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Title: Dixon's carburet of iron stove polish
Description: Trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a racist caricature of an African American woman nanny at work. Shows the nanny smiling, holding, and scrubbing an unclothed white girl, who is coated in black stove polish along her right side. The long, brown haired girl wears a red headband and is partially covered by a white cloth draped around by the nanny. The nanny uses a scrub brush under the right arm of the girl. The girl stands, her right leg raised, upon a table covered with a yellow tablecloth and stained by the polish. She looks down and touches the nanny's face with her right hand. She places her left hand over the woman's hand on her left side. The nanny is attired in a white head kerchief with red polka dots; a yellow short-sleeved shirt with red stripes; and a blue skirt. On the table is a plate; a brush; and boxes labeled Dixon's Stove Polish. Image also includes, in the left background, a stove with a steaming kettle and a partial view of a stove pipe and checkered flooring. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: 57 years in market Dixon's pure carburet of iron. Stove polish. The oldest. The best. The quickest. The neatest. Ask your grocer for it., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dixon [P.2017.95.45]

Title: Compliments of the Domestic Sewing Machine Co
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an older African American man peddler mistaken as a suitor. In the center, the older, balding peddler speaks to an African American family at the door of their cottage house. The man is portrayed with exaggerated features, wears spectacles, and is attired in a purple coat; a white shirt; yellow pants; and brown shoes. A goat eats red cloth pulled out from underneath his coat. On the ground in front of him is his top hat turned upside-down. Papers are placed inside of it. He leans forward to speak with the African American woman in the doorway. His hands are out like he is displaying an object. The woman wears mammy-like attire of a beige head kerchief; a yellow shirt with the sleeves rolled up to her elbows; a blue shirt; and a white apron. She holds a broom. Behind her is another woman attired in a green dress and head kerchief. In the left are a young woman and a girl. The young woman is attired in a pink dress with a green ruffle at the bottom and cut-out shoulders, matching pink stockings, and a bow in her hair. She coquettishly holds a fan ornately decorated with pink flowers to the side of her face. The girl to her left is barefoot and attired in a white dress. In the right background are sunflowers behind a fence and the peddler's horse-drawn wagon loaded with boxes out of view of the family. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication deduced from place of operation of advertised business., Date inferred from history of the advertised business., Distributor's imprint printed on verso: M.E. Hartzler's "Domestic" & "Royal St John" sewing machine office. In Odd Fellows Hall cor. Geo. & King Sts, (opposite Reevers tavern,) York, PA. Anything pertaining to sewing machines of every kind and make, furnished at this office. Repairing of all kinds of sewing machines a specialty., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.48] and another with variant distributor [P.2017.95.47].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.46]

Title: Bloch. Bros. West Virgina mail pouch tobacco I tell you breddern, it pays you to read erbout W.V.A Mail Pouch terbacker on de oder side dis yer card
Description: Trade card promoting the Bloch Brothers' chewing tobacco. Depicts a racist caricature of an older African American man tobacco peddler portrayed with exaggerated features and selling his product in a clumsy manner on a stage. He looks flabbergasted, stands behind a small table with two leaves drawn open, and holds a green umbrella over his head with his right hand. He holds the top of the table with his other hand while a pitcher, cup of water, and a lit candle in a candlestick fall off of the table or fly in the air. An illustrated package of "Bloch Brothers' Mail Pouch Tobacco" falls toward the audience. On the stagefloor in front of the table is a brown bottle with a lit candle, a hurricane lantern, a candle in a candlestick, and a brimmed hat. Behind the salesman in the right is an open bag with a boot and clothes spilling out. A clock hangs on the back wall. In the foreground, the backs of four men’s heads in the audience are visible. The white-haired salesman is attired in a red, plaid suit; a red tie waving in the air; white collared shirt; black boots; and spectacles. Brothers Aaron and Samuel Bloch founded the Bloch Brothers Tobacco Company in Wheeling, West Virginia in 1879 by manufacturing cigars. They created Mail Pouch chewing tobacco by flavoring and packaging leftover cigar clippings. Bloch Brothers was sold in 1969 to the General Cigar and Tobacco Company, which became a division of Culbro in 1978. The Company was acquired by the Helme Tobacco Company in 1983 and later changed its name to Swisher International. Swisher continues to produce Mail Pouch tobacco into the 21st century., Title from item., Date inferred from the history of the advertised business and the attire of figures depicted., Distributor's imprint stamped on verso: Jacob G. Shirk, 886 N. Christian St., Lancaster, PA., Stamp partially visible on recto: Note: [?] Jacob Shirk, [308?] N. Christian Street., Advertising text printed on verso: To consumers of smoking and chewing tobacco: There has for years been a demand for a superior smoking tobacco, something cheap and meritorious, reverse from most brands, which are only manufactured for the profits derived by the manufacturer and the dealer, with no satisfaction to the consumer. It is a reform in Tobaccos, no stems to smoke nor mysterious compounds to chew. The qualities that recommend "Mail Pouch" Tobacco strongest as an article of merit, are:-- 1st. That it is a combination of Long Cut manipulated Virginia, Kentucky, Connecticut and Pennsylvania Leaf, by our own and original process, which makes it a cool smoke and a lasting chew. 2nd. In cheap tobaccos the smoker has been so long dosed with doctored, perfumed stuff, flattened stems mixed in with common Tobacco, to get something free from noxious flavorings and adulterations, is a result that must be appreciated. 3d. We claim that it is, without exception, the best and cheapest Tobacco ever offered to the consumer. The popularity of the W. Va. Mail Pouch Smoking and Chewing Tobacco is sufficient recommendation. It has attained its success and demand on its merits and sterling worth, it therefore has many imitators, but no equal. Bloch Bros., M'f'rs, Wheeling, W.Va., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Bloch [P.2017.95.15]

Title: Edwin C. Burt, fine shoes
Description: Trade card promoting shoemaker Edwin C. Burt and depicting a racist, whimsical scene of two African American boys carrying a white girl in a “sedan chair” in the shape of a shoe. In the left, a boy attired in red, sarong-like shorts holds the red, back handles of the sedan over his shoulders. In the right, a boy attired in yellow, sarong-like shorts with black stripes holds the red, front handles over his shoulders. The girl sits with her legs stretched out. She is attired in a red headband that wraps around her brown hair styled in a bun; a yellow, short-sleeved dress with a white collar and blue stripes at the sleeves and around the bottom; and a gold bracelet. She holds a matching yellow and blue fan, possibly of peacock feathers. The sedan chair is depicted as a black woman's dress shoe with a heel and is adorned with a red bow at the front with a gold and diamond circular embellishment. A red canopy with green fringe trim attached to the back of the shoe shields the girl. In the background, mountains and a pink sky are visible. Edwin C. Burt (1818-1884) began his career in boot and shoemaking with his father in Hartford, Connecticut in 1838. He moved his business to New York City in 1848 and founded Edwin C. Burt & Co. in 1860. He patented an improvement to increase his shoes' durability in 1874., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on the recto: Over., Advertising text on verso: Caution to the public. Ladies', misses' and children's genuine Burt's shoe has the name stamped in full on the lining of each shoe, thus: Edwin C. Burt Maker New York. Also, on the bottom of each shoe, thus: Edwin C. Burt New York. And are warranted to give satisfaction. Call for them. If these goods are not to be obtained in your [?] [plea]se write us and we will advise where [?] be found. Edwin C. Burt, New York., Gift of David Doret., Library Company holds a duplicate copy with a variant verso [P.2017.95.19].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Burt [P.2017.95.20]

Title: Standard java, Chase & Sanborn, Boston
Description: Trimmed metamorphic trade card promoting Chase & Sanborn's coffee. Depicts a quirky, racist scene with a trompe l’oeil aesthetic and including the oversized head of a Black man with exaggerated features in a North African setting. Shows an African man attired in a yellow hooded robe on a white horse and holding a long spoon to an enormous face of an African man. His head covered in a green and red turban has torn through a wall. He purses his lips out to the spoon. In the center of the image is a white coffee cup with a blue stripe and the text "Standard java, Chase and Sanborn, Boston" written in red. In the right foreground, holding a basket, is a barefooted African woman attired in a white dress with red stripes and cap sleeves; a yellow vest; and red, head kerchief. In the background is a building with Moresque decorative features in the doorway and window. Illustrated on the verso is a partial view of a black man. Shows his chin and lower lip, his torso, and his legs above his ankles. His arms are raised, and he is attired in white pants with blue stripes; a green jacket with yellow lining; a white collared shirt; and red vest and bowtie. Caleb Chase (1831-1908) established a coffee and tea company in 1864. Chase partnered with coffee seller James Sanborn (1835-1903) in 1874 to form Chase & Sanborn. It was the first company to pack and ship roasted coffee in sealed tins. In 1893, the firm supplied the coffee to all of the salons at the Chicago World's Fair. Chase & Sanborn was acquired in 1929 by Standard Brands, which merged with Nabisco in 1981., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Boston roasted coffees have a national reputation representing the finest grown seal brand java and mocha coffee is justly called the aristocratic coffee of America surpassing all others in its richness and delicacy of flavor always packed whole roasted in 2-lb, air-tight tin cans. Crusade blend coffee is a skillfull blending of three high grade coffees noted for their flavor, strength and aroma, warranted not to contain a single Rio bean, but guaranteed to [?]., Gift of David Doret., Card is trimmed at the top and bottom.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Chase [P.2017.95.25]

