotrial details. At left and right, tall trees mark the edges of the composition; a near-nude man stands on a branch at left, reaching towards a semi-bare breasted woman standing on the branch at right, who holds out a bunch of grapes. At top center, a figure sits in a landscape studying large tomes; nearby stands an anatomical figure. At bottom center, statuary of a general riding a rearing horse and doffing his hat on a base adorned with a battle scene is visible. To his right, a group of farmyard animals flock together. At the general’s left, pilgrims make contact with Indians. Kollner operated from 6 Bank Alley in 1844., Not in Wainwright., Title annotated: "and in a style" crossed out in pencil., Philadelphia on Stone, POSA 1, American Antiquarian Society: Graphic Arts Lithf Koll Kollv
Creator: Kollner, Augustus, b. 1813
Date: [1844]
Location: American Antiquarian Society AAS Graphic Arts Lithf Koll Kollv

Title: Africa. America
Description: Abolition print juxtaposing two female allegorical figures in chariots representing Africa and America. In front of a backdrop of tropical trees and huts, "Africa," depicted as a Black woman, is attired in a feathered headpiece, an orange shawl covering one breast, and a pink sarong. She holds a flag inscribed "Slave Trade abolish'd in England 1806" and the reins of two lions pulling her chariot. In front of a waterfall, probably Niagara Falls, "America," depicted as a white woman, is dressed in Native American attire, including a feathered headpiece, a breast plate, an orange cape, a pink and blue sari, and an axe strapped to her back. She holds the American flag, decorated with a portrait of George Washington, and the reins of two tigers pulling her chariot. Near the wheels of her chariot, a rattlesnake is coiled., Title from item., Date inferred by content and medium., Name of publisher illegible., Lib. Company. Annual report, 1969, p. 56., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1808]
Location: Library Company of Philadelphia | Print Department *GC-Allegories [7812.F]

Title: American celebrities album
Description: Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date: [ca. 1870-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]

Title: American Celebrities Albums
Description: Two volume set of albums containing predominately cartes-de-visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts, ca. 1870.
Date: 1869

Title: [Artist's study of detail from New Lutheran Church, in Fourth Street Philadelphia]
Description: Street scene on Fourth Street below Cherry Street depicting Speaker of the House of Representatives, Frederick Augustus Muhlenberg, leading a tour of a delegation of Native American men. Native American delegations visited the city to pay respects and to negotiate land treaties when Philadelphia served as the nation's capitol. Muhlenberg led a tour of several tribal groups in 1793. Also shows buildings in the right, including the New Lutheran Church built 1795-1796., Title from plate 6 in the first edition of Birch's "Views of Philadelphia.", Bequest of Charles Poulson, 1866., Retrospective conversion record: original entry, edited., Originally part of a Poulson scrapbook., See Martin Snyder's "William Birch: His Philadelphia views," The Pennsylvania magazine of history and biography 73 (July 1949), p. 271-315., Reproduced in Julius Sachse's Pictures of old Philadelphia from the originals in the collection of the Library Company of Philadelphia (Philadelphia, 1901), vol. 1, plate 43. (LCP Print Room Albums)., Reproduced in Edwin Wolf's Philadelphia : Portrait of an American city (Philadelphia: Camino Books in cooperation with The Library Company of Philadelphia, 1990), p. 105.
Creator: Birch, William Russell, 1755-1834, artist
Date: [ca. 1799]
Location: Library Company of Philadelphia | Print Department drawings & watercolors - Birch - Colonel Muhlenberg [P.9666]

Title: ASSU Illustration 3501
Description: Block numbered in at least one place: 3501., Image of a Native American man chasing an unidentified animal, possibly a goat [?] up a hill., “Girls … [illegibile] p. 99” – inscribed on side of block., Tape (inscribed "761") on obverse., Back of block partially obscured by pasted-down paper.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 8

Title: ASSU Illustration 3550
Description: Block numbered in one place: 3550., Image of a man in European dress holding a book in one hand and gesturing with the other; in front of him sits a seated Native American man who holds a small tomahawk in one hand and touches his face or rests his head on his hand; behind him stand three other similarly-dressed men and what appears to be a woman., Illustration appears in Child's world, v. 13 no. 16 (1874), p. 3.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 20

Title: ASSU Illustration 3552
Description: Block numbered in two places: 3552, also 1220 on small adhesive label on back of block., Image of a Native-American woman wearing a dress and a long shawl, which she pulls closed with one hand; behind her is a tipi; a pointing man wearing a feather headdress and a seated man or boy are also behind her and regard something in the distance., Illustration appears in History of the Delaware and Iroquois Indians formerly inhabiting the middle states, with various anecdotes, illustrating their manners and customs. (Philadelphia, 1832), frontispiece.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 20

Title: ASSU Illustration 5757
Description: Block numbered in one place: 5757 [?], Image of a bust portrait of a Native American man., Back of block obscured by pasted-down paper. Sides of block irregular (possibly cut for reuse).
Date: [s.a.]
Location: ASSU Woodblocks -- Box 11

Title: ASSU Illustration 5983
Description: Block numbered in two places: 5983., Image of a man in European garb who appears to be watching a group of Native Americans, in a natural setting., “Brainerd [unintelligible] the [unintelligible] Indians” -- inscribed on side of block. [i.e. David Brainerd?], “N.J. Wemmer & Son. 215 Pear St. Phila.” -- stamped twice on back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Date: [between 1861 and 1876?]
Location: ASSU Woodblocks -- Box 10

