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Title: Friday. Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman domestic washing a window. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; a blue, short-sleeved shirt with black stripes; an orange and yellow checked skirt; yellow, red, and white striped stockings; and black shoes. The woman sits on the window ledge with her legs crossed at the ankles. Her upper body is outside of the house as she washes the exterior of the window with a white cloth. The woman smiles at the viewer and says, “Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder.” In the right is a wooden bucket with a bar of soap labeled, “Higgins Soap,” on top of a wooden stool. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.84]

Title: [Bird’s eye view looking west on Chestnut from above Sixth Street, Philadelphia]
Description: View predominately shows the businesses (with pre-consolidation addresses) on the 600 block of Chestnut Street. Includes a three-quarter view of William S. Mariten, publisher & bookseller (144, i.e., 608) in addition to full views of the American Sunday School Union tenanted by Howell, Finn & Co. Paper Hangings (146, i.e., 610); the Jones Hotel (148-152, i.e., 616-620); and the William Waln residence, partially obscured by trees, at the corner of 7th and Chestnut streets. A man stands in the doorway of the wallpaper store as nearby a man reads the posted, encased bulletins of the American Sunday School Union. A woman enters the ASSU building that also bears a “Penna. Bible Society” sign. Pedestrians walk on the sidewalk and a man greets a woman in front of one of the entrances of the hotel at which carriages and a wagon are parked. On the block and at the distant intersection a man rides horseback and a horse-drawn carriage, wagon, and omnibus travel. Also shows blocks of buildings above Seventh Street as part of the vista. William S. Martien printed as an individual in Philadelphia between 1835 and 1854. American Sunday School Union tenanted 146 Chestnut Street 1827-1853. Jones Hotel was originally built circa 1800 by Jacob Vogdes as the residence of Benjamin Say., Not in Wainwright., Title supplied by cataloguer., Manuscript note on recto: SS Chestnut 6-7 . 144. 146., pdcp00008, Philadelphia on Stone, POS 46, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 6th-7th
Date: [ca. 1850]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut - 6th-7th

Title: [Proof vignette of Southern planter and scenes from the South]
Description: Proof vignette that was probably to be incorporated into a larger print. Shows a white man plantation owner, seated on a bale of cotton, surrounded by Southern agricultural iconography, including a twig of cotton, a mill building, and Black men laborers, possibly enslaved men, picking in a cotton field near a docked side-wheel paddle steamer. A horse-drawn wagon by a line of people is visible at the dock. Contains registration marks and a color mark., Title supplied by cataloger., Gift of David Doret, 2007., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860 - ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Allegories [P.2007.39.25]

Title: John Bull makes a discovery
Description: Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]

Title: View of Chestnut Street between 8 & 9 sts. (south side,) Philadelphia
Description: Busy street view showing businesses on the 800 block (802-824) of Chestnut Street. Majority of the storefronts show merchandise displays in the windows. Includes a storefront to let (800); Lewis Ladomus & Co., watches, jewelry & silver ware (802); Theodore H. McCalla, hats and caps (lower floor) and A. F. Lupus, morocco cases "upstairs" (804); Anthony Mustin, trimmings (806); Charles Dummin, importer, musical instruments, fancy goods & toys (812); J.W. Scott, gentleman's furnishing store and shirt manufactory (814); James S. Earle & Son, looking glasses & picture frames (816); Root Photographic Gallery operated by Dr. Bushnell and Ladd Webster & Co., sewing machines (818); Caldwell & Co., jewelers (822); and the Continental Hotel tenanted by Charles Stokes, "First Class Clothing One Price" and "Made to Order Short Notice," Charles Oakford & Sons, "hatters, furriers, hats, caps, cans [sic] & umbrellas, gentleman's furnishing goods" (near the ladies entrance of the hotel) and Frederick Brown Jr., druggist (824-838). Hotel also includes window shades for an unidentified store advertising watches and jewelry. In the foreground, heavy street and pedestrian traffic is visible in front and across from the storefronts. Several horse-drawn vehicles travel in the street past the sidewalks congested with pedestrians. Pedestrians include a newspaper boy, couples on promenade, a gentleman escorting two ladies greeting another gentleman, and patrons looking at store windows and entering the businesses., Vehicles include a "Chestnut & Walnut Sts." omnibus, horse-drawn carriages, a partially unloaded dray, and a Farrel & Herring (safe manufactory) delivery wagon drawn by three horses. Also shows men waiting at the main entrance of the hotel, mannequins attired in suits displayed outside of Stokes, and a model eagle holding a watch adorning the roof of the store of Ladomus., Philadelphia on Stone, POS 786, Historical Society of Pennsylvania: Bc 87 C 525a, Print torn in two.
Creator: Boell, William
Date: 1860
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Bc 87 C 525a

Title: The Delaware County Society, for the Promotion of Agriculture, Horticulture, Manufactures, and the Mechanic and Household Arts
Description: Fair certificate containing vignettes and scenes related to farming, industry, and domestic work. Predominately contains farm images that show farmers reaping, plowing, and threshing fields, transporting a truck of hay near the coastline, scraping feathers from a goose on a table as a locomotive travels past in the distant background, and a woman milking a cow in the field. Industrial images include women working at sewing machines and operating mechanical looms; a printer at a press; a mill; and a hull of a ship under construction. Vignettes also show farm animals and produce; bakeware, cookware, and other implements to prepare food; and the figure of William Penn., Not in Wainwright., Issued September 1857 to J[ohn?] Davidson for H[orse?] General Scott 2 years old. James Andrews, President. Abram P. Morgan, Secretary., Philadelphia on Stone, POSP 49, Historical Society of Pennsylvania: Bc 65 D 343, Free Library of Philadelphia: Philadelphiana - Societies - Certificates
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 65 D 343

Title: Scraps illustrative of the History of Philadelphia. Vol. VI
Description: Scrapbook containing predominantly newspaper clippings dated 1845-1849 that pertain to the built environment, history, and political, social, and cultural climate of Philadelphia. Contents include editorials; anecdotal, current event, and sensational news articles; and columns reporting about local interest stories, government and politics, and city development and entertainments. Several pages of the scrapbook are dedicated to newspaper coverage of the 1848 court cases of the "Trial of Pratt, Pence, and McGowan for conspiracy to pass Stolen Money" and the Pierce Butler and Fanny Kemble divorce. Daily, monthly, and yearly weather reports for the months and years 1840, 1845, 1847, 1848, 1849 also form several pages of content. Several articles also describe local disasters, including the destruction of the Schuylkill Water Works reservoir (1848); the ice accident on the Schuylkill (January 1849); and major fires near Water Street Wharf (1839), at the Presbyterian Board of Education on the 800 block of Chestnut (1849), at the public school on Catherine Street (1849), and at the City Gas Works (1848)., Several articles report about city improvements, including the enlargement of Fairmount; the growth of the city as a whole and development of neighborhoods (Bridesburg, Spring Garden district, and Germantown, including the residence of artist C.G. Childs); new establishments on Chestnut and Market streets, including confectioner J. W. Parkinson (900 block Chestnut) as well as shops on the 700 block and 400 blocks, respectively; and the dedication and completion of new churches (Church of the Assumption, Logan Square Presbyterian, and St. Mark’s Church)., Anecdotal and local affairs pieces report about the city's municipal services and policies, social mores, and entertainments. Subjects include the city's purchase of Penn’s Treaty Ground for public use; the extension of gas lines to Moyamensing; the 1846 Triennial Parade of Firemen in commemoration of the First Volunteer Company of the City; a relief mission to famine-stricken Scotland (1846); omnibus etiquette, the demographics of Third and Chestnut streets; the gang Moyamensing "Killers"; the men’s fashion trend of winter shawls (1853); the Christmas holiday season; the Chinese collection at the Chinese Museum; performances at Walnut Street Theater; and the Tom Hyer and Yankee Sullivan Prize Fight of 1849., Other articles discuss politics and government, particularly the activities of the local Whig party, including elections and party meetings; the Mexican American War, including casualties and the "Illumination of April 16, 1847" in honor of General Taylor and Scott’s achievements; education, including Girard College and the semi-annual examination of Central High School; and local trades, including iron, lithography (P.S Duval, p. 34), dry goods; bankers and the 1846 and 1848 reports of the Philadelphia Board of Trade; and the management of the city's dog population in 1848 (p.52-3). Editorials discuss the 1848 cholera epidemic, including brandy as "cholera medicine"; a sociological "View of Chestnut Street" (1845); Philadelphia architecture; and the city's commercial superiority over New York, including the book trade. Scrapbook also contains price lists; "'poetry' cut from obituary notices in the 'Public Ledger' "; columns from the series “Philadelphia Sights from a Steeple. Written for the North American”; “Benevolent Institutions” (1849); and “Letters from Philadelphia. From the Boston Atlas (1838) and a small number of graphics. Series topics include Philadelphia Institution for the Instruction of the Blind, the Orphan’s Asylum the public squares and schools, Chestnut Street Stores, the book trade, and museums and galleries. Graphics include the illustrated article "Philadelphia As It Is" depicting a caricature of an omnibus driver and vignettes showing the Fairmount Water Works, the Farquhar Building, Blue Anchor Tavern, and "Kriss Kingle's [sic] Head Quarters" (advertisement for Parksinson's confectionary)., Several of the contents annotated with a date., Wood engraved periodical illustration "The Hall of Independence, as Arranged for the Reception of the Remains of the Late Hon. John Quincy Adams." pasted on front free end paper. Print includes amateur hand-colored details. Cut out printed “Philadelphia” pasted below the print., "Index to set in back part of vol. XI.", Photographic reproduction of Faden’s "Plan of the City and Environs" (1747) removed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1822-1862, bulk 1855-1856
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 6 [(6)2526.F]