Title: Clark's trade mark 36 Mile-End spool cotton
Description: Trade card promoting Clark Thread Company and depicting a racist caricature of an African American man minstrel drummer. Shows the man, in near profile, smiling and beating drumsticks on a drum strapped to his chest. The drum is a giant spool of thread labeled "Clark's Mile-End spool cotton." He is attired in black shoes; blue pants with a yellow stripe; a white jacket with pink flowers and long tails, with large buttons; a white ruffled shirt with a high collar; and a white top hat with a black band. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Clark's trademark Mile-End spool thread. Best six cord. All numbers from no. 8 to 100. The colors are especially dyed to match. All shades of dress goods and can be used instead of silk by dress makers and families. The black is strong and smooth, and of the purest dye. It will retain its very deep black hue as long as silk fabrics. The white, black and colored is the standard for use upon all sewing machines., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.32]

Title: It stands at the head. "Domestic" sewing machine
Description: Racist trade card promoting Domestic Sewing Machine Company and depicting a caricaturized genre scene of an African American family looking to their right at a billboard on the side of a building. The figures are portrayed with exaggerated feaures. Shows an older, squat man, a woman, and three children seated and standing in a horse-drawn cart halted on a dirt road. An older boy stands behind the cart. The man, attired in a top hat; a ragged jacket; a shirt with bowtie; and pants with patches on the knees and suspenders sits smiling and holding in his hands a stick and the reins of his horse that wears blinders. The woman, attired in spectacles; a straw hat with a decorative ribbon that is tied under her chin in a bow; a long-sleeved dress; and a shawl stands up inside the cart. She holds a baby in her left arm and points at the billboard with her right hand. A boy attired in a long shirt and pants sits beside the man in the front of the cart. Behind the man, a girl attired in a bonnet stands. The boy outside of the cart is barefooted and attired in a cap; a shirt; and ragged pants with a hole at the knee, and carries a basket. A dog, its tail between its legs, hunches underneath the cart. In the left, the billboard is illustrated with a sewing machine in the center of a star with the advertising text around it. Text reads: "It stands at the head : Copyrighted by the "Domestic" Sewing Machine Co. The star that leads them all. Unequalled for simplicity of construction ease of operation and durability. The light running "Domestic" sewing machine." In the distant right background a house is visible. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on recto: E.R. Bumps, jeweller, Waldoboro, ME., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.51]

Title: Finnerty's, the champion of all root beer extracts, 15c. per bottle. 106 Market Street
Description: Racist trade card promoting E.J. Finnerty Jr. & Co.'s patent medicines and depicting a crying African American baby that is suspended from a tree branch. In the center of the image is a baby, attired in a white onesie, that has a white cloth wrapped around their midsection and tied to a blooming cherry tree branch. The baby's eyes are tightly closed, their mouth is open wide, and they grasp a branch of cherry blossoms with their left hand. A straw hat also is on the tree branch. E.J. Finnerty (1863-1901) was a druggist in Philadelphia. He created the firm Finnerty, McClure & Co. in 1891 and continued in the trade until his death., Title from item., Advertising text printed on verso: Go to the old reliable drug store, 106 Market St. Philadelphia, for pure drugs and medicine at the lowest prices. We make a specialty of compounding Physicians' Prescriptions, with great care and promptness. A full line of Perfumes and Toilet Articles always on hand. We will also continue the manufacture and sale of the following well-known and highly recommended remedies: Finnerty's W.C.&H. Expectorant, . Per bottle. Price, 25c. The best remedy for coughs, colds, etc. Finnerty's Beef, Iron and Wine, ... " 50c. The great nutritive tonic. Finnerty's Sarsaparilla, ..." 50c. The best blood purifier. Penn's White Linament, ... 25c. The great rheumatic remedy. Finnerty's Essence Ginger, ... " 25c. The reliable remedy for colic, nausea and debility. Finnerty's Cramp and Diarrhoea Mixture, ... " 25c. A sure cure for cholera morbus and stomach troubles. Finnerty's Liver Granules, ... " 25c. No better in the markey. Finnerty's Catarrh Remedy, ... Per Box 25c. Will cure catarrh, cold in the head and hay fever. Michner's German Dyspepsia Lozenges, ... " 50c. The greatest remedy known for the cure of dyspepsia. E.J. Finnerty, Jr. & Co. Druggists and Manufacturing Chemists., Gift of David Doret.
Date: [1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Finnerty [P.2017.95.63]

Title: United we stand. Divided we fall
Description: Racist, satiric trade card promoting the Great American Tea Company. Depicts in two panels an African American man knocking down two African American children eating a candy stick by opening the cellar doors they were sitting on. In the left panel, shows caricatures portrayed with exaggerated features of two barefooted African American children sitting on top of slanted cellar doors. In the left, the boy, attired in a hat, a long-sleeved shirt, and pants with suspenders, holds a striped candy stick in his mouth. In the right, the girl, attired in a bonnet and a dress, shares the same candy stick and sucks the opposite end in her mouth above the caption, “united we stand.” In the right panel, an African American man has come up from inside the cellar and stands holding both doors open in his hands. He is attired in a white shirt, a striped vest, striped pants, and a cap, and holds a pipe in his mouth. The boy has been thrown off of the door and lies in the left on the ground with the candy stick still in his mouth. The girl has also been flung from the top of the door and lies on the ground beside the cellar with only her feet and left hand visible, as the caption reads, “divided we fall.” George Gilman (1826-1901), a tea and coffee merchant, founded the Great American Tea Company in 1863. He opened a number of stores in New York City and started a national mail order business. The firm was renamed the Great Atlantic & Pacific Tea Company in 1870, though the Great American Tea Company name was still used in the mail order business. George Huntington Hartford (1833-1917) took over management of the company from 1878 to 1917 and grew the business into the chain of grocery stores known as A&P., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: The most useful every day premium ever sent out, is our latest and newest design of dinner set, genuine imported English white granite, containing 126 pieces. No crazing—no cracking. Use it for breakfast, dinner and supper. This is just the set for every day use. We will give one of these imported white granite dinner sets, (126 pieces) AWAY with a $40.00 order. Every Lady likes to have a nice closet of dishes—your closet is not complete without this set. Don’t fail to get up an order for our celebrated new goods, --teas, coffees and baking powder. As a trial order we will send 3 ½ pounds, of our best teas, by mail, postage prepaid on receipt of list price. Only pure goods sold. The Great American Tea Company, N.B.—Get “The Lalla Rookh Dress Cutting System Chart.” The Greatest Boon to the Ladies., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Great [P.2017.95.75]

Title: Kendall M'f'g. Co. Providence. R.I. French laundry soap
Description: Racist trade card promoting Kendall’s French Laundry Soap and depicting caricatures of two African American boys carrying an African American girl in a “sedan chair” that is made from a box of Kendall’s soap. In the left, the barefooted boy attired in a straw hat, a red shirt, and white pants with black suspenders holds the tree branch carrying the sedan over his right shoulder with his right hand. His left hand is in his pants pocket. In the right, the barefooted boy attired in a straw hat, a blue shirt, and white pants holds the other end of the branch over his left shoulder with his left hand and carries a branch with red flowers in his right hand. In the center, the girl, attired in a white dress and black shoes, sits inside of a box labeled, “Kendall MFG Co. French Laundry Soap.” She holds a black doll costumed in a hat and white dress on her lap. The boys walk through a grassy field. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso:The “French Laundry” is the best soap ever made for all purposes. It is the Oldest Popular Soap in the market, Having Outlived all its Rivals. It has won its way into public favor solely on its merits, and thousands of families who are now using it would not be without it. It is now offered in a 3-4 Pound Pressed Cake, as well as in the old style Pound Bar for such persons as prefer it in that way. If you will give it one trial, you will never be without it. Kendall Mfg. Co. Established 1827. Providence, R.I., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.95]

Title: G.F.H. Guth, dealer in first class pianos, organs, sewing machines and musical merchandise
Description: Racist trade card promoting G.F.H. Guth's musical instruments retail store and depicting a caricature of an African American man on a farm with a horse-drawn plow driven and guided by dogs. Shows an African American man, attired in a hat, an orange plaid collared shirt, black pants, and black shoes, holding a whip and overseeing plowing on a farm. In the center is a team of two white horses pulling a plow. On top of the plow is a large, black dog wearing a collar and holding the reins to the horses in his mouth. Numerous lines of furrows can be seen in the ground. In front of the plow, a small, white dog wearing a collar guides the horses. Granville Francis Hiram Guth (1860-1939) owned a store in Allentown, Pa. selling pianos, organs, and musical instruments and also worked as a job printer. His store appears in the directories in the late 1880s to 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: [Only] first-class makes on hand. No poor ones [in stock.] [Speci]alties. Behr Bros. Pianos. Farrand & Votey Organs. [Standard Rotary Shuttle Sewing Mach’s. 830] Ham[ilton St. All]entown [PA.], Text printed on the verso has been torn and damaged., Guth's imprint is stamped on recto: G.F.H. Guth, Music dealer, 830 Hamilton St., Allentown., Distributor’s imprint printed on verso: D.D. Halman, Salesman., Series number printed on the recto: 468., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Guth [P.2017.95.76]