Title: Back of the State House, Philadelphia
Description: View of the courtyard and rear of the State House, with the mason tall case clock visible on the west wall. Several visitors utilize the grounds, including a delegation of Native Americans on tour, strolling couples, women promenading, and boys playing near a grove of trees. In the background, stand the American Philosophical Hall (built 1789); the site of the Library Company of Philadelphia, Library Hall (built 1791); and guard houses. Also visible is signage for Peale's Museum, housed in American Philosophical Hall between 1794 and 1811., Contains watermark: AMIES PHILA and dove with branch., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 22., Retrospective conversion record: original entry, edited.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [ Sn 22c/P.2276.50]

Title: [Back of the State House, Philadelphia]
Description: View of the courtyard and rear of the State House with the mason tall case clock visible on the west wall. Several visitors utilize the grounds including a delegation of Native Americans on tour, strolling couples, women promenading, and boys playing near a grove of trees. In the background, stand the American Philosophical Hall (completed in 1789); the site of the Library Company of Philadelphia, Library Hall (completed in1791); and guard houses. Also visible is signage for Peale's Museum, housed in American Philosophical Hall between 1794 and 1811., Print trimmed., Title from duplicate print., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 22., Retrospective conversion record: original entry, edited.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 22a/P.2276.49]

Title: Beckwourth, James Pierson, Mrs.
Description: In The life and adventures of James P. Beckwourth (New York, 1856), p. [116]., The Native American woman died after her husband punished her for disobeying him when she chose to dance in celebration of the scalping of three white men. After her death, her father (a Flat Head) prevented Beckwourth from being killed, and also presented him with the wife’s younger sister as a replacement wife., Recumbent portrait of Mrs. Beckwourth after her husband struck her with the side of his battle-axe.
Date: [1856?]

Title: Brown, Catharine, 1800?-1823.
Description: In Anderson, R. Memoir of Catharine Brown, a Christian Indian of the Cherokee Nation (Boston, 1825), frontispiece., Full-length recumbent portrait of the Cherokee woman, who was educated at Brainerd Mission near Chattanooga, Tennessee. She is depicted in bed, propped on her elbow, with an open book before her. Nearby, a woman, seated at a writing desk, holds a pen and appears to be taking dictation., "'Then raising herself in the bed & wiping a tear, that was falling from her eye, she with a sweet smile began to relate what God had done for her soul, while upon that sick bed.' Page 142."
Date: [1825?]

Title: Callaway, Jemima Boone, 1762-1829.
Description: Full-length portrait of the young woman, standing with hands clasped and arms uplifted. In the foreground Anglo and Indian men wield swords while two women stand weeping in the background., In Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), frontispiece., Jemima Boone was the daughter of pioneer Daniel Boone. While living in Kentucky in 1776, she and a friend by the name of Miss Calloway [i.e., Callaway] were captured by a group of Indians. The girls were retrieved after a fatal confrontation between Boone’s men and the Indian men., Another portrait appears in: Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), plate following p. 26.
Date: [1860?]

Title: Children's Wooden Puzzle
Description: Three puzzles that have lithographs of: William Penn's Treaty with the Indians, Pennsylvania Railroad, and a Map of the United States. Housed in a wooden box with William Penn's Treaty with the Indians on the sliding lid., "Pubd by Jacob Shaffer Philada" on the map.
Date: [ca. 1850.]
Location: OBJ 713

Title: [Civil War drawings and cartes de visite reproductions of drawings by Henry Louis Stephens]
Description: Series of caricatures predominately satirizing the effects of the presidential policies of Abraham Lincoln on his re-election and the candidacy of Democratic nominee and former Commander of the U.S. Army, George McClellan, in the presidential election of 1864. Lincoln caricatures depict racist scenes and themes of election loss and show the president as a comic stage performer; a feeding open-mouthed tool of the abolitionists; as a defeated Robin Hood with his "Band of Brothers," (i.e. cabinet members Edwin Stanton, William Seward, and Gideon Welles); as weighed down by the "Old Keystone", a visual metaphor for the large number of Pennsylvania soldiers lost in the war; as a buffoon tripped up by his large boots of "military necessity"; as patronizing a miniature McClellan propped up on the "Chicago Platform"; as McClellan's puppeteer; and as "loved little and long" for his emancipation of the enslaved. McClellan caricatures primarily use the themes of McClellan, known as "The Young Napoleon," as a "MacNapoleon" and his contradictory personal and party platforms in relation to the war. Caricatures show "MacNapoleon" searching for the White House, childishly whining about his quest for the White house, and singing a "doleful ditty" about himself. Platform caricatures show McClellan as a squeeze doll who speaks two words - war and peace, and in a "Quandary" to choose between a ballerina representing war and another representing peace. Collection also contains caricatures of Edward Stanton making a "Soliloquy" as an allusion to a Republican loss in the presidential election; of Peace Democrat Clement Vallandigham satirizing his sentence of banishment to the South for anti-war sentiments as well as a racist caricature of the "The American Eagle.1864. A likely young bird" showing an eagle with the head of an African American resting on the American shield marked "E. Pluribus. U-No-Um.", Title supplied by cataloger., Date from copyright., Created postfreeze., Originally part of McAllister scrapbooks of materials related to Abraham Lincoln and of humorous caricatures and photographs. McAlister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Stephens, H. L. (Henry Louis), 1824-1882
Date: 1864
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(11)1540.F.20a; 5780.F.52m; 5792.F.4d&e; 97a-c &f; 98a,b,d, e-i; 99a-h; P.2282.50; P.8686.1-2; P.2005.2.12a-e; P.2006.1.25a&b]

