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Title: The Game of Philadelphia Buildings Flashcards
Description: Card game containing fifty-three cards depicting landmarks and historic and well-known sites in the city.

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: Engravings by William Humphrys Scrapbook
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."

Title: Philadelphia, western & southern trade journal. Illustrated supplement Devoted to the commercial and manufacturing interests of Philadelphia
Description: Advertisement supplement containing 23 titled vignettes depicting and promoting prominent landmarks and businesses within Philadelphia. Landmarks include the State House; Girard College; U.S. Mint at Chestnut and Juniper streets; Merchants' Exchange; Chamber of Commerce at Dock and Walnut streets; Custom House at 420 Chestnut Street; Carpenters' Hall; the Navy Yard at Southwark; and Fairmount Water Works. Businesses include George W. Plumly, paper box manufacturer; Harrison, Havemeyer & Co.'s Franklin Steam Sugar Refinery; R. & G.A. Wright, manufacturers of fine perfumery; F. Gutekunst, photographer; Brooke, Colket & Co., commission merchants; McKeone VanHaagen & Co. Soap Works; Henry Disston's Keystone Saw, Tool & Steel works; Seyfert, McManus & Co.'s Reading Iron Works; Charles Magarge & Co., dealers in paper; Howsons' United States & Foreign Patent Offices; Wilson, Childs & Co., Philadelphia Plantation & Road Wagon Works; Dohan & Taitt, tobacco commission merchants; Lafourcades Brothers & Irwin, importers of cloths, cassimeres & vestings; and Lockwood's Paper Collar Factory. Also contains several passages of text recounting the history of the city and describing the depicted landmarks., Title from item., Various delineators and engravers, including Van Ingen & Snyder, Matthias Reiff Longacre, and Lauderbach & Schell., Accessioned 1992., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department ***Ph Pr - Government Buildings [P.9384a-w]

Title: [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description: Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date: [1879]
Location: Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]

Title: Scenery on the Pennsylvania Railroad Album
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route.
Date: 1874

Title: [Unnumbered plate and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Unnumbered plate showing a section of the 800 block (200-265) of Chestnut Street. South side includes H. Hooker & Co., Stationers & Books (200); Murphey & Billmeyers, House Furnishing Warerooms (202); W. J. Horstmann, Fringes, Gimps, Buttons & c. (204); R. W. Carter, Toilet and Fancy Store (204 1/2); [Cornelius] Everest, Jeweler (206); Le Boutillier Brothers, Fancy Dry Goods (208); Art Union of Philadelphia (210); fancy goods store of R. & W. Fraser (212); and dry goods store of Thos W. Evans & Co. (214). North side includes Presbyterian Board of Publication (265) and the boarding house Butler House (259), prevously the residence of Senator Pierce Butler. "Jeweler" (206) included on plate as pasted-on detail., Advertisements promote eight of the businesses depicted, including Art Union of Philadelphia, which advertises every member for the year of 1851 will receive "for each subscription of five dollars," a print of Huntington’s "Christiana and her Children" and companion print "Mercy’s Dream" and choice of any two of the "following four splendid engravings": "John Knox’s Interview with Mary Queen of Scots," "Ruth and Boaz," "Mercy’s Dream," "Christiana and her Children," and a copy of the "Philadelphia Art Union Reporter.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 14., LCP also holds trimmed duplicate depicting South side [P.2008.34.16.11].
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 14 [*Am 1851 Rae, 2975.Q]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings, prints, and manuscript notes, predominantly dated between 1856 and 1860, pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes the Sunday Dispatch newspaper column series “Indian Names”; reports on municipal services, including the fire department; population, trade, and crime statistics; mortality rates; real estate sales; descriptions of new building construction, including the Continental Hotel, Jayne Building (1856), new Bank of Pennsylvania (1856), churches, and storefronts on Arch, Market and Chestnut streets and in various wards, including the Twenty-Fourth and Fifteen, and near Rittenhouse Square; commentaries about city businesses and industries, including Harvey & Ford, turners in ivory and bone, Lacey & Phillips, saddler, markets, flour mills, sawing machines, omnibuses, joiner, and envelope and paper bag machinery, and the publishing trade. Other articles discuss fashion trends; the Schuylkill Rangers gang; “Street Nomenclature”; the early histories of Philadelphia, Germantown, Roxborough and Manayunk; benevolent and educational institutions and societies, including the Alms House, Philadelphia Orphan Society and the City Institute; food ways and manufacturing; the growth of Philadelphia; and a “Fistic”, i.e., fighting exhibition at Franklin Hall (1860). Also contains classifieds dated 1786; vignette wood engravings showing top hats, a stove, a plane, and a city fire plug; and satirical articles and illustrations, including African American characters, about the “Fine Arts”, i.e., street trades, fashion, the 1857 mayoral election, and improper use of a heating stove titled "A Picture of the Season.” Majority of graphics are wood and intaglio engravings, predominately advertisements showing storefronts., Graphics depict the Custom House; the Northern Home for Friendless Children; Mills B. Espy, pickels and fruits (109 S. Third.); the exteriors and interiors of Samuel Simes, store and family medicine laboratory (S.W. cor. Chestnut and Twelfth) and Wm. D. Rogers, coach manufactory (Sixth & Master); Loxley House (307 S. Second St.); Church of the Epiphany and Residence of Mr. Godey; Henry A. Bower (“N.E. cor. 6th and Green Sts.”); United States Hotel; Farmer’s and Mechanic’s Bank; Franklin Swimming Bath (68 N. Twelfth); Charles Ellis & Co., wholesale druggists (65 Chestnut.); Jones & Co., clothing store (200 Market); Baker & Williams, ranges & warm air furnaces (406 Market); "Schuylkill River, below Norristown, Pennsylvania"; Philadelphia Steam Marble Works (1700 block Chestnut); Continental Hotel; Consolidation Bank (331 N. Third St.); Union Saw & Tool Manufactory. Johnson & Conway, Office and Wareroom (Fourth & Cherry); and the Bulletin Building., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut." Inscription framed with cut out designed with ornamental pictorial details., Artists, engravers, printers, and publishers include D. C. Baxter, George T. Devereux, David Scattergood, and Joseph M. Wilson., "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Loxley House engraving (p. 14) accompanied by extensive manuscript note by Poulson.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1786-1860, bulk 1856-1860
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 8 [(8)2526.F]

Title: Chestnut Street from Seventh to Sixth, (north side)
Description: View showing the north side of the 600 block of Chestnut Street (639-601). Addresses printed below the buildings. Includes Crittenden's Commercial College (637-639); Leonard Benkert, boot maker (635); Jayne's Hall (627-633) tenanted by Farrel, Herring & Co., safe manufacturer (631); Arcade Hotel, built 1826-1827 after the designs of John Haviland (615-621); Commonwealth Fire Insurance Co. (613); Cowperthwait's Building tenanted by Gaut & Volkmar, booksellers, Joseph A. Speel, book binder, and Granville Stokes, clothier (607-609); Rockhill & Wilson, clothiers (603-605); and E. V. McKoy, silk hat manufacturer (601). Contains advertisements for three of the businesses, a "directory to the above square," and an advertisement for Baxter & Harley, the undepicted business of D. W. C. Baxter, below the image., Printed on recto: Copyright Secured., Copyrighted by Baxter & Neff., One of the images probably originally part of a McAllister scrapbook of views of Philadelphia., One of the images originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Baxter, De Witt Clinton, ca. 1829-1881, engraver
Date: [1859, c1857]
Location: Library Company of Philadelphia | Print Department Baxter - Chestnut Street - 1859 [1322 1/2.F.15; P.2006.1.14]