Title: G.F.H. Guth, dealer in first class pianos, organs, sewing machines and musical merchandise
Description: Racist trade card promoting G.F.H. Guth's musical instruments retail store and depicting a caricature of an African American man on a farm with a plow driven by hogs. Shows an African American man, attired in a hat, an orange shirt with black polka dots, blue plaid pants, and black shoes, behind the plow and guiding it by the handles. In the right a team of three pigs pulls the plow. An African American woman, attired in a white head kerchief, a blue dress, and an apron, watches the scene with alarm. She throws her hands up in the air and opens her mouth in exclamation. In the right background, a white house is visible. Granville Francis Hiram Guth (1860-1939) owned a store in Allentown, Pa. selling pianos, organs, and musical instruments and also worked as a job printer. His store appears in the directories in the late 1880s to 1890s., Title from item., Publication information and date from the copyright statement: Copyright 1884 by J.H. Bufford's Sons., Guth's imprint is stamped on recto: G.F.H. Guth, Music dealer, 830 Hamilton St., Allentown, PA., Distributor’s imprint printed on verso: D.D. Halman, Salesman., Series number printed on the recto: 468., Advertising text printed on verso: G.F.H. Guth, Dealer in first class pianos, organs, sewing machines and musical merchandise. Only first-class makes on hand. No poor ones in stock. Specialties. Behr Bros. Pianos. Farrand & Votey Organs. Standard Rotary Shuttle Sewing Mach’s. 830 Hamilton St. Allentown PA., Gift of David Doret.
Date: 1884
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Guth [P.2017.95.77]

Title: Ayer's cathartic pills. (The country doctor)
Description: Racist trade card promoting Dr. J.C. Ayer & Co.’s Cathartic Pills and depicting a caricature of an older African American man doctor administering Ayer’s pills to an infant girl on his lap. Shows the African American man with white hair and a white beard, attired in spectacles, a brown hat, a white collared shirt, a brown bow tie, a green waistcoat, a green jacket, green pants, and black shoes. He sits on a wooden chair and holds an infant African American girl, attired in a red dress with yellow polka dots and a white collar, on his lap. In his left hand he carries a box filled with white pills, and in his right hand he holds a single white pill. The infant carries a pamphlet labeled "Ayer’s pills" in her hands. In the left, a barefooted African American boy, attired in a blue and white checked shirt and orange and yellow striped overalls, kneels beside the chair and looks on. On the ground in front of the boy is an open medicine bag labeled “Dr. Bolus” and filled with containers labeled, Ayers. James Cook Ayer (1818-1878) was a successful patent medicine manufacturer who estabished a factory in Lowell, Mass. After his death, J.C. Ayer & Co. continued to manufacture medicine under the management of his brother Frederick Ayer (1822-1918). After Frederick's death, the company continued to operate under the management of family members and professional managers until it left Lowell in 1943., Title from item., Publication information and date from the copyright statement: Copyright, 1883, By J.C. Ayer & Co., Lowell, Mass., Advertising text printed on verso: Ayer’s pills supply the universal want of a safe and reliable purgative medicine. The disorders which they are designed to cure, and for which they prove a sure remedy, are all caused by the derangement of one or more of the digestive and assimilative organs, and include constipation or costiveness, indigestion, dyspepsia, biliousness, heartburn, loss of appetite, flatulency, foul stomach, nausea, dizziness, headache, numbness, jaundice, diarrhoea, dysentery, and disorders of the liver. Eruptions and skin diseases, and piles, when the result of indigestion or constipation, are cured by the use of Ayer’s pills. They are, also, often the best remedy for rheumatism, gout, neuralgia, dropsy, kidney complaints, and other disorders arising from a reduced condition of the system, or the obstruction of its functions. In colds they operate beneficially by opening the pores, removing inflammatory secretions, and allaying fever. Ayer’s pills are made of vegetable ingredients only, and may be administered even to children with perfect safety. They are sugar-coated, and pleasant to take; and for all the purposes of a cathartic medicine they are unequalled. Ayers’ pills are usually put up in oval wooden boxes; but for hot and damp climates, and for export, in sealed glass vials, as above represented. Sold by., Text printed on verso: “The Country Doctor.” A fine Chromo-Lithograph (7 ½ x 13 inches, in “Statuette” style) of this original and popular subject, will be sent, post-paid, to any address, with a set of our elegant Album Cards, on receipt of 10 cents in cash or postage stamps. Address, Dr. J.C. Ayer & Co., Lowell, Mass., Gift of David Doret.
Date: 1883
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - J.C. Ayer [P.2017.95.91]

Title: Warner's Safe Yeast. Up with the sun
Description: Racist trade card promoting Warner’s Safe Yeast and depicting a white mother with a sick infant and an African American woman nanny who suggests using Warner’s yeast. Shows the mother with her brown hair tied up in a bun and attired in a long-sleeved, striped pink dress with yellow pleats at the bottom and white lace at the collar and cuffs of the sleeves. She cradles in her arms an infant wrapped in a white blanket with two yellow stripes. She looks down at her son standing in the right. He is attired in an orange, long-sleeved shirt with a white collar, a yellow skirt and leggings, and black shoes. He asks, “Mamma, what’s the matter with baby?” She replies that, “Baby’s very sick.” The boy holds up a cannister labeled “Safe Yeast” and states, “Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him.” In the right, Dinah stands looking on, attired in a yellow bonnet, red earrings, a yellow, short-sleeved dress with a white collar and red tie, and a white apron. In the bottom right is a large cannister of Warner’s Safe Yeast. Image also includes a blue and green rug, fireplace andirons, and in the background a windowpane with a blue vase with yellow flowers. Outside the window the sun comes up and reads, “up with the sun.” Hulbert Harrington Warner (1842-1923) founded a patent medicine business in Rochester, N.Y. in 1878. He created Warner’s Safe Yeast in 1885. In the Panic of 1893, he was unable to cover the company's debts, and the business failed., Title from item., Date deduced from the history of the advertised business., Text printed on recto: Precocious Youngster: Mamma, what’s the matter with the baby? Mamma: Ah, Darling, Baby’s very sick, I’m afraid we won’t be able to raise him. Precocious Youngster: Try this Mamma, Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Warner [P.2017.95.187]

Title: Clark's mile-end 60 spool cotton
Description: Racist trade card promoting Clark Thread Company and depicting a genre scene of an African American man and woman in conversation on a country road. The man and woman are portrayed with exaggerated features and speaking in the vernacular. Shows, in the left, the man standing on a dirt road and holding a piece of thread attached to a giant spool labeled "Clark's mile-end 60 spool thread." He is attired in black boots; yellow striped pants with patches on the knees and rolled to his calves; a white shirt; a red vest; and a green jacket. His straw hat is upturned on the ground beside him. In the right, an African American woman sits in a horse-drawn wagon holding the reins to a white horse. She tells the man, "Ef dat mile end thread don't hold, dere ain't anything - lucky I got a spool to mend yer old clos' with." She is attired in a yellow head kerchief and a red dress with yellow trim at the neck. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on recto: Ef dat mile end thread don't hold, dere ain't anything- lucky I got a spool to mend yer old clos' with., Advertising text printed on verso: Clark's Mile-End Spool Cotton is the best for hand and machine sewing. Clark's Mile-End Colors are made expressly to match the leading shades of dress goods, and are unsurpassed both in quality and color. Clark's Mile-End Spool Cotton is six-cord in all numbers to 100 inclusive., Stamp on the recto is illegible., See related copy: Goldman Trade Card Collection - Clark [P.2017.95.33]., Gift of George Allen, 2022., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Trade cards - C - Clark's [P.2022.42.7]

Title: S.S. Manhattan on the Delaware River
Description: Aerial view of the S.S. Manhattan on the Delaware River. The ship was built by the the New York Shipbuilding Corporation, which is visible along the Camden, New Jersey waterfront. In 1941, the Manhattan was requisitioned and leased by the US Navy, and was subsequently commissioned as the troopship USS Wakefield. Image probably taken July 1932., Negative number: 15673., Record created with information supplied by former Aero Service employee Carl H. Winnefeld, Jr.
Creator: Aero Service Corporation, photographer
Date: 1932
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.15673]