Title: Civil War stationery collection
Description: Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]

Title: Cornwallis is taken! The watchman's cry - Philadelphia 1781
Description: Print commemorating the surrender in 1781 of British General Cornwallis at Yorktown depicting the watchman's purported moonlit announcement of the event on October 22nd at the Philadelphia residence of Thomas McKean, the president of Congress. Near the "Geo. Washington" tavern, the white watchman, one hand raised, a lantern in the other, his mouth open and with a few teeth missing, cries the news to the crowd of men, women, and children surrounding him and McKean. McKean, wearing a silken robe, chin in hand listens. His face portrayed with a look of contemplation. The crowd, many in nightclothes hold candlesticks, pray, cheer, and listen solemnly. Included in the crowd are a white man veteran with a prosthetic wooden peg leg, an African American boy, an African American woman caregiver holding presumably McKean's baby in the doorway, a white man and woman couple facing each other and holding hands, white women in shawls and elegant robes, a seated Native American woman attired in moccasins, and a white man portrayed with a frowned expression near behind the watchman., Title from item., Date inferred from duplicate with variant imprint in the collections of the American Antiquarian Society.., Gift of Mrs. Francis P. Garvan, 1978., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Doney, Thomas, engraver
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.23]

Title: C.P.
Description: Bust-length portrait of the criminal., In Sampson, M. B. Rationale of crime and its appropriate treatment; being a treatise on criminal jurisprudence considered in relation to cerebral organization. Edited by Eliza W. Farnham (Philadelphia, 1846), p. 158., “My acknowledgements are due to the officers of the Penitentiary on Blackwell’s Island for their politeness in furnishing me with facilities for taking the daguerreotypes, and to Mr. L. N. Fowler for aiding me in the selection of cases; nor must I omit to name Mr. Edward Serrell, who was obliging enough to take the outline drawings for me; or Mr. Brady, to whose indefatigable patience with a class of the most difficult of all sitters, is due the advantage of a very accurate set of daguerreotypes.” -- Introductory preface by Mrs. Farnham, p. xx., "C.P., a half-breed Indian and negro woman, under confinement for the fourth time. She has been twice imprisoned for petit, and once for grand larceny, and once for assault and battery with a knife. During one of her terms of confinement she attacked her keeper with a carving-knife, and he was compelled to fell her with a loaded cane. When excited she exhibits the most uncontrollable fury, and is always disposed to be offensive, aggressive, and more or less violent. In her head destructiveness is enormously developed, with large secretiveness and caution, and very defective benevolence and moral organs generally.”--P. 158.
Date: [1846?]

Title: Daviess, Mrs.
Description: Full-length portrait of the back of Mrs. Daviess, holding a shotgun aimed at an Indian man stepping through a doorway., In Frost, John. Daring and heroic deeds of American women (Philadelphia, 1860), plate following p. 206., Mrs. Daviess was the wife of the late 18th-century Kentucky pioneer Samuel Daviess. She tricked her potential captor into setting down his gun, which she then used to hold him hostage.
Date: [1860?]

Title: [Die-cut textile label depicting the United States Capitol Building]
Description: Shows the East Front and grounds of the Capitol building, including the cast-iron dome completed in 1866 and landscaped gardens. Also contains the vignette, profile portrait of a Native American man in a headdress, and a garland frame., Title supplied by cataloger., Embossed and stamped on recto: No. 2202. Yds., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.172]

Title: Dillwyn and Emlen family correspondence
Description: This collection consists of five disbound volumes of letters written to and from William Dillwyn of London and his daughter Susanna Dillwyn in America from 1770 to 1795; and thereafter until 1818, to and from Susanna and her husband Samuel Emlen, Jr. of Burlington County, New Jersey. Although Susanna lived almost her entire life apart from her father, their letters are frequent and deal primarily with family matters and kin. However, there is frequent comment concerning such topics as yellow fever; abolitionism and slavery; and American and European politics, including the Napoleonic wars and the embargo, as well as their effects upon trade and merchants in Philadelphia and London. Moreover, events such as the Federal Convention of 1787 and topics such as the health of Benjamin Franklin, the popularity of President Washington and the trials of a new republic are addressed throughout the correspondence.
Creator: Dillwyn, William, 1743-1824
Date: 1770

Title: Dividing the beef, Lodge Grass Mont[ana]
Description: Scene depicting Native Americans, probably Crow, and African American cowboys in a circle cutting up beef carcasses. Native American men, women, and children sit on the grass in a circle around the meat. Several can be seen smiling. There are also small dogs standing around the group. An African American man stands in the right and looks on at the scene. In the center, another African American man bends over with a side of beef in his hands. In the background are two tepees and a tent., Title from caption on mount., Purchase 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Rich was a professional Philadelphia landscape photographer and avid traveler commissioned in 1908 to accompany a Rodman Wanamaker expedition to Yellowstone to photograph the region's landscape and Native American life.
Creator: Rich, James Bartlett, 1866-1942, photographer
Date: 1908
Location: Library Company of Philadelphia | Print Department Lantern Slides-Rich [P.9266.1308]