Title: North side of Chestnut St., extending from Sixth to Seventh St., 1851
Description: Street view depicting businesses along the north side of Chestnut Street between Sixth and Seventh Streets. Most of the buildings include signage. Includes, right to left, the four-story brick building with Blood’s Dispatch and Dr. J.H. Schenck & Co. "Schenck's Pulmonic Syrup" (601 Chestnut Street); the second building of the Chestnut Street Theatre (603-609 Chestnut Street, built 1820-1822 after the designs of William Strickland); the three-and one-half story hotel Bolivar House (611-613 Chestnut Street); Dr. Jayne's Philada Arcade & Dr. Davidson's Arcade Baths (615-619 Chestnut Street); Columbia House hotel operated by Ferguson & Bro. and tenanted by tailor E. G. Dorsey (625-631 Chestnut Street); and the three-story red brick building tenanted by L. Benkert's Boot Store (633 Chestnut Street), "Philadelphia Fashions" publisher Francis Mahan(635 Chestnut Street), and druggist A. Smith (637-639 Chestnut Street). Also includes heavy street and pedestrian traffic, including horse drawn carriages and carts and an omnibus, strolling couples, couples in conversations, and a newspaper boy at work., Title from item., Date inferred from commission date of other drawings in collection., Inscribed in lower left corner: 1851., Retrospective conversion record: original entry., Library Company. Annual Report, 1975, p. 6-11., Watercolor commissioned by Philadelphia antiquarian Ferdinand Dreer circa 1880 and probably based on Julio H. Rae's Philadelphia Pictorial Directory & Panoramic Advertiser (Philadelphia: Julio H. Rae, 1851) plate 9, north side and plate 10, north side.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.44], http://www.brynmawr.edu/iconog/evans/files/plc044.html

Title: North side of Chestnut St., extending from Sixth to Seventh St., 1851
Description: Street view depicting businesses along the north side of Chestnut Street between Sixth and Seventh Streets. Most of the buildings include signage. Includes, right to left, the four-story brick building with Blood’s Dispatch and Dr. J.H. Schenck & Co. "Schenck's Pulmonic Syrup" (601 Chestnut Street); the second building of the Chestnut Street Theatre (603-609 Chestnut Street, built 1820-1822 after the designs of William Strickland); the three-and one-half story hotel Bolivar House (611-613 Chestnut Street); Dr. Jayne's Philada Arcade & Dr. Davidson's Arcade Baths (615-619 Chestnut Street); Columbia House hotel operated by Ferguson & Bro. and tenanted by tailor E. G. Dorsey (625-631 Chestnut Street); and the three-story red brick building tenanted by L. Benkert's Boot Store (633 Chestnut Street), "Philadelphia Fashions" publisher Francis Mahan(635 Chestnut Street), and druggist A. Smith (637-639 Chestnut Street). Also includes heavy street and pedestrian traffic, including horse drawn carriages and carts and an omnibus, strolling couples, couples in conversations, and a newspaper boy at work., Title from item., Date inferred from commission date of other drawings in collection., Inscribed in lower left corner: 1851., Retrospective conversion record: original entry., Library Company. Annual Report, 1975, p. 6-11., Watercolor commissioned by Philadelphia antiquarian Ferdinand Dreer circa 1880 and probably based on Julio H. Rae's Philadelphia Pictorial Directory & Panoramic Advertiser (Philadelphia: Julio H. Rae, 1851) plate 9, north side and plate 10, north side.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.44], http://www.brynmawr.edu/iconog/evans/files/plc044.html

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

Title: Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
Description: Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]

Title: [David Doret collection of Philadelphia clothing, shoes, and related manufacturers and trades billheads]
Description: Collection of billheads for Philadelphia clothing, shoes, and related manufacturers and trades, printed between ca. 1840 and ca. 1890, and containing primarily decorative and ornate lettering and ornamented type. Some also contain illustrations and pictorial details, including cameos and ornaments. Illustrations depict exteriors of storefronts and pictorial details depict frame motifs composed of scrolls and leaves with a beehive at the bottom, ribbons, filigree, and ornamented and geometric patterns and designs. Other ornaments depict a medal awarded to A. Hippman with the profile of Benjamin Franklin (Ladies French shoemaker Julius Heck, successor to Hippman) and a cameo containing the image of a boot (boot and shoemaker Philip Heppe). Exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Businesses represented include clothing stores, tailors, manufacturers of umbrellas, shirt and shoemakers, and importers of staple and fancy dress goods., Proprietors and firms represented include H. Atkinson, O. Bardenweper, C. L. Benkert, Jacob Bieg, L. Blaylock, George Bruder, C.H. Garden & Co., E.P. Gill & Co., Freeland & Brother, J.C. Harman, Julius Heck, Philip Heppe, J. Heumann, S.B. Hinchliffe, Hirsh & Brother, J. Meier & Bro., John Wanamaker & Co., Peter Kayser (Kaiser), C. F. Kienzle, Frederick Klages, L. Moore (& Co.), F. J. Lammer, T.B. Latimer, McIntire & Brother, J. A. Meister, Jacob. K. Ritter, J. F. Roller, Rue, Keys & Smith, T. Leupold & Bro., William Tiller, and Wright & Brothers., Most of the prints are trimmed and all are completed in manuscript, including name of purchaser; type, amount, and price of items purchased; the total amount charged; and "paid" note., Several contain manuscript notes on verso, typically the name of purchaser., Majority addressed to Mr. Karl de Bubna (ca. 1831-1900) or Mrs. [Augusta Amelia Marsh] de Bubna. Karl de Bubna was a Philadelphia music teacher and Augusta de Bubna (1844 - ) was a writer., Small number addressed to C[hristian] Schrack (1790-1854). Schrack was a Philadelphia paint and varnish manufacturer., Some contain "removed to" new address stamped notices., Some have portions clipped away., Various printers and lithographers, including Henry A. Brown, William Colbert, Ephraim W. Conner, Craig, Finley, & Co., M. Dahlem, Evans (probably George G. Evans), J. Haehnlen, Ketterlinus, Leisenring Printing House, Mack & Braden, Wm. Mann, Muehleck & Scheu, Schnabel & Finkeldey, and Spencer & Van Fleet., Gift of David Doret., Inventory available at repository.
Date: [ca. 1840-ca. 1890]
Location: Library Company of Philadelphia | Print Department Doret Philadelphia Clothing ... Billhead Collection [P.2022.62.2]

Title: "Saturday Jaunts: One-Day Holidays Spent Near the City" by the Ledger Monastery
Description: Volume composed of reprinted "Saturday Jaunts" columns (spring and summer 1891) and 25 photographs documenting the one-day excursions of the "Saturday Jaunters," employees of the Public Ledger in Philadelphia. Saturday Jaunters (identified with "monkish" pseudonyms) referenced in and authors of the columns include Bonifacius (William E. Meehan), Benedict (Addison B. Burk), Chrysostum (Joel Cook), Angelo (John J. Mckenna), Damon (Charles S. Spangler), Photius (Edmund Stirling), Friar Tuck (Edward Robinson), Constantius (Stephen J. Burke), Pius (Israel F. Sheppard), Sacristan (C. Johann), Fabian (Dr. William H. Burk), Medicus, Ananias (Collins W. Walton), Titian (John A. Johann), Cephas (Peter J. Heborn), and Brother Alban (Captain Robert C. Clipperton). Contains the columns: I. Marble Hall and Spring Mill. II. A Visit to the Coal Fields of Pottsville. III. A Trip along Cresheim Creek and the "Happy Valley." IV. A Roundabout Journey to Edge Hill. V. A Pilgrimage through the Gulf and to Belvoir. VI. A Pilgrimage through the Gulf and to Belvoir (Continued). VII. A Pleasant Pilgrimage into New Jersey. VIII. A. Walk Up the Wissahickon Valley. IX. A Trip to Reading and Its Grand Environs. X. The Soapstone Quarries and Rockdale. XI. Villanova and Its Vicinity. XII. Glimpses from a Car window of a Picturesque Country. XIII. A Trip to Mount Gretna and the Cornwall Ore Banks.

Title: Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days' Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, evocative theatrical performances, acts of daring, cross dressing and comic scenes in silhouette.

Title: Scrapbook of Prints
Description: Scrapbook containing primarily engraved periodical illustrations issued between circa 1820 and 1852 from American publications, including "Wellman's Literary Miscellany" and "Sartain's Magazine." Illustrations predominantly depict sentimental, religious, and genre views, many after European paintings, and often including children and animals, predominantly dogs.