Title: " Creme" oat meal toilet soap
Description: Incomplete series of trade cards, including duplicate and variant imagery with the same series number, to promote "Crème" toilet soap manufactured by J.D. Larkin & Co. Depicts racist, anthropomorphic chimpanzee figures in social situations and leisure and cultural activities., Series no. I (variant 1) depicts a man and woman as well-dressed anthropomorphized chimpanzees greeting each other. In the left, the man attired in a black top hat, blue jacket, and checkered yellow pants, nods his head to the left and holds up his walking stick. In the right, the woman, her back to the viewer, is attired in a yellow bonnet adorned with flowers and a ribbon, and a long-sleeved green dress with a pink belt at the waist and a bow at the bustle. She lifts up her skirt and exposes her slip. Series no. I (variant 2) depicts an anthropomorphized chimpanzee as a man artist. He rests back on his chair, and holds a palette in one hand, and a paint brush in the other. He sits in front of an easel and canvas. He is attired in a green-colored smock shirt with collar and buttons, yellow pants, and brown laced shoes. His eyelids droop down and his mouth is slightly ajar., Series no. II depicts an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a shot gun under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. Series no. III depicts an anthropomorphized chimpanzee as a man fishing at a dock. The man hangs his legs over a pier and holds a pole into the water. A basket of fish lays beside him. He wears a wide-brimmed hat, a brown jacket with the collar turned up, and blue checkered pants. The backs of two other anglers are visible in the left background. Series no. IV (2 copies) depicts anthropomorphized chimpanzees as a man and woman couple on promenade. The woman, in the left, is attired in a yellow bonnet, a yellow, three-quarter length sleeved dress with ruffling down the front and ruching on the skirt, and white gloves. She holds a fan by her left cheek, looks to her left, and lifts up the skirt of her dress and shows the edge of her slip. To the right, the man smiles and looks over her shoulder. He is attired in a bowler, red jacket, and grey-striped pants and holds a walking stick up under his arm., Series no. VI depicts anthropomorphized chimpanzees as a man and woman couple getting married by a clergyman. The couple, their backs to the viewer, stand to the left of the clergyman attired in his ceremonial robes. The man wears a suit with a long jacket. The woman wears a white wedding dress with a veil adorned with floral ornaments. The dress is composed with ruched sleeves, and adorned with pink bows and ribbons. The figures all have solemn expressions. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from items., Date, publisher, and manufacturer (printer) from copyright statements on prints: Copyright J.D. Larkin & Co., Buffalo, N.Y. 1881 and Copyright Clay & Richmond, Buffalo, N.Y. 1881., Majority of prints (P.2020.3.1-4&7) distributed by J.D. Larkin & Co., P.2020.3.5&6 distributed by the People’s Manufacturing Co., Prints include the company logo “J.D. L. & Co., Buffalo, N.Y.” in two designs; one in cursive and the other as a monogram with a central block letter., Includes series numbers: I. (2 variant images); II.; III.; V. (2 copies, same image); and VI., Five of the prints contain variant advertising text on verso. All texts include statement: To Card Collectors.- There are six different designs in this set. We will mail the complete set to any address, on receipt of 3 c./three cent stamp., RVCDC, Description reviewed 2022., Access points revised 2022.
Date: 1881
Location: Library Company of Philadelphia | Print Department trade cards - Larkin [P.2020.3.1-7]

Title: Celluloid waterproof collars, cuffs & shirt bosoms
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese boy smoking a pipe and carrying a cane. Shows the boy, wearing a queue hairstyle with a pink bow tied at the end of his braid and attired in a colorfully patterned Chinese robe with oversized celluloid cuffs, collar, and hat, and red, slip-on, cloth shoes. He holds the smoking pipe to his lips with his left hand and carries a walking cane in his right hand., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.741]

Title: Celluloid cuffs, collars & bosoms, water & perspiration proof
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese man at the beach watching a white man demonstrate the waterproof qualities of his celluloid cuffs, collar, and bosom or bib. In the center, the white man, wearing a mustache and attired in a red robe, red-and-yellow striped shorts, and white celluloid cuffs, collar, and bosom, stands in the ocean with water dripping down his clothes, showing that they are waterproof. In the right, a Chinese man, wearing a queue hairstyle, a red tunic, blue pants, and slip-on, cloth shoes, carries two sacks of laundry and looks over at the man in the water. In the left, a white man, attired in a straw hat, a white collared shirt, a red vest, yellow striped pants, and red shoes, sits on the sand holding an umbrella and wipes perspiration from his face with a handkerchief. In the background, a white man swims in the water and a boat is visible., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, 1032 Chestnut St., Phila., Text printed on verso: Waterproof linen, patented. Ladies’ and gent’s cuffs, collars and bosoms, made from celluloid. Waterproof, elastic, durable. These goods are far superior to any Linen Goods yet placed before the public, and in recommending them, we would call attention to some of their remarkable features, which will commend their use to all who study economy, neatness and beauty. 1sr. The interior is fine linen. 2d. The exterior is celluloid. 3d. The unison of above, combines the strength of linen with the waterproof qualities of celluloid, 4th. The expense of washing is saved. If the goods are soiled, simply cleanse with soap and water. 5th. The goods never wilt or fray on edges and are perspiration proof. The best preparation to effectually cleanse them is celluline. For sale by all gent’s furnishing and fancy goods houses throughout the country., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.745]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of George Allen., Title variant of P.2018.16.6., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Work [P.2017.121.2]

Title: Spoiling the slide Clarence Brooks & Co. fine coach varnishes cor. West & West 12th Sts. New York
Description: Trade card promoting varnish manufacturer Clarence Brooks & Co. and depicting a racist, genre scene of an anguished-looking African American man clerk “spoiling the slide” on a snow-covered sidewalk. Shows the man, attired in a blue shirt; red and yellow striped apron; green pants; and black boots, leaning over and using a scoop and red pan to pour salt onto a bare track in the snow-covered sidewalk outside a storefront. In the near left background, two smiling African American boys throw snowballs at the clerk. The boy in the left, attired in black boots; brown pants; blue jacket and hat; and red scarf around his head, holds a snowball in both hands at his waist. The boy in the right, attired in black boots; blue pants, shirt, and hat; and green jacket pitches back his right arm, snowball in his hand. In the far right of the image, a white boy, attired in brown boots and pants; blue jacket and hat; and a red scarf wrapped over his head and tied under his chin, and his hands in his jacket pockets, walks on the sidewalk. He walks past an iron railing in front of the store that is adorned with a sign reading "Clarence Brooks & Co. Fine Coach Varnishes, Cor. West & West 12th Sts. New York." Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Date deduced from history of the advertised business and visual content., Gift of David Doret., Library Company holds a duplicate copy [P.2017.95.28].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clarence [P.2017.95.29]

Title: Excelsior metal polish, for polishing and cleaning cutlery, brass, copper, tin ware and all bright steel and metal work
Description: Trade card promoting metal polish manufacturer Walpole Emery Mills and depicting a racist caricature of an African American woman domestic polishing cookware. Shows an African American woman portrayed with exaggerated features and attired in a red and yellow striped head kerchief; a blue short-sleeved shirt; a red and yellow shawl; a red skirt; and a white apron with red polka dots, smiling and looking at the viewer. She holds a brush in her right hand and a pot in her left hand. In the left, a brown-haired white woman, attired in a yellow dress with white ruffles at the neck and sleeves and a red bow, bends over a table with a plate in her hands as she looks at the African American woman. In the foreground, two white children look at the reflection of their cat in a polished pan. A boy, attired in a blue Fauntleroy outfit, smiles with his arms apart as he looks down at the pan. A white girl, attired in a white dress decorated with orange bows at the shoulders, sits on the floor and holds the pan up with her right hand. She holds an orange cat with black stripes up to the pan with her left hand. The cat arcs its back with its fur standing up and has its mouth wide open. In the left is an oversized can labeled, "Trademark Excelsior Metal Polish Manufactured by the Walpole Emery Mills 114 Milk Street Boston." On top of the can is another orange cat with black stripes that is arching its back with its mouth open in alarm. In the background is a cupboard with plates and bowls on the shelves. In the right is a table with a large stock pot and lid and a can of metal polish with a skillet hanging from a hook at the front of the table. Walpole Emery Mills, manufacturers of Excelsior metal polish, was founded in 1877 in South Walpole, Massachusetts. The company operated into the 20th century., Title from item., Distributor’s imprint printed on verso: Holway, Wright & Miner, Manufacturers' agents, New York: 167 Chambers Street. Boston: 135 State Street., Advertising text printed on verso: Excelsior metal polish. Acknowledged the cheapest and best article known for cleaning and polishing cutlery, brass, tin ware, and all kitchen utensils, sewing machine plates, nickel plate, bath tubs, copper boilers, bicycles, needles, scissors, carpenter's tools, and all bright metal and steel work. A single trial will prove it to be a household and mechanical necessity. It is neatly put up in tin cans, containing one pound, half-pound and quarter-pound each, with directions for using. Price list. 1/4 lb. cans...10 cents each. 1/2 lb"....15"". 1 lb"...25"". For sale by grocers, druggists, hardware stove and tinware dealers. Illustration of a can of Excelsior metal polish., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Excelsior [P.2017.95.61]

Title: Fairbank's rock cordials, positive cure for all lung disorders
Description: Trade card promoting Fisher and Fairbanks' patent medicine Fairbanks' Rock Cordials and depicting a racist caricature of an African American man chef in the galley of ship. Shows the man portrayed with exaggerated features and attired in a white chef's hat; a white shirt with the sleeves rolled up to his elbows; a red vest with gold buttons; a white apron; blue pants; and black shoes. He stands holding a spoon in his right hand and with his left hand holds a bowl that is filled with an unidentifiable pink food over a barrel that is being used as a table. He smiles and looks to a blond-haired white girl in the right attired in a pink hat; a black choker; a red dress; a white pinafore; white stockings with red stripes; and black shoes. She carries a doll costumed in a matching outfit and leans to look at the chef mixing. In the foreground on the floor are a pan, a pot with a bowl on top of it, and a spoon. In the background is a stove with a steaming kettle on it and a large chain. In the right, there is a barrel and next to it is a doorway through which we can see a sailor attired in a brimmed hat, a blue jacket, and pants. He stands on the side of the ship and looks through a telescope at the water., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Fairbanks [P.2017.95.62]