Title: Dr. George Stuart's botanical syrup and vegetable pills, the greatest family medicine in the world Laboratory no. 254, Race St. Philadelphia
Description: Advertisement containing an exterior view of the three-and-one-half story storefront on the 700 block of Race Street bordered by paragraphs of advertising text, including notice of prices that ranged from 25 cents to one dollar per box or bottle. Signage above the large central showcase window lists several diseases and ailments cured by "Dr. G. Stuart's Syrup and Vegetable Pills." Infirmities include consumption, dysentery, chills and fevers, piles, colds, coughs, bronchitis, "tumours," "erysipelas," neuralgia, and "general and nervous debility &c. &c." Shadowy views of branches, leaves, and decanters are visible in the window. Several male character types, of different ages, class, and ethnicity, holding banners inscribed with testimonials, gather around laborers loading a "Botanical [Syr]up" crate onto a horse-drawn wagon in front of the store. Figures include a dandy, Quaker, father and son, and a Native American, many of whom also hold bottles. The testimonials cite the customer's supplying of certificates of cure and their attesting to Dr. Stuart's syrup and pills as cures for cancer, dyspepsia, scrofula, and colds. Paragraphs of advertising text promote "Vegetable Pills, composed entirely of herbs" that were "intended to operate....on the whole system"; "Rheumatic Liniment," which has been used by the medical Faculty in cases of small pox..."; "Vermifuge for Worms, made with particular reference to children"; "Botanical Syrup composed entirely of herb & free minerals," that "in no instance ever failed to do what it was intended to accomplish"; and "Pile & Cancer Salve" that are the "best remedies that were ever in use..." Advertisement also includes two large-scale details showing bottles inscribed with product advertisements for "Dr. Stuart's Rheumatic Liniment," "Cancer salve," "Salve Sure Cure for Piles Price $1 per Box," "Botanical Syrup" and "Dr. Stuart's Vegetable Pills.", Paragraphs of advertising text promote "Vegetable Pills, composed entirely of herbs" that were "intended to operate....on the whole system"; "Rheumatic Liniment," which has been used by the medical Faculty in cases of small pox..."; "Vermifuge for Worms, made with particular reference to children"; "Botanical Syrup composed entirely of herb & free minerals," that "in no instance ever failed to do what it was intended to accomplish"; and "Pile & Cancer Salve" that are the "best remedies that were ever in use..." Advertisement also includes two large-scale details showing bottles inscribed with product advertisements for "Dr. Stuart's Rheumatic Liniment," "Cancer salve," "Salve Sure Cure for Piles Price $1 per Box," "Botanical Syrup" and "Dr. Stuart's Vegetable Pills.", Date from Poulson inscription on recto., Philadelphia on Stone, POS 187, Wainwright retrospective conversion project, edited.
Date: [April 1849]
Location: Library Company of Philadelphia | Print Department **W98 [P.2147]

Title: Die Einwohner von Boston wersen den englisch-ostindischen Thee ins a Meer am 18 December 1773
Description: Scene depicting the Boston Tea Party in 1773. Protestors board and dump barrels of tea from English ships as spectators watch from the shore. Among the spectators is an African American man sitting on a barrel and a Native American man smoking a pipe., Inscribed upper left corner: S.74., Plate 2 from Matthias Sprengel. Historisch-genalogischer Calendar oder Jahrbuch... (Leipzig: bey Haude und Spener von Berlin, 1783). (LCP Am 1783 Spre, Log 5059.D)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chodowiecki was a prominent German engraver and painter who specialized in prints of historical subjects.
Creator: Chodowiecki, Daniel, 1726-1801, etcher
Date: [1783]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.8935.2]

Title: Engravings by William Humphrys
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator: Humphrys, William, 1795-1865
Date: [ca. 1817-ca. 1845]
Location: Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]

Title: Engravings by William Humphrys Scrapbook
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."

Title: Ethnographic tableau Specimens of various races of mankind
Description: Chart showing racist depictions of fifty-four, bust-length, portraits of men and one woman of different "races" from eight geographic regions to emphasize contrived differences in cranial characteristics. The “Geographical Distribution” includes I. Arctic, II. Asiatic, III. European, IV. African, V. American, VI. Polynesian, VII. Malayan, and VIII. Australian. With each region, six depictions of individuals of that race are shown, some facing forward and some in profile. Many of the individuals are depicted as racist stereotypes. Many are attired in hats, turbans, or headdresses custom to their country of origin. In the left, under the caption “Cranioscopic Examples,” nine different skulls in right profile are depicted. In the right, chart sections include “Mankind, Grouped Physiologically” and “Linguistic Distinctions.”, Title from item., Folded plate removed from Josiah C. Nott and George R. Gliddon's Indigenous races of the earth (Philadelphia: J.B. Lippincott & Co.; London: Trubner & Co., 1857) (LCP *Am 1857 Nott (1)2733.Q (Rush)). See "Explanations of the tableau" pages 618-638., Captions below images on recto: Artic: Eskimo, Tchucktchi, Koriak, Aleoutian, Aino, Samoyede. Asiatic: Kamtschadale, St. Laurent Islander, Tartar, Chinese, Kalmuck, Tuda. Euro[pean]: Finn, Icelander: Cuvier, Bulgarian, Greek, Caucasian. [Euro]Pean: Syrian, Arab, Fellah, Berber, Uzbek Tatar, Affghan (sic). African: Ababdee, Sahara Negro, Yeboo Negro, Mozambique Negro, Caffr, Hottentot. American: Kutchin Indian, Stone Indian, Ottoe Indian, Yucatan Indian, Boroa Indian, Fuegian. Polynesian: New Zealander, Samoa Islander, Tikopia Islander, Vanikoro Islander, Tana Islander, Viti Islander. Malayan: Malay, Javanese, Marianne Islander, Hindoo, Mintira, Negritto. Australian: North Australian, West, Australian, South Australian, Tasmanian, Tasmanians (Men, Women)., Bequest of Dr. James Rush, 1869., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kramer, Peter, 1823-1907, artist
Date: 1857
Location: Library Company of Philadelphia | Print Department ***BW-Natural history [(1)2733.Q.1]