Title: Thomas Leiper and family business records
Description: The Thomas Leiper family business records include “Letterbooks;” “Estate records;” “Paper, lumber and wood business records;” “Quarry business records;” “Tobacco business records;” and “Miscellaneous and household accounts and receipts,” dating from 1771 to 1947. These volumes document the business efforts of Thomas Leiper and his descendants, including the businesses of Thomas Leiper and Sons, Tobacconists; several quarries; a lumber yard and stable; and the Caldwell and Crosby estates. In addition to his other businesses, Leiper bought and sold real estate.
Creator: Leiper, Thomas, 1745-1825
Date: 1771

Title: Chestnut Street, East of Fifth
Description: Panoramic view showing businesses marked with pre-consolidation addresses on the south side of the 400 block of Chestnut Street (134-140, i.e., 420-428). Signage and ornaments adorn the buildings. Includes L. J. Levy & Co., dry goods store (420); Bailey & Kitchen, jeweler, and Broadbent & Co. daguerreotype rooms (422); W. F. Warburton late W.H. Beebe & Co., hatter and C. Stinger, dressmaker(424); James E. Caldwell & Co., jeweler (426); Root Gallery of Daguerreotypes, Wriggens & Warden, jeweler, and S. Marot, engraver (428). Also shows heavy street and pedestrian traffic, including horse-drawn carriages and an omnibus. Part of the old City Hall at Fifth and Chestnuts is also visible. A crowd of people stands at the tree-lined street corner near the building., Philadelphia on Stone, POS 541.1, Historical Society of Pennsylvania: Bb 856 Sc 57, HSP copy inscribed on recto: Prest by J. C. Browne., Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street - 4th-5th (2 copies), Athenaeum of Philadelphia: General Prints Collection - PRM071, Gift of David Doret.
Creator: Collins & Autenrieth, artist
Date: c1856
Location: Library Company of Philadelphia | Print Department *W263 [P.2007.21.18]

Title: Green's August Flower and Boschee's German Syrup. Portfolio of views in Fairmount Park, Philadelphia Presented by R.D. Pulford, druggist, Mineral Point, Wis
Description: Eight-page foldout advertisement for George Gill Green's "August Flower" and "Boschee's German Syrup" containing advertising text pages and five views of Fairmount Park including the Fairmount Water Works and Resevoir, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Also shows horse-drawn carriages pulling men and women racing north on East River Drive under the New York Connecting Railway Bridge, built 1866-67 after designs by Joseph A. Wilson for the Pennsylvania Railroad. The Promontory Rock Tunnel, bored in 1871, is visible in the background. Other images include people leisurely rowing on a creek under the bridge to Lansdown Island; park visitors standing on a pathway that overlooks the Schuylkill River from the Fairmount Water Works; and men and women strolling, sitting, and traveling in horse-drawn carriages along Wissahickon Drive. Paragraphs of advertising text promote George Gill Green's "August Flower" as a "natural cathartic" that "corrects the acidity of the stomach," and "it is established fact in every town and village on this continent, that [Boschee's] German Syrup is the only remedy that has given satisfaction in severe cases of Lung Disease." Green was a patent medicine entrepreneur who purchased the rights of these two medicines from his father, Lewis M. Green., Not in Wainwright., Philadelphia on Stone, POS 330
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department *Helfand Trade Cards - Patent Medicine - G [P.9828.1686a]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings and graphics dated between 1858 and 1859 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes overviews of Central High School, the schism between Orthodox and Hicksite Quakers, and the construction of the Continental Hotel; descriptions of Maelzel's Chess Automoton; reports of sold, new, forthcoming, and razed buildings, particularly on Arch, Chestnut, Walnut, and North Third streets; the development of Fairmount Park; police station and fire hose company demonstrations and events; reports on the state of local trades and manufacturing, including wool, buttons, and straw goods; descriptions of fancy balls of local clubs and organizations, including the Sons of Malta; passed city ordinances, including the forbiddance of market wagons standing on Market Street; church events and pew sales; estate, building, and personal library sales by noted auction house M. Thomas & Sons; public displays of art, including Thomas Sully's "Illustrations of Robinson Crusoe" at the Earle's Galleries; theatre engagements, particularly at Walnut Street Theatre; weather conditions and their effects on the citizenry; and local anecdotes, including scams. Also contains real estate, stock, and cattle market price lists; classified, commencement, benevolent institution, and "Balls and Parties" listings; an illustrated sheet music advertisement for "Philadelphia Passenger Rail Road Polka by Goldsmith"; a public notice against coal ashes thrown on side walks; Poulson's invitations to club meetings (Wistar Party and Franklin Lodge); and periodical illustrations, advertisements, and prints showing businesses, schools, household furnishings and implements, and social satires, predominately about women's fashion., Graphic materials include engravings, lithographs, trade cards and cameo stamps depicting A. Wiltberger, druggist (233 N. Second); Charles Adams, dry goods (Arch & Eighth); D. G. Wilson and J. G. Childs & Co., Philadelphia Plantation & Road Wagon Works (2612 N. Second); Edwin Greble, dealer in foreign and domestic marble (1700 block Chestnut Street); E. P. Moyer & Bros., harness and trunk makers; Gans Leberman & Co. (16 N. Third), wholesale clothing emporium; George Doll & Co., importers of fancy goods (14 N. Sixth); Jones, White & McCurdy Dental College (700 block Arch); Lightfoot, Shoemaker & Co., hats (415 Arch); Mount Vernon Hotel (117-119 N. Second); North, Chase & North, stoves, heaters and ranges (Second anf Mifflin); [Samuel] Simes, chemist (Twelfth and Chestnut); Schaffer & Roberts, fancy goods and notions (429 Market); Watson & Cox, wire manufactory (46 N. Front); Wm. A. Drown & Co., umbrella manufactory (246 Market); Wm. Colbert, Safety Envelope Manufactory (123 S. Fourth); William Warnock, dry goods (39 N. 8th St.); the Hope Hose & Steam Fire Engine Co. No. 2 of Philadelphia; "H. Sebald, Designer & Engraver on Wood"; Maas & Vogdes, fancy printers; [William] McRea, stationer, card engraver & printer; "Phalon’s Cocin or Cocoa-nut Oil"; and "Spalding’s liquid glue." Prints also depict vignette images of cooking ranges, stoves, a piano, and a window awning, and cartoons satirizing ladies crinolines and the political "Salt River.", Majority of contents annotated with a date by Poulson., Title page illustrated with a lithograph and wood engraving. Lithograph is a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal. Wood engraving shows "Independence Hall.", Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procurred." Cut out designed with ornamental pictorial details frames inscription., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include J. H. Byram; George G. Evans; Familton & Chemin; F. Pilliner; David Scattergood; Robert Telfer; [Wellington?] Williams; and Van Ingen & Snyder., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1858-1859
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 1 [(1)2526.F]

Title: South side of Walnut Street west of Third Street
Description: Pre-consolidation view of several properties and pedestrian activity on Walnut Street near Third Street. Includes J.H. Earle's tailor shop and Charles Toppan's bank note engraving business (60 Walnut Street, east of Third Street); Watson's Lithography at the southeast corner (62 Walnut Street), with Samuel W. Thackara, conveyancer, facing Third Street; J. Hancock & Co., upholsterers, at the southwest corner of Third and Walnut; and the first building of the Philadelphia Saving Fund Society. Pedestrian traffic including men, women and children strolling down the street in groups, a horse-drawn carriage traveling north on Third Street, and a man pushing a handcart west on Walnut Street., J.F. Watson operated his lithography business from 62 Walnut Street between 1835 and 1843., Title supplied by cataloger., Not in Wainwright., Philadelphia on Stone, POSA 83
Date: ca. 1837
Location: Library Company of Philadelphia | Print Department ***Drawings & Watercolors - unidentified - W [357M]

Title: Illustrations of Philadelphia. Vol. IX
Description: Scrapbook containing newspaper clippings, prints, and ephemera predominately dated 1857 and pertaining to the built environment, and social, cultural, and economic climate of Philadelphia. Majority of the contents are articles about city businesses and industries; public interest stories; editorials relating to public concerns and social mores; reports, lists, and statistics; and caricatures and cartoons. Several articles concern the new house numbering system; the chartering of Fairmount and Sedgeley parks; the Academy of Music (New Opera House), including the inaugural ball and first opera season; the temporary relocation of the Post Office; progress of Camden; volunteer fire companies, including the debate over the oldest instituted, new fire houses, and parades; fires on the 300 and 600 blocks of Chestnut (i.e., Peterson/Goodyear building and Melodion); transportation, including omnibus lines and the Camden and Atlantic, and Philadelphia and Baltimore Central railroads; and the new coinage of cents issued from the mint. Also contains numerous columns about building dedications, laying of cornerstones, and improvements and new construction to the city’s infrastructure, including Drown’s Umbrella Manufactory (86 Market); the silver plated ware establishment of John O. Mead (Ninth and Chestnut); the Butler house lot (800 block Chestnut); the hall of the "Colored Masons"; the Spring Garden district and Northwestern section of the city (Twelfth, Thirteenth, and Fifteenth wards); the Pennsylvania Bank building; First Welsh Presbyterian Church (1500 Lombard); the Penn Widow’s Asylum; Washington building (000 block S. Third); and the restaurant of John Campbell (500 block Chestnut)., Other articles describe the Library Company’s receipt of the ca. 1720 Peter Cooper painting of Philadelphia; culture, politics, and economy of the year 1856; local medical schools and hospitals, including Penn Medical University, Jefferson Medical College, Philadelphia small-pox hospital, and Eclectic Medical College; local industries and trades, including Wood & Perot's ornamental iron work establishment, Newell & Knight barrel making machinery and the oyster trade; and Moyamensing Prison. Anecdotal columns and editorials provide commentaries about Philadelphia Insurance companies; Aprils Fools Day; servants; tramps; the city’s “noisy spot” of Third and Chestnut; the lore of stage coaches; popular catch phrases, including those from the theater; the Molly Maquires; the public expense of public lamps and paupers; the importance of newspapers, including as a more perfect venue for advertising than storefront signage; the poor use of the language in classified advertisements; storefront and tavern signages (p.41-42); and the cricket mania. Also contains historical pieces about the University of Pennsylvania; Independence Square; Chew’s Mansion; Zion Lutheran Church; and the Chinese Museum; reports, lists and statistics detailing the crime and mortality rate, sales of stocks and real estate; the retail, cattle and produce markets, meteorology and weather, telegraph use for the year, the comparative health of manufacturing cities, and architectural improvements in progress; a column about how the 1785 city directories represented the population of the city from the series "Philadelphia As It Was"; and an illustrated article about shawls., Graphics, predominately caricatures and cartoons, include lithographs, engravings, and wood engravings. Majority of cartoons satirize the hoop skirt, including the Clara and Charles series. Other cartoons satirize German beer culture, patent medicine, P.T. Barnum, and the social mores of the upper classes. Caricatures, often racist, depict African Americans while at work, including a sweeper, cook, and painter. Prints also include advertisements, vignettes, and views. Advertisements depict the Union hotel (300 block Arch); Thornley & Chism, importers, jobbers and retailers of fancy & staple dry goods (N.E. cor. Spring Garden and Eighth); Lincoln, Wood & Nichols, manufacturers and importers of straw goods; and Fairbank’s patent platform scales. Vignettes depict a knife cleaning apparatus, Olmstead stove, and a piano. Views show a genre scene titled by Poulson "An ‘omnibus’ sleigh and a 'rung' "; the Academy of Music; Jefferson Medical college, Presbyterian Church; Central Presbyterian Church; and "The Performing Elephants" at the National Circus accompanied by the classified for the performance. Scrapbook also contains ephemera, including the "Deaf and Dumb Alphabet" chart inscribed "In use at Phila Institution 1857 as per report Jany 1858" ; a "Premium medal, Franklin Institute"; and two elaborately illustrated tickets to the Pennsylvania Horticultural Society., Majority of contents annotated by Poulson with dates and explicative manuscript notes., Title page trimmed and illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Chart "Length of Squares East and West" pasted on verso of title page., Label inscribed "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP" pasted on verso of front free end paper., "Index to set in back part of vol. XI.", Insert: “Report of the President of the Girard College to the committee on Instruction September 3, 1850, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 9 [(9)2526.F]