Title: B.F. Gilmore, trunks and traveling bags, 237 Westminster St., Prov., R.I
Description: Racist, satiric trade card promoting B.F. Gilmore's luggage store in Providence, R.I. Depicts a genre scene of an African American woman speaking with an African American man who unknowingly squirts a white man with a hose. The figures are caricaturized and portrayed with exaggerated features. In the right, the African American woman domestic, attired in a red headkerchief and a yellow dress, stands at a waist-high green fence. She crosses her arms and carries a feather duster in her left hand as she speaks with an African American man on the other side of the fence. The man, attired in a white shirt, a blue jacket with gold buttons, and green pants, gestures with his left hand as he talks to the woman. In his right hand, he carries a hose, which he accidently sprays on a white man walking down the sidewalk. The brown-haired white man has a mustache and is attired in black shoes, green striped pants, a white collared shirt with a red tie, a green waistcoat, and a green jacket. He opens his mouth and throws both hands up in alarm as the water knocks the top hat off of his head. In the right background, trees and part of a white house are visible. Benjamin F. Gilmore (1833-1906) established a business manufacturing and selling luggage in Providence, Rhode Island. The business operated until circa 1902., Title from item., Place of publication inferred from place of operation of the advertised business., Date from copyright statement: Copyrighted 1877., Gift of David Doret.
Date: 1877
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Gilmore [P.2017.95.70]

Title: Monday. Monday is de wash day, an I neber sulk or mope, becase de close am nice and clean, by using Higgins' soap
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman domestic carrying a bar of soap and a wash tub. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief, a red and white shawl, a blue dress with black stripes, a white apron with red stripes, orange and white striped stockings, and black shoes. She carries a large, wooden wash tub in her right hand and a yellow bar of soap labeled “Higgin” in her left hand. The woman smiles and walks toward the viewer and says, “Monday is de wash day, an I neber sulk or mope, becase de close am nice and clean, by using Higgins' soap.” In the right, a white shirt hangs on a clothes line pinned with wooden clothespins. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.82]

Title: The First lesson An exceptional offer to the users of Knox gelatine
Description: Racist trade card promoting Knox Gelatine and depicting an African American woman domestic making a gelatin molded dessert with a white girl. Shows an African American woman domestic attired in a head kerchief, spectacles, a patterned shawl, and a white, long-sleeved shirt, sitting in a kitchen behind a table. She teaches the white girl, attired in a hair bow and a striped dress with a ruffled collar, how to decorate a molded gelatin dessert and places a berry on top it. The girl has a bowl of berries in front of her and holds a spoon with a berry on it. On the table there is a mold, a glass, a lid, a knife, a pitcher, and a box labeled, “Knox’s Gelatine.” In the background is a brick hearth with pots and an oven in the right. Charles B. Knox (1855-1908) of Johnstown, New York discovered a method of granulating gelatine in 1889, which made it practical and easy to use. Charles died in 1908, and his wife Rose Knox ran the company for the next forty years. The Company continues to operate into the 21st century., Title from item., Place of publication from place of operation of advertised business., Publication information and date from the copyright statment: Copyright 1905 By Chas. B. Knox., Advertising text on verso: We have had reproduced in its original colors Harry Roseland’s famous painting, “The First Lesson.” The other side of this card gives only a faint idea of what the picture really is. The large reproduction has twelve (12) distinct colors in it, is reproduced on heavy plate paper having all the appearance of canvas, and it would take an expert to tell it from the original. The original hangs in Mr. Knox’s home, and there are no reproductions of it except those referred to on this card, and if these were on sale in the art stores they would cost at the very least $5 each. The size of the picture is 20 x 27, and it is ready for framing. We want the users of Knox Gelatin to have a copy of this painting and we will send you one upon receipt of ONE empty Knox Gelatine box and 10c in coin or stamps to cover cost of packing and mailing. The supply of these pictures is limited, so if you want one you must act quickly. After receiving the picture, if you are not entirely satisfied with it, return it, and your 10c will be refunded by next mail. Address, Art Department, Knox Gelatine, Johnstown, N.Y., U.S.A. Knox Gelatine is the best Gelatine in the world. It is made from absolutely pure stock; is granulated and can be measured with a spoon like sugar; dissolves in two minutes and mold in half an hour. Each package makes a half gallon of jelly; is clear and sparkling and needs no clarifying. Pink coloring for fancy desserts in every package. It is guaranteed to comply with the National Pure Food Law, and it is always sold under the broad guarantee of “Your Money Back If For Any Reason You Are Dissatisfied.”, Gift of David Doret.
Date: 1905
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Knox [P.2017.95.100]

Title: Compliments of the Domestic Sewing Machine Co
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an older African American man peddler mistaken as a suitor. In the center, the older, balding peddler speaks to an African American family at the door of their cottage house. The man is portrayed with exaggerated features, wears spectacles, and is attired in a purple coat; a white shirt; yellow pants; and brown shoes. A goat eats red cloth pulled out from underneath his coat. On the ground in front of him is his top hat turned upside-down. Papers are placed inside of it. He leans forward to speak with the African American woman in the doorway. His hands are out like he is displaying an object. The woman wears mammy-like attire of a beige head kerchief; a yellow shirt with the sleeves rolled up to her elbows; a blue shirt; and a white apron. She holds a broom. Behind her is another woman attired in a green dress and head kerchief. In the left are a young woman and a girl. The young woman is attired in a pink dress with a green ruffle at the bottom and cut-out shoulders, matching pink stockings, and a bow in her hair. She coquettishly holds a fan ornately decorated with pink flowers to the side of her face. The girl to her left is barefoot and attired in a white dress. In the right background are sunflowers behind a fence and the peddler's horse-drawn wagon loaded with boxes out of view of the family. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication deduced from place of operation of advertised business., Date inferred from history of the advertised business., Distributor's imprint printed on verso: D.S. Andrus & Co. pianos, organs & sewing machines, 17 West Third Street, Williamsport, PA., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.48] and another with variant distributor [P.2017.95.46].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.47]

Title: Muzzy's sun gloss starch. Elkhart Starch Co
Description: Racist trade card promoting Elkhart Starch Company and depicting a domestic, genre scene of a white family and an African American woman domestic on wash day. The woman is portrayed as a caricaturized figure. Shows in the right, the women domestic, attired in a red and yellow head kerchief; gold earrings; and a blue and white dress with gold buttons and the sleeves rolled up to her elbows, standing behind a wooden table with an iron on it. She holds up a stiffly starched and unwrinkled white collared shirt in front of the well-dressed mother and her three children. The reflection of the mother is seen on the shirt. In front of the mother, her brown-haired older son , attired in a white collared shirt and a yellow jacket, points his finger at the shirt. To his right, his younger, brown-haired sister, attired in a yellow dress with white ruffles at the neck and sleeves, reaches both arms toward the shirt. Beside her, a cat sits up at the table and looks at the shirt. Between her and her brother, the older blond- haired sister, attired in a blue dress with white ruffles at the neck and sleeves, a yellow bowtie, and a red sash tied around her waist, hands a box labeled "sun gloss starch" to her mother. In the left, the young mother with long brown hair and attired in earrings; a necklace with a red pendant; and a red dress with white ruffles down the middle and at the sleeves; reaches her right hand out to the box of starch. She cluthches an ornate fan to her chest in her left hand. In the far left, through a doorway, the young father attired in a black jacket with tails; a white collared shirt; and white pants with blue stripes, holds a top hat, stands in a hallway, and looks into the room. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Advertising text printed on verso: "Elkhart Starch Co. Elkhart, Ind. Manufacture Muzzy's Sun Gloss refined & corn starch. Of superior quality, by a new process. A thorough test makes it a household necessity. Muzzys corn starch is the purest & best made. Capacity ten tons of starch per day." Includes an illustration of a train running past the Elkhart starch works manufactory., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Elkhart [P.2017.95.56]

Title: Enoch Morgan's Sons Sapolio
Description: Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting African American women domestics cleaning a parlor. Shows an African American woman, attired in a head kerchief; hoop earrings; a polka dotted dress with the sleeves rolled up to her upper arms; and black shoes, on her hands and knees cleaning a floor with a brush in her right hand. There is a wooden bucket beside the woman. In the right, another African American woman, attired in a short-sleeved dress with a bustle and checked skirt, stands cleaning the molding of a doorway with a cloth. In the background is a lit fireplace and mantle with vases on top of it. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Date deduced from history of the advertised business., Distributor's imprint stamped on recto: Tom S. Culver, Dealer in surplus [?] teas, coffees, [?] and flour. Canned, dried, and [?] vegetables, etc. Choice brands of [?] tobacco. A fine [?] Ithaca, N.Y., Advertising text printed on verso: There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in tin foil, and surrounded with Ultramarine Blue Band, and bears the above device.) Always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make House Cleaning an easy and quick job--Will clean paint and all painted surfaces-- Will clean marble, mantels, tables and statuary-- Will clean oil-cloths, floors, shelves, &c. -- Will clean bath tubs, wash-basins, &c. -- Will clean crockery, glassware, &c. -- Will clean kitchen utensils, of all kinds--Will clean windows without splashing of water -- Will polish tin, brass, and copperwares-- Will polish knives as you wash them-- Will polish all metal surfaces and Will clean all household articles -- and is better and cheaper than soap, emery, rotten stone, &c. Price 10 c. per cake. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Enoch [P.2017.95.59]