Title: Explorations West of the 100th Meridian. Expedition of 1871, Lieut. Geo. M. Wheeler, Com'dg
Description: Series of titled views from Wheeler's United States surveys of the West include, "Grand Cañon, from opposite Diamond Creek," "Middle of Black Cañon," "The Start, Camp Mohave, A.T.," "Mohave Indians; Panambona and Mitiwara," "Camp Big Horn, Black Cañon," "Mohaves Caught Napping," and "Grand Cañon, above Grotto Spring." Images depict mostly landscape views of large rock formations flanking the Colorado River. Views also include Mohave people and men leaving Camp Mohave in boats., Photographer's imprint printed on mount., Manuscript note on versos: Bessie & Smith, Media., Yellow curved mounts with rounded corners., See William Bell's series [66651.D.1-7] of Colorado River and Geological Series for similar views of Wheeler's survey. Bell replaced O'Sullivan in 1872., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Timothy O'Sullivan accompanied George M. Wheeler on his survey of the territories west of the 100th meridian in 1871, 1873 and 1875.
Creator: O'Sullivan, Timothy H., 1840-1882, photographer
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department stereo - O'Sullivan - Views [66652.D.1-7]

Title: FacSimile of the revolutionary flag, A.D. 1774
Description: Depiction of the First Troop Philadelphia City Cavalry’s flag from 1774. Shows the flag with fringed edges on a spiked flagpole adorned with two tassels and held open by a rope from its upper right corner tied to a tree in the right. In the top left of the flag are thirteen stripes representing the colonies. In the center, flanking a shield illustrated with thirteen ropes tied into a Gordian Knot are allegorical figures representing Liberty and Fame. Liberty, depicted as a barefooted Native American figure attired in a headdress, feather skirt, and with a quiver of arrows on their back, carries a bow and a liberty cap on a pole. Fame, depicted as a winged angel, blows a trumpet. Above the shield is a horse’s head wearing a bridle with the letters “LHC,” which stands for light horse cavalry. A banner below the shield reads, “For these we strive.”, Title from item., Date from copyright statement: Entered according to act of Congress in the Year 1839, by Wm. M. Huddy, in the Clerk’s Office of the District Court of the Eastern District of Penna., Printed on recto: Plate No. 4., Gift of David Doret., RVCDC
Date: 1839
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Prints [P.2019.64.33]

Title: The first steamboat on the Missouri
Description: Album page with pre-printed lithographic border containing a drawing and unattributed poem about the first steamboat on the Missouri from the 1838 edition of "The Token and Atlantic Souvenir." Drawing is after Joseph Andrew's engraving of the work by painter John Gadsby Chapman. Depicts two Native American men on a rock, one seated, and portrayed with a forlorn expression, and the other standing with their arms raised in an anguished pose, watching a steamboat in the distance. Poem, "The Indian's Farewell to the Missouri, on seeing the First Steamboat on its Waters," addresses the power of the white man and the steamboat as a harbinger of his usurpation of Native American territories., Title from album page., Date from album page., LCP exhibit catalogue: African American Miscellany p. 45., RVCDC, Description revised 2022., Douglass, an African American artist and early photographer, was an active member of the Philadelphia anti-slavery and civil rights movement.
Creator: Douglass, Robert M. J., 1809-1887, artist
Date: September 25, 1841
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.70]

Title: Freiheit Edelmuth & Bruderliebe, Unabhangiger Orden der Rothmaenner [membership certificate]
Description: Membership certificate for the Pocahantas Chapter of the Independent Order of Redmen at Philadelphia. Print contains seven small vignettes depicting scenes from the life of Pocahontas, the treaty between William Penn and the American Indians, and other scenes of Native American life. A larger scene showing a Native American chief addressing a group gathered around a fire surmounts the text. Vignettes of Native Americans hunting (left) and a Native American man providing a white man with a drink (right) flank the scene. At the bottom, an American Indian and a white man sit on a globe showing the Western Hemishere, clasping hands and holding a peace pipe. The vignettes are surrounded by intertwined icanthus leaves. Includes a red embossed seal in the lower left corner., Not in Wainwright., Issued to Otto Gratz on February 10, 1863. Signed by John Rumig and Heinrich Bissout., Includes a red embossed seal in the lower left corner., Philadelphia on Stone, Smithsonian Institution, NMAH, Home and Community Life Collection: *60.2396
Creator: Feusier, A.
Date: [ca. 1863]
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.2396]