Title: Illustrations of Philadelphia. Vol. X
Description: Scrapbook containing newspaper clippings and prints predominately dated 1858 and pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Majority of the contents are articles about city businesses, industries, and municipal services; public interest stories; editorials relating to public concerns and social mores; and reports, lists, and statistics. Subjects include the operation of the fire department, including the introduction and trials of steam fire engines, the discontinuation of fire bells, and the yearly report of the “Fire Detective”; the City Passenger Railroad, including its commencement, progress and improvements to the city, and the auction of former omnibus horses at Herkness’s Auction House; balls, parades, lectures, and other forms of entertainment, including the questionable protocols of the minor theatres, horse racing in Chestnut Hill, and the opera season at the Academy of Music; fashion, including histories of the red petticoat and crinolines, hoop skirts, and satires about style and cost; the prison system, including Eastern State Penitentiary and corruption; the Great Comet and Blizzard of 1858; the removal of the market sheds and increasing the value of properties on Market Street; the inauguration of the Schuylkill Navy; and the economic state of shad fishing and fisheries, the oyster trade, dairy owners, ice dealers, paper manufacturers, and dentists., Several articles also report about city construction, improvements, and renovations. Sites referenced include businesses on downtown Chestnut Street and in South and North Philadelphia (Bailey & Co., silverware; Levy & Cox, retail dry goods store; Caldwell & Co., jewelry; the Butler House Hotel; John McClure, stationery store; John Fuss, lager beer); Church of the Incarnation, and Pine Street Presbyterian and Tabernacle Methodist Episcopal churches; Hunting Park; and the new market house (Sixteenth and Market). Editorials address the institution of a city ordinance against public smoking; the daily inhabitants of the State House Square and Custom House steps; the plight and nuisances of city street beggars, fortune tellers, gamblers, and organ grinders; and the heavy use of opium by Americans. Additional articles discuss Christmas, including retail store windows adorned for the holiday; events and activities of local organizations, including the Washington Monument Association, American Systematic Beneficence Society, American Veterinary Association, and the Newsboys’ Aid Society; auctions by M. Thomas & Sons, including the Howard Tilden estate, the wine cellar of the late Joseph Gratz, and oil paintings sold below market value; the closing of the Jones Hotel; proposal by city commissioner James M. Leidy for the creation of ward maps to aid city development; histories of the 12 1/2 Society and Hurst Mansion; the exercise mania; lost and found advertisements; the “fogyism” and “favoritisim” of the Franklin Institution mechanical exhibitions; and views of historic landmarks and the Hope Hose Company by photographers James McClees (p. 57) and Walter Dinsmore (p. 102)., Reports, lists and statistics detail mortality and crime rates; the domestic, flour, produce, hay, cattle, and pork markets; the weather for the week, season, and year; real estate and stock sales; churches in the city; taxes; the public schools; fire companies; current town topics; and “Local” and “Noteworthy” events, fires, and railroad and steamboat accidents for the year. Also contains the “Annual Message of the Mayor” reporting on the state of the city and classifieds for patent medicines and entertainments, including fortune tellers, the National Circus, and balls and parties attended, according to Poulson, by “firemen, apprentices boys, new boys, gamblers and fancymen" who are the " ‘efficient beaus’ " of the factory girls, milliners, shop girls etc."… on the occasions.” Ephemera includes a “Ticket of Admission to ‘Franklin Hall’ " for the Heenan & Jones Sparring Exhibition., Scrapbook also contains graphics including an albumen print, engravings, wood engravings, trade cards and cameo stamps. Comic and advertising vignettes, caricatures, and advertisements predominate as genres. Comic vignettes include many satirizing the fashion of large hoop skirts. Other vignettes satirize the new police uniform, gentlemen’s collars, the Irish, and African Americans ("Baker-street beauties"). Non-satiric vignettes show predominately home furnishings and wares, including silver utensils and serving ware, boxes for papers and deeds, a wire dish cover, coffee pots and kettles, pudding moulds, perforated nursery lamps, serving platter, and a double oven cooking stove. Caricatures (some hand-colored) depict burglars (annotated by Poulson as “ ‘fair hits’ at…the inconsiderable folly of the ‘compassionate’”); "The City Inspector," i.e., a street rag picker; the crude manner of men “on the balconies in front of the ‘gentleman saloons’”; a ‘Schuylkill Ranger’ and “chocker’ gang member; “A Juvenile Party” annotated as "A fair hit at precosity [sic]"; Kris Kringle; and comparisons of country and city doctors, store-keepers, and belles., Advertisements include views of " 'Sharpless’ new store on the N.W. cor. of Chestnut and Eighth Street (Butler property)' "; Crystal Building, F.H. Smith, forte monnaie, pocket book, & dressing case manufacturer (Fourth and Chestnut); Barnes cough syrup establishment (333 Chestnut); Giovanni & Oliver, wholesale fruit store (248 Market); Bailey & Co., British sterling silver ware (819 Chestnut); Perry & Erety, booksellers, binders & stationers (Fourth and Race); Warnick & Leibrandt, Philadelphia Stove Works & Hollow-Ware Foundry (First Wharf above Noble Street); Girard House ( 800 block Chestnut); Henry O.B. Banks, paint and glass store (400 block Callowhill) French, Richards & Co., wholesale, drug, paint & glass warehouse (1000 block Market); M’Daniels & Fort, saddlery, hardware & coach trimmings (101 N. Third); Wright, Hunter & Co., plumbers and gas fitters (900 Walnut); Moore’s Porter & Ale Brewery (1300 block Fitzwater); Anspach, Jacoby & Co., dry goods (Third and Cherry); J. Thornley’s India Rubber Emporium (311 Chestnut); John C. Keller, stove manufacturer (Ridge Avenue and Willow Street); St. Lawrence Hotel (1000 block Chestnut); Merchant’s Hotel (000 block N. Fourth Street); Mansion House (1000 Market); and Weymer & Brothers, dealers in warm air furnaces, stoves, and ranges & c. (1000 block Coates). Graphics also depict a photographic reproduction of a daguerreotype of the moon, a hand-colored illustration showing lady’s "Winter Fashions," and an illustration of "Lalla Rookh, The Tight Rope Elephant" annotated “exhibited at ‘Dan Rice’s great show’ … 29th of March 1858.” Many of the advertisements include street and pedestrian traffic and merchandise displays., Majority of contents annotated by Poulson with dates and manuscript notes, particularly social commentaries., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Front free end paper contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP." Inscription framed with cut out containing filigree and an eagle. Clipped vignette of a pointed finger also pasted on page., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include Calvert & McClaine, Robert Crump, M’laughlin Bros, J.B. Neagle, E. Rogers, J. Spitall, and J.W. Steel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 10 [(10)2526.F]

Title: The United States Centennial International Exhibition
Description: Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: United States, Bureau of Engraving and Printing
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]

Title: Goodyears Rubber-Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
Description: Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104), "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). Lettering reading "Goodyears Rubber Packing & Belting Company" adorns the roof of the building. Through the open entryways and large display windows, clerks, patrons, and merchandise displays are visible in both stores. At Peterson's, clerks assist patrons with items from bookshelves surrounding the room in addition to a centrally located U-shaped display counter labeled "Peterson's Magazine." Stacks of books are displayed near the windows that contain promotions "Subscriptions for all Magazines" and "Chas. Dickens Complete Works." At Goodyears, a white man clerk stands at a counter in front of rows of shelves as he attends to a customer. Other patrons, including a white man and woman couple and a white man, converse and depart with rubber belting. A large model boot, shoes, and rubber toys adorn the display windows that are adorned with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a coach with turned-down roof, occupied by a white lady, and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The white man laborer transports rubber belting on his horse-drawn dray. Two dogs greet each other in the street near his vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Date from Wainwright., Philadelphia on Stone, POS 322, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Luders, E., artist
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **W158 [P.2080]

Title: Goodyears Rubber, Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
Description: Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104) "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). At Peterson's, shadowy rows of books and folios, including one titled, "A. Kollner View Philadel," adorn the display windows flanking the closed entry. At Goodyears, a white man and woman couple is visible through the open entry, standing at a counter. A large model boot, and other shadowy merchandise adorn the display windows that are marked with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a fancy coach occupied by a white lady and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The women passenger looks with an expression of disdain at the horse of the cavalryman and the white man laborer transporting rubber belting on his horse-drawn dray. Two dogs greet each other in the street near the vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Manuscript note on recto: Wood Oct. 10 56., Date supplied by Wainwright who suggests an alternate date of 1857 as well., Artist and publication information inferred from color variant. See **W158., Title annotated with correction in pencil. Comma between "Rubber" and "Packing" crossed out., Philadelphia on Stone, POS 321, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Luders, E., artist
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **W159 [P.2079]

Title: The Hunters three and O.N.T
Description: Circular promoting Clark Thread Company and depicting racist caricatures of African, Asian, and indigenous men. Volume also contains several lines of narrative, promotional text written as a children’s story. The front cover is a color illustration of three white "merry gentlemen" in Cololonial attire and riding on horseback as "they hunt and hunt." The men are attired in tri-corn hats; red jackets; white breeches with riding boots; and white wigs. They ride on a road towards the viewer. The figures are bordered with pictorial details of the Clark’s O.N.T trademark. The rider in the middle raised his hat with his hand. Image is reproduced in black and white on p. [2]. P. [3] shows the horsemen observe three white children standing before them whom they believe "...must be princes. They sew their clothes with O.N.T." P. [4] show the "gentlemen" observe from a distance three African Zulu men. The men drive a lion into a net made of O.N.T. thread. One man is nude except for a feather on his head and bangs a large drum labeled "Clark's O.N.T. spool thread." Another man is attired in a skirt made of palm leaves and carries a shield and arrows. A third man carries arrows and wears a feather on his head. P [5] shows the "hunters" "spy" "three happy Hottentots" who roll down a hill on large spools of Clark's thread in a "chariot race." The three African men have their hair in buns atop their heads and are attired in white shorts and hoop earrings. One man is also attired in a shell necklace, and two men hold spears. P. [6] shows the three men find a Chinese man flying a kite strung with O.N.T. thread thread and to which a Chinese boy is attached. He is seated on a rug with his back to the viewer. To his right is a pipe. His hair is styled in a queue, and he is attired in a white shirt with a vest decorated in a print of dragons and slip-on, cloth shoes., P. [7] shows the white men finding an Inuit man on a sled made from a Clark's spool and pulled over the ice by a team of dogs. The sled driver is attired in a hooded parka and boots. P. [8] the three riders encounter a Native American man reigning in a buffalo with O.N.T. thread. He is attired in knee-high boots; a patterned blanket draped around his chest; hoop earrings; and a feather headdress. P. [9] shows a view of the back of the three riders bordered by pictorial details of the Clark’s O.N.T trademark. The back cover is a color illustration of a white girl with long blonde hair attired in black boots; red stocking; a green dress; and a blue striped apron. She is seated on an oversize spool of O.N.T. thread and playing cat's cradle with a white boy. The boy is attired in a red fez; a green coat; blue stockings; and black boots. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Advertising text printed on verso of front cover: Use Clark's trade mark O.N.T. spool cotton on white spools! It is superior to all others for hand and machine use. Garments sewed with O.N.T. fast black will never show white on the seams after being worn or washed., Advertising text printed on verso of back cover: Use Marshall's linen thread on 200 yard spools. Guaranteed full length. Made from the bext flax, and Milward's Helix Needles in patent wrappers. For sale everywhere., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Distributor's name printed on p. [1]: George A. Cole, sole agent., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.31]