Title: Illustrations of Philadelphia, from fugitive sources only
Description: Scrapbook containing clippings, prints, and ephemera dated between 1778 and 1864 pertaining to the built environment, and social and cultural climate of Philadelphia. Illustrated newspaper and periodical clippings (several from The Casket) describing prominent city landmarks during the 1820s to 1840s forms the majority of the content. Subjects include St. Stephens Church (Poulson's annotation states image includes the rear of President’s House on Ninth Street in background); Pagoda near Philadelphia; Gray's Ferry; the Philadelphia Library (i.e., Library Company of Philadelphia); "Statue of Wm. Penn, at the South Front of the Pennsylvania Hospital"; "New Street Cleaning Machine"; and "Rail Shooting on the Delaware.", Scrapbook also contains newspaper articles, advertisements, and prices lists. Subjects include historical anecdotes about Market Street in 1729, the Library Company of Philadelphia, Walnut Street Theatre, Letitia Court, Dock Street, Superstitions of ‘Ye Olden Times,’ and American “firsts”; improvements and alterations to city architecture, including Walnut Street Theatre and the State House; Infant Schools; the April 25, 1846 Eclipse of the Sun; an 1828 transparency illustrated with a caricature of Andrew Jackson; the dissolution of the circulation of “small notes” (1828); the Labyrinth Garden of Thomas Smith at Arch above Broad; Pennsylvania Museum and Menagerie (Market Street); commemoration of the Landing of William Penn; steamboat and stage coach schedules (1828); shift in social classes in Philadelphia society (1842); the 1837 court case against Commodore Perry sloop Capt. Blankman; and the Mauch Chunk Railway. Ephemera includes a facsimile of the original circular "Proposal for the Printing of a large Bible, by William Bradford" held by Nathan Kite. Many of the articles are accompanied by commentaries or are partially transcribed by Poulson. Scrapbook also includes detailed manuscript notes about Hamilton Mansion and the Old Court House., Graphic materials, predominately advertisements and views of prominent landmarks, include wood engravings, engravings, lithographs, and an albumen print. Views include images of "T.W. Dyott’s Apoth’y and Patent Medicine Store N.E. cor. Vine and Second Street"; "Gray’s Ferry on the Schuylkill (a Relic of the Olden Time)"; "Green Hill, The Seat of Samuel Meredith Esq. near Philadelphia"; Birmingham Meeting House "from a Daguerreotype by Mess. Langenheim"; and Cornelius & Baker manufactories on Cherry Street and Columbia Avenue. Advertisements depict N. Lloyd & Son (Seventh and Cherry) elegant coal grates; John Duross Black Horse Alley Old and Extensive Printing Establishment (showing a printing press); M.B. Dyott, manufacturer of Gas Fixtures and Lamps; Bennett’s Tower Hall Clothing Bazaar; Moore, Henzey & Co., hardware; and Wright, Smith & Co., china, glass, queensware. Graphics also include an 1828 vignette showing a carriage and captioned "High Fashion"; "The Stage Coach in 1816"; an 1857 caricature of a Quaker couple; and material added in the 20th century, including a 1905 photo-engraving of the "House and Counting House of Stephen Girard.", Majority of contents annotated with a date and explicative manuscript notes by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued for Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of front free end paper contains Poulson inscription: “The Dates of the articles herein, are those of the newspapers &c from which they were cut. Cut out designed with floral details frames the inscription., "Index to set in back part of vol. XI.", Artists, engravers, and printers include John Boyd; William Breton; Jacob Hoffman; George Gilbert; John Hill; Kennedy & Lucas; E. Rogers; Frederick Pilliner, Samuel Sartain; M. Schmitz; James W. Steel; and George Worley., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Several pages have been removed., Small number of original photographs by McClees removed to the Print Department.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1798-1864, bulk 1829-1845
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 11 [(11)2526.F]

Title: Collections from fugitive sources only, illustrative of the antiquities, progress & c. of the city Philadelphia
Description: Scrapbook containing newspaper clippings and prints, predominantly dated between 1850 and 1855, pertaining to the history and built environment, and social, cultural, and economic climate of Philadelphia. Subject matter mainly relates to improvements to the cityscape, transportation, businesses and industry; historical articles (some illustrated) about the evolution of the city, including notices of destruction of former landmarks; daily, yearly, and seasonal accounts about the weather; and reports (and prices lists) for mortality, election returns, real estate sales, city permits, taxables, debt, stock, trade, exports, and cattle, domestic, and produce markets. Articles about city improvements (some illustrated) describe new construction of churches, storefronts and factories, residences, and places of amusement, on major Center City streets and outerlying neighborhoods, including Arch Street, North Second Street, Market Street, Chestnut Street, Belmont district, Bush Hill, Germantown, Moyamensing, North Philadelphia, Penn District, the Seventh Ward, Southwark, West Philadelphia, and the “vicinity of the Navy Yard.”, Properties referenced include the American Sunday School Union (1100 block Chestnut); Bulletin Building (Third Street below Chestnut); New Presbyterian and Tabernacle Baptist churches; Major Eastwick’s estate at Bartram’s Gardens, Newlin’s Brewery (100 block N. Second), the Farquhar Building (opp. Merchant’s Exchange); Girard Buildings (Chestnut and Third); Matthew T. Miller & Co. (Third and Chestnut); New Masonic Temple (713-721 Chestnut); Stoddart & Co. (278-282 N. Second); M. Thomas & Sons (100 block S. Fourth); Cornelius, Baker & Co. (800 block Cherry Street); Caleb, Cope & Co. (429 Market); the Concert Hall; City Museum; Pennsylvania Academy of the Fine Arts; Philadelphia Gas Works; Farmer & Mechanics Bank; Howell Evans, printing establishment (130 S. Fourth); New Iron Building (600 Arch); Xavier Bazin, perfumer (Seventh and Chestnut); T.W. Evans & Co., mantle and silk store (214-216 Chestnut); and the New Assembly Building (Tenth and Chestnut)., Also contains columns from the series “Benevolent Institutions of Philadelphia” (1849); “Churches and their Pastors” (1849); “Philadelphia in Olden times” (1853); “Reminiscences” (Sunday Dispatch, 1853); “The Progress of Philadelphia”; local historian Thompson Westcott’s “Street Scenes: Philadelphia in 1798, 1799 and 1800” (Sunday Dispatch, 1853); and "Revolutionary Relics" (1854). Topics of historical pieces include Cathedral Cemetery; several churches, including Assumption, Swedes, Tabernacle Baptist and Associate Presbyterian; Videll’s Alley; Market and Chestnut streets; Centre Square; the Pennsylvania Hospitals, including for the Insane in West Philadelphia; Naval Asylum; Commissioner’s Hall, Spring Garden; Robert Morris Mansion; the "libraries of Philadelphia," including the Library Company; and the city police, Quakers and Odd Fellows., Other articles report about the consolidation of the city (including a satiric piece criticizing the grand consolidation ball); Girard College; Philadelphia medical schools, including the Female Medical College of Pennsylvania; auctions conducted by M. Thomas & Sons and James A. Freeman; meteorological reviews, reports and bizarre weather lore, including the 1850 freshet on the Schuylkill; the gas industry in the city; various city water works, including Fairmount and Schuylkill; the number and improvements to omnibuses and their lines and other modes of transportation, including steam boats, ferries, and railroads; improvements to Camden; islands in the Delaware, including Windmill Island. Additional subject matter includes temporary housing of the Post Office in the Jayne Building on Dock Street; “haunts of vice and misery,” including raffling , i.e., gambling, and dance houses; the cleaning of streets through ordinances and sweeping machines; daguerreotypist M. A. Root as the first bidder of the auction of Jenny Lind Tickets in 1850; critical and satirical articles about the newest style of men’s striped pants, the 1855 city directory, the implementation of police hats, and artificial stone fronts on houses; an 1853 benefit at the Parisian Hippodrome; and a black book at the mayor’s office for the reception of “complaints of citizens.”, Scrapbook also contains wood engravings (several from newspaper and periodicals), engravings, cameo stamps, and lithographs. Graphics include predominantly advertisements and cameo stamps. Images show the various locations of the Charles Oakford hat manufactory, including his first shop on Lombard and the mulit-tenanted building on the 700 block of Chestnut; F.C. Kropff, chemical warehouse and laboratory (380 N. Sixth); Keen & Co., manufacturers of ranges and furnaces (Broad & Sansom); J. Smith Harris, merchant tailors (61 S. Fourth); Samuel Hart & Co., manufacturers of playing cards, mother o' pearl goods, and traveling bottles (236 S. Thirteenth); Thomas J. Dickson, brush manufacturer (66 S. Second); W.H. Maurice, blank book and stationery establishment (123 Chestnut); M. Thomas & Sons, auctioneers (67-69 S. Fourth); storefront and factory for Howell & Brothers, paper hangings; the storefront and Callowhill Street manufactory of Daniel Bohler & Co., essence of coffee; Horstmann’s Manufactory (Fifth and Cherry); James Moore’s Porter & Ale brewery (700 block S. Thirteenth); Inquirer Office Building (Third and Carter); interior view of George J. Henkels City Cabinet Warerooms (173 Chestnut); the New Hat Company’s Store (201 Chestnut); John H. Weaver & Co., grocers and tea dealers (Second and Pine); Homeopathic Medical College; J.W. McCurdy & Son, ladies boots and shoes (111 Chestnut); Pratt & Reath, watches & Jewelry (80 Market;) and "View of N.A. College of Health" (Fifth and Race)., Also includes views of benevolent and educational institutions and historical buildings; clipped vignettes showing “Parlors Stoves 1854,” "Newly invented chimney top ventilator," “Fashionable bonnet,” “Melodeons” (with descriptions and prices), spectacles, shoes dated 1832, a “Prize pianoforte,” and a “Washing Machine 1854”; and clipped images of street laborers, including a boy selling lozenges, a “pandy woman” holding a baby to her chest, a female “rag picker,” a girl selling fruit, an organ grinder, “itinerant news boy,” wood collector, and a street advertiser holding a picketed sign promoting "designer and engraver [David] "Scattergood." Latter annotated “a common method of advertising through the streets.”, Several of the clippings annotated by Poulson with dates and manuscript notes., Cut out designed as a monument-like edifice with ornamental pictorial details pasted on title page. Cut out frames title written in ink. Also includes vignette pen and ink sketch showing a beaver., Note by Poulson on verso of front free endpaper: "The dates affixed to the articles in this book, all generally, those of the newspapers from which they have been cut. CAP", Artists, engravers, and lithographers include J. H. Brightly, J. Cone, George T. Devereux, [ ] Farmelee, Alfred Hoffy, Francis Kearny, David Scattergood, R. Telfer, Wagner & McGuigan, and J. L. White., "Index to set in back part of vol. XI.", Volume 7 includes separate index to volume. Index detached and housed with original of volume., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1828-1855, bulk 1850-1855
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 7 [(7)2526.F]