Title: [Garsed & Brother Wingohocking Mills billhead]
Description: Billhead for R. Garsed & Brother containing a view of the firm's textile mills built 1853 on the northwest corner of Ashland Street along Frankford Creek in Frankford. The mills include a small office building adjacent to a long single-story building with three portico entrances, a smokestack, and cupola adorned with a weather vane. The main building housed the spinning, carding, warping, and spreading rooms. Women stand in two of the portico entries, individuals walk on the grounds, and a “Wingohocking” horse-drawn wagon travels past the mill. In the foreground, by the creek, a horse and colt stand near a canoe marked "Wingohocking Mills" moored at the bank. Across from the animals, a Native American stands with his canoe moored behind him. Richard Garsed was a pioneer in the improvement of cotton mill machinery, including the increased efficiency of power looms, during the 1840s and 1850s., Not in Wainwright., pdcc00009, Title supplied by cataloguer., Printed on recto: Frankford, Pa. Invoice of Goods consigned to ______ for Sale on account of R. Garsed & Brother. Marks & Nos. Pieces. Description Yards. Total Yards. Price pr. Yard $____ Cts., Philadelphia on Stone, Free Library of Philadelphia: Castner 26:12a, See Castner 26: 17 for watercolor study for print titled “At Frankford, Phila, Pa.” Signed A. Kollner drawn 1855. Drawing also dated "30 Nov. 1853." View includes, in the foreground, a “Frankford” paddleboat on the creek and horses at the creek bank. Also shows horses frolicking in front of the mills in the background.
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1855]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Castner 26:12a

Title: [Geo. S. Harris & Sons print specimens]
Description: Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]

Title: Ghost River the fall and rise of the Conestoga
Description: "Told from the Indian perspective, this graphic novel depicts the massacre of 20 unarmed Conestoga Indians in colonial Pennsylvania in December 1763 by a vigilante group of Scots-Irish frontiersmen known as the "Paxton Boys", first six Conestoga People at a settlement near what is now Millersville, and then fourteen remaining Indians -- six adults and eight children that were under protective custody -- days later in Lancaster. The graphic novel is half of the book. The other half contains interpretive materials and reproductions of historical documents. It also provides instructional guidelines supplied by the Gilder Lehrman Institute of American History."--, "Ghost River: The Fall and Rise of the Conestoga is part of Redrawing History: Indigenous Perspectives on Colonial America, a project of the Library Company of Philadelphia supported by The Pew Center for Arts & Heritage"-- Book's official website., Contents: Introduction / Will Fenton -- Artist statements / Lee Francis 4 & Weshoyot Alvitre -- Ghost River: graphic novel -- Indigenous representation in comics and graphic novels / Michael Sheyahshe -- Print and place in the Paxton crisis / Scott Paul Gordon -- Passion, politics, and portrayal in the Paxton debates / Judith Ridner -- Primary sources / Will Fenton -- Script and annotations -- Murder on the frontier: the Paxton massacre / Ron Nash & John McNamara.
Creator: Francis, Lee, IV, author
Date: 2019
Location: Library Company of Philadelphia | Books & Other Texts | Stack Uy1 A6270.O

Title: The Great panorama of the Indian massacre of Minnesota! will positively be on exhibition at [blank] Hall on [blank] 1864 In 1862 the great Sioux tribes of Minnesota and Dacotah were actors in one of the most savage and cruel massacres that history has ever recorded. Small parties roamed over the entire state, putting one thousand persons to death in the most cruel and barbarous manner--farm-houses entered and whole families put to death. Over 20,000 families, terror-stricken, left their homes, many of them to fall a prey to the red-devils in ambush. The exhibition will consist of the following views! all painted in the best style, and will be shown by a very powerful calcium or Drummond light on a canvas over twenty feet square! ... The whole to conclude with a laughable afterpiece! Admission, 25 cents Doors open at half-past 7 o'clock. To commence at 8
Description: Printed area, including double-rule border, measures 42.4 x 16.3 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Great (25)5761.F.111b (McAllister)

Title: Hayne Hudjini.
Description: In McKenney, T. L. and J. Hall. History of the Indian tribes of North America, v.1 (Philadelphia, 1836), plate opposite p. 79. Also in 1838-1844 edition., "There is a Chinese air of childishness and simplicity about [her countenance] .... She was the favourite wife of Shaumonekusse."--P. 79, Waist-length portrait of Hayne Hudjihini, wearing earrings and necklaces.
Date: [1836?]

Title: Henry Simons. Wagon & U.S. national coach works. Philadelphia
Description: Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Description revised 2021., Access points revised 2021., Philadelphia on Stone, POS 351, Lower left corner missing., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis Schell in the 1850s, and eventually owned his own press until around 1872.
Creator: Rease, W. H., artist
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department **W174 [P.2143]

Title: Henry Simons. Wagon & U.S. national coach works. Philadelphia [graphic] / W.H. Rease N.E. cor 4th. & Chestnut Sts.,i
Description: Date of publication supplied by Wainwright., Select link below for a digital image., Lower left corner missing., Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War.
Creator: Rease, W. H. lithographer., creator
Date: [ca. 1865]
Location: http://www.lcpgraphics.org/wainwright/W174.htm