Title: [Robert Swayne collection of Philadelphia photographs]
Description: Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date: [ca. 1860-ca. 1952]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]

Title: "Saturday Jaunts: One-Day Holidays Spent Near the City" by the Ledger Monastery
Description: Volume composed of reprinted "Saturday Jaunts" columns (spring and summer 1891) and 25 photographs documenting the one-day excursions of the "Saturday Jaunters," employees of the Public Ledger in Philadelphia. Saturday Jaunters (identified with "monkish" pseudonyms) referenced in and authors of the columns include Bonifacius (William E. Meehan), Benedict (Addison B. Burk), Chrysostum (Joel Cook), Angelo (John J. Mckenna), Damon (Charles S. Spangler), Photius (Edmund Stirling), Friar Tuck (Edward Robinson), Constantius (Stephen J. Burke), Pius (Israel F. Sheppard), Sacristan (C. Johann), Fabian (Dr. William H. Burk), Medicus, Ananias (Collins W. Walton), Titian (John A. Johann), Cephas (Peter J. Heborn), and Brother Alban (Captain Robert C. Clipperton). Contains the columns: I. Marble Hall and Spring Mill. II. A Visit to the Coal Fields of Pottsville. III. A Trip along Cresheim Creek and the "Happy Valley." IV. A Roundabout Journey to Edge Hill. V. A Pilgrimage through the Gulf and to Belvoir. VI. A Pilgrimage through the Gulf and to Belvoir (Continued). VII. A Pleasant Pilgrimage into New Jersey. VIII. A. Walk Up the Wissahickon Valley. IX. A Trip to Reading and Its Grand Environs. X. The Soapstone Quarries and Rockdale. XI. Villanova and Its Vicinity. XII. Glimpses from a Car window of a Picturesque Country. XIII. A Trip to Mount Gretna and the Cornwall Ore Banks.

Title: Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days' Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, evocative theatrical performances, acts of daring, cross dressing and comic scenes in silhouette.

Title: Scrapbook of Prints
Description: Scrapbook containing primarily engraved periodical illustrations issued between circa 1820 and 1852 from American publications, including "Wellman's Literary Miscellany" and "Sartain's Magazine." Illustrations predominantly depict sentimental, religious, and genre views, many after European paintings, and often including children and animals, predominantly dogs.

Title: Thomas Leiper and family business records
Description: The Thomas Leiper family business records include “Letterbooks;” “Estate records;” “Paper, lumber and wood business records;” “Quarry business records;” “Tobacco business records;” and “Miscellaneous and household accounts and receipts,” dating from 1771 to 1947. These volumes document the business efforts of Thomas Leiper and his descendants, including the businesses of Thomas Leiper and Sons, Tobacconists; several quarries; a lumber yard and stable; and the Caldwell and Crosby estates. In addition to his other businesses, Leiper bought and sold real estate.
Creator: Leiper, Thomas, 1745-1825
Date: 1771

Title: Chestnut Street, East of Fifth
Description: Panoramic view showing businesses marked with pre-consolidation addresses on the south side of the 400 block of Chestnut Street (134-140, i.e., 420-428). Signage and ornaments adorn the buildings. Includes L. J. Levy & Co., dry goods store (420); Bailey & Kitchen, jeweler, and Broadbent & Co. daguerreotype rooms (422); W. F. Warburton late W.H. Beebe & Co., hatter and C. Stinger, dressmaker(424); James E. Caldwell & Co., jeweler (426); Root Gallery of Daguerreotypes, Wriggens & Warden, jeweler, and S. Marot, engraver (428). Also shows heavy street and pedestrian traffic, including horse-drawn carriages and an omnibus. Part of the old City Hall at Fifth and Chestnuts is also visible. A crowd of people stands at the tree-lined street corner near the building., Philadelphia on Stone, POS 541.1, Historical Society of Pennsylvania: Bb 856 Sc 57, HSP copy inscribed on recto: Prest by J. C. Browne., Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street - 4th-5th (2 copies), Athenaeum of Philadelphia: General Prints Collection - PRM071, Gift of David Doret.
Creator: Collins & Autenrieth, artist
Date: c1856
Location: Library Company of Philadelphia | Print Department *W263 [P.2007.21.18]

Title: Green's August Flower and Boschee's German Syrup. Portfolio of views in Fairmount Park, Philadelphia Presented by R.D. Pulford, druggist, Mineral Point, Wis
Description: Eight-page foldout advertisement for George Gill Green's "August Flower" and "Boschee's German Syrup" containing advertising text pages and five views of Fairmount Park including the Fairmount Water Works and Resevoir, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Also shows horse-drawn carriages pulling men and women racing north on East River Drive under the New York Connecting Railway Bridge, built 1866-67 after designs by Joseph A. Wilson for the Pennsylvania Railroad. The Promontory Rock Tunnel, bored in 1871, is visible in the background. Other images include people leisurely rowing on a creek under the bridge to Lansdown Island; park visitors standing on a pathway that overlooks the Schuylkill River from the Fairmount Water Works; and men and women strolling, sitting, and traveling in horse-drawn carriages along Wissahickon Drive. Paragraphs of advertising text promote George Gill Green's "August Flower" as a "natural cathartic" that "corrects the acidity of the stomach," and "it is established fact in every town and village on this continent, that [Boschee's] German Syrup is the only remedy that has given satisfaction in severe cases of Lung Disease." Green was a patent medicine entrepreneur who purchased the rights of these two medicines from his father, Lewis M. Green., Not in Wainwright., Philadelphia on Stone, POS 330
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department *Helfand Trade Cards - Patent Medicine - G [P.9828.1686a]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings and graphics dated between 1858 and 1859 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes overviews of Central High School, the schism between Orthodox and Hicksite Quakers, and the construction of the Continental Hotel; descriptions of Maelzel's Chess Automoton; reports of sold, new, forthcoming, and razed buildings, particularly on Arch, Chestnut, Walnut, and North Third streets; the development of Fairmount Park; police station and fire hose company demonstrations and events; reports on the state of local trades and manufacturing, including wool, buttons, and straw goods; descriptions of fancy balls of local clubs and organizations, including the Sons of Malta; passed city ordinances, including the forbiddance of market wagons standing on Market Street; church events and pew sales; estate, building, and personal library sales by noted auction house M. Thomas & Sons; public displays of art, including Thomas Sully's "Illustrations of Robinson Crusoe" at the Earle's Galleries; theatre engagements, particularly at Walnut Street Theatre; weather conditions and their effects on the citizenry; and local anecdotes, including scams. Also contains real estate, stock, and cattle market price lists; classified, commencement, benevolent institution, and "Balls and Parties" listings; an illustrated sheet music advertisement for "Philadelphia Passenger Rail Road Polka by Goldsmith"; a public notice against coal ashes thrown on side walks; Poulson's invitations to club meetings (Wistar Party and Franklin Lodge); and periodical illustrations, advertisements, and prints showing businesses, schools, household furnishings and implements, and social satires, predominately about women's fashion., Graphic materials include engravings, lithographs, trade cards and cameo stamps depicting A. Wiltberger, druggist (233 N. Second); Charles Adams, dry goods (Arch & Eighth); D. G. Wilson and J. G. Childs & Co., Philadelphia Plantation & Road Wagon Works (2612 N. Second); Edwin Greble, dealer in foreign and domestic marble (1700 block Chestnut Street); E. P. Moyer & Bros., harness and trunk makers; Gans Leberman & Co. (16 N. Third), wholesale clothing emporium; George Doll & Co., importers of fancy goods (14 N. Sixth); Jones, White & McCurdy Dental College (700 block Arch); Lightfoot, Shoemaker & Co., hats (415 Arch); Mount Vernon Hotel (117-119 N. Second); North, Chase & North, stoves, heaters and ranges (Second anf Mifflin); [Samuel] Simes, chemist (Twelfth and Chestnut); Schaffer & Roberts, fancy goods and notions (429 Market); Watson & Cox, wire manufactory (46 N. Front); Wm. A. Drown & Co., umbrella manufactory (246 Market); Wm. Colbert, Safety Envelope Manufactory (123 S. Fourth); William Warnock, dry goods (39 N. 8th St.); the Hope Hose & Steam Fire Engine Co. No. 2 of Philadelphia; "H. Sebald, Designer & Engraver on Wood"; Maas & Vogdes, fancy printers; [William] McRea, stationer, card engraver & printer; "Phalon’s Cocin or Cocoa-nut Oil"; and "Spalding’s liquid glue." Prints also depict vignette images of cooking ranges, stoves, a piano, and a window awning, and cartoons satirizing ladies crinolines and the political "Salt River.", Majority of contents annotated with a date by Poulson., Title page illustrated with a lithograph and wood engraving. Lithograph is a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal. Wood engraving shows "Independence Hall.", Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procurred." Cut out designed with ornamental pictorial details frames inscription., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include J. H. Byram; George G. Evans; Familton & Chemin; F. Pilliner; David Scattergood; Robert Telfer; [Wellington?] Williams; and Van Ingen & Snyder., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1858-1859
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 1 [(1)2526.F]