Title: People's boot and shoe store, 104 Clark Street, corner Washington Street The return from Europe
Description: Racist trade card illustration depicting a group of well-dressed African American men and women strutting past other African American men, women, and children. The two well-dressed men are attired in striped pants, suit jackets, collared shirts, bow ties, and top hats. They both carry canes. The two well-dressed women are attired in frilled patterned long sleeved dresses and caps. One woman carries a parasol in her gloved hand. The other carries a handkerchief. The onlookers are dressed in plain clothing. A dog, a tree, a small wooden house, and a fence are visible in the image. The figures are depicted with exaggerated features. The illustration is based on one of a series of racist cartoons drawn by Sol Eytinge and printed in Harper's Weekly in 1878 which depicts the courtship and marriage of families by "The Twins." C.E. Wiswall & Co. was a boot and shoe company based in Chicago. The company's original building burned down durin gthe Chicago Fire of 1871., Title from item., Advertsising text printed on verso: Try us for your next pair of boots and shoes. We will give you a good article at a low price. C.E. Wiswall & Co., Proprietors., Based on "No. 8 Return from the honeymoon tour," photo - 5 x 7 - Unid. - Events [P.2017.26.7], Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - People [P.2017.95.144]

Title: Sanford's ginger
Description: Racist trade card illustration depicting a smiling African American girl holding a crying African American baby in a watermelon carved in the shape of a bassinet in her lap. The girl is attired in a red and yellow dress with white lace ruffles and sits atop a large watermelon. Her hair is styled into pigtails with blue ribbons. The baby is attired in a white ruffled dress. The girl holds a bottle of Sanford's Ginger in her right arm and a piece of watermelon in her left hand. Light emmanates from behind the girl and baby and they are surrounded by wasps. Potter Drug and Chemical Corporation was founded as Weeks and Potter in the mid-19th century. The company changed its name to Potter Drug and Chemical Company in 1883 and was incorporated as the Potter Drug and Chemical Corporation in 1899., Title from item., Advertising text on verso: Sanford's Ginger. The delicious summer medicine. Prepared with the utmost skill from imported ginger, choice aromatics, and the purest and best of medicinal French brandy, from the world-renowned vintners, Messrs. Otard, Dupuy & Co., Cognac, rendering it vastly superior to all other "gingers," all of which are made of common alcohol, largely impregnated with poisonous fusil oil, and strengthened with cayenne pepper. Unripe fruit, impure water, unhealthy climate, unwholesome food, malaria, epidemic and contagious diseases, cholera, morbus, cramps, pains, indigestion, diarrhœa, colds, chills, simple fevers, exhaustion, nervousness, or loss of sleep that beset the traveller or household at this season, are nothing to those protected by a timely use of Sanford's Ginger, the delicious summer medicine. As a pure fruit stimulant, for the aged, mentally and physically exhausted, careworn or overworked, for delicate females, especially mothers, for those recovering from debilitating diseases, and as a means of reforming those addicted to an excessive use of alcoholic stimulants, it is unequalled in the whole range of medicines. As a beverage, with hot or cold water, sweetened, or hot or cold milk, or added to ice water, lemonade, effervescent draughts or mineral waters, it forms a refreshing and invigorating beverage, unequalled in simplicity and purity by any tonic medicine, while free from alcoholic reaction. Avoid mercenary dealers, who, for a few cents' extra profit try to force upon you their own or others, when you call for Sanford's Ginger. Sold by wholesale and retail druggists, grocers, etc., everywhere., Distributor's imprint printed on verso: Potter Drug and Chemical Co., Boston., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Sanford [P.2017.95.152]

Title: Sanford's ginger
Description: Racist trade card illustration depicting a smiling African American girl holding a crying African American baby in a watermelon carved in the shape of a bassinet in her lap. The girl is attired in a red and yellow dress with white lace ruffles and sits atop a large watermelon. Her hair is styled into pigtails with blue ribbons. The baby is attired in a white ruffled dress. The girl holds a bottle of Sanford's Ginger in her right arm and a piece of watermelon in her left hand. Light emmanates from behind the girl and baby and they are surrounded by wasps. Potter Drug and Chemical Corporation was founded as Weeks and Potter in the mid-19th century. The company changed its name to Potter Drug and Chemical Company in 1883 and was incorporated as the Potter Drug and Chemical Corporation in 1899., Title from item., Advertising text on verso: Sanford's Ginger. The delicious summer medicine. Prepared with the utmost skill from imported ginger, choice aromatics, and the purest and best of medicinal French brandy, from the world-renowned vintners, Messrs. Otard, Dupuy & Co., Cognac, rendering it vastly superior to all other "gingers," all of which are made of common alcohol, largely impregnated with poisonous fusil oil, and strengthened with cayenne pepper. Unripe fruit, impure water, unhealthy climate, unwholesome food, malaria, epidemic and contagious diseases, cholera, morbus, cramps, pains, indigestion, diarrhœa, colds, chills, simple fevers, exhaustion, nervousness, or loss of sleep that beset the traveller or household at this season, are nothing to those protected by a timely use of Sanford's Ginger, the delicious summer medicine. As a pure fruit stimulant, for the aged, mentally and physically exhausted, careworn or overworked, for delicate females, especially mothers, for those recovering from debilitating diseases, and as a means of reforming those addicted to an excessive use of alcoholic stimulants, it is unequalled in the whole range of medicines. As a beverage, with hot or cold water, sweetened, or hot or cold milk, or added to ice water, lemonade, effervescent draughts or mineral waters, it forms a refreshing and invigorating beverage, unequalled in simplicity and purity by any tonic medicine, while free from alcoholic reaction. Avoid mercenary dealers, who, for a few cents' extra profit try to force upon you their own or others, when you call for Sanford's Ginger. Sold by wholesale and retail druggists, grocers, etc., everywhere., Distributor's imprint printed on verso: Potter Drug and Chemical Co., Boston., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Sanford [P.2017.95.153]

Title: Tuesday. Yes my heart is light, for de close iron white, and dat is jist what tickles me, for without Higgins' soap, you have'nt any hope, so please to take pattern by me
Description: Racist trade card promoting Higgins’ soap and depicting a caricature of an African American woman domestic ironing a white sheet. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief, a red and white shawl, a blue dress with black stripes, a white apron with red stripes, orange and white striped stockings, and black shoes. She stands behind an ironing board and holds a white sheet in her left hand and an iron in her right hand. The ironing board sits on top of a wooden stool and a red and yellow box labeled “Higgins’ German Laundry Soap.” The woman smiles at the viewer and says, “Yes my heart is light, for de close iron white, and dat is jist what tickles me, for without Higgins' soap, you have'nt any hope, so please to take pattern by me.” In the background is a white sheet hanging over a wooden board. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.83]

Title: Friday. Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman domestic washing a window. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; a blue, short-sleeved shirt with black stripes; an orange and yellow checked skirt; yellow, red, and white striped stockings; and black shoes. The woman sits on the window ledge with her legs crossed at the ankles. Her upper body is outside of the house as she washes the exterior of the window with a white cloth. The woman smiles at the viewer and says, “Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder.” In the right is a wooden bucket with a bar of soap labeled, “Higgins Soap,” on top of a wooden stool. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.84]

Title: [Bird’s eye view looking west on Chestnut from above Sixth Street, Philadelphia]
Description: View predominately shows the businesses (with pre-consolidation addresses) on the 600 block of Chestnut Street. Includes a three-quarter view of William S. Mariten, publisher & bookseller (144, i.e., 608) in addition to full views of the American Sunday School Union tenanted by Howell, Finn & Co. Paper Hangings (146, i.e., 610); the Jones Hotel (148-152, i.e., 616-620); and the William Waln residence, partially obscured by trees, at the corner of 7th and Chestnut streets. A man stands in the doorway of the wallpaper store as nearby a man reads the posted, encased bulletins of the American Sunday School Union. A woman enters the ASSU building that also bears a “Penna. Bible Society” sign. Pedestrians walk on the sidewalk and a man greets a woman in front of one of the entrances of the hotel at which carriages and a wagon are parked. On the block and at the distant intersection a man rides horseback and a horse-drawn carriage, wagon, and omnibus travel. Also shows blocks of buildings above Seventh Street as part of the vista. William S. Martien printed as an individual in Philadelphia between 1835 and 1854. American Sunday School Union tenanted 146 Chestnut Street 1827-1853. Jones Hotel was originally built circa 1800 by Jacob Vogdes as the residence of Benjamin Say., Not in Wainwright., Title supplied by cataloguer., Manuscript note on recto: SS Chestnut 6-7 . 144. 146., pdcp00008, Philadelphia on Stone, POS 46, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 6th-7th
Date: [ca. 1850]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut - 6th-7th

Title: [Proof vignette of Southern planter and scenes from the South]
Description: Proof vignette that was probably to be incorporated into a larger print. Shows a white man plantation owner, seated on a bale of cotton, surrounded by Southern agricultural iconography, including a twig of cotton, a mill building, and Black men laborers, possibly enslaved men, picking in a cotton field near a docked side-wheel paddle steamer. A horse-drawn wagon by a line of people is visible at the dock. Contains registration marks and a color mark., Title supplied by cataloger., Gift of David Doret, 2007., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860 - ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Allegories [P.2007.39.25]