Title: The Hunters three and O.N.T
Description: Circular promoting Clark Thread Company and depicting racist caricatures of African, Asian, and indigenous men. Volume also contains several lines of narrative, promotional text written as a children’s story. The front cover is a color illustration of three white "merry gentlemen" in Cololonial attire and riding on horseback as "they hunt and hunt." The men are attired in tri-corn hats; red jackets; white breeches with riding boots; and white wigs. They ride on a road towards the viewer. The figures are bordered with pictorial details of the Clark’s O.N.T trademark. The rider in the middle raised his hat with his hand. Image is reproduced in black and white on p. [2]. P. [3] shows the horsemen observe three white children standing before them whom they believe "...must be princes. They sew their clothes with O.N.T." P. [4] show the "gentlemen" observe from a distance three African Zulu men. The men drive a lion into a net made of O.N.T. thread. One man is nude except for a feather on his head and bangs a large drum labeled "Clark's O.N.T. spool thread." Another man is attired in a skirt made of palm leaves and carries a shield and arrows. A third man carries arrows and wears a feather on his head. P [5] shows the "hunters" "spy" "three happy Hottentots" who roll down a hill on large spools of Clark's thread in a "chariot race." The three African men have their hair in buns atop their heads and are attired in white shorts and hoop earrings. One man is also attired in a shell necklace, and two men hold spears. P. [6] shows the three men find a Chinese man flying a kite strung with O.N.T. thread thread and to which a Chinese boy is attached. He is seated on a rug with his back to the viewer. To his right is a pipe. His hair is styled in a queue, and he is attired in a white shirt with a vest decorated in a print of dragons and slip-on, cloth shoes., P. [7] shows the white men finding an Inuit man on a sled made from a Clark's spool and pulled over the ice by a team of dogs. The sled driver is attired in a hooded parka and boots. P. [8] the three riders encounter a Native American man reigning in a buffalo with O.N.T. thread. He is attired in knee-high boots; a patterned blanket draped around his chest; hoop earrings; and a feather headdress. P. [9] shows a view of the back of the three riders bordered by pictorial details of the Clark’s O.N.T trademark. The back cover is a color illustration of a white girl with long blonde hair attired in black boots; red stocking; a green dress; and a blue striped apron. She is seated on an oversize spool of O.N.T. thread and playing cat's cradle with a white boy. The boy is attired in a red fez; a green coat; blue stockings; and black boots. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Advertising text printed on verso of front cover: Use Clark's trade mark O.N.T. spool cotton on white spools! It is superior to all others for hand and machine use. Garments sewed with O.N.T. fast black will never show white on the seams after being worn or washed., Advertising text printed on verso of back cover: Use Marshall's linen thread on 200 yard spools. Guaranteed full length. Made from the bext flax, and Milward's Helix Needles in patent wrappers. For sale everywhere., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Distributor's name printed on p. [1]: George A. Cole, sole agent., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.31]

Title: Amer ican hair dye warranted Prepared only by Dr. D. Jayne, No. 8 South Third Street, Philadelphia, Proprietor of Jayne’s Hair Tonic, which besides being a delightful perfume, will increase the growth [sic] & beauty of the hair, and prevent it from falling off. No gentleman or lady’s toilet should be without it
Description: Advertisement containing a full-length portrait of a Native American standing in a clearing in the woods. He holds a bow in one hand and points to the sky with the other. A bundle of arrows is partially visible from above his shoulder and he wears a feathered headband. An ornamental border surrounds the image., Not in Wainwright., pdcp00027, Philadelphia on Stone, POSP 9, Free Library of Philadelphia: Philadelphiana - Advertisements
Creator: Dacre, Henry, b. ca. 1820, artist
Date: [ca. 1848]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Philadelphiana - Advertisements

Title: In eighteen fourteen, Scott, the Indian hero, made red hot work for the red men-yes and redder himself he cooled with Juleps, cold as zero iced by the famous Enterprise ice shredder
Description: Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Ice Shredder." Contains an anachronistic scene including a caricaturized depiction of Major General Winfield Scott following the Battle of Chippewa, July 5, 1814. Depicts Scott seated on a trunk and sipping a frosty julep through a straw as one of his soldier handles an Empire ice shredder on a cake of ice. Other soldiers stand guard behind him and in the background Native American lay on the ground and run. Also contains a view of the U.S.S. battleship Illinois. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Ice Shredder. Patented, 1893. For Shaving Ice coarse or Fine. Prices: No. 33 Tinned $7.20 per dozen. No. 34, Nickeled, $24.00 " ". The operation of our Shredder requires no explanation, being simply to draw the blade upon a piece of ice, the pressure applied producing fine or coarse pieces, as desired. To remove the finely cut ice from the cup, grasp the Shredder firmly in the right hand and strike it, inverted, upon the left, at the same time being careful to keep the lid closed. then scrape the ice into some convenient receptacle. It is not necessary to take the ice out of the refrigerator, as you may reach in and fill the cup from the side, end or top of a cake of ice without disturbing anything or wetting your hand. Its use will be appreciated for Fruits, Drinks, Oysters and clams on the half Shell, Olives, Celery, Radishes, Iced Tea, Sliced Tomatoes, etc., etc., and for many purposes in the Sick Room., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Vignette illustration on verso. Depicts a cross-section of the ice shredder on a cake of ice., Typeface on verso varies between prints., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1893
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.62 & 76]

Title: In sixteen eighty two, you surely have heard how William Penn and honest treaty made. All good Indians mourn him still and remember his proclamation of good will to use the Enterprise bone, shell, and corn mill
Description: Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise bone, Shell and Corn Mills." Contains an anachronistic scene including a caricaturized depiction of William Penn's Treaty with the Indian Also contains a view of the Electrical Building designed by Van Brunt & Howe. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Bone, Shell and Corn mills. Two Styles. It is a well-known fact that Bone, Meal, Ground Shells, Cracked Corn, etc. are excellent for poultry. These mills are especially adapted to grinding Bones, Shells, Corn, Roots, Bark, Grain, Chicken Feed, etc. When it is considered that pure raw bone meal is one of the best fertilizers, they will soon pay for themselves for that purpose alone. The grinders are warranted as hard as and equal to hardened cast steel, and can be regulated to grind coarse or fine, by adjusting a thumb-screw near the centre of the fly-wheel. They are good general mills for farmers, poultrymen, etc., and for compactness, strength and durability we consider them unexcelled. Our No. 650 commends itself to those who wish to save space. It is intended to be screwed or fastened to a wall, post, etc. Capacity of these mills, about 1 1/4 bushels of corn per hour. these mills are not intended for grinding "green bones," but can be used for that purpose after the bones have been dried. Prices. No. 650...$7.50. No. 750,...$7.50., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustration on verso. Depicts a No. 750 Enterprise bone, shell, and corn mill., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1893
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.65 & 74]