Title: Mason's challenge blacking. James S. Mason & Co., nos. 138 & 140 North Front Street, Philadelphia
Description: Advertisement depicting a "shoe blacking" competition between two African American shoe shiners to promote the manufactory of blacking established in 1832 by James S. Mason. Shows two African American men, portrayed in racist caricature, holding a brush, a canister of "Mason's" blacking, and a boot, while they dance on a table. An African American man fiddler sits on a stool and plays. In the foreground, a white man holds an oversized boot. A white shoe shine boy, his pack on his back, stands behind an older man holding his arm as he points at his reflection in the boot. In the left background, a troop of white Union soldiers marches in behind a parade marshal adorned in "M" insignias. The men carry a banner reading "Mason's (Original) Challenge Blacking (Philadelphia)," as well as boots, and signs spelling "M-A-S-O-N." In the right background, a crowd of spectators, including figures likely representing Germany, the Ottoman Empire, Britain, and possibly France, stand and watch the competition attentively. Scene also includes boxes of Mason's Challenge Blacking. Following the death of Mason in 1888, his son Richard assumed the business which was in operation into the 20th century., Title from item., Date inferred from directory listings for the artist and engravers., Attributed by cataloger to Francis H. Schell, but possibly by Frederick B. Schell., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Schell, Francis H., 1834-1909, artist
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Ph Pr - 11x14 - Advertisements - M [P.2013.51]

Title: [Manufacturing cigars for the poodles. A sketch from the Havannah.]
Description: Print depicting West Indian Black men cigarmakers, portrayed in racist caricature, and their English customers criticizing the use of tobacco and the corrupt nature of enslaved labor. The cigarmakers, attired in sarongs or loinclothes and some with caps, speak in the vernacular, "You mak'a nice ting for Massa Poodle to suck." They soak tobacco, which is dripping wet and giving off a stench, in a large barrel labeled "hospital tub," and in their own urine and vomit to produce "high flavored" cigars. In the left, a Black man vomits into a basin filled with tobacco leaves and says, "What a tink! de smell mak'a me sick." In the right, a man squats and urinates into another basin filled with tobacco. Horrified British dandies look on while one comments, "Oh the Negers, is that the way they make the high flavored cigars, I'll never Suck another.", Title from duplicate copies at the William L. Clements Library, Ann Arbor, Michigan and The Lewis Walpole Library, Yale University, New Haven, Connecticut., Purchase 1991., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: October 5, 1827
Location: Library Company of Philadelphia | Print Department political cartoons - 1827 [P.9345]

Title: Lecompton funeral
Description: Cartoon satirizing Colonel Thomas B. Florence, the only successful Philadelphia Democrat in the Congressional race of 1858 despite his support of the recently defeated pro-slavery Lecompton Constitution advocated by President Buchanan ("Prince James"). Depicts Florence, with the head of a donkey, leading a funeral procession for the "dead" constitution. The procession is composed of: white men shipworkers of the "Two Sloops," which rescued Florence from the "wreck of Lecompton" (an allusion to the decisive electoral support provided by the Philadelphia Navy Yard workers actively supported by Florence's committee work); four, white men pallbearers carrying the "remains of Lecompton" in a coffin resembling an outhouse and inscribed with the names of the unsuccessful Democratic Congressional nominees, "Phillips," "Landy," "Jones" ; and two semi-human figures bearing the flag "discharged ship carpenters.", Title from item., Publication date supplied by manuscript note in Poulson's Scrapbook, Vol. 1, p. 29., Text printed on recto: Democratic committee bearing the remains of Lecompton to Prince James, marshaled by the only remaining representative, Col. T.B. Florence, who was rescued from the wreck by the untiring exertions of the workmen upon the TWO SLOOPS., Originally part of a McAllister scrapbook of Pennsylvania views and political miscellany. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [October 1858]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1858-2W [5759.F]

Title: Perot mansion. North side of Market Street near Eighth St (old no. 297, now no. 731) At this date ( June 15th 1859) it is the only exclusively private dwelling house on Market Street, either side of the way, between the Delaware and Schuylkill rivers! It was built by, and occupied by John Perot, Esq. in the year 1804, who continued to reside there up to the time of his decease on the .It is at present owned and occupied by his son Edward Perot
Description: View looking west on the 700 block of Market Street showing the residence of gentleman Edward Perot, son of merchant John Perot. Also shows adjacent businesses, including Edwin Harot's restaurant (727 Market); a patent medicine dealer selling "Thomsonian Medicines" (729 Market); and Henry McGrath's bookstore and Benjamin Sheneman's plane manufactory (733 Market). Crates line the street and the rear of a wagon is visible., Title and photographer's inscription on mount., Date inscribed on photograph., Originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 3, page 153. The scrapbooks contained approximately 120 photographs by Philadelphia painter and pioneer photographer Richards of 18th-century public, commercial, and residential buildings in the city of Philadelphia commissioned by Poulson to document the vanishing architectural landscape, Retrospective conversion record: original entry, edited.
Creator: Richards, F. De B. (Frederick De Bourg), photographer
Date: May 1859
Location: Library Company of Philadelphia | Print Department photo - Richards - Residences - P (3)2526.F.153 (Poulson)]

Title: [Evans, card & fancy printer. Office, Fourth St. below Chestnut, Philadelphia]
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; lithographer, John Childs; and engravers, stationers and producers of embossed cards, envelopes, labels, etc., Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 resided at the site until dissolving in 1860., Title from duplicate print., Date from Poulson inscription on recto: Fourth Street; s.w. cor.; Library Street; Feby, 26, 1856., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [February 16, 1856]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.2277.23]

Title: Evans, card & fancy printer. Office, Fourth St. below Chestnut, Philadelphia
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; blank book manufacturer, J.R. McMullin; and engravers, stationers, producers of embossed cards, envelopes, and labels, Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the site until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 remained at the site until dissolving in 1860., Title from item., Date inferred from content and history of the printer., Advertising text printed around border., Advertisements printed on verso: engraver, J.H. Byram - wholesale collar manufacturer, Robert C. Winters - and truss manufacturer and importer, C.W. Van Horn & Co., Originally part of a McAllister scrapbook of engravings related to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [(7)1322.F.158.1a]

Title: Evans, Card & Fancy Printer. Office, Fourth St. below Chestnut, cor. of Library St. Philadelphia
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; and blank book manufacturer, J.R. McMullin. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1852 remained at the site until dissolving in 1860. J.R. McMullin remained from 1857 until 1859., Title from item., Date from Poulson inscription on recto: Decem. 1858., Signage on building for Evans, Card & Fancy Printer stamped with gilt., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [December 1858]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.8729.8]