Title: J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c
Description: Racist trade card promoting lace manufacturer J.W. LeMaistre and depicting a white man photographer showing a Native American person his photograph outside a pavillion. In the left, the Native American person, portrayed in racist caricature and attired a feathered headress, a tunic with a feathered skirt, hoop earrings, bracelets, and anklets, bends slightly forward and looks at a portrait photograph of themself. In the right, the photographer, attired in a long-sleeved blue shirt with a white collar, a pink bowtie, white pants, and black shoes, bends forward as he holds up the photograph from the floor with both hands. A large camera with hood stands behind him. Several white men pedestrians, an obelisk, and a neoclassical building can be seen in the left background. John W. LeMaistre (1840-1915) is listed in the Philadelphia directories as a lacemaker from circa 1880s. He incorporated the firm, the LeMaistre Lace and Embroidery Co., in 1905., Title from item., Date inferred from dates of operation of advertised business., Includes copyright statement: Copyrighted., RVCDC
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade cards - LeMaistre [P.2022.9]

Title: Boston boot and shoe and gents’ furnishing house, also, a fine line of hats, caps, trunks, valises &c. At no. 253 South Clark St., near Jackson, Chicago. L. F. Shanovski, - proprietor
Description: Trade card promoting L.F. Shanovski’s shoe store and depicting a racist caricature of a Chinese man upset that a cat has taken a rat from his plate. Shows the man, wearing a queue hairstyle and attired in red pants and brown cloth slip-on shoes, holding a large white plate across his chest and a pair of chopsticks in his right hand. He opens his mouth upset that a cat is taking a dead rat from his plate. Louis F. Shanovski was born in Germany and moved to Chicago in the early 1870s, opening a shoe store in circa 1877. The firm L.F. Shanovski and Bro. dissolved in 1899., Title from item., Date inferred from dates of operation of business advertised., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department trade cards - Shanovski, L.F. [P.2023.43.1]

Title: Old processee starchee no goodee. It smellee rots & makee shirts yellee.” "I will never use any other but the New Process Starch." New Process Starch. Manufactured only by the Firmenich Manufacturing Company, Peoria, Ill
Description: Trade card promoting Firmenich Manufacturing Company and depicting a racist caricature of a Chinese man laundry worker contrasted in a split panel with a white women doing laundry. In the left, the Chinese man, wearing a queue hairstyle and attired in a white tunic and pants and blue cloth slip-on shoes, stands and irons a shirt on a table. He speaks in pidgin English, “Old processee starchee no goodee. It smelle rots and make shirts yellee.” On the floor are two boxes of “Old Process Gloss Starch.” On the table is a bowl of steaming water. A teapot heats on the stove behind him, and clothes hang on the clothesline. In the right, the white woman, attired in a pink dress with a white bow around the neck and white cuffs, stands behind the table ironing. She says, “I will never use any other but the new process starch.” A young white boy hands her a box of “New Process” starch, and two additional boxes lie on the floor in the right. On the table is a bowl of water. A tea kettle steams behind her on the stove. Buildings are visible through a window in the background. Dr. Joseph Firmenich (1828-1903) started a starch company with his two sons, George and Frank. The Firmenich Manufacturing Company was incorporated in 1884. The Company opened a glucose plant in Marshalltown, Iowa in 1887. The Company operating into the 20th century., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: New process starch. This starch is manufactured by a new process, with pure spring water. The light starch and gluten usually found in other starches, especially if made from white corn, are entirely removed and manufactured into other articles. The patents of this process are owned solely by this company. We guarantee all our starch perfectly pure and sweet. This starch, having the light starch and gluten removed, one-third less can be used than any other in the market. Ask your grocer for the new process gloss and corn starch and take no other. Manufactured only by the Firmenich Manufacturing Company. Peoria, Ill., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards – Firmenich [P.2023.43.2]

Title: Use Muzzy's starch
Description: Trade card promoting Elkhart Starch Company and depicting a racist caricature of a Chinese man laundry worker holding up a shirt to a white family. Shows the family standing in the right, including the white man, attired in a brown bowler hat, a white collared shirt, a black bowtie, and a brown-checked suit, holding a walking stick; the white woman attired in a yellow and pink hat and a blue dress with a red bow; and the white girl, attired in a yellow hat and a red and blue dress, holding a small box. In the left, the Chinese man, wearing a queue hairstyle and attired in a blue tunic and blue pants with yellow accents, stands behind a table with an iron and ironing board on top of it. He holds up a white shirt, which shows the reflection of the white woman. A basket full of laundry is on the ground. In the background is a stove and a clothesline of white shirts and clothes. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: "Be sure to use Muzzy's Corn Starch." Includes six recipes, including for sponge pudding, creamy pudding sauce, Salem pudding, scolloped oysters, oyster pie, and butter scotch., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - Muzzy [P.2023.43.3]

Title: John Bull makes a discovery
Description: Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]

Title: View of Chestnut Street between 8 & 9 sts. (south side,) Philadelphia
Description: Busy street view showing businesses on the 800 block (802-824) of Chestnut Street. Majority of the storefronts show merchandise displays in the windows. Includes a storefront to let (800); Lewis Ladomus & Co., watches, jewelry & silver ware (802); Theodore H. McCalla, hats and caps (lower floor) and A. F. Lupus, morocco cases "upstairs" (804); Anthony Mustin, trimmings (806); Charles Dummin, importer, musical instruments, fancy goods & toys (812); J.W. Scott, gentleman's furnishing store and shirt manufactory (814); James S. Earle & Son, looking glasses & picture frames (816); Root Photographic Gallery operated by Dr. Bushnell and Ladd Webster & Co., sewing machines (818); Caldwell & Co., jewelers (822); and the Continental Hotel tenanted by Charles Stokes, "First Class Clothing One Price" and "Made to Order Short Notice," Charles Oakford & Sons, "hatters, furriers, hats, caps, cans [sic] & umbrellas, gentleman's furnishing goods" (near the ladies entrance of the hotel) and Frederick Brown Jr., druggist (824-838). Hotel also includes window shades for an unidentified store advertising watches and jewelry. In the foreground, heavy street and pedestrian traffic is visible in front and across from the storefronts. Several horse-drawn vehicles travel in the street past the sidewalks congested with pedestrians. Pedestrians include a newspaper boy, couples on promenade, a gentleman escorting two ladies greeting another gentleman, and patrons looking at store windows and entering the businesses., Vehicles include a "Chestnut & Walnut Sts." omnibus, horse-drawn carriages, a partially unloaded dray, and a Farrel & Herring (safe manufactory) delivery wagon drawn by three horses. Also shows men waiting at the main entrance of the hotel, mannequins attired in suits displayed outside of Stokes, and a model eagle holding a watch adorning the roof of the store of Ladomus., Philadelphia on Stone, POS 786, Historical Society of Pennsylvania: Bc 87 C 525a, Print torn in two.
Creator: Boell, William
Date: 1860
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Bc 87 C 525a

Title: The Delaware County Society, for the Promotion of Agriculture, Horticulture, Manufactures, and the Mechanic and Household Arts
Description: Fair certificate containing vignettes and scenes related to farming, industry, and domestic work. Predominately contains farm images that show farmers reaping, plowing, and threshing fields, transporting a truck of hay near the coastline, scraping feathers from a goose on a table as a locomotive travels past in the distant background, and a woman milking a cow in the field. Industrial images include women working at sewing machines and operating mechanical looms; a printer at a press; a mill; and a hull of a ship under construction. Vignettes also show farm animals and produce; bakeware, cookware, and other implements to prepare food; and the figure of William Penn., Not in Wainwright., Issued September 1857 to J[ohn?] Davidson for H[orse?] General Scott 2 years old. James Andrews, President. Abram P. Morgan, Secretary., Philadelphia on Stone, POSP 49, Historical Society of Pennsylvania: Bc 65 D 343, Free Library of Philadelphia: Philadelphiana - Societies - Certificates
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 65 D 343