Title: The International Exposition 1876 at Philadelphia, PA. U.S.A View from George's Hill
Description: Allegorical commemorative print celebrating the internationalism and historic significance of the Centennial Exhibition. Depicts a bird's-eye view of the active exhibition grounds including the Agricultural Building, Horticultural Building, Main Building, and Machinery Hall. In the foreground, figures representing various races, ethnicities, and cultures convene and interact with one another. An African American woman and man sit on a bench. An African American man, attired in a black suit, tips his top hat and greets a white woman sitting on a bench. Groups of people stand in clusters to converse and walk including Native Americans, attired in feather headdresses, and Chinese women and men. Middle Eastern and Russian men ride on horseback. Contains ghost-like imagery visible in the sky depicting significant historic American moments, figures, and buildings, including William Penn's Treaty with the Indians, George Washington, and the White House. Contains the names of the prominent exhibition halls below the image., Copyrighted by George H. Ellsbury & J. Hayward., Philadelphia on Stone, POS 390, Accessioned 1983., Description revised 2021., Access points revised 2021.
Creator: Ellsbury, George H., lithographer
Date: 1876
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.8966]

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c
Description: Racist trade card promoting lace manufacturer J.W. LeMaistre and depicting a white man photographer showing a Native American person his photograph outside a pavillion. In the left, the Native American person, portrayed in racist caricature and attired a feathered headress, a tunic with a feathered skirt, hoop earrings, bracelets, and anklets, bends slightly forward and looks at a portrait photograph of themself. In the right, the photographer, attired in a long-sleeved blue shirt with a white collar, a pink bowtie, white pants, and black shoes, bends forward as he holds up the photograph from the floor with both hands. A large camera with hood stands behind him. Several white men pedestrians, an obelisk, and a neoclassical building can be seen in the left background. John W. LeMaistre (1840-1915) is listed in the Philadelphia directories as a lacemaker from circa 1880s. He incorporated the firm, the LeMaistre Lace and Embroidery Co., in 1905., Title from item., Date inferred from dates of operation of advertised business., Includes copyright statement: Copyrighted., RVCDC
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade cards - LeMaistre [P.2022.9]

Title: Mi-neek-ee-sunk-te-ka.
Description: Waist-length portrait of Mi-neek-ee-sunk-te-ka, seated, wearing beaded necklaces, bracelets, and earrings., In Prichard, James Cowles. The natural history of man (London, 1843), plate following p. 402., "Dr. Prichard’s Natural History of Man”., The distinctive physical features of the Mandan Indians - such as the prevalence of grey hair and variety of skin tones within the tribe - led Dr. James Prichard to include several of George Catlin’s portraits of Mandan Indians in his own anthropological works.
Date: 1842. [i.e. 1843]
Location: http://www.librarycompany.org/extraordinarywoman/6.1.htm

Title: [Miscellaneous prints from the Joe Freedman collection of Philadelphia ephemera]
Description: Collection of miscellaneous prints, including promotional novelties, vignettes, views, proof sheet of banknotes, a photograph reproduction, and a postcard. Imagery depicts City Hall, Continental Hotel, Girard Fire Insurance Company, interior of Independence Hall, "Bird's Eye View from Lemon Hill" showing the Fairmount Water Works, Market Street and Delaware Avenue, the storefront of optician William Y. McAllister and Alex. R. Harper & Bro., watches (728 Chestnut), and vignettes showing miners at work, and a view of laborers at work in a stone quarry juxtaposed with a view of Native American persons. Also includes a 1777 German calendar illustration showing Philadelphia along the Delaware River (.193x); an 1804? lottery ticket for the African Church of St. Thomas (.190x); a ca. 1833 proof sheet of bank notes in German for The Western Bank of Philadelphia; a ca. 1830 textile sewn on paper and illustrated with a genre scene in front of the "House of Refuge, Philadelphia"; a pocket-size political print depicting Philadelphia mayor-elect Morton McMichael holding a fox by its tail to satirize his 1865 election win over Daniel M. Fox; and a 1919 calligraphic envelope (in color inks) addressed to Mrs. Sarah Zook, Temple University Hospital, Broad & Ontario Streets, Phila, Pa. Some prints also depict street and pedestrian traffic. Vignettes are possibly specimens for illustrations on certificates., Title supplied by cataloger., Artists, photographers, and publishers include C. G. Childs, W. N. Jennings, and The Rotograph Co., P.2013.87.190x and 193x in frames and housed separately in phase box., Description revised 2021., Access points revised 2021.
Date: [ca. 1830-ca. 1950, bulk ca. 1860-ca. 1890]
Location: Library Company of Philadelphia | Print Department Freedman Collection - Box 2 - Miscellaneous [P.2013.87.2; 185-195x], Library Company of Philadelphia | Print Department Freedman Collection - Lottery & Calendar Illustrations [P.2013.87.190x and 193x]

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