Title: McNeely & Co. manufacturers of morocco, buckskin & chamois, white leather, bark tanned, sheep, calf & deer skins, parchment, vellum &c. 64 N[or]th 4th. St. below Arch St. near the Merchants Hotel, Philadelphia. Manufactory 4th & Franklin Aven[ue]
Description: Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a white woman and boy, stroll and converse on the sidewalk. In the street, an African American man and woman couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century., Title from item., Date of publication supplied by Wainwright., Philadelphia on Stone, POS 463, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W.H, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department **W230 [P.2129]

Title: Foering & Thudiums cheap stove ware-house
Description: Advertisement depicting the three-and-a-half story warehouse operated by Frederick Foering and C.A. Thudium at 87 North Second Street. In the open entranceways, a white man clerk assists a white woman shopper and an African American laborer lifts a stove. Displays of stoves line the sidewalk and the store walls. On the second floor near open windows, white laborers work. A horse-drawn cart departs an adjoining exitway. Foering and Thudium, one of the city's first domestic stove manufacturers, started in business in 1828, and operated on North Second Street from 1845 until 1847., Print trimmed and lacking caption., Title from item., Date from Poulson inscription on recto: Dec. 1846. North Second Street., Philadelphia on Stone, POS 266, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W. H., lithographer
Date: [December 1846]
Location: Library Company of Philadelphia | Print Department *W132 [P.2045]

Title: Compliments of the Domestic Sewing Machine Co
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an older African American man peddler mistaken as a suitor. In the center, the older, balding peddler speaks to an African American family at the door of their cottage house. The man is portrayed with exaggerated features, wears spectacles, and is attired in a purple coat; a white shirt; yellow pants; and brown shoes. A goat eats red cloth pulled out from underneath his coat. On the ground in front of him is his top hat turned upside-down. Papers are placed inside of it. He leans forward to speak with the African American woman in the doorway. His hands are out like he is displaying an object. The woman wears mammy-like attire of a beige head kerchief; a yellow shirt with the sleeves rolled up to her elbows; a blue shirt; and a white apron. She holds a broom. Behind her is another woman attired in a green dress and head kerchief. In the left are a young woman and a girl. The young woman is attired in a pink dress with a green ruffle at the bottom and cut-out shoulders, matching pink stockings, and a bow in her hair. She coquettishly holds a fan ornately decorated with pink flowers to the side of her face. The girl to her left is barefoot and attired in a white dress. In the right background are sunflowers behind a fence and the peddler's horse-drawn wagon loaded with boxes out of view of the family. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication deduced from place of operation of advertised business., Date inferred from history of advertised business., Gift of David Doret., Library Company holds duplicate copies [P.2017.95.46 & P.2017.95.47].
Date: [1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.48]

Title: The wooing of the twins Universal, perfect and elegant stoves and ranges. Manufactured by Cribben, Sexton & Co., Chicago, Ill
Description: Racist trade card promoting stove manufacturer Cribben, Sexton & Co. and depicting a genre scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Figures are portrayed with exaggerated features. Shows the two couples sitting in wooden chairs. The twin sisters are identically attired in yellow dresses with red polka dots and white collars. In the left one sister holds a fan as she coyly looks and smiles to the man seated to her right. He is attired in black shoes; blue and white striped pants; a white collared shirt with red tie; and a green jacket. His hands are on on his knees. In the right the other sister touches her chin with her finger as she leans towards the man seated opposite her. Her suitor is attired in black shoes; red and white striped pants; a white shirt; and a black jacket with tails. In the center behind the couples is a mantel with cups, plates, and bowls placed on top. Inside the mantel is a stove with a kettle on it. In the right background, the parents of the twins are sitting in chairs. The father, attired in a blue jacket and beige pants, reads a newspaper. The mother is attired in a red dress. Henry Cribben and James A. Sexton founded the stove manufactory Cribben, Sexton & Co. in Chicago in 1873. The Company closed in 1965., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on verso: Sayles & Conover, Dealers in stoves and hardware, A full line of universal, Perfect and elegant stoves and ranges always on hand. Valparaiso, Indiana., Gift of David Doret., Forms part of a series [P.2017.95.37 & P.2017.95.38].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Cribben, Sexton & Co. [P.2017.95.36]

Title: "Wes don got de "Domestic," we has!"
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an African American couple who has acquired a sewing machine. The figures are portrayed with exaggerated features. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.'s sewing machine. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: "It stands at the head. The light running "Domestic" No. 4 Family. The best. The model machine. Domestic Sewing Machine Co." Includes an illustration of a Domestic sewing machine., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.49].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.50]

Title: The wedding party off for Europe. And they have all got on the neat $2.50, gaiters made to measure at the Co-operative Shoemakers, arnt they splendid. 220 & 222 S. Halsted St
Description: Racist trade card promoting the Working Shoe Makers Co-Operative Union and depicting a scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Shows the twins, attired in yellow hats decorated with a red feather and long-sleeved yellow dresses with a white collar and a red belt, standing on the deck of the ship with their husbands. The husband in the left is attired in a white collared shirt, a blue jacket, red pants, and black shoes. The other twin’s husband in the right is attired in a blue hat, a white collared shirt, a green jacket, red and white striped pants, and black shoes. The couples, newly married, are “off for Europe” and look over the ship to say goodbye to the people on the dock. In the foreground, a number of African American men, attired in hats and suits, and women, attired in hats and dresses, talk amongst themselves and wave goodbye. In the left, a man stands up over the crowd, attired in a black hat, a red jacket, and yellow pants, and throws a bouquet of flowers at the couples onto the deck. The Working Shoe Makers Co-Operative Union was active in the 1880s in Chicago, Ill., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: The Working Shoe Makers. Co-Operative Union 220 & 222 S. Halsted Street, The Cheapest Custom Made Shoe Store in the City. Button & Congress Gaiters, to measure. Ladies’ Button & Laced Gaiters, to measure. Half soleing & heeling 1.00 Ladies 75 cts, Craddock & Auston, Managers., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Working [P.2017.95.194]

Title: No more Chinese cheap labor. Celluloid cuffs, collars & bosoms
Description: Trade card containing an illustration depicting a racist scene with the figures of Uncle Sam and America, and a Chinese man laundry worker. In the left, the laundry worker, wearing his hair in a queue and attired in a long-sleeved, orange tunic; long, wide-legged, white pants; and orange slip-on, cloth shoes; sits on an over-turned wooden wash tub. His eyes are closed, and he holds his head down in his left hand. His left leg is crossed over his right, and his right hand is on his left ankle. To his left, the white woman figure of Columbia/America, looks down at the laundry worker and points up with her right hand. In her left hand, she holds up a shield with the pattern of the American flag and marked "Invention." She wears her dark hair pulled back to the nape of her neck and is attired in a gown with the pattern of the American flag, a red and blue cap adorned with a white star, and sandals. An open box of spilled starch lies between her feet and those of the laundry worker. Behind the laundry worker, is a laundry iron on a shelf, Chinese characters written on a wall, and Uncle Sam resting his arms on the ledge of an opening in the wall. Uncle Sam has red hair and a beard and is attired in a top hat, a blue jacket with a white star pattern, a red neck tie, and white shirt with the collar turned up. He looks at America. Above his head is the sign "Gon Up Chinese Laundry." Patented during the 1860s and 70s, separable celluloid collars, unlike separable paper collars, were waterproof and longer lasting, as well as fashionable and affordable. Following the Chinese Exclusion Act of 1882, the celluloid collar industry leveraged the racist legislation to promote the use of celluloid collars as patriotic and as a means to make Chinese launderers obsolete and to facilitate the end of Chinese immigration., Title from item., Date inferred from content., Includes advertising text printed on verso: A New Improvement-Patented. Waterproof Linen. Waterproof-Elastic-Durable. Ladies' & Gents' Cuffs Collars, [Bossa]ms, Made From Celluloid. In Introducing this new invention [italicized], we beg to call the attention of the public to some of the remarkable features of this "new departure," [italicized], which will commend the use of these goods to all who study economy, neatness, and beauty [italicized]. 1st. The Interior is Fine Linen. 2d. The Exterior is Celluloid. 3d. The Union of Above, Combines the Strength of Linen With The Waterproof Qualities of Celluloid. 4th. The Expense of Washing Is Saved. If The Goods Are Soiled Simply Wipe Them Off With Soap And Water. 5th. The Goods Never Wilt Or Fray On Edges. 6th. They Are Perspiration Proof. For Sale by All Gents' Furnishing & Fancy Goods Houses throughout the Country., Image caption: "Othello's occupation gone." The Hand Writing on the Wall., Purchased with funds for the Visual Culture Program., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [P.2021.20.1]

Title: Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American family getting ready for church. The family is portrayed with exaggerated features and speak in the vernacular. In the center, the husband/father stands smiling attired in a white ruffled shirt, a red and white bow tie, a yellow waistcoat, a long black jacket, red and white checked pants, black shoes, and white gloves. The wife/mother, attired in a bonnet decorated with a blue bow and flowers, a red shawl, a blue dress with black stripes, a yellow bow tie, and black shoes, smiles as she adjusts the bowtie on her husband and says, “yer looks lubly Ephraim, and it all comes using dat Higgins soap.” Their son, attired in a yellow hat with a black band, a red shirt with a white lace collar, green pants, red socks, and black shoes, looks up at the couple carrying a red book in his left hand. In the left, behind the couple, are two more children. The girl in the left is attired in a white head kerchief, a yellow shirt with orange stripes, a white skirt, red stockings, and black shoes. The boy in the right is attired in a blue cap, a blue shirt with a white collar, blue pants, red and white striped socks, and black shoes. A print depicting a red building and two people is pasted on the wall in the right background. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.81]