Title: South side of Walnut Street west of Third Street
Description: Pre-consolidation view of several properties and pedestrian activity on Walnut Street near Third Street. Includes J.H. Earle's tailor shop and Charles Toppan's bank note engraving business (60 Walnut Street, east of Third Street); Watson's Lithography at the southeast corner (62 Walnut Street), with Samuel W. Thackara, conveyancer, facing Third Street; J. Hancock & Co., upholsterers, at the southwest corner of Third and Walnut; and the first building of the Philadelphia Saving Fund Society. Pedestrian traffic including men, women and children strolling down the street in groups, a horse-drawn carriage traveling north on Third Street, and a man pushing a handcart west on Walnut Street., J.F. Watson operated his lithography business from 62 Walnut Street between 1835 and 1843., Title supplied by cataloger., Not in Wainwright., Philadelphia on Stone, POSA 83
Date: ca. 1837
Location: Library Company of Philadelphia | Print Department ***Drawings & Watercolors - unidentified - W [357M]

Title: Illustrations of Philadelphia. Vol. IX
Description: Scrapbook containing newspaper clippings, prints, and ephemera predominately dated 1857 and pertaining to the built environment, and social, cultural, and economic climate of Philadelphia. Majority of the contents are articles about city businesses and industries; public interest stories; editorials relating to public concerns and social mores; reports, lists, and statistics; and caricatures and cartoons. Several articles concern the new house numbering system; the chartering of Fairmount and Sedgeley parks; the Academy of Music (New Opera House), including the inaugural ball and first opera season; the temporary relocation of the Post Office; progress of Camden; volunteer fire companies, including the debate over the oldest instituted, new fire houses, and parades; fires on the 300 and 600 blocks of Chestnut (i.e., Peterson/Goodyear building and Melodion); transportation, including omnibus lines and the Camden and Atlantic, and Philadelphia and Baltimore Central railroads; and the new coinage of cents issued from the mint. Also contains numerous columns about building dedications, laying of cornerstones, and improvements and new construction to the city’s infrastructure, including Drown’s Umbrella Manufactory (86 Market); the silver plated ware establishment of John O. Mead (Ninth and Chestnut); the Butler house lot (800 block Chestnut); the hall of the "Colored Masons"; the Spring Garden district and Northwestern section of the city (Twelfth, Thirteenth, and Fifteenth wards); the Pennsylvania Bank building; First Welsh Presbyterian Church (1500 Lombard); the Penn Widow’s Asylum; Washington building (000 block S. Third); and the restaurant of John Campbell (500 block Chestnut)., Other articles describe the Library Company’s receipt of the ca. 1720 Peter Cooper painting of Philadelphia; culture, politics, and economy of the year 1856; local medical schools and hospitals, including Penn Medical University, Jefferson Medical College, Philadelphia small-pox hospital, and Eclectic Medical College; local industries and trades, including Wood & Perot's ornamental iron work establishment, Newell & Knight barrel making machinery and the oyster trade; and Moyamensing Prison. Anecdotal columns and editorials provide commentaries about Philadelphia Insurance companies; Aprils Fools Day; servants; tramps; the city’s “noisy spot” of Third and Chestnut; the lore of stage coaches; popular catch phrases, including those from the theater; the Molly Maquires; the public expense of public lamps and paupers; the importance of newspapers, including as a more perfect venue for advertising than storefront signage; the poor use of the language in classified advertisements; storefront and tavern signages (p.41-42); and the cricket mania. Also contains historical pieces about the University of Pennsylvania; Independence Square; Chew’s Mansion; Zion Lutheran Church; and the Chinese Museum; reports, lists and statistics detailing the crime and mortality rate, sales of stocks and real estate; the retail, cattle and produce markets, meteorology and weather, telegraph use for the year, the comparative health of manufacturing cities, and architectural improvements in progress; a column about how the 1785 city directories represented the population of the city from the series "Philadelphia As It Was"; and an illustrated article about shawls., Graphics, predominately caricatures and cartoons, include lithographs, engravings, and wood engravings. Majority of cartoons satirize the hoop skirt, including the Clara and Charles series. Other cartoons satirize German beer culture, patent medicine, P.T. Barnum, and the social mores of the upper classes. Caricatures, often racist, depict African Americans while at work, including a sweeper, cook, and painter. Prints also include advertisements, vignettes, and views. Advertisements depict the Union hotel (300 block Arch); Thornley & Chism, importers, jobbers and retailers of fancy & staple dry goods (N.E. cor. Spring Garden and Eighth); Lincoln, Wood & Nichols, manufacturers and importers of straw goods; and Fairbank’s patent platform scales. Vignettes depict a knife cleaning apparatus, Olmstead stove, and a piano. Views show a genre scene titled by Poulson "An ‘omnibus’ sleigh and a 'rung' "; the Academy of Music; Jefferson Medical college, Presbyterian Church; Central Presbyterian Church; and "The Performing Elephants" at the National Circus accompanied by the classified for the performance. Scrapbook also contains ephemera, including the "Deaf and Dumb Alphabet" chart inscribed "In use at Phila Institution 1857 as per report Jany 1858" ; a "Premium medal, Franklin Institute"; and two elaborately illustrated tickets to the Pennsylvania Horticultural Society., Majority of contents annotated by Poulson with dates and explicative manuscript notes., Title page trimmed and illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Chart "Length of Squares East and West" pasted on verso of title page., Label inscribed "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP" pasted on verso of front free end paper., "Index to set in back part of vol. XI.", Insert: “Report of the President of the Girard College to the committee on Instruction September 3, 1850, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 9 [(9)2526.F]

Title: Illustrations of Philadelphia, from fugitive sources only
Description: Scrapbook containing clippings, prints, and ephemera dated between 1778 and 1864 pertaining to the built environment, and social and cultural climate of Philadelphia. Illustrated newspaper and periodical clippings (several from The Casket) describing prominent city landmarks during the 1820s to 1840s forms the majority of the content. Subjects include St. Stephens Church (Poulson's annotation states image includes the rear of President’s House on Ninth Street in background); Pagoda near Philadelphia; Gray's Ferry; the Philadelphia Library (i.e., Library Company of Philadelphia); "Statue of Wm. Penn, at the South Front of the Pennsylvania Hospital"; "New Street Cleaning Machine"; and "Rail Shooting on the Delaware.", Scrapbook also contains newspaper articles, advertisements, and prices lists. Subjects include historical anecdotes about Market Street in 1729, the Library Company of Philadelphia, Walnut Street Theatre, Letitia Court, Dock Street, Superstitions of ‘Ye Olden Times,’ and American “firsts”; improvements and alterations to city architecture, including Walnut Street Theatre and the State House; Infant Schools; the April 25, 1846 Eclipse of the Sun; an 1828 transparency illustrated with a caricature of Andrew Jackson; the dissolution of the circulation of “small notes” (1828); the Labyrinth Garden of Thomas Smith at Arch above Broad; Pennsylvania Museum and Menagerie (Market Street); commemoration of the Landing of William Penn; steamboat and stage coach schedules (1828); shift in social classes in Philadelphia society (1842); the 1837 court case against Commodore Perry sloop Capt. Blankman; and the Mauch Chunk Railway. Ephemera includes a facsimile of the original circular "Proposal for the Printing of a large Bible, by William Bradford" held by Nathan Kite. Many of the articles are accompanied by commentaries or are partially transcribed by Poulson. Scrapbook also includes detailed manuscript notes about Hamilton Mansion and the Old Court House., Graphic materials, predominately advertisements and views of prominent landmarks, include wood engravings, engravings, lithographs, and an albumen print. Views include images of "T.W. Dyott’s Apoth’y and Patent Medicine Store N.E. cor. Vine and Second Street"; "Gray’s Ferry on the Schuylkill (a Relic of the Olden Time)"; "Green Hill, The Seat of Samuel Meredith Esq. near Philadelphia"; Birmingham Meeting House "from a Daguerreotype by Mess. Langenheim"; and Cornelius & Baker manufactories on Cherry Street and Columbia Avenue. Advertisements depict N. Lloyd & Son (Seventh and Cherry) elegant coal grates; John Duross Black Horse Alley Old and Extensive Printing Establishment (showing a printing press); M.B. Dyott, manufacturer of Gas Fixtures and Lamps; Bennett’s Tower Hall Clothing Bazaar; Moore, Henzey & Co., hardware; and Wright, Smith & Co., china, glass, queensware. Graphics also include an 1828 vignette showing a carriage and captioned "High Fashion"; "The Stage Coach in 1816"; an 1857 caricature of a Quaker couple; and material added in the 20th century, including a 1905 photo-engraving of the "House and Counting House of Stephen Girard.", Majority of contents annotated with a date and explicative manuscript notes by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued for Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of front free end paper contains Poulson inscription: “The Dates of the articles herein, are those of the newspapers &c from which they were cut. Cut out designed with floral details frames the inscription., "Index to set in back part of vol. XI.", Artists, engravers, and printers include John Boyd; William Breton; Jacob Hoffman; George Gilbert; John Hill; Kennedy & Lucas; E. Rogers; Frederick Pilliner, Samuel Sartain; M. Schmitz; James W. Steel; and George Worley., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Several pages have been removed., Small number of original photographs by McClees removed to the Print Department.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1798-1864, bulk 1829-1845
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 11 [(11)2526.F]