Title: Scraps illustrative of the History of Philadelphia. Vol. VI
Description: Scrapbook containing predominantly newspaper clippings dated 1845-1849 that pertain to the built environment, history, and political, social, and cultural climate of Philadelphia. Contents include editorials; anecdotal, current event, and sensational news articles; and columns reporting about local interest stories, government and politics, and city development and entertainments. Several pages of the scrapbook are dedicated to newspaper coverage of the 1848 court cases of the "Trial of Pratt, Pence, and McGowan for conspiracy to pass Stolen Money" and the Pierce Butler and Fanny Kemble divorce. Daily, monthly, and yearly weather reports for the months and years 1840, 1845, 1847, 1848, 1849 also form several pages of content. Several articles also describe local disasters, including the destruction of the Schuylkill Water Works reservoir (1848); the ice accident on the Schuylkill (January 1849); and major fires near Water Street Wharf (1839), at the Presbyterian Board of Education on the 800 block of Chestnut (1849), at the public school on Catherine Street (1849), and at the City Gas Works (1848)., Several articles report about city improvements, including the enlargement of Fairmount; the growth of the city as a whole and development of neighborhoods (Bridesburg, Spring Garden district, and Germantown, including the residence of artist C.G. Childs); new establishments on Chestnut and Market streets, including confectioner J. W. Parkinson (900 block Chestnut) as well as shops on the 700 block and 400 blocks, respectively; and the dedication and completion of new churches (Church of the Assumption, Logan Square Presbyterian, and St. Mark’s Church)., Anecdotal and local affairs pieces report about the city's municipal services and policies, social mores, and entertainments. Subjects include the city's purchase of Penn’s Treaty Ground for public use; the extension of gas lines to Moyamensing; the 1846 Triennial Parade of Firemen in commemoration of the First Volunteer Company of the City; a relief mission to famine-stricken Scotland (1846); omnibus etiquette, the demographics of Third and Chestnut streets; the gang Moyamensing "Killers"; the men’s fashion trend of winter shawls (1853); the Christmas holiday season; the Chinese collection at the Chinese Museum; performances at Walnut Street Theater; and the Tom Hyer and Yankee Sullivan Prize Fight of 1849., Other articles discuss politics and government, particularly the activities of the local Whig party, including elections and party meetings; the Mexican American War, including casualties and the "Illumination of April 16, 1847" in honor of General Taylor and Scott’s achievements; education, including Girard College and the semi-annual examination of Central High School; and local trades, including iron, lithography (P.S Duval, p. 34), dry goods; bankers and the 1846 and 1848 reports of the Philadelphia Board of Trade; and the management of the city's dog population in 1848 (p.52-3). Editorials discuss the 1848 cholera epidemic, including brandy as "cholera medicine"; a sociological "View of Chestnut Street" (1845); Philadelphia architecture; and the city's commercial superiority over New York, including the book trade. Scrapbook also contains price lists; "'poetry' cut from obituary notices in the 'Public Ledger' "; columns from the series “Philadelphia Sights from a Steeple. Written for the North American”; “Benevolent Institutions” (1849); and “Letters from Philadelphia. From the Boston Atlas (1838) and a small number of graphics. Series topics include Philadelphia Institution for the Instruction of the Blind, the Orphan’s Asylum the public squares and schools, Chestnut Street Stores, the book trade, and museums and galleries. Graphics include the illustrated article "Philadelphia As It Is" depicting a caricature of an omnibus driver and vignettes showing the Fairmount Water Works, the Farquhar Building, Blue Anchor Tavern, and "Kriss Kingle's [sic] Head Quarters" (advertisement for Parksinson's confectionary)., Several of the contents annotated with a date., Wood engraved periodical illustration "The Hall of Independence, as Arranged for the Reception of the Remains of the Late Hon. John Quincy Adams." pasted on front free end paper. Print includes amateur hand-colored details. Cut out printed “Philadelphia” pasted below the print., "Index to set in back part of vol. XI.", Photographic reproduction of Faden’s "Plan of the City and Environs" (1747) removed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1822-1862, bulk 1855-1856
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 6 [(6)2526.F]

Title: Jaynes' Hall, Chestnut Street below Seventh
Description: View showing Jayne's Hall, an office building built in 1856 for patent medicine manufacturer Dr. David Jayne, at 625-631 Chestnut Street. Also shows Jayne's other office building, Jayne's Marble Building (615-619 Chestnut, built 1860) and adjacent businesses, including Rockhill & Wilson, clothiers (603-605 Chestnut) and the Bulletin Building (607 Chestnut, built 1866). Jayne buildings tenanted by: Atwood, Ralston & Co., carpet manufacturers and merchants; Farrel, Herring & Co., safes; Furness, Brinley & Co., auctioneers and merchants; Keystone Collar Company; Lafourcades Bros. & Irwin, importers of cloths, cassimeres, and vestings; Lynch & Fisher, dry goods; Merchant's Express Company; M.L. Hallowell & Co., merchants; Van Deusen, Boehmer & Co., men's furnishing goods; Yard, Gilmore & Co., silk goods. Street railroad tracks run down the street., Orange mount with rounded corners., Title from label on negative., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Union View Co.
Date: [ca. 1868, printed ca. 1885]
Location: Library Company of Philadelphia | Print Department stereo -Union View Company - Streets [P.9189.5]

Title: North side of Chestnut St., extending from Sixth to Seventh St., 1851
Description: Street view depicting businesses along the north side of Chestnut Street between Sixth and Seventh Streets. Most of the buildings include signage. Includes, right to left, the four-story brick building with Blood’s Dispatch and Dr. J.H. Schenck & Co. "Schenck's Pulmonic Syrup" (601 Chestnut Street); the second building of the Chestnut Street Theatre (603-609 Chestnut Street, built 1820-1822 after the designs of William Strickland); the three-and one-half story hotel Bolivar House (611-613 Chestnut Street); Dr. Jayne's Philada Arcade & Dr. Davidson's Arcade Baths (615-619 Chestnut Street); Columbia House hotel operated by Ferguson & Bro. and tenanted by tailor E. G. Dorsey (625-631 Chestnut Street); and the three-story red brick building tenanted by L. Benkert's Boot Store (633 Chestnut Street), "Philadelphia Fashions" publisher Francis Mahan(635 Chestnut Street), and druggist A. Smith (637-639 Chestnut Street). Also includes heavy street and pedestrian traffic, including horse drawn carriages and carts and an omnibus, strolling couples, couples in conversations, and a newspaper boy at work., Title from item., Date inferred from commission date of other drawings in collection., Inscribed in lower left corner: 1851., Retrospective conversion record: original entry., Library Company. Annual Report, 1975, p. 6-11., Watercolor commissioned by Philadelphia antiquarian Ferdinand Dreer circa 1880 and probably based on Julio H. Rae's Philadelphia Pictorial Directory & Panoramic Advertiser (Philadelphia: Julio H. Rae, 1851) plate 9, north side and plate 10, north side.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.44], http://www.brynmawr.edu/iconog/evans/files/plc044.html

Title: North side of Chestnut St., extending from Sixth to Seventh St., 1851
Description: Street view depicting businesses along the north side of Chestnut Street between Sixth and Seventh Streets. Most of the buildings include signage. Includes, right to left, the four-story brick building with Blood’s Dispatch and Dr. J.H. Schenck & Co. "Schenck's Pulmonic Syrup" (601 Chestnut Street); the second building of the Chestnut Street Theatre (603-609 Chestnut Street, built 1820-1822 after the designs of William Strickland); the three-and one-half story hotel Bolivar House (611-613 Chestnut Street); Dr. Jayne's Philada Arcade & Dr. Davidson's Arcade Baths (615-619 Chestnut Street); Columbia House hotel operated by Ferguson & Bro. and tenanted by tailor E. G. Dorsey (625-631 Chestnut Street); and the three-story red brick building tenanted by L. Benkert's Boot Store (633 Chestnut Street), "Philadelphia Fashions" publisher Francis Mahan(635 Chestnut Street), and druggist A. Smith (637-639 Chestnut Street). Also includes heavy street and pedestrian traffic, including horse drawn carriages and carts and an omnibus, strolling couples, couples in conversations, and a newspaper boy at work., Title from item., Date inferred from commission date of other drawings in collection., Inscribed in lower left corner: 1851., Retrospective conversion record: original entry., Library Company. Annual Report, 1975, p. 6-11., Watercolor commissioned by Philadelphia antiquarian Ferdinand Dreer circa 1880 and probably based on Julio H. Rae's Philadelphia Pictorial Directory & Panoramic Advertiser (Philadelphia: Julio H. Rae, 1851) plate 9, north side and plate 10, north side.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.44], http://www.brynmawr.edu/iconog/evans/files/plc044.html

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

Title: Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
Description: Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]

Title: "Saturday Jaunts: One-Day Holidays Spent Near the City" by the Ledger Monastery
Description: Volume composed of reprinted "Saturday Jaunts" columns (spring and summer 1891) and 25 photographs documenting the one-day excursions of the "Saturday Jaunters," employees of the Public Ledger in Philadelphia. Saturday Jaunters (identified with "monkish" pseudonyms) referenced in and authors of the columns include Bonifacius (William E. Meehan), Benedict (Addison B. Burk), Chrysostum (Joel Cook), Angelo (John J. Mckenna), Damon (Charles S. Spangler), Photius (Edmund Stirling), Friar Tuck (Edward Robinson), Constantius (Stephen J. Burke), Pius (Israel F. Sheppard), Sacristan (C. Johann), Fabian (Dr. William H. Burk), Medicus, Ananias (Collins W. Walton), Titian (John A. Johann), Cephas (Peter J. Heborn), and Brother Alban (Captain Robert C. Clipperton). Contains the columns: I. Marble Hall and Spring Mill. II. A Visit to the Coal Fields of Pottsville. III. A Trip along Cresheim Creek and the "Happy Valley." IV. A Roundabout Journey to Edge Hill. V. A Pilgrimage through the Gulf and to Belvoir. VI. A Pilgrimage through the Gulf and to Belvoir (Continued). VII. A Pleasant Pilgrimage into New Jersey. VIII. A. Walk Up the Wissahickon Valley. IX. A Trip to Reading and Its Grand Environs. X. The Soapstone Quarries and Rockdale. XI. Villanova and Its Vicinity. XII. Glimpses from a Car window of a Picturesque Country. XIII. A Trip to Mount Gretna and the Cornwall Ore Banks.

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