Title: “Universal family” Soapine, Kendall Mfg. Co., Providence, R.I
Description: Racist trade card promoting Kendall Manufacturing Co.’s Soapine and depicting caricatures and ethnic stereotypes of people helping Liberty wash laundry. Shows Liberty in the center personified as a white woman with blonde hair tied up in a bun attired in a blue cap with a white star and a white sleeveless dress with a red belt that has an American flag crest. She stands behind a wooden wash tub labeled “Kendall MFG Co.” that sits on top of six boxes labeled with the letter K. She spreads both of her arms out to the seven people around her. In the left, a white man with blond hair and mustache (possibly German,) holds a pipe in his mouth and is attired in a blue tunic, brown pants, and black shoes. He bends over as he carries a large box labeled “universal soap” on his back. A white Scottish man with blonde hair, attired in a blue cap with a yellow feather, a green shirt with a red sash, and a red kilt, helps a white man with black hair and mustache (possibly French) attired in a blue uniform with gold epaulettes and black shoes, carry a large straw basket filled with white laundry to the wash tub. In the right, caricatures of an African American man in a white sleeveless top, a Native American man attired with a feather headdress and blue pants with a bundle of arrows on his back, and a Chinese man with his hair styled in a queue attired in a blue tunic, brown pants, and blue, slip-on, cloth shoes, carry an oversize wash board labeled “French Laundry Soap.” In the center foreground, a white man with blonde hair and attired in a blue shirt, brown pants, blue socks, and black shoes, has fallen down on the ground. Beside him is a broken white pipe, and a small black cat runs away. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.96]

Title: Try King's quick rising buckwheat. It is the best. The cook likes it
Description: Racist trade card promoting King Cereal Manufacturing Company and depicting a caricature of an African American woman domestic serving pancakes to a white couple while an African American man cook smiles in the kitchen. Shows the African American woman domestic, attired in a red dress, a white apron, and a white bonnet, holding her apron up in her hands while looking at the viewer and winking her eye. In the right, a brown-haired, white man with a mustache attired in a black suit, a white collared shirt, and black shoes and a white woman with brown hair in a bun and attired in a blue dress, sit in wooden chairs at a table covered with a white tablecloth. The white woman looks at the viewer as she wipes her mouth with a white napkin. On the table is a plate of pancakes, a coffee pot, glasses, and a condiment tray with various bottles. Through a doorway in the left background, the African American man cook, attired in a white chef’s hat and jacket, a white apron, pants, and black shoes, smiles as he stands behind a table with a box of King’s Quick Rising Buckwheat. In the right on the wall are two framed pictures and a large window with white curtains. Image also includes a red rug and a wooden chair with a green cushion. Edward King (d. 1907) founded King Cereal Manufacturing Company in 1861 in Chicago. He sold his interest in the firm to H. Horner & Co., wholesale grocers in 1903. The firm continued operations into the 1920s., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: We manufacture and sell all the package goods name[?] King’s Quick Ris[ing] Flour, King’s Quick Rising W[heat] For Biscuit, &c. Mrs. Hopper’s Pan[cake] a splendid substitu[te] [spe]cially adapted King’s R[ising] [?]ne Breakfast “Cut Oat Meal. “White Hominy. “Corn Grits or Samp. “Farina. (From the Best Wheat.) “Golden Corn Meal. “Silver Corn Meal. “Flaked Hominy. The best preparation of Corn ever placed on the market. Makes a delicious breakfast dish or after dinner dessert., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - King [P.2017.95.98]

Title: "Wes don got de "Domestic," we has!"
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an African American couple who has acquired a sewing machine. The figures are portrayed with exaggerated features. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.'s sewing machine. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of advertised business., Advertising printed on verso: "It stands at the head. The light running "Domestic" No. 4 Family. The best. The model machine. Domestic Sewing Machine Co." Includes an illustration of a Domestic sewing machine., Distributor's imprint printed on verso: J.Y. Sigafus, Sewing machines, organs, and pianos, cheap for cash. Stroudsburg, PA., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.50].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.49]

Title: Saturday. Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman bathing her child in a wash tub. Shows the African American woman portrayed with exaggerated features with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; and a blue, short-sleeved dress. The mother kneels on the floor as she bathes her young son in a washtub. She smiles, rubbing a wash cloth on the boy with her right hand. The naked boy stands in the tub with his left leg raised. She says in the vernacular, “Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out.” Behind the tub, in the left, a girl, attired in a black-striped, red nightgown, and a boy, attired in an orange nightgown, watch the scene. In the right, another boy in an orange nightgown looks on. A white towel with two red stripes and decorative fringe is draped over the side of the wash tub. In the right background, a white sheet hangs on a clothesline. Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.85]

Title: Chestnut Street, east of Third
Description: Reproduction of lithographic view showing the 200 block of Chestnut Street with pre-consolidation addressed buildings. Businesses include Lewis Brothers & Co., importers of silk goods, Senat, Perot & Co., importers, Cottringer, Boyd & Gibbons, importers, and Lawrence Stone & Co. (80-82, i.e., 238-240); the Jayne Building (built 1849-1850) tenanted by Wesendock & Co. importers of silks & cloths, Dr. D. Jayne & Son, patent medicine, and Ellwood Shannon, tea dealer (84-86, i.e., 242-244); Oberteuffer & Freytag, importers, and Samuel Robinson, importers of Irish linens (88, i.e., 246); N. Thouron & Sons, importers of French goods, and Harden’s [sic] Express, probably A. Howard & Co. express (92, i.e., 248); and the U.S. Life Insurance Annuity & Trust Saving Fund building tenanted by Draper, Welsh & Co. Bank Note Engraving (94, i.e., 250). Includes heavy street and pedestrian traffic. Horse-drawn carriages, wagons, an omnibus, and drays travel in the street in addition to a dray situated to be loaded in front of the Jayne Building. Clusters of pedestrians walk near the Jayne and the Saving Fund buildings. In the foreground, on the opposite side of the street, families stroll, converse, and are greeted by other individuals near men, including laborers, talking near a pile of crates and a loaded dray. Also shows lettering reading "Howard" above the doorway of 92 Chestnut Street and a partial view of adjacent buildings., Not in Wainwright., pdcp00010, Philadelphia on Stone, POS 113, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street 2nd-3rd
Creator: Collins & Autenrieth, artist
Date: c1857
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut Street - 2nd-3rd

Title: In commemoration of the hundredth anniversary of American independence
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1876, 1877
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]

Title: [Robert Swayne collection of Philadelphia photographs]
Description: Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date: [ca. 1860-ca. 1952]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]

Title: Scenery on the Pennsylvania Railroad Album
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route.
Date: 1874

Title: [Unnumbered plate and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Unnumbered plate showing a section of the 800 block (200-265) of Chestnut Street. South side includes H. Hooker & Co., Stationers & Books (200); Murphey & Billmeyers, House Furnishing Warerooms (202); W. J. Horstmann, Fringes, Gimps, Buttons & c. (204); R. W. Carter, Toilet and Fancy Store (204 1/2); [Cornelius] Everest, Jeweler (206); Le Boutillier Brothers, Fancy Dry Goods (208); Art Union of Philadelphia (210); fancy goods store of R. & W. Fraser (212); and dry goods store of Thos W. Evans & Co. (214). North side includes Presbyterian Board of Publication (265) and the boarding house Butler House (259), prevously the residence of Senator Pierce Butler. "Jeweler" (206) included on plate as pasted-on detail., Advertisements promote eight of the businesses depicted, including Art Union of Philadelphia, which advertises every member for the year of 1851 will receive "for each subscription of five dollars," a print of Huntington’s "Christiana and her Children" and companion print "Mercy’s Dream" and choice of any two of the "following four splendid engravings": "John Knox’s Interview with Mary Queen of Scots," "Ruth and Boaz," "Mercy’s Dream," "Christiana and her Children," and a copy of the "Philadelphia Art Union Reporter.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 14., LCP also holds trimmed duplicate depicting South side [P.2008.34.16.11].
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 14 [*Am 1851 Rae, 2975.Q]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings, prints, and manuscript notes, predominantly dated between 1856 and 1860, pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes the Sunday Dispatch newspaper column series “Indian Names”; reports on municipal services, including the fire department; population, trade, and crime statistics; mortality rates; real estate sales; descriptions of new building construction, including the Continental Hotel, Jayne Building (1856), new Bank of Pennsylvania (1856), churches, and storefronts on Arch, Market and Chestnut streets and in various wards, including the Twenty-Fourth and Fifteen, and near Rittenhouse Square; commentaries about city businesses and industries, including Harvey & Ford, turners in ivory and bone, Lacey & Phillips, saddler, markets, flour mills, sawing machines, omnibuses, joiner, and envelope and paper bag machinery, and the publishing trade. Other articles discuss fashion trends; the Schuylkill Rangers gang; “Street Nomenclature”; the early histories of Philadelphia, Germantown, Roxborough and Manayunk; benevolent and educational institutions and societies, including the Alms House, Philadelphia Orphan Society and the City Institute; food ways and manufacturing; the growth of Philadelphia; and a “Fistic”, i.e., fighting exhibition at Franklin Hall (1860). Also contains classifieds dated 1786; vignette wood engravings showing top hats, a stove, a plane, and a city fire plug; and satirical articles and illustrations, including African American characters, about the “Fine Arts”, i.e., street trades, fashion, the 1857 mayoral election, and improper use of a heating stove titled "A Picture of the Season.” Majority of graphics are wood and intaglio engravings, predominately advertisements showing storefronts., Graphics depict the Custom House; the Northern Home for Friendless Children; Mills B. Espy, pickels and fruits (109 S. Third.); the exteriors and interiors of Samuel Simes, store and family medicine laboratory (S.W. cor. Chestnut and Twelfth) and Wm. D. Rogers, coach manufactory (Sixth & Master); Loxley House (307 S. Second St.); Church of the Epiphany and Residence of Mr. Godey; Henry A. Bower (“N.E. cor. 6th and Green Sts.”); United States Hotel; Farmer’s and Mechanic’s Bank; Franklin Swimming Bath (68 N. Twelfth); Charles Ellis & Co., wholesale druggists (65 Chestnut.); Jones & Co., clothing store (200 Market); Baker & Williams, ranges & warm air furnaces (406 Market); "Schuylkill River, below Norristown, Pennsylvania"; Philadelphia Steam Marble Works (1700 block Chestnut); Continental Hotel; Consolidation Bank (331 N. Third St.); Union Saw & Tool Manufactory. Johnson & Conway, Office and Wareroom (Fourth & Cherry); and the Bulletin Building., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut." Inscription framed with cut out designed with ornamental pictorial details., Artists, engravers, printers, and publishers include D. C. Baxter, George T. Devereux, David Scattergood, and Joseph M. Wilson., "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Loxley House engraving (p. 14) accompanied by extensive manuscript note by Poulson.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1786-1860, bulk 1856-1860
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 8 [(8)2526.F]