Title: Collections from fugitive sources only, illustrative of the antiquities, progress & c. of the city Philadelphia
Description: Scrapbook containing newspaper clippings and prints, predominantly dated between 1850 and 1855, pertaining to the history and built environment, and social, cultural, and economic climate of Philadelphia. Subject matter mainly relates to improvements to the cityscape, transportation, businesses and industry; historical articles (some illustrated) about the evolution of the city, including notices of destruction of former landmarks; daily, yearly, and seasonal accounts about the weather; and reports (and prices lists) for mortality, election returns, real estate sales, city permits, taxables, debt, stock, trade, exports, and cattle, domestic, and produce markets. Articles about city improvements (some illustrated) describe new construction of churches, storefronts and factories, residences, and places of amusement, on major Center City streets and outerlying neighborhoods, including Arch Street, North Second Street, Market Street, Chestnut Street, Belmont district, Bush Hill, Germantown, Moyamensing, North Philadelphia, Penn District, the Seventh Ward, Southwark, West Philadelphia, and the “vicinity of the Navy Yard.”, Properties referenced include the American Sunday School Union (1100 block Chestnut); Bulletin Building (Third Street below Chestnut); New Presbyterian and Tabernacle Baptist churches; Major Eastwick’s estate at Bartram’s Gardens, Newlin’s Brewery (100 block N. Second), the Farquhar Building (opp. Merchant’s Exchange); Girard Buildings (Chestnut and Third); Matthew T. Miller & Co. (Third and Chestnut); New Masonic Temple (713-721 Chestnut); Stoddart & Co. (278-282 N. Second); M. Thomas & Sons (100 block S. Fourth); Cornelius, Baker & Co. (800 block Cherry Street); Caleb, Cope & Co. (429 Market); the Concert Hall; City Museum; Pennsylvania Academy of the Fine Arts; Philadelphia Gas Works; Farmer & Mechanics Bank; Howell Evans, printing establishment (130 S. Fourth); New Iron Building (600 Arch); Xavier Bazin, perfumer (Seventh and Chestnut); T.W. Evans & Co., mantle and silk store (214-216 Chestnut); and the New Assembly Building (Tenth and Chestnut)., Also contains columns from the series “Benevolent Institutions of Philadelphia” (1849); “Churches and their Pastors” (1849); “Philadelphia in Olden times” (1853); “Reminiscences” (Sunday Dispatch, 1853); “The Progress of Philadelphia”; local historian Thompson Westcott’s “Street Scenes: Philadelphia in 1798, 1799 and 1800” (Sunday Dispatch, 1853); and "Revolutionary Relics" (1854). Topics of historical pieces include Cathedral Cemetery; several churches, including Assumption, Swedes, Tabernacle Baptist and Associate Presbyterian; Videll’s Alley; Market and Chestnut streets; Centre Square; the Pennsylvania Hospitals, including for the Insane in West Philadelphia; Naval Asylum; Commissioner’s Hall, Spring Garden; Robert Morris Mansion; the "libraries of Philadelphia," including the Library Company; and the city police, Quakers and Odd Fellows., Other articles report about the consolidation of the city (including a satiric piece criticizing the grand consolidation ball); Girard College; Philadelphia medical schools, including the Female Medical College of Pennsylvania; auctions conducted by M. Thomas & Sons and James A. Freeman; meteorological reviews, reports and bizarre weather lore, including the 1850 freshet on the Schuylkill; the gas industry in the city; various city water works, including Fairmount and Schuylkill; the number and improvements to omnibuses and their lines and other modes of transportation, including steam boats, ferries, and railroads; improvements to Camden; islands in the Delaware, including Windmill Island. Additional subject matter includes temporary housing of the Post Office in the Jayne Building on Dock Street; “haunts of vice and misery,” including raffling , i.e., gambling, and dance houses; the cleaning of streets through ordinances and sweeping machines; daguerreotypist M. A. Root as the first bidder of the auction of Jenny Lind Tickets in 1850; critical and satirical articles about the newest style of men’s striped pants, the 1855 city directory, the implementation of police hats, and artificial stone fronts on houses; an 1853 benefit at the Parisian Hippodrome; and a black book at the mayor’s office for the reception of “complaints of citizens.”, Scrapbook also contains wood engravings (several from newspaper and periodicals), engravings, cameo stamps, and lithographs. Graphics include predominantly advertisements and cameo stamps. Images show the various locations of the Charles Oakford hat manufactory, including his first shop on Lombard and the mulit-tenanted building on the 700 block of Chestnut; F.C. Kropff, chemical warehouse and laboratory (380 N. Sixth); Keen & Co., manufacturers of ranges and furnaces (Broad & Sansom); J. Smith Harris, merchant tailors (61 S. Fourth); Samuel Hart & Co., manufacturers of playing cards, mother o' pearl goods, and traveling bottles (236 S. Thirteenth); Thomas J. Dickson, brush manufacturer (66 S. Second); W.H. Maurice, blank book and stationery establishment (123 Chestnut); M. Thomas & Sons, auctioneers (67-69 S. Fourth); storefront and factory for Howell & Brothers, paper hangings; the storefront and Callowhill Street manufactory of Daniel Bohler & Co., essence of coffee; Horstmann’s Manufactory (Fifth and Cherry); James Moore’s Porter & Ale brewery (700 block S. Thirteenth); Inquirer Office Building (Third and Carter); interior view of George J. Henkels City Cabinet Warerooms (173 Chestnut); the New Hat Company’s Store (201 Chestnut); John H. Weaver & Co., grocers and tea dealers (Second and Pine); Homeopathic Medical College; J.W. McCurdy & Son, ladies boots and shoes (111 Chestnut); Pratt & Reath, watches & Jewelry (80 Market;) and "View of N.A. College of Health" (Fifth and Race)., Also includes views of benevolent and educational institutions and historical buildings; clipped vignettes showing “Parlors Stoves 1854,” "Newly invented chimney top ventilator," “Fashionable bonnet,” “Melodeons” (with descriptions and prices), spectacles, shoes dated 1832, a “Prize pianoforte,” and a “Washing Machine 1854”; and clipped images of street laborers, including a boy selling lozenges, a “pandy woman” holding a baby to her chest, a female “rag picker,” a girl selling fruit, an organ grinder, “itinerant news boy,” wood collector, and a street advertiser holding a picketed sign promoting "designer and engraver [David] "Scattergood." Latter annotated “a common method of advertising through the streets.”, Several of the clippings annotated by Poulson with dates and manuscript notes., Cut out designed as a monument-like edifice with ornamental pictorial details pasted on title page. Cut out frames title written in ink. Also includes vignette pen and ink sketch showing a beaver., Note by Poulson on verso of front free endpaper: "The dates affixed to the articles in this book, all generally, those of the newspapers from which they have been cut. CAP", Artists, engravers, and lithographers include J. H. Brightly, J. Cone, George T. Devereux, [ ] Farmelee, Alfred Hoffy, Francis Kearny, David Scattergood, R. Telfer, Wagner & McGuigan, and J. L. White., "Index to set in back part of vol. XI.", Volume 7 includes separate index to volume. Index detached and housed with original of volume., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1828-1855, bulk 1850-1855
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 7 [(7)2526.F]