Title: Chestnut Street from Seventh to Sixth, (north side)
Description: View showing the north side of the 600 block of Chestnut Street (639-601). Addresses printed below the buildings. Includes Crittenden's Commercial College (637-639); Leonard Benkert, boot maker (635); Jayne's Hall (627-633) tenanted by Farrel, Herring & Co., safe manufacturer (631); Arcade Hotel, built 1826-1827 after the designs of John Haviland (615-621); Commonwealth Fire Insurance Co. (613); Cowperthwait's Building tenanted by Gaut & Volkmar, booksellers, Joseph A. Speel, book binder, and Granville Stokes, clothier (607-609); Rockhill & Wilson, clothiers (603-605); and E. V. McKoy, silk hat manufacturer (601). Contains advertisements for three of the businesses, a "directory to the above square," and an advertisement for Baxter & Harley, the undepicted business of D. W. C. Baxter, below the image., Printed on recto: Copyright Secured., Copyrighted by Baxter & Neff., One of the images probably originally part of a McAllister scrapbook of views of Philadelphia., One of the images originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Baxter, De Witt Clinton, ca. 1829-1881, engraver
Date: [1859, c1857]
Location: Library Company of Philadelphia | Print Department Baxter - Chestnut Street - 1859 [1322 1/2.F.15; P.2006.1.14]

Title: Illustrations of Philadelphia. Vol. X
Description: Scrapbook containing newspaper clippings and prints predominately dated 1858 and pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Majority of the contents are articles about city businesses, industries, and municipal services; public interest stories; editorials relating to public concerns and social mores; and reports, lists, and statistics. Subjects include the operation of the fire department, including the introduction and trials of steam fire engines, the discontinuation of fire bells, and the yearly report of the “Fire Detective”; the City Passenger Railroad, including its commencement, progress and improvements to the city, and the auction of former omnibus horses at Herkness’s Auction House; balls, parades, lectures, and other forms of entertainment, including the questionable protocols of the minor theatres, horse racing in Chestnut Hill, and the opera season at the Academy of Music; fashion, including histories of the red petticoat and crinolines, hoop skirts, and satires about style and cost; the prison system, including Eastern State Penitentiary and corruption; the Great Comet and Blizzard of 1858; the removal of the market sheds and increasing the value of properties on Market Street; the inauguration of the Schuylkill Navy; and the economic state of shad fishing and fisheries, the oyster trade, dairy owners, ice dealers, paper manufacturers, and dentists., Several articles also report about city construction, improvements, and renovations. Sites referenced include businesses on downtown Chestnut Street and in South and North Philadelphia (Bailey & Co., silverware; Levy & Cox, retail dry goods store; Caldwell & Co., jewelry; the Butler House Hotel; John McClure, stationery store; John Fuss, lager beer); Church of the Incarnation, and Pine Street Presbyterian and Tabernacle Methodist Episcopal churches; Hunting Park; and the new market house (Sixteenth and Market). Editorials address the institution of a city ordinance against public smoking; the daily inhabitants of the State House Square and Custom House steps; the plight and nuisances of city street beggars, fortune tellers, gamblers, and organ grinders; and the heavy use of opium by Americans. Additional articles discuss Christmas, including retail store windows adorned for the holiday; events and activities of local organizations, including the Washington Monument Association, American Systematic Beneficence Society, American Veterinary Association, and the Newsboys’ Aid Society; auctions by M. Thomas & Sons, including the Howard Tilden estate, the wine cellar of the late Joseph Gratz, and oil paintings sold below market value; the closing of the Jones Hotel; proposal by city commissioner James M. Leidy for the creation of ward maps to aid city development; histories of the 12 1/2 Society and Hurst Mansion; the exercise mania; lost and found advertisements; the “fogyism” and “favoritisim” of the Franklin Institution mechanical exhibitions; and views of historic landmarks and the Hope Hose Company by photographers James McClees (p. 57) and Walter Dinsmore (p. 102)., Reports, lists and statistics detail mortality and crime rates; the domestic, flour, produce, hay, cattle, and pork markets; the weather for the week, season, and year; real estate and stock sales; churches in the city; taxes; the public schools; fire companies; current town topics; and “Local” and “Noteworthy” events, fires, and railroad and steamboat accidents for the year. Also contains the “Annual Message of the Mayor” reporting on the state of the city and classifieds for patent medicines and entertainments, including fortune tellers, the National Circus, and balls and parties attended, according to Poulson, by “firemen, apprentices boys, new boys, gamblers and fancymen" who are the " ‘efficient beaus’ " of the factory girls, milliners, shop girls etc."… on the occasions.” Ephemera includes a “Ticket of Admission to ‘Franklin Hall’ " for the Heenan & Jones Sparring Exhibition., Scrapbook also contains graphics including an albumen print, engravings, wood engravings, trade cards and cameo stamps. Comic and advertising vignettes, caricatures, and advertisements predominate as genres. Comic vignettes include many satirizing the fashion of large hoop skirts. Other vignettes satirize the new police uniform, gentlemen’s collars, the Irish, and African Americans ("Baker-street beauties"). Non-satiric vignettes show predominately home furnishings and wares, including silver utensils and serving ware, boxes for papers and deeds, a wire dish cover, coffee pots and kettles, pudding moulds, perforated nursery lamps, serving platter, and a double oven cooking stove. Caricatures (some hand-colored) depict burglars (annotated by Poulson as “ ‘fair hits’ at…the inconsiderable folly of the ‘compassionate’”); "The City Inspector," i.e., a street rag picker; the crude manner of men “on the balconies in front of the ‘gentleman saloons’”; a ‘Schuylkill Ranger’ and “chocker’ gang member; “A Juvenile Party” annotated as "A fair hit at precosity [sic]"; Kris Kringle; and comparisons of country and city doctors, store-keepers, and belles., Advertisements include views of " 'Sharpless’ new store on the N.W. cor. of Chestnut and Eighth Street (Butler property)' "; Crystal Building, F.H. Smith, forte monnaie, pocket book, & dressing case manufacturer (Fourth and Chestnut); Barnes cough syrup establishment (333 Chestnut); Giovanni & Oliver, wholesale fruit store (248 Market); Bailey & Co., British sterling silver ware (819 Chestnut); Perry & Erety, booksellers, binders & stationers (Fourth and Race); Warnick & Leibrandt, Philadelphia Stove Works & Hollow-Ware Foundry (First Wharf above Noble Street); Girard House ( 800 block Chestnut); Henry O.B. Banks, paint and glass store (400 block Callowhill) French, Richards & Co., wholesale, drug, paint & glass warehouse (1000 block Market); M’Daniels & Fort, saddlery, hardware & coach trimmings (101 N. Third); Wright, Hunter & Co., plumbers and gas fitters (900 Walnut); Moore’s Porter & Ale Brewery (1300 block Fitzwater); Anspach, Jacoby & Co., dry goods (Third and Cherry); J. Thornley’s India Rubber Emporium (311 Chestnut); John C. Keller, stove manufacturer (Ridge Avenue and Willow Street); St. Lawrence Hotel (1000 block Chestnut); Merchant’s Hotel (000 block N. Fourth Street); Mansion House (1000 Market); and Weymer & Brothers, dealers in warm air furnaces, stoves, and ranges & c. (1000 block Coates). Graphics also depict a photographic reproduction of a daguerreotype of the moon, a hand-colored illustration showing lady’s "Winter Fashions," and an illustration of "Lalla Rookh, The Tight Rope Elephant" annotated “exhibited at ‘Dan Rice’s great show’ … 29th of March 1858.” Many of the advertisements include street and pedestrian traffic and merchandise displays., Majority of contents annotated by Poulson with dates and manuscript notes, particularly social commentaries., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Front free end paper contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP." Inscription framed with cut out containing filigree and an eagle. Clipped vignette of a pointed finger also pasted on page., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include Calvert & McClaine, Robert Crump, M’laughlin Bros, J.B. Neagle, E. Rogers, J. Spitall, and J.W. Steel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 10 [(10)2526.F]

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