Title: Mason's challenge blacking. James S. Mason & Co., nos. 138 & 140 North Front Street, Philadelphia
Description: Advertisement depicting a "shoe blacking" competition between two African American shoe shiners to promote the manufactory of blacking established in 1832 by James S. Mason. Shows two African American men, portrayed in racist caricature, holding a brush, a canister of "Mason's" blacking, and a boot, while they dance on a table. An African American man fiddler sits on a stool and plays. In the foreground, a white man holds an oversized boot. A white shoe shine boy, his pack on his back, stands behind an older man holding his arm as he points at his reflection in the boot. In the left background, a troop of white Union soldiers marches in behind a parade marshal adorned in "M" insignias. The men carry a banner reading "Mason's (Original) Challenge Blacking (Philadelphia)," as well as boots, and signs spelling "M-A-S-O-N." In the right background, a crowd of spectators, including figures likely representing Germany, the Ottoman Empire, Britain, and possibly France, stand and watch the competition attentively. Scene also includes boxes of Mason's Challenge Blacking. Following the death of Mason in 1888, his son Richard assumed the business which was in operation into the 20th century., Title from item., Date inferred from directory listings for the artist and engravers., Attributed by cataloger to Francis H. Schell, but possibly by Frederick B. Schell., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Schell, Francis H., 1834-1909, artist
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Ph Pr - 11x14 - Advertisements - M [P.2013.51]

Title: [Manufacturing cigars for the poodles. A sketch from the Havannah.]
Description: Print depicting West Indian Black men cigarmakers, portrayed in racist caricature, and their English customers criticizing the use of tobacco and the corrupt nature of enslaved labor. The cigarmakers, attired in sarongs or loinclothes and some with caps, speak in the vernacular, "You mak'a nice ting for Massa Poodle to suck." They soak tobacco, which is dripping wet and giving off a stench, in a large barrel labeled "hospital tub," and in their own urine and vomit to produce "high flavored" cigars. In the left, a Black man vomits into a basin filled with tobacco leaves and says, "What a tink! de smell mak'a me sick." In the right, a man squats and urinates into another basin filled with tobacco. Horrified British dandies look on while one comments, "Oh the Negers, is that the way they make the high flavored cigars, I'll never Suck another.", Title from duplicate copies at the William L. Clements Library, Ann Arbor, Michigan and The Lewis Walpole Library, Yale University, New Haven, Connecticut., Purchase 1991., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: October 5, 1827
Location: Library Company of Philadelphia | Print Department political cartoons - 1827 [P.9345]

Title: Lecompton funeral
Description: Cartoon satirizing Colonel Thomas B. Florence, the only successful Philadelphia Democrat in the Congressional race of 1858 despite his support of the recently defeated pro-slavery Lecompton Constitution advocated by President Buchanan ("Prince James"). Depicts Florence, with the head of a donkey, leading a funeral procession for the "dead" constitution. The procession is composed of: white men shipworkers of the "Two Sloops," which rescued Florence from the "wreck of Lecompton" (an allusion to the decisive electoral support provided by the Philadelphia Navy Yard workers actively supported by Florence's committee work); four, white men pallbearers carrying the "remains of Lecompton" in a coffin resembling an outhouse and inscribed with the names of the unsuccessful Democratic Congressional nominees, "Phillips," "Landy," "Jones" ; and two semi-human figures bearing the flag "discharged ship carpenters.", Title from item., Publication date supplied by manuscript note in Poulson's Scrapbook, Vol. 1, p. 29., Text printed on recto: Democratic committee bearing the remains of Lecompton to Prince James, marshaled by the only remaining representative, Col. T.B. Florence, who was rescued from the wreck by the untiring exertions of the workmen upon the TWO SLOOPS., Originally part of a McAllister scrapbook of Pennsylvania views and political miscellany. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [October 1858]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1858-2W [5759.F]

Title: Perot mansion. North side of Market Street near Eighth St (old no. 297, now no. 731) At this date ( June 15th 1859) it is the only exclusively private dwelling house on Market Street, either side of the way, between the Delaware and Schuylkill rivers! It was built by, and occupied by John Perot, Esq. in the year 1804, who continued to reside there up to the time of his decease on the .It is at present owned and occupied by his son Edward Perot
Description: View looking west on the 700 block of Market Street showing the residence of gentleman Edward Perot, son of merchant John Perot. Also shows adjacent businesses, including Edwin Harot's restaurant (727 Market); a patent medicine dealer selling "Thomsonian Medicines" (729 Market); and Henry McGrath's bookstore and Benjamin Sheneman's plane manufactory (733 Market). Crates line the street and the rear of a wagon is visible., Title and photographer's inscription on mount., Date inscribed on photograph., Originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 3, page 153. The scrapbooks contained approximately 120 photographs by Philadelphia painter and pioneer photographer Richards of 18th-century public, commercial, and residential buildings in the city of Philadelphia commissioned by Poulson to document the vanishing architectural landscape, Retrospective conversion record: original entry, edited.
Creator: Richards, F. De B. (Frederick De Bourg), photographer
Date: May 1859
Location: Library Company of Philadelphia | Print Department photo - Richards - Residences - P (3)2526.F.153 (Poulson)]

Title: [Evans, card & fancy printer. Office, Fourth St. below Chestnut, Philadelphia]
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; lithographer, John Childs; and engravers, stationers and producers of embossed cards, envelopes, labels, etc., Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 resided at the site until dissolving in 1860., Title from duplicate print., Date from Poulson inscription on recto: Fourth Street; s.w. cor.; Library Street; Feby, 26, 1856., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [February 16, 1856]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.2277.23]

Title: Evans, card & fancy printer. Office, Fourth St. below Chestnut, Philadelphia
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; blank book manufacturer, J.R. McMullin; and engravers, stationers, producers of embossed cards, envelopes, and labels, Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the site until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 remained at the site until dissolving in 1860., Title from item., Date inferred from content and history of the printer., Advertising text printed around border., Advertisements printed on verso: engraver, J.H. Byram - wholesale collar manufacturer, Robert C. Winters - and truss manufacturer and importer, C.W. Van Horn & Co., Originally part of a McAllister scrapbook of engravings related to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [(7)1322.F.158.1a]

Title: Evans, Card & Fancy Printer. Office, Fourth St. below Chestnut, cor. of Library St. Philadelphia
Description: Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; and blank book manufacturer, J.R. McMullin. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1852 remained at the site until dissolving in 1860. J.R. McMullin remained from 1857 until 1859., Title from item., Date from Poulson inscription on recto: Decem. 1858., Signage on building for Evans, Card & Fancy Printer stamped with gilt., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Louderbach & Hoffman, engraver
Date: [December 1858]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.8729.8]

Title: McNeely & Co. manufacturers of morocco, buckskin & chamois, white leather, bark tanned, sheep, calf & deer skins, parchment, vellum &c. 64 N[or]th 4th. St. below Arch St. near the Merchants Hotel, Philadelphia. Manufactory 4th & Franklin Aven[ue]
Description: Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a white woman and boy, stroll and converse on the sidewalk. In the street, an African American man and woman couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century., Title from item., Date of publication supplied by Wainwright., Philadelphia on Stone, POS 463, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W.H, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department **W230 [P.2129]

Title: Foering & Thudiums cheap stove ware-house
Description: Advertisement depicting the three-and-a-half story warehouse operated by Frederick Foering and C.A. Thudium at 87 North Second Street. In the open entranceways, a white man clerk assists a white woman shopper and an African American laborer lifts a stove. Displays of stoves line the sidewalk and the store walls. On the second floor near open windows, white laborers work. A horse-drawn cart departs an adjoining exitway. Foering and Thudium, one of the city's first domestic stove manufacturers, started in business in 1828, and operated on North Second Street from 1845 until 1847., Print trimmed and lacking caption., Title from item., Date from Poulson inscription on recto: Dec. 1846. North Second Street., Philadelphia on Stone, POS 266, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W. H., lithographer
Date: [December 1846]
Location: Library Company of Philadelphia | Print Department *W132 [P.2045]

Title: Compliments of the Domestic Sewing Machine Co
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an older African American man peddler mistaken as a suitor. In the center, the older, balding peddler speaks to an African American family at the door of their cottage house. The man is portrayed with exaggerated features, wears spectacles, and is attired in a purple coat; a white shirt; yellow pants; and brown shoes. A goat eats red cloth pulled out from underneath his coat. On the ground in front of him is his top hat turned upside-down. Papers are placed inside of it. He leans forward to speak with the African American woman in the doorway. His hands are out like he is displaying an object. The woman wears mammy-like attire of a beige head kerchief; a yellow shirt with the sleeves rolled up to her elbows; a blue shirt; and a white apron. She holds a broom. Behind her is another woman attired in a green dress and head kerchief. In the left are a young woman and a girl. The young woman is attired in a pink dress with a green ruffle at the bottom and cut-out shoulders, matching pink stockings, and a bow in her hair. She coquettishly holds a fan ornately decorated with pink flowers to the side of her face. The girl to her left is barefoot and attired in a white dress. In the right background are sunflowers behind a fence and the peddler's horse-drawn wagon loaded with boxes out of view of the family. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication deduced from place of operation of advertised business., Date inferred from history of advertised business., Gift of David Doret., Library Company holds duplicate copies [P.2017.95.46 & P.2017.95.47].
Date: [1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.48]

Title: The wooing of the twins Universal, perfect and elegant stoves and ranges. Manufactured by Cribben, Sexton & Co., Chicago, Ill
Description: Racist trade card promoting stove manufacturer Cribben, Sexton & Co. and depicting a genre scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Figures are portrayed with exaggerated features. Shows the two couples sitting in wooden chairs. The twin sisters are identically attired in yellow dresses with red polka dots and white collars. In the left one sister holds a fan as she coyly looks and smiles to the man seated to her right. He is attired in black shoes; blue and white striped pants; a white collared shirt with red tie; and a green jacket. His hands are on on his knees. In the right the other sister touches her chin with her finger as she leans towards the man seated opposite her. Her suitor is attired in black shoes; red and white striped pants; a white shirt; and a black jacket with tails. In the center behind the couples is a mantel with cups, plates, and bowls placed on top. Inside the mantel is a stove with a kettle on it. In the right background, the parents of the twins are sitting in chairs. The father, attired in a blue jacket and beige pants, reads a newspaper. The mother is attired in a red dress. Henry Cribben and James A. Sexton founded the stove manufactory Cribben, Sexton & Co. in Chicago in 1873. The Company closed in 1965., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on verso: Sayles & Conover, Dealers in stoves and hardware, A full line of universal, Perfect and elegant stoves and ranges always on hand. Valparaiso, Indiana., Gift of David Doret., Forms part of a series [P.2017.95.37 & P.2017.95.38].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Cribben, Sexton & Co. [P.2017.95.36]

Title: "Wes don got de "Domestic," we has!"
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an African American couple who has acquired a sewing machine. The figures are portrayed with exaggerated features. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.'s sewing machine. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: "It stands at the head. The light running "Domestic" No. 4 Family. The best. The model machine. Domestic Sewing Machine Co." Includes an illustration of a Domestic sewing machine., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.49].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.50]

Title: The wedding party off for Europe. And they have all got on the neat $2.50, gaiters made to measure at the Co-operative Shoemakers, arnt they splendid. 220 & 222 S. Halsted St
Description: Racist trade card promoting the Working Shoe Makers Co-Operative Union and depicting a scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Shows the twins, attired in yellow hats decorated with a red feather and long-sleeved yellow dresses with a white collar and a red belt, standing on the deck of the ship with their husbands. The husband in the left is attired in a white collared shirt, a blue jacket, red pants, and black shoes. The other twin’s husband in the right is attired in a blue hat, a white collared shirt, a green jacket, red and white striped pants, and black shoes. The couples, newly married, are “off for Europe” and look over the ship to say goodbye to the people on the dock. In the foreground, a number of African American men, attired in hats and suits, and women, attired in hats and dresses, talk amongst themselves and wave goodbye. In the left, a man stands up over the crowd, attired in a black hat, a red jacket, and yellow pants, and throws a bouquet of flowers at the couples onto the deck. The Working Shoe Makers Co-Operative Union was active in the 1880s in Chicago, Ill., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: The Working Shoe Makers. Co-Operative Union 220 & 222 S. Halsted Street, The Cheapest Custom Made Shoe Store in the City. Button & Congress Gaiters, to measure. Ladies’ Button & Laced Gaiters, to measure. Half soleing & heeling 1.00 Ladies 75 cts, Craddock & Auston, Managers., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Working [P.2017.95.194]

Title: No more Chinese cheap labor. Celluloid cuffs, collars & bosoms
Description: Trade card containing an illustration depicting a racist scene with the figures of Uncle Sam and America, and a Chinese man laundry worker. In the left, the laundry worker, wearing his hair in a queue and attired in a long-sleeved, orange tunic; long, wide-legged, white pants; and orange slip-on, cloth shoes; sits on an over-turned wooden wash tub. His eyes are closed, and he holds his head down in his left hand. His left leg is crossed over his right, and his right hand is on his left ankle. To his left, the white woman figure of Columbia/America, looks down at the laundry worker and points up with her right hand. In her left hand, she holds up a shield with the pattern of the American flag and marked "Invention." She wears her dark hair pulled back to the nape of her neck and is attired in a gown with the pattern of the American flag, a red and blue cap adorned with a white star, and sandals. An open box of spilled starch lies between her feet and those of the laundry worker. Behind the laundry worker, is a laundry iron on a shelf, Chinese characters written on a wall, and Uncle Sam resting his arms on the ledge of an opening in the wall. Uncle Sam has red hair and a beard and is attired in a top hat, a blue jacket with a white star pattern, a red neck tie, and white shirt with the collar turned up. He looks at America. Above his head is the sign "Gon Up Chinese Laundry." Patented during the 1860s and 70s, separable celluloid collars, unlike separable paper collars, were waterproof and longer lasting, as well as fashionable and affordable. Following the Chinese Exclusion Act of 1882, the celluloid collar industry leveraged the racist legislation to promote the use of celluloid collars as patriotic and as a means to make Chinese launderers obsolete and to facilitate the end of Chinese immigration., Title from item., Date inferred from content., Includes advertising text printed on verso: A New Improvement-Patented. Waterproof Linen. Waterproof-Elastic-Durable. Ladies' & Gents' Cuffs Collars, [Bossa]ms, Made From Celluloid. In Introducing this new invention [italicized], we beg to call the attention of the public to some of the remarkable features of this "new departure," [italicized], which will commend the use of these goods to all who study economy, neatness, and beauty [italicized]. 1st. The Interior is Fine Linen. 2d. The Exterior is Celluloid. 3d. The Union of Above, Combines the Strength of Linen With The Waterproof Qualities of Celluloid. 4th. The Expense of Washing Is Saved. If The Goods Are Soiled Simply Wipe Them Off With Soap And Water. 5th. The Goods Never Wilt Or Fray On Edges. 6th. They Are Perspiration Proof. For Sale by All Gents' Furnishing & Fancy Goods Houses throughout the Country., Image caption: "Othello's occupation gone." The Hand Writing on the Wall., Purchased with funds for the Visual Culture Program., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [P.2021.20.1]

Title: Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American family getting ready for church. The family is portrayed with exaggerated features and speak in the vernacular. In the center, the husband/father stands smiling attired in a white ruffled shirt, a red and white bow tie, a yellow waistcoat, a long black jacket, red and white checked pants, black shoes, and white gloves. The wife/mother, attired in a bonnet decorated with a blue bow and flowers, a red shawl, a blue dress with black stripes, a yellow bow tie, and black shoes, smiles as she adjusts the bowtie on her husband and says, “yer looks lubly Ephraim, and it all comes using dat Higgins soap.” Their son, attired in a yellow hat with a black band, a red shirt with a white lace collar, green pants, red socks, and black shoes, looks up at the couple carrying a red book in his left hand. In the left, behind the couple, are two more children. The girl in the left is attired in a white head kerchief, a yellow shirt with orange stripes, a white skirt, red stockings, and black shoes. The boy in the right is attired in a blue cap, a blue shirt with a white collar, blue pants, red and white striped socks, and black shoes. A print depicting a red building and two people is pasted on the wall in the right background. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.81]

Title: “Universal family” Soapine, Kendall Mfg. Co., Providence, R.I
Description: Racist trade card promoting Kendall Manufacturing Co.’s Soapine and depicting caricatures and ethnic stereotypes of people helping Liberty wash laundry. Shows Liberty in the center personified as a white woman with blonde hair tied up in a bun attired in a blue cap with a white star and a white sleeveless dress with a red belt that has an American flag crest. She stands behind a wooden wash tub labeled “Kendall MFG Co.” that sits on top of six boxes labeled with the letter K. She spreads both of her arms out to the seven people around her. In the left, a white man with blond hair and mustache (possibly German,) holds a pipe in his mouth and is attired in a blue tunic, brown pants, and black shoes. He bends over as he carries a large box labeled “universal soap” on his back. A white Scottish man with blonde hair, attired in a blue cap with a yellow feather, a green shirt with a red sash, and a red kilt, helps a white man with black hair and mustache (possibly French) attired in a blue uniform with gold epaulettes and black shoes, carry a large straw basket filled with white laundry to the wash tub. In the right, caricatures of an African American man in a white sleeveless top, a Native American man attired with a feather headdress and blue pants with a bundle of arrows on his back, and a Chinese man with his hair styled in a queue attired in a blue tunic, brown pants, and blue, slip-on, cloth shoes, carry an oversize wash board labeled “French Laundry Soap.” In the center foreground, a white man with blonde hair and attired in a blue shirt, brown pants, blue socks, and black shoes, has fallen down on the ground. Beside him is a broken white pipe, and a small black cat runs away. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.96]

Title: Try King's quick rising buckwheat. It is the best. The cook likes it
Description: Racist trade card promoting King Cereal Manufacturing Company and depicting a caricature of an African American woman domestic serving pancakes to a white couple while an African American man cook smiles in the kitchen. Shows the African American woman domestic, attired in a red dress, a white apron, and a white bonnet, holding her apron up in her hands while looking at the viewer and winking her eye. In the right, a brown-haired, white man with a mustache attired in a black suit, a white collared shirt, and black shoes and a white woman with brown hair in a bun and attired in a blue dress, sit in wooden chairs at a table covered with a white tablecloth. The white woman looks at the viewer as she wipes her mouth with a white napkin. On the table is a plate of pancakes, a coffee pot, glasses, and a condiment tray with various bottles. Through a doorway in the left background, the African American man cook, attired in a white chef’s hat and jacket, a white apron, pants, and black shoes, smiles as he stands behind a table with a box of King’s Quick Rising Buckwheat. In the right on the wall are two framed pictures and a large window with white curtains. Image also includes a red rug and a wooden chair with a green cushion. Edward King (d. 1907) founded King Cereal Manufacturing Company in 1861 in Chicago. He sold his interest in the firm to H. Horner & Co., wholesale grocers in 1903. The firm continued operations into the 1920s., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: We manufacture and sell all the package goods name[?] King’s Quick Ris[ing] Flour, King’s Quick Rising W[heat] For Biscuit, &c. Mrs. Hopper’s Pan[cake] a splendid substitu[te] [spe]cially adapted King’s R[ising] [?]ne Breakfast “Cut Oat Meal. “White Hominy. “Corn Grits or Samp. “Farina. (From the Best Wheat.) “Golden Corn Meal. “Silver Corn Meal. “Flaked Hominy. The best preparation of Corn ever placed on the market. Makes a delicious breakfast dish or after dinner dessert., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - King [P.2017.95.98]

Title: "Wes don got de "Domestic," we has!"
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an African American couple who has acquired a sewing machine. The figures are portrayed with exaggerated features. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.'s sewing machine. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of advertised business., Advertising printed on verso: "It stands at the head. The light running "Domestic" No. 4 Family. The best. The model machine. Domestic Sewing Machine Co." Includes an illustration of a Domestic sewing machine., Distributor's imprint printed on verso: J.Y. Sigafus, Sewing machines, organs, and pianos, cheap for cash. Stroudsburg, PA., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.50].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.49]

Title: Saturday. Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman bathing her child in a wash tub. Shows the African American woman portrayed with exaggerated features with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; and a blue, short-sleeved dress. The mother kneels on the floor as she bathes her young son in a washtub. She smiles, rubbing a wash cloth on the boy with her right hand. The naked boy stands in the tub with his left leg raised. She says in the vernacular, “Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out.” Behind the tub, in the left, a girl, attired in a black-striped, red nightgown, and a boy, attired in an orange nightgown, watch the scene. In the right, another boy in an orange nightgown looks on. A white towel with two red stripes and decorative fringe is draped over the side of the wash tub. In the right background, a white sheet hangs on a clothesline. Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.85]

Title: Chestnut Street, east of Third
Description: Reproduction of lithographic view showing the 200 block of Chestnut Street with pre-consolidation addressed buildings. Businesses include Lewis Brothers & Co., importers of silk goods, Senat, Perot & Co., importers, Cottringer, Boyd & Gibbons, importers, and Lawrence Stone & Co. (80-82, i.e., 238-240); the Jayne Building (built 1849-1850) tenanted by Wesendock & Co. importers of silks & cloths, Dr. D. Jayne & Son, patent medicine, and Ellwood Shannon, tea dealer (84-86, i.e., 242-244); Oberteuffer & Freytag, importers, and Samuel Robinson, importers of Irish linens (88, i.e., 246); N. Thouron & Sons, importers of French goods, and Harden’s [sic] Express, probably A. Howard & Co. express (92, i.e., 248); and the U.S. Life Insurance Annuity & Trust Saving Fund building tenanted by Draper, Welsh & Co. Bank Note Engraving (94, i.e., 250). Includes heavy street and pedestrian traffic. Horse-drawn carriages, wagons, an omnibus, and drays travel in the street in addition to a dray situated to be loaded in front of the Jayne Building. Clusters of pedestrians walk near the Jayne and the Saving Fund buildings. In the foreground, on the opposite side of the street, families stroll, converse, and are greeted by other individuals near men, including laborers, talking near a pile of crates and a loaded dray. Also shows lettering reading "Howard" above the doorway of 92 Chestnut Street and a partial view of adjacent buildings., Not in Wainwright., pdcp00010, Philadelphia on Stone, POS 113, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street 2nd-3rd
Creator: Collins & Autenrieth, artist
Date: c1857
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut Street - 2nd-3rd

Title: In commemoration of the hundredth anniversary of American independence
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1876, 1877
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]

Title: Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
Description: Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

Title: Scraps illustrative of the History of Philadelphia. Vol. VI
Description: Scrapbook containing predominantly newspaper clippings dated 1845-1849 that pertain to the built environment, history, and political, social, and cultural climate of Philadelphia. Contents include editorials; anecdotal, current event, and sensational news articles; and columns reporting about local interest stories, government and politics, and city development and entertainments. Several pages of the scrapbook are dedicated to newspaper coverage of the 1848 court cases of the "Trial of Pratt, Pence, and McGowan for conspiracy to pass Stolen Money" and the Pierce Butler and Fanny Kemble divorce. Daily, monthly, and yearly weather reports for the months and years 1840, 1845, 1847, 1848, 1849 also form several pages of content. Several articles also describe local disasters, including the destruction of the Schuylkill Water Works reservoir (1848); the ice accident on the Schuylkill (January 1849); and major fires near Water Street Wharf (1839), at the Presbyterian Board of Education on the 800 block of Chestnut (1849), at the public school on Catherine Street (1849), and at the City Gas Works (1848)., Several articles report about city improvements, including the enlargement of Fairmount; the growth of the city as a whole and development of neighborhoods (Bridesburg, Spring Garden district, and Germantown, including the residence of artist C.G. Childs); new establishments on Chestnut and Market streets, including confectioner J. W. Parkinson (900 block Chestnut) as well as shops on the 700 block and 400 blocks, respectively; and the dedication and completion of new churches (Church of the Assumption, Logan Square Presbyterian, and St. Mark’s Church)., Anecdotal and local affairs pieces report about the city's municipal services and policies, social mores, and entertainments. Subjects include the city's purchase of Penn’s Treaty Ground for public use; the extension of gas lines to Moyamensing; the 1846 Triennial Parade of Firemen in commemoration of the First Volunteer Company of the City; a relief mission to famine-stricken Scotland (1846); omnibus etiquette, the demographics of Third and Chestnut streets; the gang Moyamensing "Killers"; the men’s fashion trend of winter shawls (1853); the Christmas holiday season; the Chinese collection at the Chinese Museum; performances at Walnut Street Theater; and the Tom Hyer and Yankee Sullivan Prize Fight of 1849., Other articles discuss politics and government, particularly the activities of the local Whig party, including elections and party meetings; the Mexican American War, including casualties and the "Illumination of April 16, 1847" in honor of General Taylor and Scott’s achievements; education, including Girard College and the semi-annual examination of Central High School; and local trades, including iron, lithography (P.S Duval, p. 34), dry goods; bankers and the 1846 and 1848 reports of the Philadelphia Board of Trade; and the management of the city's dog population in 1848 (p.52-3). Editorials discuss the 1848 cholera epidemic, including brandy as "cholera medicine"; a sociological "View of Chestnut Street" (1845); Philadelphia architecture; and the city's commercial superiority over New York, including the book trade. Scrapbook also contains price lists; "'poetry' cut from obituary notices in the 'Public Ledger' "; columns from the series “Philadelphia Sights from a Steeple. Written for the North American”; “Benevolent Institutions” (1849); and “Letters from Philadelphia. From the Boston Atlas (1838) and a small number of graphics. Series topics include Philadelphia Institution for the Instruction of the Blind, the Orphan’s Asylum the public squares and schools, Chestnut Street Stores, the book trade, and museums and galleries. Graphics include the illustrated article "Philadelphia As It Is" depicting a caricature of an omnibus driver and vignettes showing the Fairmount Water Works, the Farquhar Building, Blue Anchor Tavern, and "Kriss Kingle's [sic] Head Quarters" (advertisement for Parksinson's confectionary)., Several of the contents annotated with a date., Wood engraved periodical illustration "The Hall of Independence, as Arranged for the Reception of the Remains of the Late Hon. John Quincy Adams." pasted on front free end paper. Print includes amateur hand-colored details. Cut out printed “Philadelphia” pasted below the print., "Index to set in back part of vol. XI.", Photographic reproduction of Faden’s "Plan of the City and Environs" (1747) removed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1822-1862, bulk 1855-1856
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 6 [(6)2526.F]

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